(Fri Full Show) Keith Urban Recalls Time He Got Booed & It Resulted In Him Getting Fired + Has Anyone Been Afraid Of Bobby? + Raymundo Final Sam Hunt Update

Keith Urban stops by the studio to talk about his new music and recalls a time he got booed and it resulted in him getting fired from a gig and more! Then, find out if any of the show members have been afraid of Bobby! Plus, we share the final update if Raymundo is going to hangout backstage with Sam Hunt...

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:01):
Good transmitting America. Yes, Lisca, Welcome to Friday show.

Speaker 2 (00:12):
More in studio Marni Keith urban In later easy Trivia
coming up, the dance party. We love Friday's very thankful
you're here because you could be anywhere in the whole world,
but you're here with us. We appreciate that.

Speaker 1 (00:23):
All right, it is Friday. Let's go around your favorite
news story for the.

Speaker 3 (00:25):
Day, Amy, Well, this one goes out to lunchbox.

Speaker 4 (00:29):
Scientists from University of Queensland and Australia have discovered a
new species of snake. It's twenty six feet long and
it has a human sized head.

Speaker 1 (00:37):
Wow, did you see a picture like my head?

Speaker 4 (00:40):
The snake was discovered in the Amazon Rainforest and Ecuador,
Sweet dreams.

Speaker 1 (00:45):
Have you seen a picture of it?

Speaker 3 (00:47):
Let me pull it up for lunchbox because it's the
day if.

Speaker 2 (00:49):
It has a hit, because usually the snakehead is with
the body like the snake continues, that cylinder type thing
in the head just kind of gets smaller with the
mouth and the downward ramp.

Speaker 1 (00:58):
It's if it's bigger? How oh are yeah? Of course?

Speaker 3 (01:02):
Yeah, it's big shoes called a giant anaconda.

Speaker 2 (01:05):
Oh why a nickname of college. Whoa dude, that's crazy.
How do they find a new species out of nowhere?
I think you probably go, you assume it's this one
species because they're in the water, this Dutch scientist in
the water looking for it. And it looks like a snake,
but it's so big and the head does go up
just a bit. And the reason that its head is

(01:26):
human sizes because the snake is so big too. So
the snake is bigger like if you were to take
your arms and do let's say you were trying to
hug some hug an imaginary person in front of you
by connecting your hands.

Speaker 1 (01:35):
That snake is that big. Wow, that's a big snake.

Speaker 2 (01:37):
And the head looks kind of to scale but a
little bigger than to scale, so it's massive.

Speaker 3 (01:43):
When its mouth is open, it looks like a hippo.

Speaker 2 (01:46):
But the head, oh, it does look at hippo. But
the head doesn't look like a human head. Anything doesn't
need it would be weird, man, but it is.

Speaker 1 (01:54):
It is huge.

Speaker 2 (01:54):
And they what happens is they found this is they
were down just exploring and looking for similar and they're like, well,
this doesn't look like the others let's test it.

Speaker 1 (02:03):
So that's crazy.

Speaker 2 (02:04):
Oh, here's mine. Couples get married, and this is almost
a What's wrong with people?

Speaker 1 (02:11):
Which old people? What was wrong with people?

Speaker 2 (02:12):
But it was such a new story. A bride and
groom's wedding plans were disrupted. This is from the New
York Post when the groom's mom hired men paid them
to throw red paint all over the bride in her
dress before she walked down the aisle.

Speaker 1 (02:26):
She knows something about her.

Speaker 2 (02:27):
The incident happened in the groom who decided to marry
a woman who didn't come from a family the mom
thought would be good for the woman to come from,
so he was The mom was like, do not marry her,
do not marry her. The pictures of her, they mostly
threw it on her back, but it's red. It looks
like she's been bleeding all down her back. It's not blood.
It is paint. But they didn't ever since those old

(02:47):
things like the eighties and nineties, we're gonna throw paint
on like furs on.

Speaker 1 (02:50):
TV, like you have a fur?

Speaker 2 (02:53):
No never, no, okay, you have right, yes, so, but
it's kind of like that, but instead of a hit,
a hit in that she hired painting. Oh, no one
was arrested. They got married. But how do you ever
if you're her ever? Ever you have a relationship with
that mom?

Speaker 1 (03:12):
Never? You don't? What a terrible petty.

Speaker 3 (03:17):
I mean there could be a repair.

Speaker 1 (03:19):
I mean that's okay, that's the world.

Speaker 2 (03:21):
Really, you hire somebody, kill that mom there, fix that
problem or just get her just get her paint back
at her most vulnerable. But she just run a very
very special day. Yeah, very how petty?

Speaker 1 (03:34):
That stinks?

Speaker 2 (03:34):
All right, Lunchbox, Okay, this wouldn't Eddi last because his
story suck and I slowly suck.

Speaker 1 (03:38):
You're in this segment, so he always goes last week.

Speaker 2 (03:40):
Let me tell you if mine has nothing new with
space or I'm just letting everybody know there's a reason why.
Because Eddie's story has been really lacking. Lunchboxes is usually
really good, so I'm putting that between you.

Speaker 1 (03:49):
There might be some science in mind.

Speaker 5 (03:50):
Go ahead, This one is both incredible and sad. Well, listen,
we all like a good old sword fight, right, what
sword fight?

Speaker 4 (03:59):
Like?

Speaker 1 (03:59):
What do you mean? Oh?

Speaker 2 (04:00):
I don't like bathroom I don't like any version with
like our dudes being let's swordfight or like a real
sword fight.

Speaker 5 (04:04):
There's a New Mexico high school teacher that is being
sued because she used to have duels in her classroom.
She would put the deaths in a circle and students
would call each other out. She'd give them what they
thought were for ten swords, and they would sword fight
for a few minutes.

Speaker 1 (04:20):
But if they're real, it's making it hurt. Yeah, but
they thought they were just like playing sword fight.

Speaker 5 (04:27):
Okay, well they were having a sword fight and one
guy slashed down slice someone's wrist, severe permanent damage attendons
and ligaments in the wrist.

Speaker 1 (04:37):
So okay, here's my question. She immediately said, oh no,
I'm in trouble the teacher.

Speaker 2 (04:41):
First of all, you shouldn't be having people dose sword
fights or slat fights or whatever.

Speaker 1 (04:45):
But also, let's say you're a kid. How old were
the kids sixteen or like sixteen, they could like ninja swords.

Speaker 2 (04:50):
You can hold a sword and you know it's going
to cut the person if you hit up with it. Yeah,
so that's kind of on YouTube because you're the one
having a sword fight. Yeah, but you know you're six. Basically,
some sixteen year old go to adult jail. Right, I'm
just saying that teachers should be fired. You shouldn't be
doing sword fights. But also if you're sixteen and you're
holding a piece of metal and you're swinging at somebody else,
you know what's gonna happen if you hit them?

Speaker 1 (05:11):
Right, Yeah it's not you're five, but.

Speaker 5 (05:13):
They slice down on the wrist, blood everywhere. And then
she told all the students please delete the videos.

Speaker 1 (05:17):
Delete the videos.

Speaker 2 (05:17):
I'm gonna get in trouble all that thing that TikTok
faster than she had told me to do it, All right, Eddie,
go ahead. Look, if you fly like twice a year
and you don't have TSA pre check, you're crazy. Like
TSA pre check is awesome. You get and get to
the airport, what thirty minutes for your flight? Get right
through it. They're making it even faster now now you
won't need an ID or you won't need a boarding pass.

Speaker 1 (05:38):
You just show your face. Go ahead, you're good. Go
That is awesome.

Speaker 2 (05:43):
Depending on how you feel about Big Brother, Oh, surveillance
were already surveilled. My point is always this. I understand
peoples concerns with it, like, oh, I don't want to
be tracked. I don't want to face you lie there.
They're already doing it at a level we don't know
and understand, so we might as well get some good
out of it. But I think you have to voluntarily

(06:03):
agree as well to be part of that program scanned whatever.
They're doing it anyway for their own reasons. But even
your phone, like my phone's crazy. It can sort out
all my pictures on my phone depending on whose face
I want so, and it's already programmed.

Speaker 1 (06:16):
That is my point.

Speaker 2 (06:19):
We don't know sometimes we don't want to know because
it's scary. It's like extraterrestrials, people from different dimensions.

Speaker 1 (06:25):
That's not real though a lot of use. That's why
you don't do GPS in your car.

Speaker 2 (06:29):
See people are but they if they wanted you, they
would have you. They checked your credit card, they have
your iPhone, They everything watch a video. Your every corner
has a camera. So I get why people will be
concerned because as it grows, it gets scarier and scarier
that overall they're doing this. But for me, I'm like,
you already got me, so let me get through the airplane.

Speaker 1 (06:48):
This is fast.

Speaker 2 (06:49):
Yeah, yeah, dude, I would have missed probably ten flights
and one for tsa pre check you know what the
Oh yeah you would have back in the day.

Speaker 1 (06:55):
You're good now.

Speaker 2 (06:55):
But the greatest is when you go to the airport
and some of these cities have like a store you
go into and you just walk in and grab it
and walk out.

Speaker 1 (07:02):
Oh yeah, you have to pay, You have to you
do you have to?

Speaker 2 (07:05):
Well, it charges, but you don't have to take credit credit?

Speaker 3 (07:07):
Where is it charged?

Speaker 2 (07:08):
A couple of things like Amazon ones and all you
do is just just beat your phone and it knows
what you have when you walk out, and you know
who you are. And then some of the other ones
are like you walk through swiper credit card and then
when you walk out, it knows what you have and
it just charged you.

Speaker 1 (07:21):
Just walk right out.

Speaker 2 (07:23):
Well, we went to a store in Florida state blown away.
Can't stop thinking my actually, you stop talking about I
wanted to go back after we finished shooting.

Speaker 3 (07:29):
What happened?

Speaker 2 (07:30):
You took all your stuff in the gases and you
put on the counter and it just read it and
went six dollars?

Speaker 3 (07:34):
Would they do that at the airport?

Speaker 1 (07:36):
Know? This one? This one was different. It's a gas.

Speaker 3 (07:37):
What I told them the gas station store is like
a convenience store.

Speaker 2 (07:41):
No, no, but it feels different because you're not in
the airport. It's just a gas station on the side
of the road. I never had that happen at a
gas station. I went to go on somewhere like a
ball game and.

Speaker 1 (07:50):
Having a great hot dog.

Speaker 2 (07:51):
You can get a hot dog everywhere, but if it's
a ball game, it's different the experience.

Speaker 3 (07:54):
Okay, okay, go.

Speaker 1 (07:55):
Aheaddie, I'm sorry. No, I went to a basketball game.
Same deal.

Speaker 2 (07:58):
Like I went in, You get grabbed all the beers
and you just walk right out.

Speaker 1 (08:01):
It charged. I don't know how he charged my credit card,
but it did.

Speaker 3 (08:04):
You don't know how.

Speaker 1 (08:07):
When I walked in there.

Speaker 2 (08:10):
Crazy, there's all these cameras looking at you, and then
like six beers.

Speaker 1 (08:14):
Oh like that he's buying six. Let's open up the
mail bag, you.

Speaker 6 (08:21):
Friend the game mail and we read it all the
air pick something we call Bobby's mail bag.

Speaker 2 (08:27):
Year Bobby Bones. I recently found out I'm gonna be
a dad. I haven't spoken to my biological father in
over two years. We had a fallout, never really had
a good relationship anyway. When my wife posted our news
to Facebook, I received a congratulations message from him.

Speaker 1 (08:44):
I thought that'd be the end of it.

Speaker 2 (08:45):
The next day I get a message demanding I pick
up the phone when he calls because he wants me
to tell him he's going to be a granddad. Am
I a jerk for not telling him and not picking
up the phone when he tried to call? Do I
give him a chance to have a relationship with his grandchild?
Sign to be dad without a dad? The thing is,
you don't have to make all these decisions right now.

(09:05):
Some of these you do, but you don't have to
make all of them right this second, because they all
don't demand a decision be made. If you don't have
a close relationship, then that's on you that you get
to decide that. You get to decide who you call
and tell. And if you guys ain't good and you
don't call them, it's your kid, it's your news. You
get to decide to deliver that news. As far as

(09:26):
the do I give him a chance to have a
relationship with his grandchild? I hope, But you don't have
to make that decision right now. And if for some
reason you feel like he's too toxic for that relationship,
then you don't, but your kid, so you know, don't
beat yourself up over something that you don't need to
have a fight about right now. But you're not a jerk.

(09:48):
There's a reason you didn't. Now you get to make
the choice. Do you continue the relationship now or do
you not? But that's you that gets to make it.
I think you be happier if you did give it
another shot. That way, if it goes sour again, at
least you know you tried. But I do think you

(10:09):
will want to give.

Speaker 1 (10:10):
It a shot. But if you're not ready right now
because I don't know what happened personally, then that's that's you.
What do you think?

Speaker 4 (10:16):
Yeah, I feel like there's a lot of details about it.
We don't know, so it's hard to say. But I
would give it a try. I would try to repair
my relationship and then obviously if that, you know, goes well,
then yeah, of course your child will have a relationship
with their grandpa.

Speaker 1 (10:32):
The dad came bay too aggressive though for just like
men back.

Speaker 3 (10:35):
It's already not red flag.

Speaker 2 (10:37):
Pepall know your role. If you just would have called
him and like, hey, I saw the news. I know
we haven't talked, but is there that's on him too
for you feeling again defensive and back on your heels.

Speaker 1 (10:49):
So you do you it's your kid, it's your life.

Speaker 2 (10:52):
I have a feeling you're gonna want to have that
relationship if it's possible to have. But if you do
give it a shot and it doesn't work out again,
then it's all you, baby.

Speaker 1 (10:59):
You get to you get to decide. Eddie. Yeah, your kid,
your rules.

Speaker 2 (11:04):
But man, that makes me sad that they don't really
have a relationship because when what I've heard from my
parents that the best thing in the world is grandchildren,
like because they just kind of get to spoil this
kid and really enjoy what they've done, what they've created
kind of you know, like the next generation of of
their creation, which is really really cool. And just sad
that he doesn't have that with his dad and the

(11:26):
grandpa can't have that. So hopefully they can figure this out.
Hopefully they can you know, kind of talk and rekindle
that relationship.

Speaker 1 (11:32):
But it's your kid, man, your rules. You do what
you want. You go attatoo that kid, You go ahead,
go ahead, whatever you want. You we got your game.

Speaker 4 (11:44):
And laid on you.

Speaker 7 (11:46):
Now let's find the clothes.

Speaker 1 (11:48):
Bobby failed back.

Speaker 2 (11:49):
Yeah, it's time for fun fact Friday.

Speaker 1 (11:55):
The song girls just want to have fun? Yeah good.

Speaker 2 (12:00):
It was written by a dude whoa girls, it's creepy
when writes, he's like, I don't Yeah. A guy named
Robert Hazard wrote it and recorded it in nineteen seventy nine,
but it didn't become a hit until Cindy Lapper covered
it four years later. Goos, it's weirder that way. Fun

(12:22):
fact Friday, Amy, go ahead.

Speaker 4 (12:23):
Yawning is contagious. We know that for humans, but even
for dogs. Research shows that the sound of a human
yawn can trigger one from their dog.

Speaker 3 (12:32):
And it's four times.

Speaker 1 (12:34):
I'm not cured.

Speaker 4 (12:35):
Yeah, four times is likely to happen when it's the
yawn of a person that the dog knows.

Speaker 2 (12:42):
Yeah, I yawned, not even seeing a yawn, just her
talking about it. When up dog yawns too, they go hard.
They go like I feel like sometimes and I shut
their eyes onto the big lunchbox.

Speaker 5 (12:52):
The American Pilgrims made a type of soap called chamber Lie,
and that is they would like urine sit in.

Speaker 1 (12:58):
A barrel or two years in a week, you know,
r two weeks in a row. Yeah, and they would
mix it with ashes, and that's how they would make soap.

Speaker 2 (13:05):
I think people just thought urine was a cure. All
urine was robotuesten for the pill for the pilgrims. And
and whoever spread that rumor was, like you learned.

Speaker 4 (13:14):
Last week, the myth of it being steril it's it's
a myth.

Speaker 2 (13:17):
But even robotutting is good for a couple of things,
not for everything. Like we used to have it done,
was like just take robotesting. Yeah, okay, well you you
feel better.

Speaker 1 (13:25):
No, no, that's not what it's for. And yeah, Eddie
watch you got Yeah, so twinkies, you know how they
have cream in the middle. I have bad news. It's
not cream.

Speaker 2 (13:32):
It's actually some sins, like some fake vegetables, shortening sugar.

Speaker 1 (13:36):
But it is cream.

Speaker 2 (13:37):
Yeah, no, it's it's it's different. It's not like cream
that you would make like put in collet there, chemical
me all up.

Speaker 1 (13:43):
It's fake cream. No, it's cream, but it is still cream.
It's just not the Yeah, it's cream. It's yeah, Okay,
I'm not having fun. I have having fun anymore, Morgan.

Speaker 8 (13:52):
The US government has an official plan for zombie apocalypse
so it's a thirty one page counter zombie dominant plan
and it's complained eight eight eight dash eleven, designed in
twenty eleven, and it wasn't designed as a joke, so
they put it.

Speaker 3 (14:07):
Out when Walking Dead came, no.

Speaker 1 (14:08):
My tax, bigger dollars were wasted. I came over to
always wasted until it actually happened. We can get rid
of all that famous last word.

Speaker 3 (14:15):
I don't know.

Speaker 2 (14:16):
I got a couple of good ones here. Only about
fifteen percent of buildings in the US with more than
thirteen stories, only fifteen percent, so you know, fifteen one hundred,
little more than one out of ten actually have a
thirteenth floor.

Speaker 1 (14:28):
It's the superstition.

Speaker 2 (14:30):
So it's a real thing, Like only fifteen percent of
buildings have a thirteenth floor. If it's bigger than that,
but see, like it's still till the thirteen. I think
it's just the number itself. I just didn't know people
building buildings would actually let a superstition affect it. Oh man,
I go a lot of elevators are go into and
like make sure oh no thirteen okay, good, like no
you don't, Yes, the thirteens are never an elevator. Okay,

(14:51):
good now I'm going to stay here. Well, no, I don't.
I just make sure they do it. There's a video
game based on the TV show Home Improvement. Super Nintendo
made it in nineteen ninety four, and it did not
come with any instructions out of play it. It just said
quote real man, don't need instructions. Wow that Legit never
played that one.

Speaker 1 (15:06):
That's funny. I couldn't figure it out. Not a real
It's time for the good news.

Speaker 2 (15:19):
Brent and Brady Ginther. They're from Kansas, their father and son.
They're driving down the interstate and they see this semi
truck slowing down and it's kind of like veering off
the lane going to the side of the road, and.

Speaker 1 (15:32):
It's going straight into an overpass.

Speaker 2 (15:33):
It's probably got about two hundred yards left before it
slowly rolls into that overpass and hits it.

Speaker 1 (15:38):
So what do they do? Pull the truck next to it.
Pull the truck next to it, they go.

Speaker 2 (15:42):
The dad jumps out of the truck. He jumps on
the passenger side, tries to open the door. Turns out
that the drive truck driver had passed out. He blacked
out in the truck. So it's going it's going to
hit that.

Speaker 1 (15:53):
Over believe that. So he's it's locked. It's locked. So
he tells a son, Hey, throw me a hammer, throw
me a hammer. He gets to the toolbox.

Speaker 2 (15:59):
Dad, here's the hammer, breaks the window, jumps in, hits
the brakes in time for the semi to not hit anything.
That feels fake. It's so that's so amazing. It feels fake. Yeah,
and the fact that they even thought about doing that,
I would just.

Speaker 1 (16:12):
Be like, well, drunk driver.

Speaker 2 (16:13):
That also had to be semi instinctual, because there's not
five minutes for all that to happen, right, you see it,
drive up to it.

Speaker 1 (16:22):
I'm going tell me the hammer. Gotta have a good
throw for the hammer. You gotta have a hammer, dude,
gotta have a hammer. They had a hammer, which is crazy.

Speaker 2 (16:29):
The Kansas Highway Patrol they kill people that weren't even
a part of that too, totally. The cans they give
my prizes of the Kansas Highway Patrol made them honorary
patrol men. That means they get to shoot one person.
I don't think that's what that means. Oh, I mean, okay,
what if that was it? You get to here's your
gun you only get one shot, or or just arrest someone.

Speaker 1 (16:47):
That'd be cool. That's cool that I would arrest.

Speaker 2 (16:51):
I would just go to your house and got you
coming in and how much time would you have to serve?
You get to also do the city. I love it
five years. Oh oh, so I don't know for what
I know if I.

Speaker 5 (17:01):
Alright, go ahead, I was gonna say, I mean, be
an honorary deputy. Fine, but they should name that stretch
a highway after them.

Speaker 1 (17:07):
Then you got to clean it up.

Speaker 5 (17:10):
Like this highway is named after the people who save lies. Boom,
and you have a sign.

Speaker 2 (17:14):
Already named by about like a military guy or another
I mean maybe spin a will and whatever happens, you
have you get.

Speaker 5 (17:21):
I mean so, I mean because honorary deputy, not a trooper.

Speaker 1 (17:24):
Man a police car.

Speaker 2 (17:27):
Now you don't really have to be a trooper, but
you just need to drive around a police car for
the rest of your life. Yeah, because everybody would slow
down around forever. You're allowed to use the good story.
That is what it's all about.

Speaker 1 (17:38):
That was telling me something good. It's a new season
of trivia. It's the easiest trivia game in the whole
wide world. Our champion. Aren't new champion is Amy.

Speaker 2 (17:50):
Miami has the new champion. We're gonna play in like
less than one minute. You get to ban yea this.
I know you can either ban Lunchbox. Eddie the lunchboxes
has got two championships to his belt to his name,
Eddie's got six, six championship.

Speaker 1 (18:08):
Tom Brady man or Morgan who has none.

Speaker 3 (18:11):
I'm just your championships do I have?

Speaker 1 (18:13):
You have three?

Speaker 3 (18:14):
Eddie has six.

Speaker 1 (18:16):
Eddie, you're scared, You're scared of everybody. That's fine, that's fine.
I'm just gonna say this to you.

Speaker 2 (18:24):
You don't look as real of a champion if you
can't beat the champion, correct, Like that's kind of to
be the man. You gotta kind of beat the man.
And I'm gonna he's letting me in the gamekeep me out.

Speaker 5 (18:33):
But Tom Brady didn't make the super Bowl every year,
and guess what, whoever won it was still a champion.

Speaker 2 (18:37):
If that's fine, you want to kick kicking out what I'm saying.
It makes you look less credible.

Speaker 1 (18:40):
Of a champion.

Speaker 4 (18:41):
Okay, it's all good.

Speaker 1 (18:43):
Amy.

Speaker 2 (18:44):
I no longer admire you, so there, Yeah, lost admiration, Eddie.
You are now out all right man, Abby is now
in Hello. Amy just made her life so much easier,
like she she just killed off the good competition.

Speaker 3 (19:00):
No, Lunchbox is.

Speaker 4 (19:01):
Really good, and Morgan has up her game a lot.

Speaker 2 (19:03):
And Morgan's won championship like total championships when everybody.

Speaker 1 (19:08):
Combined is less than you have. H Okay, here we go.
Let's go.

Speaker 2 (19:11):
Question number one. Champion Amy the categories music. Who is
known as the king of pop?

Speaker 3 (19:17):
Michael Jackson?

Speaker 1 (19:18):
Correct Lunchbox?

Speaker 2 (19:19):
Which rock band released the album Sergeant Pepper's Lonely Hearts
Club band?

Speaker 1 (19:23):
Yeah, that's the Beatle.

Speaker 2 (19:25):
Correct Morgan, which rapper released the Marshall Mathers lp eminem Correct.

Speaker 1 (19:32):
Abby?

Speaker 2 (19:32):
What singer is known for? Like a prayer and material
girl Madonna?

Speaker 1 (19:36):
Correct? If you miss it, you'll hear this sound you've
been don't miss it.

Speaker 2 (19:42):
Here we go, Amy, you're up first. Superhero alter egos.
Clark Kent is the alter ego alter ego? What superhero
Clark Kent.

Speaker 3 (19:52):
I'm taking sure that I'm right on this.

Speaker 1 (19:55):
Lark Kin.

Speaker 3 (19:56):
Superman.

Speaker 2 (19:57):
Correct Lunchbox Bruce Wayne is the alter ego of.

Speaker 1 (20:03):
Batman. Correct? Yes, Morgan Peter Parker is the alter ego
of what superhero? Spider Man? Correct?

Speaker 2 (20:11):
Abby, Tony Stark alter egot what superhero?

Speaker 1 (20:17):
I know this? No, I know this Tony Stark.

Speaker 6 (20:31):
A man.

Speaker 1 (20:32):
Welcome back, Abby. Thank you you didn't talk to your head.

Speaker 3 (20:35):
Abby, Thank you so much. I tried not to do that.

Speaker 1 (20:37):
This week the category is famous companies. Only three remain. Well,
Amy set this thing up. That's perfect. Famous companies? Bill
Gates co founded? What famous tech company? Amy?

Speaker 3 (20:48):
Bill Gates is? Bill Gates is Microsoft?

Speaker 1 (20:54):
Correct?

Speaker 2 (20:56):
Lunchbox YouTube was bought by what company? From one point
six I have a billion dollars in two thousand and six?
What YouTube was bought by what company? For one point
six billion dollars in two thousand and six? Mm?

Speaker 5 (21:11):
Hm, YouTube is bought by a company?

Speaker 2 (21:18):
Uh?

Speaker 1 (21:19):
Facebook? You vision YouTube?

Speaker 4 (21:23):
No?

Speaker 1 (21:23):
Never have YouTube acount? I don't know it's Google. You
got a log in every time with your Gmail?

Speaker 6 (21:29):
Yeah?

Speaker 1 (21:29):
Yeah, lunchbox is out? You have, Amy Morgan? What company
produces the PlayStation gaming console?

Speaker 8 (21:37):
The PlayStation gaming console?

Speaker 2 (21:40):
Okay, famous companies? What company produces the PlayStation gaming console?

Speaker 7 (21:46):
Shoot?

Speaker 2 (21:46):
I mean, oh my gosh, Amy, you want like I'm serious? Amy?

Speaker 1 (21:55):
You did you set it up? You set it up?
Yang is you're the Antony Chiefs.

Speaker 2 (22:00):
You picked some high schools to play against you, the
AFC East or a FC.

Speaker 1 (22:06):
Go ahead West?

Speaker 3 (22:07):
Wait, were just getting lots of time here, go ahead? Yeah,
I'm over here thinking the PlayStation.

Speaker 1 (22:12):
Yeah, I know the PlayStation.

Speaker 8 (22:14):
I can see it, and I know a lot of
them Nintendo incorrect. I don't know.

Speaker 9 (22:21):
So many.

Speaker 1 (22:24):
That was so quick. We should just do another round?

Speaker 6 (22:26):
What?

Speaker 1 (22:27):
Yeah? Can we just do the five right now and
then get it over with Amy One's five and then
we go to that season? Yeah, I mean might as well.
Ray just say, since I would you say, right, six
minutes to do what the whole.

Speaker 2 (22:42):
Game and go to break? You want to do another round.

Speaker 1 (22:44):
So go to break and come back. I think we
could do that in six minutes. Hey, trust me, we
did that the rules. That was a tough cle right.

Speaker 2 (22:51):
Let me know when I got a wrap and if
we need to come back and finish it, we will, Okay, Yeah.

Speaker 1 (22:56):
I don't think we should do too. I think we
take a break.

Speaker 2 (22:59):
I mean nineties TV Amy Ready what was the name
of the popular TV show featuring a group of teenagers
living in the fictional town of Sunnydale, California. And they
battle blood sucking supernatural forces.

Speaker 3 (23:11):
What is this the first round on?

Speaker 2 (23:15):
Uh?

Speaker 1 (23:15):
Yeah, no, let's just take a break and won't come back.

Speaker 2 (23:19):
Okay, Buffy the Vampire Slayer would have been that answer.
We will take a break, we will come back. We'll
just wait till next week's Yeah, got real hard. There's
a voicemail.

Speaker 6 (23:33):
I was just wondering if there was any update on
when Amy is gonna have her dull collection of praise.
I think it would be hilarious if it came back
and praise it a big number. I think that there
are some members of the show I'm not.

Speaker 1 (23:47):
Gonna name dames would probably lose their mind.

Speaker 6 (23:50):
I think it'd be a great bit. I've been waiting
for it since you talked about it, and I would
love to see it happen on the show.

Speaker 1 (23:54):
Thank You.

Speaker 2 (23:55):
And by the way, it will not be a bit
bit where once I had her live about Oh man,
you'll never do that again, because I know for her
it's a little unomfortable too.

Speaker 1 (24:02):
But I was like, just trust me on this, thank You.
That's hilarious. No, No, it wasn't.

Speaker 5 (24:06):
No, it wasn't because I was like, how do you
have all the luck.

Speaker 1 (24:09):
In the world, and I was, we are doing this,
We've already lined it up. I don't know. She hasn't
done the appraisal yet, has she? No, not at all.
But what do we think it'll be on? Probably late
next week?

Speaker 3 (24:18):
Wow, this took months and months and months.

Speaker 1 (24:21):
It didn't We just forgot some other stuff happened. Yeah.

Speaker 4 (24:25):
I just thought, oh well, I guess we're gonna do it,
so I put my dolls away.

Speaker 2 (24:29):
It was on a list and it kept getting bumped down.
But he's right enough listeners that demanded we do it.

Speaker 4 (24:35):
Question, Yes, do you think if some of them are
missing their arms, they could potentially be worth more if.

Speaker 2 (24:41):
You bought them that way? And they were basically error
cards if you broke them. Oh no, let's play Boston
Mike number three.

Speaker 10 (24:47):
Hey, Bobby Bones, what's up?

Speaker 1 (24:49):
Problet's say?

Speaker 7 (24:50):
Checking in with you, guys.

Speaker 6 (24:51):
I stumbled across your radio station a couple.

Speaker 7 (24:54):
Of weeks ago.

Speaker 2 (24:55):
I'm an addict.

Speaker 6 (24:57):
Don't stop.

Speaker 10 (24:58):
Don't stop your show man, just keep doing your things.

Speaker 2 (25:01):
I love you. I appreciate that. I was about to
quit today with my final day until I got this. No,
but you're a chicken and I'm here I'm here. Hey,
appreciate that you guys can leave some VOICEMAILT anytime. Eight
seven seven seventy seven. Bobby questions comments. We love them,
we need them, we share them, pile of stories.

Speaker 3 (25:21):
Would you like to be known as a baby girl?

Speaker 1 (25:23):
Yeah? Please? What do you know?

Speaker 2 (25:25):
Yeah?

Speaker 1 (25:25):
I love it. I'd love to be a baby girl. Yeah,
treated like a queen. This is a new thing, Bobe,
just have all my needs.

Speaker 4 (25:32):
Man, it's a new swoon worthy term given to guys
with a sexy feminine quality.

Speaker 2 (25:37):
Let's go, I'll be your baby girl homeine. I mean,
if I was in jail, I for sure baby girl.
But I'd like to be out now.

Speaker 4 (25:42):
I'd like to be a man that is a baby
girl is dreamy, charming, coy, in touch with his feminine side.

Speaker 1 (25:50):
Oh that part I got the other ones I'm not,
but I still like to be a baby girl.

Speaker 4 (25:53):
Yeah, he's the He's the exact opposite of the toxic
masculine aby situation, and.

Speaker 2 (25:59):
That would be called it going on. Old man like
baby a girl. Old man so much works an old man.

Speaker 1 (26:03):
I'm a baby girl. Yeah, he'd probably rather be an
old man, though I'd rather be an old man. No,
baby girl.

Speaker 4 (26:09):
Women are attracted to baby girl. We want a masculine man.
We also want you to be in touch with your emotion.

Speaker 2 (26:16):
Today wasn't I was going to share this, but I'm
wearing panty, Oh, baby girl.

Speaker 4 (26:22):
I Hop and Leys have teamed up for a new creation.
Rudy tooty Fresh and Fruity Potato ship.

Speaker 1 (26:31):
Okay, I thought you're gonna say pancakes.

Speaker 2 (26:33):
Okay to so pancakes potato chips, not potato chip pancakes.

Speaker 3 (26:36):
Oh gotcha. That'd be good though, you.

Speaker 1 (26:38):
Both, so let's do it again.

Speaker 2 (26:40):
It's so it's in a bag, not being sold to
I hop, it's being sold where the potato chips are.

Speaker 3 (26:43):
Sold exclusively a Walmart.

Speaker 1 (26:45):
Go ahead, What are they again.

Speaker 3 (26:46):
Rudy tooty fresh and fruity potato chips.

Speaker 1 (26:48):
So they have to be sweet?

Speaker 2 (26:49):
Yeah yeah, because that red, ruddy, tooty, fresh and fruity
is the pancakes.

Speaker 1 (26:53):
Yeah yeah, those are good, So they're not going to
be well.

Speaker 4 (26:56):
I'll give you the flavor profile because it's when you
give me a follow up and I'm ahead.

Speaker 3 (27:00):
No, you're right.

Speaker 4 (27:01):
There are sweet notes of strawberries and Mabel syrup, A
subtle touch of bacon.

Speaker 1 (27:07):
I can't have potato. I like it all that right now.

Speaker 4 (27:09):
It is a potato chip, so that it comes from
a potato I know.

Speaker 1 (27:13):
But potatoes and strawberries don't mix.

Speaker 3 (27:16):
Yeah, they do. Sweet.

Speaker 1 (27:20):
I would try them, but I'm gonna expect a sweet chip.

Speaker 3 (27:22):
It's a light and airy chip.

Speaker 1 (27:24):
Okay, you're just reading words in the Patriot.

Speaker 4 (27:27):
So Cody Johnson said that a couple of weeks ago,
he was told that his song Dear Rodeo was quote
to Rodeo for radio.

Speaker 2 (27:36):
That's hard to say, but I think, first of all,
I don't think that's true, just my own opinion of
this song. And I think people do this with the
news stories as well, where they're like, this person hates
Taylor Swift and says she's toxic and terrible, and it's
the headline they put out. But it's one comment out
of one million comments and nine hundred and niney nine
thousand are positive.

Speaker 1 (27:56):
We love Taylor. But they know that'll click bade up
to get people to click.

Speaker 2 (27:59):
Think think somebody probably said that to Cody, and Cody
probably said, yeah, this guy said, and then it becomes
a story because it's something interesting to argue about. I
don't think the general consensus is that who told him that?

Speaker 1 (28:10):
Some one dumb radio guy.

Speaker 3 (28:12):
I don't know.

Speaker 4 (28:12):
Apparently the rodeo reminds people of cruelty to animals for
Peter Great.

Speaker 2 (28:17):
Yeah, I'm telling you that's not the person that we
want talking for Cody Johnson or for country music. We
don't want p Dea talking for them for him, I
don't think that that's a thing. I don't think most
people feel that's true. I think Cody Johnson has his
own style. We already if it was too rodeo for radio,
his other stuff would have been on the radio.

Speaker 1 (28:34):
Yeah.

Speaker 2 (28:34):
And I just heard Rodeo by Garth Brooks the other
day on the radio. No, it'll never make it. That's
rodeo on radio. Easy to get a headline if you
say someone said this one crazy thing not most people
feel a certain way, but also not true and also
that not your fault.

Speaker 3 (28:49):
No, I'm a plato terifying.

Speaker 4 (28:51):
The headline was, is Cody Johnson to rodeo for radio?

Speaker 1 (28:54):
Animal question?

Speaker 2 (28:55):
I'll kick animal right now, just to prove a point
matter bring they ran in as long as it's not
my dog. I'm just kidding olone, All right, what else
is that?

Speaker 3 (29:03):
It was Amy's pile of stories.

Speaker 5 (29:08):
It's time for the good news.

Speaker 1 (29:14):
Sarah and Brandon are a couple from Missouri.

Speaker 5 (29:17):
They're dating. They decide, hey, we should get married. Well
along the way, I guess they were doing something that
they weren't supposed to do before they got married, and
she was pregnant.

Speaker 1 (29:26):
What okay?

Speaker 2 (29:28):
What Biblically? Okay, go ahead, I got you, I hear.
And so mister moral's over there.

Speaker 1 (29:35):
Yeah, go ahead.

Speaker 5 (29:36):
They're planning their wedding and oh, my goodness, gonna be
dream wedding. She's thirty five weeks pregnant and the wedding's
coming up, and all of a sudden, oh, I think
my water broke and she has to go to the hospital.
They're gonna miss the wedding because she's having a baby.

Speaker 1 (29:52):
Day and how close to how many hours?

Speaker 2 (29:56):
Sometimes they bring the whole wedding into the delivery room,
but even if it's super super close, you can't.

Speaker 5 (30:01):
He just says they learned they were gonna miss the
wedding because she's in the hospital with a baby.

Speaker 1 (30:06):
Okay, So the hospital staff rows it together.

Speaker 5 (30:10):
They decorate boom boom, and they have a wedding before
the baby arrives.

Speaker 2 (30:15):
I wonder if that was important to them, well, like
before the baby's born. Like we've moles, Is there a
difference if you're married before the baby's born rafter?

Speaker 5 (30:24):
I mean, I don't think so, but I mean it
must have been important to them because now they're Sarah
and Brandon Perry and the baby has the last name Perry.

Speaker 1 (30:35):
I guess it's important.

Speaker 2 (30:36):
I don't know, but I like it that the hospital
did that for them because that's super cool because there's
a lot stuf happened at the hospital because she didn't
know a lot of stuff, baby being born, people dying,
all kind of injuries, all that surgeries, yep, all of that. Yeah,
and it stinks had to miss their wedding. But also
they weren't really cutting the close there if they knew, right,
it's risky, man, maybe you punt it, you move it
up or back a little bit, right.

Speaker 5 (30:57):
Wait till the baby's born, and then have the wedding later.
That's what I mean. I have multiple friends that did that.

Speaker 1 (31:02):
But does mister moral does he done or condemn that?

Speaker 2 (31:07):
No?

Speaker 1 (31:07):
I condone it.

Speaker 5 (31:08):
I don't mind it at all, Like I got no
problem with you know what they were doing before marriage?

Speaker 1 (31:13):
Yeah, some people do. Some people do.

Speaker 5 (31:15):
I was just saying, so don't be surprised like they
were probably like, what how are they praying them before
they got married?

Speaker 1 (31:19):
Didn't make any sense, didn't make any sense. I wanted
to explain that you for doing that.

Speaker 2 (31:23):
Wow, that's a great story. Shout out to the hospital.
Congratulations on the baby. That's what it's all about. That
was telling me something good.

Speaker 1 (31:30):
Here's a voicemail we got last night.

Speaker 7 (31:32):
Hey, I have a question and anybody on the on
the show can answer this, and people in the classroom,
has anyone ever been afraid of Bobby? Meaning like you
did something wrong and you either got chewed out or
you're waiting to be chewed out. Just wondering because Bobby
seems like a pretty chill boss.

Speaker 1 (31:53):
But let me know, great question.

Speaker 2 (31:55):
I'm not going to lead anyone in an answer here, Amy,
what are your thoughts to that.

Speaker 4 (31:58):
I don't know that I would use the word afraid,
But Bobby also doesn't chew anybody out. That's not his dial.
I don't know that you've ever raised your voice in
any way.

Speaker 1 (32:10):
Shit, only when I went a game and I'm like,
you all suck the greatest thing.

Speaker 4 (32:12):
It's more so I think I if we've.

Speaker 3 (32:15):
Ever had like which we have g twenty years.

Speaker 4 (32:19):
We have, I think I'm more scared of the silence
than the than any chewing out. Like to me, that's
where I'd be like, okay, because I think that in
its like disappointment in a way.

Speaker 2 (32:33):
I don't feel like I'm ature, You're not. I feel
like i'd be terrible at chewing you guys be like,
what are.

Speaker 1 (32:38):
You going to be chewing up?

Speaker 2 (32:39):
Yeah?

Speaker 4 (32:40):
Yeah, I really think there's a there's a silence involves
that would be our equivalent to chewing.

Speaker 3 (32:46):
Out if we had to.

Speaker 1 (32:47):
Both are equally as toxic.

Speaker 2 (32:48):
And sometimes my wife like, well you just have If
we're not agreeing on something or having a little fight,
she'd be like, why can you just yell or something?
I have some emotion because all you do is a
super calm or shut down, and that is what I do.
I don't know, but I don't shut down an instance
as professionally if something's up.

Speaker 4 (33:07):
No, I don't think I experienced you shutting down. There's
no rage, a silence and like a stare.

Speaker 2 (33:13):
I think the only time I was ever afraid, and
it wasn't of you. It's just more afraid of getting fired.
Was when I was late, Like, we almost left you
a couple of times you did know? Did you ever
leave me?

Speaker 1 (33:22):
No, we tried New Orleans.

Speaker 2 (33:23):
We drove off without you, and you were right, You're like,
rerun on what's happening at the end, we're chasing the car.
The worst one, though, was we were gonna drive somewhere
and we were all meeting at the station and I
had laid down with the baby and I fell asleep
and we were supposed to meet at ten and I
woke up. We're leaving on the tour bus to get
to another city. I woke up at ten thirty and I'm.

Speaker 1 (33:39):
Like, oh my god.

Speaker 2 (33:40):
So I just just drove over here quick. And when
I got here, bones didn't say a word to me
the entire ride.

Speaker 3 (33:46):
Yeah, I see silence the entire ride.

Speaker 1 (33:48):
I'm like, oh, this is not good.

Speaker 4 (33:50):
Yeah, I just don't want to You're better, though, You've
gotten better at that at.

Speaker 1 (33:54):
That so I said, chew more.

Speaker 3 (33:56):
No, No, you're good man, You're good, don't I'm acknowledging growth.

Speaker 1 (34:00):
Oh yeah, I definitely feel a bit of growth too, lunchbox.

Speaker 5 (34:03):
Oh man, I don't have any specific instances, but the
silent treatment is the U that's the one. There is
no chewing out, but it is a When he is silent,
You're like, hang it, when does I screwed up?

Speaker 3 (34:18):
How do you feel about that?

Speaker 1 (34:19):
I feel when you I.

Speaker 2 (34:21):
I think a lot of my leadership style, if you
have one, is by example, and hopefully everybody sees how
much I care and work and depend and rely on
you to make me better. And when it doesn't, I'm
just like, I can't rely on you right now, so
I need to put energy somewhere else. It's not even
so much like I'll show you because I'm not that
fun to talk to you, but it's like I can't
spend any energy on you. Write a second, because for

(34:43):
the moment, I can't trust that you're gonna help us
do what we're trying to do and we'll come back later.
That's not the healthiest way, but that's how. That's what
happens in my head. When you say that, I feelt that.
But I never hate you because I hate it. I fied, Yeah,
thank you many, You're welcome, buddy. All right, let's go
over and do the Morning Corny.

Speaker 4 (35:02):
The Morning Corny, what kind of bird works on a
construction site?

Speaker 3 (35:06):
Crane?

Speaker 1 (35:12):
That was the Morning Corny? All right? I like that
one's all right? The Friday Morning conversation with you.

Speaker 2 (35:22):
I have all these notes that I have for every guest,
but I feel like we know each other and a lot.
Have you ever seen the information that your people send
about you? Because it's a mixture, right, It's a mixture
of things that I want to talk about, but it's
also information like your your PR people or whomever advances.

Speaker 1 (35:39):
Do you want to see some of it? Maybe not?

Speaker 2 (35:42):
Well, it's stuff like, Okay, for example, you were inducted
into the Nashville Songwriters Hall of Fame. And I don't
know unless I just know this, and if it were
to come up, I'd be like, oh, and by the way,
Nashville Songwriters Hall of Fame. Right, it's so got it?
So it's that has to be cool for you. It's
different than a performance. It's like a thinking award to

(36:02):
be in the songwriter Hall of Fame. What is that ceremony?

Speaker 1 (36:05):
Like? Surreal? For me?

Speaker 10 (36:08):
I mean, it's just you know, it's a songwriting town.

Speaker 9 (36:10):
Uh, and man, that was an amazing not I mean,
that's a that's a that's a cool club to be in.

Speaker 2 (36:16):
I would think it would feel like an elevated like
a really special place to be because not everybody gets
to see the work that goes into songwriting. Yeah, and
the people that are in the crowd actually understand the
undertaking of it yea. So it's a very relatable award
with everybody in the room.

Speaker 1 (36:31):
It is.

Speaker 9 (36:31):
And there's a like a reminder I've written a lot
of songs. Yeah, I forget how many songs I've written.
And then and then they start playing them and you're like,
oh my gosh, that's really a thing where tons of
songs where Joan Rivers used to keep every joke in
a file cabinet that she's ever written.

Speaker 1 (36:48):
Is that true? Yes? Like why why did she do that?

Speaker 2 (36:51):
She just wanted to have an organization and a collection
of all of her jokes, and you know, and she
ended up dying and she was older when she died,
like maybe almost ninety. Is there a database of everything
you've ever written that you have that you could get
into or would you have to go and scurry around
and find it from different places?

Speaker 9 (37:06):
Probably that yeah, Yeah, I think it's kind of scattered everywhere.

Speaker 1 (37:11):
Cassettes.

Speaker 9 (37:12):
I'm still like cassettes. I've got stuff on cassette I opened. Yeah,
I found this little box of the night up in
the attic and I opened it up and it's full
of cassettes.

Speaker 1 (37:20):
Days go by being written, really stuff like that.

Speaker 2 (37:22):
Yeah, you always record the room when you're writing, or
do you just record like a work tape when you're done?

Speaker 1 (37:27):
I I like to.

Speaker 9 (37:29):
So. I have my own record company, which I've had
for a long time, and it's called hit Red. The
reason it's cool that is because I always think a
great engineer hits record the second anybody walks in the studio.
Don't worry for us to sit down and start playing.
Just hit Red right away, because you walk in, you
start whistling something, humming something, you peek a guitar out,
you tune it up, your play a riff, and you're like, oh,
did anybody get that? Because I'll forget it. So yeah,

(37:52):
I think record all the time. Did you watch the
Greatest Night and Pop that we are the world?

Speaker 7 (37:57):
Did?

Speaker 1 (37:57):
Yeah? Whenever. Lionel Richie, who I've been fortunate enough to know.

Speaker 2 (38:02):
For a while, he's awesome, like in every way on
that show, he's like that in person, he's the greatest dude.
But when he's talking about working on Michael Jackson and
that Michael Jackson didn't play an instrument, so he laid
down layers and layers of then he would come on
top of a table and go, So have you worked
with anyone who didn't have the traditional music skills? But
we're so good at something like that where just going

(38:25):
in and humming a line. But being a great artist
that mostly if you're great artists because you learn.

Speaker 1 (38:30):
How to do music.

Speaker 9 (38:32):
I've had to do it myself with string arrangements on
records that I've done because I can't. For you, I
can't write music. I can't read music. I can't write
it or read it. But I can hum it to
the to the conductor or the arranger and go so
the I think the violins might do.

Speaker 1 (38:49):
This line, you know, oh with strings, not guitar, Yes.

Speaker 10 (38:52):
Like violin when you got a big string section.

Speaker 2 (38:55):
I saw Justin Bieber doing with an orchestra in a
recording studio and he did the same like he didn't
know how to play, but he would go La la
Lu Lulu, give them the melody, yeah, and then he
would go strings and eventually they created this really cool sound.
And I guess I didn't put those two together kind
of what Michael was doing. Yeah, and what justin Bieber
and what you're talking about there, because again you don't

(39:18):
play I mean, do you play the fiddle at all?

Speaker 1 (39:20):
No?

Speaker 2 (39:20):
No, but to be able to tell hey, I need this,
you would just hum a melody.

Speaker 9 (39:25):
The other coolest thing that's happened is like that you
sing a melody in the studio. Sometimes I sing it
as a placeholder, like when I want to keep a
player to come in and do m kind of thing,
and then maybe and then the harmony would be done
and you do the hominy. Sometimes we've just left that
in the actual Yeah, the vocal homey of the vocal

(39:45):
attempt at trying to sound like something ends up being
textually so much more interesting and cooler than the actual thing.

Speaker 2 (39:51):
You ever have part of a chorus or even a
bridge that you acted in the leave end that ends
up becoming like what the song is most known for,
like an accidental discovery or like a uh An ad
lib that you're like, you know what, why don't we
just put that in or a guitar lick, for example,
a vamp. Why you think about it, because it's a
hard question. Uh, Radiohead and within Creep, Oh yeah, that

(40:12):
really wasn't what it was supposed to be, but now
it's you know, and they were like, yeah, really in
the recording of it, that guitar part wasn't supposed to
be like that.

Speaker 1 (40:20):
It was kind of an accident and they left it.
Anything like that strike you when I tell that story.

Speaker 10 (40:24):
No, I it probably is. I can't think of anything
off the top of my head.

Speaker 9 (40:28):
But I was thinking about that beautiful as James what's
his name, No James, and he started too early, I
love yeah, brilliant ye, and then he came in too early,
and then they left it in.

Speaker 10 (40:40):
It's one of my favorite moments in that song.

Speaker 2 (40:41):
Which is what that song was known for till it
became a massive hit, the song where he sings it
twice at the beginning, or even like we come in.

Speaker 1 (40:51):
We all know that.

Speaker 2 (40:54):
And you wonder if that even really because she probably
wasn't saying that.

Speaker 1 (40:58):
She was probably talking to the sound engineer. Yeah, will
you count me in? Turn it up?

Speaker 2 (41:02):
And we still remember that, I said Colby Cala and
Keith the night at the same time went will you
Count Me in?

Speaker 1 (41:07):
Isn't that crazy? Guys? Yeah, it's so hooky.

Speaker 2 (41:09):
You have a new song that we've been playing all morning.
It's called Messed Up as Me? What about this song?

Speaker 1 (41:14):
Did you love? And why do you think you need
to record it? It's a super relatable song for me.

Speaker 9 (41:18):
I mean, this is about a relationship that has one
good thing going. All the rest is dysfunctional, toxic, makes
no sense. But one part of this relationship is phenomenal.

Speaker 1 (41:31):
Us me and you.

Speaker 10 (41:32):
Yeah, that's why we're sitting so close.

Speaker 1 (41:36):
Thank you, Thank you. The Friday morning conversation.

Speaker 2 (41:39):
With so, I'm sitting right next to Keith because we're
very close and he's actually seeing my notes. I never
let anyone see my notes. Well, and I felt bad.
I felt bad for you and jealous of you. This
picture of the paparazzi took of you, Oh god, you
look great?

Speaker 1 (41:53):
Are you kidding you? Are you well?

Speaker 11 (41:56):
Then?

Speaker 2 (41:56):
Why do you feel bad for him because paparazzi taking
pictures of him?

Speaker 1 (41:59):
Oh yeah, yeah, yeah, like the guy can't live. That's
a good question. It was confusing there for a sec Well,
I was gonna get there.

Speaker 2 (42:06):
But if I you look awesome, and I know who cares, right,
it's body with all. But it's like I was irritated
that the paparazzi was not letting you live your life,
but then I was irritated at you for being in
great shape. You can talk, yeah, but I have to.
I struggle. I struggle with why. I don't know, you
smell good?

Speaker 1 (42:25):
You look good? Please? How often do you have to?

Speaker 2 (42:27):
Is it worse for you out of America with paparazzi
than it is in America.

Speaker 1 (42:32):
It's more so when I'm with Nick. Yeah, yeah, never
by yourself.

Speaker 10 (42:36):
Uh yeah, obviously, but yeah, occasionally.

Speaker 2 (42:39):
Do you worry because I would say, you're even one
of the more fashion forward dudes in music, not even
just country music, Like for a long time, I mean
you were wearing off White before like off White was
like yeah, me too, but it was like I would
notice that you were wearing off White like way way
early before it kind of became a bigger cultural I.

Speaker 9 (42:53):
Rode skateboards and road BMX bikes when I was a kid,
and I think that whole street thing is just part
of what I love.

Speaker 1 (42:58):
That makes a lot of sense. Did you ever injure
yourself real bad doing that? Oh? Yeah, yeah.

Speaker 9 (43:02):
I was in a BMX race and first jump went
over and landed on the front, flipped the bike over,
broke this left arm, and I remember a guy, you know,
one of the you know, people in charge of officials,
running out and going you.

Speaker 1 (43:18):
Got to keep going, you got to keep going.

Speaker 10 (43:20):
I'm like thirteen, I'm like what I'm hanging out?

Speaker 1 (43:22):
My arms are like here.

Speaker 10 (43:23):
I picked up my bike which was just trashed, and
carried it around the track to finish, to finish the race.

Speaker 2 (43:29):
Yeah, did you continue racing after that?

Speaker 9 (43:33):
I did for a long time, and then my mom
was like she wouldn't have with those doing it.

Speaker 2 (43:38):
Have you ever in the last five years, again, you're
such a great guitar player, Have you discovered anything new
about the guitar? And I talked to coaches at a
high levels, like have you have you figured anything out
about an offense or a defense? Even though you've been
doing it for thirty years. I'd be like, you know,
I did. Have have you done that with a guitar
at all? Where you're like, you know what? I found
that I can go from here to hear or do

(43:59):
something new that you had never discovered.

Speaker 9 (44:01):
I think I'm working on not playing so much so
the opposite. Yeah, it's like you have ara. It's like
it's like saying a sentence. I'm going to say this
whole thing, but learning to stop halfway through and leave
it there. That's kind of the version of playing a
lick on the guitar. Is that hard for you to do? Yes,
because I want to complete the thought. But the newest
thing is to not complete the thought and end it

(44:22):
in the middle and see what happened.

Speaker 2 (44:23):
To leave the space, let art happen then a different
kind of art. Or you're just like I'm tired.

Speaker 9 (44:30):
Just to stop getting into the predictability place like muscle memory.

Speaker 2 (44:35):
Almost, it's exactly what it is with like brain muscle memory,
because your brain is going to a place playing what
you feel is not to us, but where you feel
like it's predictable.

Speaker 1 (44:44):
Obviously, I'm on this scale. I do this right Wow.

Speaker 9 (44:47):
Yeah, So making myself stop because then whenever I start
the next phrase, that'll be probably different because of being
so aware of what's going on.

Speaker 1 (44:56):
Why did this awareness happen? No, I just hear things back.
I'm like, stop you have stuff back and.

Speaker 9 (45:04):
Yeah, yeah, of course, yeah, I hear stuff back, and
I'm like, dude, just you had it in the middle.

Speaker 10 (45:09):
Stop there, shush.

Speaker 2 (45:11):
That gives everybody else hope. That's not amazing. It's something
if he can hear stuff back.

Speaker 3 (45:15):
I know, I'm very curious. How long do you pause
or wait?

Speaker 1 (45:19):
Like an hour? It'd be awesome.

Speaker 2 (45:20):
He does like an Andy Kaufman and just stops and
watches the crowd. Yeah so yeah, so Michael. I think
of him so often.

Speaker 1 (45:26):
It's my He's my favorite performer of all time. We
would be like playing a lick like didn't Do, Didn't Do?

Speaker 9 (45:32):
And I said to guys, how long do you think
we could play that lick for until the audience started
to it's him reading the book and then but I'd.

Speaker 1 (45:39):
Like to know what happens? Who leaves, who stays? How
did they leave? To people?

Speaker 2 (45:43):
Boo?

Speaker 1 (45:43):
Do they quietly leave? What happens?

Speaker 2 (45:46):
There are things like that too that I like, I
wanted to be a part of. Let's say, let's say
be your band, like but you gave me like a saxophone,
and it's like, okay, let's go to the solo. I
don't want to play saxophone, and I go out front
and I'm just trying as hard as I can, but
I'm terrible. Yeah, and you just and everybody kind of
walks off stage and lets me play. Like you know,

(46:07):
Motley Crue, they would do the whole solo they hook
a couple of girls, but instead you guys were just
letting me play to see how long til people booed?
Like when will they bood the random saxophone player that sucks?
Wouldn't that be a hilarious.

Speaker 1 (46:16):
When you're doing it dead serious? You know, I never
break down.

Speaker 10 (46:19):
You look dead serious, yes, really meaning, And then I.

Speaker 1 (46:22):
Get real sad when they boom me off.

Speaker 2 (46:23):
Yeah you ever been You ever been booed bad?

Speaker 1 (46:27):
It affected your confidence? Yeah? I had.

Speaker 9 (46:31):
Well, I had a guy walk up and and and
put his fingers in his ears, like stand right in
front of me, in front of everybody when I was
playing at a club and I was sort of on
ground level.

Speaker 1 (46:41):
Do you think that was a you thing or him thing?

Speaker 9 (46:43):
A bit of both, probably, But yeah, I got fired
from that gig because of that specifically.

Speaker 10 (46:51):
Or because I was trying to be nice to this guy.

Speaker 9 (46:54):
And your long story short, he came up at the
end of the night, I'm packing up my gear. I
was filling in for a guy who was just all
I act there Friday night at this club, playing solo,
backing tracks live guitar, and I finished with Devil and
Anda Georgia did a little and on the guitar. It's
my big moment, you know, And I'm shredding away and
this guy walks up in front of me and I'm
on the floor with you know, he's all the crowd

(47:15):
and every and he's like.

Speaker 1 (47:17):
No, this is terrible.

Speaker 10 (47:19):
You sound terrrib.

Speaker 1 (47:21):
He's hammered. He is terrible. You sound terrible.

Speaker 9 (47:24):
And I'm trying to get rid of him while I'm
playing and not make a scene in front of everybody.

Speaker 10 (47:28):
And anyway, I finished, like thank you, good night, and.

Speaker 9 (47:34):
I'm furious, and I'm packing up my gear and this
guy comes over and I'm like, I just don't say anything.
He don't say anything, this guy, You're almost out of here.

Speaker 1 (47:43):
Anyway.

Speaker 9 (47:43):
I called him some incredibly offensive things, like horrendously offensive things.

Speaker 1 (47:51):
Uh yeah, and then he.

Speaker 11 (47:55):
Just he goes, ah, you're you're a young guy, but
with an attitude like that, your career is over before
it's begun, and then he just waddled off into the distance,
and then he comes back with the manager of the hotel.

Speaker 1 (48:08):
Here we go, and he goes he karened him. He
hit him with the Karen before the Karen was a thing,
because I got fired for filling in for a guy.

Speaker 2 (48:18):
We played the new song earlier. We've been playing it
all morning long. So when you put out a new song,
it's kind of with you. You're a bit unpredictable in
that sometimes you'll put out like eight singles before you
put out a record, and sometimes you put out a
bit like what's happening now with you?

Speaker 9 (48:30):
Musically, we put out straight Line, which is technically the
first single off the new album and the first song
on the album, and then Messed Up as Me is
the first radio single and second single off the record.
Hopefully another song in the next few months and then
album coming. I've got a jewet on the record which
I recorded last summer.

Speaker 1 (48:50):
Have you said with who?

Speaker 9 (48:51):
No? I haven't, and I've been sitting on it since
last summer and it's killing me.

Speaker 1 (48:54):
So I can't wait to get that. Don't say it.

Speaker 2 (48:56):
I'm not even ask you to say it now, But
what if you whispered it in my ear and I
don't tell anybody.

Speaker 1 (49:00):
Oh, I think he would tell trustworthy. I think he
would tell I know where he lives.

Speaker 2 (49:04):
I think he would tell me you do you do?
Let me do a live reaction, and I'm never gonna
tell you trust me?

Speaker 1 (49:12):
Really?

Speaker 2 (49:13):
Yeah, okay, Ray, play a little hold music, thank you. Yeah,
It's it's gonna be big, guys. It's gonna be big,
and I'm trying to hold back. It's gonna be big.
And that's all I'm gonna say because this face here

(49:35):
is that of a trustworthy person. But it is going
to be big for multiple people. Some people are calling
the new we are of the world oh my, But me,
I'm that person who calls it like great.

Speaker 9 (49:46):
Is that moment with Ray Charles singing his solo moment
in that Way of the World things.

Speaker 2 (49:50):
There were so many great moments to me, even seeing
the humanity in Bob Dylan, where yeah, Bob Dylan struggling.
He doesn't know it because he's not a he's not
a single traditional vocalist. And then when Stevie Wonder goes
hey come to the piano, makes everybody leave the room.
Bob Dylan one of the greatest of all time, like
songwriters like and he's mimicking Bob Dylan, So Bob Dylan

(50:13):
can here, how's supposed to sing it? Yeah, we are
the world making.

Speaker 9 (50:21):
Less and you can tell Bob's like that was terrible
and their leg was amazing.

Speaker 1 (50:27):
Yeah.

Speaker 2 (50:27):
The humanity in that show of people that we don't
feel are human because they're so famous was super cool.

Speaker 1 (50:33):
I felt bad for Sheila. I don't remember Prince.

Speaker 2 (50:37):
They just gave her a verse because they wanted Prince
to car I didn't know that, and then he didn't
show up, and so she was just like, I'm out.

Speaker 9 (50:44):
Oh.

Speaker 3 (50:44):
Sometimes do you multitask when you watch shows? Because I do.
I do, and I miss things like here and there. Yeah,
but it's actually is a quick part, you know what
it is.

Speaker 9 (50:53):
I didn't see that there's another, uh one that's like
three hours long. On the making of that song, they
use all the same footage, but then additional footage.

Speaker 1 (51:03):
It goes for three hours. This thing, Well that sounds better.

Speaker 9 (51:05):
I downloaded that. You know, had those multiple cameras in
the studio. Sometimes it's just the other cameras point of view,
Like it's kind of crazy.

Speaker 2 (51:13):
Do you ever watch like the eight hour Tom Petty
documentary Run is it Running Down and Draw?

Speaker 1 (51:18):
That's it? Yeah, and it's so long, but it's so good.
It's so yeah, it's so good. Yeah.

Speaker 2 (51:22):
That and the Eagles whenever they have their documentary that's
like hours and hours. Ever watched that one where they
announced their health freeze is over?

Speaker 9 (51:29):
Like?

Speaker 1 (51:29):
Yes, that one's really cool too. Yes, documentaries. Is the
Keith Urban documentary? I'm working on it? Are you really? Yeah?
That's awesome? How far back does it go?

Speaker 6 (51:38):
Oh?

Speaker 1 (51:38):
I don't know yet, which literally just preliminary. Do you
have a lot of footage of you as a child playing?

Speaker 9 (51:43):
Not as much as I wish I did. Yeah, it's Obama.
That's really cool.

Speaker 2 (51:47):
Well, I'm not gonna mention anything about it about his
duet and I'm not mentioning anything.

Speaker 1 (51:54):
There we go. That's its gonna be awesome. Have you
ever asked.

Speaker 10 (51:58):
Keith about the kangaroo that seems like beating a kangaroo?

Speaker 1 (52:01):
There you go, Okay, here's the question. I wouldn't recommend it.

Speaker 2 (52:04):
If the if they just picked a generic kangaroo from
any any kangaroo in the wild, It could be a
baby or an old or small generic kangaroo. I think
if you put me up against a generic kangaroo, I
could whoop. I could whoop its button a fight, not
the big muscle ones they put on the It could,
but it also could be one that's had been in
an accident.

Speaker 1 (52:23):
So I think a generic kangaroo, one on one kangaroo.

Speaker 2 (52:26):
I would beat it up. You want film muscle though
it doesn't. We dang dude, Now tell me again.

Speaker 10 (52:34):
You've been hanging out with caratop.

Speaker 1 (52:36):
Oh he's massive, insane, he's massive. Okay, he could kick
a kangaroo as no, no, no, I could see. I
knew he'd make it a joke. He doesn't respect my art.
It's more respecting the kangaroo's art. Okay.

Speaker 2 (52:49):
Anyway, they're pretty bad as His name's Keith Thurman. He's
got some fine his hey, hey, his duet coming out.

Speaker 1 (52:53):
It's fine.

Speaker 10 (52:55):
Wait a minute, Oh you're super buff.

Speaker 1 (52:58):
You would kick that can. You would kick it's a guys, guys,
just do it going. It's already won a Grammy. It's
even how it works.

Speaker 10 (53:04):
It hot works now all right, Yeah, keep its slowly,
a bit slow.

Speaker 1 (53:07):
You're my friend, Thank you, love you all right.

Speaker 2 (53:08):
Bye bye MS and just did a big survey all
through America on tipping habits of Americans.

Speaker 1 (53:15):
The first one's a very broad question. I need to
just trust you.

Speaker 2 (53:18):
You're gonna answer honestly, Yes, even if you're gonna get
made fun of. Amy, answer honestly. I will also answer honestly,
even though I know I'll be made fun of. Okay, okay, okay.
How much do you usually tip at restaurants when it
comes to a percentage lunchbox?

Speaker 1 (53:33):
I mean twenty percent? Look at you, but that's where
I start. I mean, for yeah, why why? What I mean?
In there? I usually they don't screw it up, but
if they screw it up, it's less. And if they
screw up a couple of times, oh it's way less.

Speaker 2 (53:49):
Got it, Eddie, I do twenty percent, but I can't
figure that outside.

Speaker 1 (53:53):
Just give it to my wife to do it.

Speaker 2 (53:54):
Okay, Amy, twenty percent? Great, Bobby, here's the problem. You
guys are gonna make fun of me and be like, oh,
I used to work in a restaurant. I do tip
usually fifty to one hundred percent, but that's a different situation.
Good just because I waited tables and bus tables and
then I got fortunate to be super to be super successful.
But yes, I so is the fifty percent bad service

(54:16):
to the one hundred service if it's a really that's
what I'm saying. No, No, if it's a really high if
I'm paying for like the whole table and it's expensive,
I'm not gonna.

Speaker 1 (54:23):
I just can't.

Speaker 2 (54:23):
I'm not.

Speaker 1 (54:24):
Yeah, you know, but yes, okaybody good? Yeah? Do you tip?

Speaker 2 (54:30):
By the way, seven percent of people less fifteen less
than fifty percent, about a fifth, fifteen percent, over half
tip twenty percent, fourteen percent say more than twenty percent.

Speaker 1 (54:38):
Okay? Do you tip for a takeout?

Speaker 3 (54:41):
Yes?

Speaker 1 (54:42):
No, no chance? Wow, no need to know and no
chance yep, yep. You don't tip of the drive through.
I ain't tipping take to go.

Speaker 2 (54:50):
The biggest is sometimes at forty percent, never is it
twenty three percent?

Speaker 1 (54:56):
There you go?

Speaker 2 (54:57):
Well, uh, yeah I do, even if it's just a
couple of few bucks. I don't think you always have to.
I think it depends on situation. But yes, how much
do you tip? Maurice do is in a coffee shop?

Speaker 1 (55:09):
Zero zero?

Speaker 2 (55:12):
And that one's kind of like probably a couple of
bucks two dollars two dollars for a couple of coffee.

Speaker 3 (55:20):
Oh yeah, I mean I think it varies.

Speaker 4 (55:21):
I mean sometimes if there's like a yeah, you can
add a dollar or two.

Speaker 3 (55:25):
But then sometimes on the.

Speaker 4 (55:26):
Little credit card machine, it'll just automatically give you an
option like twenty percent and then you just click that.

Speaker 1 (55:31):
I like it when they do that.

Speaker 2 (55:33):
Yeah, it's something like that makes it easy instead of
one of the percentage gives you problems.

Speaker 1 (55:37):
That's hard, dude.

Speaker 2 (55:38):
By the way, next week our dyslexic ladies coming in.
She's not dyslexic, but she tests not disle likes yet
right right that. I like it's and if I have
cash and there's a little box to remind me, it's
all about if I remember or it's easy because I'm
not going to go, hey, I need to buy something
and then tip.

Speaker 1 (55:55):
And if there's not a line, but it's probably a.

Speaker 2 (55:57):
Couple of bucks on a coffee, why not especially if
it's EA, it makes no sense that they're making the coffee.

Speaker 1 (56:03):
Well they made your food when you got to go,
and you don't tip them. But you a coffee person.

Speaker 2 (56:07):
I do, I mean, but also you're seeing the person. Yeah,
you're a barista. The person that made your foods in
a kitchen. You don't even have a relationship with them.
You're right right.

Speaker 4 (56:14):
It was somebody in the staff out front, like bagged
it and put in you know, like there's I'm.

Speaker 1 (56:19):
Going at McDonald's. They put in the bag. You don't
tip them, that's true. We don't do that. I probably could.
How much do you tip for drinks in a bar?

Speaker 2 (56:26):
Just your answer is Eddie, a dollar a drink, okay, lunchbox,
a dollar, a round, Amy.

Speaker 3 (56:32):
Twenty percent whatever?

Speaker 1 (56:34):
The total is no way you figure that out at
the bar.

Speaker 2 (56:39):
You really easy. So if it's if it's seventeen dollars,
dollars seventy, oh.

Speaker 1 (56:44):
Yeah, I would have known that. I want to give
them to do seven bucks and then you just double
dollar seventy three.

Speaker 3 (56:48):
Forty, but then you round up to four.

Speaker 5 (56:50):
Hold on, hold on, Amy, you can't twenty percent for
one drink.

Speaker 1 (56:55):
That is one drink on me, I don't know how
much four dollars.

Speaker 5 (56:58):
So they're if you get a fancy cocktail like a
glass of wine or something, it could be six seven
bucks and you're tipping.

Speaker 1 (57:03):
But even it is pouring it in a cup. That's
what I'm saying too, if it's a.

Speaker 3 (57:07):
Dollar, you're getting a fancy drink, or.

Speaker 1 (57:09):
Not even a dollar. You're saying.

Speaker 2 (57:10):
He didn't say, like Eddie, you're crazy for a dollar drink,
but he said, if you're getting six or seven dollars,
and so ten percent of seven dollars would be seventy cents.

Speaker 1 (57:21):
I don't know. That's why I just give him a dollar. Dude,
I can't figure that out. I said dollar around.

Speaker 2 (57:27):
So Amy's saying that, so if she gets a four
dollars drink, she tips eighty cents already a dollar talked.

Speaker 3 (57:32):
Round up a dollar.

Speaker 4 (57:34):
I'm just saying, when I see the total and then
there's a tip line, I just go twenty percent.

Speaker 1 (57:38):
But I doesn't say.

Speaker 5 (57:39):
You're in Vegas and you buy like a round of drinks,
it could be one hundred fifty dollars. You're tipping twenty
percent of that?

Speaker 1 (57:43):
Okay, you're yes, tip thirty bucks, Yes.

Speaker 4 (57:46):
Twenty dollars on that right, that's not I haven't done
that in Vegas.

Speaker 1 (57:49):
Get me either. All the drink stuff to me.

Speaker 2 (57:52):
If you're flying to the moon with the wings out
of your butt, well I haven't had that happen either.

Speaker 1 (57:55):
Sot would you like to see restaurants get rid of tipping?

Speaker 2 (57:58):
Yes, yes, yes, but I would like the servers to
get paid a lot more to.

Speaker 3 (58:04):
That's what it require.

Speaker 2 (58:06):
And well no, yes, yes we want we were serving and
leave that because when I was a server, I only
got two fifty an hour and that's not right.

Speaker 1 (58:14):
No, no, I know, okay, I yes, I would like
for them to do because then you go to where
did you go where they don't do tipping Australia.

Speaker 2 (58:22):
Australia really bad and not. I mean they're they're so
different about tipping. It's weird when you do tip. And
when I was in Europe a little bit, but the
culture is not the same thing. That's what I'm talking about.
Like we take a cab or whatever, and I give
the guy whatever. I don't even have to color the money.
I'd be like, here's this color, here's blue, and he'd
be like, oh wow, like they were really surprised by it.

Speaker 1 (58:43):
Yeah, I do.

Speaker 2 (58:44):
What I would really like for restaurants get rid of, though,
is paying when they take your credit card to the
back room.

Speaker 1 (58:50):
You wanted to bring out that thing in front of it.
I want it in front of me harder still, my
identity if I'm watching.

Speaker 2 (58:55):
Yeah, because that is a really old school way. Here's
my precious account with card and information. Take it back
to a room where I.

Speaker 3 (59:03):
Can't see you, and it is kind of crazy. We
do that.

Speaker 1 (59:05):
Do whatever you like to take my kid too, you
know that's what it would. It's like, it's weird.

Speaker 2 (59:10):
And then finally, have you ever had a job where
you relied where the job relied on tips or it
wasn't the extra part of it, but relied on tips
eddie never lunchbox?

Speaker 7 (59:20):
Uh?

Speaker 1 (59:21):
Yeah, delivery driver? But did you get paid at least
a minimum wage? Yeah? Okay, so I wouldn't say that relied.
You were getting an hourly rate.

Speaker 5 (59:27):
It was, yeah, But and I worked at Ryan's Steakhouse,
which was two twenty an hour or whatever.

Speaker 1 (59:33):
I've never heard of.

Speaker 2 (59:33):
You never have said the story when I were for
two weeks and what were you because I was having.

Speaker 1 (59:38):
Car problems at that time. What was your job? You
were a server, but but.

Speaker 5 (59:44):
It was a buffet, so you just brought you refilled
drinks and you took away their dirty plates.

Speaker 1 (59:48):
And I was only there two weeks and they didn't
give you pay you more than two twenty at a buffet.

Speaker 5 (59:52):
No, that's weird. And I did it for two weeks.
I was having car problems and they were like, oh,
you're not reliable, and I was like, yeah, as I
am working because I can't get here, and so I
ended up not being there many days.

Speaker 2 (01:00:04):
Did you actually go into work though over two weeks
or okay? And how much did you make any tips
at all? Yeah, that's bizarre because you're not really doing
this Sundays when it was a buffet day at the
Disoil club where I worked, because when people would have
the like the buffet, they just don't tip as much
because they're going.

Speaker 1 (01:00:22):
To get food.

Speaker 5 (01:00:22):
They usually theyve me about a dollar on the table, yes,
or they leave a dollar on the table.

Speaker 1 (01:00:27):
Wrong with your car, bud ultimate same one. No, it
was eighty five R seven. And did it work or
did you just not want to go?

Speaker 9 (01:00:34):
No?

Speaker 1 (01:00:34):
I didn't work. I ended up getting I had to
get an eighty eight knees on. Are you mumbling and bumbling? Yeah?
Because you using no mumble and bumbling now because it
died man Amy tips.

Speaker 4 (01:00:43):
No, my hostess was as far as I got in
the restaurant business.

Speaker 1 (01:00:47):
Yeah, Yes, I loved it. I was good. I was
good with the old ladies. You flirt with them. Oh man,
they want to pitch my butt, I'd let them.

Speaker 3 (01:00:55):
Hmm, that happened a what probably the.

Speaker 1 (01:00:57):
Old ladies, Yeah, because they didn't care.

Speaker 2 (01:00:58):
They weren't prejudiced if the nineteen year old was cute,
there's just a nineteen year old butt and they.

Speaker 1 (01:01:04):
Were like eighty.

Speaker 2 (01:01:05):
But wow, dirty old ladies, because they usually say dirty
old man.

Speaker 1 (01:01:09):
Interesting, I's just said did something old ladies I'm not
proud of. But you got good tips. I got good tips.

Speaker 2 (01:01:16):
Ray Mundo, our producer does all the audio, wants to
go to Sam Hunt tonight. Sam hunts to Town. I
assumed you already had tickets because like, I just want
to go on stage. Well, you can't get on stage
if you're not in the building. Then it turns out he
didn't even have tickets. So I had to reach out
to somebody be like, can Ray get tickets to the
show tonight? And he really wants to go do shots
with Sam Hunt, which is a weird ask because Ray's

(01:01:37):
in love with Sam.

Speaker 1 (01:01:39):
And so I'm here. You want to hear the messages
got I don't know what said yet here we go.

Speaker 12 (01:01:44):
Hey, Bobby heard the request from Ray, and man, I
think there needs to be restrained in order against to him.
But with all of that said, in the spirit of
trying to support Ray and Sam, I've reached out to
their camps to see if there's anything we can do
could be fun. It's not something I can necessarily make

(01:02:08):
the decision on, so I'm just connecting with them and
I'll come back to you as soon as I have
any kind of answer. Hopefully we can make race dreams
comes true, because that's what I live for, is to
make his dreams come true.

Speaker 1 (01:02:19):
So he's joking a little, but yeah, he's gonna try. Ye.
He didn't even saynything about tickets. That's Stray's dream. But
I said tickets. I'm sure they I don't know. It
doesn't sound good, but see I didn't even sound like tickets.

Speaker 2 (01:02:30):
Man. I think we're more positive now than we were
back then. I think I was like twenty percent. Chances happened.
I'd say fifty to fifty. I would say, I think
you'll get tickets really hard.

Speaker 3 (01:02:42):
I felt a ticket vibe.

Speaker 2 (01:02:43):
But and maybe you can do something where you go
say hi, well, yeah, I can always do an Instagram
post for what I don't.

Speaker 1 (01:02:50):
Know how to sore hashtag Sam. I've said, Sam.

Speaker 2 (01:02:57):
Man, I know that he's joking a little bit about
the calling the police in order, but like Ray needs
to chill on that.

Speaker 1 (01:03:02):
Well, he posts on every Sam Hunt Instagram.

Speaker 2 (01:03:03):
It's funny though, but in real life though, it goes
in seasons right, like it's really funny, but then he
does it a little too much where it's like then
it gets creepy, but then he's so creepy it kind
of gets funny again, so it's it just kind of
bounces back and forth.

Speaker 9 (01:03:15):
Yeah.

Speaker 2 (01:03:15):
And also my last post for on Sam's Instagram haven't
got many likes, so it is actually crossing the line.

Speaker 1 (01:03:21):
I imagine what you say.

Speaker 2 (01:03:22):
Uh, well, the last one I only got one, Like
he just posted Grand Rapids Louisville, Chicago and kind of
promote his tour, and I said, missing that carousel in Nashville.

Speaker 1 (01:03:31):
But soon, my bro Friday am ditching all plans.

Speaker 2 (01:03:34):
I'm finna get house drunk at Fifth and b grease
a worker with five bucks for top shelf. Downtown's dead
gonna hit different once you played that one, since Downtown
died when you and me moved to the country.

Speaker 1 (01:03:46):
Yeah, only one Like that's a long long finish it.
He wrote an essay.

Speaker 4 (01:03:54):
Wow, hold on, I yes, Sam Hunt moved to the
country and Ray moves.

Speaker 3 (01:03:59):
Is this why right over the country? Which direction?

Speaker 1 (01:04:04):
I'm sure? Let me ask you an honest question. Do
you know where Sam lives?

Speaker 8 (01:04:07):
No?

Speaker 2 (01:04:07):
But I mean I imagine it's offensive land. But do
you know what I'm not going to say, but do
you know where? Could you drive to his house? But
I said, hey, Ray, one hundred bucks drive Sam's house
right now, I wouldn't be able to find it. But
I know where the expensive land is and I know
that's where all the country artists live. No, that's okay,
expensive have fun.

Speaker 1 (01:04:26):
I'm sure I can get you tickets.

Speaker 2 (01:04:29):
I don't know what that's going to be as far
as like what you can do with Sam. But it
just is a bit aggressive. Yeah, even that man guys
on this Instagram post. It's eight lines long going down.

Speaker 1 (01:04:41):
Yeah too much.

Speaker 2 (01:04:42):
It's more than what he wrote in the body of
the message under the picture.

Speaker 1 (01:04:46):
It made me laugh.

Speaker 2 (01:04:47):
I mean, I guess he didn't think it was funny
or any of his favor Yeah, Mikey's you the one
like it or it's somebody named Sarah Kay Ryan thirteen
w true fan har account's private true fan of comments. Okay,
we'll find out. I hope you get to go to
Sam tonight. That'll be fun. Yeah, thank you.

Speaker 1 (01:05:07):
Top three favorite Sam songs.

Speaker 2 (01:05:08):
Downtown's Dead, number one house party to Ecstasy, Wow, Ecstasy, Ecstasy,
Rascal you Wow. By the way, Sam's playing the Million
Dollar Show, which is Eddie and I show at the Ryman.

Speaker 1 (01:05:24):
Ray will not go to April the third. Yeah, he's
playing with us.

Speaker 2 (01:05:27):
He can do some songs and Ray will not be
in the building, So get it out of your system.

Speaker 1 (01:05:31):
Buddy.

Speaker 3 (01:05:32):
What is ecstasy about?

Speaker 2 (01:05:33):
It's an old one. It's on the well Bray you
taught you tell us, it's an album cut. It's a
play on words. Ecstasy is one thing. It also is
X like ex girlfriend see like on the mixtape, was
on the like the early No way he's playing that one.
But yeah, Ray, you liked that Love in the back
of the trail of the t Speakers. I mean that's
the first song where somebody talked in a song. Yeah,

(01:05:53):
started the whole trend. No, it's not, but he brought
it back around but Johnny Cash talked in songs.

Speaker 1 (01:05:58):
M hm. He just gave him my answer.

Speaker 2 (01:06:05):
Good luck, Ray, Yeah, I hope tonight it's awesome. Ye,
And I'll let you know if I get an update
on tickets or being able to go to Sam's no,
being able to be around Sam at some point time. Okay, cool,
Bobby bone show Sorry up today.

Speaker 5 (01:06:19):
This story comes us from Louisville, Kentucky. A twenty one
year old man walked into a Porsche dealership.

Speaker 1 (01:06:25):
He was like, I'm here to buy a Porsche. I go,
which one would you like?

Speaker 5 (01:06:29):
Sur He picks it out and they said, okay, how
would you like to pay? He hands him a check
that says it's for seventy eight million dollars.

Speaker 1 (01:06:36):
So he cool, is that the negotiata price NOLP?

Speaker 5 (01:06:40):
But he had a check it was worth seventy eight million,
and he's like, I change.

Speaker 1 (01:06:44):
He give me the change back, so we can't take that.

Speaker 5 (01:06:47):
He's like, no, no, I'm here to buy a Porsche
and he refused to leave. It's all the Porsches probably
It's like, called police and it was a forged check.

Speaker 1 (01:06:54):
Man. I'm lunchbox. That's your Bonehead story of the day.
I hope you guys have a great week. I didn't
want to end on this.

Speaker 2 (01:07:01):
Morgan thinks that Lunchbox is going to be mad, not
maybe at her, maybe because it's not Morgan's fault, but
just be mad in general at this.

Speaker 1 (01:07:08):
So Morgan, what happened with you this time?

Speaker 5 (01:07:09):
Well?

Speaker 8 (01:07:10):
I got asked to be interviewed by like a Nashville website.

Speaker 1 (01:07:14):
Magazine situation, like a profile piece.

Speaker 8 (01:07:17):
Yeah, it's like all about my career and my life
and like it's the inspiring stories journey.

Speaker 1 (01:07:23):
So I'm what is inspiring about your story? A lot? Really?
What has she done? A lot of things?

Speaker 8 (01:07:29):
I also was like one of the first ones to
be in digital Like that was not a job before
I started back at iHeartRadio, like social media.

Speaker 1 (01:07:38):
Al Gore said, there's internet.

Speaker 3 (01:07:41):
She's not saying on this job, she's no.

Speaker 8 (01:07:43):
Yeah, Like when I first started at iHeart, like social
media was just becoming a thing, like that is a
huge part of my career, is the digital media side.

Speaker 1 (01:07:51):
Right, But you didn't create social media. I did, but
I was MySpace bro.

Speaker 2 (01:07:56):
She's saying she was one of the first people to
actually have a full time position doing it for a
major company. Because it was so new and there still
wasn't a lot of investment in that, and they invested
in Morgan to do that.

Speaker 1 (01:08:07):
That's pretty inspirational, right, I mean I was kind of
the video guy in a radio industry. You know, I'm
just saying he brought me in. He didn't. First of all,
a lot of radio shows do. I mean, I was
kind of one of the first. Eddie was my TV producer.

Speaker 2 (01:08:24):
I said you should come do this for the show,
and I did say, you do inspire me.

Speaker 1 (01:08:29):
Yeah, we had that conversation. Man, I didn't mean to
turn this into it.

Speaker 8 (01:08:34):
Okay, Like it's also funny because somebody like recommended me
to do this like I wasn't. I didn't put myself
in this position. Somebody else saw my story and was like,
I really think I saw your story?

Speaker 1 (01:08:44):
What is your story? You didn't like, we didn't find
you in a dumpster like you that would.

Speaker 4 (01:08:49):
Be a story.

Speaker 1 (01:08:50):
Was kind of working for a couple of stations that
were kind of a dumpter.

Speaker 2 (01:08:53):
That's okay, fair enough, you know what recod I saw.

Speaker 8 (01:09:00):
My story like another interview I had done with somebody,
like a long hey interview.

Speaker 1 (01:09:06):
Two stories. It's so ridiculous. Would you like a profile
piece on you?

Speaker 9 (01:09:10):
Sure?

Speaker 1 (01:09:11):
But about what though?

Speaker 5 (01:09:12):
Specifically, I mean prom king and maintaining my status and
being a celebrity and being on the biggest radio show
for the last twenty years. I mean that's pretty inspirational.

Speaker 1 (01:09:22):
Oh so inspirational. I'm so inspired. You led by prom king. Yeah,
because most people think, oh, when you you're prom king,
that's where you peak, that's where you peak. But it
wasn't yourself, that's where you peak.

Speaker 5 (01:09:32):
I mean that was still a pretty good highlight. But
I mean what I'm saying is I do more than
Morgan does. Like she posts things on Twitter and.

Speaker 3 (01:09:43):
You do more.

Speaker 8 (01:09:43):
You're sitting there on Facebook right now, you Morgan.

Speaker 1 (01:09:47):
Guess what though our show more wanting to slam her
for this. I didn't want to turn this into a
bash Morgan.

Speaker 3 (01:09:53):
Yeah, but you knew it would go there.

Speaker 1 (01:09:55):
Yeah, kind of. But still, and Morgan can take care
of herself. I'm not bashing Morgan, but more you are
because you're telling her how irrelevant or job is. I'm
not saying irrelevant.

Speaker 8 (01:10:03):
Hey, you know what, next time you ask for help,
I'm not helping you on your own.

Speaker 1 (01:10:06):
No, checking your emails. That's over taking your emails? Is
there anything on the computer?

Speaker 5 (01:10:10):
You're saying is level of importance with this job. My
job is more important than Morgan's period.

Speaker 2 (01:10:16):
But that doesn't mean your job is your story. And
by the way, it's not a race to whose story
is the most inspiring.

Speaker 1 (01:10:24):
But it doesn't mean that her story is not a
good story. Everything's not a comparison.

Speaker 2 (01:10:29):
But if we found it cool or like the baby
fire station, I feel like the chef found out the
media fire station and I was like, you come.

Speaker 1 (01:10:38):
On in here.

Speaker 8 (01:10:39):
I talk about the first time that you called me
and I was like, holy crap, I don't think this
is Bobby.

Speaker 1 (01:10:43):
I feel like I'm getting scammed, and it was.

Speaker 2 (01:10:45):
It was a Nigerian France. The second time it was me,
Oh that's cool. But where's where do we read it?
Can you put it up on our Facebook or something?

Speaker 8 (01:10:51):
Yeah, when it gets posted, I'll I'll put it up there.

Speaker 1 (01:10:53):
What's the website to give it to you?

Speaker 2 (01:10:57):
Box like, I just like to get posted out and
you can read it on the air next week. He's
going to read it the whole thing, unless that's like super.

Speaker 3 (01:11:03):
Super wel it has to be verbatim.

Speaker 2 (01:11:05):
Yes, you can't add I wouldn't add anything, No, you would.

Speaker 1 (01:11:09):
But you can do tone, but you can't add work.

Speaker 8 (01:11:10):
Okay, it's through Nashville Voyager.

Speaker 1 (01:11:15):
Have you read the story yet?

Speaker 8 (01:11:16):
No, So I sent in the interview like you do
a whole thing and then they do a follow up piece.

Speaker 1 (01:11:19):
So you sent in an interview.

Speaker 2 (01:11:22):
Yeah, yeah, I get those all the time, they questions
and you write them right answer.

Speaker 1 (01:11:27):
You've never done that. I mean usually I have people
talk to me. But what interviews have you done? Though?
You say usually? I don't remember. Yeah, when do you
think it goes up? You have any idea?

Speaker 10 (01:11:37):
Probably in the next few weeks.

Speaker 1 (01:11:39):
Let us know and lunchbox can read it.

Speaker 4 (01:11:41):
Oh well, Nashville's most inspiring stories. The heart of our
mission is to find the amazing souls that breathe life
into our communities.

Speaker 1 (01:11:48):
Let's go basically give it the community CPR life. Let
me check out these other people that have.

Speaker 2 (01:11:55):
Created We got to go, but we can check in another day.
We got to go, Morgan, thank you. We will hopefully
have a great weekend.

Speaker 1 (01:12:01):
Everybody good. Yeah, have a good weekend. We'll see you
guys on Monday. Have a great day buy Everybody

Speaker 4 (01:12:08):
Show