November 12, 2025 • 34 mins
Lady London joins the 85 South Show crew for a hilarious and insightful conversation. They discuss their career journeys, including the transition from poetry to rap and the challenges of navigating the music industry.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
All right, jo Winn, plam me some heaving, then play
(00:03):
me some heaven, then blame me some another man so
we can get you started.
Speaker 2 (00:08):
Then what you got over there?
Speaker 1 (00:11):
Let me hear something. I don't get nervous. Now we
got ship, don't get shot. You already introduce yourself to
the old team.
Speaker 2 (00:21):
There you go.
Speaker 1 (00:22):
Come on, I've been braking on you all week. Hell yeah,
I thought we were saving this for Saint Mao. I mean.
Speaker 3 (00:32):
Always then you always time next year.
Speaker 2 (00:35):
I thought I thought this was going on our Spanish
ape me bad money, I got bad money.
Speaker 4 (00:45):
Don't want a hook?
Speaker 2 (00:47):
What you mean? He might just have to just sit
him a birthday? You know that birth ain't gotta be that.
Speaker 3 (01:05):
You ain't gotta be You gotta be there. You got
the other people for the birthday. Give me.
Speaker 1 (01:13):
Man.
Speaker 2 (01:13):
Welcome back to the eighty five South Show.
Speaker 1 (01:20):
Body, the blackest TV show that's not on TV, the
number one radio show that's not on the radio.
Speaker 5 (01:27):
What technically we is on TV if they watch YouTube
on their television.
Speaker 1 (01:32):
The number one TV show that's not a TV station.
Talk to your talk independent. I got my man jail
Win in here with me today. He got on a
four win breaker, a real win breakup. Taking it back
to nineteen ninety one, Sir, when you walk, you make
a town. We got DC young Fly on the ones
(01:54):
in the two no cap and we got a very
special guest in the trap with us today.
Speaker 2 (02:01):
DC. We don't give many ladies to stop through the trap.
We're working on that.
Speaker 1 (02:06):
But this lady right here is an exceptional talent.
Speaker 6 (02:09):
Uh huh, magnificent wordsmith, and her shoes is connected to
are connected to her past, not longer than the world
famous Miss Lady London.
Speaker 3 (02:27):
What's going on?
Speaker 2 (02:29):
Familiar work? She had TikTok in a frenzy.
Speaker 3 (02:33):
Hey, my little needs to go on, Grady Bro.
Speaker 1 (02:35):
She gave him an anthem that time, the word players magnificent.
Speaker 2 (02:40):
I'm saying magnificent because that's what Big Dady came. He
just said, he said, she's a magnificent lyricy.
Speaker 1 (02:45):
You saw that that?
Speaker 3 (02:49):
Uh huh?
Speaker 1 (02:50):
How does that feel to see that when you turn
it on and you're getting praises like that from legends?
Speaker 3 (02:55):
So unreal? For real?
Speaker 7 (02:56):
I mean, Kaine is just amazing across the board. He's
it's an amazing person. But to even be recognized by
legends like that, it almost don't feel real all the time.
Speaker 6 (03:06):
You made cry Yeah that's you love him as the
O g right there?
Speaker 2 (03:14):
How did we get here?
Speaker 1 (03:15):
How did all this start? Hell?
Speaker 3 (03:18):
If I know, damn gonna say my water.
Speaker 2 (03:21):
Quick the way to get your kiss?
Speaker 3 (03:33):
How did it start? The simple story was writing poetry from.
Speaker 7 (03:40):
Young, went to school a lot, getting my masters. I
dropped the video online after Jeremy grad program.
Speaker 3 (03:50):
Yeah, man, a million degrees out.
Speaker 8 (03:53):
Here, hold on, hold on, hold on, hold on, hold on, black.
Speaker 3 (03:56):
Woman, yos.
Speaker 9 (04:02):
Went out here, don't wanna be I g buers.
Speaker 3 (04:07):
Yeah, yeah, it's yes.
Speaker 7 (04:08):
So while I was getting my masters, I was dropping.
I dropped a video online of me doing poetry. Everybody
thought I was rapping, but it was no beat, no nothing,
and this shit went viral like ten million views.
Speaker 3 (04:18):
Crazy.
Speaker 7 (04:19):
This is back twenty eighteen, So ten million views is
not as normal as it is right now. Yeah, for sure,
So it was crazy. I taught myself how to rap.
In like three months, I started dropping these things every
Monday called Lady Lunday's, which was like viral freestyle, and
I was gaining like twenty thirty thousand followers a month
from dropping them every Monday consistently grew my following from
(04:40):
ninety five hundred to over a million organically. No bots,
no box, no bo, no bots, hashtag no box, you did,
and yeah I'm here.
Speaker 2 (04:50):
So so it started.
Speaker 3 (04:51):
From poetry, yes man, as a artist.
Speaker 10 (04:55):
As a artist, some of the best are artists out.
Speaker 2 (05:01):
There du portry.
Speaker 10 (05:03):
Yeah, like it's not just like do portry, like they
actually sitting right poems.
Speaker 1 (05:09):
I ain't never just sat down and write no goddamn poems.
Speaker 2 (05:11):
You needed to.
Speaker 3 (05:12):
You'll be mad good at right now and I'm great
at writing. Yeah, you would be so good.
Speaker 2 (05:17):
So how you rhyme?
Speaker 1 (05:17):
Is it like a rhyme scheme?
Speaker 3 (05:19):
Or is you just heartfelt? Is it a b B?
Speaker 1 (05:22):
Or is it just crazy?
Speaker 3 (05:25):
Yeah?
Speaker 7 (05:25):
When I was yeah, when I was writing poetry, it
was very like one dimensional. Teaching myself how to ride
was w so hard cause I didn't realize how different
it is, like multi syllabic structure, fitting in syllables where
they supposed to fit in a pocketing, you know, like
it's it was a lot getting on beat. At first,
I could not rap to save my life. Being in
the studio. Yes man, I was like that shit sounds crazy,
(05:47):
like it's I'm not catching the beat, like clearly, you
just not getting it. And then after a while I'm like, okay, oh,
you can only fit nine syllables here, that's why it
don't sound right. Okay, okay, now you can start moving
like that. Then I just started hearing different pockets and things.
So now I'm like, I feelt like you should switch
your flow every four bars, and so when you ain't
(06:07):
got no one dimensional flow, yeah, hey, I switched the trick.
Speaker 3 (06:12):
So who did you go study?
Speaker 2 (06:13):
Cause, like you said, it was a fast process. It's
a fast pace. Like you said you did poetry, so
music wasn't really like.
Speaker 1 (06:22):
You know what I'm saying.
Speaker 2 (06:22):
It was bestow the punt of you.
Speaker 3 (06:24):
So who did you have to go see?
Speaker 2 (06:25):
Who do you have to go study in order for
you do? Like, Okay, this is what it take.
Speaker 7 (06:28):
I remember when I was first really like trying to
lock in, I would keep watching over and over Jay
Z and Big L's freestyle ninety seven, Like over and
over again. I kept watching him spar back and forth
and just watching the like not only the cadences in
the pockets that they would have, but like the subject matter,
the wittedness of it.
Speaker 3 (06:47):
It was so cocky. It was so like for tat
for both of them.
Speaker 7 (06:50):
I don't even know who really won that that battle.
Speaker 1 (06:53):
That's a tough one cause Big Hell he's so dynamic
with the He never rhymed of where you think it's
gonna go, always go like completely different.
Speaker 2 (07:01):
Bro. He was one of the coldest.
Speaker 7 (07:03):
Man man when you think about j like, okay, Jay
gunn do what J do. But big ol so ahead
of my time. My parents haven't even met yet.
Speaker 3 (07:11):
I'm like this.
Speaker 11 (07:11):
Niggas talking crazy like this is this is this is nuts,
Like you listen to the whole time because you you
fire tell me right, yeah, Field.
Speaker 3 (07:22):
Mom Phil Mom.
Speaker 2 (07:25):
Wants to play. Want you to listen to both of them? Okay,
one of them, either one because you can track.
Speaker 12 (07:32):
You'd be like, oh okay, yeah, shout it way harder
than he shout him.
Speaker 2 (07:36):
And Ludacris, oh of course, of course.
Speaker 10 (07:39):
Lula is just I just feel like he just had fun,
like he don't try and if he tried, you know
you you are.
Speaker 1 (07:46):
But the way he'd be so all over that motherfucker.
Speaker 2 (07:48):
And then Lucas back Luther.
Speaker 1 (07:49):
Kris can wrap his ads off and he don't get
no credit.
Speaker 3 (07:52):
That he as a lyricists.
Speaker 7 (07:55):
Who are some of your favorite lyricists, Jay Kiss, Oh
Slick red Man.
Speaker 3 (08:05):
It's some, it's some, it's some cold. My fucker's out there.
Speaker 7 (08:08):
I like Biggie's storytelling abilities obviously as well. See yeah
three thousand.
Speaker 3 (08:18):
Really yeah, from being from.
Speaker 10 (08:20):
Here, I mean, I was a big boy.
Speaker 2 (08:23):
You either gonna pick up. You either gonna pick stacks
or you're gonna pick big boy really.
Speaker 10 (08:26):
Or you're gonna be good at my or you gonna
you gonna pick You're gonna pick somebody.
Speaker 3 (08:30):
Okay, So I was like, oh.
Speaker 10 (08:31):
Big boy, cause I really I didn't never understand the
shoulder pads.
Speaker 2 (08:38):
As a kid.
Speaker 3 (08:39):
Uh huh. I'm like, you not even playing football when
you on the top of school boys with some shoulder pads. Yeah.
Speaker 11 (08:42):
But then as I got old, I said, you know
you have that shit on I second, oh, first of all,
he was fresh as full.
Speaker 3 (08:47):
Yeah, I need to go.
Speaker 1 (08:49):
Buy some shoulder pads. The whole thing is telling you
I'm rapping from the year three thousand, and then I went,
when you.
Speaker 2 (08:57):
Come to three thousands, a lot of shit ain't.
Speaker 1 (08:59):
Supposed to make since you do need some big fuzzy
pants snow boots and some shoulder pants. That's the type
of shit we doing in three thousand. You niggas ain't
made it the two thousand note, that's what he was saying.
Speaker 3 (09:10):
I was wearing church pants and church shoes.
Speaker 2 (09:12):
Bro.
Speaker 1 (09:12):
I didn't understand it.
Speaker 2 (09:13):
So when I went back and heard him, I was
just like.
Speaker 3 (09:15):
You know what, Now, I gotta saint.
Speaker 5 (09:17):
Maybe Andreank what's probably the coldest but big but big
boys like, he's still my favorite.
Speaker 1 (09:24):
Yeah, I underestimated Andre.
Speaker 3 (09:26):
Just put it like that.
Speaker 1 (09:27):
I like three stacks, cause he always made the shit
look easy. M you know what I'm saying, Like he
never had even on the first shit. If you go
listen back to like get up and get out. That
nigga just came right in and was like, y'all telling
me that I need to get out and vote.
Speaker 2 (09:42):
Hump.
Speaker 1 (09:42):
Why ain't nobody black running but crack curves?
Speaker 2 (09:45):
So why I need the register?
Speaker 1 (09:47):
Yeah?
Speaker 2 (09:48):
Hm, come on? When in like off the rip and
this ain't this ain't.
Speaker 1 (09:53):
This is his introduction to the rap game. Talk yo
talk man.
Speaker 2 (09:58):
It's look to the ogs man.
Speaker 10 (09:59):
Yeah yeah them look them loom them there for.
Speaker 2 (10:01):
Some heavy heaters.
Speaker 10 (10:02):
So who do you cu you know, this couch is famous,
yeah for for manifest stations of God.
Speaker 3 (10:08):
Put everything in the place on the place.
Speaker 2 (10:10):
But if you.
Speaker 3 (10:11):
Wanna sit here, uh huh, God, listen.
Speaker 5 (10:14):
When you sit on this couch and you ask, so,
who is it a artist that you wanna work with?
Speaker 7 (10:21):
A lot of people I wanna work with, but top
of my list a lot of R and B people.
Speaker 12 (10:25):
S F.
Speaker 7 (10:25):
It's the first to come to mind. Uh, Jasmine Sullivan
her would love to do something with some Atlanta artists.
Uh future Uh pluto, Pluto gonna would be dope, shit, drake,
a little bit of everybody.
Speaker 3 (10:44):
Honestly, if I can be.
Speaker 1 (10:46):
Honest, I was asking you before, what's your process?
Speaker 2 (10:50):
What you like? You turn the lights off? You gotta
be in there by yourself.
Speaker 3 (10:53):
I prefer solitude when I'm writing, for sure. For sure.
Speaker 7 (10:56):
Process is different depending on the type of record it is.
If it's like some turn up shit, it's quick, it's
you know, get it out the way. But if it's
some like really honing in perspective on things, I gotta
be out of the way. Like I prefer sunlight, like
I thrive in sunlight. And oh you daytime, Yeah, I
love daytime.
Speaker 3 (11:13):
Recording.
Speaker 7 (11:13):
I actually like I'm building a studio in my house
to be the first studio I have ever been in
with its with windows. You don't just have studios don't
have windows. It's like you lose concept of time throughout
the whole day. Like yeah, yeah, I think so, but
I don't really like as somebody who functions in a daytime,
Like I record from twelve pm to ten pm, n
hard out. I'm not staying in til the wee warnings
at the hour a wee hours in the morning. So
I just like, I like sunlight. I love the sound
(11:35):
of water. So if I can be like next to
water or something like that, I think it just it
does something for the frequencies in my brain.
Speaker 1 (11:43):
You have to try the mountains.
Speaker 7 (11:45):
Uh. I live next to the mountains for a long
time in La so M. Yeah, I used to have
a good view of that.
Speaker 3 (11:51):
I'm gonna ask me that shit be so peaceful.
Speaker 1 (11:53):
I gotta ask you this cause it's like you talking
about the degrees. A lot of people might not know
you a real smart ass girl for real.
Speaker 3 (11:59):
Yeah, so it super cool. They told me going a
lot of.
Speaker 1 (12:12):
Is it hard for you to make the switch from
from that to the streets.
Speaker 2 (12:16):
No, I'm always like with the music though.
Speaker 3 (12:18):
Nah, not at all, not at all.
Speaker 7 (12:21):
I was always that kid that was like I grew
up in the hood and was busted out three counties
a way to go to school in a better area.
So I had to have the dynamic to survive. There
was no like like my Goddess counselor in high school.
I went to high school that was like three percent black,
and they'll be like, you.
Speaker 3 (12:35):
Know, you should go back and help your people.
Speaker 7 (12:36):
Like they I was like looked down upon in school,
but smart as fuck. They couldn't really fuck with me
on that. But my behavior was bad and I was
just like that kid that had the the the perfect balance.
Speaker 1 (12:46):
Of the two.
Speaker 7 (12:47):
Yeah, you know, so, Nah, it's not it's not different
at all. It's just I wanted better for myself and
that's why I pushed and finished every education that I started,
cause at the end of the day, that's my fallback.
Speaker 3 (12:59):
If anything, you got three. I have a double double degree.
Speaker 7 (13:04):
My bachelor's is a double major in sports medicine and chemistry,
and then my master's is with global medicine Global medicine.
Speaker 10 (13:09):
So base all this shit they said about Colvid was, Oh, we.
Speaker 7 (13:12):
Could get into that a whole nother time. Okay, they
don't know the difference between public health and public safety,
but that's a whole nother situation about cause I need
to know.
Speaker 1 (13:19):
Uh shit, I wanted to ask you, was it hard
for you to build you a buzz in New York
NW You know New York. It's that's the jungle is
when it comes to the music and shit like that.
Speaker 7 (13:30):
So I think I got the old support from hom
I from being honest, I was able to really cultivate
an audience there before anywhere else. Of course, there's some haters,
you know, people don't wanna see you do well.
Speaker 2 (13:39):
R gonna be rappid.
Speaker 3 (13:43):
But no, it's.
Speaker 7 (13:45):
I think we don't have as much as we used to,
or I think we're beginning to see more artists emerge
from you know, the New York City metropolitan area in general,
but the South Guiding has had it for a while
now that we've been trying to like take it back
in a way y'all can have it.
Speaker 3 (14:02):
Well, least share the platform. Shit, y'all, y'all.
Speaker 7 (14:06):
You know what I love about Atlanta specifically is the
camaraderie amongst artists, like I feel like y'all support each
other more out here than uh than up north in
my opinion, Like y'all get on each other's songs and
everybody show love for each other.
Speaker 3 (14:16):
We not like that. It's a very doggy dog wro.
Speaker 2 (14:19):
You's a lot of legends up there.
Speaker 3 (14:21):
It's a lot a lot of legends. Yeah, uh huh.
Speaker 2 (14:24):
You can change that.
Speaker 3 (14:26):
You could try, You could try.
Speaker 10 (14:30):
But are you one of those artists that's willing to
work with others?
Speaker 3 (14:32):
Absolutely? I just I'm not.
Speaker 7 (14:35):
You know, people kind of like New York is interesting
cause you can go from being like, you know, like
y'all come, we should all work together to like, oh
you dick Ryan, you know what.
Speaker 3 (14:45):
So it's like the quickest little like a little switch
to it.
Speaker 7 (14:48):
So you gotta be careful sometimes exactly.
Speaker 8 (14:55):
Yeah, it's such a thin line. That's a That's how
I said.
Speaker 7 (14:57):
I respect it down here cause it's like a bro
cont work and everybody's like, yeah, that's my partner. That
everybody's cool. It's all good shit up North. Some people
it's cool. Now I'm seeing more like whatever. But you'd
be surprised by I talk so thirty about you about,
you know, trying to work together.
Speaker 1 (15:11):
Whatever pomp it off you started, you showed you more.
Speaker 2 (15:13):
Fucker like, man, we don't stay together.
Speaker 3 (15:15):
Everybody gonna keep running over.
Speaker 7 (15:17):
Yeah, we gotta be like the Jews, you know, let's
unity amongst diversity.
Speaker 1 (15:23):
Conglomerates three degrees.
Speaker 2 (15:26):
Man, Yeah, what's.
Speaker 3 (15:30):
Up with y'all? What's going on?
Speaker 2 (15:32):
We're working?
Speaker 1 (15:33):
What you want?
Speaker 3 (15:34):
What's having?
Speaker 8 (15:35):
I want to talk to your houses, like, what's house everything?
Speaker 3 (15:37):
What's the climate? How y'all feeling?
Speaker 2 (15:39):
Everything is amazing?
Speaker 1 (15:41):
Yeah, we out here living out ghetto dreams back on tour,
selling shows, producing show.
Speaker 2 (15:50):
Production deals.
Speaker 3 (15:51):
It's how many shows y'all got? How many cities side
we're doing?
Speaker 1 (15:55):
Like twenty right, twenty twenty city?
Speaker 3 (15:58):
Sheh. I just got off thirty seven. That's what we
got a little thirty seven in Fifbruary. O State prayed up,
Stay thanks and stay grateful.
Speaker 2 (16:14):
Everybody.
Speaker 4 (16:14):
No touring is touring is where we can have the leverage. Yeah,
you feel me, that's what we can on everything. You
know what I'm saying, because then you go do a movie,
you go do all this. You're working with people.
Speaker 3 (16:26):
Yeah that's great.
Speaker 1 (16:29):
Yeah, everything working over here. Bro, We're just expanding the
empire man. And then you know, this is another another
branch of what what it is that we do.
Speaker 2 (16:37):
Eighty five South.
Speaker 1 (16:38):
We love to get guest stopped through here and catch
us up on what they got going on. Let us
know the album coming album.
Speaker 7 (16:46):
Is coming next year. But right now, my two B
documentary's coming out.
Speaker 2 (16:50):
I did see the trailer for that.
Speaker 3 (16:51):
School October tenth, October sent It's.
Speaker 2 (16:55):
The family in there too. Man, The family give you
a lot of support.
Speaker 3 (16:59):
Yeah, absolutely, absolutely. It's been a it's been a journey filming.
Speaker 7 (17:02):
It comes out October tenth. Three part series, three episodes
like forty five minutes for an hour each talking about
the makings of this album and how were.
Speaker 1 (17:12):
They hesitant with the music at first cause you did
go to all the school and then turn around and
get to the music.
Speaker 3 (17:17):
You're quick.
Speaker 7 (17:18):
Hell yeah, I said, I wanted to wrap my momself,
wrap what presence?
Speaker 3 (17:22):
Because you trying to rap and this on your second degree.
Yeah right.
Speaker 7 (17:25):
She was like, well, you got six months figure it out.
But I don't think she realized the magnitude that I
was reaching at the time. I was like, man, I'm
going viral. Everybody's talking about me.
Speaker 3 (17:34):
It's crazy. I'm getting all these followers.
Speaker 7 (17:35):
She wasn't on Instagram, so she like, I don't care
about none of that.
Speaker 3 (17:39):
You don't have no money.
Speaker 1 (17:40):
What do you?
Speaker 3 (17:40):
What do you? How? Where are you gonna you know, like,
where you gonna work? What are you gonna do? I
think this is it's gonna work for me?
Speaker 7 (17:46):
And now, you know, I think she really really realizes, uh,
the trajectory that I had.
Speaker 3 (17:52):
So I got a lot of support.
Speaker 1 (17:54):
Now have you had that moment in your career where
you're like, damn, I'm really doing this shit.
Speaker 7 (17:58):
Yeah, every day, every day I quit rap and start again.
Speaker 3 (18:04):
For real?
Speaker 2 (18:05):
Say that again, say.
Speaker 3 (18:06):
Every day I quit and start again.
Speaker 2 (18:08):
Ye know, m that's different.
Speaker 1 (18:11):
That was that was that wa that wa?
Speaker 3 (18:13):
See you do that?
Speaker 2 (18:14):
You do it?
Speaker 9 (18:14):
That poetry shit? You just took me there. Every day
I quit and then I start again. A ooh, So
that mean you wake up with a a new drive.
Speaker 3 (18:26):
I caught that.
Speaker 2 (18:28):
That's how you stay in love with it. You gotta
approach it like that. Man.
Speaker 1 (18:34):
I still get excited every time I get ready to
go grab some you know, a fit for the show
or jump on the plane or.
Speaker 5 (18:41):
Everybody still get that Bubba good, like right before it, like,
damn shit still going on?
Speaker 2 (18:44):
You Like, thank Jesus, they came to see.
Speaker 1 (18:46):
Me one more time.
Speaker 2 (18:48):
Yeah, you gotta treat Yeah.
Speaker 3 (18:51):
They got to Yeah, gotta go crazy. This is what
diele what my teacher told.
Speaker 13 (18:54):
Me stop doing.
Speaker 1 (18:55):
That's why I always feel like soon as you get
on stage, it's over.
Speaker 8 (18:58):
It's just like, yeah, you just get right into character.
Speaker 4 (19:02):
I always tell them when they call your name, that's like.
Speaker 13 (19:07):
The best part and the worst part, because it's the
best part because you know you got to go to work,
But it's the worst part because you can't tell them,
hold up right quick, I'm gonna be right back, hold right,
bring your stupid as the night.
Speaker 2 (19:24):
Oh no, but it's you ain't ready for this shit.
Speaker 1 (19:26):
It'd be hard for me to sleep after the show.
What after the adrenaline you did, be up. I'll be
up all night, man.
Speaker 3 (19:34):
I die right into that bed.
Speaker 2 (19:36):
I bathe in the morning.
Speaker 3 (19:37):
I feel sor sleeping.
Speaker 2 (19:38):
That mother forgotter me. I can't up like something. That's
how I damn it. Like early flights.
Speaker 1 (19:49):
That's why I don't never really do the early joint
if I can avoid it, because.
Speaker 2 (19:52):
I'll be up all fucking night.
Speaker 12 (19:55):
So the midday, three in the morning, full of dressed
in the room, all the light song that's still laughing.
Speaker 3 (20:07):
I don't know, man, I should see it.
Speaker 8 (20:16):
Boy, that's the best reason to take the six ahead ship.
Speaker 3 (20:18):
You already up what.
Speaker 2 (20:20):
I get that.
Speaker 1 (20:21):
It's a it's about a two hour window from between
like four and six.
Speaker 2 (20:26):
That's where you really be like, you really break down.
Get me on the early flight out of here. My
job done.
Speaker 10 (20:32):
When I when you when I'm walking off the stage,
I'm like.
Speaker 2 (20:36):
It's what we practice for. That's what we were hard for.
Are they not in your tam look at the people.
That's what you do.
Speaker 5 (20:46):
Don't ever get complacent, no elver feel like you say
basally were saying the same thing, nigga, this show over with.
Speaker 9 (20:53):
Yeah, I got a note on tomorrow.
Speaker 3 (20:55):
I gotta regroup. I gotta find that same and you
get right, I gotta.
Speaker 5 (21:00):
Even space right cause being funny and all that, that's
a different emotion.
Speaker 1 (21:04):
I must be. I'll be looking at it different. I'd
be like a mad scientist. I'd be like, tomorrow, I
haven't gonna do.
Speaker 3 (21:11):
It more, abulicle.
Speaker 2 (21:15):
Then I ask you to rade a juke about it, right, Nuzzerius.
That's something.
Speaker 5 (21:24):
No, man, it's good man to see you prospering though,
but it's it's like to see it so you know
what I'm saying, sporadic and then out the moment like
you ain't know this was gonna happen, and you weren't
scared to actually step out the box, you know.
Speaker 3 (21:35):
What I'm saying.
Speaker 2 (21:35):
And then like like you said your mom, like come.
Speaker 7 (21:37):
On, ye exactly, if you're gonna be adopt man, you
can quit all that.
Speaker 3 (21:42):
Who you wrapping to? Cause I ain't never heard the rat.
Speaker 1 (21:44):
I wanted to ask you when you said you had
to teach yourself how to wrap?
Speaker 2 (21:47):
What was that process?
Speaker 5 (21:48):
Like?
Speaker 3 (21:49):
Just studying?
Speaker 7 (21:49):
Uh, I'm a scholar first, so it's really easy for
me to study anything. Like if I really want to
do something, I'm like, huh, how does.
Speaker 3 (21:58):
One plus one equal to?
Speaker 7 (21:59):
So I I'm looking at my favorite rappers, I'm like,
I'm watching the patterns like oh he does this. Oh
the influx is like that, Oh they do that, Okay.
So I'm just applying practically to everything that I'm doing.
That's literally how I taught myself counting meters everything. Then
I learned how to engineer. At the time, I didn't
have no I didn't have no a lot. I didn't
(22:20):
have a lot of money to book my sessions and stuff.
So as you know, when you book a studio session,
that pay for the room and you pay for the engineer. Yea,
all that niggas, all I got is this room right now,
I got the room.
Speaker 1 (22:33):
Raid.
Speaker 3 (22:33):
The engineer rate costs too fucking much.
Speaker 7 (22:35):
So I'll be like, okay, I'll get an engineer for
like four hours, and I'd be over this nigga's shoulder,
like what you doing?
Speaker 3 (22:39):
What's what's that? Show me how to do that?
Speaker 7 (22:41):
Then I've dev developed my own template and learn how
to track engineering myself and uh a lot of that yourself.
Yeah yeah, A lot of what I learned in was
birth and struggle, and I think but it was nourished
later on when I had money. You know, I c
now when I'm in a studio sessions and Paramount in
west Lake and fifteen hundred dollars sessions.
Speaker 3 (23:03):
The engine they'd be like, how the fuck you know that.
I'll be like, yeah, no, take that, put that hair.
He's like, how the fuck do you even know?
Speaker 7 (23:09):
How you even know the terminology to even direct me
to do certain things.
Speaker 10 (23:13):
So just the engineer, I should know what I like
to sound exactly, or I'm coming here guessing every time.
Speaker 3 (23:20):
I hope you know what he's doing.
Speaker 7 (23:21):
But being able to communicate that efficiently as a you
know a lot of artists to go.
Speaker 3 (23:24):
I don't know.
Speaker 8 (23:25):
I hear like A, it's something that's making it.
Speaker 7 (23:28):
You like, that's the reverb, that's the this, that's to that.
You know you got a one non filter? Want to
take it out, make it filtered?
Speaker 1 (23:32):
Do this?
Speaker 3 (23:33):
Do that? Go up to decibels? Come down, engineer.
Speaker 2 (23:36):
They might do something to your voice and be like, hey,
what they do?
Speaker 3 (23:38):
They be like, see that's my special song.
Speaker 8 (23:42):
Yeah literally.
Speaker 3 (23:48):
Exactly crazy.
Speaker 8 (23:50):
I hate that just off and don't have nothing on it.
Speaker 3 (23:52):
Strips.
Speaker 7 (23:53):
Yeah, I can't get a people my sore.
Speaker 1 (23:59):
I want to ask you because this is like a
defining moment, like as an artist who was the first
big artist to reach out to you to do some work.
Speaker 3 (24:09):
You know, I get It's it's blurry for me.
Speaker 14 (24:12):
Now.
Speaker 7 (24:12):
I want to say it was like I want to
say it was Timbland that's so dope.
Speaker 3 (24:17):
I want to say it was timbling or busted one
of the two for sure that I remember the time.
Speaker 7 (24:24):
I'm thinking of the people that I was like like
jaw drop when I seen the message, it was either
one of them too easily.
Speaker 2 (24:30):
Tell me how to timbling.
Speaker 3 (24:31):
But I don't want to.
Speaker 13 (24:33):
Know what happened when you walk into the studio and
Timbler was right there.
Speaker 7 (24:38):
I've never been in a student team, but he No,
he reached out to work though. Yeah, like one of
the early on people in my career to reach out
for sure.
Speaker 3 (24:46):
But I've been around to him several times, but I've
never been in the studio. Yeah, yeah, yeah, not yet. Oh,
because you've seen Troy Taylor. Oh, he's incredible, incredible. The
only reason why I have a K because I know
I'm not ready.
Speaker 2 (25:04):
I'm ready, but I know.
Speaker 13 (25:05):
You're gonna put me through the fight, and I want
to be able to fight.
Speaker 8 (25:07):
Yeah, and when I get there, I wanna be like,
come on.
Speaker 5 (25:10):
Man, Coyri, go ahead, get all the specials.
Speaker 1 (25:12):
Then do it.
Speaker 2 (25:13):
I know you finished sing.
Speaker 7 (25:14):
Me through it, and they do it amazing, Amaze mobile coaches.
Speaker 1 (25:18):
He gets you right, Well, you built this from the
ground up.
Speaker 7 (25:20):
Man.
Speaker 1 (25:21):
What you say to people who watch and who maybe
the next up and coming.
Speaker 7 (25:27):
Should fight your fight. I don't worry about nobody around.
Keep your eyes on your own paper.
Speaker 2 (25:33):
Now that's the bar right there.
Speaker 1 (25:34):
You gotta keep your eyes on your own paper, school teacher.
Speaker 3 (25:39):
But I won't them to understand what she just said.
Keep your eyes on your own paper.
Speaker 7 (25:44):
Be where your feet are. The people around you can
be your cage or your circle. And that's really that
would be like my mean, well, damn.
Speaker 2 (25:58):
She always got some deep lots.
Speaker 7 (26:00):
Yeah, you gonna either be ana, be your Yeah, between
between what they saying, Now, what's the us?
Speaker 3 (26:10):
What's the verse in the Bible? The bad Company coup morals?
Speaker 2 (26:13):
Yes it does, Yeah, yes it does.
Speaker 3 (26:17):
So that really be my advice. It's a fucked up game.
Speaker 10 (26:20):
But even though you do the you in the medicine field,
you diep Is there something else that the people might
not know that you love to do that you may
just come out of nowhere.
Speaker 2 (26:34):
You got in the bag.
Speaker 7 (26:35):
I really wanna get more into directing, creative direction in general,
mainly for films. I really want to get into like
direct my directorial debuts maybe like a short indeed tries
to start off, but I.
Speaker 3 (26:48):
Really like.
Speaker 14 (26:53):
Something should we reach out in the middle we might
have some independent movies.
Speaker 3 (27:05):
Yeah, I would love. I would love to sit down
with that.
Speaker 1 (27:09):
Your voice is common as hey. I could literally talk
to you all day.
Speaker 3 (27:12):
Oh I thank you. I appreciate that.
Speaker 2 (27:13):
Yeah, I want to know what she's not like.
Speaker 3 (27:15):
You're mad, it's the same.
Speaker 2 (27:17):
No, motherfucker the New York come out. Na, It's crazy.
Speaker 7 (27:25):
I actually get more and more quiet when i'm mad.
Me being mad, I mean me being quiet is probably
the worst worst case scenario.
Speaker 2 (27:31):
Cause you got too much to office.
Speaker 10 (27:32):
So I need you to say something, like say something
right now.
Speaker 1 (27:38):
You did say the album coming out next year? How's
it going as far as the process building sneak little features,
but we got you gotta give us something.
Speaker 7 (27:46):
We got some ship coming. It's not like it's not
exactly where I want it at. And we were originally
gonna push for this year, but I'm like, nah, I
need to make sure my first album. You only get
one chance at the first album, So I'm like, I
need to like curated properly, so it'll be coming out
top of next year sometime, uh, first first quarter. But yeah,
(28:07):
I mean it's it's it's hard. It's hard making an album,
but it's fun. At the same time, up and down moments.
It's versatile yet cohesive. So you'll see like fun, some
turn up ship, some painful ship, some popping your ship.
That's my my favorite baggage just in my like popping
ship witty.
Speaker 1 (28:28):
Anytime I hear you rather, I'm always imagining myself as
the nigga.
Speaker 3 (28:35):
Sometimes I roll to you all the.
Speaker 2 (28:38):
Happen cause you said a big tree. Now we gotta
put that on tape.
Speaker 1 (28:44):
She did say, So, we're not gonna.
Speaker 2 (28:47):
Let you leave until you tell us what. You don't
get to hear that.
Speaker 3 (28:57):
For me?
Speaker 6 (29:00):
Oh me, you didn't.
Speaker 2 (29:09):
You know the moment it shoty guy, I know what
you FLI like, bro only be wandy.
Speaker 3 (29:29):
Would you find niggas out here?
Speaker 12 (29:30):
Man?
Speaker 3 (29:31):
I feel like every girl would be tricking to just be.
I love about it.
Speaker 7 (29:34):
Like if you really like somebody, I feel like you
start spending money on them just randomly. You'll be seeing
ship out You're.
Speaker 3 (29:39):
Like, this would be cute, this would be cute. I listen.
Speaker 8 (29:43):
I don't buy no big big like I said, I tricked.
Speaker 3 (29:45):
Tricked bigger. I don't buy no cars.
Speaker 8 (29:47):
Damn you get that on the table.
Speaker 7 (29:50):
You said that to me because you know I like car,
I'm buying no.
Speaker 1 (29:54):
I got mother another one and that's that time.
Speaker 7 (30:04):
I don't buy no car. He said, he trick bigger.
So I buy socks and t shirts. He buys you
know back, you know that's.
Speaker 3 (30:11):
Just playing but the cray.
Speaker 2 (30:12):
But I just want to.
Speaker 13 (30:15):
Socks and just appreciate the.
Speaker 3 (30:19):
Ship at a little trinkets like that. Why women's thin
we gonna be alright with some draw y'all. I do
appreciate it.
Speaker 5 (30:24):
But he's like the polo c.
Speaker 1 (30:28):
They's gonna be under.
Speaker 2 (30:29):
Depend Sometimes women are sneaking by you.
Speaker 1 (30:33):
Gives some ship that like the ship. They don't like
about you. So you like socks and draws. She don't
funk with your sock.
Speaker 2 (30:40):
Your old hanging drawers got dirty with the with the
loose elastic.
Speaker 5 (30:47):
Because that's a sign if a woman used drawing, they
mean them all got a whold them.
Speaker 1 (30:52):
Or some nookes thing.
Speaker 3 (30:55):
Wrong.
Speaker 8 (30:56):
Yeah, he could have not just tacked no draws out
going on.
Speaker 1 (31:00):
You need.
Speaker 3 (31:02):
Everything I saw outside the draws is what you need.
I'll love you though, I'll buy clothes. I'll buy some shoes.
Speaker 2 (31:09):
We'll speaking of trigger. We got you something, Yeah, ain't
get excited.
Speaker 3 (31:15):
I can't believe how excited you get for that?
Speaker 8 (31:17):
Did I see how it gets to me?
Speaker 3 (31:19):
Thank?
Speaker 2 (31:19):
Y see?
Speaker 3 (31:20):
I like really big boxes are really little. We brought
the big one, O you what's here the whole goddamn time?
Oh this is perfect?
Speaker 1 (31:33):
Okay?
Speaker 3 (31:33):
Did you know I love Grace sweatpants or no? This
is my actual Like I think.
Speaker 7 (31:37):
I literally served the jail big because I walk around
with great sweatpants every day.
Speaker 2 (31:42):
Don't ever buy no more.
Speaker 1 (31:43):
All your great sweatpants gotta come from us.
Speaker 2 (31:46):
Okay, Grace sweat Pants.
Speaker 3 (31:50):
Officially eighty five styles.
Speaker 2 (31:54):
Record something in there.
Speaker 12 (31:56):
Now.
Speaker 3 (31:56):
Let me ask y'all how y'all saw Atlanta? But this
studio ain't in Atlanta and I've been traveling all day.
Speaker 7 (32:03):
I need to call my sense I'm a ready figure
out where we're at right now because y'all be like,
what what you closed?
Speaker 1 (32:10):
You gotta understand when we had a studio in the
Lemma motherfuckers was scared to come right.
Speaker 2 (32:16):
Yeah, so it's really more peaceful, like you you tell
you like quiet, right?
Speaker 3 (32:20):
This ship so.
Speaker 1 (32:21):
Quiet and this way you can't just pull up this
inviting only we know ever call.
Speaker 3 (32:27):
Like when you're staying in the neighborhood.
Speaker 4 (32:28):
Like you said, a look, unknown, I'm on your.
Speaker 3 (32:30):
Ass right go to a house because you're not. But
you are thinking about breaking in somebody ship forgot run here.
Speaker 9 (32:37):
You ain't the man man.
Speaker 2 (32:39):
We trapped down the city for a little man. Okay, yeah,
but you know what, you wouldn't want to come to that.
Speaker 12 (32:44):
Look.
Speaker 2 (32:44):
Oh my good, I.
Speaker 3 (32:46):
Wanta come to thanks, but not been the time we
finished through that.
Speaker 2 (32:50):
Hold hold on. Yeah we're good, but.
Speaker 4 (32:59):
No.
Speaker 1 (33:00):
We love the city, but you know, sometimes you gotta
you gotta move out a little bit.
Speaker 6 (33:05):
Yeah, listen, everybody, everybody who let him know that everywhere
you want.
Speaker 3 (33:10):
Ain't hear that, but I can hear it. Yeah, yeah,
you hurt.
Speaker 1 (33:16):
Run in the ambalancee.
Speaker 3 (33:22):
It'll get you there.
Speaker 2 (33:23):
You hear it. We definitely appreciate you stopping through here.
Speaker 3 (33:27):
I appreciate that little ship with us.
Speaker 7 (33:29):
I gotta come back when the album's dut We're gonna
have a good time.
Speaker 3 (33:33):
Good party.
Speaker 2 (33:34):
We'll do an album release party.
Speaker 3 (33:36):
Let's do it.
Speaker 1 (33:36):
I love you know. We gotta roll out stage. We'll
bring the stage out. That's what I heard about it.
Speaker 2 (33:43):
This is everybody.
Speaker 5 (33:44):
We're gonna set you up for you to handle your ship,
trying to.
Speaker 1 (33:47):
Get her to come through here since twenty twenty. And
I know it's not jeering, but they do.
Speaker 2 (33:55):
They're gonna be front do y'all? Right? What can they
follow you and keep up with all the updates.
Speaker 1 (34:07):
And all that.
Speaker 7 (34:07):
Y'all can follow me everywhere at Lady London, no underscores,
no periods, exactly how you see how you're here.
Speaker 3 (34:13):
Check out my documentary.
Speaker 8 (34:15):
Yeah, check my.
Speaker 7 (34:18):
My documentary coming out. And I'm also dropping a single
that day called ten So y'all's happening to that?
Speaker 2 (34:23):
No, you folks got to everybody want it to tube up?
Speaker 3 (34:26):
Yeah, so y'all, I don't gotta tell y'all it's free right,
get to.
Speaker 2 (34:29):
It, ladies and gentlemen.
Speaker 1 (34:32):
Eighty five self shows what we do Lady in London,
Jay when we out it there you hear.
Speaker 3 (34:40):
Thanks God
All right, jo Winn, plam me some heaving, then play
(00:03):
me some heaven, then blame me some another man so
we can get you started.
Speaker 2 (00:08):
Then what you got over there?
Speaker 1 (00:11):
Let me hear something. I don't get nervous. Now we
got ship, don't get shot. You already introduce yourself to
the old team.
Speaker 2 (00:21):
There you go.
Speaker 1 (00:22):
Come on, I've been braking on you all week. Hell yeah,
I thought we were saving this for Saint Mao. I mean.
Speaker 3 (00:32):
Always then you always time next year.
Speaker 2 (00:35):
I thought I thought this was going on our Spanish
ape me bad money, I got bad money.
Speaker 4 (00:45):
Don't want a hook?
Speaker 2 (00:47):
What you mean? He might just have to just sit
him a birthday? You know that birth ain't gotta be that.
Speaker 3 (01:05):
You ain't gotta be You gotta be there. You got
the other people for the birthday. Give me.
Speaker 1 (01:13):
Man.
Speaker 2 (01:13):
Welcome back to the eighty five South Show.
Speaker 1 (01:20):
Body, the blackest TV show that's not on TV, the
number one radio show that's not on the radio.
Speaker 5 (01:27):
What technically we is on TV if they watch YouTube
on their television.
Speaker 1 (01:32):
The number one TV show that's not a TV station.
Talk to your talk independent. I got my man jail
Win in here with me today. He got on a
four win breaker, a real win breakup. Taking it back
to nineteen ninety one, Sir, when you walk, you make
a town. We got DC young Fly on the ones
(01:54):
in the two no cap and we got a very
special guest in the trap with us today.
Speaker 2 (02:01):
DC. We don't give many ladies to stop through the trap.
We're working on that.
Speaker 1 (02:06):
But this lady right here is an exceptional talent.
Speaker 6 (02:09):
Uh huh, magnificent wordsmith, and her shoes is connected to
are connected to her past, not longer than the world
famous Miss Lady London.
Speaker 3 (02:27):
What's going on?
Speaker 2 (02:29):
Familiar work? She had TikTok in a frenzy.
Speaker 3 (02:33):
Hey, my little needs to go on, Grady Bro.
Speaker 1 (02:35):
She gave him an anthem that time, the word players magnificent.
Speaker 2 (02:40):
I'm saying magnificent because that's what Big Dady came. He
just said, he said, she's a magnificent lyricy.
Speaker 1 (02:45):
You saw that that?
Speaker 3 (02:49):
Uh huh?
Speaker 1 (02:50):
How does that feel to see that when you turn
it on and you're getting praises like that from legends?
Speaker 3 (02:55):
So unreal? For real?
Speaker 7 (02:56):
I mean, Kaine is just amazing across the board. He's
it's an amazing person. But to even be recognized by
legends like that, it almost don't feel real all the time.
Speaker 6 (03:06):
You made cry Yeah that's you love him as the
O g right there?
Speaker 2 (03:14):
How did we get here?
Speaker 1 (03:15):
How did all this start? Hell?
Speaker 3 (03:18):
If I know, damn gonna say my water.
Speaker 2 (03:21):
Quick the way to get your kiss?
Speaker 3 (03:33):
How did it start? The simple story was writing poetry from.
Speaker 7 (03:40):
Young, went to school a lot, getting my masters. I
dropped the video online after Jeremy grad program.
Speaker 3 (03:50):
Yeah, man, a million degrees out.
Speaker 8 (03:53):
Here, hold on, hold on, hold on, hold on, hold on, black.
Speaker 3 (03:56):
Woman, yos.
Speaker 9 (04:02):
Went out here, don't wanna be I g buers.
Speaker 3 (04:07):
Yeah, yeah, it's yes.
Speaker 7 (04:08):
So while I was getting my masters, I was dropping.
I dropped a video online of me doing poetry. Everybody
thought I was rapping, but it was no beat, no nothing,
and this shit went viral like ten million views.
Speaker 3 (04:18):
Crazy.
Speaker 7 (04:19):
This is back twenty eighteen, So ten million views is
not as normal as it is right now. Yeah, for sure,
So it was crazy. I taught myself how to rap.
In like three months, I started dropping these things every
Monday called Lady Lunday's, which was like viral freestyle, and
I was gaining like twenty thirty thousand followers a month
from dropping them every Monday consistently grew my following from
(04:40):
ninety five hundred to over a million organically. No bots,
no box, no bo, no bots, hashtag no box, you did,
and yeah I'm here.
Speaker 2 (04:50):
So so it started.
Speaker 3 (04:51):
From poetry, yes man, as a artist.
Speaker 10 (04:55):
As a artist, some of the best are artists out.
Speaker 2 (05:01):
There du portry.
Speaker 10 (05:03):
Yeah, like it's not just like do portry, like they
actually sitting right poems.
Speaker 1 (05:09):
I ain't never just sat down and write no goddamn poems.
Speaker 2 (05:11):
You needed to.
Speaker 3 (05:12):
You'll be mad good at right now and I'm great
at writing. Yeah, you would be so good.
Speaker 2 (05:17):
So how you rhyme?
Speaker 1 (05:17):
Is it like a rhyme scheme?
Speaker 3 (05:19):
Or is you just heartfelt? Is it a b B?
Speaker 1 (05:22):
Or is it just crazy?
Speaker 3 (05:25):
Yeah?
Speaker 7 (05:25):
When I was yeah, when I was writing poetry, it
was very like one dimensional. Teaching myself how to ride
was w so hard cause I didn't realize how different
it is, like multi syllabic structure, fitting in syllables where
they supposed to fit in a pocketing, you know, like
it's it was a lot getting on beat. At first,
I could not rap to save my life. Being in
the studio. Yes man, I was like that shit sounds crazy,
(05:47):
like it's I'm not catching the beat, like clearly, you
just not getting it. And then after a while I'm like, okay, oh,
you can only fit nine syllables here, that's why it
don't sound right. Okay, okay, now you can start moving
like that. Then I just started hearing different pockets and things.
So now I'm like, I feelt like you should switch
your flow every four bars, and so when you ain't
(06:07):
got no one dimensional flow, yeah, hey, I switched the trick.
Speaker 3 (06:12):
So who did you go study?
Speaker 2 (06:13):
Cause, like you said, it was a fast process. It's
a fast pace. Like you said you did poetry, so
music wasn't really like.
Speaker 1 (06:22):
You know what I'm saying.
Speaker 2 (06:22):
It was bestow the punt of you.
Speaker 3 (06:24):
So who did you have to go see?
Speaker 2 (06:25):
Who do you have to go study in order for
you do? Like, Okay, this is what it take.
Speaker 7 (06:28):
I remember when I was first really like trying to
lock in, I would keep watching over and over Jay
Z and Big L's freestyle ninety seven, Like over and
over again. I kept watching him spar back and forth
and just watching the like not only the cadences in
the pockets that they would have, but like the subject matter,
the wittedness of it.
Speaker 3 (06:47):
It was so cocky. It was so like for tat
for both of them.
Speaker 7 (06:50):
I don't even know who really won that that battle.
Speaker 1 (06:53):
That's a tough one cause Big Hell he's so dynamic
with the He never rhymed of where you think it's
gonna go, always go like completely different.
Speaker 2 (07:01):
Bro. He was one of the coldest.
Speaker 7 (07:03):
Man man when you think about j like, okay, Jay
gunn do what J do. But big ol so ahead
of my time. My parents haven't even met yet.
Speaker 3 (07:11):
I'm like this.
Speaker 11 (07:11):
Niggas talking crazy like this is this is this is nuts,
Like you listen to the whole time because you you
fire tell me right, yeah, Field.
Speaker 3 (07:22):
Mom Phil Mom.
Speaker 2 (07:25):
Wants to play. Want you to listen to both of them? Okay,
one of them, either one because you can track.
Speaker 12 (07:32):
You'd be like, oh okay, yeah, shout it way harder
than he shout him.
Speaker 2 (07:36):
And Ludacris, oh of course, of course.
Speaker 10 (07:39):
Lula is just I just feel like he just had fun,
like he don't try and if he tried, you know
you you are.
Speaker 1 (07:46):
But the way he'd be so all over that motherfucker.
Speaker 2 (07:48):
And then Lucas back Luther.
Speaker 1 (07:49):
Kris can wrap his ads off and he don't get
no credit.
Speaker 3 (07:52):
That he as a lyricists.
Speaker 7 (07:55):
Who are some of your favorite lyricists, Jay Kiss, Oh
Slick red Man.
Speaker 3 (08:05):
It's some, it's some, it's some cold. My fucker's out there.
Speaker 7 (08:08):
I like Biggie's storytelling abilities obviously as well. See yeah
three thousand.
Speaker 3 (08:18):
Really yeah, from being from.
Speaker 10 (08:20):
Here, I mean, I was a big boy.
Speaker 2 (08:23):
You either gonna pick up. You either gonna pick stacks
or you're gonna pick big boy really.
Speaker 10 (08:26):
Or you're gonna be good at my or you gonna
you gonna pick You're gonna pick somebody.
Speaker 3 (08:30):
Okay, So I was like, oh.
Speaker 10 (08:31):
Big boy, cause I really I didn't never understand the
shoulder pads.
Speaker 2 (08:38):
As a kid.
Speaker 3 (08:39):
Uh huh. I'm like, you not even playing football when
you on the top of school boys with some shoulder pads. Yeah.
Speaker 11 (08:42):
But then as I got old, I said, you know
you have that shit on I second, oh, first of all,
he was fresh as full.
Speaker 3 (08:47):
Yeah, I need to go.
Speaker 1 (08:49):
Buy some shoulder pads. The whole thing is telling you
I'm rapping from the year three thousand, and then I went,
when you.
Speaker 2 (08:57):
Come to three thousands, a lot of shit ain't.
Speaker 1 (08:59):
Supposed to make since you do need some big fuzzy
pants snow boots and some shoulder pants. That's the type
of shit we doing in three thousand. You niggas ain't
made it the two thousand note, that's what he was saying.
Speaker 3 (09:10):
I was wearing church pants and church shoes.
Speaker 2 (09:12):
Bro.
Speaker 1 (09:12):
I didn't understand it.
Speaker 2 (09:13):
So when I went back and heard him, I was
just like.
Speaker 3 (09:15):
You know what, Now, I gotta saint.
Speaker 5 (09:17):
Maybe Andreank what's probably the coldest but big but big
boys like, he's still my favorite.
Speaker 1 (09:24):
Yeah, I underestimated Andre.
Speaker 3 (09:26):
Just put it like that.
Speaker 1 (09:27):
I like three stacks, cause he always made the shit
look easy. M you know what I'm saying, Like he
never had even on the first shit. If you go
listen back to like get up and get out. That
nigga just came right in and was like, y'all telling
me that I need to get out and vote.
Speaker 2 (09:42):
Hump.
Speaker 1 (09:42):
Why ain't nobody black running but crack curves?
Speaker 2 (09:45):
So why I need the register?
Speaker 1 (09:47):
Yeah?
Speaker 2 (09:48):
Hm, come on? When in like off the rip and
this ain't this ain't.
Speaker 1 (09:53):
This is his introduction to the rap game. Talk yo
talk man.
Speaker 2 (09:58):
It's look to the ogs man.
Speaker 10 (09:59):
Yeah yeah them look them loom them there for.
Speaker 2 (10:01):
Some heavy heaters.
Speaker 10 (10:02):
So who do you cu you know, this couch is famous,
yeah for for manifest stations of God.
Speaker 3 (10:08):
Put everything in the place on the place.
Speaker 2 (10:10):
But if you.
Speaker 3 (10:11):
Wanna sit here, uh huh, God, listen.
Speaker 5 (10:14):
When you sit on this couch and you ask, so,
who is it a artist that you wanna work with?
Speaker 7 (10:21):
A lot of people I wanna work with, but top
of my list a lot of R and B people.
Speaker 12 (10:25):
S F.
Speaker 7 (10:25):
It's the first to come to mind. Uh, Jasmine Sullivan
her would love to do something with some Atlanta artists.
Uh future Uh pluto, Pluto gonna would be dope, shit, drake,
a little bit of everybody.
Speaker 3 (10:44):
Honestly, if I can be.
Speaker 1 (10:46):
Honest, I was asking you before, what's your process?
Speaker 2 (10:50):
What you like? You turn the lights off? You gotta
be in there by yourself.
Speaker 3 (10:53):
I prefer solitude when I'm writing, for sure. For sure.
Speaker 7 (10:56):
Process is different depending on the type of record it is.
If it's like some turn up shit, it's quick, it's
you know, get it out the way. But if it's
some like really honing in perspective on things, I gotta
be out of the way. Like I prefer sunlight, like
I thrive in sunlight. And oh you daytime, Yeah, I
love daytime.
Speaker 3 (11:13):
Recording.
Speaker 7 (11:13):
I actually like I'm building a studio in my house
to be the first studio I have ever been in
with its with windows. You don't just have studios don't
have windows. It's like you lose concept of time throughout
the whole day. Like yeah, yeah, I think so, but
I don't really like as somebody who functions in a daytime,
Like I record from twelve pm to ten pm, n
hard out. I'm not staying in til the wee warnings
at the hour a wee hours in the morning. So
I just like, I like sunlight. I love the sound
(11:35):
of water. So if I can be like next to
water or something like that, I think it just it
does something for the frequencies in my brain.
Speaker 1 (11:43):
You have to try the mountains.
Speaker 7 (11:45):
Uh. I live next to the mountains for a long
time in La so M. Yeah, I used to have
a good view of that.
Speaker 3 (11:51):
I'm gonna ask me that shit be so peaceful.
Speaker 1 (11:53):
I gotta ask you this cause it's like you talking
about the degrees. A lot of people might not know
you a real smart ass girl for real.
Speaker 3 (11:59):
Yeah, so it super cool. They told me going a
lot of.
Speaker 1 (12:12):
Is it hard for you to make the switch from
from that to the streets.
Speaker 2 (12:16):
No, I'm always like with the music though.
Speaker 3 (12:18):
Nah, not at all, not at all.
Speaker 7 (12:21):
I was always that kid that was like I grew
up in the hood and was busted out three counties
a way to go to school in a better area.
So I had to have the dynamic to survive. There
was no like like my Goddess counselor in high school.
I went to high school that was like three percent black,
and they'll be like, you.
Speaker 3 (12:35):
Know, you should go back and help your people.
Speaker 7 (12:36):
Like they I was like looked down upon in school,
but smart as fuck. They couldn't really fuck with me
on that. But my behavior was bad and I was
just like that kid that had the the the perfect balance.
Speaker 1 (12:46):
Of the two.
Speaker 7 (12:47):
Yeah, you know, so, Nah, it's not it's not different
at all. It's just I wanted better for myself and
that's why I pushed and finished every education that I started,
cause at the end of the day, that's my fallback.
Speaker 3 (12:59):
If anything, you got three. I have a double double degree.
Speaker 7 (13:04):
My bachelor's is a double major in sports medicine and chemistry,
and then my master's is with global medicine Global medicine.
Speaker 10 (13:09):
So base all this shit they said about Colvid was, Oh, we.
Speaker 7 (13:12):
Could get into that a whole nother time. Okay, they
don't know the difference between public health and public safety,
but that's a whole nother situation about cause I need
to know.
Speaker 1 (13:19):
Uh shit, I wanted to ask you, was it hard
for you to build you a buzz in New York
NW You know New York. It's that's the jungle is
when it comes to the music and shit like that.
Speaker 7 (13:30):
So I think I got the old support from hom
I from being honest, I was able to really cultivate
an audience there before anywhere else. Of course, there's some haters,
you know, people don't wanna see you do well.
Speaker 2 (13:39):
R gonna be rappid.
Speaker 3 (13:43):
But no, it's.
Speaker 7 (13:45):
I think we don't have as much as we used to,
or I think we're beginning to see more artists emerge
from you know, the New York City metropolitan area in general,
but the South Guiding has had it for a while
now that we've been trying to like take it back
in a way y'all can have it.
Speaker 3 (14:02):
Well, least share the platform. Shit, y'all, y'all.
Speaker 7 (14:06):
You know what I love about Atlanta specifically is the
camaraderie amongst artists, like I feel like y'all support each
other more out here than uh than up north in
my opinion, Like y'all get on each other's songs and
everybody show love for each other.
Speaker 3 (14:16):
We not like that. It's a very doggy dog wro.
Speaker 2 (14:19):
You's a lot of legends up there.
Speaker 3 (14:21):
It's a lot a lot of legends. Yeah, uh huh.
Speaker 2 (14:24):
You can change that.
Speaker 3 (14:26):
You could try, You could try.
Speaker 10 (14:30):
But are you one of those artists that's willing to
work with others?
Speaker 3 (14:32):
Absolutely? I just I'm not.
Speaker 7 (14:35):
You know, people kind of like New York is interesting
cause you can go from being like, you know, like
y'all come, we should all work together to like, oh
you dick Ryan, you know what.
Speaker 3 (14:45):
So it's like the quickest little like a little switch
to it.
Speaker 7 (14:48):
So you gotta be careful sometimes exactly.
Speaker 8 (14:55):
Yeah, it's such a thin line. That's a That's how
I said.
Speaker 7 (14:57):
I respect it down here cause it's like a bro
cont work and everybody's like, yeah, that's my partner. That
everybody's cool. It's all good shit up North. Some people
it's cool. Now I'm seeing more like whatever. But you'd
be surprised by I talk so thirty about you about,
you know, trying to work together.
Speaker 1 (15:11):
Whatever pomp it off you started, you showed you more.
Speaker 2 (15:13):
Fucker like, man, we don't stay together.
Speaker 3 (15:15):
Everybody gonna keep running over.
Speaker 7 (15:17):
Yeah, we gotta be like the Jews, you know, let's
unity amongst diversity.
Speaker 1 (15:23):
Conglomerates three degrees.
Speaker 2 (15:26):
Man, Yeah, what's.
Speaker 3 (15:30):
Up with y'all? What's going on?
Speaker 2 (15:32):
We're working?
Speaker 1 (15:33):
What you want?
Speaker 3 (15:34):
What's having?
Speaker 8 (15:35):
I want to talk to your houses, like, what's house everything?
Speaker 3 (15:37):
What's the climate? How y'all feeling?
Speaker 2 (15:39):
Everything is amazing?
Speaker 1 (15:41):
Yeah, we out here living out ghetto dreams back on tour,
selling shows, producing show.
Speaker 2 (15:50):
Production deals.
Speaker 3 (15:51):
It's how many shows y'all got? How many cities side
we're doing?
Speaker 1 (15:55):
Like twenty right, twenty twenty city?
Speaker 3 (15:58):
Sheh. I just got off thirty seven. That's what we
got a little thirty seven in Fifbruary. O State prayed up,
Stay thanks and stay grateful.
Speaker 2 (16:14):
Everybody.
Speaker 4 (16:14):
No touring is touring is where we can have the leverage. Yeah,
you feel me, that's what we can on everything. You
know what I'm saying, because then you go do a movie,
you go do all this. You're working with people.
Speaker 3 (16:26):
Yeah that's great.
Speaker 1 (16:29):
Yeah, everything working over here. Bro, We're just expanding the
empire man. And then you know, this is another another
branch of what what it is that we do.
Speaker 2 (16:37):
Eighty five South.
Speaker 1 (16:38):
We love to get guest stopped through here and catch
us up on what they got going on. Let us
know the album coming album.
Speaker 7 (16:46):
Is coming next year. But right now, my two B
documentary's coming out.
Speaker 2 (16:50):
I did see the trailer for that.
Speaker 3 (16:51):
School October tenth, October sent It's.
Speaker 2 (16:55):
The family in there too. Man, The family give you
a lot of support.
Speaker 3 (16:59):
Yeah, absolutely, absolutely. It's been a it's been a journey filming.
Speaker 7 (17:02):
It comes out October tenth. Three part series, three episodes
like forty five minutes for an hour each talking about
the makings of this album and how were.
Speaker 1 (17:12):
They hesitant with the music at first cause you did
go to all the school and then turn around and
get to the music.
Speaker 3 (17:17):
You're quick.
Speaker 7 (17:18):
Hell yeah, I said, I wanted to wrap my momself,
wrap what presence?
Speaker 3 (17:22):
Because you trying to rap and this on your second degree.
Yeah right.
Speaker 7 (17:25):
She was like, well, you got six months figure it out.
But I don't think she realized the magnitude that I
was reaching at the time. I was like, man, I'm
going viral. Everybody's talking about me.
Speaker 3 (17:34):
It's crazy. I'm getting all these followers.
Speaker 7 (17:35):
She wasn't on Instagram, so she like, I don't care
about none of that.
Speaker 3 (17:39):
You don't have no money.
Speaker 1 (17:40):
What do you?
Speaker 3 (17:40):
What do you? How? Where are you gonna you know, like,
where you gonna work? What are you gonna do? I
think this is it's gonna work for me?
Speaker 7 (17:46):
And now, you know, I think she really really realizes, uh,
the trajectory that I had.
Speaker 3 (17:52):
So I got a lot of support.
Speaker 1 (17:54):
Now have you had that moment in your career where
you're like, damn, I'm really doing this shit.
Speaker 7 (17:58):
Yeah, every day, every day I quit rap and start again.
Speaker 3 (18:04):
For real?
Speaker 2 (18:05):
Say that again, say.
Speaker 3 (18:06):
Every day I quit and start again.
Speaker 2 (18:08):
Ye know, m that's different.
Speaker 1 (18:11):
That was that was that wa that wa?
Speaker 3 (18:13):
See you do that?
Speaker 2 (18:14):
You do it?
Speaker 9 (18:14):
That poetry shit? You just took me there. Every day
I quit and then I start again. A ooh, So
that mean you wake up with a a new drive.
Speaker 3 (18:26):
I caught that.
Speaker 2 (18:28):
That's how you stay in love with it. You gotta
approach it like that. Man.
Speaker 1 (18:34):
I still get excited every time I get ready to
go grab some you know, a fit for the show
or jump on the plane or.
Speaker 5 (18:41):
Everybody still get that Bubba good, like right before it, like,
damn shit still going on?
Speaker 2 (18:44):
You Like, thank Jesus, they came to see.
Speaker 1 (18:46):
Me one more time.
Speaker 2 (18:48):
Yeah, you gotta treat Yeah.
Speaker 3 (18:51):
They got to Yeah, gotta go crazy. This is what
diele what my teacher told.
Speaker 13 (18:54):
Me stop doing.
Speaker 1 (18:55):
That's why I always feel like soon as you get
on stage, it's over.
Speaker 8 (18:58):
It's just like, yeah, you just get right into character.
Speaker 4 (19:02):
I always tell them when they call your name, that's like.
Speaker 13 (19:07):
The best part and the worst part, because it's the
best part because you know you got to go to work,
But it's the worst part because you can't tell them,
hold up right quick, I'm gonna be right back, hold right,
bring your stupid as the night.
Speaker 2 (19:24):
Oh no, but it's you ain't ready for this shit.
Speaker 1 (19:26):
It'd be hard for me to sleep after the show.
What after the adrenaline you did, be up. I'll be
up all night, man.
Speaker 3 (19:34):
I die right into that bed.
Speaker 2 (19:36):
I bathe in the morning.
Speaker 3 (19:37):
I feel sor sleeping.
Speaker 2 (19:38):
That mother forgotter me. I can't up like something. That's
how I damn it. Like early flights.
Speaker 1 (19:49):
That's why I don't never really do the early joint
if I can avoid it, because.
Speaker 2 (19:52):
I'll be up all fucking night.
Speaker 12 (19:55):
So the midday, three in the morning, full of dressed
in the room, all the light song that's still laughing.
Speaker 3 (20:07):
I don't know, man, I should see it.
Speaker 8 (20:16):
Boy, that's the best reason to take the six ahead ship.
Speaker 3 (20:18):
You already up what.
Speaker 2 (20:20):
I get that.
Speaker 1 (20:21):
It's a it's about a two hour window from between
like four and six.
Speaker 2 (20:26):
That's where you really be like, you really break down.
Get me on the early flight out of here. My
job done.
Speaker 10 (20:32):
When I when you when I'm walking off the stage,
I'm like.
Speaker 2 (20:36):
It's what we practice for. That's what we were hard for.
Are they not in your tam look at the people.
That's what you do.
Speaker 5 (20:46):
Don't ever get complacent, no elver feel like you say
basally were saying the same thing, nigga, this show over with.
Speaker 9 (20:53):
Yeah, I got a note on tomorrow.
Speaker 3 (20:55):
I gotta regroup. I gotta find that same and you
get right, I gotta.
Speaker 5 (21:00):
Even space right cause being funny and all that, that's
a different emotion.
Speaker 1 (21:04):
I must be. I'll be looking at it different. I'd
be like a mad scientist. I'd be like, tomorrow, I
haven't gonna do.
Speaker 3 (21:11):
It more, abulicle.
Speaker 2 (21:15):
Then I ask you to rade a juke about it, right, Nuzzerius.
That's something.
Speaker 5 (21:24):
No, man, it's good man to see you prospering though,
but it's it's like to see it so you know
what I'm saying, sporadic and then out the moment like
you ain't know this was gonna happen, and you weren't
scared to actually step out the box, you know.
Speaker 3 (21:35):
What I'm saying.
Speaker 2 (21:35):
And then like like you said your mom, like come.
Speaker 7 (21:37):
On, ye exactly, if you're gonna be adopt man, you
can quit all that.
Speaker 3 (21:42):
Who you wrapping to? Cause I ain't never heard the rat.
Speaker 1 (21:44):
I wanted to ask you when you said you had
to teach yourself how to wrap?
Speaker 2 (21:47):
What was that process?
Speaker 5 (21:48):
Like?
Speaker 3 (21:49):
Just studying?
Speaker 7 (21:49):
Uh, I'm a scholar first, so it's really easy for
me to study anything. Like if I really want to
do something, I'm like, huh, how does.
Speaker 3 (21:58):
One plus one equal to?
Speaker 7 (21:59):
So I I'm looking at my favorite rappers, I'm like,
I'm watching the patterns like oh he does this. Oh
the influx is like that, Oh they do that, Okay.
So I'm just applying practically to everything that I'm doing.
That's literally how I taught myself counting meters everything. Then
I learned how to engineer. At the time, I didn't
have no I didn't have no a lot. I didn't
(22:20):
have a lot of money to book my sessions and stuff.
So as you know, when you book a studio session,
that pay for the room and you pay for the engineer. Yea,
all that niggas, all I got is this room right now,
I got the room.
Speaker 1 (22:33):
Raid.
Speaker 3 (22:33):
The engineer rate costs too fucking much.
Speaker 7 (22:35):
So I'll be like, okay, I'll get an engineer for
like four hours, and I'd be over this nigga's shoulder,
like what you doing?
Speaker 3 (22:39):
What's what's that? Show me how to do that?
Speaker 7 (22:41):
Then I've dev developed my own template and learn how
to track engineering myself and uh a lot of that yourself.
Yeah yeah, A lot of what I learned in was
birth and struggle, and I think but it was nourished
later on when I had money. You know, I c
now when I'm in a studio sessions and Paramount in
west Lake and fifteen hundred dollars sessions.
Speaker 3 (23:03):
The engine they'd be like, how the fuck you know that.
I'll be like, yeah, no, take that, put that hair.
He's like, how the fuck do you even know?
Speaker 7 (23:09):
How you even know the terminology to even direct me
to do certain things.
Speaker 10 (23:13):
So just the engineer, I should know what I like
to sound exactly, or I'm coming here guessing every time.
Speaker 3 (23:20):
I hope you know what he's doing.
Speaker 7 (23:21):
But being able to communicate that efficiently as a you
know a lot of artists to go.
Speaker 3 (23:24):
I don't know.
Speaker 8 (23:25):
I hear like A, it's something that's making it.
Speaker 7 (23:28):
You like, that's the reverb, that's the this, that's to that.
You know you got a one non filter? Want to
take it out, make it filtered?
Speaker 1 (23:32):
Do this?
Speaker 3 (23:33):
Do that? Go up to decibels? Come down, engineer.
Speaker 2 (23:36):
They might do something to your voice and be like, hey,
what they do?
Speaker 3 (23:38):
They be like, see that's my special song.
Speaker 8 (23:42):
Yeah literally.
Speaker 3 (23:48):
Exactly crazy.
Speaker 8 (23:50):
I hate that just off and don't have nothing on it.
Speaker 3 (23:52):
Strips.
Speaker 7 (23:53):
Yeah, I can't get a people my sore.
Speaker 1 (23:59):
I want to ask you because this is like a
defining moment, like as an artist who was the first
big artist to reach out to you to do some work.
Speaker 3 (24:09):
You know, I get It's it's blurry for me.
Speaker 14 (24:12):
Now.
Speaker 7 (24:12):
I want to say it was like I want to
say it was Timbland that's so dope.
Speaker 3 (24:17):
I want to say it was timbling or busted one
of the two for sure that I remember the time.
Speaker 7 (24:24):
I'm thinking of the people that I was like like
jaw drop when I seen the message, it was either
one of them too easily.
Speaker 2 (24:30):
Tell me how to timbling.
Speaker 3 (24:31):
But I don't want to.
Speaker 13 (24:33):
Know what happened when you walk into the studio and
Timbler was right there.
Speaker 7 (24:38):
I've never been in a student team, but he No,
he reached out to work though. Yeah, like one of
the early on people in my career to reach out
for sure.
Speaker 3 (24:46):
But I've been around to him several times, but I've
never been in the studio. Yeah, yeah, yeah, not yet. Oh,
because you've seen Troy Taylor. Oh, he's incredible, incredible. The
only reason why I have a K because I know
I'm not ready.
Speaker 2 (25:04):
I'm ready, but I know.
Speaker 13 (25:05):
You're gonna put me through the fight, and I want
to be able to fight.
Speaker 8 (25:07):
Yeah, and when I get there, I wanna be like,
come on.
Speaker 5 (25:10):
Man, Coyri, go ahead, get all the specials.
Speaker 1 (25:12):
Then do it.
Speaker 2 (25:13):
I know you finished sing.
Speaker 7 (25:14):
Me through it, and they do it amazing, Amaze mobile coaches.
Speaker 1 (25:18):
He gets you right, Well, you built this from the
ground up.
Speaker 7 (25:20):
Man.
Speaker 1 (25:21):
What you say to people who watch and who maybe
the next up and coming.
Speaker 7 (25:27):
Should fight your fight. I don't worry about nobody around.
Keep your eyes on your own paper.
Speaker 2 (25:33):
Now that's the bar right there.
Speaker 1 (25:34):
You gotta keep your eyes on your own paper, school teacher.
Speaker 3 (25:39):
But I won't them to understand what she just said.
Keep your eyes on your own paper.
Speaker 7 (25:44):
Be where your feet are. The people around you can
be your cage or your circle. And that's really that
would be like my mean, well, damn.
Speaker 2 (25:58):
She always got some deep lots.
Speaker 7 (26:00):
Yeah, you gonna either be ana, be your Yeah, between
between what they saying, Now, what's the us?
Speaker 3 (26:10):
What's the verse in the Bible? The bad Company coup morals?
Speaker 2 (26:13):
Yes it does, Yeah, yes it does.
Speaker 3 (26:17):
So that really be my advice. It's a fucked up game.
Speaker 10 (26:20):
But even though you do the you in the medicine field,
you diep Is there something else that the people might
not know that you love to do that you may
just come out of nowhere.
Speaker 2 (26:34):
You got in the bag.
Speaker 7 (26:35):
I really wanna get more into directing, creative direction in general,
mainly for films. I really want to get into like
direct my directorial debuts maybe like a short indeed tries
to start off, but I.
Speaker 3 (26:48):
Really like.
Speaker 14 (26:53):
Something should we reach out in the middle we might
have some independent movies.
Speaker 3 (27:05):
Yeah, I would love. I would love to sit down
with that.
Speaker 1 (27:09):
Your voice is common as hey. I could literally talk
to you all day.
Speaker 3 (27:12):
Oh I thank you. I appreciate that.
Speaker 2 (27:13):
Yeah, I want to know what she's not like.
Speaker 3 (27:15):
You're mad, it's the same.
Speaker 2 (27:17):
No, motherfucker the New York come out. Na, It's crazy.
Speaker 7 (27:25):
I actually get more and more quiet when i'm mad.
Me being mad, I mean me being quiet is probably
the worst worst case scenario.
Speaker 2 (27:31):
Cause you got too much to office.
Speaker 10 (27:32):
So I need you to say something, like say something
right now.
Speaker 1 (27:38):
You did say the album coming out next year? How's
it going as far as the process building sneak little features,
but we got you gotta give us something.
Speaker 7 (27:46):
We got some ship coming. It's not like it's not
exactly where I want it at. And we were originally
gonna push for this year, but I'm like, nah, I
need to make sure my first album. You only get
one chance at the first album, So I'm like, I
need to like curated properly, so it'll be coming out
top of next year sometime, uh, first first quarter. But yeah,
(28:07):
I mean it's it's it's hard. It's hard making an album,
but it's fun. At the same time, up and down moments.
It's versatile yet cohesive. So you'll see like fun, some
turn up ship, some painful ship, some popping your ship.
That's my my favorite baggage just in my like popping
ship witty.
Speaker 1 (28:28):
Anytime I hear you rather, I'm always imagining myself as
the nigga.
Speaker 3 (28:35):
Sometimes I roll to you all the.
Speaker 2 (28:38):
Happen cause you said a big tree. Now we gotta
put that on tape.
Speaker 1 (28:44):
She did say, So, we're not gonna.
Speaker 2 (28:47):
Let you leave until you tell us what. You don't
get to hear that.
Speaker 3 (28:57):
For me?
Speaker 6 (29:00):
Oh me, you didn't.
Speaker 2 (29:09):
You know the moment it shoty guy, I know what
you FLI like, bro only be wandy.
Speaker 3 (29:29):
Would you find niggas out here?
Speaker 12 (29:30):
Man?
Speaker 3 (29:31):
I feel like every girl would be tricking to just be.
I love about it.
Speaker 7 (29:34):
Like if you really like somebody, I feel like you
start spending money on them just randomly. You'll be seeing
ship out You're.
Speaker 3 (29:39):
Like, this would be cute, this would be cute. I listen.
Speaker 8 (29:43):
I don't buy no big big like I said, I tricked.
Speaker 3 (29:45):
Tricked bigger. I don't buy no cars.
Speaker 8 (29:47):
Damn you get that on the table.
Speaker 7 (29:50):
You said that to me because you know I like car,
I'm buying no.
Speaker 1 (29:54):
I got mother another one and that's that time.
Speaker 7 (30:04):
I don't buy no car. He said, he trick bigger.
So I buy socks and t shirts. He buys you
know back, you know that's.
Speaker 3 (30:11):
Just playing but the cray.
Speaker 2 (30:12):
But I just want to.
Speaker 13 (30:15):
Socks and just appreciate the.
Speaker 3 (30:19):
Ship at a little trinkets like that. Why women's thin
we gonna be alright with some draw y'all. I do
appreciate it.
Speaker 5 (30:24):
But he's like the polo c.
Speaker 1 (30:28):
They's gonna be under.
Speaker 2 (30:29):
Depend Sometimes women are sneaking by you.
Speaker 1 (30:33):
Gives some ship that like the ship. They don't like
about you. So you like socks and draws. She don't
funk with your sock.
Speaker 2 (30:40):
Your old hanging drawers got dirty with the with the
loose elastic.
Speaker 5 (30:47):
Because that's a sign if a woman used drawing, they
mean them all got a whold them.
Speaker 1 (30:52):
Or some nookes thing.
Speaker 3 (30:55):
Wrong.
Speaker 8 (30:56):
Yeah, he could have not just tacked no draws out
going on.
Speaker 1 (31:00):
You need.
Speaker 3 (31:02):
Everything I saw outside the draws is what you need.
I'll love you though, I'll buy clothes. I'll buy some shoes.
Speaker 2 (31:09):
We'll speaking of trigger. We got you something, Yeah, ain't
get excited.
Speaker 3 (31:15):
I can't believe how excited you get for that?
Speaker 8 (31:17):
Did I see how it gets to me?
Speaker 3 (31:19):
Thank?
Speaker 2 (31:19):
Y see?
Speaker 3 (31:20):
I like really big boxes are really little. We brought
the big one, O you what's here the whole goddamn time?
Oh this is perfect?
Speaker 1 (31:33):
Okay?
Speaker 3 (31:33):
Did you know I love Grace sweatpants or no? This
is my actual Like I think.
Speaker 7 (31:37):
I literally served the jail big because I walk around
with great sweatpants every day.
Speaker 2 (31:42):
Don't ever buy no more.
Speaker 1 (31:43):
All your great sweatpants gotta come from us.
Speaker 2 (31:46):
Okay, Grace sweat Pants.
Speaker 3 (31:50):
Officially eighty five styles.
Speaker 2 (31:54):
Record something in there.
Speaker 12 (31:56):
Now.
Speaker 3 (31:56):
Let me ask y'all how y'all saw Atlanta? But this
studio ain't in Atlanta and I've been traveling all day.
Speaker 7 (32:03):
I need to call my sense I'm a ready figure
out where we're at right now because y'all be like,
what what you closed?
Speaker 1 (32:10):
You gotta understand when we had a studio in the
Lemma motherfuckers was scared to come right.
Speaker 2 (32:16):
Yeah, so it's really more peaceful, like you you tell
you like quiet, right?
Speaker 3 (32:20):
This ship so.
Speaker 1 (32:21):
Quiet and this way you can't just pull up this
inviting only we know ever call.
Speaker 3 (32:27):
Like when you're staying in the neighborhood.
Speaker 4 (32:28):
Like you said, a look, unknown, I'm on your.
Speaker 3 (32:30):
Ass right go to a house because you're not. But
you are thinking about breaking in somebody ship forgot run here.
Speaker 9 (32:37):
You ain't the man man.
Speaker 2 (32:39):
We trapped down the city for a little man. Okay, yeah,
but you know what, you wouldn't want to come to that.
Speaker 12 (32:44):
Look.
Speaker 2 (32:44):
Oh my good, I.
Speaker 3 (32:46):
Wanta come to thanks, but not been the time we
finished through that.
Speaker 2 (32:50):
Hold hold on. Yeah we're good, but.
Speaker 4 (32:59):
No.
Speaker 1 (33:00):
We love the city, but you know, sometimes you gotta
you gotta move out a little bit.
Speaker 6 (33:05):
Yeah, listen, everybody, everybody who let him know that everywhere
you want.
Speaker 3 (33:10):
Ain't hear that, but I can hear it. Yeah, yeah,
you hurt.
Speaker 1 (33:16):
Run in the ambalancee.
Speaker 3 (33:22):
It'll get you there.
Speaker 2 (33:23):
You hear it. We definitely appreciate you stopping through here.
Speaker 3 (33:27):
I appreciate that little ship with us.
Speaker 7 (33:29):
I gotta come back when the album's dut We're gonna
have a good time.
Speaker 3 (33:33):
Good party.
Speaker 2 (33:34):
We'll do an album release party.
Speaker 3 (33:36):
Let's do it.
Speaker 1 (33:36):
I love you know. We gotta roll out stage. We'll
bring the stage out. That's what I heard about it.
Speaker 2 (33:43):
This is everybody.
Speaker 5 (33:44):
We're gonna set you up for you to handle your ship,
trying to.
Speaker 1 (33:47):
Get her to come through here since twenty twenty. And
I know it's not jeering, but they do.
Speaker 2 (33:55):
They're gonna be front do y'all? Right? What can they
follow you and keep up with all the updates.
Speaker 1 (34:07):
And all that.
Speaker 7 (34:07):
Y'all can follow me everywhere at Lady London, no underscores,
no periods, exactly how you see how you're here.
Speaker 3 (34:13):
Check out my documentary.
Speaker 8 (34:15):
Yeah, check my.
Speaker 7 (34:18):
My documentary coming out. And I'm also dropping a single
that day called ten So y'all's happening to that?
Speaker 2 (34:23):
No, you folks got to everybody want it to tube up?
Speaker 3 (34:26):
Yeah, so y'all, I don't gotta tell y'all it's free right,
get to.
Speaker 2 (34:29):
It, ladies and gentlemen.
Speaker 1 (34:32):
Eighty five self shows what we do Lady in London,
Jay when we out it there you hear.
Speaker 3 (34:40):
Thanks God
Hosts And Creators
DC Young Fly
Karlous Miller
Chico Bean
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