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January 23, 2025 29 mins

In this episode of The Official Yellowstone Podcast, host Bobby Bones chats with Wendy Moniz, who portrays Governor Lynelle Perry. Wendy discusses her entry into the Yellowstone world, her character's complexities, and the chemistry between Lynelle and John Dutton. She shares behind-the-scenes stories, her approach to powerful roles, and what makes the Yellowstone experience memorable for both cast and fans. Wendy also talks about her life beyond acting, including her creative process and balancing a fast-paced industry. Tune in for an engaging conversation filled with laughs, surprises, and insights into one of TV’s most iconic shows.

 

 

 

 

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Episode Transcript

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Speaker 1 (00:07):
Usually when that song is planned. I know it's kind
of put my phone down because one of my favorite
shows coming on, probably yours two. If you're here, welcome
to the official podcast for Yellowstone. For the next version
of this podcast, I won't be your host. My name
is Bobby Bones, big fan. I do want to say
this too, this will not be a spoiler podcast, meaning
we just won't go recklessly into talking spoilers. If there

(00:30):
is going to be something that I feel could possibly spoil,
I will give you a spoiler alert to be like
run throw your headphones in the lake. I will definitely
give you a spoiler alert, so listen along. Mostly it's
like getting to know like why the show happens, some
stories from behind the scenes, some people that acted in
the show. It's just a fan show done by a fan,

(00:52):
which is pretty cool. We have some great guests coming up.
I don't want to even spoil who the guests are,
but like Teeter Jin, I just call her, I just
call her Jen Jen Landon. We have her coming up
and this episode specifically, we're gonna have Winni Monez who
played Governor Perry then she was a senator. It's it's
that it's those people that I want to talk to.

(01:14):
It's everything in between. So we're gonna dive into all
the elements that maybe you've always wondered or maybe you
didn't even know to wonder about on such a massive show,
a lot of behind the scenes, a lot of insight,
a lot of fans. For me, it's all about the characters.
This is one of those shows that was such a
great character building show, Like I felt invested, And the

(01:34):
hardest thing to do on a show where there's great
character development, like if you're building those characters, is to
give a side that isn't super likable, but also make
the character still somebody that you either root for or
walk alongside to see what happens. I mean, I think
BET's a great example of that. Like there's some qualities
about You're like, man, that's a hardcore, but then you
root for Beth and you root for Beth and rip.

(01:55):
So Jamie's an example, Like Jamie, You're like, Jamie's awe
some Jamie's awful. Well what is? It's so human and
that's what makes the show awesome. So that's what we're
going to do for this episode, plus like seven or
so more I'm super excited to be here, and mostly
I'm excited to talk to the people that made the show.

(02:16):
And so let's get to our first guest, Wendy Monez,
who plays Governor Perry on the show. And before we
get there, I do want to take a second and
talk about a real life tragedy that's transpired this month
in California. Unfortunately, Wendy was part of the many people
who lost their homes and the fires, and as the
wildfires continue to impact Los Angeles, families are facing unimaginable loss.

(02:39):
But when disaster strikes, one of the great things is
we come together. iHeart LA has teamed up to help
support the Dream Center, which is a local LA organization
working tirelessly to provide relief, from operating shelters to supplying
essentials to those who've lost everything. Supplies are being accepted
and donated at the Dream Center in LA, where iHeart
has set up trucks to receive and distribute them. So

(03:01):
we want to continue to do things. I felt like
I needed to share that we recorded this actually before
the fires, but she lost her home in the fire
and we hate that for her and everybody who is
struggling through this. You can also join us in supporting
their vital work by donating at dreamcenter dot org, slash donate,

(03:22):
or texting the word relief to three three one hundred.
That's relief to three three one hundred. So now let's
talk with Wendy Monis. So it's over. Please don't spoil

(03:44):
the final episode because I haven't seen it yet. So
I want to say that the final episode I have
not got to watch yet because I've been traveling. Do
you do this with the finales in general? Like you
have to treat that time precious. It's like no phone
when it's a finale is something I need to be
fully no airplane, fully dedicated, And that's so tonight I'm
gonna do that. So aside from Yellowstone, do you treat
finales the same way?

Speaker 2 (04:05):
Yeah? Yeah, something that I'm invested in like that and
something that requires like I could never watch Yellowstone on
a plane, you know, it's just too cinematic and because
there's so much storytelling and you have to sort of
really pay attention, so you need no destructions. I'm on
board with that.

Speaker 1 (04:23):
Game of Thrones. When I watch Game of Thrones, it
was like I got to focus so I can't do
something where there's like other elements and same thing with Yellowstone.
So again I'm going to ask you questions about the
show and ish about the finale, but I ask please
don't spoil the finale because I haven't seen it yet
and I think you respect this, So thank you. Oh yeah, good.
Also I love too well.

Speaker 2 (04:41):
I won't thank thank you, thank you so much now
that it's over.

Speaker 1 (04:46):
I don't know now that it's over, because it's been
over for you because I saw your Instagram when you
were like done taping, and I know that's its own conclusion.
But now that it's over for everyone, how do you
feel this morning when you wake up or the morning after?

Speaker 2 (04:59):
Sad? Honestly, like it's been a bit. I feel a
bit blue. I mean I felt that on my last
day of wrapping, and I did write that little just
sort of poured out of me when I wrapped for
the series, and that was sad for sure. And I

(05:21):
didn't know how I was going to feel about, you know,
watching the finale and it being the end, because I
hadn't already had that moment. But man, I really did
feel the impact of it's over and it's bittersweet, but
I definitely have been feeling a bit blue the last

(05:44):
couple of days processing it.

Speaker 1 (05:46):
You know, I feel like some of my friends took
a civics lesson from the show, meaning they did not
know the difference in federal government and state government. And
I bet your character you get to learn that because
your governor, and then all of a sudden you're not
governor and then you go run for senate. A couple
of my idiot friends were like, why would you leave
being a governor, Like isn't that bigger? And it's like, well,
and so I will explain to them, here's the difference,

(06:08):
and this is the different things that you can contribute to.
So I feel like, in a way, Yellowstone helped a
lot of my dummy friends understand the roles of a
governor versus the roles of a senator. And you don't
often see someone leave to be a you know, to
go from stay. They try a lot of governors try
to be president. How did you feel when they came
to you and said, hey, we're going to switch your
roll up a little bit. We're going to send you
to DC.

Speaker 2 (06:30):
H. I was like, okay, I mean at that point
I'm just trusting Taylor and his writing. You know, I
never wasn't trusting it, but with all the twists and turns,
it's kind of like, Okay, we're doing this now, Well
he knows what he's doing, so I'm along for the ride.
But to your point, I had to educate myself too

(06:52):
about all of that, because I wasn't very politically versed
in any of it. So when I originally got the job,
I was like, Okay, what is a governor or what
does the governor do? What does it mean? And then
now you're the Senator and so I learned what it was,
and I felt I felt some uncertainty just about how

(07:13):
I was going to still be because when you think
of the senator or a senator that you think of Washington,
So like, how am I still involved in all of this?
And but you just are because you're very connected to
the state, and so I was working closely with John
Dutton's character, but at a federal level.

Speaker 1 (07:33):
You know what's pretty wild. It's like the president of
Ukraine in real life. Zelensky was once an actor and
he played the president of Ukraine. So now here you are,
how about you going to be the governor of a state.
I think any because now we know you as that,
we feel like you're that person. Any any idea of
maybe running for office?

Speaker 2 (07:51):
One hundred percent. No, that's death. That's a hard no.
And never ever. I'm an actor and I only play
a governor or any kind of a politician. On TV?

Speaker 1 (08:05):
How far ahead would you know where the stories were going?

Speaker 2 (08:08):
Not that far ahead. We would get the scripts for
each You wouldn't get a season. You wouldn't get all
the scripts at once, so you would get them as
they were as they were coming. So it was kind
of cool and exciting to be like, O, hey, am
I in the script? Or what am I doing in
this script? And it was new information each time you

(08:32):
got a script, So it was not very far in advance.

Speaker 1 (08:34):
With all your history of because you've had so many
different kinds of role. And I know you also from
House Cards on Netflix. I took that show down, loved it.
How good are you memorizing? And would they allow you
to at times? I slightly change stuff up if you
didn't remember it verbatim.

Speaker 2 (08:54):
I'm really good at memorizing. For me, the memorization is
the easy part because it's not about memorizing the words.
It's about what's it's understanding what's going on in the
scene and then the words. Then it's easy to remember
the words versus like you're just taking a piece of
material and memorizing wrote what's happening For me, I need

(09:18):
to understand what's happening in the scene and you know
what a person wants and listening to the other person,
and then then it's easy to know how the words
follow the path. That way, there wasn't a lot of
changing of words. It wasn't super super rigid if it
was a small kind of a thing, but there wasn't

(09:39):
really a need to change words. You know, sometimes as
an actor, I always say that everything is on the page.
If you start with something amazing on the page, as
an actor, you're like, okay, you're you know, you're off
to the races. Sometimes you get material that's not so
great and you're trying to make it work and you're
having to change things to make it. But with Taylor's writing,
you don't really have to change anything. It's it's just

(10:05):
excellent writing.

Speaker 1 (10:27):
Did you acquire any ranch skills or animal skills from
just being around the set?

Speaker 2 (10:35):
Not skills? No, because I was in the cowboy world
where I was a hands on kind of way. But
I fully appreciated any moments that my character had to
be around those animals, those horses, and I you know,
just you know, being able to touch them, being being
so close to them, and watching the other actors interact

(10:59):
with them. I sort of developed an affection for horses,
especially that I didn't really have before going in. The
horses really scared me because they're big and they're powerful,
and I was never I never rode horses. So I
wouldn't say skill, but I would say and appreciation and affection.

(11:20):
I definitely gained that being around them.

Speaker 1 (11:23):
I don't judge me, but but I went and so
I won Dancing with the Stars. And I had a
shoe that I was wearing my final episode and I
took it to the judge.

Speaker 2 (11:31):
Wait a minute, you won Dancing with the Stars.

Speaker 1 (11:33):
I did, Yes, that was mylas.

Speaker 2 (11:36):
I love Dancing with the Stars yesterday like five years ago,
not yesterday.

Speaker 1 (11:40):
Thank you for not judging me. Sometimes it's the opposite.
So oh, your tone was up. Oh, I appreciate that thing.

Speaker 2 (11:45):
Hats off, hats off. I would love to be on
that show. I would love to learn all those dances.
I'm jealous. That's awesome. Good for you.

Speaker 1 (11:53):
Well now I feel better about myself. Thank you. I
at the end, after the final on this show, because
I didn't want to miss it, I took my shoe
off that I was wearing. I took it to the
judges on camera because I didn't really know the rules
of the show. And that's and it's part of how
I won, Like I worked really hard, but I was
a bit different, and so I had them all signed
the shoe because I wanted something from that while I
was still in it. So I have the shoe that

(12:14):
I was wearing signed by all the judges and to me,
I still keep that shoe and it's very important to
me because it reminds me of a time for you
on that show. Did you do you have anything with
you that everybody like signed or some think you took
from it that you are that you keep And you're like, man,
I know that in five, seven, twelve years, I'm going
to have this and it represents that time there.

Speaker 2 (12:34):
Yes, you know. It's funny because as the show was
wrapping up, I know that a lot of the other
actors were asked that question, like what did you take
from the show, And I'm kind of regretful that I
didn't take something super personal, like maybe a piece of
jewelry or shoes that she was wearing. I have a pin.
I always had a pin that was the props. When
I would get on set, props would put the governor
pin or the senator pin on me. They gave me

(12:54):
those at the end. The back of my chair has
my name and Yellowstone on it. I didn't have anybody
sign it. Throughout the years, they would gift us things,
so I have really badass stuff like an incredible cowboy
hat that has a leather brim and has my initials
written on it, and flasks and those kinds of things.

(13:15):
They made a Monopoly game of Yellowstone and I've got that.
They made a deck of cards, and I have a
card like the Queen of Clubs is my card. I
mean all of that to me, it was like that's
I have so many memories of that peppered around my
office space. Not that anybody's signed, but you know, I

(13:36):
have our It's like you mentioned Instagram before and how
I did my sign off, and that's one of the
great things I think about social media is that you
can be in touch with people and stay connected and
have those memories there. It's like a giant photo album.
Social media can be great when you're using it the
right way for those for that and so I feel
like I have it in that way.

Speaker 1 (13:55):
Do you have any cool pictures that, like, maybe you
haven't posted, but on your phone of like the crew,
like a really special picture. Maybe it's even framed in
your office. I don't know from your experience there.

Speaker 2 (14:05):
I do have a lot of good pictures in my phone.
I don't have anything framed yet, but like you know,
we had parties over the years, and I've got candid
pictures and pictures on the sets of you know, people
that you wouldn't see my character with, Like in the end,
there's a lot of group we were together as a group,
which we weren't often because there was the cowboy world

(14:27):
and there was the political world, and I tended to be,
you know, in the political world more. But you know,
if pictures of me and Teeter like hanging out, you know,
on the last day, those kinds of things are special
to me because our characters didn't interact, but we still
were really close ensemble and when we did see each

(14:49):
other in our paths did cross. There's just so much
warmth and camaraderie with that group of people.

Speaker 1 (14:53):
What is your move to La story?

Speaker 2 (14:55):
My Move to La story is a two parter. Really.
In ninety nine, I left a soap opera that I
was on that was my big break in my twenties,
and I left that. They wanted me to stay, but
I was like, no, I'm gonna go see about primetime TV.
And at that time, it was really New York in LA,

(15:16):
whereas now TV shoots everywhere. And I'd never lived in
California before, so I left. I'm an East Coast girl.
I grew up in Massachusetts. So I left New York
and I came to LA and I landed a pilot
like pretty much out of the gate. It didn't get
picked up, but it was this really well done pedigree
pilot that Carl Franklin directed, actually, and so that got

(15:41):
me a manager, and that just got me going and
I really worked very steadily. I was fortunate in that way.
I did that pilot that didn't get picked up. I
got offered a couple of things I didn't take. I
did a TV movie based on the book Tuesday with
Maury with Jack Lemon and Hank's Area, and that was

(16:03):
a big deal at won bunch of Emmys. It was
like the Jack Nicholson Jack Lemon's Last thing. And then
I did a series I did Nash Bridges that was
kind of an iconic show. I just did the last
season of it that had like a seven year run
or something. And then I did a show called The Guardian,

(16:23):
which was a great CBS show that ran for three years. Yeah.
I was kind of just always finding myself in television
and I'm still here doing it somehow. But that was
my LA move. And then my son, who's now twenty,

(16:44):
was born in two thousand and four, and we went
back to New York because family was on the East
Coast and it was harder than because I had my
kids and I couldn't really travel. And then we moved.
We were in New York for ten straight years and
I did some good work in New York. But then
we moved moved back again to LA and have been
here since twenty fifteen. And it's funny that you say

(17:06):
House of Cards, because as soon as we moved back
in twenty fifteen, I got the job on House of Cards,
so I was commuting back to the East Coast after
I got to LA. It's like the gypsy life of
an actor.

Speaker 1 (17:17):
You know, you've been in pretty much the whole arc

(17:42):
of the show, right, You've been there the whole time,
different you had different jobs during the arc. At what
point did you realize, oh, man, this show is starting
to take on a life, like a big life. Because
for me it was recommended probably like halfway through season two,
and so much of the stuff that we watched now
recommend a word of mouth from friends. Like anything, on anything,
a friend usually says, hey, you got to watch it.

(18:04):
And I did not start Yellowstone season one, episode one
right when it came out. I didn't know about it,
but I got so into it about halfway through season two.
When did you start to feel like culturally it was impacting?

Speaker 2 (18:16):
Culturally when it was impacting, There's probably other things that
indicated it, But for me, the biggest one was when
people started dressing up like our characters for Halloween. That
I was like, what is happening? I mean it was,
it was incredible, And I had friends that would have
watch parties even before it was Halloween, and they would
like dress up and have their Yellowstone parties. It was

(18:38):
because it wasn't something that you were getting. You couldn't
stream it whenever. It was once a week, you know,
every Sunday night, and people would gather for it, and
that spoke to, you know, culturally, oh, this is one
of those shows that people are waiting for to you know,
get together and watch in that way, which is special.
But then when people were dressing up as characters, I

(19:00):
mean and even my character, I'm just like, I'm a
politician in a suit, and there were people that were
dressing up like me and John someone was dressing up
as my character. Obviously there were other characters that are
you know more Halloween Need to be a Cowboy, to
be to Beth had some great, you know, iconic looks
that people would dress up as and and they still

(19:22):
did it even this last Halloween. There were some. But
for me, I was like, whoa, that's what's happening here.
This is a big deal.

Speaker 1 (19:31):
When you were studying acting in whatever form, in all
the different forms, who was it that you looked at
or two and thought, Okay, I'm not going to be
them and I'm not going to emulate their style. But
I can really take a lot from how they do it.

Speaker 2 (19:48):
Hmm, that's a good question. I don't know, there wasn't one.
I mean, I really appreciate actors, actors that are listening
and that are understated and nuanced. I studied with a

(20:09):
coach in New York for a while called Harold Guskin,
and he was really he was like a theater guy.
I think, you know James Gandalfeini studied with him and
Glenn Close, and there is a quality about his approach
and those kinds of actors where their stillness and their
listening is what's going on versus the acting of it.

(20:34):
He wrote a book called How to Stop Acting. Is
this idea that acting is that you're you know, you're
putting it out there, whereas really a lot of times
it's an inside job and it's a listening and exercise
and listening to your scene partner and really understanding the
text the context of the script. So I can't think
of a person, but I know that that was sort

(20:54):
of my approach, and when I see actors that are
that have that, that are doing that, it's I find
myself getting lost in it and not really paying attention
to the acting.

Speaker 1 (21:06):
If you were shooting and you did shoot a scene
multiple times, would you often give no, I won't say better,
but a slightly different or more nuanced version of your
character and then let them decide which one best fit.
I mean, would they be a bit different for that purpose.

Speaker 2 (21:22):
Yeah. Sometimes you do it on your own because it's
fun to play, and there's different there's different there's often
different ways that you can approach a scene or play
a scene. And sometimes I would find it on my
own and play around with it. And sometimes I would
stick to one thing, and then one of our wonderful
directors would come in and say, try it this way

(21:45):
or think about it like this, and then it's like,
oh wow, that's a great note. And then it changes
the whole It changes it, you know, and then there's
just an incredible editor on that show. So they were
fantastic about picking. I don't think there was ever a
scene that I watched back that I was like, oh,
I wish they used this take or that didn't you know,

(22:06):
I don't feel like that was like it always was.
I was always really really pleased with the way they edited,
because the editing of something is, you know, that's the
art that's a separate thing that goes on that they
piece it together and can create a performance based on
just the editing, and it can look a lot like
what you think you were doing, or it could look
a lot different. But I always felt like how I

(22:30):
was showing up doing my work was translating to the
screen in the in the best version of what I
was giving.

Speaker 1 (22:38):
How do you feel about watching yourself back?

Speaker 2 (22:40):
Generally, I like to watch myself back because I like
to not incessantly, you know, I don't. I didn't wasn't
like running to watch the show, like I would have
to kind of mentally prepare myself to watch it and
not you know, criticize myself too much. But I find
there's value in watching yourself to make sure that what

(23:01):
you feel like you're doing in the moment is is
coming across and then you feel like, Okay, I'm in
the I'm in the zone, I'm in the right zone
that I want to be in. And then the feedback
that you're getting from people that are guiding you or
you know, they're they're confirming that for you. So yeah,

(23:21):
and uh, and I like to I like to watch
it back because I get a lot of pleasure watching uh,
the other actors' performances and how we You know, it's
different when you're working live across from someone and then
when you see the product with the music and with
the editing and and things that the scene partner was

(23:43):
doing that were maybe small when you were across from them,
but then when you see it, it's like, oh, wow,
that was a great look or a great moment without
even having words. Those kinds of things I think are
really fun for the watching back.

Speaker 1 (23:57):
For me, what's your process as far as getting into
it character? I'm assuming you're not a full method all
the time and we don't have to call you governor
during the day at noon, but like, what what is
what is your process to get there?

Speaker 2 (24:08):
For me, it starts with doing doing some research and
understanding who the person is, their occupation if the occupation
is so specific like in this case, so I like
to know what it means to be the kind of person,
what their job is, who you are to be that,

(24:28):
and then how they stand, how you're standing. I'm a
you know, I'm a bit of a tomboy. I don't
you know, I'm not like I feel like that. If
we're talking about the governor for me in my mind, Okay,
she stands up straight. And the clothes that are incredible
costume designer give will like inform me and change me,

(24:52):
and those kinds of things help me, help me get
into character. And no, I don't have to I'm not
I don't have to be called the governor in between
it all. I'm easy to. I mean, Wes and I
had so much fun together. We would have a lot
of laughs, and I appreciate a great sense of humor
and I like to laugh in between and I would

(25:14):
have my moments where I would be pretending like I was,
you know, in deep like well, you know, like in
between takes and then and then snap back into the
reality of the show. And you know, that was my
that was my fun fantasy in between takes. That was
Julia Louis Dreyfus on VIEP.

Speaker 1 (25:34):
Isn't it And we're kind of wrap on this, But
isn't it so much fun? Too? And there's a difference
just even my experience in doing whatever television I'm doing,
and having people you like and working with every day
and people that there are maybe mid and it makes
it so much more enjoyable to have people that you
work with day in and day out, that you actually

(25:56):
enjoy them, And I felt like it makes me better
at what I'm doing. If I'm with someone that I enjoy,
they can also push me, because it's okay if they
push me. I don't get offended or resentful if somebody
I like is telling me, hey, you can do this.
Did you experience that with this cast and especially the
political side of this show.

Speaker 2 (26:15):
It was heaven working with this group of people, every
actor that I worked with, I don't have a negative
Not only do I not have a negative experience, had
a negative experience with anybody, but it was above and beyond,
but professionally when you're talking about seeing partners and then

(26:38):
the in between of just liking them, you know, to
your point, wanting to be around them, trusting the process
in working with them. Yeah, I mean, it didn't get better.
It doesn't get better than that. What it was for
me was in my working experience and the pleasure of

(27:02):
being around these people.

Speaker 1 (27:03):
You were awesome, one of my favorite characters of the
whole show. I thought, again, you were just excellent. It
was really cool to talk with you. Congratulations on such
a run and sometimes on this show I'll complain in
general about American television as compared to British television, because
they will do a show and they'll do two seasons
and they'll go, this is perfect. We don't want to
continue going because it will no longer be perfect. And

(27:25):
I like that about British television. But what I like
about what Yellowstone did is like it's done now, but
it was right. It was just right, and I loved
your character, and I love that they didn't try to
go twelve seasons. And I do like the other versions,
but they're different stories and different people. But I feel
like it's a great time. I loved it, and now

(27:46):
I think it was so quality all the way to
the end. There's not like filler seasons, and that is
what I enjoyed about the show. And you did such
a great job, and so I just wanted to tell
you that and thank you so much for the time.
The Yellowstone Official Podcast hosted by Me Bobby Bones and

(28:07):
brought to you by iHeartMedia Podcasts and MTV Entertainment Studios.
Big shout out to executive producers Jason Reid, Lindsay Hoffman,
Carl Katl and Kevin O'Connell. Also our senior manager of
podcast Marketing, Ali Canner Grab for keeping the word out
and of course a big thanks to Will Pearson, president
of iHeartMedia Podcast for him supporting this show. We've also

(28:28):
got special thanks going out to Whitney Baxter, xavier A Free,
Barbara Parida, Emily Curry, and Joe Flattery. You guys make
this happen. This podcast is produced in association with One
on one Studios over there executive producer Scott Stone and
Director of Podcast Development and Production Danielle Waxman. We also
got to give a big nod to Michelle Newman, David
Glasser and David Hutkin for their support. Thank you guys

(28:49):
for tuning in. See you next week.
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Hosts And Creators

Bobby Bones

Bobby Bones

Amy Brown

Amy Brown

Lunchbox

Lunchbox

Eddie Garcia

Eddie Garcia

Morgan Huelsman

Morgan Huelsman

Raymundo

Raymundo

Mike D

Mike D

Abby Anderson

Abby Anderson

Scuba Steve

Scuba Steve

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