Bubba Sparxxx Part 2 - StoryTime with Legendary Jerry

Bubba is interviewed for StoryTime with Legendary Jerry.

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Episode Transcript

Speaker 1 (00:00):
M h.

Speaker 2 (00:15):
What happened with the Endoscope Jimmy relationship? When did it start?

Speaker 1 (00:19):
Well? Deliverance, you know, the second album, so basically to
set the scene, all right, so Ugly comes out goes
number one. Uh. I had the record with Jada Kiss
which was big, the the Archie record Rest in Peace
Archie Ever so we ready remix, it's we ready. You
know what I'm saying. It was the remix.

Speaker 2 (00:41):
So that's considered the original verse.

Speaker 1 (00:43):
I mean it is. I mean, like you know, it's
it's it's it's the one that gets you know what
I'm saying people, I'm viewed to be on that song.

Speaker 2 (00:50):
That's a that's a slick, slick ass verse.

Speaker 1 (00:53):
That's but that that verse and that song. At that time,
I was the biggest I have ever been or will
ever be in Atlanta, Georgia. And that been a lot
to me, you know what I'm saying, Like in the streets,
you know what I'm saying. I performed, you know, when
Kujo had his accident I'll never forget, you know, and
we had a fundraiser, you know, and t I was

(01:14):
there where he had dope boys in the traut. You
know what I'm saying, and we performed those two songs right,
and it was neck and neck, which one people was
most hyped about, you know what I'm saying. And so
I'm looking at going into my second record, second album,
I'm thinking, oh man, we're gonna capitalize on on the
urban you know what I'm saying. Well, because I'm thinking, like,

(01:34):
all right, Tim's gonna do half the record this time.
When we get a little John, I'm gonna get Tube whoever.
You know what I'm saying at the time, like I'm
gonna do like a classic southern hip hop album. Tim
changed all that when he played me, uh, one record
is a song off Deliverance called coming Around See You
Come in Around the Band. It's like a bluegrass sample.

(01:58):
But he had freaked and dropped that it was so
dope man, and he was like, he wasn't going for
the plan I had. He was like, listen, he wanted
to roll the dice on selling ten million, you know,
and and going. He said, let's make the album that
sounds the way the ugly video looked, and let's let's

(02:18):
go deeper into explaining like let people know it's not
a joke, which was credible to me. And we went
that way, and you know, we we created what we
planned in the seas that would sprout and become a
whole new sub genre, you know with you know, country
route like as we were talking about earlier. But it
totally took me away from I remember even we went

(02:39):
out to Jimmy's office to play him, uh Deliverance the album.
He heard it all He's like, all right, we're the
club songs, no club songs really on that. And so
Tim was like, there ain't gonna be no club songs,
you know what I'm saying. This is what we're doing.
And they finally came around and we put out the
album and it was very crit claimed and you know,

(03:01):
but once again, if platinum wasn't good enough by the
interstupt standards, what was four hundred thousand go be? You
know what I'm saying. And not to mention at the time,
Miss Jade had come out shout out to Jade one
of the dopest female in season of all time. Uh,
but her project based on the Interscopte standards under before now,
she wasn't given the same chance that I was given.

(03:23):
That's you know what I mean. They didn't press the
button for her, like yeah, and she had some great feats,
she had a jay Z feature, she had a Missy feature,
but you know, for whatever reason, it just didn't connect.

Speaker 2 (03:36):
And uh, the relationship.

Speaker 1 (03:40):
And at the time, and Tim would be the first
to tell you this, I think you would. I was
green and not really ready to be the man as
an artist. But he was totally unprepared for being a
boss at that time at that time. And and I
think he would because if you think about it, be
club and then he had his real success later on
as mostly music. That was his second deal with Jimmy,

(04:02):
you know what I'm saying, after a period, you know,
of multiple years of not being with Jimmy, and so
you know, it was Jimmy gave me the option to
staying on Interscope, you know what I'm saying. But at
the time I'm looking at it like, well, I had
being Biggs related, big Boys relationship had really started to
grow and flourish, and and we had taken a trip

(04:23):
to London and we were like really already talking about
because I kind of saw the handwriting on the wall
at Interscope with that situation, I was like, man, be
great to come back, come back, home, you know what
I'm saying. Right with the DF and UH and Tim
so and Tim was going off on Jimmy and stuff
like that, you know, and it was so Tim at

(04:43):
that time was gone. You know what I'm saying. Jimmy
was not wanted to be in business with Tim anymore.
But he gave me the option to stay in. But
I'm looking at the situation G Unit's come in now
fifty cent uh. You know, if there was a period
of interscope there where it looked a whole like if
you weren't after mad G you did shady, then you
were kind of working against the system. And so I'm

(05:06):
thinking about being in that building solo Lolo, you know
what I'm saying, because this is my brother. Polo was
coming in. He was about to have some muscling there.
But this was the end between period. So there really
wasn't anybody from the South or anybody I had a
relationship with it was going to be in that imprint role,
you know. And even though he gave me the option
to stay and I said, I'm just gonna take my
walking papers and so, but me and Tim were originally

(05:29):
supposed to be going to death. Jam is what I thought,
but that was a period kind of a dark period
for Tim where he went to Miami and that was
he was his weight. He was really heavy at the time,
you know, around the time of the Fade the Black video,
you know, when he was in there with jay Z
and and he kind of just went silent for about
six months to a year, you know, at a very

(05:50):
crucial time. And that to me, that just about me
and the guy had talked on the phone every day
for two or three years at that point, and it
goes just cultiple months. I can't get touched with him.
And it's at that critical juncture too. You know. He
had told me not to really do shows, kind of
lay low and we was gonna come make this big
return or whatever. And uh yeah, it was a crucial time, man.

(06:12):
You know what I'm saying, because after Delivering I wasn't
getting the same type of show love. You know what
I'm saying from from the Deliverance project that that I
gott with Ugly being on to go in the nightclubs
and perform Ugly four times and get twenty rags. You
know what I'm saying. I had kind of started, uh
take going the route of performing on college campuses for

(06:33):
seventy five hundred and taking a band, you know what
I'm saying, stuff like that, and uh, and so, but
I had to shut everything down and then being big
er building this bawn and then here comes Vision Records
and Purple ribbing.

Speaker 3 (06:46):
Before we get into the big and purple ribbon stuff,
What was you and Timlin's relationship like?

Speaker 1 (06:50):
Now we're cool? Yeah, yeah, it's it's it's I wouldn't
say that we're We're on the not on bad times,
you know what I'm saying. We were just the communications
not like you know, I don't. We don't have a
lot of common you know what I'm saying. I called

(07:13):
Jimmy I if I had USNB anytime I've seen Jimmy
because I spent a lot of time when Polo was
you know, Polo and Jimmy were really really Polo's my brother,
and so I spent a lot of time out there
in l A during that period, and you know, be
a Jimmy Yeah, I man, there's some funny stories that

(07:34):
we share. But but uh, and Timberland is a part
of that too, you know. Uh, there's there's there's been
a lot of times with Tim where uh, just to
just to to put it, put it lightly, you know. Uh,
words didn't match actions. You know what I'm saying a
couple of times. You know what I'm saying.

Speaker 2 (07:54):
I think we've experienced that a lot of this business.

Speaker 1 (07:57):
Yeah, and so it is what it is. But the
man did way too much for me, taught me, way
too much for me to ever harbor like overall hell
wheel towards it. I'm so grateful and loved the guy,
and he's got a brother and be forever regardless.

Speaker 4 (08:10):
Of how he feels about be In hindsight, I'm looking
at it now, just thinking about it, like you had
a vision and you're the artist, you're the creative, and
you were saying, I wanted to create this sound go
with dungeon and sofa, and the label.

Speaker 1 (08:20):
Said do it this way.

Speaker 5 (08:21):
A lot of artists I seen tell that story. Looking back,
do you think you probably should.

Speaker 1 (08:26):
Have went with your original plan? Well, it's twofold because
on one side of it, you wouldn't. You don't change
history because if you do, you start pulling out blocks
in the foundation that you could change. I could be
dead now, you know. But the other side of me
is like, yeah, I would like to have seen maybe
what would have happened in so altered the universe if

(08:47):
I had just done what the fuck I wanted to.

Speaker 5 (08:49):
Did you ever get a chance to work with TOUMP?

Speaker 1 (08:51):
Not really do? Look, and I just say he was
an example, you know when I said that earlier, like
but man, I love too, but I love it sounds
like mother. What you know is is my favorite TI
record ever and and top ten favorite hip hop is
that dude? But uh yeah, so you the house and
then you know, like I said, being come to Big

(09:12):
Boy been great friend. Yeah, you know what I'm saying,
And and our relationship was only getting tighter because at
this time, you know, uh, this is like speaker Box
love below time and Dre's kind of going. So you
know what I'm saying.

Speaker 3 (09:25):
It's kind of because when I first met you, I was,
you know, I was working at the quiment I run
in the promote radio promotion, and then when they was
transitioning to Purple Ribbons when you was coming in.

Speaker 2 (09:34):
Yep, So you know, with all that I was, I
was going to work for Steve Rifkin at that time.

Speaker 1 (09:39):
I do remember that now.

Speaker 3 (09:40):
Yeah, so you know when I heard the records. I
was like, oh Ship, I mean, of course I knew
you from you know, the records from before, but I
was like, you was gonna come back with a.

Speaker 1 (09:50):
Bang, Yeah, but by the records being ret made, like
getting ready for that, Yeah, yeah, no doubt.

Speaker 3 (09:55):
So you know, I look at you coming into Purple
Ribbon when you was coming into for one. Did you
like hollered Tim and say, man, this is what I'm doing?
Or was it at that point we were.

Speaker 1 (10:06):
To really communicate, you know what I'm saying. It was
a situation where he had kind of gone silent and uh.
And then at the end, like when it was like
everything had been agreed to basically and we were about
Tim did come back in briefly, and he he it
was kind of fucked up because he kind of his

(10:26):
energy was kind of like he wanted he was kind
of seeing me with cast or with me, you know
what I'm saying, And they were just the biggest things
in music, and it was he wanted to be a
part of it, kind of like and I really couldn't
make that happen at that time, you know what I'm saying,
because I would have loved for Timberlando have been but
we were already too far into the process, and you know,

(10:47):
Big wasn't really he wasn't really you know, trying to
do that to collaborate at that time, you know what
I'm saying. And so it was what it was, and
I think Tim did feel a way. Even though Tim
didn't do a track on I made sure that that out. Yeah,
now I paid him. I was top Timberland dollars. I

(11:08):
wasn't paying the one twenty five that a lot of
people were paying sixty five Yeah for a record that
wasn't even really that great, but anyway, but still just.

Speaker 2 (11:18):
Out of respect, I mean, and I wanted him to feel, you.

Speaker 1 (11:21):
Know, good about it, and and uh and I you know,
it wasn't like b for anything, but I think maybe
there was some but I had some feelings about him
not talking to me for multiple months, so you know,
and and there were a couple of things that lingering
from the the time that we were together that it happened,
you know. But at the end of the day, I

(11:42):
would say as far as just to put a bowl
on the Timberland thing, like we're just different kind of people, man,
you know what I'm saying. And there's on some levels
our ship don't mix. But you know, like I said,
it's still all love. So anyway, here we are and
and and Virgin Records shout out the mas Aletic who
was who was the line? Lionel was there at the time.

(12:06):
Uh it was Linel's last was written hour and he
was He's one of those legendary radio guys too, but
he was like vice president of Virgin and master Letic
was like the youngest CEO ever.

Speaker 2 (12:18):
He was on one Matt in a group he was.
He produced like several fans.

Speaker 1 (12:24):
Yeah, so when I had my I had my deal
over there at the same time, like like like you said,
like smashing passion.

Speaker 2 (12:30):
Like he had done some big rights. So I was like,
I felt good about being over there because I said.

Speaker 3 (12:35):
The label was ran by the guy that knows music,
because a lot of these labels are run by being counters.

Speaker 1 (12:42):
But then he got kicked out of there like right
after we signed. But but but before he left, he
backed and brings truck up to be a big boy.
You know, he really did like I could at the time.
I don't know, I hear all these fake numbers of
what deals were, but I'm gonna tell you somebody just
come put seven figures in your pocket, you know what
I'm saying, Like, that's that's strong. And then and then

(13:03):
you still got another seven to make a record with.
I mean, that's he that's all right.

Speaker 2 (13:07):
But that's quite all right.

Speaker 1 (13:08):
I mean when you talk about quite right, and that's
real numbers, that ain't that? Ain't you hear these exaggerated
tales of what the whole deal with all the marketing
budgets and all that shit, you know, But the bottom
line is this is we were rich at that time.
I had been rich, but but I was real rich
at that time, and the big boy got richer, you

(13:29):
know what I'm saying. And then the thing was is
we already being Rick had already done three quarters of
the album, you know what I'm saying. And so I
got them paid, got DJ paid, and then here we are,
we're looking for the hit, right and this is this,
This tells you how funny the world is. So we
put out the record to be produced, which was called

(13:50):
a Little Gratitude. Yeah, and it didn't it didn't go.
Then we put out a record that I loved to
this day, the Other Side, produced by Organized Noise, featuring
Sleepy Round and Pete Poblo and that was cool to
get Pete Poplo on the Organized Noise track. But uh,
and both of the records were dope. The Tim record

(14:11):
was dope too. But I always tell people back then,
we take it for granted now because we can access
fans directly via a social media page. At that time,
if you didn't make it fit a M every radio
uh TV like M t V, B and T, you
would the actual CD or.

Speaker 2 (14:30):
You had to make it fit within those mediums.

Speaker 1 (14:32):
And and you know, radio is a very peculiar thing,
you know what I'm sa And so neither record worked
short story long, and so I'm down to my third
strike after getting all this because they're not gonna roll
out songs like singles them. So I'm a third strike basically,

(14:53):
And we got to figure it out. And Eddie Weathers
ain't coming in, Yeah, Jermaine had come in president, yes,
and uh, he had the idea for me to work
with mister Colly Park and I was I had a
relationship with the Smurf. Yeah, Man Smurf, Save Smurfing. Be

(15:15):
Twins saved my life man like at that time, because
I had accuse that single with and so you know,
I and by this time, I've been signed to Virgin
for over a year, you know what I'm saying. So
I just spent a lot of money, you know what
I'm saying.

Speaker 2 (15:30):
And I ain't out a budget, but I know that
ship was doing a lot of.

Speaker 1 (15:34):
Things, you know, multiple homes, family with home, you know,
stuff like that. And so I had to figure it out.
I needed a hit and I needed to get and
I was like, I ain't trying to go to deliver
you know, fucking college alternative route. I'm going back to
the clubs and picking up that twenty you know what
I'm saying like that, And so being Smurf went in
and we did dow Booty my first verson. We did

(15:56):
the Hook the first.

Speaker 5 (15:57):
Night Platinum twenty one.

Speaker 1 (16:00):
Yeah, that's what we started him and uh and man,
it was just a cool experience for the jump man.
Like uh, Smurf is, he's got this presence about it. Man,
it's he don't he have just a good It's just
he's one of the best human He doesn't get credit
period because he dude, he's just so cool. But when

(16:21):
you really start looking at the numbers and you start
looking at influence. You know what I'm saying, it's the
college Park, but he was he either championed or created
or you know, was a part of or have everyone
look at it. We get into the Soldier Boys, all
that type of stuff.

Speaker 5 (16:35):
Just a testament to the College Park.

Speaker 2 (16:37):
Like yesterday.

Speaker 5 (16:38):
Okay, so this sexy red video with Drake's Soldier Boy
that samples.

Speaker 1 (16:42):
Holly Berry College Park.

Speaker 4 (16:43):
Right then, Just Peacock has a movie with Melissa McCartney.
They're playing Miss New Booty.

Speaker 6 (16:50):
Welch's juice had was it Miss New Juice Juicy? They
remixed it was this new fruit new Fruit. The remixed
this fruit there something.

Speaker 1 (17:01):
But yeah, we got we were paid handsomely for all
that stuff, you know what I'm saying. And it's been
in about twelve movies. I forget all the Light but
uh uh, what's your name? Yeah? Chloe Bak Chloe that Yeah,
Bailey Bailey her her song treat Me, you know help

(17:22):
being a Twins and Smurt were on a portion of
that song because they y'all still yeah, and and it
doesn't stop there. I mean a lot of people have
sampled it, but it yeah, and it's their biggest song
in terms of like arguably in terms of like pop
you know, cultural like phenomenon type ship.

Speaker 5 (17:41):
You know, it's a ribbon one.

Speaker 4 (17:42):
You you glossed over with you, I mean because you
said radio is how to fit back? Talk about Claire
mount Lounge, you and killing Mike that infamous.

Speaker 5 (17:52):
How did that get inspired?

Speaker 1 (17:54):
I was saying this to somebody earlier this week. We're
talking about Clairemunt Lounge, and I said, it's amazing when
I think about all the music to being Rico Wade
and organized Noise and done over the years, and all
the thought and time and particulous attention to detail that
went into all the music that we made, like this baseline,
get this player to play it this way, and ship

(18:16):
like months literally on single songs. And then to think
that the song that we did together that arguably had
the greatest impact took about seven minutes to make, you know,
And that's it's crazy, you know. And the story behind
clairemont loungees that I was dating a girl, or I

(18:37):
started dating a girl and she was like very tracked.
We ended up dating for a couple of years, and
uh it was she was the first girl that I
had ever had since I became like a rapper or
whatever that I had really tried to make my girl,
you know what I'm saying. And so I was beating
her family and stuff, and her brother was coming in town,
and uh, they were going to be at the Claremont Lounge,

(18:58):
and basically I was trying to time it perfectly. I
was at the Dungeon, just hanging out, and I was
trying to time it perfectly where where I wouldn't have
to get there so early that I would have to
just like spend too much time with her bro, spent
too much money or whatever. I was just kind of
crabbing and uh and being g Rock Superstars shotting Man
my dog from the flat Lands man from Shamdune the organization,

(19:22):
and we're there, me and him are just clowning. He
you know, he was my hype man for multiple years
and uh, it's my brother to this day. And we
were we were we were just clowning, you know what
I'm saying. And I was like, I fit the bit
up at the clam lamb and he was like, that's it, Well,
that's it. Yeah, So I dropped it and and just
vibe through that first verse and then uh, and then

(19:46):
I forget, like the next day literally like we sent
it to Big and uh, and I was kind of
hoping he would get on it, you know what I'm saying,
It's really what I was thinking. But before anything could happen,
I think Chiller was there, you know, with him and
like that same day, like the verses that like they

(20:07):
sitting back with Chill, you know, that's when he was
hungry at that time. And it was like to me
to this day, arguably killing Mike's hard as verse verse
hardest song hard because I came on that bitch. I
came on there with a certain like you came on yeah,
but he can't. But based on like so I come
in like setting a mood. He came in like with

(20:30):
the feature type verse, you know what I'm saying. Then
Kool Brees did his thing too, man, it was all
I was honored. I had always wanted to do a
record is one of the like him and wished doctor both.
But but Cool Breeze like as far as like my taste, man,
I love Cool Breast points greatest.

Speaker 7 (20:50):
Sou I love that the cow hon I love his
whole energy, like you know what I'm saying, Like watching
the hook right to his house on the same now
the window of the course that playing what you say,
like he just.

Speaker 2 (21:05):
Doctor was hard to he was spiritual.

Speaker 1 (21:07):
Man. I loved Doctor. I love him to life man
for sure. Man, I love the Dungeon family period.

Speaker 3 (21:28):
With the business with UH, with Big Boy and Purple
Ribbon overall. How would you how would you say the
business was?

Speaker 1 (21:35):
I would say that UH Big and I were incredible friends,
and business did to some degree changed that. But I
what I am willing to do is accept most of
the responsibility for that because it was just kind of
one of those things where once, once we were doing

(21:56):
business together, we couldn't quite get and stay on the
same page. It's like we both were partiers, you know
what I'm saying, And like it's like the two days
he'd be up and partying would be the two days
I was crashing, and then the two days I was
partying would be the two days he was crashing. And
we just couldn't get on the same page. It was,
you know, and it was very frustrated. But I was
dealing with with an addiction to UH, to painkillers, to

(22:18):
prescription painkillers at the time, you know what I'm saying,
And it was and there was a promo tour that
uh that the whole label was supposed to go on
and and and I refused it. I declined. And the
reason for that might have appeared like I just thought
I was bigger than everybody. It was really that I
had an addiction to the pills and I was scared

(22:39):
to death to leave and not be able to get
the pills. You know what I'm saying. And and uh
so that's tragic, you know what I'm saying. But uh, I,
once again, man, I have so much love for being
you know what I'm saying. And uh only to mission
is outcast my favorite thing, you know what I'm saying. Ever,
you know what I'm saying, Uh, I think the Big

(23:00):
Boy is heavily slept on in the outcast dynamic because
the outcast that I know that I love first three
albums Outcast Big Boy was a heavy, heavy component and that,
you know what I'm saying, like Elevator.

Speaker 3 (23:15):
A lot of times Big and I was just having
this conversation a few months ago. When you have such
a big personality like an Andrew three thousand and then,
don't get it wrong, Dream three thousands, one of the
dopest lyrics ever to touch a microphone.

Speaker 2 (23:27):
But let me tell you something, that motherfucker Big Boy Boy,
that mother fuck.

Speaker 1 (23:31):
Big And to think this always blows my mind to
think that at one time Sea Low was in fucking
I mean, we're talking about three the greatest, no matter
what standards, the top twenty five lyricists, Big Boy Seo and.

Speaker 5 (23:51):
It says Big and Sea Lower better rappers than him on.

Speaker 1 (23:53):
Other group has even two come on, you know what
I'm saying, Like I'm trying to think who.

Speaker 2 (23:58):
Big Boy is.

Speaker 3 (23:59):
Definitely I'm glad that lately he's been getting the claim.
But as a lyricist, Big Boy man he hard.

Speaker 1 (24:08):
He just left. Yeah, I mean the solo albums he
held it down period. But but but when you go
back to like outcast like man like Atling is my
favorite album ever in hip hop, you know ever period
of the genre, and man Biggs versus like Killing Wheels
are Steve Man come on mind.

Speaker 2 (24:29):
Idea, But I sat to go to that, go to
that equiminal album.

Speaker 5 (24:35):
Criminals.

Speaker 1 (24:36):
Yeah, but that's when Dre started taking off though, like
like right off the bat return Return. Like to this day,
I can't understand that flow.

Speaker 2 (24:46):
He was like trying to get that.

Speaker 1 (24:48):
You know what I'm saying. I'm almost thinking that he
did that originally to a different beat or something that
and they put it on because I mean, that's like
one of the dopest, most offbeat on beat things ever.

Speaker 3 (24:57):
I listened to this verse dre has on the Idle
Wild soundtrack Divorce. What's the phobia kobe chroynophobia, whatever it is?
Afraid of time?

Speaker 1 (25:12):
Uh?

Speaker 2 (25:12):
This song on that? Don't let me verse on there?
So motherfucker, I just keep bringing it back.

Speaker 1 (25:19):
It's b I'm embarrassed that I have, maybe because I
tuned things out a little bit of that time, because
I got a little I got a little disillusion with
with the love blow and stuff because you know, I
just like rapping, you know what I say?

Speaker 3 (25:32):
So back you we go real quick circle back to
the addiction standpoint, and it's all you know, And I
told you this off camera America.

Speaker 2 (25:41):
People love a comeback story, man, and you just you know,
like you said, you was down and out on the pills.
Was it was it just peels? Was it powder?

Speaker 1 (25:50):
I've done every drug except PCP mm hmm. Yeah. And
only reason I ain't done PCP because it wasn't nobody
around me with it. But you know what I'm saying,
I never have been an intravening drug user. Yeah, you
know what I'm saying. So I've never shot up anything.

Speaker 2 (26:04):
How many years was it when you was like down down?

Speaker 1 (26:09):
I mean, I don't know. I mean it's because it's
never like it's not like on and off, you know
what I'm saying. Like it's it's not like it's just
so black and white. It's like gradual slope up, the
gradual slope down, you know what I'm saying. So I
say it's probably about five years where you know, a
total where I was worthless.

Speaker 2 (26:27):
So that's a lot of money, useless iss tits on
the boards my daddy. So so that's a lot of
money lost, bubba uh family.

Speaker 1 (26:37):
But even more so than that, man, it's just because
like the reason that I still push forward with this,
with this pursuit, you know what I'm saying. The reason
I'm forty six years old and I still write raps
every day, literally every day. And the reason that I'll
tell you what's different from me and other people that

(26:57):
do music or you know, MC's that a or get older.
Is that my sword continues to get sharper and sharper.
And that's really because what I'm chasing is fulfilling my potential,
you know what I'm saying. And when you wake up
certain days and you know you're coming in very low,

(27:17):
you know what I'm saying, As far as like basically
what you know you're capable of. I firmly believe I
could have done anything in this world. I could have
been a senator, I could have been a lot anything,
you know, maybe with a little prodding and little support,
which I never received. But just I just my aptitude

(27:37):
is off the charts, you know what I'm saying, Like,
and uh, and my spirit is pretty big too, you
know what I'm saying. And you know, it's just no
feeling like that. You you feel like at a certain
point you just spend in the creator's face, you know
what I'm saying, because you're doing so little with what

(28:00):
you've been given, you know, And so I still just
want to fulfill my potential, man, I really do.

Speaker 4 (28:05):
Like and uh, did you see Eminem kind of went
through the same thing with Addiction re Left album.

Speaker 1 (28:10):
Yeah, but but you know it's and I mean, I
don't take anything away from Marshall on any level. Man,
He's always shown me love and I really want to do.
One of my goals for twenty for the next eighteen
months is to do a record with him. Deal. But uh,
recovering is a is a little less tricky on private planes,

(28:34):
you know what I'm saying. You know, when you when
you still are going in fucking sweaty as night club
and see, I would say, you know what I'm saying, like,
and you know you yeah, I mean like when you
still really trenched out with it, you still really like
you know, in the trenches with it, like and I'm
not making excuses, I'm just saying, it's a totally different experience,
you know what I'm saying. And it's when you can

(28:55):
fly in the specialists and you know all that type
of stuff. You go to rehab. I've been to rehab
a couple of times, and uh, and I am a
proponent of of rehab. Absolutely, Sometimes you need to be
locked away.

Speaker 2 (29:09):
You know, for away from the people that you was
down and from the drug.

Speaker 1 (29:12):
You know what I'm saying. Sometimes you just or whatever,
you know what I'm saying. But but addiction, that's a
huge misconception. Addiction is not about drugs. It's about avoid
you know what I'm saying, and a person which I
definitely have in mind. And the drugs or or the
casino or the cheeseburgers or the pussy or whatever it is.

(29:33):
You know what I'm saying, you you we can anytime
I'm trying to feel that internal whole. Look, I'm seeking
an internal solution with an external factor. You know what
I'm saying. It's you know, the spiritual solution is the
only one, you know, the only one that's gonna that's
gonna a man of.

Speaker 3 (29:50):
That story time of legend, Jerry new facebre this is
a great, great conversation before we get out of him.
I got actually to of course, if you had to
pick one producer out of all the producers you work with,
who is gonna be.

Speaker 1 (30:08):
Just one?

Speaker 2 (30:08):
You only pick one producer and the.

Speaker 5 (30:09):
Whole album of a rapping and one producer.

Speaker 1 (30:12):
I just can't make that determination because based on just
strictly like Timberland is the best beat maker. Now he's
a great producer, don't get me wrong, but there are
better producers. When we're talking about what a producers work with. No,
but I'm talking about this I'm talking about I'm trying to.
I have to preface this by saying, so if we're

(30:32):
talking about just the.

Speaker 2 (30:33):
Beat to go conquer the Marshals, go do an album.

Speaker 1 (30:37):
But I need Rico Wade because and I need college
for I can't. I can't do it because from one
to three, because they all bring something. So they did
distinctively different and special to the to the to the party.
I guess if you made me pick one, it'd be Tiam,
It'd be Team just because because I know that there's

(30:58):
a lot of big play potential there.

Speaker 2 (31:00):
Okay, okay, there we go.

Speaker 3 (31:03):
Jerry Clark, new face, Bubba spars and we got it
before we get out of here, look out and said
that twice us being a huge new face.

Speaker 2 (31:11):
He gonna have you'all got a.

Speaker 1 (31:12):
Time Clark or something.

Speaker 3 (31:13):
Motherfucking look in here. But new fa is gonna have
to exit. He don't know who don't know? And me
and you we George Bulldof, we say you go again.
Hunker down, hey man, don't this again.

Speaker 2 (31:30):
Feel like a special year? Man Carson back, all the
weapons we got.

Speaker 1 (31:35):
They all feeling special to me since ninety nine, I
don't know, I mean, yeah.

Speaker 2 (31:39):
They all special, but twenty and twenty one was special.

Speaker 1 (31:42):
Man. To get that feeling like, I had to kind
of watch a couple of games. I know on paper,
you know what I'm saying.

Speaker 2 (31:49):
We gotta gott a rough schedule this year, though.

Speaker 1 (31:52):
Man, man, I ain't nobody worry about Texas. If I
and we can beat them Bambers, if the folks over
here to the west.

Speaker 2 (32:03):
Over twenty twenty west talusive.

Speaker 1 (32:05):
If we can, if we get like that's just like
I said, the person who had our mind he gone. Now,
if I could deal with the man of the beer,
that's all that's the biggest hater. I gotta worry about,
the big saving head I head. It'd be what you're
talking about, like like your closest you know what I'm saying,
the closest thing to you. And it's like, man, once
we we're going to get Georgia and what else because

(32:26):
we old Miss, we showed you this year. We bitch
slapped Old Miss because they just don't went through eighty five.
They just don't have I like.

Speaker 2 (32:34):
How we play on the role.

Speaker 3 (32:35):
So that's why I feel confident going into Austin, Texas,
going into Oxford, playing.

Speaker 1 (32:39):
Those teams that's what I'm saying.

Speaker 3 (32:41):
We open up Clemson right here down town, thirty one ten,
thirty one, yeah, thirty one ten, yeah, and it's now now.

Speaker 1 (32:51):
Here's what I will say. What we go to Tuscaloosa
last week September, we win that game, then you gotta
start being you gotta worry a little bit about Texas
and something.

Speaker 3 (33:00):
Then in Texas before and then Texas is after. Okay, yeah,
but we got and then don't forget the trickiest game.
But he is always in Jacksonville.

Speaker 1 (33:08):
Oh and Auburn is gonna be much improved this year.

Speaker 2 (33:11):
We got them at home.

Speaker 1 (33:12):
Now, it don't matter. You just said you like playing
on the road.

Speaker 2 (33:14):
I'm telling you an I said, I like how we
play on them with Hugh Freeze.

Speaker 1 (33:17):
Dude, Auburn is my pick this year to have that
second year coach bounce where they they you.

Speaker 3 (33:23):
Can see because because it's an office of mine, it
ain't too many cats better.

Speaker 1 (33:27):
Than I can see Alburn having that kind of weird
wacky year where they're eleven and one or something. You
know what I'm saying, Like, I can really see that buddy.

Speaker 2 (33:34):
Come to Athens this year, though, But to see comes
to Athens. Yeah, another game.

Speaker 1 (33:39):
Look, another game, another game that worries me. Another game
to worries me, Kentucky? Because are you saying that because
of the quarter what's his name? Saying it because the quarterback,
our quarterback Vander Griffs up there and then middle I
start in middle linebackers. But I'm not just saying it
because of that. I hate it for them. That's all
I can say.

Speaker 2 (33:58):
Is they all you know, they play They physical.

Speaker 1 (34:01):
Man, we're physical too. Yeah what you say what it's
hard to beat us in that game. That's why we
would have beig Michigan this year. You don't play bully
ball with us.

Speaker 2 (34:11):
We're not that the Orange Bowl a couple years ago.

Speaker 1 (34:14):
But then you know what, Alabama is an asterisk because
because of the mental things. So so that mental thing
going even it We'll have to see I hope so.
And I'm gonna step out there on faith just like
you just did and say that.

Speaker 2 (34:29):
Yeah that And part two of what I'm saying is
this the braves too, no matter how much money the
Dodgers spent.

Speaker 1 (34:35):
You know, I was just asking my friend book. I
was just last like we were talking about the braids.
Basically the same as last year. We picked up Chris Sale.
We needed a front end picture like that. Another one yeah,
a dog.

Speaker 2 (34:47):
Yeah, we got from a star in eighth. It ain't
too many and.

Speaker 8 (34:53):
Offenses and I can't but two good catchers. They we
have to be able to get. It's like we got
our last year. We got it last year too.

Speaker 1 (35:04):
You can't. We should have known this. History should have
already told us this that when you hit so many homers,
like when you get the playoffs, when you getting the playoff,
you gotta be able to play small balls.

Speaker 3 (35:15):
Yes, because you see the teams like the Braves and
the Yankees who rely on the three run home and
they get to the playoffs.

Speaker 1 (35:22):
Like that's like, you know, relying on the three points
too much.

Speaker 2 (35:25):
Get to the playoffs, Man, you get cold. And because
the Phillies just punched us in the mouth. Man, that
ship hurt.

Speaker 1 (35:30):
Man, I hate that.

Speaker 2 (35:31):
So motherfuckers too.

Speaker 1 (35:34):
Man, good friends of mine, Ryan Howard and oh yeah.

Speaker 2 (35:42):
That's Phels. That's Jimmy Rollins. I just ran into Jimmy
Rollins in the airport.

Speaker 1 (35:45):
Oh Jimmy Robins.

Speaker 2 (35:47):
Yeah, but they had a squad.

Speaker 1 (35:49):
But man, and so you know, I got love for
the boys. Man, but they still be like the Phillies.

Speaker 2 (35:54):
Like but but the Phillies now, man, they came and
punched us in them. That's embarrassing.

Speaker 1 (35:58):
What happened last year?

Speaker 2 (35:59):
You go?

Speaker 1 (35:59):
You were in one hundred and six games.

Speaker 2 (36:02):
And one one and barely one. That ship it was
an area. Yeah dropped the man. Fuck man, she got us. Look,
we was talking, man, all right, man, they look story.

Speaker 5 (36:12):
No, I got an end on rap because I was talking.
I got I got quich.

Speaker 1 (36:16):
I want to know what I got coming up?

Speaker 2 (36:17):
Yeah, that too.

Speaker 4 (36:18):
But the question that I have, you know, I got
a newspaper article in my bag too, segment and that
that's not.

Speaker 1 (36:26):
From the right rope.

Speaker 5 (36:28):
Bubba is the second best white rapper in hip hop?

Speaker 2 (36:31):
Oh ship?

Speaker 1 (36:33):
Did you sure didn't say second best white rapper in
the world.

Speaker 2 (36:36):
Who was the first m g K they got? Somebody
was the first one? First? It was double XL. You
got open bring us backscratch, got.

Speaker 1 (36:47):
Scratched both sparks backscratches.

Speaker 4 (36:50):
But if we were to put like a mount rushmore
the white rapper, you know, you know your top five
white rapper four. This is like this war of all this,
how we who we're gonna put in this this Mount
Rushmore wrapper.

Speaker 1 (37:06):
One, yellow Wolf, two Bubba three.

Speaker 2 (37:10):
Oh damn, that's.

Speaker 1 (37:13):
That's four, Haystack.

Speaker 2 (37:15):
When they can't be.

Speaker 3 (37:15):
Five, you canna jump five? No, he said, you've been
in North Dakota. You see my Rushmore South Dakota for five?
President up, there is four.

Speaker 1 (37:26):
I don't know, but I don't. I don't think along them.
Damn Russ, I don't.

Speaker 2 (37:29):
See I don't see color.

Speaker 4 (37:33):
You know what.

Speaker 5 (37:36):
I hate that when I hear that, I say saying,
you don't stop at red lights.

Speaker 2 (37:39):
Hey, my dad said, if.

Speaker 1 (37:40):
Somebody says god, I call that a cracker dropper.

Speaker 2 (37:43):
Yeah, don't trust see. I don't see color. So your
Mount Rushmore and white rappers is damn.

Speaker 1 (37:49):
I don't do this, Paul.

Speaker 2 (37:51):
We're just going back on Paul Wall.

Speaker 1 (37:53):
You yellow Wolf and yellow Woe. That's all in the
scope to except Paul Wall. But if people like in
a mainstream sense may not know like all the way,
A lot of people who was just.

Speaker 5 (38:06):
Signed and but like he went and built remember trunk music.

Speaker 1 (38:12):
But that's all people remember though, Like I'm talking about
like since then, I mean, he's consistently put out and
he's still it's hard. Yeah, he's he's just talented.

Speaker 3 (38:23):
Came my house years ago with kPa and performed in
my basement.

Speaker 1 (38:28):
Yeah, they was on that.

Speaker 3 (38:29):
They came by my house and said, hey, KP said,
I want you to meet this new artist that I got.
And I was downstairs in my theater with my kids
and he came back and I came out and I
sat and I said, damn, this dude don't from like Alabama.

Speaker 2 (38:44):
Somebody yes.

Speaker 5 (38:47):
Him DJ.

Speaker 1 (38:48):
You know that's my DJ for watching. That's my little
brother man forever.

Speaker 5 (38:54):
That's somebody else. People didn't know it was white that
he put up in the studio and they're like, oh.

Speaker 1 (38:59):
Hey, hey, you want to ever hear some Gucci main
stories from back in the day. Baron, I forgot the
same chicken talk. Yeah, that's what's next for you, Bubba.

Speaker 2 (39:07):
What's going on?

Speaker 1 (39:08):
You know? To be a polo?

Speaker 2 (39:10):
And don got an artist polo just be coming on
the show man, Hey.

Speaker 1 (39:14):
Man, I gotta do it.

Speaker 2 (39:17):
In high school.

Speaker 1 (39:18):
That's my brother, though, brother, you'll get here at some point.
He's going And uh so we got an artist named
Jeremy Cruz, which I would I would say that he is,
uh what Bubba Sparks was in two thousand and one
in terms of sounding a certain way but like looking
away to make people be like, what the fuck. He's
Daddy's from the middle of nowhere in Missouri, and he's

(39:41):
his sound is more contemporary, but he is man. He
is raw's hell and he looks like a mixed between
Chris Farley and fucking Boogie, very very country. And what's
his name is Jeremy Crew Senor e w is Jeremy Crue.
Then and then my other homeboy, Dusty Lee from Louisville, Kentucky.

(40:04):
The hardest working artist I've ever been around in my life.
Very talented, dude, bossed up dude. He and ire actually
and we've been putting out singles. Uh. We're putting out
an album in June. It's called Im Polite Gentleman and uh.
And Dusty he's like my artist too, basically. You know
what I'm saying. I'm really excited about that I'm on
this table, you know, in power and good ship, younger

(40:26):
people with clean slates, you know what I'm saying.

Speaker 3 (40:28):
And so Big Brown said he wanted wanted you to
plug his fans feet page.

Speaker 1 (40:34):
Yeah, that's right. That's right. Bons my boy Buggy Brown
Boogie Brown's bunions. Hey man, man, We're just kidding, but.

Speaker 2 (40:52):
I wanted to get said he we appreciate you, old cap.
Look I told him, I.

Speaker 1 (40:59):
Said, Dad, you guys are doing a great job.

Speaker 2 (41:02):
Hey, thank you.

Speaker 1 (41:03):
It's not like doing a great job pleas only present
we are.

Speaker 2 (41:07):
Hey man, I appreciate you, Hey man.

Speaker 3 (41:09):
Story Time Legendary, Jerry my brother new face brother Sparks.

Speaker 2 (41:14):
We signing off. Make sure you go on YouTube, motherfucking
like subscribe.

Speaker 5 (41:20):
New website. We got a new website.

Speaker 3 (41:22):
Jerry Legendary, Jerry dot com legend Darry Jerry dot Com.

Speaker 2 (41:27):
Make sure you log on.

Speaker 1 (41:28):
Hey, if you never liked Bubut Sparks music, go listen
to some of my new music. If you don't like it,
I refund your misery.

Speaker 2 (41:36):
I was listening to one record. It's a country well not.

Speaker 5 (41:38):
A country record, but it's hard country rap too.

Speaker 1 (41:40):
This is what is just in closing. In closing, what
I would say is that I was blessed to work
with a lot of great producers early. I've always been good.
I'm great now. I go room by myself making it.
You know what I'm saying. I just don't have the
interscope pushing the button no more. So it doesn't get
quite a notoriety. But I'm a bad motherfucker. If you
don't like it, you better learn and love it.

Speaker 2 (41:58):
But you are.

Speaker 3 (41:59):
Hey, Jerry Clark, new Face, Bubba Sparks. We sign it
off story Time with the legend you heard, you heard,

(42:23):
story Time with the legendary Jerry. Of course every week
new face, new face was there, and I'm gonna let
him jump into his own segment.

Speaker 2 (42:31):
But he's that guy.

Speaker 1 (42:34):
He's that guy. You know.

Speaker 4 (42:35):
When we got to call the bubble was coming, I
just had to go into collection and just pull out everything.
So and you just, you know, tell me why I
would pull something out like this? Why would I pull
out death?

Speaker 1 (42:48):
Jamn? I got paid a pretty pity for that too.

Speaker 4 (42:53):
In the second name, it says bone crushing. It's in
alphabetical no, no, no, they would have had me first.

Speaker 1 (43:02):
Now that's a cool experience, and it pays dividends to
this day's not damn you still not money wise? I
got like I got one hundred thousand dollars I think
for that. And it was basically we went out to
l A and they hook up all these cables to
you and stuff, and it was a cool move. I
didn't count, but but you know, I never played the

(43:23):
game one time and uh, because I'm not a super game.
But the games I did play were like the sport game.
And I had a song on Madden It was very
popular to the Back in the Mud, which was also
the ESPN College Football Game Day theme song talking about camera.

Speaker 4 (43:41):
So we talked about brought because I know, look at
that and they all changed their life in some capacity.

Speaker 1 (43:49):
Damn, this right here the first time I ever heard
or saw outcast or knew anything aboutcast. Watching American rap
makers on a Sunday night recipes rn L Star with
my TV with Bunny Years down in the country in
La Grange, Georgia, and it was snowy, Yeah, it was snowy,

(44:12):
but but they played the Player's Ball video and I
was a Christmas on the uh, and they were interviewing
and I was like, who are these guys in that song?
And I was just like, what the fun? And if
you remember, you know, the Player's Ball? The Christmas version
came out and then it was like forever before the
album came out. But man, we were waiting and anticipating

(44:32):
this album so crazy. I was in the ninth or
tenth grade and uh, man, in my life was I
would not have ever made it if it wasn't for
these in the Dungeon family, you know as a whole,
but but particularly these two special and DJ, you know
what I'm saying. And I know DJ and H. DJ's uncle,

(44:54):
David Sheets down in her County used to come to
my daddy's store, and uh and I thought he was
bullshitting all those years until J when I met DJ,
he confirmed it for me. So I knew his uncle
for a long time. But what else we got? Oh life,
he is too short and that's DJ.

Speaker 2 (45:13):
That must have been Itchy Bond. Yeah, the Itchy Bond days.

Speaker 1 (45:16):
What years is this?

Speaker 2 (45:17):
They had to be ninety three, ninety wait, no ninety six.

Speaker 5 (45:21):
Thug hold that, thank pre Freakingick too pre freaking Nick.

Speaker 2 (45:27):
What year was that?

Speaker 1 (45:28):
What year was that? Let you see that one? It's
funny he kept the same College Park music logo. Okay,
now did you have this? I still got that to
this day.

Speaker 5 (45:38):
Yeah, you talking about the you know, the smash hit
you made with these guys right here.

Speaker 1 (45:43):
And twins Man, great guys, man like they crazy as hell, man,
but definitely crazy. I love them. It's it's unconditional.

Speaker 5 (45:50):
Yeah, we talked about this one, gentlemen.

Speaker 1 (45:53):
Here Yellow Wolf, shout out the wolf Man. We need
to finish that EP was supposed to be an album.
We need to go back in and finish it. Wolf
And he's one of the most slept on. You know,
I've never worked with a person more talented than here
for sure.

Speaker 2 (46:08):
Nineteen ninety eight.

Speaker 5 (46:09):
Damn we oh wow, speaking of bubb we got him
right here.

Speaker 1 (46:13):
Oh yeah, that is that?

Speaker 2 (46:15):
Is that the major label trilogy? Damn?

Speaker 1 (46:19):
What's that one? Oh?

Speaker 2 (46:20):
E w A, this is is still in the rapper too?

Speaker 1 (46:25):
Oh man, Classics Dark Day.

Speaker 4 (46:29):
One of the questions I usually ask people is looking
at in hindsight, looking at the bubble on there, if
you could tell that bubble on each cover or something.

Speaker 5 (46:36):
You know, what would you tell him?

Speaker 1 (46:38):
I would just like push this one in the face
and say, don't miss nothing, go to work, okay, you know,
don't be a fucking weird though, And I would tell
this guy, man, it's guy honesty. Was just doing the best.
He fucking kid at that time. Boy, he was holding
on for dear life. This one right here was doing
the Girls Gone Wild DVDs every night. I mean like

(47:02):
I literally I did a Girl's Gonna w Yeah.

Speaker 2 (47:07):
Really, oh man.

Speaker 1 (47:08):
And so you know this guy, this guy was drug
addicted and he was actually at this time, this exact time,
I had had a personal trainer for about six months
and that was in really great shape. But it's okay
because before New Booty happened, actually happened, I gained back
the way. Speaking of New Booty, Uh, and I always

(47:33):
take this time to get my mama shout out because
she calls me mister few Booty because I don't have
much ass. But anyway, we used to we printed up
a bunch of these shorts obviously back then, and we
sold them. Uh my boy dax Us as my brother,
he was on he was selling my merch out of
the Countess of his heart just to go yeah, and uh,

(47:59):
but we couldn't. We couldn't keep nothing in shorts I'm
talking about. We were selling between dollars pop and we were, yeah,
we were because they were the actual shorts from the video,
and every woman in North America wanted a pair, like literally,
and we couldn't keep it up. We could have sold
him for fifty dollars and talk about we sold probably
ten thousand pair of them.

Speaker 5 (48:17):
Ya in the scopes and the school babies.

Speaker 1 (48:22):
I resent that. Hey, this right here is one of
the greatest, if not the greatest MC of all time,
and this guy right here is just but a humble
civil servant.

Speaker 2 (48:34):
Those are two greatest white MC's of all time right there.

Speaker 1 (48:38):
I can't say that, Oh, shut up.

Speaker 2 (48:42):
In my opinion, yeah, in your opinion.

Speaker 1 (48:44):
In my opinion, yeah, he's one and he's two. Right,
but you know that three dollars will get your coke cola. Yeah,
a bunch of shit man, that.

Speaker 2 (48:59):
Talking about he's straight out the changes. I don't remember,
like you, straight out of in a month.

Speaker 1 (49:07):
It was the source. It couldn't be the source where
fucking you know, like the portal bullet we got that?

Speaker 2 (49:14):
Like you was an alto right there, man, insta.

Speaker 1 (49:17):
Oriole did that photo shoot? You said that? All dang,
it's the verse. It's the verse from uh we the
ship uh A town with with Yeah. If Boba ain't
a stellar fella, y'all just need to measure better. Yeah,
you're skinny and I'm chunking still remember that photo shoot?

(49:38):
Don't interrupt me when I'm wrapping.

Speaker 2 (49:41):
Sorry, sorry, boss, you couldn't let me get to go ahead.
He want to wrap, he's ready his verse it's.

Speaker 1 (49:47):
Not the same now I wanted you while ago. Oh no,
that's a good verse though, for real, Damn, I didn't
never saw this though, I don't miss much. Show you
new face with that man? That's what I man, what
is this? This never happened, and you're gonna get this
printed up created condition there right November two thousand and three.

Speaker 2 (50:11):
Yeah, you can go get it there. They're singing, what
is that new face on that one? That's when he
was in ship like he was.

Speaker 1 (50:17):
Oh no, that was that was very much pain piel guy. Look,
I mean I had on flip flops and like I'm
going to play church Lady softball or something. But that's
a good article. Yeah, close up, Yeah he will whoop
your ass.

Speaker 4 (50:35):
Man, close up, I look like a prison like guards
and almost looked like the four four ones.

Speaker 1 (50:43):
Alright, no, those are I was with the Travis Barker,
uh my homeboy Travis famous Yeah, T shirt, standard operating procedure,
Cardos shorts, Pollo.

Speaker 4 (50:55):
And lasting at least you know the only photo it's
like Christmas Day. The only photo I had prior meeting
his brother, I was felt like I was having I
met my.

Speaker 5 (51:05):
At birthday bash.

Speaker 2 (51:08):
Related which was that this is birthday bash came out
with Archie.

Speaker 5 (51:11):
No this well, I don't know why. This is the
year when Tip got out. This was the flip h five.

Speaker 4 (51:17):
Yeah, because I remember I took the picture and they
was like Tip in the background.

Speaker 1 (51:21):
But that's that year. I don't know.

Speaker 5 (51:23):
Why did you perform Birthday Bash.

Speaker 1 (51:26):
Archie? I did? I performed like this new booty time
you did that? That was what year? That was six? Yeah,
but it was that This was at Lakewood, right, yeah? Yeah,
you know what I did for Hot Hot one O
seven was at Phillips Marina. Didn't they have birthday bas
It went from Lakewood. That was the one I performed
the first one Phillips. Yeah, I had on when I'm

(51:48):
about to take a picture of this reader.

Speaker 5 (51:50):
You had the black crackers, he had what you got
the next church that?

Speaker 1 (51:58):
What's that? You had? The next side kick? Sidekick they
gave they gave me.

Speaker 2 (52:03):
They was doing a lot of promotions. Mobile was with
those with a lot of.

Speaker 1 (52:06):
It was with a video, certain videos that shot for one.

Speaker 5 (52:09):
Hey Man, story Time Celebrate the Legend man stor Hey, this.

Speaker 1 (52:12):
Is cool man, y'all definitely need to keep doing this
section right now.

Speaker 3 (52:17):
All the stuff we was gonna stop at the after
we interviewed you, I was I was just gonna stop off.

Speaker 1 (52:22):
Y'all been doing that with everybody, like bring Christmas Day
like this, I get to keep all this stuff.

Speaker 2 (52:28):
Security.

Speaker 1 (52:31):
Hey, let me see the other one.

Speaker 2 (52:34):
Damn man, should we do it?

Speaker 1 (52:35):
Ship? Look Christmas Day for.

Speaker 2 (52:40):
We're about to sign.

Speaker 5 (52:41):
Up, signing off because we don't made your day.

Speaker 3 (52:44):
You look and look at him. He said, Hey, look mama, Hey,
story Time with Legend Jay New Face is always dead.
Special segment is always great like this, Like Bubba say,
it's like Christmas Morning. So we're about to sign off.
Bubba sparks new Face Jerry Clark while he taking.

Speaker 2 (53:04):
You're gonna tag us last.

Speaker 9 (53:05):
Shotiated story Legendary Ship be out to next week by
love y'all.

Speaker 3 (53:21):
Story Time with the Legendary Jerry is hosted by me,
the One and Only Jerry Clark. Music has been provided
by July the Producer. If you haven't already, please please
make sure you subscribe to Storytime with the Legendary Jerry
on YouTube and wherever you listen to podcasts, and make

(53:42):
sure you follow us on all social media platforms at
the Legendary Jerry podcast. For more podcasts in my heart media,
visit the iHeartRadio app, Apple podcasts, or wherever you listen
to your favorite shows.