SKOOLY in the Trap | The 85 South Show - The 85 South Show with Karlous Miller, DC Young Fly and Chico Bean

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Standing together, other fucking focused and get back.

Speaker 2 (00:15):
That you serious. Show you know I know I want
Nika you hear me?

Speaker 3 (00:21):
Uh huh eighty five sound show.

Speaker 2 (00:26):
Okay, know what you want?

Speaker 3 (00:28):
Show you cooked black household being cooked with one parent
in there.

Speaker 2 (00:36):
Come on, I'm talking that to your mama.

Speaker 3 (00:37):
Got one house, two jobs, come on, two calls, three kids,
come on up.

Speaker 2 (00:47):
Right here, come on.

Speaker 3 (00:50):
Dedicated to everybody that got attention that they need to
get fixed.

Speaker 4 (00:54):
Watch out, bro, Yeah, everybody everybody else want everybody.

Speaker 2 (01:03):
Everybody got one that they won't red.

Speaker 3 (01:07):
I'm like, look, you got one that you want to
least some more color? And everybody got to they might
and they love to say, yeah, I'm about to go
and finish.

Speaker 2 (01:18):
Eight year later. You ain't even got the same kind.

Speaker 1 (01:22):
Come no more outside, It's not gonna gonna.

Speaker 2 (01:29):
Put the old ship with the new ship. About getting
little finished.

Speaker 5 (01:36):
Now that what is finished?

Speaker 6 (01:37):
Come over.

Speaker 3 (01:39):
You ain't got to say skin nor skin change that
is and ain't the same goddamn skin.

Speaker 6 (01:47):
Come on, you gotta get a redone, know the one
got get when they see Team Nigga, that me.

Speaker 2 (01:55):
And green, But I won't even blue. You already know
how to fuck with you.

Speaker 7 (02:00):
So come on now they're gonna get bog around and
we're smoking that. Get roun you your big then we
get yong. I can get night bog around.

Speaker 8 (02:13):
Don't move me bro hanging with my nigga to bro, Yo.

Speaker 1 (02:17):
Don't put me bro around.

Speaker 2 (02:22):
Yeah, it's a flower for this and bitch on my chest.
I won't even redode the ship. Don't match might again yo, but.

Speaker 3 (02:34):
Again't come my nigga, DC said, I ain't even got
the same skin.

Speaker 1 (02:39):
Move the little ship kind of yeah, tell too many?

Speaker 8 (02:44):
Yeah cause let me to touch your.

Speaker 3 (02:47):
Okay, Yeah they ain't what I mean, bitch, four years
ago and this mother fucker still be bleeding.

Speaker 2 (02:55):
That's a disease. You the yeah yeah.

Speaker 8 (03:05):
Uh because you got on the bikes some glass.

Speaker 2 (03:12):
From worship White. What you're gonna doing some construction before
you got okay.

Speaker 6 (03:20):
S something.

Speaker 2 (03:25):
You gonna ask his choices like you don't nobody see
iebroy You might be caught.

Speaker 3 (03:29):
Guy.

Speaker 2 (03:31):
You know what the niggas don't want to say. Like
one of them, it's bad for real, like bad bad.
You got gout. I ain't never seen your eyes, really.

Speaker 9 (03:41):
I ain't never seen your eyes. I ain't looking for
your eyes. But I'm just saying I need to know
who I'm talking to. I need to make sure you
got them. I ain't never seen.

Speaker 2 (03:55):
The nigga around little.

Speaker 5 (03:56):
Like like you when you have his eyes on his glasses.

Speaker 2 (04:06):
Drew out.

Speaker 7 (04:09):
That nigga here, j n we find out you're blind
on one high.

Speaker 1 (04:12):
The glasses do look like they was a tenched to
a hard hair, do they do?

Speaker 2 (04:15):
Bro, it's a top piece. Need some cardie construction glass.

Speaker 8 (04:23):
I'm mobo clean o je.

Speaker 2 (04:25):
You know what I mean.

Speaker 1 (04:28):
Stick, it's the glasses you wear when you gotta take
a pistol and fail.

Speaker 3 (04:33):
Got sharp shoes, glasses up, telling nigga try to get cirtified.

Speaker 2 (04:39):
You go to the gun range. He don't need no glass.
I got home.

Speaker 10 (04:44):
Yeah.

Speaker 8 (04:44):
That ship hard cap you fuck with that?

Speaker 5 (04:48):
That right?

Speaker 11 (04:49):
Oh I'm taking mouth right, yeah, yes, sir.

Speaker 2 (05:13):
Uh huh.

Speaker 3 (05:16):
Well without further ado, uh huh, it's about time that
we kicked this ship off.

Speaker 2 (05:21):
We'll go back to the eight CLASSLF.

Speaker 3 (05:23):
Yes, yeah, yeah, that's exactly how we living in here.
Sh DC once what you mean, man, I man working
like a motherfucker man, working man.

Speaker 6 (05:38):
These people don't even understand music on the way TV
on the way, goddamn movies on the way producing this ship.

Speaker 2 (05:47):
We got some ship. This ship niggas has been working
a whole lot of ship. Man.

Speaker 3 (05:59):
But every time you be gone, they always think you're
gonna fil Then what what DC?

Speaker 2 (06:05):
I gotta go. I gotta go do what it is
many and.

Speaker 5 (06:10):
They gotta respect it.

Speaker 2 (06:11):
They got him know, I ain't gonna never go nowhere.
But if I'm gone, I'm doing something for eighty five something.
You hear me. I gotta go hand on my you
gotta go away, come back.

Speaker 6 (06:22):
What I'm talking about, man, Because while I'm over there,
I'm telling them, fo, I got some ship going.

Speaker 2 (06:26):
On at crib.

Speaker 12 (06:27):
They like what they did, Heart, well, you better step
it on up because we're coming back here.

Speaker 2 (06:33):
The tickets already on sealing. Speaking of which, man we
got Man, we got lig but ghetto legends through.

Speaker 6 (06:51):
Not only a time legend where.

Speaker 2 (07:02):
That's the next album. Hell, I'm telling you.

Speaker 1 (07:06):
Period the West Side for world for real.

Speaker 2 (07:08):
You feel me?

Speaker 3 (07:09):
This nigga been doing music for five hundred years. There
is an era of music that happened that he wasn't
a bought up in last doing music.

Speaker 13 (07:21):
Since Man was in the wildest club on the West
Side with no chaperone when he was six and.

Speaker 6 (07:32):
They were allowing him to come in the club and
we had to watch it.

Speaker 5 (07:36):
This is the perfect music.

Speaker 6 (07:37):
Until we was old enough to go out and he
was in the Rocket was rocking with adults.

Speaker 1 (07:42):
By the time this man was nine years old, he
was already a.

Speaker 2 (07:45):
Soul trained legend. No captain.

Speaker 3 (07:50):
I remember on his tenth birthday dropped the mixtape was
on by himself, straight.

Speaker 2 (08:02):
Up hte lid John. Then he was in the group
with forty now other niggas everybody wanted.

Speaker 3 (08:13):
It was so many little It was a lot of
rich and I said, you don't know them.

Speaker 2 (08:19):
I said that too, but who are you still today?
People stayed on the exactly number. I'll bet the paper rapping.

Speaker 1 (08:29):
I knew who was the It was really rich kids.

Speaker 2 (08:32):
Can was at our school sweating with kids talk what
man has a twenty.

Speaker 3 (08:44):
Y'all?

Speaker 2 (08:48):
You did not go to man one of our favorite niggas. Man,
damn Corine kill that man, yeam school man. Yeah, fucking
intro you have like that was a lot of ship.
Come on, still they was that main? I thought he

(09:13):
was you know, okay, yeah, you know how it should
be recruited.

Speaker 3 (09:20):
Yeah, him in DC went to daycare together. That's how
west side this nigga is.

Speaker 8 (09:25):
Nigga don't know nigga nigga fucking around.

Speaker 2 (09:27):
I was in up at your careers. Didn't even know it. Man,
I know anything. Man. We isn't up dougging. I'm just
like hell nah, I'm in here. We got there school,
but we knew each other fast.

Speaker 3 (09:42):
But you bring you deep into Atlantic history. You've done
been in twenty two different eras of music. Three Clips Everywhere, Label,
two Soul Train Awards, uh two Scuffles Influences. Is you
know what I'm saying around is the city took your

(10:03):
shirt off his sixth birthday.

Speaker 6 (10:07):
When when it's coming to that young when it come
to that the generation man, the young generation, Man, I
think I'm thirty, So nigga, y'all niggas still be talked
to to the day.

Speaker 2 (10:19):
Like when I see that, like the reunion.

Speaker 6 (10:21):
Shows and the tours and ship and everybody to get
I'd be like, bro, they were really Atlanta, Bro, Like
it was an error in a milca when it was
that one.

Speaker 2 (10:29):
Was all we was listening to and that one was
popping at that.

Speaker 1 (10:33):
Time you look at this niggas story, it's this nigga
kind of got.

Speaker 5 (10:38):
Like a hood for his gum store because even in the.

Speaker 1 (10:40):
Ship, like the songs, he wasn't even a part of
that nigga still in the video.

Speaker 3 (10:45):
It's a bucking thread on Twitter of all the random
man's places that they done seen you in Atlanta, bro real.

Speaker 2 (10:52):
One of them as uh part of them. A lot
of people thinking I'm gonna punel of them. That ain't
you on the no that Junior ain't. Yeah, yeah, you
went on no part of which helped rich kids.

Speaker 14 (11:05):
My dad let me come outside that you mad at
her when what I had snuck out four days straight.

Speaker 2 (11:16):
So it was just he went. He was enough to
see it on that career. Hey t them can't even
pick me up, take me to students, cause did you
hear a kid? At that moment you were That was
the only thing stopped in the situation, right, But it
was on What's Up? Definitely the first time you knew

(11:42):
you was crazy on part of them. And then no,
probably that was just y'all. Don't remember the first picture
on YouTube when when are y'all saying for the niggas
and decide the studio in at the house. That's how
I happened. That was over up like we always be.
They were just in the motherfucker deep bro. It was

(12:04):
actually it was like shut whole crew was on that
motherfucker right. God damn, every damn there and there, every
little legend undad their own version of that motherfucker. I
didn't mind, like to only one you the own. We

(12:28):
should get a remat They did remate with cooler and
drove and I strove motherfucker as he as he should drove. Shucks, man,
Come on, sir, that's a lyrical right man like.

Speaker 15 (12:48):
So so take us bad bro on front the city
from the same side, how doing the mica of groups and.

Speaker 2 (12:59):
Rapping because niggas don't know how seriously ship was. September
twenty four, twenty twenty three, were in.

Speaker 8 (13:05):
The Nasty natty Cincinnati, Ohio, the nasty.

Speaker 2 (13:13):
What is wrong with you? Everything? Gotta go to the
already Off Center for the Arts, the are and Off.
It's the r off A R O n O F
F All and Off Center for the Arts and Cincinnati
or Center for the Odd September.

Speaker 5 (13:31):
Get your ticket.

Speaker 2 (13:32):
That's right after we go to Napletown. That's another ADMA
about Cincinnati.

Speaker 3 (13:38):
Get your ticket. Cincinnati different when you got a whole
weekend and show, right, because that.

Speaker 2 (13:43):
Was the day before.

Speaker 6 (13:44):
But then now it's the day after this, it's gonna
be a day uh or maybe the day before.

Speaker 3 (13:49):
Because they think I'm gonna be tired because I gotta
show the night before, right, They don't even know I
get better after that.

Speaker 2 (13:56):
We can we turn up? Come on, man, you really
want your show after a show.

Speaker 1 (14:03):
You want to be work, so you want to be
the show after the show.

Speaker 8 (14:07):
You know what we're gonna geting nasty than natty because.

Speaker 2 (14:09):
It's some women in Cincinnati.

Speaker 16 (14:10):
Wait a minute, don't say it, because want Toptember twenty four.

Speaker 17 (14:14):
Twenty twenty three, Get your tickets, Cincinnati.

Speaker 2 (14:17):
You know what else I like to do in Cincinnati?
What's that?

Speaker 17 (14:20):
I'm like, Wait a minute, don't say it, because they
gotta get their tickets.

Speaker 2 (14:27):
Every time I was in Cincinnati.

Speaker 18 (14:28):
Wait a second, saying for September twenty four, get your ticket.

Speaker 2 (14:35):
Every school had their own rap group.

Speaker 6 (14:38):
Every you had to be representing, and y'all represented from
Dude Happening, and y'all took.

Speaker 2 (14:44):
Off from all the schools and we were like fuck
we losing on the radio. But it was fun. Was
like likebody, we won't right o, no hat competitive ship.
It was like her we see them, We're gonna see
them everywhere we go. We're gonna he gonna see me.

(15:06):
I don't see him, Like we're gonna see each other.
Crew every little little little spot we go, you know,
went back in them days, because that's what it was,
even before we got on the radio. That that's how
we got to it. Like being around the city, it
was really like that. It was really that high school crowd. Man,
then that really was the city kind of like like

(15:26):
going ship like this at that time. I feel like
high school ship, like you know the high school clubs
at the Club two. She was so that ship. That
ship had real gangsters in it, man, Frank wrong.

Speaker 12 (15:51):
We couldn't get nobody old to come perform at these spots.

Speaker 2 (15:56):
So it was the different that entertainment.

Speaker 5 (16:01):
So the crowd the same, the people performing the same.

Speaker 2 (16:06):
Y'all known fights on the stage before the fight in
the crowd. It's just ship. But how did the reach
kid come about doing that epidemic? And what made y'all
like when y'all knew, y'all it was over. We didn't
we never I don't know one tip got behind y'all

(16:32):
were like ship. That's when I'm gonna say I put
it like that. Uh, that's when like when we started
doing like when out like when our first shows with
the birthday, but it was like it was kind of
like we was spart into the game. So like that ship,
that ship got me fucked up with like small crowds

(16:54):
now to this day because I was introduced to this
ship through that like that, like this motherfucker Arena Field
a chip going away? Uh ship Arena Field like this
ship was Uh they were having the Christmas concerts and
ship right then Marena Field like rich kids coming out
a birthday bad, rich kids coming out Arena Field, like

(17:18):
they might put this. I think they put the stage
in the middle of one time for the birthday bad
Like it wasn't just like on the end right, And boy,
I think that was the last one we did. Rich
Kid and Bro that shit crazy Bro were gonna talk
about We're gonna talk about history.

Speaker 6 (17:37):
So when y'all come about, you was young and you
were younger out.

Speaker 2 (17:40):
The crew, would you like in middle school then when
I met Kyle, I was in middle school. Uh, me
and Caylen actually stayed in the same house out of
each other, from the same street. That's crazy. That's crazy
once you move. Yeah, no, and he moved. I stayed

(18:01):
in there and in one of the they house. Yeah.
So me just you know, I'm going back and forth.
My my bus stop because I gotta go out with
a bunch going a bunch. My bus stopped. I gotta
walk up Baker Road, go all the way up Cedar.
They catching the bus for Doug at the top of Cedar, right,

(18:22):
so I gotta go pat him every day, me saying
them just like, damn, I don't even know these folks
like bron got now they pulling up Blue fire Bird,
beat up motherfuckers, but running like back in that day,
that was what you mean all blue firebird Kayla cough.

(18:44):
Every time he pull he got cleaning coals in the
in the back, clean the clothes. Rock Republar. True is
like polo ship, like, yeah, you got like every time
I see the nigga but they look like they going
to school. Yeah, I see the niggas on the weekend. Listen.
He niggas got ship better than they had on. Ye mean,

(19:06):
I'm like, I'm gonna go up here on their head, right,
go up on their head for cal cal figure that
I rapped. He just heard me. I was I was
rapping for my cousin, right, you know, but he heard
me right. Well, bring let me say rapping the ship
little bro oh ship we sit we got to do

(19:27):
up like how nigga, we the gotta do something being
like that, that's that was crazy, like he like, we
gotta do us something. I ain't gonna lie we you
know what I'm saying. I ain't gonna lie. I ain't
I don't just do this ship like that. I'm gonna
try to ship with you right like like that how
me and met little like them? Word like right boom
got to start. We don't never even we ain't even

(19:49):
record it. Shot started taking me to uh saying night.
He took me to say nothing.

Speaker 19 (19:54):
They do Yes, change your motherfucker life. Oh my goodness,
Oh my goodnes. Walking you know that motherfuck in the gym? Yeah,
my goodness. We walked through that motherfuckers go.

Speaker 2 (20:07):
Right up straight up to the top to come back
down the step, walk all the way through that mall.
Get everybody that's in that motherfuckers looking at the boy
while they walking through. And I'm with the boy. So
by time the third little event for some high school ship,
everybody know me school boy, that school boy school wasn't one.

(20:32):
So wait to get to Doug. Right, I'm not going
to there, right, I'm.

Speaker 20 (20:38):
Not going to.

Speaker 3 (20:40):
Right.

Speaker 2 (20:40):
Help me. No, I'm not going there, Daddy. I'm going
to Doug. That's what I want to do. You said
you want me to do the schools. I want to
go here. I got go with my friends. Yeah, man
said to get in that hallway game, get their first
day where you at school. They walked through the hallway
looking for me. Yeah, I mean hallway stairwell like a

(21:03):
real movie, like a real eighties seventies movie. Bro, Like
hallway stairwell. God, damn standing there, whatever books, you got,
whatever class you're gonna go to. But we're on the
steal like everybody like damn there, got their own stair
and they got to like and they got to past y'all. Yeah,
like how the cruise be winning on the movie when
they being funny or whatever, like for real on the walls,

(21:26):
but were on the stairs up here at the top
every time telling the ship. We really sawing that this
motherfucker just at school. Yeah, we're gonna just start rather
go ahead, k rab uh krab basement bro. And I
just I just said ship. You know, I had already

(21:47):
been doing them, just singing and ship like my dad sang.
So you know, like on to my never recorded nothing
type ship like onto my in the neighborhood. People come
to my mam and door like knock on your son
and there, Yeah, he ain't all wrong. He can come
oud sign to me like the grown women. I swear

(22:11):
to god, he was grown women with children there all this.

Speaker 5 (22:14):
Ship like.

Speaker 2 (22:16):
Child this, this, this, this while I'm in middle school,
but I'm probably like six grade, seventh grade like this,
I'm a childlike so had already been experiment him. So
when I get in there like got them, my boy
got to be fucking with me. I got to do
something and have him like boy. Oh yeah yeah man,

(22:39):
so god damn noo. Yeah. So like now they playing
to beat, What's up? Come on? I'm that ship crazy
because it's literally the first beat only beat we played.
We didn't go through no ship like boom hm, what's up? Beat?

Speaker 5 (22:57):
Play?

Speaker 2 (22:57):
And I just start I just start start saying, what's up,
What's up? What's I said? What's up?

Speaker 10 (23:09):
Why?

Speaker 2 (23:09):
Caleble was saying like he's like it sounds like some
we hit tomorrow who all all day? Like he said
ship like that. He just he's just saying, He's just
saying it, and then he start rapping it, so what's up? Boom?
And then when I went in the boot that when
I try to what's up, what's up up? So I'm like,

(23:34):
when I do the ship, I'm like, what the fuck
you played? It just sounded like it sounded When I
I'm like, ship, I ain't saying. I ain't hearing him
out there, So I walk out the closet. They're like
what y'all like, ask Sime, why y'all ask the sign?

(23:57):
Right you doing? Like do you work right that? Because
he ain't done, he liket like that's all I man,
I do. I already had that birth you just coudn't
wait to put on. This was on some probably two

(24:18):
three years I'm talking about for real, like that verse
was embedded like I'm with me like he' doing like
that school boy, I mean, bothering wappo holic choppaholic all
in his smiling ballance on my feet, true sad one
and taling like it was just on some me watching

(24:40):
like like I will tell you like Wayne Chill watching
Wayne just his swag like that just well I got
like that pretty much. But all my swaggers it ain't
even no you know, no ship like that. It just
he was what it was I was growing up, no

(25:01):
matter what. That was the top type ship. No disrespect
to no other big stones lie that but literally that
at that time why he was trying to get that
point across, you know what I'm saying, Like so to
me at least, so it was like, you know, like
I said, like once he got damn stopped wearing the

(25:24):
baggy pan and switched over to the skinnies, the world
did type like I would telling him like that me
he said, by the world did, and they did. You
know what I'm saying, But I'm being midess. You know
what I'm saying. I'm saying, like ship, I switched over
for sure, like I wasn't wearing a big true no
more from when were how we wore me and called

(25:45):
them going and got down? Hm M now got now
I'm on pump some coastal ship like go buy some
new jays At for one whatever, put on up the
shirt he didn't like. So that ship like transition with
that ship it's up. So that's how I kind of
like me just trying to be wayning bro. I sort
of God, that's the verse really supposed to be slow,

(26:05):
slower than how it is. But that's just because if
you said slow, you're gonna be like that, trying to
sound like what hell I'm telling you? Like, why you're
doing like that? School boy? I be falling, alcoholic, shopper, small,
my big, true, sad money, taller air, steatic calling produc

(26:27):
her soul, I starling like I'm really like okay, So
I switched it up though, because we was on them
the up and up right. It wasn't no laid back.
It was because I'm singing now, ship, So why you're
doing like that? School Why that squeaking moll I'm straining,
mother fucker like get them on forgot wanna come out
of the my like boy you hard then came still

(26:51):
like man, you ad done so like you like me
and Caleb, we we built our But that was that's
who put me in ridg kid, That's who told me
like you family, we d kid like them words like
you know what I'm saying. As a matter of fact,

(27:19):
when we read when we re recorded What's up? Because
they were gonna go on radio, we had to do
it right. We recorded like not do nothing different? No,
don weint switch up over? Well shadd switch up here
versus a little bit, but it's still the same verse.
We re recorded that grand hustle, which is street is

(27:41):
there right now? That's cracking their biding again. I sposed
to be in the bilding fact, I just I be
feeling like that too, so in the street room, I
remember it when we finished. You know, we used to
be writing on the CD when we get our burn
like they were like, hell, say what you want me

(28:04):
to put on the city A little brother? They want
me to name? I wanna put rich kids, Fish the
school boy or you were up? Before I could answer,
K was like, man, you were up, man, my little brother,
like end, it's in real life, right o jah. I

(28:25):
ain't take nothing away from him saying, but hey, you
were up yet. That's all I'm hearing type ship like
fuck boy, ain't talking about all the more over here? Yeah?

Speaker 5 (28:36):
Right?

Speaker 20 (28:36):
What got this?

Speaker 1 (28:41):
The way got promoted.

Speaker 2 (28:43):
I thought I was gonna take a minute. Yeah, So
that's like it was. It was me trying to transition
from knowing like I s you know, I didn't know
what I was or what I could do at that point. Lie,
So I'm on that one like the like I'm telling you, like, boy,
I just I just was walking past these boys every day,

(29:03):
like I wanna hang with the boy he am like,
wanna be a rick kid. I don't wanna be a
rick kid. I need to have a clean clothes like that,
right us here they got going on right, I became rickhead. Yeah,
so I was just happy. So it was just that
how that even he just had like.

Speaker 3 (29:23):
That.

Speaker 2 (29:23):
That's cause and all the shit was natural. It was
just so the way even I'm talking about from the
stage president to how we came on that bitch, like
how we acting on the state like it was just
natural boy recording, like it was just natural of course,
like this shit like my passion though you know for

(29:47):
but for like cal it incapable tell you too like it.
He used to tell me how I'm talking, like, well, brother,
you love this shit? Sh trugs me what it's paper
for me? Heeahm right, and you can't do nothing but
respect that too, cause Caleb always been a hustle, right,
I'm talking about that hustle like I know, yeah, and

(30:07):
me he gonna get them some money till today, no
bullshit having paper m and like he shot had taught
me like so much shit. Bruh. That why I said
he the one embraced me and and really just that's
how that shit even became what it became.

Speaker 6 (30:26):
Even to the end, when we saw y'all ride just
ride it out into the ones on the house side.

Speaker 2 (30:31):
Looking at it was like that w that w that
was a good look. Yeah, when it felt like when
it felt like everybody kind of gave up on when
when when the group uh like everybody split their they
on thing was like, yeah, ain't even what the fuck
we're gonna do. I'm talking to Caleb Man. So we
end up like this shit is like vividly in my

(30:54):
face brouh. Like I'm talking about I'm seeing the color
of the sky gang on the spreadway game, me and
Caleb in the truck bro It usually me cayleb Charles
big Man go out and shot in his own car
behind U in front of we following whatever bro, this

(31:18):
day is it I'm talking about? This was literally probably
the day after we didn't we didn't sign, Like literally, bro,
man Cayler coming up fath and road going past. Uh
ship right, can go, pad we go padder cigarette, We're back,

(31:38):
will leave a new apartment.

Speaker 6 (31:39):
Right, I'm talking about Columbia coming, k K coming.

Speaker 2 (31:44):
We're talking about four block. Is it preserved? No, preserved?

Speaker 6 (31:47):
Preserve preserved to the right coming, We're going to preserve
before you get to your spot where it used to
be preserved.

Speaker 2 (31:53):
Yeah, exactly, Me and Cayler riding up that motherfucker going
toward made though, right. Oh, so y'all going, yeah, okay,
we passing the apartment, right, I remember this ship, like,
y sir, bro, we don't care on the phone. And
the whole time you are on the phone, he he
he doing nothing. He like, look, why you know you

(32:16):
ain't I ain't a got out ship. I guess it
that men like I'm like huh and he just get
explained like ship shouted, I turned and and so on,
so shouted already got there, say he finish, got down
and do it his fifth street ship right, God damn
Charles was in jail that time. Right, uh, And I'm

(32:40):
like huh. He like, Bro, I'm in the passenger guy.
I'm like huh. He like yeah, they on the phone
all the time. But he like yeah, I'm like hell
and I'm like yes, I'm like, man, what we need
M knowing with you anyway? Like ship like that. But
he was saying it at the same time, right, you
knowng with you anywhere? The little bro like fas like

(33:01):
but I'm saying it at the same time. Ship Chest
that ship was like really bro, it was raining that day,
bro wet bro skout was kind of gray gay bru.
I was feeling down game, like what the fuck just happened?
Because the ship yet, you know, like we were just

(33:23):
going all across the states and ship we weren't doing
no ship. I want the fun sit with you all
because I ain't signed. You didn't sign. Yeah, it wasn't
the right deal though, right, it wasn't supposed to happen.
It wasn't It wasn't supposed to happen. It did happened, right,

(33:43):
and it was liken't keep blowing my blood out. It
was like after that uh, after that day, after that day, god, damn,
you know me, I'm I'm fucking around with By that time,
I'm fucking around with every side of town, especially John

(34:04):
Bird South, Yes, especially like God damn, like everybody like
cash out at a certain Yeah, like Ralph everybody. It
was like, so Dundal was fucking with. Dundel was fucking
with Thug right, and Thug called me to the studio

(34:31):
say dune deal won't work with r Boom. I pulled
up to the studio, pull up with me, and he
pulled off. I mean there was shouty along said we
will stay Boom. I did three verses. I see Gambler

(34:54):
the whole time, dropped me off. Y'all, Okay was dropping
me off. He dropped me off, and he was he
was gambling with y'all. I got damn. I did three

(35:14):
verses to that motherfucker. I kept calling kele back, kept
calling dam like he was my brother, like that lawyer.
I will Yeah, I'm like nigga tripping brother. I'm all
you gonna be. I ain't come on that dad like that. Man.
This motherfucker done right, It's wrap, this motherfucker done. You're
tripping while you man, Hey, bro, I'm pulling up a

(35:39):
little bro. I ain't gonna lie, ain't gonna keep lying
to you. I'm pulling up a little bro, I just
had I just beat the niggas out all day many man,
I'm nigga mad at me. Won't kid, I'm pulling up.
He pull up, he gets second VERD we split third
birth as I got to wait on my mad they
motherfucker come out. It's like we wake back up, start
rising back through that bitch. I'm like, oh shit, hen't

(36:01):
mean it. Get the goddamntal shopping this shit like it
it got damn a little little little wars a bottle
nigga a little hey, we need something. And I'm like,
I brought him back in my head, you know, brought
him back. I just wanted to keep going right cause
that scared me. Yeah, but that's how we like we

(36:25):
just went over that home like kind of like yeah,
cause it was just I was just fucking around like
I was fucking with everybody. So whatever producer wanted for
me hell yeah and did was kind of like on
crazy at that time to it. Then it was like
even underground, whatever you gonna call. Man, he got so

(36:46):
many old thud song they probably ain't came out so
many old my song with thub uh with with with
some more people from Cleveland or Jon vers out that
ain't never came out in me like that shit. Man
and men Shatty used to go to his shit, just

(37:06):
me and him, right like man thud on some just
pull up shites. Nigga, I don't know. I me and
him used to be fucking around a lot. But when
I was in rich kid days in that era, right,
like what used to bring him to everything we had

(37:28):
going on him? Like Rick Kid got whatever concert, Rick
Kid got whatever, like a party hey pull up performed
by man Shoty do that God damn a hundred thousand,
I mean a hundred dollars all the girl listen, listen,
Chiff So so is that crazy cause me and him
man slangs like call each other brother and do not answer,

(37:55):
just to leave a burse on your answer machine. No
key echuller, word to good. I could die for online
game I'm talking about like this on some every other
day shit, we would leave a verse on Nigga voy
verse on a Nigga voicemail game, like both of us
like call each other, leave versus on s I swear

(38:16):
to god. Nigga used to put verses on they voicemail
like me and him was doing that type of shit
like ya, I used to pick him up, he picked
me up. I mean we got damn any shit real.
I always had knigg he was gonna be something a
little totally different, like from the everybody. I'm like this

(38:37):
nigga here is wicked. Just the shit he was saying. Bro,
Like back then he was tripping.

Speaker 6 (38:43):
Like going crazy.

Speaker 2 (38:44):
So I'm like this nigga gonna be most shit and
they already pu knowing it. They know it. So they
playing in the hood every day like we all every
time we getting some unreleased thud shit playing and shit
everybody this there's no kept every side on. We were
down where they were from nigga's playing that fact they
had that one day. Boy, I'll be missing them the

(39:09):
good day. It's a good day. It's been a lot
of history right there though, been here, brother, damn bump
in the future. Yeah, so bro, everybody took a nigga
d like a little bro. Everybody know what's up with

(39:29):
a nigga likes.

Speaker 5 (39:32):
Just a matter.

Speaker 2 (39:33):
I feel like, I guess it's just a matter of
applying myself or putting this ship out. You under staying
consistent as far as like my music and ship man
don't get the cons a motherfucker. Yes, sir, you say
you've been doing You said you're twenty eight. You've been
doing this sheet since middle school, and you people been

(39:55):
on you. It's like it's like being a moga.

Speaker 1 (39:58):
It's like being a mogi.

Speaker 4 (39:59):
Bro.

Speaker 6 (40:00):
You ain't gotta worry about being Michael Jackson.

Speaker 2 (40:02):
If you Bary Gordon put the shit together. The only
way I can put this shit together.

Speaker 6 (40:08):
I know the same people that you know, the same
people everybody you just name nigga you went through.

Speaker 2 (40:13):
I just went through that whole.

Speaker 6 (40:14):
Journey with your ad like exactly what he talking about.

Speaker 2 (40:18):
You know what I'm saying. He got to be on.

Speaker 12 (40:20):
If you was somebody you had to be in the
stairwell on the steps.

Speaker 2 (40:24):
Yes, sir, we wasn't the niggas that was walking past
the steps.

Speaker 12 (40:29):
That's what I'm trying to tell you. We was the
nigga owned the stairwell when the class break up.

Speaker 2 (40:34):
Nobody better be in our spot. Yes, yes, that's our spot.
Everybody else keep walking. But we posted up at the
statewell because I'm going over somewhere make our own spots
all they're cool. Well, listen, you gotta stand down now
in front of us a song because we up here
on the top stuff like we're up here. Everybody got

(40:57):
a calm down, so we're looking down there. He is.

Speaker 6 (41:02):
And they was, and they was the ones who set
the blueprint for what was going on at that time.

Speaker 5 (41:07):
Like you said, everybody, everybody on the steal, everybody in this.

Speaker 2 (41:10):
Ship, but that Joe high Bro, I remember that ship
vividly broad hear me say that that was going on
there school ship stairwell ship literally bro stairwell the main listen,
stairwell the way the way Doug was set up. It's
for stairwell like long hallway, stairwell, sterwell, short hallway, stairwell stairwell,

(41:35):
long hallway like, that's how it was set up. So
it's four god damn little god damn stairwells doing the
same thing that y'all got job, everybody coming to the
same stairwell. There's one stairwell like like principal coming to
the more for like y'all gonna stop coming to this
same stairwell like in real life, bro, like mad it up,
like y'all y'all think like real, I got you who

(41:59):
I just got This is what I'm saying. Like that
why I said this like a movie, like I just
got here. This is my first day seeing this ship.
Like feel seeing they one nigga that was different.

Speaker 6 (42:12):
I wasna tel Grade still, so when the ship alway
you want to go, he was already in the clu.

Speaker 2 (42:20):
We couldn't get in because we were kids.

Speaker 5 (42:22):
That is what I'm saying.

Speaker 2 (42:24):
You want to be in there, but he already.

Speaker 6 (42:26):
Watching them live life like we were living life through them.

Speaker 2 (42:29):
Like yeah, we may be fast and maybe in the streets,
but it's like when it comes to entertain it, they
doing it at an adult level. It was like like, oh,
on that one night snuggers in Crucial, you got snug man,

(42:50):
come on and take them.

Speaker 11 (42:51):
I know what.

Speaker 2 (42:53):
You said that, I still got one in, but look man,
and that shit that night, bro, it was like bro
Cauz like I'm like like, like you know, I'm from
the West Side, so I'm standing four streets down right
in the front of Crucial, right come to the top
bottom of my street. I can walk up four little

(43:16):
blocks like that. Ain't even no real blocks, like four
little streets bro on Bankhead and be in front of
the cruiser and then walk up probably ten more steps
so whatever, and be at Pool Palace, yead and much
so before Crucial had got turned in the crucier from
the Mexican. Right, I'm at Pool Palace anyway, we killed

(43:39):
them cause we across the street at to Jam right,
literally across the street from the door. So right, we
going in there already, Chip, No, like what fucking around? OKG,
So Chip, no fucking around then before you gotta go
sit down, get to that motherfucker. They're like hell no.

(44:03):
They're like, hell no, I'm not letting them a little motherfucker.
Hell no, you're not finna get me. No, No, like,
hey man, let him in. Come on, man, let me
mean they gonna do that ship and just get up
out of there, right man. I swear to god, we
got the listen, bro, that was I'm talking about. That
motherfucker was thick to the stage, much uch to the stage,

(44:25):
ladies like grown folk, bro like that we came out that.

Speaker 8 (44:33):
We were still kid.

Speaker 2 (44:34):
Yes, I was really a child coming out that motherfucker. Like, Bro,
I don't know if y'all just looked at I just
I just went back when I just seen my picture,
bro sitting on top of the gold right game like
with the mohawk. Bro, Like, yeah, I was a child, Brod,
I was a child. But we got on that stage, brother,
like I've been on this motherfucker.

Speaker 8 (44:53):
Like I ain't even looking at that, Like I'm looking
at whoever?

Speaker 21 (44:59):
Right, Yeah, yeah, what y'all They like, oh, oh, you know,
you know, I don't believe they think that hides sweep.

Speaker 2 (45:11):
Like on that third time we're going and we went
in court, They're like, oh, oh but nothing, ain't no
camera come up lights? Yeah, mm hmm mm hmmh. We
finished that motherfuck oh right out of that man us
literally come back down on still, go right out the
door right there again the way y'all came in. We
couldn't even stand at war. The first time. We form fast.

Speaker 22 (45:34):
Second time they liberal what was in that water park
and it solidified with the youngest generation.

Speaker 2 (45:44):
Yeah, it was like y'all seeing me a crucion. Yeah.
And then they started doing that. They started doing the
Remember they started doing Monday or whatever performances and y'all
going up, everybody.

Speaker 6 (45:56):
Nobody win, You're not winning the brick kid coming take
no song, go back down, to de tour.

Speaker 2 (46:05):
Rap. Hey, you're gonna do your song on money, kid
is gonna be there. I Hey, you gotta do that
money and.

Speaker 3 (46:11):
You gotta let the motherfuckers know that the niggas who
was in there performing was dead as serious about these
songs performing.

Speaker 2 (46:20):
Togas telling the nigga he wasn't performing, but they they
paid name right that when the stage that was always fun.

Speaker 3 (46:33):
I always used to host a lot of like open
mics and rappers and like niggas who like the comedy
grand funny, but niggas who be trying to make it
in the rap world.

Speaker 2 (46:41):
The nigga that have a cock full of people on
the web site. You couldn't do that. You had to
respect the niggas.

Speaker 1 (46:46):
Even the song six Brothers, they got that clue.

Speaker 2 (46:51):
But why that song you did come back next, come
back next? N that ship was weak.

Speaker 3 (47:02):
You know.

Speaker 2 (47:03):
You heard get get off the stage. I don't try.
I was damn there in the walk out, like how
you mean boy?

Speaker 23 (47:12):
And they've put so many people on the stage, transmit
so many people, that many people they can on the
stack before no matter what, when just be like bro
orf I felt, I mean, for I figured.

Speaker 2 (47:26):
Out what it meant they say the bath last type
shit boy waiting, Yeah, they're waiting ship.

Speaker 8 (47:37):
And then if that shi it ain't just cool or
even that mom means you gotta go, you gotta go over.

Speaker 2 (47:43):
Damn what don't kill you already?

Speaker 8 (47:48):
It's bullshit.

Speaker 23 (47:51):
You're already looking down waiting talking me and you and
Cale for keeping it keeping that that run going, bro.

Speaker 6 (47:57):
Like, because like you said, we followed the story. We
knew what was going on at the time. But then
like you said, I see you, I see you. It
was like how you said, it was.

Speaker 2 (48:09):
Like old ship.

Speaker 6 (48:11):
These niggas do this ship for real. And not only
do they do this ship for real, these niggas are
while they who they are real. When you speak of
the rich kids, it's like some temptation.

Speaker 2 (48:24):
Ship when it comes to the City Group era, because
that was a real era, bro that like, I almost
like to see something years them nigga was on top
then tire. It was never nobody. It was a couple
of schools that had it, you know them savage it had.
They run was a good little run, but it was like.

Speaker 12 (48:46):
We ain't really get our run too once we got out.

Speaker 2 (48:48):
Of high school.

Speaker 18 (48:50):
Then we got.

Speaker 3 (48:52):
It's just that just saying you be one of the
young niggas that come up in the city and still
had a longevity even though you you're still a young nigga,
you know what I'm saying. Like you you earned your
spot and you kept it, you know, yeah, and you
ain't never let the success make you comfortable enough to
stay away from the music long enough where people was like,
what the fuck school?

Speaker 2 (49:13):
You know what I'm saying, Like you still out here.
Thank god.

Speaker 3 (49:20):
Musically you went like you said, you went from the
from the Truths to the Skinny James.

Speaker 2 (49:25):
Musically you did all that shit.

Speaker 3 (49:26):
But you inspired that rock stars ship, that hairstyle, a
lot of your kid that was that was what was
going for a minute. And just you're able to hit,
like you said earlier, every way. Man, how how you
think you? I mean, I think you kind of matter
answered that because it seemed like you just be a
part of it.

Speaker 2 (49:44):
Man.

Speaker 3 (49:44):
You everywhere, you rock with everybody, So I think you
got your finger on it before anybody else could.

Speaker 8 (49:49):
Man, you had it just always, I guess I always
have been you know, genue.

Speaker 10 (49:54):
You know that should that sound so, but but tell
them the real cause niggas was ain't on you in
the beginning.

Speaker 2 (50:05):
Like you fault through, like.

Speaker 6 (50:13):
You feel what I'm saying, Like, no, bro, he was
like you hated on us a young niggas he ain't
it ain't that. But at the same time, y'all got
to see these in the car.

Speaker 2 (50:22):
You're playing the music.

Speaker 1 (50:24):
Your kids know, your bitch know it.

Speaker 2 (50:27):
That makes it even worse your bitch like.

Speaker 8 (50:32):
Boom man, you look look running them noise.

Speaker 1 (50:38):
Now your mom no north right now you're like, you know,
a nigga in the he don't know this ship.

Speaker 2 (50:42):
You don't. I don't know, you know about yourself? Like yeah,
like it was real, was like that hate until it
was like all right, high school school was like school.
Do you think it was just like some high school ship?
You think it's just just okay? You know, I feel
like and.

Speaker 8 (51:01):
Definitely like he said, when personal ever, like like.

Speaker 24 (51:05):
You said, it was competing, Like you know what I'm saying, Yeah,
I think that came to age anyway, and that with
that time they came who's.

Speaker 8 (51:16):
Off the porch?

Speaker 2 (51:16):
And we come from but we can't we come from
a fight. They probably got to them point.

Speaker 8 (51:23):
They probably got to that point for real, they probably
got that point.

Speaker 2 (51:27):
Better not know what's up in this house.

Speaker 6 (51:29):
But like you said, every school had their own crew,
and we came from a fighting aro. So like you said,
nigga fight on stay before fighting in the crowd.

Speaker 12 (51:37):
Like so it was like your crew had to be
that ship like you could come perform and do it
like Bro nigga get.

Speaker 2 (51:46):
Tried, a nigga punched, you know what I'm saying, just
jumping on stan like work got our way, you know what.
Ship like that.

Speaker 6 (51:57):
We were just wow back then, Bro nigga be forming,
it'll be crazy a nigga, a group will be performing
and some niggas just come on.

Speaker 2 (52:05):
Stage and take the mic from him.

Speaker 8 (52:06):
Yes, yes, this is I was just saying, uh, folk
with folk taking the mic, nigga might they might?

Speaker 2 (52:14):
You know how you know you know when you see
the drunk, the the too drunk partly the sometime man
I'm talking about, but this say the too too drunk part.

Speaker 25 (52:21):
He just on board ship right walk to he he
he in the back of the club. You walk to
the damn stage. They mother ain't packing there. You walk
all the way to the stage that'll.

Speaker 1 (52:31):
Turn around throwing up whatever you throwing up.

Speaker 2 (52:34):
Like making sure everybody see you do all this in
front of a nigga like you doing that type of
ship like like yeah, like say some say something me,
tell me get out of the way, right what you
would like ship like that like arrows crazy crazy And
that's why I don't know. I got a lot of

(52:54):
respect that you did for that era and from it,
you know, like so I'm great, Yeah, wellver.

Speaker 3 (53:01):
Gread y'all in here just going down memory lane.

Speaker 2 (53:05):
It's weed and damn that took me out and she
then went down the wrong trigger bring me back coming
back to the best show ship ship.

Speaker 1 (53:20):
Come on, Oh you ever had a we go down
the wrong indeed?

Speaker 2 (53:23):
Ship went under all yodo uh shaven game smag gah. Yeah,
run had a run. That was a good run. We
got down linked over down. Yeah that got damn small gang.

Speaker 25 (53:43):
Redhead type hey man, because I ain't gonna like they
need they needed that little help though.

Speaker 8 (53:49):
Ben Rick kids on the corn god damn who he
was on some punch punch.

Speaker 2 (53:54):
And ship was making because you know how his music
was good.

Speaker 12 (54:00):
That what made it bad because music was actually good
and it was.

Speaker 2 (54:03):
Like ooh hear that last this man And then they
were coming to this, but it was like that was good,
but he put some menities on his Nigga was like,
I like.

Speaker 8 (54:20):
Y'all the good DUDEO, I fuck with it, but I
like the limitities.

Speaker 2 (54:23):
And when y'all came with the y'all ship, bro, I say,
but that had Loanta rap. She was had big. They
had to beat up. We ain't know nobody everybody that
that uh we happen to Atlanta? Oh that's you and
the remix to Atlanta. We got both videos what happened
to Atlanta? Those songs out? What you're thinking that motherfuckers

(54:44):
just swear it from Atlanta? Man, you feel.

Speaker 4 (54:47):
Last y'all that rap Stone Mount, that rap storm Atlanta
from Stone Mount, I will say, you'll from Stone Mount.

Speaker 2 (54:58):
That ain't the East Side.

Speaker 1 (55:00):
I don't know, but I guess they count everything in.

Speaker 2 (55:06):
It came, came, and then knock came and then that thing.
But I just want to be real, man, y'all got cities.
If I was from Lafoni, I wouldn't.

Speaker 6 (55:20):
Literally, I would say I wouldn't because you know I
would get so much respect from.

Speaker 2 (55:26):
Come put on the map enough yes and won't.

Speaker 6 (55:30):
Man, it was a difference wheen you, Cause now I
can be you could differentiate me.

Speaker 2 (55:36):
And I can also stand out. Now Atlanta fuck with me,
but they know I'm from I ain't too far but.

Speaker 3 (55:42):
On real enough to say, bro, like you who're gonna
be like man won't.

Speaker 2 (55:50):
When you put a nigg up on your city.

Speaker 6 (55:52):
So when you go out of town to go somewhere,
I'm from Thornia home where that farm. It's I skirwt
you right there in Atlanta's riding around the corn.

Speaker 2 (55:59):
But I'm from I ain't from Atlanta because Atlanta cold
with a lot of ship. What side from you? What
side you from? What zone is calling? What school you
went to? What count are you from?

Speaker 6 (56:09):
I'm sure Atlanta, Nigga, Atlanta fordy counter of aps, Yes.

Speaker 2 (56:16):
All the way through, all the way to all the
way in and that sir, No no outskirts, shall I say? Yeah?
Foods down you yeah, free line. You ain't have foods
down you were paying first phone them with full fold, sir,
m hm. You were differentiated by here your cold in man,
and get the goddamn yeah, stop playing with it. The

(56:37):
peanut butter and jail sometimes. Yeah, Colon Jones, I'll hear you,
little milk too.

Speaker 3 (56:47):
I mean, I just can't understand because I live on
the outskirts and I still live in Atlanta.

Speaker 2 (56:53):
Go ahead on the top of my.

Speaker 1 (56:54):
Draft weights two steps, I guess where I be at.

Speaker 2 (56:56):
Well, yeah, if I go lit niggas, I can get
off the top of my draft like this. So you
wann't afford the county nigga that may be in Afell.

Speaker 1 (57:10):
That's what I'm telling you is still from Alfarella.

Speaker 5 (57:12):
I ain't from place. I'm from Mississippi.

Speaker 3 (57:17):
You're talking about it, not claiming where you're from a
lot of niggas getting me go anywhere.

Speaker 2 (57:22):
And say ain't from Mississippi. Gonna turn up. Oh there's
gonna be some slow set.

Speaker 1 (57:27):
Said he ain't from Missile Slipping.

Speaker 2 (57:29):
No more.

Speaker 24 (57:32):
Nigga.

Speaker 2 (57:33):
Change what that niggas say you was from? Alfreller said
he don't play with me like that. I'm from Mississippi.
That's all the fever.

Speaker 6 (57:42):
But see, even though I'm Atlanta nigga, if I meet
somebody else that's from a different side of time. But
why I fought with Joe the bree and he'll quick
to say that he's from Griffin.

Speaker 2 (57:50):
Okay, he'll let you know like y'all fought with a
lot of strong cock. I got a lot of nigga
from griff. Don't you get it twisted? And I'm like
I was. Now it's like you want to go to
you hard about this ship.

Speaker 3 (58:06):
Though, man, I would one time my niggasity. I live
in a book head This nigga DC walked off. That
ain't no mother fucking met me.

Speaker 6 (58:14):
You tripping, I repected, but she downtown still confused.

Speaker 2 (58:21):
Me to the day.

Speaker 8 (58:26):
You was a g P And right now I'm out
my drink from else.

Speaker 2 (58:33):
I still here the GVN two two you drove me
off anywhere on the wind shide. I know I get
home big, it's three. I'm talking about it deep.

Speaker 1 (58:48):
I'm talking about it deep.

Speaker 2 (58:49):
When you start going to the neighbors three as why
He's like a lot of.

Speaker 6 (58:58):
You on the self might really abood, right?

Speaker 1 (59:04):
What SI for real?

Speaker 2 (59:07):
If you want to be telling what you say all
that ship all that, Yeah, I mean.

Speaker 6 (59:13):
But once you go on one ship, you technically you're
getting the point.

Speaker 2 (59:18):
If you ain't on came to you want to be
for real everything.

Speaker 6 (59:24):
We just ain't any country if we ain't needy country
to make it seem like we ain't in the country.

Speaker 2 (59:31):
Nigga, you want time old, but you for so you
know on the west side star alright from where anywhere?
From no west if you're coming from down now.

Speaker 1 (59:44):
I'm talking about on the two eighty five stad.

Speaker 2 (59:46):
What you say? What you say of three exits on
to eighty five? If you do when you got here
on the south what you saying?

Speaker 6 (59:59):
You know that KK you gotta go through Cano to
count But once you get the counter, get what he's saying.

Speaker 2 (01:00:05):
Balls, but that's too eighty five. You ain't hit I
twenty West, Okay, well.

Speaker 8 (01:00:15):
Four street like now when you get there, Now, when
you get.

Speaker 6 (01:00:20):
I'm gonna tell you what exactly when you go from
the seventy five eighty five like you can go south
or you can hear that right about like you about.

Speaker 2 (01:00:27):
To go for them very in Yeah, okay, you just
said nigga said this.

Speaker 3 (01:00:35):
Nigga named the same three exits you added in the
state twenty twenty was already.

Speaker 2 (01:00:41):
You got hamm A T Home K West and you
got Donald Hallway.

Speaker 6 (01:00:48):
And then when you packed on all of those regular
and streets talking.

Speaker 2 (01:00:57):
Color roll that what's that's coming up back of how Wood? Wrong?

Speaker 8 (01:01:05):
Side.

Speaker 2 (01:01:06):
That's why we keep coming up Boulting Road. Where the
you be without Condrad? You go you wrong down the way.

Speaker 17 (01:01:15):
You went to the left, Yeah you went out, Yeah
you went up cond You're still gonna have no he
went out of a boat. They went down south, had tweeting,
went out south from roll because they.

Speaker 2 (01:01:35):
Could have left you probably right. So I was going
right to the left without.

Speaker 3 (01:01:42):
And if you keep coming down how they would road,
you'd be right there and got damn snow with all
the crime that happens it exactly. But if you keep
going all the way down motherfucking bolting room, you will
be contra.

Speaker 2 (01:01:59):
And mother bla toun like cop.

Speaker 6 (01:02:03):
They like to try to say Cod County on that
point is the west side, because it's I twenty wigs
no that she stopped.

Speaker 12 (01:02:09):
And now you in Cobb County and your just share
a motherfucking interstate with us.

Speaker 2 (01:02:15):
You see what I'm saying. I'm saying like now you know, baby,
look you don't talk about I used to get the
baby talk off on chattering. We mean time. This is
show right talk that way to.

Speaker 3 (01:02:41):
Like you.

Speaker 6 (01:02:43):
On the west side, because you're still in Atlanta.

Speaker 2 (01:02:45):
That black time to you know what I'm saying, Oh
my mom from ball blad time chatterhood, see how that
was too far from me? That was not my juridiction. Uh.

Speaker 1 (01:02:57):
I think the west that big g grandit on the
west side of.

Speaker 16 (01:03:04):
A kind of we ain't going to another end going
to the north side? Drive okay, nigga? Or where you
where you talking about?

Speaker 2 (01:03:15):
Right? What pidging them used to be at? What is
that neighborhood that my dad from, What is that neighborhood home?
Lincoln Home? If you ain't really a West side nigga,
whould be traveling and going.

Speaker 8 (01:03:26):
Through hoods and hoods you ain't even gonna know that
it's the hood right there?

Speaker 2 (01:03:30):
Don't even know it?

Speaker 6 (01:03:31):
Power Like damn y'all were dumped off close to Chadawhoo
and if you bust that little by midtime, but it's
still on the west side because it's down Bankhead on
the end.

Speaker 3 (01:03:41):
Is the best thing about that? You said, I didn't
live over there every like Pittsburgh over there?

Speaker 20 (01:03:48):
Like what if you if you, if you, if you
want to be taking the river nigga, if you ain't
you want to say, but what you're calling the side
to the south side.

Speaker 1 (01:04:08):
A little bit of away from n.

Speaker 2 (01:04:13):
You're still there's one way that centyfi south Ship from
the very top Sydney. Can you know what I'm saying?
It has Bot.

Speaker 6 (01:04:25):
County telling him that technically Carver Home and all that
over there and John.

Speaker 2 (01:04:34):
South literally on the south side.

Speaker 6 (01:04:36):
That's literally the south side, the south because it's over
there by the way the railroad track and you south side.

Speaker 2 (01:04:46):
It was so said that they kind of segregated, not
segregated us the wrong word. They kind of like section
themselves off John bursh out like of them John burning Off,
John Burst South. They kind of like we call them
the south right on Old Neck. Oh that's the south side.

(01:05:11):
So it was kind of like you know what I'm saying,
but really outside over there side what they kind of
like they kind of like made they little ship like
the zoone.

Speaker 6 (01:05:23):
Three was like you just say zone three if you
want to particularly be like, oh if you from that area,
you're from zone three. That's why he said the south
side like old Nationality, but that should be getting close
to uh oh they're like.

Speaker 2 (01:05:35):
Camp Old d sh Road and all that. You can
tour Marrow and work with all the John Borrow, John Borrow.
Pull up my head, y'all tripping.

Speaker 6 (01:05:44):
John Borrow, You from John Borrow Old National?

Speaker 2 (01:05:52):
You feel am I role if you're talking.

Speaker 3 (01:05:58):
John Old National, Home of the pettious crime.

Speaker 2 (01:06:04):
Oh yeah, it don't even be.

Speaker 3 (01:06:05):
Filing youngish that with some sings around that mother motherfucker
bround my throwing meet at each other, Hamburger head man.

Speaker 2 (01:06:15):
The motherfucker keep so.

Speaker 5 (01:06:16):
Much bush ship going on.

Speaker 18 (01:06:19):
About John some well manet.

Speaker 2 (01:06:30):
Wicked over man winking over that shout out to the south.

Speaker 6 (01:06:40):
I said, we should stayed on the with what we're
doing over here.

Speaker 2 (01:06:47):
That when I got respect from Clayton.

Speaker 5 (01:06:49):
County, that ship't that?

Speaker 2 (01:06:51):
Yeah, no wonder you had to deal with so much
ship afterword. Yeah, man, they didn't.

Speaker 1 (01:06:55):
Clayton County won't even let you be a victim money.

Speaker 6 (01:06:57):
Ship, I said, I said, when I knew the screenship
fucked up, I said, I get I gotta go to
jail forget beat up.

Speaker 2 (01:07:13):
What the fuck.

Speaker 5 (01:07:15):
I'm hurt?

Speaker 8 (01:07:16):
I said, listen, if anybody need to go to jail.

Speaker 1 (01:07:21):
I lost, so I heard the rules different.

Speaker 2 (01:07:24):
If you lose, that's a crime.

Speaker 6 (01:07:27):
God Well for the county got real slapping the hand.

Speaker 7 (01:07:31):
Wrists niggas be thinking that gangs because you in Fords
the county.

Speaker 2 (01:07:35):
You never tried that ship out of your jury. Dish
the loss the country. That's when you get the best
you will find it. Just got I got no budiness
out of in another account, yeah, I got it. I
got the business and come on, black boy.

Speaker 3 (01:07:51):
Hey look we stayed at there at one point was
so good and moving. Once we realized what the fun
was going on. Nigga, you had to get creative with
where you hit the weed. Niggas keep you a soda cad.

Speaker 2 (01:08:04):
That's probably That's probably one city. I just do not
like driving in. I get so with you everywhere they
got this. I could hear the U turn.

Speaker 6 (01:08:16):
I go the long way, I said, I just need
to get back and forward to County.

Speaker 2 (01:08:19):
I gotta go around the other way Card County. No, sir,
I don't want to be in your system. I don't
want to get caught out here. And I ain't even
doing ship. I just don't. I told you a really
got locked up and get beat up. I don't know
how y'all play straight showed me and got out there.
These motherfuckers.

Speaker 3 (01:08:38):
I think Coyle County got the petties police. You know
the way to the crib, you'll see the police posted up.
These motherfuckers do ship like they'll get behind follow you
all the way.

Speaker 5 (01:08:52):
To the crib.

Speaker 12 (01:08:53):
Just couldn't like pull you over in front of your
whole motherfucking house and ship house and get right in
front of your fun.

Speaker 3 (01:09:04):
I came back many man, I had to go to
work forgot my work shoes. I was at the stop
like he was at the stop like I went busted,
bust a little you turn in the call to say
he did the same. Ship got behind me, got on
my street part. He got out the car.

Speaker 2 (01:09:21):
He's like, get back in the car. And I was like, man,
what I gotta get my work shoes.

Speaker 5 (01:09:24):
Get back.

Speaker 2 (01:09:24):
That motherfucker came grabbed me. Tho in your yard, in
my yard. I was at to holland I was like,
somebody do something. It was like like wheople came up.
That's why he was on the dude about that, y'all.

Speaker 5 (01:09:48):
This is accumulated nigga like me dir.

Speaker 2 (01:09:56):
The car. They know you said. They just be like
stay out our wait, MoMA, focus.

Speaker 16 (01:10:02):
Driving right, drive right like hey, smoke blood up, smoking down,
ain't no more.

Speaker 5 (01:10:17):
You roll my window. Who had the smoke coming out
of the window. I support the.

Speaker 2 (01:10:26):
Deal with the bush.

Speaker 3 (01:10:26):
Yeah. When you see them and they're going to do
some police ship and they speeding off fast and then
got the lights on, but they ain't made the sound yet, that's.

Speaker 2 (01:10:35):
When I be like, go get them, dirty motherfucker.

Speaker 3 (01:10:38):
The nigga be breaking the biggest support I know when
they got damn get behind like getting halday jumping.

Speaker 5 (01:10:45):
Niggas going the opposite. I'll be talking.

Speaker 2 (01:10:50):
When I ride without the license. Man, I used to
jump behind the ass when they doing that, doing right
what I'm going. You're trying to go to jail. They
going on that man just going on. You know, you
can't rap behind nobody. You can't like and they doing

(01:11:12):
whatever they I'm going on through the like I did
that ship one time with the ambulance. But the ambuland
got them things. Get off from behind. That was going there.
I'm jumping. I'm going with that truck truck.

Speaker 3 (01:11:35):
I used to get.

Speaker 2 (01:11:38):
Ambulance.

Speaker 8 (01:11:38):
I used to get right behind him, got on the
in the car, get off from I just heat.

Speaker 3 (01:11:43):
The I mean, I feel like you always if they
try to pull you over, like was there you got
flashes on.

Speaker 5 (01:11:50):
You gotta like you're family. Get behind me.

Speaker 2 (01:11:54):
They definitely caught me like that. I got pour like
that man that sing north. Where you talking about that
split it? Well, you can go south where you going
north to the east side. I'm going down the north ramp. Man,
I'm coming down the motherfuck man. Mon the mother fucker stoplight.
Literally like traffick just came to a hope. I'm like,
what the fuck' on? Sleepy here and I'm like, man,

(01:12:19):
let me push it, let me push it onto it.
I got to go right quick right here, right man. Hell,
I'm laying come to that motherfuck center. I'm like siting
a little minute. I'm wanning to come to that mother
for I get over there with the head got got down.
I don't know I went past down there. Exy right man,

(01:12:40):
they mom, they get they get over. I'm looking at them.
They get over and say shit, I'm gonna get over.

Speaker 3 (01:12:45):
Man.

Speaker 2 (01:12:45):
When I'm thinking about getting older, I pad the police
ain't got to get right right man, pour your ass over.

Speaker 6 (01:12:53):
I need that the Mercy Lane. One time I said,
I feehet the Mercy Lane. Got all the way down
a the merchy Land, NY police sit right there.

Speaker 2 (01:12:59):
I'm like, and you know, traffic, these niggas asshold get
me nothing, Let me get a little.

Speaker 8 (01:13:10):
I'm still lea get out of the car, walks about car.

Speaker 2 (01:13:15):
I'm trying to get over.

Speaker 24 (01:13:21):
I didn't ride up.

Speaker 2 (01:13:25):
I don't never really get away ship.

Speaker 3 (01:13:27):
But one time I got pulled over in the h
OV laying out by myself in your car, bro getting
the fun out of the traffic.

Speaker 2 (01:13:35):
You can't do the trick. I told you. I'm telling now.

Speaker 3 (01:13:37):
When he came to the car, he said, you know
you're in the ho being lady, and you ain't got
no passage. I said, man, I thought this was taken
to the airport.

Speaker 2 (01:13:59):
Just had the road to that. I'm thinking, I'm going
to the airport.

Speaker 5 (01:14:03):
He bought the ship.

Speaker 2 (01:14:03):
He was like, no, you gotta get you.

Speaker 5 (01:14:07):
It will take you, but you can't ride this land.

Speaker 2 (01:14:10):
I was like, oh, I thought it was coming up.

Speaker 3 (01:14:11):
I didn't know that's what the nigga's a while as
a while.

Speaker 2 (01:14:17):
That was because this nigga.

Speaker 3 (01:14:21):
Because had a Mississippi license. I'm a Mississippi. I don't
know you know how these big roads work.

Speaker 2 (01:14:28):
I just see that nigga. Get us out some ship
works words. Work the hell out of that.

Speaker 5 (01:14:37):
Hey, hey, you know you got thirty days.

Speaker 3 (01:14:39):
What you like?

Speaker 2 (01:14:42):
You live here now?

Speaker 5 (01:14:44):
You live in here, be careful.

Speaker 2 (01:14:48):
Going they help up.

Speaker 1 (01:14:55):
Hey, I'll tell you another thing too. When you when
I pulled you over, don't ever come across four lanes.
You went through the fall lane.

Speaker 2 (01:15:06):
Now because you know the HOV you can't cross the
double white lane. I mean hitting the beep behind me.
You know you can't. You can't ride over.

Speaker 3 (01:15:14):
You can obey the police too much. The niggas pull
you over. You pull over to god the wh.

Speaker 2 (01:15:22):
Yeah, but when you rout h O even seen the
light that and not come past. I'm going girl, But this.

Speaker 6 (01:15:27):
Is for anybody who in the h O V lanying
you by yourself.

Speaker 2 (01:15:30):
All you gotta do is pull the seat bill over
and hold it. I'm not going for that and ride.

Speaker 1 (01:15:42):
So when people look all they see the seat going
across the seat. They don't know how ain't the person in?

Speaker 2 (01:15:47):
They just see what the seat is this Wait a minute.
They might be laying back or they could be They
could be laying back. They could.

Speaker 26 (01:16:01):
Here's a smaller person, you know when that when let go,
when they pull you over, they trying to fake it.
You know why I pulled you over?

Speaker 2 (01:16:18):
When they you know why I pulled you over?

Speaker 3 (01:16:22):
You gotta say some ship that you know they didn't
pull you over for.

Speaker 5 (01:16:26):
It was that damn break.

Speaker 26 (01:16:27):
That's exactly why.

Speaker 5 (01:16:34):
To break, like work, give.

Speaker 2 (01:16:35):
Me something else.

Speaker 5 (01:16:36):
I got no what is.

Speaker 2 (01:16:39):
Talking about? When I switched lanes back then I did
the dude cut me off. You ain't get I rolled
my window down and speaks to him as.

Speaker 9 (01:16:47):
He walked up opposite, to let you know that you
ain't got.

Speaker 2 (01:16:51):
To worry about me. I'm having a good ding. How
about you? All right, I'm gon move to whatever you
need some.

Speaker 3 (01:17:00):
Ship that don't exist. One time, he said, you know
why I pulled you over? I said, my daytime tag
light out.

Speaker 2 (01:17:07):
He said, I feel like that's dumbing question. Bro, you
know what I pulled you? I really didn't know what
to say because.

Speaker 6 (01:17:19):
Right on, you know why I spoiled you over, like
I volunteered for you to say, Hey, you think you
get behind me?

Speaker 2 (01:17:27):
Pulled me. I need to ask you so, I don't
know why you pull This got something to do with
he mission.

Speaker 3 (01:17:36):
You seen where the nigga pulled a nigga over the Tesla,
and he didn't know that the ship had the screen,
and he told the bigga, you can't hear your I
pad up there like that.

Speaker 2 (01:17:45):
You need to take that down. I feel like they't
got I can have an I pad in my song on.
It's not it's not an I pad, I know.

Speaker 6 (01:17:54):
But even if I wanted to have my iPad on
my vent like it is.

Speaker 2 (01:18:08):
Man having that screen or ship come watching pouring on
them ships and you could see it through the car
that was remember I got.

Speaker 5 (01:18:20):
Dude.

Speaker 2 (01:18:20):
He just asked me how much that pay for my call?

Speaker 4 (01:18:23):
No?

Speaker 3 (01:18:23):
Huh, yeah, what was your old your first invite that though,
because motherfuckers want to see the car and police will
do that.

Speaker 2 (01:18:33):
When when when you got a nice old school around. Man,
I don't been willing the damn driver on the road
like I'm talking about on the road to a show
probably like three hours away, right, Bro, this pulled over
ten Willard.

Speaker 3 (01:18:49):
Bro.

Speaker 2 (01:18:51):
He was just not a car. It's not an officer
of the law at all. No nowhere the man man
turned her lights on. Pull on, man, I'm in the
back sleep like we're going to a show. Were on
the way back from the show? Man, your driving last bro,
I remember that get up there after the checking Nigga line,

(01:19:12):
after the white truck, there was a white eighteen wheeler
bowl like after the mock Stock rough. He pulled on
the side of the roll waterfucker, get out, put it
good on the one run up. Oh look, if you
sure telling that stort no long. We ain't say no, dame.

Speaker 5 (01:19:28):
I think we're good.

Speaker 2 (01:19:30):
You've seen when sne a movie and sometimes that light
on the eighty five South show.

Speaker 3 (01:19:37):
Sometimes these never actually happened, that good person, that's real. Yeah,
that's when I jumped out the motherfucker. Then I was
like Puck the magic dragon bitch, and then hold on, man.
He pulled, buddy over, Why you bring it back up?
Because the secured away you bring it.

Speaker 2 (01:19:55):
Motherfucking light in his car? He he the drive, but
he you know how some drivers come with both their
security and right, that's all. So he was the drive
a little and.

Speaker 8 (01:20:10):
The lights, all the lights, and it was in a
black on black Listen, you.

Speaker 1 (01:20:15):
Can anybody over with any lights.

Speaker 5 (01:20:17):
That you can get off.

Speaker 3 (01:20:22):
Kid.

Speaker 2 (01:20:22):
It don't matter. Man, these mother it's new technology. All
they need you look like that. I told him, man,
ain't need to drive, right, He literally did all that.
Just tell the man, bro, road rage.

Speaker 5 (01:20:39):
Right then you fired him in your.

Speaker 2 (01:20:40):
Man Jay fired his jig. Drive them from now on.
You haven't seen your road wars. You was on one
of them. You just ain't know it yet. Poll your
motherfucking as my later. That's how you was telling him
pull over to And that's all he said to him, Bro,
just when I ain't pulled over because that ship, he
just said, I ain't. Man, you're all over the fucking place.

(01:21:02):
I can hand the wonder bro, like we're all over
the fucking plaights. Bro, can't go out of lights he had?
Did they sound like they was something? Because I had
a nigg who had some like he had a sign.
I told that bitch because the ship is all. That
ship was sassy. We had a.

Speaker 1 (01:21:19):
Siren and white and red lights.

Speaker 2 (01:21:22):
Bro, I gotta stop y'all from telling this. God damn store.

Speaker 3 (01:21:29):
Wasn't nobody moving out of the way?

Speaker 16 (01:21:36):
Said it was like a nig like security niggas.

Speaker 2 (01:21:43):
But he's like, you know, I got lights and you
want to know. I said, hit the light. It was like, man,
you gonna move that. They can't just be doing that
ship bro, like.

Speaker 6 (01:22:05):
Yell like take Me and deck Man, ain't nobody moving
out out?

Speaker 5 (01:22:09):
Sound like Jeffrey Osmore truly?

Speaker 2 (01:22:14):
What's next? Man?

Speaker 5 (01:22:16):
Uh?

Speaker 2 (01:22:16):
Actually right? And drop Man Sleeping Giant? Okay, yeah, okay,
that's what you some of what you play earlier. Yep,
uh that's my next compilation of work. Let me see
Sleeping Giant. It's kind of like a uh brought two
different worlds together in my eyes, Oh boodle, blessed to

(01:22:39):
beat And this uh producer being a game for a
while named Troy Taylor, and he, you know, he made
me challenge myself. You know, I don't really to to
take I'm hearing as to the people just talking to
me or telling me what to do in the studio
right on that, So I I had to break out

(01:23:00):
of that like you do can hit you as an artist. Yeah,
but he he like made me like he challenged me,
and he telling me like I'm talking about to the
point where all the way down to the no, I
don't know that doesn't sound like schooling fifty times. I
don't sound like school is one of these fifty times?

(01:23:20):
Got damn right?

Speaker 3 (01:23:21):
Right?

Speaker 2 (01:23:21):
I do it fifty two times?

Speaker 5 (01:23:23):
Right?

Speaker 2 (01:23:23):
Tried two more times? Cause you gonna get it right.
Uh you giving me? Nah, you ain't giving me. You
ain't giving me school like like that. So I had
never been challenged. Yeah. So like and the s the
songs that I did with him, that like, they sound amazing.
I sound different. I don't even sound like myself, you

(01:23:44):
know what I'm saying. And I ain't talking about I
don't know. Usually no special fasts like a motherfucker no
look like just a whole different base, like yes, like
different approach. He took them all like are usually died
from making me stretch this more. I'm using it like
like I never used this more fucker you know. Coming

(01:24:06):
in here, you were saying like man, you know. So
it's like it's like Buddha blessed beat, you know, he
more he make everything, but he more like you know,
hip hop side like that type. And Troy's Troy's songs

(01:24:31):
like they're more R and B like in my real
R and B bad. So I just put them. We
kind of put them together. And it's like the title
was kind of like speak for itself coming I feel
that way about myself. I ain't been dropping like I

(01:24:53):
was supposed to. I got a history of pausing in
between when I dropped, you know what I'm saying, So
I felt like I am who I am, So they
can't take that from him. So I'm I just been
sleep I just been chilling, sleeping giant, you know. But
it's trying to wake up and sad, independent, independent line

(01:25:15):
that ship. So that's the next my next thing.

Speaker 5 (01:25:20):
Damn.

Speaker 2 (01:25:20):
I'm trying to come back to back like after that,
like more consistency, like I'm trying to come back to
back as mean as well after that, mmm, probably west
Side Legend after that, you know, well, you know we
need you on one more thing, though, We need you
to do one more thing.

Speaker 4 (01:25:34):
What do I do?

Speaker 1 (01:25:36):
We need them more eighty bad, gotta have more shot.

Speaker 2 (01:25:38):
I'll come back. You got to.

Speaker 3 (01:25:42):
Did We just wrapped up season three, but we gotta
get We gonna have another.

Speaker 2 (01:25:47):
We gotta add another day.

Speaker 5 (01:25:49):
Yes, sir, Wayne going with you probably you gotta do
like you man.

Speaker 2 (01:25:54):
I appreciate that. Yes, sir, please beat the four repeat, Yeah, yes, sir,
please bring me bring me back. Please, we'll we'll do,
we'll do.

Speaker 5 (01:26:06):
But did ship go crazy because you could just do the.

Speaker 2 (01:26:09):
I was in love that ship ain't gonna know. Then
I'm damn there, Like I'm damn there, like bro that
ship there there, like the band and ship went with
the clothes and they had on you never you ain't
never did no band when you did a live perform. Yeah,
I had, I had, I think I then we do
hours before we went and did that. Yeah, I had

(01:26:31):
them my album, uh, my whole album, a whole the
fe right before I came here. Od though, like it
was still fresh. You didn't get know what I'm saying,
So you was the next it was the probably after
that wasn't my ship right? That was that I had
went to and did it. Yeah, we damn sure appreciate that,

(01:26:53):
but bring a whole little field on. Yeah, let's season
three and a half. That challenged me too, liked my
whole album. That challenged me, Like we just dropped live.

Speaker 5 (01:27:04):
Don't tell me the seasons and season.

Speaker 2 (01:27:06):
The season of seasons.

Speaker 3 (01:27:07):
So if we get school to come and then we
had our others, you're gonna make it season three and
a half.

Speaker 2 (01:27:13):
We'll drop the whole regular season three and then it's
like a bonus it like a bonus episode of season
that's like extra season, extra season. You know how when
they be like you want some sauce on the side too.

Speaker 5 (01:27:24):
I want some extra season.

Speaker 2 (01:27:25):
I won't trying to see you so you're only some
chicken wing butting for sure extra season. What's your social
media school so they can high uh pretty much on
all social platforms s B, underscore school s k O

(01:27:48):
O L Y man Twitch? Man? Are you twitch? If
we kind of got our own, we kind of got
our own little world, our own r P.

Speaker 3 (01:28:03):
We're gonna get with you because you know we're about
to jump off of eighty fist South gaming team.

Speaker 2 (01:28:07):
That's gonna be hard. We'll be on the g t
A man.

Speaker 5 (01:28:10):
We need, we need.

Speaker 2 (01:28:12):
Doing this on the sport. I ever played position game
center field, got on play right field, but I.

Speaker 8 (01:28:24):
Was running this.

Speaker 2 (01:28:25):
Yeah you do you think you're gonna run on me?
All right?

Speaker 5 (01:28:29):
All right?

Speaker 2 (01:28:30):
I want you going third base though, DC. We we're
gonna be baseball. I can go get it. I'm gonna
tell you I'm being right here. I want to third ba.
Bit you don't get there before the ball.

Speaker 3 (01:28:42):
Get back to this g t A ship. What'll man?
Im still figuring?

Speaker 2 (01:28:46):
It gonna be a shot shot r P man, y'all
get with it.

Speaker 3 (01:28:51):
Man, We're gonna get online and link up and really
get on this ship because we already got it set
up out here in the lobby where on all the
TVs and.

Speaker 2 (01:28:59):
Ship under start. Geta I said, you want to do nigga?

Speaker 5 (01:29:11):
You got something dropping soon? Oh?

Speaker 1 (01:29:13):
Here?

Speaker 2 (01:29:13):
Yeah? I got so many TV movie whatever. What's what's up?
Nigga's got some movie dropping.

Speaker 6 (01:29:18):
I'm wanna say I always in h another criminal movie
with Edi Murphy in the end of the year.

Speaker 3 (01:29:31):
Yes, podcast, you know what it is. Go check it
out and where you can listen to podcasts. H Yeah, man,
I got a couple of pilots in the works and
a few other things. I think I'm about to get
back to work on set. Uh, you know, on some
writing stuff.

Speaker 2 (01:29:45):
So what's up? Most definitely they busy, most definitely. I've
been working on some some new things.

Speaker 3 (01:29:54):
Also did some voiceovers for the new season to Rescue
Now One one hard No, but it be hard if
they brought it back. I got some ship coming, bro.
We're working over the big TV shows popping.

Speaker 8 (01:30:15):
Uh.

Speaker 3 (01:30:15):
And I might you know, win Nigga of the Year
this year. They did hit me and I'm up for
Nigga of the Year. My name is in the hat
for sure.

Speaker 2 (01:30:25):
Yeah. So I got.

Speaker 3 (01:30:28):
Nigga of the Year Awards the Nigga Awards Association, sponsored
in part by the nuble A c P.

Speaker 2 (01:30:38):
And Everything Black.

Speaker 1 (01:30:41):
We got the money for some white folks to do
the warshop.

Speaker 2 (01:30:44):
Okay, I like I like that, Yeah, because like they down.

Speaker 3 (01:30:47):
For the culture and they want to see us have
the finer things in life. And plus I kind of
wait till they got drunk in a guilt tripping.

Speaker 2 (01:30:53):
Yeah, we take recorations in many far is that wait
until they got it, made him feel bad, came up,
give me some of that money. That's the angle that
you have to take.

Speaker 3 (01:31:11):
You can't make them feel bad about what their granddadd
and them did. It's gotta be more pop.

Speaker 2 (01:31:18):
Did.

Speaker 5 (01:31:20):
Yeah.

Speaker 3 (01:31:21):
So you know you gotta you gotta hit it on
somewhere that's unexpected. But the one thing that I did
learn from the white people though, is when you get
their money, you supposed to buy you some ship that
can make you some money.

Speaker 2 (01:31:32):
Facts.

Speaker 3 (01:31:33):
Don't just get the money and spend it. You gotta
buy ship that will make you money. And the money
that your ship make that's your money.

Speaker 2 (01:31:40):
Facts.

Speaker 3 (01:31:40):
You use their money to slowly pay them back while
you're stacking your money.

Speaker 2 (01:31:46):
Fact, you put your money up and.

Speaker 3 (01:31:48):
Then you keep letting you you know, your income stack
on top of the money that you borrow from them,
and then you took it and then you bought some
ship that made you some money. Because then you take
that little money and then you do it again and
then you next thing, you know, you pay everybody man
the money like money.

Speaker 2 (01:32:04):
But that's all.

Speaker 5 (01:32:06):
And when you.

Speaker 3 (01:32:10):
Know game in between the bullshit that I be saying.
But I gotta cover it up so they don't know
that I'm spending game on here. So watch this, titties,
so they can say that's all on.

Speaker 5 (01:32:23):
Tok about.

Speaker 1 (01:32:23):
Hey, what's up that you mean?

Speaker 2 (01:32:25):
Carlos Miller?

Speaker 1 (01:32:25):
And guess what I'm doing October to thirteenth, lem checking
my schedule.

Speaker 2 (01:32:30):
Oh, I've been.

Speaker 3 (01:32:31):
Making Georgia at the Macon City Auditorium.

Speaker 5 (01:32:35):
That's right.

Speaker 3 (01:32:35):
I have my own tour at the end of the
day and it's going down October thirteenth, eight o'clock, making
Georgia making City Auditorium. Carlos Miller. Ooh, grab those tickets
because you know it's going down in the Mactown I
see you up there. But On another note, school it.

(01:32:58):
You know where the funk we're at. I can see
this is your first time come on he eighty Fast
South show every but you know this is the first
time we didn't sit down there and really chopped it up.

Speaker 2 (01:33:09):
Don't want to be the last.

Speaker 5 (01:33:11):
Definitely gonna with you.

Speaker 2 (01:33:13):
Yes eighty Fast Sauth Show DC, You'll fly, Clayton Niggas,
let's go. Really dropped person and voicem mom right

All Episodes

SKOOLY in the Trap | The 85 South Show

Episode Transcript

Hosts And Creators

DC Young Fly

Karlous Miller

Chico Bean

Popular Podcasts

Dateline NBC

24/7 News: The Latest

Therapy Gecko

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}SKOOLY in the Trap | The 85 South Show