June 19, 2024 • 25 mins
Nitti Beatz sits down with Jerry and Nuface.
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Speaker 1 (00:17):
Oh boy, once again, we're here. I am Jerry Clark
aka d Legendary Jerry. This is story Time with Legendary Jed.
I have my brother new face here. The reason I'm
laughing because this brother right here, we got a whole
different new face, We got a whole different type personal relationship. Man,
I love this brother. I respect this brother in a
(00:38):
lot of ways, a lot of ways I look up
to this brother. So we're not even gonna wait to
introduce one of Atlanta's I mean, should I even say
unsung hero because he's definitely a hero. He's definitely a
hero in this music business. This brother, Nitty Beats has
done so much. Man, I want you to welcome this
week's episode story Time of Legendary Jerry.
Speaker 2 (01:01):
Super producer.
Speaker 3 (01:03):
Legendary super producer.
Speaker 4 (01:05):
Man, Man, I appreciate any type of love. Beat Man.
We're still going.
Speaker 1 (01:12):
And Man, you ain't you ain't stopped, and you stay relevant. Yeah,
and you still I know you invited me out a
few months ago, and that was really and and and
don't get mad at me for saying this, but that
was really one of the first times I saw your range.
I knew you had a lot of range. Nitty the
ship you played for me, it wont urban ship, And
(01:36):
I said, new fis. I said, this nigga is doing
this type ship like some other type hop mainstream like
a yeah on your album, where what what?
Speaker 4 (01:53):
Just walk up into your.
Speaker 1 (01:54):
Mind frame man, and your whole with because like I said,
your range, man is so incredible.
Speaker 4 (02:00):
No, thank you, bro, I mean.
Speaker 1 (02:03):
I appreciate you coming out there number one, because I
didn't want everybody to be out there. I wanted people
that I trust their opinions and that valua their minds.
So you want of the people that I was, like,
I told my assistant, he gotta be here if nobody
else gonna be there. So with the album, I just honestly, man,
I took about four or five years, and in my mind,
I made the best piece of worker ever put together,
(02:24):
you know what I mean. So as a producer, I
think to go down in history as one of the
great producers, you gotta you gotta make you a body
of work and call it the album.
Speaker 4 (02:34):
You know.
Speaker 1 (02:35):
So this is gonna be the one that I'm gonna give. Yeah,
It's gonna be my chronic you know. So with me,
you know, every producer that you know We work with
so many different artists and sometimes we'd be like, man,
we wish we could have talked some shit on the neck.
Speaker 4 (02:48):
That's how artists are doing, you know.
Speaker 1 (02:50):
So with me, I just had time to put together album,
you know, and I was like, you know what, let
me put it together, take my time, because you know,
I don't need to get no budget from the label
or nothing like that, so I'm funding the whole thing
myself and everything. So you know, I just wanted to
put something together to make people say, you know what,
we understand him as a creator now, you know what
I mean.
Speaker 4 (03:09):
So that's what it's about.
Speaker 1 (03:11):
Opinion on the state the state of urban music right now.
Speaker 4 (03:17):
Man, I think I think we're on a reboot right now.
Speaker 1 (03:21):
I think that the urban music right now we went
through a violence, a dark era, and I think, you
know what I always did was I was always a
producer to come in there and I want to throw
whatever the labels got planned to put out.
Speaker 4 (03:36):
I want to put a record out.
Speaker 1 (03:37):
A single on somebody and make them say, you know what,
we got to go back to the drawing board because
this motherfucker needed and came with a record that we
didn't even see coming, you know, because a lot of
labels they take years or months to set up an
artists to come up with a single. So with me,
if you go back and look at my career, I
always been a producer that tried to give an artist
a single.
Speaker 4 (03:58):
So you know, a lot of people damn great job
of that, man.
Speaker 1 (04:01):
No, I appreciate it, bro, And I just you know,
that's been my whole goal was to I want to
make people move with my music. I don't want just
that record that's on an album that people be like,
oh it was on the album.
Speaker 4 (04:12):
Oh okay, you know what I'm saying.
Speaker 1 (04:13):
So that's why any artists I worked with, you know,
I was talking with somebody this morning about it. Even
you know the rich Hommy Korn record that I did
with my brother DJ Spins, you know, the Flex record,
like I never Sunday at the Falcons game was the
first time me and rich homy Korn ever spoke.
Speaker 2 (04:33):
Personal.
Speaker 4 (04:34):
Yeah, we never had a conversation. Wow, I don't know.
Speaker 1 (04:40):
Yeah, And you know the funny part was that's when
I seen him he was cutting through and because we
had never talked, you know, we just we never had
a conversation and we talked real briefly, and you know,
we talked about doing some more records coming up pretty soon, but.
Speaker 4 (04:55):
A new face, as they should. I'm looking forward to that. Yeah,
that was a th That's how you close out all
the shows. Really.
Speaker 1 (05:03):
Yeah, Corner is a beast man and we shot.
Speaker 4 (05:09):
Yeah man R and p to rich on me meat Man.
Speaker 1 (05:12):
That was one of Kuwan's partners that passed from the
East Side, you know, so condonances to meet and his
you know, family and everybody. So we we we celebrate
fifty years of hip hop and we will continue celebrating
this culture and his music. Now, I've said this on
several other shows that needed the South, specifically Atlanta.
Speaker 4 (05:34):
We didn't control this.
Speaker 1 (05:35):
Motherfucker over half in fifty years, and you have been
firmly with both hands all the way in what has
happened with not just the South but nationally worldwide. So
I mean I want to jump into like just somebody
you know where your mind set, because I mean, like
(05:56):
I said at the beginning of the show, man, I
truly do look up to you in our respect you
on whole different levels. Thank you musically, man, I just
be sitting back like this Nigga's a fucking beat new face.
I'm like this, Nigga's a fucking beast man. And I
look back on you know your I mean, you got
a lot of big records.
Speaker 4 (06:11):
I look on.
Speaker 1 (06:12):
I look back on boys in the hood, then boys
I look back on of course the young jock record,
Uh going down? And I just be like, you know
about Miss B Miss B? Yeah, shut out of Miss B. Man,
that's my little sister. Like I ain't talk crazy bottle. Yeah,
she hit that bitch with the bottle. We got lawsuits
and everything. Man behind that.
Speaker 4 (06:31):
Hit that bit. Whe's she at? Man?
Speaker 1 (06:34):
Man, I don't talk to her like that. I hadn't
seen her, so, I mean, I wish I did talk
to her, but I don't. I don't talk to her
like that unfortunately. But she real talented, little pretty girl
from the West Side. Man, she did her thing. Man
shot Miss B. So, yeah, what I was saying, since
y'all jumped around, get back, where were you at?
Speaker 4 (06:53):
Man?
Speaker 2 (06:54):
Musically?
Speaker 4 (06:55):
Personally?
Speaker 1 (06:55):
When you because between just and like I said, you
got so many records, and I want to touch on
a lot of other stuff musically, but between just those
two records, where was you at?
Speaker 4 (07:07):
To hit the Bitch with the bottle and what other record.
Speaker 1 (07:09):
I was talking about jocking them boy, I say you I.
Speaker 4 (07:11):
Mean going down. It's going down and them boys, I
mean them boys. Was put that phone up, nigga. You
can't go to hear that. You know you can't hear
NHM one death nigga.
Speaker 1 (07:26):
Seventy We do this ship if you see us all
we try to really be seriously. This is my big
this is my this, this is one of my brother
My daddy had no my mama, but my daddy had
this nigga probably, But now now rip back to real talk. Listen,
let's get back to Miss b to Hit the Bitch
with the Bottle record. That actually was a remix. So
they brought the record to me. They didn't like the
(07:48):
but you ain't ain't the record were talking about. You're
talking about want talking about them boys?
Speaker 2 (07:53):
Said boys an't going down?
Speaker 1 (07:54):
Okay, so the boy let's go back to them blake
Wood nigga, back to the boys. Them boys was a
recordd Now we're doing this show man. Look, I got
somebody calling. Look this first the time we get a
FaceTime call. Well we live hey, y'all.
Speaker 5 (08:09):
We story time of Legendari looking at this nigga K
comedy shot out the K dub y'all this story time,
we get FaceTime calls on.
Speaker 2 (08:16):
Look at it, shower, look at this. He going right
into the screens. Luther smile, nigga. We can't see that
one out, y'all. What's up? Man, put SAMs? What's happening
with you?
Speaker 5 (08:36):
Man?
Speaker 2 (08:36):
Let me tell y'all some storytime legend j This dude
came up.
Speaker 1 (08:40):
We was talking about him off camera, and this is
one of the most talented comedians.
Speaker 4 (08:43):
Man. We just waiting on him to blow and he's going.
Speaker 2 (08:45):
Now he cut the live guy. Turn it up, boys,
use a bush.
Speaker 4 (08:50):
Guy that boy, dug, there you go.
Speaker 2 (08:53):
That nigga so ugly. Boy, he takes shot the swimming trunks.
Speaker 1 (08:56):
Boy, turn that didn't take shot one of the trunks.
Speaker 5 (09:00):
Boy, Hey man, we just had to club. Look, we're
gonna call you once we get finished doing this great
interview storytelling K douve on this bitch man, So look,
you you gonna have you'll find a little two minutes
of fame.
Speaker 2 (09:16):
U Glass Puss sad. We're gonna hit you back, man.
Speaker 1 (09:20):
But yeah, okay, So with those two records, we were
talking about Yeah, yeah, with the Them Boys record. Man,
that was shout out to my homie Block. Block was
the that's that's my partner man from the East Side.
Speaker 4 (09:32):
Man.
Speaker 1 (09:32):
We've been partners way prior to the music man, you
know what I'm saying. That's my dog man. But Block
used to come up to the studio we had on
Candle Road, and at the time Block was, you know,
he was just getting into the music game, and he
was like, nitty man, I need a record for artist
named Big Ge. So big Gee Edge hanger man I'm
(09:53):
talking about that was I'm still a fan, you know
what I mean. But he that record Them Boys was
supposed to be his record. Originally I made the beat
and Big Gee wrapped the whole record on the song,
and yeah.
Speaker 4 (10:07):
Big g killed it and his boys and Block.
Speaker 1 (10:10):
They sat on the record probably by a month, and
then Block was like, man, I want to do a
group with Trick, Daddy g Z or somebody and Little Wayne.
But anyway, he ended up putting Boys in the Hood together.
So Boys in the Hood ended up getting on the
Them Boys beat. They took Big g off and left
him on one verse and that's how that record came
(10:32):
out to be so by the time people heard Them Boys,
the record was about at least a year old and
the beat was about two years old, and I never
tracked the beat out.
Speaker 4 (10:41):
So what you hear on Them Boys is my two
track mix.
Speaker 1 (10:45):
Get the record that was released. I did the same
thing with It's Going Down. I did a two track
mix on it.
Speaker 4 (10:54):
Them Boys is a two track.
Speaker 1 (10:56):
The record that came out on Yeah, Them Boys and
Going Down both them a two track mix.
Speaker 4 (11:01):
But that was something that I learned.
Speaker 1 (11:03):
I spoke with Perill a couple of times and some
of the older producers that worked with No Limit and stuff,
and they told me that most of their records they
did with two track records because sometimes engineers can't get
the records sound and how you want to sound.
Speaker 4 (11:16):
So that was the trick that the mix, the mastering
makes a master yep.
Speaker 1 (11:23):
So but yeah, I mean that was there was two
of my records that I love to this day that
when I hear them, I just look at the reaction
and the reaction is still the same, you know what
I mean.
Speaker 4 (11:31):
So I'm thankful and appreciative because of that though, and.
Speaker 3 (11:34):
To watch that one grow, because like you said, you
sat on that for months. Then they transitioned from gee
to adding new people like a Jody and Dude Geezy
and then you get the Bad Boys South. So when
the final product come out, it's Bad Boys Out like
you started as a baby. How did that feel to
see it? You know, eclipsed like that big though. I
mean it was everybody.
Speaker 1 (11:54):
It was a blessing man, because the only thing I
wanted to do in Atlanta was to get getting noticed
as a producer.
Speaker 4 (12:01):
You know.
Speaker 1 (12:01):
I went to the face and met with homies like
KP and Colunk, Kay Phillips, you know what I'm saying.
They was a and rs down there. So I would
go down there every weekend trying to submit remixes and stuff.
So I just couldn't get in that click. I couldn't
get in the Dungeon family click. So I was like,
you know what, I got to try to make?
Speaker 4 (12:23):
Yeah.
Speaker 1 (12:23):
So I met one of my homegirls that was out
of Memphis. She introduced me to eight ball and it
was like he pulled up on me in Magic City
parking lot. Let the winder down. I threw him a
CD through with thirty two beats. He let the wind up,
pulled off and he ended up about it. Thirty days
later he hit me recording wrapping in my ear on
(12:44):
the phone and he gave me thirty two thousand about
eight beats And.
Speaker 4 (12:47):
That was a lunch of my career. Damn a Ball
and started playing games shot out boys, man, I love, Yeah,
I got it.
Speaker 1 (12:57):
I had talked to the Ball probably a couple of years,
but yeah, all is gonna always be. You know, he's
like one of the goats and somebody who always got
to be thankful to That launched my career, you know
what I mean. So I can't never forget that, man,
But it was it was a good time.
Speaker 3 (13:12):
You would go ahead and versus like you know, I
remember being in that versus just to you know, because
it's hard to pick what twenty songs and for your
record to be one and seeing Droe come out, How
did that feel to see, you know, years later that
that was one of the ones they picked, you know,
because I'm sure you know they got hits right, but.
Speaker 4 (13:31):
You was one of the one. Joe Beat was one
of them.
Speaker 1 (13:33):
One man, it was big man, you know, because like
I just because I grew up listening to them boys
eight Ball and JG. Man, when they came out there
and Droe came out there and did the verse, man,
I was like, man, it just gave me chills because
you know, there was a two artists that I just
look up to and be like anything they do, it's
(13:55):
like classical, you know. So it was a blessing man
to see people rocking out to it, and you know,
just to see the people. You know, they love the
music that I gave them, and I'm just having I'm
having a good time with this man.
Speaker 4 (14:08):
I can't wait to give him some of this new
stuff though. Oh I can't wait either.
Speaker 3 (14:11):
Man.
Speaker 1 (14:11):
You know when I tell you, man, I wish you
was there though. Yeah, he everywhere fucking else.
Speaker 4 (14:17):
He wanted that we're.
Speaker 1 (14:17):
Gonna were gonna do another one that because I recorded
like ten new records since then, so.
Speaker 4 (14:22):
Definitely. Yeah.
Speaker 1 (14:24):
So I got I got one of the records that
one of the records that's on that everybody kind of
liking is the one with Plies. So I got a
record applies. You know, coming the record he always come
with something that shut.
Speaker 4 (14:35):
The club man, and you heard the man that ship
and new face.
Speaker 1 (14:55):
Let me tell you what, even blew me away, little
boy just just just from being in this session here
and all this new music committee is his son.
Speaker 4 (15:05):
Like he grooming. We always hit grooming in a negative way,
but he's.
Speaker 1 (15:11):
Literally grooming his son. That next super producer like himself.
When I heard this little this ship, this little nigga
boy he producing, Yeah, hey man, he producer. Man, he
just let's get on your song for me. He just
did that ship just come naturally? Did you kind of
be like, all right, so hig drum machine or was
he just watching you?
Speaker 4 (15:30):
Man?
Speaker 1 (15:30):
To be honest, man, I know you know, I ain't
no preaching nothing, but I prayed for that little dude. Yeah,
you know, I pray to give guy a number one.
I pray to get a son, and I wanted him to,
you know, do what I do. Yeah, And since he's
been a baby man like, I've been letting him mess
with instruments and he watched me more than I knew
he was watching. So with him, it's just one of
(15:51):
them things where I'm so proud that he caught it
so quick.
Speaker 4 (15:55):
Yeah.
Speaker 1 (15:56):
I taught him one time how to make some beats
and stuff. And man, he got a catalog right now
that he build face. He's got about how old he
just turned fifteen. Man, he just had a birthday November.
Oh wow, So he's he's somebody who he done? Man,
Thank you. We got to get him down here one day. Man,
because he got a clothing the line right now doing
(16:16):
real good. It's called on rule breakers, you know.
Speaker 4 (16:20):
What I mean. Club. So he's got that going on. Man.
But he's a little guy that he's so mature.
Speaker 1 (16:26):
He scared me sometime with his conversation and getting a
little mustache and stuff. Now so I'm starting he kind
of scaring me, man, you know because hes getting older.
How did it affect him for for him to be
in the studio with you with all those male strippers
that used to be in there with the dogs and stuff.
Speaker 4 (16:39):
Well that's a lot number one used to do a comedian.
Speaker 2 (16:44):
Man, I ain't know. I mean, did that did that
kind of like did that fluen?
Speaker 4 (16:49):
He know it? Daddy g man? You know that?
Speaker 1 (16:51):
Man?
Speaker 4 (16:52):
Like that's my little dog.
Speaker 1 (16:53):
Story time Legender Man. Once again, I'll say this man,
new face, nitty beats. This is a Legen Dairy, legendary
super producer man that I feel should be getting his flowers.
That's what we do on this show to bring people
on they should get their flowers. And this man, like
I said before, he's he's had his thumbprint all over,
not just head lining in the South, but but worldwide.
(17:16):
And you deserve your flowers too, bro Like man, you
let's don't you be humble over here, bro real talking
man like you got people. I'm glad that you got
this platform and YouTube, new place. Like I'm glad that
y'all want to talk to me and here will come
out of my mind and stuff because like you know,
I watch y'all. You know, I'm a kind of person
that just research a lot, so I watched what y'all do. Man,
(17:37):
and y'all are like some people that we've been needing
a long time because the only thing we had in
the land was a bunch of artists and rappers and producers.
But now we got people. We got our Yeah, we're
telling and we're telling. We're telling our stories. You know
what I mean, Shout out to everybody from the a
from the South. We're telling the story time of legendary Jerry.
(17:58):
We get these stories out there up to my catch
a New Yolk and la and all that, but this
right here storytellme with Lesidi and Jay this in that lineup.
Speaker 4 (18:05):
This is down South and we're gonna.
Speaker 1 (18:06):
Put we go tell our stories because there's a lot
of stories like this brother right here, man, and I.
Speaker 3 (18:11):
Gotta say personally, like every time I've seen him out,
you know, even supporting the comedians, like you know, Tip
gets a lot of credit for being in the comedy scene,
but this brother, like I was supporting the Nard and
the Carlos and k Doubb. But I just see this
brother that doing the same thing, you know, supporting my
friends essentially, like and he always showed love to me
even online every once in a while, keep going. We
(18:31):
just seen each other at the game and just know,
like I just appreciate that because I just always tell
people I never know who's watching, you know what I'm saying,
just stay doing you. So I definitely appreciate you doing
those type of things. And you talked about remixes and
trying to sell something and you go back to you know,
shout out the wicked and neo man so decatur remix
(18:52):
How indicator?
Speaker 4 (18:52):
Yeah, indicator? How did how did that one come about?
Speaker 5 (18:55):
You?
Speaker 4 (18:55):
Those with some legends at that point, Man.
Speaker 1 (18:58):
I did that beat like by hundred dollars and because
I was that was like the first record I did
that hit the radio every time I seen and wicked
at the Falcons game and every time I see them,
you know, because I grew up.
Speaker 4 (19:13):
Man, I don't know.
Speaker 1 (19:14):
If you know their history hurt their albums and all that,
but they was really one of them groups that was
about that. And I mean, you know, I don't let
that clean face, smooth food putting in workout here.
Speaker 4 (19:32):
They was over there and Clarkson and stuff.
Speaker 1 (19:34):
Man, you know, but no, I mean when we did
that record, it was a remix to a record that
actually the guy that did the record, they gave me
the opportunity to do the remix. And I always love
older records. So I went back and replayed a record.
I didn't want to sample it, so I replayed Can't
High Love by Earth Wind and Fire, and then we
(19:56):
put some of the guys from the group called Silk
to sing the I get them, I.
Speaker 4 (20:01):
Shout out to you know his first R and B
actually get all yeah. So it was just a blessing man.
Speaker 1 (20:07):
And then by being the name of the record called
Indicator and I'm from the Cator, I was like, you
couldn't tell me nothing about bout two weeks.
Speaker 4 (20:14):
I was on a cloud. What you doing that five
hundred dollars? Man? I went about them jays.
Speaker 1 (20:21):
Man, I was at Walters Board. Soon as you get that, man,
you couldn't tell me nothing. And then right after that,
Raheem a Dream came and paid me another about the
thousand and.
Speaker 2 (20:32):
Then and then he probably came over you at this
How were you?
Speaker 1 (20:35):
Oh man, this was nineteen woo, this was ninety eight,
ninety seven, you know what I mean? So I was
just a young buck getting out the streets.
Speaker 4 (20:45):
Man, I was.
Speaker 1 (20:46):
You gotta think I came from being over the bluff
trying to survive to I'm in somebody's studio. So I
didn't know nothing I was. I was out there trapping,
to be honest, and you know what I'm saying. Then,
But that's why we've seen me making beachs. They were like, nigga,
you ain't been making no beach where they had you
come from? But they didn't know I came out of
church prior to hitting the streets.
Speaker 4 (21:08):
And speaking of the.
Speaker 1 (21:10):
Streets, uhh, you got an interesting, interesting.
Speaker 4 (21:15):
Uh story? Say story?
Speaker 1 (21:19):
Come Because first of all, rest in peace to the
late Shorty Low, Man, we missed you.
Speaker 4 (21:24):
I love you.
Speaker 1 (21:25):
Uh, but you back when you was in the streets. Man,
you are dipping and dabbing over there on the west
side off Bank, and you had you From what I hear,
I mean, I do a lot of research on this.
Speaker 4 (21:36):
How you know about this? I think you're about to
say something, how you Yeah, I mean.
Speaker 1 (21:39):
I do, man, I do a lot of research, man,
And I've been around in this Atlanta from the streets
and like I said, rest in peace to Shorty, and
Shorty Low was on he was.
Speaker 4 (21:50):
A real thorough ass dude. Say that.
Speaker 1 (21:53):
So you was in the streets, I hear from what
I hear, y'all had. Y'all had a couple of run ends. Yeah,
and it turned out to be where y'all was amicable years.
Speaker 5 (22:03):
Yeah.
Speaker 1 (22:03):
I mean I could talk about it now, man, like
shout and Low rest in peace.
Speaker 4 (22:09):
Man. He was out there doing his thing, and let's
just say me and my people were doing our thing. Yeah.
So what happened with that situation?
Speaker 1 (22:20):
Just because I don't want to go into too many details,
but basically some stuff it's like when you got the
bad guy meet the bad guy, and then the other
bad guy get the up on.
Speaker 4 (22:34):
Somebody had to take the al. So at that point
I took the AL.
Speaker 1 (22:38):
I got caught down bad, and you know, I don't
want to go into detail, but some street stuff went
on and I was I took the l and let's just.
Speaker 4 (22:49):
Say that rest and piece of shot of Low.
Speaker 1 (22:53):
After we found out that, oh that was me and
he knew that was me, Low reached out to me
himself and it was like, let's straighten this situation out,
and like, yeah, because they could have they could have
killed me, to be honest, you know, and it was
like I thought I was. That was the first time, honestly, man,
(23:13):
I seen I know, I know a lot of people
talk about stuff, but that was the first time I
seen myself I know it sounds crazy, but I seen
myself within a second turned.
Speaker 4 (23:23):
From a baby to the age.
Speaker 1 (23:24):
I was then like real quick like that because the
gun was on me like this and I thought I
was about to die. So they say I prepared myself
to die. But you know, that's all the detail them
give you about that. But let's just say that Low
made everything right and me and him never spoke on
that situation. We host the party together even up until
(23:45):
his death. We would always have mutual respect because I
felt like when you're playing in the streets and stuff like,
that's part of the rules that come with that. So
we didn't there was no reason supposed to speak on that,
you know, as me and so you know, on y'all
kept going as being you know, he became who he
was and you became who you are. And yeah, and
(24:07):
we got the chance to work together. We got the
chance to work together. Awkward at first or was it no, man,
Because it wasn't awkward, because it's kind of like if
you know, if I know what you've been doing, and
you know what I was out here doing, we kind
of like.
Speaker 4 (24:21):
We got you, but we're gonna let that go. Man.
Speaker 1 (24:25):
That's what it was, man, because like I said, they
spared me. You know I would they did.
Speaker 4 (24:30):
Yeah, I thank god.
Speaker 1 (24:31):
So, like I said, you know, with Low Man, at
the end of the day, we got the chance to
work on the record of remix that I did called
Get Big with my homie Duro out of Dallas, and
I got Puffed Darrow Gotti and Shorty Low happened to
be on that record, man, And I was happy after that. Man,
But I always been a fan of Sharty low Man.
Rest in peace and shout out to his family and
Johnny Debil everybody you know that's part of that movement.
(24:53):
Hey man, These type stories you get on Storytime unless
only here. You can't get him nowhere else. Jerry Clark
aka the Legendary j I got a new face.
Speaker 4 (25:04):
My brother Niitty be t.
Speaker 1 (25:11):
Storytime with the Legendary Jerry's hosted by me, the One
and Only Jerry Clark. Music has been provided by July
the Producer. If you haven't already, please please make sure
you subscribe to Storytime with the Legendary Jerry on YouTube
and wherever you listen to podcasts, and make sure you
(25:32):
follow us on all social media platforms at the Legendary
Jerry podcast. For more podcasts on my heart Media, visit
the iHeartRadio app, Apple Podcasts, or wherever you listen to
your favorite shows.
Oh boy, once again, we're here. I am Jerry Clark
aka d Legendary Jerry. This is story Time with Legendary Jed.
I have my brother new face here. The reason I'm
laughing because this brother right here, we got a whole
different new face, We got a whole different type personal relationship. Man,
I love this brother. I respect this brother in a
(00:38):
lot of ways, a lot of ways I look up
to this brother. So we're not even gonna wait to
introduce one of Atlanta's I mean, should I even say
unsung hero because he's definitely a hero. He's definitely a
hero in this music business. This brother, Nitty Beats has
done so much. Man, I want you to welcome this
week's episode story Time of Legendary Jerry.
Speaker 2 (01:01):
Super producer.
Speaker 3 (01:03):
Legendary super producer.
Speaker 4 (01:05):
Man, Man, I appreciate any type of love. Beat Man.
We're still going.
Speaker 1 (01:12):
And Man, you ain't you ain't stopped, and you stay relevant. Yeah,
and you still I know you invited me out a
few months ago, and that was really and and and
don't get mad at me for saying this, but that
was really one of the first times I saw your range.
I knew you had a lot of range. Nitty the
ship you played for me, it wont urban ship, And
(01:36):
I said, new fis. I said, this nigga is doing
this type ship like some other type hop mainstream like
a yeah on your album, where what what?
Speaker 4 (01:53):
Just walk up into your.
Speaker 1 (01:54):
Mind frame man, and your whole with because like I said,
your range, man is so incredible.
Speaker 4 (02:00):
No, thank you, bro, I mean.
Speaker 1 (02:03):
I appreciate you coming out there number one, because I
didn't want everybody to be out there. I wanted people
that I trust their opinions and that valua their minds.
So you want of the people that I was, like,
I told my assistant, he gotta be here if nobody
else gonna be there. So with the album, I just honestly, man,
I took about four or five years, and in my mind,
I made the best piece of worker ever put together,
(02:24):
you know what I mean. So as a producer, I
think to go down in history as one of the
great producers, you gotta you gotta make you a body
of work and call it the album.
Speaker 4 (02:34):
You know.
Speaker 1 (02:35):
So this is gonna be the one that I'm gonna give. Yeah,
It's gonna be my chronic you know. So with me,
you know, every producer that you know We work with
so many different artists and sometimes we'd be like, man,
we wish we could have talked some shit on the neck.
Speaker 4 (02:48):
That's how artists are doing, you know.
Speaker 1 (02:50):
So with me, I just had time to put together album,
you know, and I was like, you know what, let
me put it together, take my time, because you know,
I don't need to get no budget from the label
or nothing like that, so I'm funding the whole thing
myself and everything. So you know, I just wanted to
put something together to make people say, you know what,
we understand him as a creator now, you know what
I mean.
Speaker 4 (03:09):
So that's what it's about.
Speaker 1 (03:11):
Opinion on the state the state of urban music right now.
Speaker 4 (03:17):
Man, I think I think we're on a reboot right now.
Speaker 1 (03:21):
I think that the urban music right now we went
through a violence, a dark era, and I think, you
know what I always did was I was always a
producer to come in there and I want to throw
whatever the labels got planned to put out.
Speaker 4 (03:36):
I want to put a record out.
Speaker 1 (03:37):
A single on somebody and make them say, you know what,
we got to go back to the drawing board because
this motherfucker needed and came with a record that we
didn't even see coming, you know, because a lot of
labels they take years or months to set up an
artists to come up with a single. So with me,
if you go back and look at my career, I
always been a producer that tried to give an artist
a single.
Speaker 4 (03:58):
So you know, a lot of people damn great job
of that, man.
Speaker 1 (04:01):
No, I appreciate it, bro, And I just you know,
that's been my whole goal was to I want to
make people move with my music. I don't want just
that record that's on an album that people be like,
oh it was on the album.
Speaker 4 (04:12):
Oh okay, you know what I'm saying.
Speaker 1 (04:13):
So that's why any artists I worked with, you know,
I was talking with somebody this morning about it. Even
you know the rich Hommy Korn record that I did
with my brother DJ Spins, you know, the Flex record,
like I never Sunday at the Falcons game was the
first time me and rich homy Korn ever spoke.
Speaker 2 (04:33):
Personal.
Speaker 4 (04:34):
Yeah, we never had a conversation. Wow, I don't know.
Speaker 1 (04:40):
Yeah, And you know the funny part was that's when
I seen him he was cutting through and because we
had never talked, you know, we just we never had
a conversation and we talked real briefly, and you know,
we talked about doing some more records coming up pretty soon, but.
Speaker 4 (04:55):
A new face, as they should. I'm looking forward to that. Yeah,
that was a th That's how you close out all
the shows. Really.
Speaker 1 (05:03):
Yeah, Corner is a beast man and we shot.
Speaker 4 (05:09):
Yeah man R and p to rich on me meat Man.
Speaker 1 (05:12):
That was one of Kuwan's partners that passed from the
East Side, you know, so condonances to meet and his
you know, family and everybody. So we we we celebrate
fifty years of hip hop and we will continue celebrating
this culture and his music. Now, I've said this on
several other shows that needed the South, specifically Atlanta.
Speaker 4 (05:34):
We didn't control this.
Speaker 1 (05:35):
Motherfucker over half in fifty years, and you have been
firmly with both hands all the way in what has
happened with not just the South but nationally worldwide. So
I mean I want to jump into like just somebody
you know where your mind set, because I mean, like
(05:56):
I said at the beginning of the show, man, I
truly do look up to you in our respect you
on whole different levels. Thank you musically, man, I just
be sitting back like this Nigga's a fucking beat new face.
I'm like this, Nigga's a fucking beast man. And I
look back on you know your I mean, you got
a lot of big records.
Speaker 4 (06:11):
I look on.
Speaker 1 (06:12):
I look back on boys in the hood, then boys
I look back on of course the young jock record,
Uh going down? And I just be like, you know
about Miss B Miss B? Yeah, shut out of Miss B. Man,
that's my little sister. Like I ain't talk crazy bottle. Yeah,
she hit that bitch with the bottle. We got lawsuits
and everything. Man behind that.
Speaker 4 (06:31):
Hit that bit. Whe's she at? Man?
Speaker 1 (06:34):
Man, I don't talk to her like that. I hadn't
seen her, so, I mean, I wish I did talk
to her, but I don't. I don't talk to her
like that unfortunately. But she real talented, little pretty girl
from the West Side. Man, she did her thing. Man
shot Miss B. So, yeah, what I was saying, since
y'all jumped around, get back, where were you at?
Speaker 4 (06:53):
Man?
Speaker 2 (06:54):
Musically?
Speaker 4 (06:55):
Personally?
Speaker 1 (06:55):
When you because between just and like I said, you
got so many records, and I want to touch on
a lot of other stuff musically, but between just those
two records, where was you at?
Speaker 4 (07:07):
To hit the Bitch with the bottle and what other record.
Speaker 1 (07:09):
I was talking about jocking them boy, I say you I.
Speaker 4 (07:11):
Mean going down. It's going down and them boys, I
mean them boys. Was put that phone up, nigga. You
can't go to hear that. You know you can't hear
NHM one death nigga.
Speaker 1 (07:26):
Seventy We do this ship if you see us all
we try to really be seriously. This is my big
this is my this, this is one of my brother
My daddy had no my mama, but my daddy had
this nigga probably, But now now rip back to real talk. Listen,
let's get back to Miss b to Hit the Bitch
with the Bottle record. That actually was a remix. So
they brought the record to me. They didn't like the
(07:48):
but you ain't ain't the record were talking about. You're
talking about want talking about them boys?
Speaker 2 (07:53):
Said boys an't going down?
Speaker 1 (07:54):
Okay, so the boy let's go back to them blake
Wood nigga, back to the boys. Them boys was a
recordd Now we're doing this show man. Look, I got
somebody calling. Look this first the time we get a
FaceTime call. Well we live hey, y'all.
Speaker 5 (08:09):
We story time of Legendari looking at this nigga K
comedy shot out the K dub y'all this story time,
we get FaceTime calls on.
Speaker 2 (08:16):
Look at it, shower, look at this. He going right
into the screens. Luther smile, nigga. We can't see that
one out, y'all. What's up? Man, put SAMs? What's happening
with you?
Speaker 5 (08:36):
Man?
Speaker 2 (08:36):
Let me tell y'all some storytime legend j This dude
came up.
Speaker 1 (08:40):
We was talking about him off camera, and this is
one of the most talented comedians.
Speaker 4 (08:43):
Man. We just waiting on him to blow and he's going.
Speaker 2 (08:45):
Now he cut the live guy. Turn it up, boys,
use a bush.
Speaker 4 (08:50):
Guy that boy, dug, there you go.
Speaker 2 (08:53):
That nigga so ugly. Boy, he takes shot the swimming trunks.
Speaker 1 (08:56):
Boy, turn that didn't take shot one of the trunks.
Speaker 5 (09:00):
Boy, Hey man, we just had to club. Look, we're
gonna call you once we get finished doing this great
interview storytelling K douve on this bitch man, So look,
you you gonna have you'll find a little two minutes
of fame.
Speaker 2 (09:16):
U Glass Puss sad. We're gonna hit you back, man.
Speaker 1 (09:20):
But yeah, okay, So with those two records, we were
talking about Yeah, yeah, with the Them Boys record. Man,
that was shout out to my homie Block. Block was
the that's that's my partner man from the East Side.
Speaker 4 (09:32):
Man.
Speaker 1 (09:32):
We've been partners way prior to the music man, you
know what I'm saying. That's my dog man. But Block
used to come up to the studio we had on
Candle Road, and at the time Block was, you know,
he was just getting into the music game, and he
was like, nitty man, I need a record for artist
named Big Ge. So big Gee Edge hanger man I'm
(09:53):
talking about that was I'm still a fan, you know
what I mean. But he that record Them Boys was
supposed to be his record. Originally I made the beat
and Big Gee wrapped the whole record on the song,
and yeah.
Speaker 4 (10:07):
Big g killed it and his boys and Block.
Speaker 1 (10:10):
They sat on the record probably by a month, and
then Block was like, man, I want to do a
group with Trick, Daddy g Z or somebody and Little Wayne.
But anyway, he ended up putting Boys in the Hood together.
So Boys in the Hood ended up getting on the
Them Boys beat. They took Big g off and left
him on one verse and that's how that record came
(10:32):
out to be so by the time people heard Them Boys,
the record was about at least a year old and
the beat was about two years old, and I never
tracked the beat out.
Speaker 4 (10:41):
So what you hear on Them Boys is my two
track mix.
Speaker 1 (10:45):
Get the record that was released. I did the same
thing with It's Going Down. I did a two track
mix on it.
Speaker 4 (10:54):
Them Boys is a two track.
Speaker 1 (10:56):
The record that came out on Yeah, Them Boys and
Going Down both them a two track mix.
Speaker 4 (11:01):
But that was something that I learned.
Speaker 1 (11:03):
I spoke with Perill a couple of times and some
of the older producers that worked with No Limit and stuff,
and they told me that most of their records they
did with two track records because sometimes engineers can't get
the records sound and how you want to sound.
Speaker 4 (11:16):
So that was the trick that the mix, the mastering
makes a master yep.
Speaker 1 (11:23):
So but yeah, I mean that was there was two
of my records that I love to this day that
when I hear them, I just look at the reaction
and the reaction is still the same, you know what
I mean.
Speaker 4 (11:31):
So I'm thankful and appreciative because of that though, and.
Speaker 3 (11:34):
To watch that one grow, because like you said, you
sat on that for months. Then they transitioned from gee
to adding new people like a Jody and Dude Geezy
and then you get the Bad Boys South. So when
the final product come out, it's Bad Boys Out like
you started as a baby. How did that feel to
see it? You know, eclipsed like that big though. I
mean it was everybody.
Speaker 1 (11:54):
It was a blessing man, because the only thing I
wanted to do in Atlanta was to get getting noticed
as a producer.
Speaker 4 (12:01):
You know.
Speaker 1 (12:01):
I went to the face and met with homies like
KP and Colunk, Kay Phillips, you know what I'm saying.
They was a and rs down there. So I would
go down there every weekend trying to submit remixes and stuff.
So I just couldn't get in that click. I couldn't
get in the Dungeon family click. So I was like,
you know what, I got to try to make?
Speaker 4 (12:23):
Yeah.
Speaker 1 (12:23):
So I met one of my homegirls that was out
of Memphis. She introduced me to eight ball and it
was like he pulled up on me in Magic City
parking lot. Let the winder down. I threw him a
CD through with thirty two beats. He let the wind up,
pulled off and he ended up about it. Thirty days
later he hit me recording wrapping in my ear on
(12:44):
the phone and he gave me thirty two thousand about
eight beats And.
Speaker 4 (12:47):
That was a lunch of my career. Damn a Ball
and started playing games shot out boys, man, I love, Yeah,
I got it.
Speaker 1 (12:57):
I had talked to the Ball probably a couple of years,
but yeah, all is gonna always be. You know, he's
like one of the goats and somebody who always got
to be thankful to That launched my career, you know
what I mean. So I can't never forget that, man,
But it was it was a good time.
Speaker 3 (13:12):
You would go ahead and versus like you know, I
remember being in that versus just to you know, because
it's hard to pick what twenty songs and for your
record to be one and seeing Droe come out, How
did that feel to see, you know, years later that
that was one of the ones they picked, you know,
because I'm sure you know they got hits right, but.
Speaker 4 (13:31):
You was one of the one. Joe Beat was one
of them.
Speaker 1 (13:33):
One man, it was big man, you know, because like
I just because I grew up listening to them boys
eight Ball and JG. Man, when they came out there
and Droe came out there and did the verse, man,
I was like, man, it just gave me chills because
you know, there was a two artists that I just
look up to and be like anything they do, it's
(13:55):
like classical, you know. So it was a blessing man
to see people rocking out to it, and you know,
just to see the people. You know, they love the
music that I gave them, and I'm just having I'm
having a good time with this man.
Speaker 4 (14:08):
I can't wait to give him some of this new
stuff though. Oh I can't wait either.
Speaker 3 (14:11):
Man.
Speaker 1 (14:11):
You know when I tell you, man, I wish you
was there though. Yeah, he everywhere fucking else.
Speaker 4 (14:17):
He wanted that we're.
Speaker 1 (14:17):
Gonna were gonna do another one that because I recorded
like ten new records since then, so.
Speaker 4 (14:22):
Definitely. Yeah.
Speaker 1 (14:24):
So I got I got one of the records that
one of the records that's on that everybody kind of
liking is the one with Plies. So I got a
record applies. You know, coming the record he always come
with something that shut.
Speaker 4 (14:35):
The club man, and you heard the man that ship
and new face.
Speaker 1 (14:55):
Let me tell you what, even blew me away, little
boy just just just from being in this session here
and all this new music committee is his son.
Speaker 4 (15:05):
Like he grooming. We always hit grooming in a negative way,
but he's.
Speaker 1 (15:11):
Literally grooming his son. That next super producer like himself.
When I heard this little this ship, this little nigga
boy he producing, Yeah, hey man, he producer. Man, he
just let's get on your song for me. He just
did that ship just come naturally? Did you kind of
be like, all right, so hig drum machine or was
he just watching you?
Speaker 4 (15:30):
Man?
Speaker 1 (15:30):
To be honest, man, I know you know, I ain't
no preaching nothing, but I prayed for that little dude. Yeah,
you know, I pray to give guy a number one.
I pray to get a son, and I wanted him to,
you know, do what I do. Yeah, And since he's
been a baby man like, I've been letting him mess
with instruments and he watched me more than I knew
he was watching. So with him, it's just one of
(15:51):
them things where I'm so proud that he caught it
so quick.
Speaker 4 (15:55):
Yeah.
Speaker 1 (15:56):
I taught him one time how to make some beats
and stuff. And man, he got a catalog right now
that he build face. He's got about how old he
just turned fifteen. Man, he just had a birthday November.
Oh wow, So he's he's somebody who he done? Man,
Thank you. We got to get him down here one day. Man,
because he got a clothing the line right now doing
(16:16):
real good. It's called on rule breakers, you know.
Speaker 4 (16:20):
What I mean. Club. So he's got that going on. Man.
But he's a little guy that he's so mature.
Speaker 1 (16:26):
He scared me sometime with his conversation and getting a
little mustache and stuff. Now so I'm starting he kind
of scaring me, man, you know because hes getting older.
How did it affect him for for him to be
in the studio with you with all those male strippers
that used to be in there with the dogs and stuff.
Speaker 4 (16:39):
Well that's a lot number one used to do a comedian.
Speaker 2 (16:44):
Man, I ain't know. I mean, did that did that
kind of like did that fluen?
Speaker 4 (16:49):
He know it? Daddy g man? You know that?
Speaker 1 (16:51):
Man?
Speaker 4 (16:52):
Like that's my little dog.
Speaker 1 (16:53):
Story time Legender Man. Once again, I'll say this man,
new face, nitty beats. This is a Legen Dairy, legendary
super producer man that I feel should be getting his flowers.
That's what we do on this show to bring people
on they should get their flowers. And this man, like
I said before, he's he's had his thumbprint all over,
not just head lining in the South, but but worldwide.
(17:16):
And you deserve your flowers too, bro Like man, you
let's don't you be humble over here, bro real talking
man like you got people. I'm glad that you got
this platform and YouTube, new place. Like I'm glad that
y'all want to talk to me and here will come
out of my mind and stuff because like you know,
I watch y'all. You know, I'm a kind of person
that just research a lot, so I watched what y'all do. Man,
(17:37):
and y'all are like some people that we've been needing
a long time because the only thing we had in
the land was a bunch of artists and rappers and producers.
But now we got people. We got our Yeah, we're
telling and we're telling. We're telling our stories. You know
what I mean, Shout out to everybody from the a
from the South. We're telling the story time of legendary Jerry.
(17:58):
We get these stories out there up to my catch
a New Yolk and la and all that, but this
right here storytellme with Lesidi and Jay this in that lineup.
Speaker 4 (18:05):
This is down South and we're gonna.
Speaker 1 (18:06):
Put we go tell our stories because there's a lot
of stories like this brother right here, man, and I.
Speaker 3 (18:11):
Gotta say personally, like every time I've seen him out,
you know, even supporting the comedians, like you know, Tip
gets a lot of credit for being in the comedy scene,
but this brother, like I was supporting the Nard and
the Carlos and k Doubb. But I just see this
brother that doing the same thing, you know, supporting my
friends essentially, like and he always showed love to me
even online every once in a while, keep going. We
(18:31):
just seen each other at the game and just know,
like I just appreciate that because I just always tell
people I never know who's watching, you know what I'm saying,
just stay doing you. So I definitely appreciate you doing
those type of things. And you talked about remixes and
trying to sell something and you go back to you know,
shout out the wicked and neo man so decatur remix
(18:52):
How indicator?
Speaker 4 (18:52):
Yeah, indicator? How did how did that one come about?
Speaker 5 (18:55):
You?
Speaker 4 (18:55):
Those with some legends at that point, Man.
Speaker 1 (18:58):
I did that beat like by hundred dollars and because
I was that was like the first record I did
that hit the radio every time I seen and wicked
at the Falcons game and every time I see them,
you know, because I grew up.
Speaker 4 (19:13):
Man, I don't know.
Speaker 1 (19:14):
If you know their history hurt their albums and all that,
but they was really one of them groups that was
about that. And I mean, you know, I don't let
that clean face, smooth food putting in workout here.
Speaker 4 (19:32):
They was over there and Clarkson and stuff.
Speaker 1 (19:34):
Man, you know, but no, I mean when we did
that record, it was a remix to a record that
actually the guy that did the record, they gave me
the opportunity to do the remix. And I always love
older records. So I went back and replayed a record.
I didn't want to sample it, so I replayed Can't
High Love by Earth Wind and Fire, and then we
(19:56):
put some of the guys from the group called Silk
to sing the I get them, I.
Speaker 4 (20:01):
Shout out to you know his first R and B
actually get all yeah. So it was just a blessing man.
Speaker 1 (20:07):
And then by being the name of the record called
Indicator and I'm from the Cator, I was like, you
couldn't tell me nothing about bout two weeks.
Speaker 4 (20:14):
I was on a cloud. What you doing that five
hundred dollars? Man? I went about them jays.
Speaker 1 (20:21):
Man, I was at Walters Board. Soon as you get that, man,
you couldn't tell me nothing. And then right after that,
Raheem a Dream came and paid me another about the
thousand and.
Speaker 2 (20:32):
Then and then he probably came over you at this
How were you?
Speaker 1 (20:35):
Oh man, this was nineteen woo, this was ninety eight,
ninety seven, you know what I mean? So I was
just a young buck getting out the streets.
Speaker 4 (20:45):
Man, I was.
Speaker 1 (20:46):
You gotta think I came from being over the bluff
trying to survive to I'm in somebody's studio. So I
didn't know nothing I was. I was out there trapping,
to be honest, and you know what I'm saying. Then,
But that's why we've seen me making beachs. They were like, nigga,
you ain't been making no beach where they had you
come from? But they didn't know I came out of
church prior to hitting the streets.
Speaker 4 (21:08):
And speaking of the.
Speaker 1 (21:10):
Streets, uhh, you got an interesting, interesting.
Speaker 4 (21:15):
Uh story? Say story?
Speaker 1 (21:19):
Come Because first of all, rest in peace to the
late Shorty Low, Man, we missed you.
Speaker 4 (21:24):
I love you.
Speaker 1 (21:25):
Uh, but you back when you was in the streets. Man,
you are dipping and dabbing over there on the west
side off Bank, and you had you From what I hear,
I mean, I do a lot of research on this.
Speaker 4 (21:36):
How you know about this? I think you're about to
say something, how you Yeah, I mean.
Speaker 1 (21:39):
I do, man, I do a lot of research, man,
And I've been around in this Atlanta from the streets
and like I said, rest in peace to Shorty, and
Shorty Low was on he was.
Speaker 4 (21:50):
A real thorough ass dude. Say that.
Speaker 1 (21:53):
So you was in the streets, I hear from what
I hear, y'all had. Y'all had a couple of run ends. Yeah,
and it turned out to be where y'all was amicable years.
Speaker 5 (22:03):
Yeah.
Speaker 1 (22:03):
I mean I could talk about it now, man, like
shout and Low rest in peace.
Speaker 4 (22:09):
Man. He was out there doing his thing, and let's
just say me and my people were doing our thing. Yeah.
So what happened with that situation?
Speaker 1 (22:20):
Just because I don't want to go into too many details,
but basically some stuff it's like when you got the
bad guy meet the bad guy, and then the other
bad guy get the up on.
Speaker 4 (22:34):
Somebody had to take the al. So at that point
I took the AL.
Speaker 1 (22:38):
I got caught down bad, and you know, I don't
want to go into detail, but some street stuff went
on and I was I took the l and let's just.
Speaker 4 (22:49):
Say that rest and piece of shot of Low.
Speaker 1 (22:53):
After we found out that, oh that was me and
he knew that was me, Low reached out to me
himself and it was like, let's straighten this situation out,
and like, yeah, because they could have they could have
killed me, to be honest, you know, and it was
like I thought I was. That was the first time, honestly, man,
(23:13):
I seen I know, I know a lot of people
talk about stuff, but that was the first time I
seen myself I know it sounds crazy, but I seen
myself within a second turned.
Speaker 4 (23:23):
From a baby to the age.
Speaker 1 (23:24):
I was then like real quick like that because the
gun was on me like this and I thought I
was about to die. So they say I prepared myself
to die. But you know, that's all the detail them
give you about that. But let's just say that Low
made everything right and me and him never spoke on
that situation. We host the party together even up until
(23:45):
his death. We would always have mutual respect because I
felt like when you're playing in the streets and stuff like,
that's part of the rules that come with that. So
we didn't there was no reason supposed to speak on that,
you know, as me and so you know, on y'all
kept going as being you know, he became who he
was and you became who you are. And yeah, and
(24:07):
we got the chance to work together. We got the
chance to work together. Awkward at first or was it no, man,
Because it wasn't awkward, because it's kind of like if
you know, if I know what you've been doing, and
you know what I was out here doing, we kind
of like.
Speaker 4 (24:21):
We got you, but we're gonna let that go. Man.
Speaker 1 (24:25):
That's what it was, man, because like I said, they
spared me. You know I would they did.
Speaker 4 (24:30):
Yeah, I thank god.
Speaker 1 (24:31):
So, like I said, you know, with Low Man, at
the end of the day, we got the chance to
work on the record of remix that I did called
Get Big with my homie Duro out of Dallas, and
I got Puffed Darrow Gotti and Shorty Low happened to
be on that record, man, And I was happy after that. Man,
But I always been a fan of Sharty low Man.
Rest in peace and shout out to his family and
Johnny Debil everybody you know that's part of that movement.
(24:53):
Hey man, These type stories you get on Storytime unless
only here. You can't get him nowhere else. Jerry Clark
aka the Legendary j I got a new face.
Speaker 4 (25:04):
My brother Niitty be t.
Speaker 1 (25:11):
Storytime with the Legendary Jerry's hosted by me, the One
and Only Jerry Clark. Music has been provided by July
the Producer. If you haven't already, please please make sure
you subscribe to Storytime with the Legendary Jerry on YouTube
and wherever you listen to podcasts, and make sure you
(25:32):
follow us on all social media platforms at the Legendary
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