THE CREW in the Trap | The 85 South Show |

Chico, Moneybag Mafia, & Karlous kicked it in the trap to discuss the Netflix special, classic black movies, upcoming Channel 85 shows and so much more. You dont wanna miss this hilarious episode of The 85 South Show.

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Episode Transcript

Speaker 1 (00:10):
Jao when just playing me some people there we go,
don't get no white they don't get no white man.

Speaker 2 (00:16):
That's it. She motherfucker. What's that right there? Our head?

Speaker 3 (00:25):
What the basic.

Speaker 1 (00:27):
My sound off today? We ain't got no base? This
sounds real pussy Yeah, base out.

Speaker 2 (00:35):
Jayuen, what the fuck is that? I don't think he
finished it yet.

Speaker 1 (00:40):
No, he's playing this ship on your one.

Speaker 4 (00:42):
Was making the beat, then he went to sleep, then
he went to sleep, then he went to sleep. Jayo
Winn was making the beat, then he went to sleep,
then he went to sleep.

Speaker 2 (00:54):
Then he went to sleep.

Speaker 1 (00:55):
I said, no, Chinko, you might be wrong. It sounds
like he made this bitch on a cellular phone that
needed to be plugged in on twenty percent and was like,
when I get home, I'm gonna finish this bitch. It's
going hard. You hear the claps, you hear the snares.
I'm gonna put something right there. Yeah, I'm gonna leave

(01:18):
that space saying I'm gonna fill it in with some
shit at my place.

Speaker 3 (01:22):
When I get it on that she gonna be on.

Speaker 1 (01:25):
I'm probably gonna play that shit through a microphone and
it's gonna be licked when I balance it out and
put this shit that be listening in that bitch now.

Speaker 2 (01:35):
Hey, tell your men made the beating so player. He
recorded this bitch on a motor roller razor. That's why
you can't hear the base coming through the speaker. Hey,
get this bitch finished the tweaking out shit go.

Speaker 1 (01:50):
That bitch already sounded lean. He made this bitch on
answing machine.

Speaker 2 (01:56):
Damn, that's crazy as hell.

Speaker 5 (01:58):
He made it on the Etches Sketch nigga, and I
can tell.

Speaker 3 (02:02):
No that sounds so swell.

Speaker 1 (02:05):
It's like he recorded on his phoney looking on his
own voicemail.

Speaker 4 (02:09):
Yeah, man, I ain't no hater, but this.

Speaker 2 (02:12):
It sounds great on an eight track.

Speaker 1 (02:14):
Play and nil, let me have it because I'm gonna
make it harder. He made this ship on a calculator
he got from his daughter.

Speaker 2 (02:31):
Hey, man, will ship I just seen.

Speaker 1 (02:35):
He made this bitch on a microwave spring michae, a
wave spring on a microwave rad if he just kept
hitting the eighth in the one sixteen shit goes when
I said you're gonna swell, malar. He made this bitch
on a goddamn manm Roy.

Speaker 2 (02:56):
After this Jay, don't really leave you alone. He made
this bitch on a rotary pon.

Speaker 1 (03:02):
Nah, I heard what you say. He put it on
that phone, the one you got to pay. I had
heard it before. He made this bitch on a bottle
at the LIX store. Is that a hount, No, nigga,

(03:24):
that's a fluke. He made this bitch at the grocery
store over by the fruit.

Speaker 3 (03:29):
Yeah, oh, tweet herd.

Speaker 2 (03:31):
He made this bitch on the Walmart loud figure.

Speaker 1 (03:36):
You think that I'm wrong? He made this beat on
a walk man with one headphone.

Speaker 2 (03:50):
Oh shit, oh man, Yes, indeed we in this bitch man,
We're in this bitch. We are in this bitch like like.

Speaker 1 (04:01):
If this yes, that's how we Yes, Yes, indeed it's
one in twenty three this eighty five way studio.

Speaker 5 (04:11):
But this also is the womb because we're in this bitch. Oh,
we own this bitch the womb too.

Speaker 2 (04:18):
Oh.

Speaker 1 (04:19):
I probably won't look at none of these niggas that
I got in there with me today because they got
their legs out and shit.

Speaker 2 (04:25):
But they didn't know that I had.

Speaker 1 (04:27):
Just got the air fixed in this motherfucker, so it's frosted.

Speaker 2 (04:30):
Help, it's real good. Yeah, you feel me. I feel
y'all ain't dressed for the occasion. That's the job you want.

Speaker 1 (04:39):
I'm just telling the people so they don't think I
condone this type of shit.

Speaker 5 (04:42):
How y'all boys feeling, man? How you feeling what you mean?
How you feeling what you mean?

Speaker 2 (04:47):
How you feeling like?

Speaker 1 (04:48):
I'll try to stay out my feelings. Ain't no money
over there. That wasn't what I was asking. I just
should be reading regular shit in my man. I feel
so real, so trill, like the recipient of a scholarship

(05:09):
out of poverty.

Speaker 2 (05:12):
Yeah mm deep.

Speaker 5 (05:15):
Yeah, that's me right there, scholarship out of poverty, living.

Speaker 2 (05:18):
How I want to yep, doing what you want to?
When I want to being where you want to be?
How I want to be there, however you want to
be there. That's it. Now you feel older? He ain't
gonna answer the oldest on camera. He think you better. Yeah,
I'm otis and uh, I'm not ashamed of me.

Speaker 5 (05:34):
There you go for player, Then you're gonna say that
ship like he was gonna want in the commercials where
they said, now a word from my satisfied, because I'm.

Speaker 6 (05:46):
I'm feeling motherfucking motivated because I watch all niggas on
Netflix last night?

Speaker 2 (05:50):
You did the hell yeah mind you know we watched History.
God damn it, man, I might as well enjoy yourself.
You know your car getting broken into the night.

Speaker 3 (06:06):
I ain't need it like this, but.

Speaker 2 (06:09):
We are.

Speaker 5 (06:10):
You eat a special and you as doing your only
fans content on thing.

Speaker 2 (06:14):
I'm trying to get some more bottle of it.

Speaker 7 (06:17):
Like shake shake, shake, shake, shake, shake, oor bad shake
shake shake, shake, shake, take a whole crowd, shake shake shake, shake,
shake shaking.

Speaker 2 (06:29):
My daddy had me who seised the one where he
nurted brother. Won't nobody in there with me? It was
just me. You was the only parent.

Speaker 3 (06:34):
I was like, so, don't nobody want to come? Okay, shit,
this is easy.

Speaker 2 (06:42):
He's some doing shake shake, shake shake. I'm through smoking weed.
That ship ain't got too strong.

Speaker 1 (06:49):
While you say that because I had the other day,
or as a pregnanty pillow that lay.

Speaker 2 (06:54):
Between the legs, that ain't really a bad idea. I'm
at home taking naps like I'm ten months because it

(07:15):
was only dream. I used to read Word.

Speaker 1 (07:18):
Up magazine, Salt Pepper and Heavy d all in the
limousine hanging pictures of my wall every Saturday. It was
a repetect mister Magic Mally Mall.

Speaker 2 (07:31):
I let my tape rock to my tape pop Come on, man.
I mean I kept playing my tape till he didn't
play no more till he broke. Come on, man, And
you can.

Speaker 1 (07:41):
Always tell when your tape about the break that ships
dug oh slowed down a little bit.

Speaker 2 (07:47):
Yeah, and that ship did pop. What I'm saying that
was the saddest I remember.

Speaker 5 (07:51):
I was trying to not never forget bro I was
trying to catch this one.

Speaker 2 (07:55):
A bond uh separated first came out, and you know
how they permit. He had a song on the radio. Man.
I heard the tail end of it and I was like,
what is that? Nigga? I said at the radio all.

Speaker 5 (08:06):
Day waiting to press play and record at the same
time to record this song. It was like midnight. They
finally played that bitch again. I hit recording the tape Popiga.

Speaker 2 (08:17):
I was sick.

Speaker 1 (08:18):
Year.

Speaker 2 (08:18):
That was because I ain't had no problem. I just
use the CD. You was recording off the radio on
the CD. He was born doing the burning CD era. Yeah, no,
he was I was DVD. My dad was a DVD. Man,
But that don't mean you didn't listen to that. You
think he is thirty five.

Speaker 1 (08:39):
I thought he went to school with flying him, that
he was supposed to go to school at some point.

Speaker 2 (08:44):
But I don't know if it was flying the man.

Speaker 3 (08:46):
I thought that.

Speaker 2 (08:46):
See that Nigga tricked me. What tricking me? I thought
that Nigga was young. I'm firy five. That ain't you
a right? Yeah?

Speaker 1 (08:59):
Right, like you ain't in the middle yet. You just
this your first year of officially being grown all right? Yeah?

Speaker 2 (09:08):
I was ready to start.

Speaker 1 (09:09):
That's what it is.

Speaker 2 (09:10):
Yeah. Oh damn, I thought I was grown there whole time.

Speaker 6 (09:13):
What was it?

Speaker 2 (09:13):
Now you're an adult? Now you're a grown ass man
at thirty five. Yeah, the first year, I know.

Speaker 6 (09:20):
It was because I had to. I had got aught
for my birthday on Thursday, and shit, and I just
offer her fifty dollars. She ain't even want it. I
was like, man, look, go get you something to eat.

Speaker 8 (09:29):
Man.

Speaker 2 (09:29):
You say you ain't got you a little wile ass, okay,
and you just gave her fifty. After we're done, you
put a ten dollars. I just feel too. I didn't
have to pay for it. It was free.

Speaker 1 (09:39):
See twenty five year old oldest would have never done that,
That's what I'm saying.

Speaker 2 (09:43):
That's growth twenty five years old this would you have
done that twenty five to ask her for some money?
You got that duality? Fuck? That is all about growth,
you know, And that's where you're saying.

Speaker 1 (09:55):
How I feel. I feel like motherfucker's been bullshitt the
whole time. Explain Look how that shit happened. You was there,
You know how it happened. And remember all the people
who was telling us they wasn't gonna happen the way

(10:15):
did it happen, and then it happened even bigger than
they said How it wasn't gonna happen, right like, we
succeeded harder.

Speaker 3 (10:23):
Than they thought we were going to fail.

Speaker 2 (10:26):
That is irrelevant.

Speaker 1 (10:27):
But to hear that shit in real life and know
that it was already inaccurate when I was hearing it,
where I was hearing it, and who I was hearing
it from, It's like, no, because.

Speaker 2 (10:36):
You don't even get it. I already know it works
I was working at but now we get to.

Speaker 1 (10:48):
Show the world why it worked, why they love it,
and how like people don't know when they don't when
it's something it's nothing to compare or to, right, I agree,
I mean I think that was the biggest thing. I
think that it was the as far as the journey,
it was the newness and the unconventional nature.

Speaker 2 (11:10):
Of what we was doing. You had, like you know
how people talk about how it's.

Speaker 5 (11:14):
Never been done before, But when something's never been done before,
people don't know.

Speaker 2 (11:17):
How to receive it.

Speaker 1 (11:18):
So hold on listee. That's why I got a backtrack
right now. First of all, I'm grateful and thankful and appreciative.

Speaker 2 (11:26):
You know, if you don't say that, people think that
you don't mean that.

Speaker 1 (11:30):
You know what I'm saying, But that's given already. They
don't know what it to, you know, those moments of
trying to get this shit.

Speaker 2 (11:39):
Right and figuring it out.

Speaker 1 (11:41):
So I appreciate the opportunity to do what we do
because they could have just easily not fucked with it too.

Speaker 2 (11:48):
Yeah.

Speaker 5 (11:48):
But I think that even if I don't think that,
it was an option of not fucking with it, because
we fuck with it so hard, and that comes through, you.

Speaker 2 (11:55):
Know what I mean.

Speaker 5 (11:56):
Like, I think that when people see what we do,
I think that it's a flexion of what we are
putting out, like energy is real, and the energy we
put out and have been putting out has been consistent.
So now, like we were saying earlier, like the game
is shifted to where it's Netflix now, but you know,
ten years ago, everybody was still trying to get on HBO.

Speaker 2 (12:18):
And buying for that, but the energy was the same.

Speaker 5 (12:21):
People were trying to put out something that they would
gravitate towards, but we decided to put out something that
we wanted people to fuck with. And the whatever the
machine is, no matter what it shifts to, it have
to come to us because people, the people made what
we do.

Speaker 3 (12:37):
What it is.

Speaker 2 (12:38):
You know what I'm saying all the way, You know
what I'm saying, But it's for all people.

Speaker 1 (12:44):
And that's what's so dope about it is everybody gets
to see and form their own opinion, right, you know
what I mean, That's the beautiful part.

Speaker 5 (12:53):
I love this shit, Like I can ask like cause
we'd have been in the game together from the jump,
Like there's something that always keep me in And I
guess if you want to use humble as a word,
but like I always think if somebody would have told
us when we was walking up and down here Times
Square trying to send fifty dollars home Western Union that

(13:16):
one day would be sitting here.

Speaker 2 (13:18):
Would you have believed it?

Speaker 1 (13:21):
I feel, you know how my mindset is. I was like, yeah,
of course, what else?

Speaker 2 (13:25):
Though?

Speaker 1 (13:28):
You get what I'm saying because even at that time,
I already knew that was going to be a phase too,
Like that wasn't like it didn't take us long to
realize that even that opportunity wasn't as what it was presented.
It's like, oh, oh, okay, it don't just happen like that. Yeah,

(13:52):
they had to hit the ground running, right.

Speaker 5 (13:54):
But I said, that's why I don't answer the question
where you see yourself in the next five years, because.

Speaker 1 (14:01):
Because it might take you five more weeks to blow
up exactly.

Speaker 2 (14:05):
And it's like, I never limit myself to what my
mind can drum up.

Speaker 5 (14:10):
Because if you'd have asked me that when I was
an open micer at the comedies on the Greensboro I
wouldn't have named half of the shit I've done already.
I wouldn't even have been able to dream up what
God has put into my life that I've already accomplished.

Speaker 2 (14:24):
God and people too. I don't think people get enough
credit and what were God.

Speaker 1 (14:28):
Because you like and to come up doing comedy for
fucking damn near ten years straight before you even do
like anything major that you feel like it's a project,
you know what I'm saying, Like on a major platform,
when those people build you up and they tell you
that shit and they motivate you, and they keep you going.
All the people who say positive shit, who believe in you,

(14:52):
who just run up on you that you've never seen,
that you didn't even know where it knew who the
fuck you were, those people push you to another level too,
cause you get that confirmation, affirmation that you got good shit,
that you have a you know what I mean, that
they fucked with you wherever it is, Like even if
you did some shit that's small and local and you
posted it and they got a thousand views, he running

(15:16):
to eight hundred of them people who literally watched that shit.

Speaker 2 (15:20):
You get know what I'm saying.

Speaker 5 (15:21):
And that's crazy you say that because I was thinking
the other day, just you remember that first Old School
battle we did, the reaction that it got on the
last day of the last season. Now, I mean, I'm
talking about when it actually came, not just you know
when now that you say that, the whole entirety of it,
because on the last day of the last season of
the first you know season a while and now we

(15:42):
shot we did that just off the top, and everybody
was like, hey, man, when this shit HiT's gonna be
And we was just like, all right, you know what
I mean, we don't even know if this is gonna
come out for real. But then when it came out.
You remember you checked the Twitter. I had probably about
maybe a thousand followers at that time maybe at that
I checked my mentions. I had six hundred and ninety

(16:03):
something mentions. After that Old School Battle came out, and
at that time I was like, what the f I
never seen no shit like that before. So that was
the first time that I had ever seen a response
like you was talking about in the masses. But that individual,
like you said, the people that come up to you
that's been seeing you from the beginning today is so
crazy because a lot of those people who would come

(16:24):
and watch me at the Comedy Zone do open mic
was like hitting me today, like, man, this is so amazing.
I've been watching you from the beginning. Man, I knew
you was gonna be something, and those people actually did
tell me I was gonna be something.

Speaker 1 (16:35):
I remember I had did a show I want to
saying like Dayton, Ohio, whichever one of them comedy clubs
where that shit looked like you in the show Toledo.

Speaker 2 (16:46):
Yeah, yeah, man, I'm talking shit. This lady in the
front row was like, I been to nine of your shows.
Somebody else was like, I've been to twelve of them.
And then this white dude who was just sitting.

Speaker 1 (16:58):
There, I've been about thirty five of your shoes. Man,
Who the fuck is that? I'll never forget this shit.
It's just you never know who paying attention, Like who
paying attention?

Speaker 2 (17:11):
I don't know. That should be crazy because now people like,
oh shit, we watching it in Yeah, but they supposed
to have been watching it. But see people, it's like
that attachment, you know what I mean. And you can
have something, but when when a.

Speaker 5 (17:25):
Certain something gets attached to it, it's kind of like,
you know what I mean, getting your product.

Speaker 2 (17:30):
In Walmart, you know what I mean, you can't selling
that shit.

Speaker 5 (17:33):
I mean hand, that's exactly what it's like. We're in
Walmart and Walmart now, like it's like you could be.
It don't matter how good you do it locally, know
how many other stores you had your product? Then once
you get in Walmart and Walmart you know what I mean.
And that's the thing people understand. It's not about how
you when you get into a space like that, It's
not about how much you sell. It's about how much

(17:54):
they buy. I'm watching this shit every day at me too.

Speaker 2 (17:57):
Every day. Every day, I'm gonna watch this ship.

Speaker 1 (18:01):
Even when I'm not watching it and I'm about to
go to sleep, I'm.

Speaker 6 (18:04):
Leaving that ship on the I'm going to call somebody
on twelve o'clock hit in the window, what the going on?

Speaker 2 (18:10):
I stayed up at three.

Speaker 1 (18:12):
They didn't put the subtitles on there, so even motherfuckers
who can't help watch.

Speaker 2 (18:17):
Yeah, yeah, somewhere somebody reading that ship. You put the
captions on this ship.

Speaker 1 (18:25):
Man. We got some people who came here who want
to who want to.

Speaker 2 (18:28):
Read it, and we fucked with them too. I got
some people in Japan watching that ship to caption in Japanese.
They don't give a fuck. They're just looking at us
and like they are so black. They're fascinated by how
blink so fucking black all the way, man, all the way.
They love that ship. Yeah, man, it be the for me.

Speaker 5 (18:50):
It's like the response and seeing how people are receiving something.

Speaker 2 (18:54):
That you know, we've been doing for so long.

Speaker 5 (18:57):
And it's like, it's always crazy when somebody see something
that you've been doing for years and they react to
it like it's never been seen before.

Speaker 2 (19:04):
It hasn't crazy.

Speaker 5 (19:05):
I have seen this ship before, but it's but it's
it's wild to see people who you would have thought
have always been watching it say man, man, and they
can't do it.

Speaker 2 (19:16):
It's undenia. But when it's in Walmart, you know what
I'm saying.

Speaker 5 (19:18):
You can act like you don't see it everywhere else,
but when you walk a Walmart and see that display,
you like, nigga.

Speaker 2 (19:23):
Yall ain't hey, man, I gotta call you man. I
just seen in Walmart. Nigga.

Speaker 1 (19:31):
People haven't watched this ship on purpose?

Speaker 2 (19:35):
Yeah, I don't want to see no niggas turn that
law and order on man. That's crazy, man.

Speaker 1 (19:47):
Shut after all the people who try to know this ship,
but you can't.

Speaker 2 (19:51):
You can't. Yeah, you can't. You can't.

Speaker 5 (19:53):
And that's the beautiful part of it. And I in
watching it, it's like, man, you know what I mean, this.

Speaker 1 (19:59):
Is a mes some of your favorite eighty five South
moments period period.

Speaker 2 (20:05):
Oh my god.

Speaker 5 (20:07):
When you said that bitch wake up in the morning
and flout the window like a turnd actor that ship,
I almost threw up my nigga. That man is so
many bro, it's so many fly as the blow up

(20:28):
doll hemen me and you as the crackheads.

Speaker 2 (20:38):
You when you said the nigga in New York, he said, Bro,
I got the trade. Make him go, fay go find
that New York episode. Man, Oh my god, I mean
it's so many songs.

Speaker 1 (20:59):
Man. When we was in making uh nigga, I was
watching the Tosa episode earlier said were in television put
some toasting, and.

Speaker 2 (21:12):
That Tulsa one when you was like, man, I'm white
when you got to do it? Ay man? Please?

Speaker 1 (21:18):
Man?

Speaker 2 (21:20):
Oh my god, Man, Hey, it's crazy, man, Man listen.
Then Chicago when they had they first had the Auto two.
Oh yeah, oh yeah, that was univers Yeah, that was
something that took it to us.

Speaker 5 (21:36):
I think that was one of the moments that really
for us in the moment we realized in that moment,
like oh, we're doing some different because because it's never.

Speaker 2 (21:45):
Prepared to just break out it song and we never
knew it like he came assuming to you know, I
guess he We had to literally walk through the whole crowd. Yeah, yeah,
you remember this, like the entire crowd.

Speaker 5 (22:02):
That's where that scwed me came from in South Carolina,
Like walking through the crowd.

Speaker 2 (22:06):
Bro. Like, there's so many songs like my My, It's
so many moments that sound track.

Speaker 5 (22:12):
But it's crazy because it's so many that we will studio.

Speaker 2 (22:16):
We're going to belly Nigga and make talk up with
all the songs y'all come up with on.

Speaker 1 (22:20):
Stage, Big Belly Nigh come off stage and just go
remember them.

Speaker 2 (22:25):
Be in New York, outside forever in New York. She's confident,
She's confident them titties.

Speaker 5 (22:32):
Of mine is mine, even though that would never we
never said that one, but that one was classic.

Speaker 1 (22:40):
Yes, is it a lone Loft San Antonio episode.

Speaker 2 (22:43):
I think that's dropped the episode. We got to celebrate.

Speaker 1 (22:54):
We got to give him some ship to let them
know that Nigga eighty five shows on Netflix.

Speaker 2 (22:59):
So I might just have to say, welcome back to
the eighty five that don't never tell me what white
I can't do. Nay, we used to bar that click
pass work.

Speaker 7 (23:20):
On that.

Speaker 2 (23:22):
You that seeing that screenshot.

Speaker 1 (23:24):
Next year, we're gonna have us a too B special,
the TOOB movie coming.

Speaker 2 (23:30):
A too B movie is I'm talking about. We gotta
do a too B movie. I want to do a
low budget movie first. I want them to. I want
the world to.

Speaker 1 (23:39):
See how good we can make a low budget hood.

Speaker 2 (23:42):
Classic, Nigga.

Speaker 1 (23:43):
We need to make us a little low budget as movie.
The call center with a general ass title. Call center, Man,
I'm leaving the call city.

Speaker 3 (23:56):
You ain't thinking that, you see. It's your bloody ass
over there and answering them.

Speaker 2 (24:03):
Motherfucking call It comes big later, my goddamn call center.
Oh yeah, come on up the street. That's his name.
Some strepid men up the street's doing movie where.

Speaker 3 (24:17):
Together need to get a ride up the street.

Speaker 2 (24:20):
That's the whole movie.

Speaker 1 (24:22):
Just call that a big street to do one where
everybody trying to get the gen d together and give
what we're gonna call.

Speaker 2 (24:30):
Yeah, yeah, you said, well the process giving it together,
get us get together ged Yeah, that's it. That's three
right there. The call center up the street and ged

(24:51):
that's three. That's three.

Speaker 1 (24:52):
We can put out right there all the way. Well Mama,
well mama, bro, where Mama?

Speaker 2 (25:02):
This kid? Where Mama? Just where Mama? This the movie.
We're just looking for mama. We don't know where mama are.
Where is mama? Mama?

Speaker 1 (25:12):
And then when you find that there is, she's just
like here y'all looking for me.

Speaker 2 (25:17):
On that's took a whole movie.

Speaker 9 (25:19):
It took the whole movie to find with mama, right,
she go big calls.

Speaker 2 (25:30):
And then you come, everybody forgetting up big exactly, start
and start doing very short. Feel Mary, your feel when Mama,
then you come very short. That's the whole self category.

Speaker 1 (25:41):
We're daddy.

Speaker 2 (25:42):
We'll win everything. When trailers all there, Mama, that's said, hilarry.
Gonna be the movie that ain't never come go well, daddy,
gonna be three minutes. Lord, yeah, what did it?

Speaker 1 (25:58):
Don't ask me about your mother, your dad, ask your
daddy about your daddy. Then the ship just go off
and Mama just going off. Chico beings just a black
mama cussin for five minutes straight.

Speaker 2 (26:10):
They was at the studio and watched the tube movie.
Earlier I caught him. I was like, y'all ain't watched
the tube TV got a series.

Speaker 1 (26:17):
I want to do a series of all this ship
your father wasn't doing when he was not being a
good father. This was These were some of the best
moments of this nigga life. Unbeknown to you.

Speaker 2 (26:30):
You missed my birthday party.

Speaker 1 (26:33):
She go bea wait a minute now, I was on
tour with public interming when you when you were when
he was born.

Speaker 3 (26:44):
You know, I was a rapp in ninety three.

Speaker 2 (26:46):
He man, they got to go over and get rid
of the look let me tell you all the way.
But motherfuckers so short. All they do is go off
show the time to tag man. What's your what's your

(27:13):
favorite though? Now think about it. What's your favorite hood movie?
Your favorite hood movie? Like low budget?

Speaker 5 (27:21):
Yeah, just real, not not the main I got the
Ministers aside, I got the favorite.

Speaker 1 (27:26):
Movie, the one you just did, oh the Dirty Third Yeah,
oh yeah, that's that's what they don't count over there.
My all time favorite independent movie, it's who made the
Potato You.

Speaker 2 (27:42):
Fucking who made the Potato Salad?

Speaker 1 (27:43):
But I would you know, it's like before it was
that one, it was about it. I think about it
is one of the greatest movies ever made.

Speaker 5 (27:51):
White man, you ain't never say something, oh yeah about
it is classes.

Speaker 2 (27:55):
That's one of these motherfucker's been talking to print. I
don't know who it is.

Speaker 10 (27:59):
Could be you, could be you could be you that
mother and me and asked me like, yeah, catch this.

Speaker 5 (28:04):
Yeah, see if you catch the next car wash car
wash from the seventies car wash, Carwa washing Snoop Dogg.

Speaker 2 (28:12):
But me, Nigga, say my name Nigga. You think you
that this the child Nigga car wash is hard. Yeah,
that was.

Speaker 1 (28:24):
The east side of this one too, Yeah, east side
of the Snoop Dogg.

Speaker 2 (28:28):
Oh yeah, yeah, yeah ship.

Speaker 6 (28:30):
What about the move when something the shaka we're doing karate,
Hot boy, that nigga was doing karate.

Speaker 2 (28:39):
Shut the funk up. He was, he was bro, he
was was man. He won that nigga had a dog
Joe and everything.

Speaker 5 (28:46):
That nigga was the first I got the hook up, Yeah,
the first I got the hook up.

Speaker 2 (28:50):
Ball of blocking, ball of blocking ball blah blah, ball
the blocking with.

Speaker 1 (28:54):
That's your problem that somebody needs to beat your head
and yeah, somebody stupid ass up.

Speaker 2 (29:01):
But but niggas sleep on niggas sleep on choices.

Speaker 1 (29:06):
The choices Choices was my ship choices whatever choices was hard.

Speaker 5 (29:10):
It's a man, it's a d C. It's a d
C hood movie. And motherfuckers ain't see that Taraji p
Henson in it?

Speaker 2 (29:19):
What is it? Got it got? Harrison?

Speaker 1 (29:20):
I'm gonna tell you another flex Bring break Black spring
Break is in Larry with Dave run South Boy.

Speaker 2 (29:27):
Yeah, Nixon will be over to night to pick you
up in a limo. Limo you mean littmo z tripping
a good a movie tripping.

Speaker 6 (29:37):
Yeah.

Speaker 2 (29:38):
Three strikes so terrible, they're good. Fat beach, Fat Beach
three strike ship to budget but still classics.

Speaker 1 (29:48):
Classic shot us, you know what, the first low budget
another one that went like the leper cun the first
lepper cut in the Hood Un in the Hood.

Speaker 2 (29:58):
Yeah, that ship disrespect goof goof.

Speaker 5 (30:04):
Tails from the Hood is a hood classic to be too, Tails.

Speaker 2 (30:07):
From the Hood, bro, every mother fucking neglace my nigga.
That let me hate dogs for huh. That movie made
me hate dolls. Yeah, that the necklace.

Speaker 5 (30:17):
But but the scariest one to me of all the stories,
the scariest one was the one when.

Speaker 2 (30:26):
Not abusive step farther.

Speaker 5 (30:28):
Yeah, d but was that was the last one when
the niggas found out they was dead.

Speaker 6 (30:34):
Bro.

Speaker 5 (30:35):
That was when that nigga smacked that nigga with the pacer.

Speaker 2 (30:39):
He was like, whoa, the star said this ship, this ship,
the ship split over here. And when we said this
at first, Crackhead and it ain't the Terror Dome. Well,

(31:00):
I was like, oh no.

Speaker 1 (31:03):
Ben, Crackhead, Hale Barry and Samuel Jackson and.

Speaker 2 (31:09):
No, she ain't nobody fucking with jump because head the mama.

Speaker 5 (31:21):
No, that nigga said, I hate the resort to knocking
old people over the head for money, but I'll do it,
you know, I.

Speaker 2 (31:31):
You know, I like that getting him high.

Speaker 1 (31:34):
That nigga always started dancing when you want my gator,
come on man, head yeah.

Speaker 2 (31:42):
Money TV? Yeah, yeah, the TV gator. You know where
the TV is the mother and the daddy popped into
my made this dad just for you. Yeah, that nigga
pulled out a little ud by. He didn't have the stubber.

Speaker 1 (32:00):
I think that Spike Lee should make more movies like
that because he missed the whole generation. Yeah, he had
be difficult now thought to hear a lot of movies
though that they we just don't know about him that
we should know about thigga.

Speaker 2 (32:13):
We knew about all them other ones.

Speaker 1 (32:15):
I agree, gets back to making them good ass black stories, man.

Speaker 2 (32:19):
I agree.

Speaker 5 (32:20):
And when I was becoming an alpha, my nigga, I
had watched School Days and I had seen it before,
but that ship hit different when they hit different when
you boy, I'm talking about when them and I was,
you know, becoming to alpha.

Speaker 2 (32:32):
So that scene when the niggas was at that step show,
it was.

Speaker 1 (32:35):
The brothers of the Illustrious out Out for Fraternity incorporated
them niggas.

Speaker 2 (32:42):
I was like, Oh, they made y'all learn that ship.
Hell yeah, we did at our approbate. We definitely was
at our probate all the way.

Speaker 5 (32:56):
This nigga here, Yeah yeah that's But what's your favorite
Spike Lee movie?

Speaker 2 (33:03):
Though? I got to say, do the right thing, bro,
do the right thing. That's a class of mine. He
got game. He got Game dark, it's kind of dark.
He got game. Jesus shovel.

Speaker 3 (33:12):
We're looking at me with all left for me. Yeah,
I'm gonna.

Speaker 1 (33:16):
Tell you the one that like resonated with me the
most though, it's Crookling.

Speaker 2 (33:21):
Oh, crookling man, that's my nough to mama favorite. He
wrote that. Yeah, Spike Lee a Spike Lee joint. Yeah yeah,
crookling was good man. Niggas get it down, damn boots
and it's hilarious, my nigga. But I be smacking them holes.
I be smacking my horse. Everyone of those.

Speaker 4 (33:43):
Smacking these holes, smacking to the floor, smacking these hole.

Speaker 2 (33:49):
I be smacking my horse. I be smacking my holes.
I be smacking my hole. Niggas is a beautiful Niggas
is a beautiful thing. What's what's the other one?

Speaker 6 (34:04):
He wrote with Robert Townsend Man when they was Hollywood Shuffle.

Speaker 5 (34:07):
Hollywood Now, that was just robber Hollywood Shuffle. Returning to
zombie pimp better blue class. That's a class him and
him and uh then Malcolm Max probably.

Speaker 2 (34:21):
Check this out though. One night, I mean laid over,
I mean laid one of my favorite character man laid
over in la You know how I went up there
in l A.

Speaker 1 (34:33):
I'm I'm on the late time in business man, I'm
gonna I'm I'm on stage at the comedy store.

Speaker 2 (34:39):
Right I get off stage, guess who out there? Oh
fucking Spike Lee for real? Fucking with it. That's crazy.

Speaker 5 (34:48):
The Don Cheeto character and mo Betta Blue is one
of my favorite characters ever.

Speaker 2 (34:51):
House No, that was Denzil Once. Yeah yeah, uh you
know Don Cheetah was a boy. Yeah, that's my favorite.
Who your favorite movie? If you gotta, you gotta favorite
all in all the movies ever.

Speaker 5 (35:03):
I got a number one period period number one, got
Odell Roby Jackie Brown for thee L Roby nigga can
do it?

Speaker 11 (35:13):
What man?

Speaker 2 (35:14):
Ordell Roby the coldest nigga ever.

Speaker 5 (35:16):
The way he got Chris Tucker to getting that trunk
and that car on that movie. And they say, look, man,
you remember the uh three machine guns I sold last year?

Speaker 2 (35:26):
I got from uh from uh fire Heartbeat.

Speaker 5 (35:30):
No, that's Samuel Jackson. Samuel Jackson's O'Dell Robie. Okay a
nigga finess Chris Tucker to get that drug. Look, I'm
gonna tell him, I'm going in the trunk to show
him the goods you pop out crack this motherfucker that
Chris tuckers like, Man, I ain't finish get no, Yeah,
I finish shot nobody. I ain't saying nothing about you
shooting nobody. All you gotta do is putting that in there?

Speaker 2 (35:46):
Get the idea?

Speaker 5 (35:47):
He said, Man, I ain't getting no goddamn truck.

Speaker 4 (35:49):
He's like, man, we ain't going away for the Korea
town Wing being in no morning?

Speaker 2 (35:52):
Who had who had? Because no minutes?

Speaker 3 (35:56):
Man said, Man, I can't believe you do me like this? Niggas?

Speaker 1 (35:59):
Do you like what?

Speaker 8 (36:00):
Man?

Speaker 5 (36:00):
I want to help you. I just don't want to
ride the trunck and no car. He was like, well,
how small was that jail cell? Motherfucker?

Speaker 2 (36:06):
And then you know how he got him. He was like, look,
after we get finished sucking with.

Speaker 5 (36:08):
These Koreans, take it to rod Skulls chicken and waffles
on me that scold.

Speaker 2 (36:14):
Special smothering the nineties gravy collars. That's some good eating.

Speaker 5 (36:19):
He got that nigga in the trunk, brought him and
placed Strawberry letter twenty three, pulled around the corner, jumped out,
the jumped out. The cop opened the trunk, shot that
nigga two times in.

Speaker 2 (36:29):
The head and pulled off.

Speaker 5 (36:32):
Called this nigga ouver Man and Nigga pulled up on
Robert the Narrow with Chris Tucker's body in the trunk.

Speaker 2 (36:38):
I remember that when he opened up the trunk and
was like, nigga, who the fuck is what do you do?
He said, that's that's Beaumont, Like, who's Beaumont? And the
enjoye had to let go. The nigga said what do
he do?

Speaker 5 (36:50):
He put himself in a position where he was gonna
have to do ten years in prison.

Speaker 2 (36:53):
That's what he did. And if you know Beaumont, do
you know ain't no way he can do ten years.

Speaker 5 (36:58):
And if you know that, you know Beaumont is gonna
do anything Boman can to keep from doing them ten years,
including telling the federal government any and every motherfucking thing
about my black Yeah, and that's a situation in him
or me, and you best believe it.

Speaker 2 (37:13):
Ain't gonna beat me. Yeah, that nigga is a cold nigga. Man,
I'm gona I'm gonna go with uh like it is
al bro It Just who is this album? Who the
fuck is what album? Elbl I was about to say.

Speaker 3 (37:30):
A what movie?

Speaker 2 (37:31):
Is just.

Speaker 5 (37:34):
What a INDs album? Or that's its album? I thought
that would know I'm thinking you saying that's a movie character.

Speaker 2 (37:40):
I thought Idris album.

Speaker 3 (37:41):
Was in the movie.

Speaker 2 (37:42):
I've never seen that. God damn Beasting No Nation. I
ain't never seen that. Oh my gods, listen, Beasting No Nation.
Nigga ended alba el. This nigga probably watched this who
is that I sold? Saying my name like that. I'm
talking to you.

Speaker 6 (38:03):
Listen, bro, he like he like this African warlord Okay,
and it's like this little boy, you know, their refugee.

Speaker 2 (38:10):
They come in and kill everybody. Fuck it up. I'm
gonna watch it tonight.

Speaker 6 (38:12):
Bro, listen you besides that motherfucking a to five South show,
not another better show on that bitch.

Speaker 2 (38:20):
It's a series.

Speaker 6 (38:21):
It's a movie, okay, Africa like weed Man, it's a
good ad movie.

Speaker 2 (38:27):
Bro Nation, I'm gonna put that on the playlist. I
got to see that. I ain't never watch that. When
I first heard it was elbow talked in.

Speaker 1 (38:35):
Real life, because bro, like this nigga would.

Speaker 2 (38:40):
String a bell on the wire.

Speaker 1 (38:43):
I'm trying to think if I had a bigger favorite
movie character all time, I never thought about it that
if I had the big one for you, I think
you'll pick pick a nigga.

Speaker 2 (38:53):
Like JD's Revenge. That's cold, mother, you know.

Speaker 5 (38:58):
With all that, That's what I'm saying like I have
seen everything movie that's fucking.

Speaker 2 (39:05):
That's because you're with d You remember you putting who
I Got mad? He got put the who I Got
mad at his hell? Yo, it might be Nino Brown doughten.

Speaker 1 (39:23):
That's a cold one old Brown whist period, Nino Brown favorite.

Speaker 2 (39:29):
Oh a character, your favorite character in the movie. You
know what I mean. They don't have to be an
actor in the Dad from sugar Hill too.

Speaker 11 (39:37):
Oh yeah, that's the same nigga from Tail from the Hood.

Speaker 2 (39:42):
Yeah, yeah, all the way. He's a cold nigga.

Speaker 1 (39:45):
Creeper Whiskers Creeper was the crackhead and the Door MC movie.

Speaker 2 (39:49):
Oh yeah, Hamburger, I got to say bumpa just oh
you talking about jhnson Man Lawns Fittsburgh. That's the cold
without fun. Yeah.

Speaker 1 (40:00):
Styles was a cold ass carriage lost this burn.

Speaker 2 (40:04):
That's the that's a good conversation. Bad like.

Speaker 6 (40:08):
Niggas and movies back then, you either had that type
of Dada. You either had a furious style type dad.
You had to be no brow you know niggas sol
dope with nigga countries.

Speaker 2 (40:17):
Yeah, or he wasn't there. He wasn't there.

Speaker 5 (40:20):
Yeah, But that's that Hudler Man, Hudlam's so crazy just
smelling with them.

Speaker 1 (40:25):
I just I just hate when when they make movies
about black people and they be like.

Speaker 2 (40:31):
You can't feed this baby with Trump money.

Speaker 1 (40:35):
That you can.

Speaker 2 (40:36):
It's the fun you can.

Speaker 3 (40:38):
You can.

Speaker 1 (40:38):
Now, that's where you know they be miscommunicating with the hood.
They might have said that at first, but after a while,
you can feed that baby.

Speaker 5 (40:48):
You feed that baby some steak with drug money, especially
depending on.

Speaker 2 (40:52):
Where are it was in the mamas didn't like the
drug money and movie back there. They always thought this
money you a lie. They always get a mama away
working at this way. My kid listen to in.

Speaker 1 (41:10):
Ninety days we all go have health and then on
his rance one of my benefits.

Speaker 12 (41:14):
Mama, you ain't gonna never make it out of here
fixing these dish wash him out.

Speaker 2 (41:21):
You take your money, get family before you get to
the door. She got some weak ends Bible verse. I'd
rather sell crying the health and my mama get out.

(41:44):
Then they go through a monologue.

Speaker 5 (41:46):
I couldn't believe my mama would either talk to me
that way when all I was trying to do was
help the situation we was in.

Speaker 2 (41:51):
But now I realize I'm really on my own.

Speaker 1 (41:54):
And they had that one scene where the white cops
show up miss Stacks. Mistacks, can I ask you a
few questions about your son? If you remember anything, you

(42:18):
give me a call.

Speaker 2 (42:19):
Yeah, that's how it be. The movies, Boy, the movies
be whacked.

Speaker 6 (42:23):
They let the mama run back into the sun before
the police get in.

Speaker 2 (42:26):
To him door again. Oh yeah, all the work. Lock
your hands up, they gonna lock your nigga up. Yeah,
that's what the nigga really balling.

Speaker 3 (42:35):
Now, nigga out there with to.

Speaker 2 (42:37):
Make or like.

Speaker 10 (42:39):
Nigga be like yo, smooth. Your mom your mom's man,
So this is what you're doing. Then you gotta stop
your gas and you're gonna kill bro.

Speaker 2 (42:56):
It's my mama. Man, Your mom's what you're doing out here.
So your name is not Anthony no more.

Speaker 13 (43:02):
Mister Oh, I say, mister a money, not that you
care anything. But they just put a lading on the
house and I'm gonna do.

Speaker 2 (43:15):
I did the best that. Yeah, let me go from
the subway. We can't job and everything just been gonna.
I just want you to go, Mama, Mama, Mama, Mama,
look at me.

Speaker 5 (43:27):
Stop all that crying. I paid the house off this morning.
Everything's taken care of. I don't need you crying. That's
what I've been trying to tell you this whole time.
All I've been trying to do is make it better
for us.

Speaker 2 (43:42):
And that's what this does. Mama.

Speaker 14 (43:44):
You see all these people in here, they work for me.
If you called that word coming soon to two be

(44:08):
nigga color Oh the way, man, as soon as.

Speaker 2 (44:20):
You know war character as main care. Who was that
niggas from?

Speaker 5 (44:29):
Oh yeah, the one that called his niggas ever cleared
the fowl that nigga was walking down there, he may
stay away from my woman.

Speaker 2 (44:39):
What are you talking saying that? Nigga said? What did
you say?

Speaker 12 (44:44):
Brigas like, yeah, suck it, sucking, sucking nigga, Suck it, nigga.
Nigga said, suck it, suck it, nigga.

Speaker 2 (44:55):
Yeah, she wasn't daughter like that when you left when
the war was yeah, uh huh. Never fight the hand
to feed you, nigga. Mayor Christmas sent a class.

Speaker 9 (45:08):
Hey man, that nigga cutting was a coll.

Speaker 3 (45:16):
Everybody just trying to something.

Speaker 2 (45:18):
Man.

Speaker 1 (45:18):
I know, I gotta pick in and you grabbed the
I should use it to kick you between your shoulder bleaks.

Speaker 2 (45:25):
Hey, carry back, But you got more heart than your
own man, you got more heart than your punk ass.
D that's a classic. B. That's a classic. That's a classic,
right there, man, another classical. Man. Niggas don't talk about
Bro's colors. Bro Oh what colors? Was a good monnight
man walking.

Speaker 3 (45:46):
You know my favorite part is dolla.

Speaker 2 (45:48):
Take it our snobs. That is our job. And Nige
ain't the clips think they get it on the now,
you know, man nigga n Wednesday c ain't know my
man's man.

Speaker 1 (46:01):
Nigga didn't play man left him laying in playing.

Speaker 2 (46:04):
Like a pig with.

Speaker 5 (46:10):
That Maniga was did man?

Speaker 2 (46:15):
Did him like? Man? Niggas like ticket down jobs. They
watched this too. Oh yeah, but that's the movie, man,
that's the movie they ain't gonna get.

Speaker 5 (46:27):
Yeah, my bad, excuse me, but yeah, that nigga David
Waans and that motherfucker Man Colors was a class This guy.

Speaker 2 (46:36):
Some blood rocket rocket rocket.

Speaker 1 (46:41):
When you know another one they whooped his ass and
put his face on the You.

Speaker 5 (46:45):
Know another one that they don't talk about. What's my man?
Glenn Plumber South Central.

Speaker 2 (46:50):
South Central oh, g your son out there breaking in car.

Speaker 3 (46:57):
What Jimmy's only ten years old?

Speaker 2 (47:00):
That age, they don't ask no questions. And then the
nigga told the whole story. That nigga said, gotta go.
Then nigga told them the whole story.

Speaker 8 (47:15):
There we got all them little boys bringing in them
cards and you give them ten dollars, twenty dollars, maybe
ma he sell them save radios, war one dollars house.

Speaker 2 (47:29):
For Ray Ray Ray Ray n want.

Speaker 5 (47:35):
And one of my favorite seed in the South Central
is when that nigga Black Ron saved my man from
uh from getting raped.

Speaker 2 (47:44):
By the white dudes.

Speaker 6 (47:45):
Oh yeah, hey, this is a miles, he's a million.

Speaker 2 (47:50):
This a million. He was like, why need twenty five
carton cigarettes? This a mant I wanted to for years
a cigarettes? Cigarette? A cigarette.

Speaker 5 (48:09):
I'm gonna talk and you listen, son, And I was
only about the way he dressed.

Speaker 2 (48:17):
Put your soulders on.

Speaker 11 (48:21):
You're like, that is whole young, that's that's south Man.
Did I been committing me some robbery with a baby loco?

Speaker 3 (48:37):
Just give me the drink?

Speaker 2 (48:38):
Well, get you ho, baby, because I got the rock freeze.
Pull the car over. That's a cold is that's a
cold mo world. Bro. That ship was.

Speaker 5 (48:53):
My daughter can't sit through the ship that I like? Man,
I remember, my man, my daughter hurt my feeling so bad.
I was trying to show her wrestling from when I
was a young debut never get wrestling.

Speaker 3 (49:04):
Man hated it.

Speaker 2 (49:05):
I was trying to show her.

Speaker 5 (49:07):
I mean, I'm talking about classic matches. I'm talking about
I'm trying to remember when when Sean Michaels through many
Jeannetti through the glass on Brutus to Barbacy takes show.

Speaker 2 (49:16):
She was like, Daddy, why is this so violent?

Speaker 5 (49:20):
I'm like, fat, it's not real. She was like, well,
if it's not real, why do you care? I said,
go upstairs, just going go upstairs.

Speaker 2 (49:27):
She had real reasons on why you shouldn't been watching
that shit. You go upstairs.

Speaker 5 (49:31):
I've been trying to force her to like the ship
that I'm talking about. Now that she you know, she
kind of a little bit more receptive.

Speaker 2 (49:37):
To it now.

Speaker 5 (49:38):
The only thing that we didn't watch that she was
cool with was The Last Dragon because she sing how
that's my favorite movie and I just still act like
a little boy when I watched The Last Dragon.

Speaker 2 (49:47):
I'm still singing and doing the moves. So you doing huh,
you be doing the moves in front of the TV.

Speaker 5 (49:53):
It's just all the way still to this day, when
you restand up on the level, your mind, body and
soul must be you one.

Speaker 2 (50:00):
I know the break dances and everything. Nigga. When that
nigga was outside, it was like, man, that nigga was
whinkling off them broke Nigga, that ship cold. I just
I just watched that.

Speaker 1 (50:14):
My family scene in the whole movie though, is when
sure Enough went to the pieces of real shop and
broke up every day through that little through his little
brother in the garbage, his little brother forgetter.

Speaker 2 (50:25):
Ain't my brother. You ain't myron, You ain't nothing. You
want suck We looking for leave Roy. I'm leeve Roy.
Oh you talking about Junior? Yeah? May y'all ever watched
The Penitentiary Fly too, Sweet Fly? Come on, okay, the

(50:49):
Penitentiary and I did Sweet Too.

Speaker 1 (50:52):
I ain't never seen that your box When he's talking
about a box, that's why he just remember when he.

Speaker 2 (50:57):
Started winning Sweet Fly.

Speaker 1 (51:00):
I seen Penitentiary one through five is I ain't never
say that man, that ship came out in like seventy six,
one of the greatest.

Speaker 2 (51:11):
Yes, oh oh, I thought you was talking about leon
just like Sugar Ray Leonards.

Speaker 5 (51:16):
Listen called sweet to you too sweet. He looked like
Sugar Ray Leonard for real. Yep, I gotta watch that
that ship Coke.

Speaker 2 (51:24):
That's the Cold Live movie bro ship.

Speaker 1 (51:31):
Oh yeah, hell yeah, that's why I went I got him. Yeah,
that's confused with the mobile blues right now. Another one too.
When he was Earl to goat Manago all yead to
go Yeah.

Speaker 5 (51:42):
Oh yeah, that nigga said that day was taking coins
off the top of the backboard.

Speaker 2 (51:48):
That Earl Manigul was jumping up taking coin Earl did
he say, nanny goat?

Speaker 5 (51:55):
And then Earl Manager jumped up with some chucks on
and touched the top of the backboard when he snatched
the dollar dollar off the top of the backboard with
some chuck Taylors COOLi used to be my ship to Coolie.

Speaker 2 (52:07):
How sad as a motherfucker man.

Speaker 5 (52:13):
Man, Listen before they killed coach Man, I don't care.
They had to do co cheese like that, Bro.

Speaker 2 (52:19):
No, they didn't. They didn't, Bro, they didn't.

Speaker 1 (52:21):
We needed this segment Man for classic Black cinema and
honorable mentions in there.

Speaker 2 (52:27):
Oh, there's plenty of lack of wanna blues. Lack of
wanna blues. What else?

Speaker 5 (52:31):
What's another classic black movie that most people don't rose.

Speaker 2 (52:37):
Warriors? Warriors wasn't really black? Try the game bang for real?
I mean that was the original game. Man, come color purple.
That's that's color purple. I loove it, belove it, I
love it. I want you to test the inside. Yeah,

(53:04):
I'm gonna have to go. I'm gonna have to go
back to the seventies. I'm gonna have to go. Uh
you got to collective, yes, Willie Dynamite. Oh well, I'm
doing the education.

Speaker 5 (53:13):
Anytime I see steps, that's more than twelve steps.

Speaker 2 (53:16):
That's how I walked down the way sideway.

Speaker 5 (53:19):
You think you're so tough with your pretty black pitches
and your fancy cars, and you and your hundred dollar
first coach.

Speaker 2 (53:29):
One hundred dollars.

Speaker 4 (53:32):
This is lamb, lamb.

Speaker 2 (53:37):
You forgot one thing, sarge. What's that? Those pretty white
ones that work for me too? Yeah?

Speaker 5 (53:44):
You said, I've moved every pitch in every kind of place,
and one thing I've learned.

Speaker 2 (53:51):
You got the collective?

Speaker 3 (53:52):
Yes, So you're telling me.

Speaker 1 (54:00):
That I got some of the coldest animals and they
can only run in certain parts of the junker.

Speaker 2 (54:10):
Willie. That was what if? What if he has the
biggest stable, does.

Speaker 3 (54:16):
He get more real estate?

Speaker 2 (54:18):
Yeah? That was a cold man that movie. So, mother,
that's a cold meeting. Snigga went and did forty years
on Sesame Street. Yeah, got that big Bag one five.

Speaker 5 (54:30):
Yeah, that name was that dynamite and was on there
on Sesame Street literally for forty with the Little Man
taed to the same. Well that boy, I tell you,
that's the show. They had me in the head locked
to that Sesame Street Boy.

Speaker 6 (54:41):
We went with Baron It was like adult comedy, though
it had Baron White. It was cartoon man. Baron White
was one of the voices on the cartoons.

Speaker 2 (54:50):
Bro Oh it was CJ and the Bear. I think
so it was a cartoon. It was a cartoon. Now
it was like it was a sea. It was a bed,
little black boy and a bell. So see, Ben and
Jamal was on that ship. I think Dick Gregory was
the one on that tour. But yeah, that Sesame Street Boy.

(55:13):
We went to Sesame Place when I was a young
Magga man fucked you up. What I'm talking about the
happiest I've ever been.

Speaker 3 (55:20):
See.

Speaker 1 (55:21):
That's why I grew up in the eighties, and it
was kind of fucked up. The type of ship that
we were entertained by, like everything that were watching on TV.
If we would have seen it in real life, would
have scared the fuck.

Speaker 2 (55:32):
Out of us, like a fucking fraggle. Rock the fuck
is a fraggle.

Speaker 1 (55:41):
These little motherfuckers had talent to it. Most of the
ship sound kind of like a rendition of the Jackson Fine.
Even when the ship come on, you just see these
little weird ass fragles pop up.

Speaker 2 (55:51):
Let the music play. Work is for another day, dick chilling,
but they working at the same time, just being Frank Rock.

Speaker 1 (56:00):
Fred Jim Henson was getting high in a motherfucker pull
it up, Fredile Rock, she was crazy. Come on, man,
These motherfuckers used to come up like where the humans
lived and ship and try not to get killed.

Speaker 3 (56:13):
Just be out in the car or nigga.

Speaker 1 (56:16):
Theseus had whole lines where they would go on vacation
and travel across the country and all this ship people.

Speaker 2 (56:23):
Would come spend the night. I'll tell you, my little
brother boy, that Nigga Bonnie and Lamb Chops my baby brother.

Speaker 5 (56:30):
He tortured us with that that Lamb chops brouh Oh
my god, barn nigga lamb twan Bean used to be
on that Bonnie and that. But I can't even lie
now as a grown man when I go back and
watch some of them Bonnie episodes.

Speaker 2 (56:44):
Bonnie and then was jamming on that motherfucker I like
to eat Eat eat apples and banana had rap beef
and didn't even know it. He said.

Speaker 1 (56:56):
We got a line where he said, Barnie probably loses. Man.

Speaker 2 (57:00):
I'm laid up with baby boy. That good thing, y'all.

Speaker 6 (57:05):
I got young baby because that Cocomella ship had drive
me crazy.

Speaker 2 (57:08):
But some of that shit be rocking door. Ain't gonna lie.

Speaker 6 (57:10):
They got a lot of black shows now, yeah, but
like it sounded like whole raps, Like yeah.

Speaker 5 (57:15):
No, they got that beach something corner that the kids
be watching the Racy's Corner.

Speaker 6 (57:20):
Backyard in backyard to get DJ drum on.

Speaker 2 (57:25):
God, yeah, my daughter was on that on that door
door to explore. And then it was this this this.

Speaker 5 (57:34):
Cartoon that used to come on PBS kids called Super widh.

Speaker 1 (57:38):
So Basically, what y'all saying is, y'all want to create
an educational show for some black kids. What we need, Okay,
let's do it. We need some people who can know
how to work puppets and ship. We'll do the voice
is all you gotta do is do the puppet ship.
Were gonna teach black kids, were gonna have to We're
gonna do real black ship.

Speaker 2 (57:55):
Well, we're gonna teach you how to pay a bill. Yeah,
this is a bill. The numbers on this bill is real.

Speaker 15 (58:04):
So when you're in the house and you want a chill,
cut the light off, just the lift or you might
get a bill bill bill.

Speaker 5 (58:16):
Come on, you gotta have puppets that like teach the
kids with you.

Speaker 2 (58:19):
What kids, what is he doing? I'm cutting the racism
Dug com I know you didn't see what I thought.
You said put your hands on me, and you ain't

(58:40):
scared because I'm a nigga.

Speaker 6 (58:44):
Hello, kids, don't never let nobody call you in nire
unless you're a nigga like me.

Speaker 1 (58:53):
Yeah.

Speaker 2 (58:54):
He just got out. Yeah I'm going back kids doing
Let me right, let somebody call your nigger. You may
end up in prison this day. Right out it's prison.
And come on, what's up? Kids? You niggas ready to

(59:18):
go to the slammer?

Speaker 3 (59:20):
Can you spell slammer?

Speaker 2 (59:23):
Can you spell slammer? As l A M M E
slammer up? That nigga said, we'll lock you ass in
the slamber. We gotta do that, bro, brother, how you Oh? No, kids,

(59:44):
it's hanging like you got all the drugs hanging out together.
J you got all the drugs hanging out together. Hang
up with wake up. It's different all I have. I'm

(01:00:09):
so sorry kids, I can't seem lift my spirit. I'm
telling you, bro, that's the one right there. She's the
kids the real way. Let's do it.

Speaker 1 (01:00:23):
We gotta do it, man, all the way. We do
three episodes and then get dis continued, right, but that's.

Speaker 2 (01:00:30):
All you need is three. That's gonna live for ever.
Parents going back to jail. Don't let nobody call you.

Speaker 1 (01:00:44):
Then she use a nigger like me, see you next week.

Speaker 3 (01:00:49):
All right, my tad, you got caught still not the
grocery store.

Speaker 2 (01:01:01):
That's crazy, man. We should do something for the kid.
Got some lotions, got some socks. We can't find that stuff,
Foster Bear, why not is stolen?

Speaker 3 (01:01:27):
Hey, man, that's that.

Speaker 2 (01:01:29):
Boy, Oh my god, that'd be hilarious kicking all these
good ideas over here. Don't listen all what I'm saying.
Let these pick up on what's doing them. They'll be
gone already there.

Speaker 5 (01:01:39):
This is this is uh, you know, create an intellectual
property right here.

Speaker 2 (01:01:44):
You know what I mean.

Speaker 1 (01:01:45):
All we're waiting on now is some people to hit
us back about the puppets.

Speaker 5 (01:01:49):
It's somebody out there to make them too. Boy, we
get some puppets Joe here, Oh my god, do the
voices for the puppets?

Speaker 1 (01:02:00):
Somebody made us some light up pussy pushing.

Speaker 2 (01:02:02):
Pierce the ass. Wow, fuck me up.

Speaker 5 (01:02:05):
That's crazy. Everybody together pussy looked like this. I would
be terrified saying that.

Speaker 2 (01:02:12):
Why because look how the lips is shaped. They like wedge.

Speaker 5 (01:02:16):
You got some like, man, maybe your pussy lips looks
like just like fries.

Speaker 2 (01:02:21):
That's crazy.

Speaker 1 (01:02:23):
You can't be pussing particularly.

Speaker 2 (01:02:25):
Ain't got some mouths on that. No, ain't nothing that
shaped like this ship. It's a reflection of what it could.
This is crazy. I mean, would you even feel comfortable
look using it? Yeah?

Speaker 1 (01:02:38):
Yeah, it's at a different level of arousal.

Speaker 2 (01:02:41):
And I probably licked the ashes up out. This turn
it off. You do too much. That's why I don't
take you nowhere? Man, Bro, what is wrong with you?
My name? Like? Man? Why you're talking that cup?

Speaker 8 (01:02:54):
What?

Speaker 2 (01:02:56):
I don't know what you're talking about?

Speaker 3 (01:02:57):
Bro?

Speaker 2 (01:02:57):
What you been eating ashes?

Speaker 3 (01:02:59):
Nah? Nah?

Speaker 1 (01:03:00):
Yeah, goddamn that's tough. Be careful, man, I'm doing nobody
like that. Fucking around and eat some ship you can't swallow.

Speaker 2 (01:03:18):
I don't even want you to elaborate where it's living
Netflix and Chill.

Speaker 1 (01:03:29):
We are part of the official Chill. Look, man, you
know what I mean that black children gonna be born
because of this?

Speaker 2 (01:03:36):
Yeah, come on all the way, without question, it's going down.

Speaker 1 (01:03:40):
We've got something to do with the black population. Now
we're showing them that we are whill above what they
thought we were.

Speaker 2 (01:03:51):
This ship is just amazing, man.

Speaker 1 (01:03:53):
Shout out to everybody who's been wucking with us since
they want.

Speaker 2 (01:03:56):
I don't know what your day one is.

Speaker 1 (01:03:58):
I don't know if your day one was from Steve Studio.
I don't know if your day one was brick Wall.
I don't know if you was around doing the back
room sessions. I don't know if you were there when
we moved to the trap. I don't know if you were.
I don't know where you've been. I don't know where
when you started this journey. But at whatever point you

(01:04:20):
you got on and stayed on.

Speaker 2 (01:04:22):
I told you. Now we're going even bigger.

Speaker 1 (01:04:25):
We're trying to get us a special on Disney Channel
with Mickey Mouse and there.

Speaker 2 (01:04:31):
Nah we bring anybodyself show. Were bringing our own puppets.
We bringing our own puppets for the kids on the
Disney Channel. Puff want the little kids. Boy, I can't wait.
We're gonna where We're gonna have a sesame straight run right,

(01:04:54):
y'all two graphic No, you gotta do it.

Speaker 3 (01:04:56):
Bro, Hey man, you shouldn't do that.

Speaker 2 (01:05:02):
Why not because your mama might whoop? I would she
whooped the us whoop. It's just simple less all the way,
you know, I mean, oh, no, kids, who's that? You
know what it is? It's stocky not donkie pe.

Speaker 3 (01:05:25):
Me pu in the building.

Speaker 2 (01:05:28):
On graphic graph p you. That's how you teach the
kids how to be clean, you know what I mean?
Be sure you wipe you on as all the way. Gee,
it's live man.

Speaker 5 (01:05:45):
We gotta we gotta man, we gotta watch the black
kids respond.

Speaker 2 (01:05:49):
They are able to respond to those type of messages. Yeah,
all the way this musically, there's a music of all.

Speaker 1 (01:05:56):
And you know how every episode should start off somebody
dropping the kid like like a single mom dropping the
kid off, trying to explain what she's going.

Speaker 2 (01:06:06):
I'm going downtown to look for work.

Speaker 1 (01:06:08):
You're just gonna have to stay here on educational corner.

Speaker 2 (01:06:10):
Till I get back. Educational corner.

Speaker 13 (01:06:15):
We're teaching you outside into the street.

Speaker 5 (01:06:20):
Boy, boy, you know how many people want to take
their kids the educational corner.

Speaker 2 (01:06:24):
Boy, I'm telling you it'll be a corner.

Speaker 1 (01:06:26):
We standing on the corner all this shit happy or
in this corner that looks just like my block.

Speaker 2 (01:06:32):
This is your block and you are welcome to come
to it. All kids are welcoming on the educational corner.
And guess what we're learning today?

Speaker 5 (01:06:42):
She over there, that's all right, We're done.

Speaker 2 (01:06:52):
We're going this way. We're gonna pick this cord.

Speaker 9 (01:07:01):
We had to replace mail man O this being incens
Can you say incident?

Speaker 2 (01:07:10):
He's can sol.

Speaker 3 (01:07:16):
Get out of here?

Speaker 2 (01:07:17):
Mal Man holding get out? He nobody call you man
got out of here?

Speaker 1 (01:07:23):
Mal that's right, kid, mal Man ODIs will no longer
be on the show. You don't have to worry about
none of those mean letters from words that you've been.

Speaker 2 (01:07:37):
Saying that we'll bother yess.

Speaker 5 (01:07:40):
On, be half mal man.

Speaker 2 (01:07:43):
We're gonna go paperless.

Speaker 3 (01:07:45):
Can you say papers right all the.

Speaker 2 (01:07:48):
Way to fuck up part mail man. Odi is gonna
come back as another character. Hey, you look familiar. I
told you you see the nigga over there gonna be
like they're gonna be like swipe Papa back up.

Speaker 1 (01:08:15):
I just noticed we live being a victim of a theft.
It looks like somebody attempting to stealize Sling Johnson's signature
payer of Silvil rights boots.

Speaker 5 (01:08:26):
The glass gone off, man, somebody's throwing the glass to
put them on their shoes.

Speaker 2 (01:08:34):
Booster. I got this glass for y'all. Man, Man, that's
tall glass used to be your glass. Oh my goodness,
ship crazy. Don't letting nobody call you a nigga. Hey man,
you sponsing and point by.

Speaker 5 (01:08:54):
If you make dolls, man, if you make the puppets,
maw holler at us matter.

Speaker 2 (01:08:58):
Yeah, we'll buy.

Speaker 5 (01:09:00):
We need the educational corner puppets that it'll be crazy education.

Speaker 2 (01:09:03):
Don't make them perfect either make them look.

Speaker 1 (01:09:09):
Like enough to get the point across educational course, what
I will say is don't make them, don't try to
make them look like us. We want some real puppies,
and I want to be like blue or purple or
something one of those colors that.

Speaker 2 (01:09:25):
Kids can got ravitation right all the way.

Speaker 1 (01:09:29):
You know, we will not be using curse words, not
on the kids, not for the kids.

Speaker 2 (01:09:39):
If we made it an adult show, bro.

Speaker 5 (01:09:42):
Yeah, it probably show with the kids that that would
be hilarious. But if we can add so much more
in there, if it's an adult show for kids.

Speaker 2 (01:09:52):
That's something we cannot keep to keep clean. Bro, there's
too much. Yeah, kids show for it. Here is hair
running a child. I mean, yeah, stay away from it.
But now you gotta stay away from it. What y'all
you you gotta change it now because.

Speaker 3 (01:10:09):
You know what I mean.

Speaker 2 (01:10:11):
Is that it's per thirty.

Speaker 1 (01:10:17):
I'm percose since I'm used for pain some of them
people using other thing.

Speaker 2 (01:10:26):
What is supposed to be used for? Mister we have
to suit you reading stuff. Don't put percoseons in your mother.
Oh wait, perk thuddy your god too far, mister bell.

Speaker 1 (01:10:42):
Man, hey man, every time nigga said, room ship. They
getting hold off, gotta come back as.

Speaker 2 (01:11:01):
Character.

Speaker 1 (01:11:01):
Bro, you got to That's hilarious, man, You just keep
getting put off the show and coming back in somebody different.

Speaker 2 (01:11:11):
Piece of man. Pat looks over lot like, hell, man,
oh this is me o hey man, that's the recurrent thing.

(01:11:31):
But the show, right, man, thinking just keep going. He's
the man Pat will no longer because he was here.
Can you say in sensing that's classic?

Speaker 1 (01:11:42):
Man, Oh my god, oh man, we we're gonna take
over next.

Speaker 2 (01:11:52):
World.

Speaker 1 (01:11:52):
Thinking in the brain, you're trying to go over there,
b T plus b ts.

Speaker 2 (01:12:00):
I'm t.

Speaker 5 (01:12:01):
Tyler Pray got it already, man, We need to get
Tyler Pray in here.

Speaker 3 (01:12:04):
Man over here.

Speaker 2 (01:12:07):
Yeah, he come over here, you know, Tyler Perry, No,
I don't.

Speaker 3 (01:12:10):
But I feel like the nigga.

Speaker 2 (01:12:13):
You feel like you know us, you know what we is?
You think so he feel like we do? He might
not he know.

Speaker 1 (01:12:18):
I feel like he probably don't know nobody that he
didn't create, If he didn't have something to do with it,
he ain't gonna like it's whatn't now.

Speaker 2 (01:12:28):
I think Tyler, he might think you know, you know,
I think so, And I think he'll come in. You
think I don't know, you know, bro? You think so?
I believe I know he know. Do we need to
reach out to him or call that nigga right now?
Call him you see them niggas. I know that's try

(01:12:53):
to go man. He's definitely damn man. He rather do.
Watch this ship.

Speaker 1 (01:13:01):
Roll up, roll up the fat ass John and watch
this ship.

Speaker 2 (01:13:05):
Facts away, nigga, No Morgan Freeman, watch it. I believe.
Right in Mississippi, Oxypitut, we got out.

Speaker 1 (01:13:13):
The first probably sits there and wonder what we're going
to do next. As we walked upon on the stage,
back and forth, I wonder what.

Speaker 2 (01:13:23):
These negroes are going to accomplish as they move forward. Wow,
and they look south show. That's what we get to
do the next and they looked happy.

Speaker 1 (01:13:32):
We're gonna get as happy as a nigga eating corn bread.

Speaker 2 (01:13:35):
They were happy. We gotta get bad. We gotta get
bored and free to do their draw today for ladies
and gentlemen. That'll be hard.

Speaker 1 (01:13:45):
We should we should definitely look into that because now
we're taking over.

Speaker 2 (01:13:49):
We're going to do some shows in Saudi Arabia or something.

Speaker 1 (01:13:53):
I don't know, but we're gonna they're gonna give us
about a half a million for sure.

Speaker 2 (01:13:57):
I don't know. I'm just making up ship you feel
you're doing. You're doing to beat someone, you're manifesting. Oh man,
that's what you're doing. Y'all do a prison show.

Speaker 1 (01:14:09):
No, it's not going to prison for nothing. Why not
do a prison show? No, niggas in prison don't.

Speaker 2 (01:14:14):
Want to be there. Why the fun wouldout Viola theyny
not doing it.

Speaker 5 (01:14:23):
But I'm saying, though I might not go to a
prison show, but I would, I would. I would advocate
for them to be able to watch us in prison.

Speaker 2 (01:14:31):
They should definitely be to be able to watch us.
I've been on the outside looking at.

Speaker 5 (01:14:35):
This because they watched they get to watch wilding out
in prison, so.

Speaker 4 (01:14:40):
They do.

Speaker 2 (01:14:41):
Boy, you get your head knocked off on TV. You
want to see what girls? And that's since forever. Bro,
you know what I mean. Niggas come home, especially from
the fas, spring to see something. Medial penitentiary. Man, everybody
that come home from FEDS be like, Bro, that was
my wilding out, was my in prison. But we will

(01:15:02):
take the guy.

Speaker 1 (01:15:03):
Don't wait till you in prison to start watching comedy,
the Insurance Girls, Float and the Sexy Bitch on TV
and that more.

Speaker 2 (01:15:11):
Fuck on God, that won't show you a lot of
women in that because you.

Speaker 6 (01:15:18):
Float Bro from progressive out of gun Float down so many.

Speaker 9 (01:15:22):
Times Lord, ladies and gentlemen, oldest will no longer be
off the show will because he is insensitive, saying it.

Speaker 15 (01:15:39):
Was what it took.

Speaker 2 (01:15:42):
Was no longer to be with us float all right?
I feel you though, man, Yeah.

Speaker 6 (01:15:49):
Show a lot of ship Ball going to jail back
in the day, they ain't show a lot of me.

Speaker 2 (01:15:53):
You know what I'm saying. Why y'all it's sexy women
on there. They ain't doing all that and you were
just weren't in the fed. Huh Now today they weren't
doing it back then. They ain't going to the FEDS now,
so yeah, shut up.

Speaker 1 (01:16:07):
They still was in jail for a weekend, Bro. They
act like you did so much time I did.

Speaker 2 (01:16:12):
I did five years. Brother, I've been in shock because
all my life that motherfucker did one weekend. Bro got
out money to bus to day when I was in jail.

Speaker 3 (01:16:26):
You know what, they were watching the TV.

Speaker 2 (01:16:28):
Trying to hear it. Jerk off the floor, the whole today.
They ain't even have to do that.

Speaker 6 (01:16:37):
I'm trying to tell you. They used to show you
ship like that make you Why would they show you
something to get you around? They showed you stupid ship, Maury,
you gotta be happy that a bus. I used to
be happy when the baby wasn't the niggas because the
bit's gonna run off and we're gonna see that.

Speaker 2 (01:16:54):
As Please don't see this thiggings baby bruh. Something wrong
with you so I know you are. That's the part
that's up.

Speaker 5 (01:17:09):
About nigga's crazy that he used to wish they we
the daddy so he can see the.

Speaker 2 (01:17:13):
Girl run on so and then you gotta get that's
a sure. You gotta take mental please he man, I'm
gonna get mone out of here.

Speaker 1 (01:17:22):
Man out there with blankets, money bag, but you are
not you could rub short.

Speaker 2 (01:17:30):
You are not the fault.

Speaker 6 (01:17:31):
You gotta throw that blanket over your head real quicker.

Speaker 1 (01:17:36):
Man on that this this day fast something mic hold on,
hold on this lady fast show and man, man, oh
this will.

Speaker 10 (01:17:48):
Because he mann you say, let nobody

Speaker 2 (01:17:56):
Man, Oh my god, man, I guess day will still
be names on