Episode Transcript
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Speaker 1 (00:10):
Kick us off. We're good. Yeah, we be turned out.
We're gonna keep it here, We're gonna keep it quick.
Already know what.
Speaker 2 (00:19):
Time of their man bad Wood back stage? Man, you
dig what I'm saying, DC, Young Flizzle, eighty five South
and the Beautiful Poor minds us in the building.
Speaker 1 (00:28):
Hey man, we got.
Speaker 2 (00:29):
Us an icon, we got our legend, we got us
a real light man.
Speaker 1 (00:34):
Listen, I'm talking about Beautiful just all the way. Well rid.
Speaker 3 (00:42):
The biggest, the biggest, Like, what what's.
Speaker 1 (00:46):
Up with you? Dream? Let me say congratulations. You got
the number one movie on starts. Both Eyes Opening.
Speaker 3 (00:58):
On Stars, Harlem Is on Amazon, Crazy Snowfall got to spin.
Speaker 1 (01:02):
Off, got a whole lot of ship taking over. So
act like, you know what the fuck going on?
Speaker 3 (01:11):
Run man?
Speaker 1 (01:12):
You know he the producer on the shout out to.
Speaker 3 (01:15):
M money and that's you broke baby. Be a little
bit about the movie because it's like a thriller, and
we don't.
Speaker 4 (01:29):
See a lot of you know, black women get to
do thriller movies. You know, they always want to slave,
you know what you know?
Speaker 3 (01:35):
I think people really thought it was gonna be a
victim story because it's domestic violence. But then when it
turned to like overcoming trauma and being a psychological thriller,
it really hit some folks with like whoa, They didn't
know how it was going in I'm the Number One talk,
which was my very first number one, which I think
was a great opener to the Snowfall spin off because
being the number one on that shoutout to John Singleton,
(01:57):
RP and everybody involved, FX, Disney, Damson did everybody who
was in Snowfall Universe really held it down. I know
y'all still mad about Sissy. I'm sorry, y'all got to
try to understand what it would be like to be
a mama.
Speaker 1 (02:14):
Oh, not understand you don't want to be man, it's
a beautiful thing. Is I want a couple? I wouldn't know.
I don't have no kids either.
Speaker 4 (02:25):
Girl.
Speaker 3 (02:25):
Shout out to my future maybe daddy husband loving my life?
Speaker 4 (02:29):
Period.
Speaker 3 (02:31):
Now we have to ask you because everybody always want
to know about p Valley.
Speaker 1 (02:35):
So are we.
Speaker 3 (02:35):
Getting a new season of p vlval is coming back?
Speaker 1 (02:38):
You've already shot season three?
Speaker 3 (02:41):
Oh it's pulling up with the blicky period?
Speaker 1 (02:46):
What you know now? Now in this game?
Speaker 3 (02:49):
Man?
Speaker 1 (02:50):
Sorry?
Speaker 2 (02:54):
Now, is that anybody you want to work with because
you know, as an actress man, you want to be
like in a put in a situation where they could
bring the best out of you.
Speaker 3 (03:01):
Correct, do you think who is that? Who is that collapse?
You want black people? Are you want non black people? Okay?
I want to work with Cilia Murphy from Blinders. I
want to work with maryon Contilliar. I want to work
with Julianne Moore. Now if we go to the black folks,
who doesn't want to work with then zel? I want
to work with Jarell Jerome, Like there's I want to
(03:23):
work with Danielle Debt Waller again and again. There's so
many people I want to work with. So I mean
the listen is en listen.
Speaker 1 (03:31):
And Tasha smill shit directed Tasha Smith is amazing.
Speaker 3 (03:34):
She directed me in Harlem, that love bomb actress bomb director.
Speaker 1 (03:40):
You're really from that life, like she's the.
Speaker 2 (03:43):
One she'll talk to you like, look, look, do what
I want you to do because these motherfuckers don't understand.
Speaker 3 (03:50):
We got tim motherfucking minutes to get the shots. Are
you even gonna do the ship? You ain't what it
is I need you to be coming from a bitch,
I've been there but it's soft and understands she's not
gonna break it down and like terms where we're just
trying to be politically correct situation. She's not gonna give
you twenty five takes to get that. Look, we got
(04:11):
two takes. You ain't gonna get this ship and were
moving on right exactly.
Speaker 1 (04:14):
Yeah, but she donna give it to you to where
you understand in your term.
Speaker 4 (04:17):
I think that makes it more comfortable though, when you're shooting,
so you feel like, Okay, this is not so uptight. Yeah,
so you really feel comfortable. So let us know what
you got coming up and all that good stuffs.
Speaker 1 (04:29):
Girl Executive number one, it hasn't been in now she has.
Speaker 3 (04:33):
I'm gonna get our little drop love. You're gonna catch
me in somebody video. They're from Atlanta and they're very,
very major artists.
Speaker 1 (04:42):
That's what's up you have.
Speaker 3 (04:47):
So you're also gonna catch me on stage. I'm doing theater.
That's my foundation.
Speaker 1 (04:54):
Yea, in l A, we're gonna be at the guessing.
Speaker 3 (04:58):
You're also gonna catch me in the snow fallspin off
number one on the car, she's so really pulling out
and it's a couple of other things. I'm executive producing
and producing and writing now.
Speaker 1 (05:11):
So we got a little ship in the bag. Your
car La Cat, y'all don't know. I got a house
in Ghana.
Speaker 3 (05:18):
So anybody who's trying to come to Africa, fuck with
the pimp.
Speaker 1 (05:21):
We're gonna make sure that y'all is situated and straight
and good.
Speaker 3 (05:24):
Just by your flight and you look in the jar
for the people who cleaned the house.
Speaker 1 (05:29):
You ain't even got to pay Tony. I'm here now.
I'm gonna pull up African King and Prince again.
Speaker 3 (05:39):
The first time I did was with poor Mind when
eighty five souven you wasn't dead.
Speaker 2 (05:45):
I know.
Speaker 1 (05:46):
It's okay. Now we keep we keep missing each other.
We both did a movie, but we will let it
don't come.
Speaker 3 (05:54):
I'm gonna I gotta go see j I D.
Speaker 1 (05:57):
She did show up to the East Side. But I
love y'all. Yeah,