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October 5, 2024 54 mins

In 1962, three ordinary criminals transcended into folk heroes when they crawled out of their cells in Alcatraz Federal Penitentiary took to the water in a homemade raft and were never heard from again. Could they have possibly survived? Find out more in this classic episode.

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Speaker 1 (00:01):
Hi, friends, It's me Josh, and for this week's select,
I've chosen our September twenty twenty episode on the Escape
from Alcatraz. Is our episode even better than the movie
could be. It's a little more accurate at least, and
even without Clint Eastwood, it's pretty thrilling. Nonetheless, I hope
you enjoy the absolute living heck.

Speaker 2 (00:20):
Out of it.

Speaker 3 (00:23):
Welcome to Stuff you should know, A production of iHeartRadio.

Speaker 1 (00:32):
Hey, and welcome to the podcast. I'm Josh. There's Chuck
Jerry's out there in the ether somewhere like that one
kid being transmitted from the camera to the TV in
Willy Wonka. Wow, I got that one eight kinds of wrong. Yeah,
but anyway, this is stuff you should know, which is appropriate.

(00:54):
Did I would get something eight kinds of wrong right
at the beginning?

Speaker 3 (00:58):
Did you ever hear the story from Gene Wilder about
the move at the beginning of that movie where he
walks out with a cane.

Speaker 1 (01:04):
Where did the spill the summersault?

Speaker 3 (01:07):
Yeah, he sticks a cane in the ground and does
the summersault. No, he said that that was his idea.
And this just shows the brilliance of Gene Wilder. And
he said he did that because he knew from that
moment on no one would believe anything that that character said.

Speaker 1 (01:21):
Oh yes, I have heard that before. Great, that is brilliant.
That man was a brilliant man and a wonderful human being.

Speaker 2 (01:28):
I loved him.

Speaker 3 (01:28):
He's got one of his last interviews on Conan O'Brien
was so great because Conan was just gushing, and I'm
sure Geen Wilder was very i think, kind of taken
back by how much he means to people.

Speaker 1 (01:41):
Have you ever seen? Oh no, that wasn't the question
I had. Did you know? Did you know that? Your
question was did you fart? Did you know that Conan
O'Brien and Dennis Leary are cousins?

Speaker 2 (01:55):
I don't think I knew that.

Speaker 1 (01:58):
According to Conan O'Brien asked a question on Jeopardy that
is his cousin did not know that. Speaking of Jeopardy,
we have a colleague named Ken Jennings who is on
Jeopardy YEA. And we have another colleague, two colleagues called
Daniel and Jorge, and they have a podcast called Daniel

(02:22):
and Jorge Explain the Universe. It's pretty cool, but they
also chuck I just saw have a PBS Kid's animated
program coming out September seventh called Eleanor Wonders Why Okay?
And it looks adorable.

Speaker 2 (02:35):
Wow. That sounds like right at my daughter's alley.

Speaker 1 (02:37):
Yeah, so check it out, everybody. PBS Kids, September seventh,
Eleanor Wonders White and Congrats Daniel and Jorge.

Speaker 3 (02:43):
Do you have any famous cousins, famous or infamous? I
think we are the famous cousins. That's how said. Our
families are.

Speaker 1 (02:52):
Yeah. It feels pretty great, though. I keep being like, hey,
let's have another family reunion this month. Speaking of infamous cousins, Chuck,
how about those anglum brothers?

Speaker 3 (03:03):
Huh? Yeah, man, this is I could have thought. I
kind of thought we did this.

Speaker 2 (03:10):
I know we do.

Speaker 3 (03:10):
We do one on Alcatraz and maybe just briefly touched
on it.

Speaker 1 (03:14):
Absolutely because this is this.

Speaker 3 (03:17):
Movie, the nineteen what was it seventy nine Escaped from
Alcatraz movie with Clint Eastwood was one of my favorite
movies as a kid.

Speaker 1 (03:28):
It's a good movie. I went I watched it just
the other night as part of this.

Speaker 3 (03:31):
Yeah, it was an HBO special, so I must have
been I didn't see it in when I was eight.
I probably was like ten or eleven, and it was
one of those movies I probably watched over a dozen
times when I was twelve twelve years.

Speaker 1 (03:43):
Old, followed by Kroll and outline.

Speaker 2 (03:46):
Oh man, those are great.

Speaker 1 (03:48):
Yeah, they always went together though, didn't they?

Speaker 3 (03:51):
Yeah, in war games. I mean that those are all
HBO specials. But this was a really good movie.

Speaker 2 (03:55):
And I'm a big, big fan of prison escape movies.

Speaker 1 (03:59):
Sure.

Speaker 3 (04:00):
And I was thinking today when I was looking over
this stuff again that it's so weird that like these
guys were hardened criminals, and yet when you're researching this,
all you can think about is, oh, man, I hope
they got out of there, right, and I hope they
lived the fat life in Brazil.

Speaker 1 (04:17):
Well that really speaks to like who they are, what
they became because of this escape, which is put most
simply their folk heroes. I guess, Oh yeah, that's definitely
a part of being a folk hero is that you
can transcend the kind of like, uh, crime judgments that
society typically levies against people like criminals, like if you

(04:37):
if you are so good at your craft or so
good at something to do with criminality that you transcend
being judged for your crimes. That's you've become a folk
hero for sure. It's like dB Cooper.

Speaker 3 (04:50):
Yeah, and I think it helps that you know, these
guys were armed robbers and thieves, and I think Frank
Morris and we'll get into all these who these dudes are.
But he was a drug trafficker. But they weren't rapist
and murderers. I don't think you can transcend that.

Speaker 1 (05:04):
No, they were definitely non violent criminals from everything that
I've seen.

Speaker 2 (05:10):
Yeah, they used a toy gun in one of these robberies. Yeah,
it's adorable.

Speaker 1 (05:13):
Well, let's talk about these guys, like you were saying,
we're talking about a group of people who escaped from Alcatraz,
and as far as anyone knows, they are the only
ones who really may have escaped from Alcatraz. They vanished
in nineteen sixty two, last seen leaving their cells, and
were never heard from again. And like you said, they

(05:34):
were all hardened criminals, like lifelong career criminals. Frank Morris
was thirty five when he left Alcatraz, and he'd been
a criminal since he was thirteen. He was in and
out of institutions, and like you said, He wasn't a
violent criminal. He wasn't a rapist or a murder or
anything like that. He was he liked to sell the drugs.

(05:57):
He had like a forehead tattooed or are tattooed on
his forehead for a while, which he very sensibly had
removed later on.

Speaker 2 (06:06):
Is that what that means but that.

Speaker 1 (06:09):
He was a drug trafficker? Yeah, No, I think that
means that he did a few too many drugs one night.

Speaker 2 (06:14):
Oh, he really did have a star.

Speaker 3 (06:16):
Yeah, I thought that was some like prison thing for
like the tear drop tattoo means, doesn't mean you killed
somebody or something.

Speaker 1 (06:23):
That's what I've always heard, but I don't know. It
could just be urban legend. But yes, what I've always heard.

Speaker 2 (06:28):
No, I really did have a star.

Speaker 1 (06:29):
Okay, Yeah, I think he got super wasted when I
got a star tattooed on his forehead. There was a
tattoo artist far too handy that night.

Speaker 3 (06:37):
Yeah, yeah, which I think the old saying don't ever
make friends with tattoo artists.

Speaker 2 (06:43):
Yeah, or at least drinking buddies.

Speaker 1 (06:45):
Sure, that's true, but he was also super smart too.

Speaker 3 (06:49):
Yeah, And they point this out in the movie and
a lot of the movie. I mean, it's pretty close
to the real story that they did a really good job.
But they do make a big deal in the movie
about how smart he was. As I know, IQ is
sort of take it or leave it as far as
that being a real measurement of one's intelligence. But he
supposedly had an IQ of one thirty and the BOP

(07:12):
which stands for the was it Bureau of Prisons. I
didn't know they had rankings, but they had rankings of
intellectual intellectuality?

Speaker 2 (07:21):
Is that a word?

Speaker 1 (07:24):
Yeah? I think so it gets the point across ergo
it is.

Speaker 3 (07:27):
Yeah, And I'm curious what other rankings they have. But
you know, best look in best abs. But he was
in the top two percent supposedly in the American prison
system as far as his intellectual capabilities.

Speaker 1 (07:40):
Yeah, so you hit on a point there that I
think we need to least at least bring up. Like
the the movie did follow the actual the truth of
the matter fairly closely in some cases. In other cases
it veered wildly away. Like there was a character based
on one guy who was very much involved, but they

(08:01):
didn't even use his name, and they made him seem
less involved than he actually was. There's a lot that
the movie gets wrong. But the problem with covering this
is that there's so many gaps and holes that are
so easily and casually filled in that you can't help
but wonder, like, wait, was this detail provided by somebody

(08:22):
who saw the movie and took the movie as fact?
Like where are we exactly? And just how pure the
knowledge and understanding is of this escape. So you have
to just kind of bear that in mind that it's
kind of a blur in the annals of crime as
far as factuality goes.

Speaker 3 (08:39):
Yeah, but it's a good story, great story, and most
of this is pretty true.

Speaker 2 (08:43):
I think so.

Speaker 3 (08:45):
Frank Morris was four years into a fourteen year stint
and this was for a bank robbery and he was
transferred to the Rock in nineteen sixty. I didn't know
we were using Wingo episode it's Alcatraz. It's a prison
island or an island prison. Yeah, and some might say
the island itself is a prison, which we'll get to.

(09:06):
And then his buddies you mentioned the England brothers J W.
John William and his younger brother Clarence were thirty and
twenty nine years old, and they were from a very
big family of migrant farm workers in South Georgia. They
traveled all over the country wherever their work was, basically
as a big family, and they got into stealing things

(09:29):
from people.

Speaker 1 (09:30):
Yeah, and they were the ones who used the toy gun.
Later on, they were I think visiting family in a
small town called Columbia, Alabama, which is in the southeast
of the state, and they found out that this bank
had been around for one hundred years in this town.
It had never been robbed. So they assumed, we're going
to change that. He'll be easy to knock over. And

(09:50):
apparently it was pretty easy to knock over, and they
had a toy gun that they used, and they still
managed to get away with at least I think like
ten grand or twenty grand, something pretty stantial amount of money.
And they were on the run for a little while,
but got caught and the Alabamas were not very happy
with it, and they threw the book at these brothers.
They got twenty five year sentences for robbing a bank

(10:12):
with a toy gun, and that actually was way better
than the sentence they initially faced, which was the potentially
the death penalty.

Speaker 2 (10:20):
That's crazy.

Speaker 1 (10:21):
Yeah, So they were caught and busted. And they had
a third brother named Alfred too, who was also involved,
but he was never sent to that to the rock
as you put it, I bet it was not a bet.

Speaker 2 (10:33):
It was factually a lot easier to rob banks back then.

Speaker 1 (10:37):
Yeah, it was way easier to be a criminal, even
just a few decades ago. Yeah, just in general, I
think now it's like, don't even try.

Speaker 3 (10:45):
No, you got I mean, if it's not the cops
and their cameras, he got some dumb neighbor with their
cameras like me.

Speaker 1 (10:52):
Right.

Speaker 3 (10:52):
Oh man, I hate to get off topic so quickly.
And we should post this on the Facebook page or something,
or maybe I'll put it on Instagram. What I got
attacked by a squirrel and it was captured by my
front of the house camera.

Speaker 1 (11:04):
Oh no, yeah, everyone wants to see that.

Speaker 2 (11:07):
This was great.

Speaker 3 (11:07):
I just I was taking out some recycling and I
heard some rustling, and I went around the corner and
I was like, this squirrel was freaking out, and then
he literally leapt if you freeze from it, he leapt
three feet in the air. Wow, and hit my leg
and ran up my leg a little bit and then wow,
And I react thussly.

Speaker 1 (11:24):
That's awesome. You know, it would be wonderful is to
intercut close ups of your face when you got that
Charlie Horse on internet round up? Oh my god, in
with this squirrel attack.

Speaker 3 (11:34):
Amazing, it's a good thing. I don't care about myself
and looking dumb.

Speaker 1 (11:38):
Why did you? Why did that squirrel attack you? What'd
you do to it?

Speaker 2 (11:41):
I didn't do anything. It was freaking out.

Speaker 3 (11:42):
And then I turned and looked after I dropped the
recycling off, and he and another squirrel were going at
it in our oak tree.

Speaker 2 (11:48):
So I think he was just he was all riled up.
He might you.

Speaker 1 (11:52):
Yeah, did he have a star tattooed on his forehead?

Speaker 2 (11:55):
He did, right on his little, tiny free forehead.

Speaker 1 (11:58):
Wow. Yes, please do post that.

Speaker 3 (11:59):
Okay, So all right, these guys are all in Alcatraz,
and Alcatraz at the time was like I said, it
was sort of the rock itself was the prison, and
that was the idea, was that even if you're even
if you managed to get out of the prison that
they eventually built, which we'll talk about, then you still

(12:20):
can't get out of there because you got to swim
over a mile to the nearest body of land about
one point three miles. That water is really cold, the
currents are brutal, the winds are really strong. San Francisco
Bay is not you know, for people that haven't been there,
it's not just some lovely little chill body of water
that you hang out in.

Speaker 1 (12:39):
No, it's not a very hospitable body of water.

Speaker 2 (12:41):
It's not.

Speaker 1 (12:43):
So the idea was that, Yeah, like when you got
sent to Alcatraz, you weren't getting off of that island
and you were either parolled or died. And that was
actually the reason that the Anglands and Frank Morris were
sent there was because they had all met at the
Federal penn in Atlanta. I guess the one down in
Grant Park.

Speaker 3 (13:03):
Right, Yeah, which that building is amazing.

Speaker 1 (13:06):
It's one of the most forbidding buildings in the world.
I would say. It looks like an old timey federal penitentiary.
And al Capone was there too for a little while.

Speaker 2 (13:15):
Yeah.

Speaker 3 (13:15):
I actually drove by there not too long ago with
my daughter for the first time.

Speaker 2 (13:18):
And I was like, check out that building.

Speaker 1 (13:20):
Look at that.

Speaker 2 (13:20):
It's like that's a prison. What's a prison?

Speaker 3 (13:22):
And I went, oh, well, I guess I got to
explain that I'll tell you when you're eighteen if you
make it and don't go to prison first.

Speaker 1 (13:30):
Right, So they all met at the federal pen in Atlanta.
I can't remember if they actually made it out or
if they were caught escaping, but they were known escape artists,
like the Frank Morris had escaped from places in Florida.
They didn't stay put when you put them in prison,
and so that's why they were all sent to Alcatraz,
and just crazily as they arrived between nineteen sixty and

(13:54):
nineteen sixty one, they were all put pretty close together,
and in fact, the England brothers had a joint, which
is a very stupid thing to do, but that's what
they did. In part. I believe because there was a
certain thread of arrogance that ran through the administration of
Alcatraz that it was just basically inescapable.

Speaker 3 (14:16):
Yeah, and I think you also sort of want happy prisoners,
and I've heard of requests like that being made possible before, like, Hey,
if you put me near my brother, we're gonna be
a lot better behaved.

Speaker 1 (14:29):
Yeah, we're definitely not going to break out.

Speaker 3 (14:32):
I don't think we mentioned either, like Alcatraz was so
formidable as a just an island that the very first
time they used it was when the Army put soldiers
there who cheered on President Lincoln's death. And so they
didn't even bother building a prison though, they just built
some barracks through them on the island. It was like, well,
you're in prison now, because good luck getting out of here.

Speaker 1 (14:53):
Yeah, that's what I saw too. And when the Bureau
of Prisons took over, they they really fortified it even more.
Like you said, there was a larger building that housed
everything from like the mess hall to the cell blocks.
So when you were in a cell in a cell block,
you were in you were in a little tiny prison
inside a larger prison onside this island prison. And the

(15:18):
cell blocks themselves had like three inch thick concrete walls,
reinforced iron bars. The building itself was made a very
thick concrete. It was it was just meant to to
basically tell you there's there's no getting out here. But
what's what's crazy is Frank Morris and the England Brothers,
they weren't the first people to ever try to bust out.

(15:38):
I believe they were part of a total of thirty
six people who tried to escape. In the history of
the prison, everybody else, almost everybody else was either killed, captured,
or their bodies were found except and I did not
realize this, Morris and the England Brothers were not the

(15:59):
first people have vanished without a trace from Alcatraz. Had
you heard about Ted Cole and Ralph Row?

Speaker 3 (16:05):
I hadn't heard about them until this, But in the thirties,
late thirties, they did escape, and they did vanish, and
you know, sort of like where this story's going. I
don't think anyone wants to admit that from the prison
system that they could have really made it right.

Speaker 2 (16:20):
So they're like, nah, they died, they drowned.

Speaker 1 (16:23):
But the thing is the thing that really differentiates the
England Brothers and Frank Morris from guys like Ted Cole
and Ralph Row. They all shared in common that they
escaped from Alcatraz and vanished without a trace. The thing
that differentiates Morris and the Englands is that their folk
heroes because almost exclusively because of this plan they devised

(16:45):
and executed, and that the plan was so good and
so complex and well done that it actually lends credence
to the idea that they may have survived and escaped
from Alcatraz, genuinely.

Speaker 3 (16:59):
Yeah, But they had in common is that they were
all top ten in best abs in the prison system.

Speaker 1 (17:05):
Yep. And what everybody listening right now has in common
is that you're about to hear an ad Okay, we're back, everybody,

(17:40):
and I think it's high time we talk about the plan,
the escape plan, don't you.

Speaker 3 (17:44):
Yeah, if you're going to escape from Alcatraz, it's not
the kind of thing where you distract a guard and
just run and jump over a fence. You got to
start this thing, this plan, many months in advance. And
by all accounts they and by all accounts meaning from
the one account that we really have of this, they
started planning easily six months before the escape. They start

(18:07):
developing this plan. They start collecting kind of anything they
can get their hands on that they think they can use,
everything from just loose nuts and bolts and screws to
things that I mean, they actually ended up using a
lot of this stuff. But I got the impression that
they were just kind of like, anytime they saw something
that they could squirrel away and hide, they would do

(18:30):
it because you never know what you could use it.

Speaker 1 (18:31):
For yeah, and so like over the six month period,
they amassed something like eighty tools that they either stole,
had stolen for them rebuild, or repurposed out of other stuff,
or just made completely out of their own labor. They
had a pretty extensive toolkit that they created, and one

(18:54):
of the ways that they got a lot of the
tools was from Alan West, who we haven't mentioned yet,
but a lot of people don't realize there was a
fourth conspirator in the Alcatraz escape who was a major
integral part of it, but who actually didn't go along
with the escape, as we'll see.

Speaker 2 (19:12):
Oh man, that part of the movie is so tough.

Speaker 1 (19:15):
It is, especially with that poor guy. He just looks
character of womb like, I'm down on my luck. Can
you spare a dime? Bro?

Speaker 2 (19:24):
He's so good, he's been in it so many things.

Speaker 1 (19:26):
But he was I think he was the guy who
played Kramer on Seinfeld.

Speaker 2 (19:31):
In the in the pilot, in the NBC pilot.

Speaker 1 (19:35):
Yeah, so like in the show, the guy playing Kramer
on the show in the show, I think that was him.

Speaker 2 (19:40):
Yeah, he stole the M and MS, I think yeah, yeah.

Speaker 1 (19:44):
So he was in Escape from Alcatraz too. Yeah, he
just he's perfect for that part. But this guy named
Alan West, he was on the painting crew, and he
put that to use big time. One of the first
ways he did it was he was in the prison
barber shop and managed to steal a pair of electric
clippers while he was in there painting, and they were like, hey,
this motor will come in handy. Well, let's repurpose it

(20:06):
into a power drill, and they did.

Speaker 3 (20:08):
Yeah, that's pretty cool. He also, I mean, just having
a little motor is so handy. So he came across
a vacuum cleaner that wasn't working, and he said, hey,
you mind if I repair this? I got to shake
the tree first, but after that, you mind if I
repair this?

Speaker 1 (20:24):
Isn't what they call it a vacuuming.

Speaker 2 (20:27):
No, And he got a pee on the on the
chain gang. Don't you call it shaking the tree? Oh?

Speaker 1 (20:31):
I guess I think that's what it's called. Sure, But
I mean, what was I have to do with fixing
a vacuum nothing. It's just prison humor. Oh, I got it.

Speaker 2 (20:41):
It's a lot of prison jokes.

Speaker 1 (20:42):
So all the inmates listening right now is busted out laughing.
Like he said, shake the tree.

Speaker 3 (20:47):
Well, it's a drinking game. Well explain, if you're listening
from prison, if someone says shake the tree, you take
a drink of pruno. Well that's another drink. Yeah, that's
the that's what you would drink when somebody said shake
the tree. Say shake the tree one more time.

Speaker 2 (21:04):
Shake the tree.

Speaker 1 (21:05):
Guys, I think everybody's got a pretty good buzz in
prison right now.

Speaker 3 (21:08):
So he says, let me fix this vacuum cleaner. They say,
that's fine. He saw that the vacuum cleaner had a
couple of different motors, and one of which he used
to repair and actually make, you know, pass it off
as a working vacuum cleaner. And then he just took
that other one, and that meant that they could make
a drill that was even more powerful than the other one.

Speaker 1 (21:27):
Yeah, so they had not one, but two electric drills
at their disposal, which kind of gives you a pretty
good idea of just how dedicated and smart and crafty
these guys were. Right. Yes, they also very famously ended
up with fifty five zero different raincoats that were made
from rubber prison issue raincoats, so they got from other inmates,

(21:50):
And this really reveals something that I think a lot
of people don't necessarily realize. It seems like basically all
the inmates in prison with Anglin and the Anglands and
Morris were well aware of their plants, not necessarily every
detail or even any of the details, just that they
were planning on breaking out, and so they managed to
get their hands on like fifty different raincoats from other

(22:12):
prisoners that they used to build a life raft and
life vests with.

Speaker 3 (22:17):
Pretty great I think the idea was is that these
guys didn't like being on Alcatraz, so they kind of figured, Hey,
if these guys actually get out, they're going to close
this place down.

Speaker 2 (22:26):
We're going to get out of.

Speaker 1 (22:27):
Here, right not.

Speaker 3 (22:29):
You know, I don't know if I would have gone
along with that rationale, I would.

Speaker 2 (22:34):
Have thought it's going to be even worse for us here.

Speaker 1 (22:36):
Oh yeah, but.

Speaker 2 (22:37):
We'll hang on to what happened till the end of
the show. How about that.

Speaker 1 (22:40):
I think everybody would have kept their pruno from you
had you raised that point.

Speaker 2 (22:44):
You know, so they've got all this stuff.

Speaker 3 (22:46):
They got paint, they got paper, they collect hair and
from the barber shop they like sweep up his hair
and keep that. You might be thinking why in the
world would they need that.

Speaker 1 (22:57):
You'll just wait, you'll see.

Speaker 3 (22:59):
And then they had about three and a half hours
each evening after dinner, slop and before lights out where
they had to work and create a way out of
their prison cell. And then once they get out of
their prison cell, like you said, they're still in this
larger building, then away out of there. But the first
trick is getting out of their individual cells.

Speaker 1 (23:20):
Yeah, so from what I understand, that took up like
the lion's share of the time between when they first
hatched this plant in the time when they finally escaped.
They were like these little six by eight or nine
or something, very small ventilation chefs cemented into the wall.
These grates were submitted into the wall, but really it

(23:43):
was just a little metal grate over a hole. So
they figured it they could start chipping away at that
hole and enlarge the hole into something they could crawl through,
and that's exactly what they did. Eventually, over time, Frank
Morris and then both of the Anglin brothers managed to
create these holes, and they did so by serving his

(24:03):
lookout for one another while the other one chipped one night,
and then they would trade off that kind of thing.
And then here's the question that I have. I could
not confirm one way or the other if it was
a movie thing or if it was a real life thing.
But in the movie, they create these kind of cardboard
false walls that they're able to fill the hole with
that it looks like the great is still there and

(24:25):
the wall is still intact. So when they were out
of their cells, they could put this false wall in
behind them and nobody would be any of the wiser
when they just walked past and casually glanced in there.
I don't know if they did that or not.

Speaker 3 (24:39):
I mean, it's a pretty great detail of the movie,
so I'm inclined to believe it.

Speaker 1 (24:43):
Let's go with it.

Speaker 3 (24:44):
What I didn't see in or I haven't seen it
a long time. Did they have those drills in the movie,
because I just remember a lot of digging with the
They kind of just like used a sharp and spoon
as a little mini pick.

Speaker 1 (24:57):
A sharp and spoon with the warden's fingernail clippers that
he steals in like one of the first scenes.

Speaker 2 (25:05):
But there was no drill in the movie, was there.

Speaker 1 (25:07):
Not that I remember? So there definitely were two drills.
One of the drills, that one with the vacuum motor.
They actually figured out it's just too loud. It's too powerful, yeah,
and too loud. So they abandoned that one. But I
don't know what became of the hair clipper drill. I
didn't hear anything about that one other than that they
created it and used it well.

Speaker 3 (25:29):
They managed to dig through though where they could get
their bodies out of the cell, and that just must
have felt like, you know, we're halfway there at this point, guys.
Oh yeah, So they from there it led to a
utility corridor. It was about a meter wide, and there
were no guards in here, because this is sort of
like the guts of the prison. Yeah, like why would
you need to guard where there are no people?

Speaker 2 (25:51):
Wink wink.

Speaker 3 (25:53):
And in that corridor they could kind of move around freely.
They would climb up to the ceiling. This is like
a three story cell block, still within a larger building though,
of course, like we mentioned, and then they had a
full on workshop up there for a few weeks. They
could store their tools, they could hide their stuff, they
could build We haven't really talked about the rafts, but

(26:14):
where they much they would build their rafts there and
it just sort of serves as their staging area where
they would eventually leave from to go buy this big,
heavy iron grate to a ventilation shaft, which actually finally
led to the rooftop.

Speaker 1 (26:30):
Right, But that big iron gray was a big iron
problem because the bars were reinforced. They were i think
welded or maybe screwed I'm not sure, into this iron
ring that covered this ventilation shaft. So it was a
big problem. And then they figured out that the bolts
holding this whole thing together were actually not nearly as

(26:52):
strong as the bars that made up the grate and
the ring that held the bars, So they started working
away at cutting the bolts. One way or another, I
think they created a wrench. They built themselves a wrench,
and they managed to use that to some pretty good effect.
But it went from digging out of their cells to
figuring out a way to get through this grate. That

(27:14):
was kind of like stage two. And then let's talk
about the raft, because the raft is an extremely important
part of this whole thing, and I think really one
of the things, if not the thing, that lends credence
to the idea that they might have actually made it.

Speaker 3 (27:28):
Yeah, So they got these raincoats, and back then raincoats
were just basically sheets of rubber.

Speaker 1 (27:35):
Yeah, they didn't breathe very well.

Speaker 3 (27:36):
They were very hot, like get sweaty Gordon's Fisherman type
of stuff.

Speaker 1 (27:40):
A sweaty Gordon's Fisherman.

Speaker 2 (27:42):
Oh yeah, that guy was always sweaty.

Speaker 3 (27:44):
So they ended up creating a six foot by fourteen
foot life raft from these raincoats from an article in
Popular Mechanics, which shows up a couple of times, very
useful magazine if you were trying to escape prison. And
it was an article about a hunter who had gotten
law and survived hunting geese that he attracted using rubber
decoys that he'd made. So they get this idea. They

(28:07):
build these inflatable pontoons made from these raincoat sleeves, so
they were stuffed inside and made air tight by gluing
rubber cement contact cement over the seams and then pressing
them against steel pipes, which vulcanized it. It just basically melted
everything shut. And then you have these floatable pontoons that
you could use and craft this larger raft.

Speaker 1 (28:29):
Yeah, so they had something that was inflatable because those
seams were vulcanized. It would hold the air. The air
couldn't escape, and they used a concertina. Oh, I can't remember,
Handsome Pete. There's like a little guy who plays the
accordion down on the docks that looks just like Krusty

(28:51):
the clown in one of the Simpsons episodes, and he's
playing a concertina. It's like a squeeze box. It's like
an accordion without the keys and the buttons.

Speaker 2 (28:59):
Yeah, but it acts as bellows because it moves air.

Speaker 1 (29:01):
Essentially, that's what they used it for. They modified it
so that they could use it to inflate their raft
very quickly with this concertina that I guess they stole
from the prison music room, which is pretty great. So
they're working on all this stuff and the raft in particular,
this is like the lynchpin of this whole plane. Is
this raft in these life preservers, that work fell to
Alan West. So while these dudes were like chipping away

(29:26):
at the ventilation holes, Alan West was standing lookout for
most of them, and he was creating this raft in
these life fests, and so he wasn't able to chip
away at his own ventilation hole nearly as fast. So
while they were out, you know, working on the great
the event covered great, he still had no way out
of his cell at that point. He hadn't made it

(29:47):
all the way through.

Speaker 3 (29:49):
Yeah, and you know we should point out something that
earlier we mentioned. If they happened to walk by and
they don't notice a hole on the wall, because they
may or may not have made these fall grates and walls.
If you're a listener and you don't know the story,
you might have said like, yeah, but wouldn't they have noticed.

Speaker 2 (30:06):
There was no one in the cell?

Speaker 1 (30:09):
Good question.

Speaker 3 (30:10):
What they did was they made paper mache recreations of themselves.
They made these busts. They use that prison hair, which
so gross, and use that rever cement again to glue
this hair on. And if you see the real things,
it's not Madam Tussou or anything.

Speaker 2 (30:27):
It's not like, boy, look at that.

Speaker 1 (30:29):
Likeness photo realistic.

Speaker 3 (30:31):
But it's in the dark and you're sort of, i think,
as a human trained to see what you're looking for.
So if your guard that's just walking by, you see
a head turned the other way with prison hair on
it and some pillows under a blanket, and you don't
think it looks fake it just looks like it wouldn't
like Ferris Bueller style with like a fake snore on

(30:54):
the Hi fi system or anything.

Speaker 1 (30:56):
Right, but you just kind of walk past it.

Speaker 3 (30:57):
It worked well enough, Like they did this for weeks
and weeks and weeks with these paper mache busts, and
it worked.

Speaker 2 (31:03):
They never got noticed.

Speaker 1 (31:04):
No they didn't, because I mean remember like that that
they were working between the end of dinner and lights out,
So they just seem to have made it look like
they went to bed early and put the paper mache
busts in there. Guys are sleepy. Yeah, Frank got a lot,
I got a lot of questions about this, but I'm
not going to investigate any exactly. So do you want

(31:27):
to talk about the escape and then go to abreak?

Speaker 2 (31:30):
Yeah, I think that's the way to do it.

Speaker 1 (31:32):
Okay, So finally they get to this point where the
great is. The bars are removed from this great enough
that they can slip through, and they realize that they
have they have successfully penetrated to the exterior of the building.
That's right, Okay, they're on the roof. Well, they know

(31:55):
they can get on the roof. Now they know there
is go night.

Speaker 2 (31:58):
I bet you they got up there at least one
to be like all right.

Speaker 1 (32:01):
I don't know. I haven't heard anything like that. And
there's a lot of questions about why this particular night.
Was this the very first night that they were able
to get out and they're like, let's go, which seems
likely to me, or were they waiting for a particular night,
or like you said, they tested it before they do
any dry runs. We don't really know that. But we
do know is that on Monday, June eleventh, nineteen sixty two,

(32:25):
jw Angling, Clarence Anglin, and Frank Morris all left their
cells and the first thing Frank Morris did was go
to help Alan West finish the puncturing the hole through
his cell wall. Still had not done this yet. He's like,
come on, we got to go. But apparently part of
the plan was to help him punch the hole out
the rest of the way and then he would escape

(32:46):
with them. Frank Morris apparently tried in vain and went
off to get Clarence England to come try. They trade
it off, and then Clarence tried. He couldn't do it either,
so I guess he had the very uncomfortable I'll be
right back. I got to go, I gotta go shake
the tree or something like that. I'll be right back.

(33:08):
You stay here, And that was the last anybody ever
saw of Frank Morris, Clarence Anglin or J. W. Anglin
from that moment until today.

Speaker 2 (33:17):
Yeah.

Speaker 3 (33:17):
So they get to that corridor, they climb up to
the roof of the cell block and then through that
ventilation shaft that great is no longer a problem, and
they push away Alan West.

Speaker 1 (33:28):
They can just barely hear him saying, like, you guys
are coming back right any minute now, you said.

Speaker 3 (33:34):
So, there's this rain cover on top. They pushed that
thing off, and this all makes some noise. And in
the movie they kind of accurately display that too as
some clanking and clanging around. And I don't think in
the movie they did this, but in real life, supposedly
there was so much noise that they did like a
little forty five minute kind of a search of the area.

Speaker 1 (33:56):
Didn't see anything going on. No, they didn't go.

Speaker 3 (33:58):
Up on the roof, that's for sure, and they basically
didn't find anything.

Speaker 2 (34:04):
So the guys are out.

Speaker 3 (34:06):
They shimmy about fifty feet to the ground via drain pipe,
which is how you always do it go to that
perimeter fence. And I'm sure the perimeter fence was fine,
but I think the idea was that they're never getting
out anyway. So I don't think it had like fifteen
feet of razor wire or anything like that.

Speaker 1 (34:24):
I think it did have double barbed wire at least
for sure.

Speaker 2 (34:27):
That's nothing for us.

Speaker 1 (34:28):
It's not like Concertina wire or anything.

Speaker 2 (34:30):
No, nothing like that.

Speaker 3 (34:32):
Around one in the morning, Alan West, Poor Alan West.
He finally gets that cell great broken open. I'm sure
he just thinks, all right, I'm going to catch up
to these guys and it's going to be all good,
and I'm getting out of here. Followed that same route.
It's been a couple of hours. At this point, though

(34:54):
he saw that these were genuinely good dudes, it seemed
like because they did leave him a paddle. I don't
think we mentioned they made paddles out of chair legs
and the rest screws and nuts and bolts and a
pon tune that was all inflated for him. And he
got a little snack low of rice, Krispy Tree, it's
Krispy Tree, the little Bruno little shot of Bruno for
his courage, and then he looks over terrible timing, and

(35:16):
there's a guard in a new position that basically could
see anything that he tries to do.

Speaker 2 (35:21):
Yeah, from that point forward.

Speaker 1 (35:23):
He's visually pinned down on the roof. He can't do anything.
So this is around one am or something, and he figures, okay,
the guard will eventually move. Well, alan West says, the
guard never moved until dawn. It doesn't this guy pee right,
doesn't he ever shake the tree? And he didn't. He
did not shake the tree, stayed put. And so eventually

(35:44):
Alan West was forced to climb back down the ventilation chaft,
back down from the roof of the cell block, three
stories back to his cell that he had just a
few hours earlier. Finally, after months, punched a hole through
and he went and laid down and just waited for
the heat to come down on them. And indeed it
did because at the seven am bedcheck, three dummy heads

(36:07):
were discovered where three inmates real heads should have been,
and the prison just went berserk.

Speaker 3 (36:14):
You know that feeling you get when you take a
wrong turn and go like three or four miles in
the wrong direction and.

Speaker 2 (36:19):
Have to go all the way back the other way.

Speaker 3 (36:21):
Yeah, imagine being Alan West and having to do that.

Speaker 1 (36:26):
That time's infinity, that time's infinity.

Speaker 2 (36:28):
Yeah, you want to take another break?

Speaker 1 (36:30):
I think so. Man, all right, we'll get to the bot.

Speaker 3 (36:32):
Well, we won't get to the bottom of this, but
we'll speculate all over the place right after this.

Speaker 1 (37:03):
Okay. So there are some things that we know about
this from watching the movie, but the movie writers based
the movie on a book, and the book author I
believe based his stuff on an interview or interviews with
Alan West that Alan West had with the Bureau of
Prisons in the FBI, because basically everything we know about

(37:26):
the escape from Alcatraz came from the mouth of Alan West.

Speaker 2 (37:31):
Yeah. So he made a deal.

Speaker 3 (37:33):
He said, listen, I'll tell you all about it, but
you can't throw me in here for longer. Because I
tried to escape prison. You got to give me immunity
for that attempted escape. And let's be honest, guys, it
really wasn't much of an attempt. Can you give me
a break here? I had to make the sad walk
of shame back to the cell.

Speaker 1 (37:50):
I have a feeling that that definitely factored into their
decision to give him immunity, like man, probably, so you
really got a hard luck case.

Speaker 3 (37:59):
So he makes a deal and says, I'll tell you everything.
But again, this is just his account of it. One
thing that kind of jumped out is maybe it's not
the most accurate account, was that he was like, yeah,
I was the mastermind.

Speaker 2 (38:13):
I thought of the whole thing from the start.

Speaker 3 (38:15):
And I don't know if that's quite true, because it
seems like Clin Eastwood did Yeah.

Speaker 1 (38:20):
Certainly in the movie. The movie is basically it should
be called Colin the Frank Morris story. He's the main character.
Everybody else is a side character. It really kind of
downplayed a lot of the contributions by the England brothers,
certainly by Alan West. Doesn't even use Alan West's name.
So I don't know how much of an influence is

(38:43):
from that movie, or if that movie was just based
on the general idea that Frank Morris was the mastermind
and the leader, that he was a very intelligent person
and kind of a born leader from what I know.
So it's just not clear whether Alan West actually came
up with this plan or not. Was he the one
who sewed the raft all this time and he got

(39:03):
left behind, or maybe he had really weak arms, And
this was just what he told the Bureau of Prisons investigators.
It was the reason why he never was able to
chip out of his cell. Who knows, but just so
just bear in mind from this point forward, we're just
going to go on with this his gospel. But all
of this is coming from Alan westsmouth. He was the
one that was left behind.

Speaker 3 (39:23):
I feel like in the movie he got to the
point where he could not jump up by himself and
reach the grate.

Speaker 2 (39:28):
Is that right?

Speaker 1 (39:30):
Yeah, so in the movie they help each other upright,
and then he would he would have had to have
done it himself.

Speaker 3 (39:36):
And he couldn't jump. He just kept jumping and jumping
and couldn't make it.

Speaker 1 (39:40):
Yes, but from what I know, he made it up
to the roof and was pinned down on the roof
by that guard and the watchtoyeah. But I don't think
it was a guard inside. No, no, no, no, you're right
in the movie it was like that.

Speaker 3 (39:51):
So the plan was, and this again from west account said,
was to sail this raft or I guess, paddle this
raft across the bay to Angel Island about a mile
away a little over, and he said. From there they
were going to rest for a little bit, get their bearings,
stash everything, and then swim to the mainland across what's

(40:12):
called the Raccoon Straits to Marin County, and then once
they got there they would start doing crime again. Immediately.
They could rob a store for closing money and steal
a car and get the heck out of there as
quickly as possible before the word gets out.

Speaker 1 (40:26):
Ostensibly, which is a pretty great plan actually, except for.

Speaker 3 (40:30):
The crime part. Like I would have, I don't know.
I guess the idea is to just get as far
away as possible. But I don't know if I would have.

Speaker 1 (40:35):
Yeah, but you need a car. It's not like somebody's
going to just give you one.

Speaker 2 (40:39):
I can take the Bart.

Speaker 1 (40:41):
Sure you could take the Bart. I guess the part
was around back then. I think it was a pretty
good Maybe they were just like one last heist to
get away from here. Maybe that's what it was.

Speaker 3 (40:50):
Maybe because they just want I mean, I get did
want the urge to get as far away from there
as possible. But also what if all of a sudden
cops are on.

Speaker 2 (40:59):
You from stick on the car immediately.

Speaker 1 (41:03):
Risk It is a big risk and a lot of
people say that they were actually helped. On the other side,
there was a guy named oh Man. I can't remember
his last name, but his first name or his nickname
was Bumpy. He was a Gillicutty Harlem crime lord, drug
lord who was just a total ba and they think

(41:24):
that he may have had something to do with helping
them escape with somebody who would have shown up and
picked them up and driven them off. Other people say
that one of the England's girlfriends was there, but the
FBI supposedly investigated and said Frank Morris didn't have anybody.
He was an orphan, he didn't have anybody on the
outside he could have helped. The Anglands had family that
definitely would have helped if they could, but they didn't

(41:47):
have the means to actually to help them out in
San Francisco. So yeah, but they were a tight family,
and they were the kind of family where I think
if one of them had called him be like I'm
breaking out, I need you to pick me up, they
would have done it. That. They're like that kind of
tight family bond. Now, like my family would be like,
oh well, I'll call you right back, and then hello, FBI.

(42:07):
How much of a reward do you have for giving
up a prison escapee? Yes, a federal prison. Oh that
much hunk? Great? Do you have a pen?

Speaker 2 (42:16):
Can you do any better?

Speaker 1 (42:18):
So, yeah, that's exactly what my family would follow up with.

Speaker 2 (42:22):
They did find some evidence.

Speaker 3 (42:23):
So they did a search for about a week and
a half along with the FBI, like you were saying,
in the Bureau Prisons and the Alcatraz people, they were
all super mad, of course, especially in the movie version.
And they search Angel Island, They searched all the other
islands in the bay, and they did find one of
those like preservers that had teethmarks on the inflation valve.

(42:45):
They found a wallet wrapped in plastic that they figured
was jw.

Speaker 2 (42:48):
Anglin's.

Speaker 3 (42:50):
They found one of those oars, and they found it
looked like most of one of the rafts or most
of the raft But no bodies, no stolen cars, no burglaries,
No one had reported anything in the area, unusual to
according to their plan, which was to you know, steal
closing money in a car.

Speaker 1 (43:10):
Yeah, and so the Bureau of Prisons, like right out
of the gate was like they drowned there. They were
washed out to see. That's it, we'll never hear from
him again. But they're dead. They didn't actually escape, And
this was in nineteen sixty two. It wasn't until nineteen
seventy nine that the FBI closed the book and said, yeah,
that's probably what happened. We presumed that they were dead
and their bodies lost at sea. But when they were

(43:32):
building this case, they cited the story of a guy
named Seymour Webb who had jumped from the Golden Gate
Bridge at virtually the same time the Englands and Morris
would have been in San Francisco Bay, and his body
was never found, despite there being witnesses who watched him jump.

Speaker 2 (43:51):
Very flimsy.

Speaker 1 (43:52):
Yeah, yes, but at the same time it does kind
of demonstrate like, look, man, they could have this guy
was never Yeah, he was never found. He jumped to
the same time the Anglands and Morris were in the water,
so maybe their bodies were never found. There was a
sighting of a body about five weeks later in July
of nineteen sixty two by a group of Norwegian sailors

(44:13):
who saw something kind of floating off and they're like,
is that a body? Yeah. They one got binoculars and
they say that's a body.

Speaker 2 (44:19):
It was a body.

Speaker 3 (44:20):
It was floating upside down, so all they could see
was the butt basically kind of bobbing in the water,
and the butt looked through their binoculars at least to
have on jeans, have on denim, and they you know,
that was part of the prison outfit, was they were
wearing denim. And this is the part that kind of
gets a little flimsy to me is the FBI said

(44:41):
that there were no missing persons in the area in
that timeframe that were wearing jeans.

Speaker 1 (44:48):
Are you ready for this? So sitting down, who knows?

Speaker 3 (44:51):
And it was reported many weeks later, so you know,
it was all it was kind of hearsay, I guess
at that point it was.

Speaker 1 (44:58):
And then by the time they actually reported the sighting,
it was October. So they're like, well, that's kind of useless.
But they do point to that and say, okay, this
combined with Seymour web, we think that their bodies were
swept out to see. Not everybody agrees with that, including
the Anglan family, who very much maintained that their brothers
survived this escape from Alcatraz and actually had a photograph

(45:24):
that I don't know where they got it, but they
have a photograph that was supposedly taken of their brothers
in Brazil in nineteen seventy five looks that they shared.
Then it does It certainly doesn't. There was actually a
company I can't remember the name of the company, but
they do like artificial intelligence facial recognitions. So they're just
really leading the way to a dystopia. But they were like, hey, everybody,

(45:46):
we want to introduce you to our software. So we're
going to analyze this picture. And their AI said, yep,
definitely the angling's how cool is that? Yeah?

Speaker 3 (45:55):
I mean I certainly looked at it, and it could
be it didn't look so unlike them that it was
like no way. And again I found myself being like, ah, man,
these guys made it to Brazil and they're the Robin
Banks there to this day.

Speaker 1 (46:09):
Exactly right, I have them raising cattle in Brazil. That's
my that's my idea.

Speaker 3 (46:14):
In twenty thirteen, there was a letter sent to the
San Francisco Police Department supposedly from J. W. England saying, Hey,
we made it, guys, but just barely. Morris died in
two thousand and eight. We kept in touch, great guy,
Clarence died in twenty eleven and I'm still alive, but
I got cancer. I need help, and I'm going to

(46:36):
come forward if you promise and pinky swear and tell
the public that you're not going to send me to
jail for more than one year and you're going to
heal my cancer.

Speaker 1 (46:45):
Yeah. And apparently they analyzed the letter and like, this
is inconclusive. But the FBI was like, we close this
case in nineteen seventy nine, we're not about to open
it up. But here's the thing. The idea that they
survived is that least possible enough that for this whole time,
the US Marshall's Office, who took over the case from
the FBI in nineteen seventy nine, have kept it open.

(47:09):
Like these guys are wanted outlaws still to this day,
even though they would be eighty nine, ninety and ninety five.
I think by now they are considered wanted fugitives and
the cases open. Even though I believe the Marshal Service
typically believes that they're dead, they haven't closed the case.

Speaker 2 (47:24):
Yeah, here's my deal.

Speaker 3 (47:26):
If you do something like this and you don't leave
some rock solid deathbed evidence, then you're just selfish.

Speaker 1 (47:34):
You really are.

Speaker 3 (47:34):
You owe it to the world to have this be
a lead story and be like, Frank Morris died and
here's the evidence, here's that little flower from.

Speaker 1 (47:43):
The rev Yeah, exactly, teach your smartest head of cattle
to stamp out a message in morse code. That's what
I want you spending your dying days doing, teaching that cow.

Speaker 3 (47:55):
The marshals say that they don't think they survived and
went on to lead lives of solitude because they're like,
these guys are career criminals. They would have done something again,
they would have gotten caught again. It's a good point
arguments four is that, And they don't know if they
planned this that way or not. But when they went
on the day they went, and during the hours they went,

(48:17):
they actually had a few good hours of pretty calm
bay currents. The you know, it could be so bad
that they're going to pull you out to sea, or
so bad that they take you in the wrong direction,
completely away from land. And they said that, you know,
whether it was just providence or whether they planned it
this way. They had a cloudy night, so there wasn't

(48:38):
much light from the moon, and they had a really
calm bay, so in theory they might could have done this.

Speaker 1 (48:43):
They could have, but the winds were really terrible that
night too. I think they were a gusts up to
like twenty one miles an hour, sustained winds of like
ten miles an hour in which direction though, that's tough
to row. Who knows. If it was lucky, then yeah,
if it was blowing them toward Angel Island, that was
in their favor. It was blowing in any other direction
that would make it very very low to Brazil, and

(49:05):
then maybe so they're like, well, that was fortunate, didn't
even have to steal a car. The other problem is
the water. The water temperature is like fifty degrees farentheight,
which is very very cold, and you get very numb
and eventually sent into shock and then exhaustion pretty quickly

(49:25):
after being in this water for thirty minutes or last.

Speaker 3 (49:28):
But people swim in that thing. They do and it's
happened before. They have triathlons in that water, and people
do it. So it's not to say that these guys
could not have done it. It wasn't so frigid that
science would say, oh no, you would die inside five
minutes in this water.

Speaker 1 (49:46):
Exactly. I mean, especially if they were operating on the
adrenaline that they surely would have had from the escape.
She meaning fifty feet down a drain pipe alone will
pump you full of some pretty decent adrenaline. So who
knows what they were capable of at the time.

Speaker 3 (49:58):
I have a theory is that the Anglins killed Frank
Morris out there on that raft, and that was the
body they saw floating, and that's why they made it
to Brazil and we never heard from Frank Morris again.

Speaker 1 (50:12):
Oh I don't like your theory.

Speaker 2 (50:14):
You don't think I don't turning on them at the
last minute.

Speaker 1 (50:17):
No, No. My theory is that that body was actually
Seymour Web, that he was wearing denim jeans underpants that
got taken off of his other pants, and that he
wasn't actually dead, but he met a mermaid or merman
who he fell in love with and spent the rest
of his life under the sea with.

Speaker 2 (50:38):
Well, that's lovely. I like that theory.

Speaker 3 (50:40):
But the cherry on top here is that those prisoners
who wanted to help them escape because they thought the
prison would close were right. The prison was shut down
the following March, and the Bureau Prison said, you know what,
we were gonna shut this thing down anyway because Alcatraz
is just too much to keep up. This big concrete
block on a rocky island is too expensive to keep up,

(51:02):
right with very few guards.

Speaker 2 (51:04):
So who knows.

Speaker 3 (51:05):
But in the movie they definitely sort of betray it
as as that's the reason why.

Speaker 1 (51:10):
Yeah, and the warden never had a happy day again.

Speaker 2 (51:13):
That's right. Pretty satisfying film.

Speaker 1 (51:15):
Pretty satisfying film. And Chuck, I guess we said all
this to say this. We have a book coming out
that we would love for you to pre order.

Speaker 2 (51:23):
Yeah, that's right.

Speaker 3 (51:24):
Stuff you should know is that Jarring, an incomplete compendium
of mostly interesting thing and guys. One of our lifelong
dreams is to be on the New York Times bestseller list.

Speaker 1 (51:35):
Yeah, they give you a T shirt.

Speaker 3 (51:36):
We really want to get on that list, and if
that list came out today, we wouldn't be on it.
So we would love for you to step up and
help our dreams come true. Sure, how's that for a plea?

Speaker 1 (51:49):
I think that's a great plea, A plea and a
plug altogether. It's a pleague.

Speaker 2 (51:53):
What is this in cost twenty bucks?

Speaker 1 (51:56):
I think so? And it's worth every penny I can
tell you because we you wrote it. That's right. So
that's it. If you want to go order our book,
you can pre order anywhere you get books. Thank you
in advance. And I think that's it for Escape from
Alcatraz too, right, that's it. If you want to know
more about escaping from Alcatraz, there are some really great

(52:16):
articles and books and all sorts of stuff out there
on the Internet for you to dig into. So get digging.
Since I said get digging, it's time for listener mail.

Speaker 3 (52:26):
I'm going to call this Delaware response. We kind of
poked fun at Delaware a little bit, Oh we now,
I guess.

Speaker 2 (52:32):
It was me.

Speaker 3 (52:33):
But Delawarians, Delawareans, Delawarans, Delaware, Delawarean nights. They are lovely people,
as it seems, because we've gotten quite a few emails,
and they'll have good humor about their lovely little state.
Hey guys, our Delaware family had to laugh at your
pirate radio podcasts. Delawareans, Oh yeah, that's right. There would

(52:53):
be proud to be known as the Luxembourg of the
United States. Most people drive through our state on nine
ninety five and less than thirty minutes but if you
do stop by. Our state is rich in history and agriculture,
and we have a few nice beaches.

Speaker 2 (53:06):
What you should know is the ark on the top
of our state.

Speaker 3 (53:10):
I guess it's an arch, is made by a twelve
mile radius from Newcastle and historic Town. What many people
do not know is the bottom of the arc formed
a wedge betwixt Pennsylvania, Maryland, and Delaware. The ownership of
that land was in dispute between Delaware and Pennsylvania for decades,
only to be resolved in nineteen twenty one. Rumor has

(53:32):
it that the disputed land was a haven for unsavory
types who capitalized on the uncertain jurisdiction.

Speaker 2 (53:39):
Thanks for the show.

Speaker 3 (53:39):
It informs and entertains my family and we wish you
well from Delaware. The first state to ratify the constitution,
oh that is from Doug wasgat and family.

Speaker 1 (53:49):
Nice Doug, thank you. I would have led with the
first state to ratify the constitution. Thing.

Speaker 2 (53:54):
I bet they tout that a lot. It's a good
thing to tout.

Speaker 1 (53:58):
Yep. We want to be like Doug and defend your state,
whether it's Delaware or not. We want to hear from you,
and you can send it in an email to Stuff
Podcasts at iHeartRadio dot com.

Speaker 2 (54:14):
You Know Stuff you Should Know is a production of iHeartRadio.

Speaker 3 (54:17):
For more podcasts my heart Radio, visit the iHeartRadio app,
Apple Podcasts, or wherever you listen to your favorite shows.

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Chuck Bryant

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