September 11, 2024 • 40 mins
Dustin Lynch stops by the studio, and he shares how he was scared to release "Chevrolet" as a single, why he feels uneasy at his house and more! Then, Amy shares a list of things to say to a bully and more!
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Episode Transcript
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Speaker 1 (00:03):
Transmitting this.
Speaker 2 (00:11):
Hey, welcome to Wednesday Show Morning Studio today, September eleventh,
twenty three years since nine to eleven. So I mean kids,
this is World War two to kids now, meaning or
Vietnam War to us.
Speaker 3 (00:24):
We don't remember. That was before we were born.
Speaker 2 (00:26):
And people fifteen years older than us are probably like, man,
we remember like crazy, nineteen sixty nine, it's on television.
People like, to us, this is it's such a real
thing because we remember everything as it happened, where we
were after it happened, all the things that we did right,
all the things we did wrong. But to kids, this
is that like I have to imagine your kids. Your
(00:47):
oldest seventeen.
Speaker 4 (00:49):
Yeah, she's seventeen and just knows kind of what she's
learned six years.
Speaker 3 (00:53):
Before she was even born.
Speaker 5 (00:54):
Yeah, but they have video and everything now, like the
Vietnam War alone, lots of protests and stuff, but it's
still like not in their life. So that feels a
bit bizarre because it was to us like so tangible.
Speaker 2 (01:11):
It was so was here on our soil. Some celebrity
stories from people. Mark Wahlberg was supposed to be on
the American Airlines Flight eleven along with Seth MacFarlane, who
was the creator of Family Guy. But it said he
was invited to attend a film festival in Toronto, so
instead he last minute chartered a jet with some of
his friends. But weird, thinking about the Wahlberg thing. Years
(01:33):
later he was saying stuff like he would have stoped
the attacks from happening.
Speaker 6 (01:36):
No, he did not say that. Come on, dude.
Speaker 2 (01:39):
He did apologize the article, and I remember him saying this,
so I went and looked at the article. Wahlberg started
up quite a bit of controversy and years later by
claiming that if he had been on the flight, he
would have stopped the attacks from happening. I won't even
think about it. Why I say that. I know they
have that much testostero. Pumpa th to your blood. You
gotta say that kind of stuff. But again, he has apologized,
(02:00):
so we should let him sure live in his apology
and move on. But Seth MacFarlane, who I was talking about,
he was supposed to board that flight and he had
been out drinking the night before and just basically missed
the flight. Dang, that's I mean, that's really the whole story.
His travel agent listed the flight as well. At the
time when people had travel agents as ten minutes later
(02:21):
than it actually was. And back in the day day
you could just go and run through the airport and
get on a flight. There wasn't security. This all this
security and detective like that's because of.
Speaker 3 (02:29):
Nine to eleven.
Speaker 2 (02:30):
And so he missed the plane. But he did get
to the airport, but he just missed it. Like he
was at the airport, he went to the passenger lounge
and was sleeping because he was out drinking the night before,
and he awoke an hour later to panic sounds of
the people at the airport.
Speaker 7 (02:44):
Oh oh man, that one because the wallburg when like
he made a decision, he went and got a jet,
went to a different place, like he was going to
be on that flight, and that is like, wow, that's
the seth.
Speaker 3 (02:56):
MacFarlane one slept in.
Speaker 2 (02:58):
Yeah, he like tried, got to the airport and just
didn't get on that flight because he had party too hard.
Speaker 6 (03:04):
Yeah. Julie from Real World, New Orleans, the Mormon girl.
Speaker 8 (03:07):
She was supposed to be on that flight, but she
got in a fight with her boyfriend the night before,
so she decided to skip the.
Speaker 3 (03:11):
Flight because of the fight.
Speaker 6 (03:14):
Because of the fight.
Speaker 8 (03:14):
She was like, fine, I just won't come see you
because she was supposed to go visit her boyfriend.
Speaker 2 (03:18):
They'll be on TV show sometimes like an old like
Friends for example, whenever like Ross runs to the.
Speaker 3 (03:23):
Gate with Rachel like to wait for her.
Speaker 2 (03:25):
It just seems so weird that you could just walk
to the gate now because that hasn't happened in forever.
But back in the day, for all you kids out there,
you could just walk into the airport, go chill.
Speaker 9 (03:35):
You can even like meet whoever you were at right
when they got.
Speaker 2 (03:39):
Signs, Yeah, like not down in the bottom, like right
there when they walk out of that door. So at
nine to eleven, twenty three years ago, Sina.
Speaker 6 (03:56):
Have a question to be.
Speaker 3 (04:02):
Hello, Bobby Bones. I've been with my boyfriend for almost
a year.
Speaker 2 (04:05):
During our entire relationship, he has struggle with waking up
in the morning because of his ADHD. He sleeps through
all of his alarms, which means he's usually late for work.
Sometimes it's only ten fifteen minutes, but it can be
an hour. His boss likes him, has given him plenty
of chances, but yesterday he got his last warning that
if he doesn't show up on time, he will lose
his job. We've had a couple discussions arguments about this,
(04:29):
because he believes it's partly my responsibility as his girlfriend
to wake him up. I don't believe that, despite me
waking up from his alarms, I don't think it's my
responsibility to wake him up. But when his boss gave
him his last warning, I felt guilt because had I
just woke him up and been persistent, he wouldn't have
been in the situation. So that's why I'm asking you, Bobby,
(04:50):
is my responsibility? Am I in the wrong for not
helping or should he, as an adult, be able to
do this by himself signed not a human alarm clock.
There's gonna be some nuance and not some nuance. The
answer is no, it is not your job. The answer
is yes, if at times you feel like you can
help them, you can on your on in your version
of your story. Sure, great, help them a little bit,
(05:12):
But it is not your obligation. It is not your fault.
There are many people that I know that have add
and ADHD significantly that get to work on time. Amy's
here every day, so and then I'm gonna let Amy
give like a real answer. But the answer is no,
it is not your responsibility. No, you should not have guilt. No,
(05:33):
it wasn't your fault this one time. That now he's
almost fired because you didn't wake him up. Because this
is a long it's a chronic issue. Also, there's medicine
to help with this. Not everybody's brains release chemicals in
the same patterns and in the right ways, and there
are things that we can do to supplement our bodies' minds, soul's.
Speaker 3 (05:50):
Hearts, everything. It is not your fault the end.
Speaker 2 (05:52):
Now you can help them occasionally if it's like a
really big sure, but no, it is not on you,
Amy Gowhead.
Speaker 4 (05:57):
Yeah, no, definitely don't feel any guilt about this at all.
And if he shifted blame towards you, then that that's
really annoying. But I do think when you're in a relationship,
you're in a partnership and you can support each other,
but discuss it beforehand, Like if you know he has ADHD, Hey,
what are some things that I can do that would
help support your morning? Can you decide okay? Then she
(06:20):
can decide okay, is that is that something I want
to do? If not, she can say, hey, that's a
little much. Let's figure out another plan and maybe research
different alarm situations, like maybe he has to get up.
I don't know that.
Speaker 2 (06:33):
Hearing disgust and all the times that he's not because
he's been like I expect you to wake me up?
Speaker 4 (06:37):
Okay, Well then that's a hymn problem.
Speaker 2 (06:39):
That is yeah, yeah, but you're right. It is a
relationship they have to figure out. She can help the times,
but it's not her job or obligation.
Speaker 4 (06:45):
No, and no part of me would expect my partner
to wake me up if that was my struggle. And
I don't know what him not hearing an alarm and
getting up has to do with his ADHD, right, probably.
Speaker 2 (06:57):
Like yeah, or there are other things too that you
can do. You can research for him other types of alarms,
other types of things to wake him up.
Speaker 3 (07:05):
The problem is she gets woken up every time.
Speaker 4 (07:07):
It's a long MS. The louder it gets, the worse
it is for her.
Speaker 2 (07:11):
You guy, to find a way that helps both of you.
Speaker 3 (07:13):
That's what relationships are, or break up you know, or
break up you know.
Speaker 2 (07:16):
I'm just kidding, but it is not on you.
Speaker 4 (07:21):
I don't like that he's making her feel bad about it.
Speaker 3 (07:23):
Why they should break up. Ye, yeah, I.
Speaker 2 (07:27):
Really like this. Amy sent me the story on what
to say when someone belittles you Number one in this story.
I thought this was so wise.
Speaker 4 (07:35):
Tell these guys, well, the first thing you can say is, hey,
can you repeat that?
Speaker 2 (07:40):
So when someone says something that little jude it makes
you feel bad, they say something rude to you, haven't
repeat it? Okay, And I think if I want to
say something rude to Amy, I'm like, man, Amy, you're
just you're so pretty it makes me uncomfortable.
Speaker 4 (07:53):
That's not rude.
Speaker 2 (07:54):
Well, but I didn't know what to say because I
don't want to say anything rude. So just I thought
that was rude. Okay, Okay, okay, I'll do it. Say
I'll let you do it. Say to me, say you're
really ugly.
Speaker 4 (08:02):
Say to me, go just say it you're really ugly?
Speaker 2 (08:07):
Oh oh well, would you mind saying that again? But
when they say it again, it like extra resonates with them,
like what they just said, because sometimes we say things
out of being triggered or sensitive or insecurity.
Speaker 4 (08:20):
Yeah, they're not expecting that as.
Speaker 3 (08:22):
The like would you which do I say that again?
Speaker 2 (08:25):
It almost shines a light on how big of a
jerk they're being but you don't say it like say
that again.
Speaker 4 (08:30):
No, it says specifically. It says when you calmly say
I need you to repeat that the gut of dopamine
that they were expecting and you put a spotlight on
their behavior which makes them nervous.
Speaker 2 (08:44):
Doesn't mean to me, Eddie, but mean it okay loser?
Uh yeah, they're such a loser. Sucks yours being moved on.
You didn't want to say anything.
Speaker 4 (08:58):
I was just getting the hang of it.
Speaker 2 (09:02):
So Number one is make them repeat it that to
me like mind blown, because that will make somebody who's
being mean, because most people aren't mean naturally or a lot.
But when they are and you make them do it again,
I bet there's a bit of actualization that's happening there.
Speaker 3 (09:19):
What's number two?
Speaker 4 (09:20):
Use questions of intent so you can ask them things
like did you want that to hurt?
Speaker 3 (09:25):
That's so good?
Speaker 2 (09:26):
Did you want to make me feel that?
Speaker 3 (09:28):
They just say the loser thing again?
Speaker 2 (09:29):
Okay, hey bones, you're a loser man.
Speaker 3 (09:31):
Would you say that like? Do you is your gold?
And hurt my feelings? See even that you got me?
Speaker 2 (09:38):
Because even if it was, it's usually out of it's
out of an emotion, and emotions usually aren't thoughtful. I'm
not saying thoughtful and a thoughtfully, but you're not putting
a lot of thought into them. You're reacting with emotions. Dang,
that's so good. Good.
Speaker 4 (09:52):
Or you can ask something like did you mean to
embarrass me?
Speaker 2 (09:55):
Like that? Make them repeat it, then ask them if
their goal was to hurt you, Go ahead, give me
the one uh silence.
Speaker 4 (10:02):
No matter what they say, you have the option to
just not respond at all and let silence be your answer.
This is going to fumble their words, and then they
made backtrack and kind of let them linger in it.
Speaker 2 (10:13):
I like wanting to because they'll think you didn't hear them.
If you do silence and they'll say it again, you'll
get hurt double worse. Yeah, because that he I'll try
silence on you or they think you're so you're so
hurt by it that you're just quiet.
Speaker 3 (10:23):
They win, they want and they win.
Speaker 2 (10:24):
I don't like that. Dang, you want to say something
else again?
Speaker 3 (10:27):
Now I'm getting it.
Speaker 2 (10:28):
Well.
Speaker 3 (10:28):
Amy came hard, like out of nowhere.
Speaker 2 (10:30):
She's like, I don't want to do this, and then
she starts whispering insults, make them repeat it, that is
a plus. Yeah, you ask them, so was your goal
to hurt me with that?
Speaker 4 (10:39):
Like?
Speaker 3 (10:39):
What was your purpose of saying that? That's so good?
Speaker 2 (10:42):
Just want to let you know you're a loser man?
Then what do you do?
Speaker 6 (10:46):
Uh?
Speaker 2 (10:46):
Thanks for letting me know. Why do you why do
you feel like saying that out loud? Is your goal
to hurt my feelings? Is it to make you feel better? Yeah? Yeah, yeah,
then you make them think of it. But then we
just come best friends and then we just bond over that.
Speaker 6 (10:57):
But you say, yeah, my goal was to hurt your feelings,
but no more.
Speaker 2 (11:00):
When no one's gonna say that, that's.
Speaker 3 (11:02):
Not really a thing. Like if Abby, when you bully her, I.
Speaker 6 (11:04):
Don't bully her. I just tell her she's not a
good singer.
Speaker 2 (11:07):
No, but it's in an aggressive way and at times
out of nowhere, when she's like, hey, I would like
to share a news story with you about something that's
happened in Kansas and you're like, you're not a good singer.
Speaker 4 (11:16):
I feel like Lunchboks might be the one person that
this may not work on because I feel like if
Abby were to say, oh, could you repeat that I'd
be like, you're not.
Speaker 2 (11:22):
A good singer, said he suck.
Speaker 3 (11:25):
I like it though.
Speaker 2 (11:25):
I think you can take make them repeat it and
then use questions like, hey, what was the goal here?
Speaker 3 (11:29):
You turn to have my feelings. That's good. That makes
people go I am a douche. So I think.
Speaker 2 (11:36):
On the Bobby Bones Show now.
Speaker 6 (11:38):
Dustin Lynch could to see you, buddy.
Speaker 2 (11:40):
Good to be back. You have chill bumps on you
a little bit, you get caught. Do you do cold plunge?
I do? Do you have a cold plunge at your house?
I've got this, you know. I tried one.
Speaker 10 (11:49):
I got tired of emptying it out and cleaning it,
and so I got this chiller that just goes to
my bat's up.
Speaker 2 (11:54):
So is that something you run the bath and you
turn Is it something you put in it lowers the temperature? Yeah? Yeah,
just you're on two tubes.
Speaker 10 (12:01):
The unit sits outside the battop and then I'll turn
it on and overnight it gets it down to fifty one.
Speaker 2 (12:06):
Whatever I wanted a can you explain to me what
you benefit from cold plunging.
Speaker 10 (12:11):
I'm alive and I'm very awake for the Bobby Bone
Show right now.
Speaker 2 (12:14):
Said, that's a great fake answer, and I like it.
It's my favorite answer, and I'll probably just cut that
out separately and play it.
Speaker 6 (12:19):
Over and over.
Speaker 2 (12:20):
That's that's why I did it this morning. I like,
nothing's hurting. I was going to wake up. It was
with Jake oh And, who's a big cold plunch guy,
cold punch plunge guy. We were doing some stuff on
a weekend. He's like, you got to go do this
cold plunge with me, And I'm all for anything that
makes people, puts people in a better place, it doesn't matter.
And I did it and I was just cold, and
I don't It didn't make me anything except angry. I
(12:40):
get it.
Speaker 4 (12:40):
No.
Speaker 10 (12:41):
The first few times I did that was out at
I was in Phoenix for like the long week of
Super Bowl and what else was it?
Speaker 2 (12:47):
Golf?
Speaker 10 (12:47):
Waste yeah, waste management, and I was doing almost like man,
I'm just cold. All of these stinks. And then this
year I started doing it on the Blake Shelton tour.
We were in the like arenas and it was really
cold outside and just the I don't know, the sauna
and the cold kind of combo got me feeling better
about life every day.
Speaker 2 (13:03):
I'm sure there's something to it. Too many smart people
that are in great shape do it. I just remember going, Yeah,
I like that. I'm good.
Speaker 10 (13:12):
That's why I committed to It's because like the guys
I look up to in my life that are very
active later in life and also still doing music later
in life, are all kind of on the schedule of
working out and doing Sona and cold Plunge. It's like, hey,
you got to pay attention to your elders that you admire.
Speaker 2 (13:30):
You you have a mentor music mentor do I like
one that you would call or do you have just
a few that you would call if you need it to? Yeah,
I would say a few.
Speaker 10 (13:37):
I don't have, like a guy really lean on or
have ever had that person to kind of hold my hand.
Speaker 2 (13:41):
How about let's not say professionally, let's say psychologically in
your business. Who could you call in this and be like,
I'm not having a great day, Like let's say a
certain song you want that labels not or like kick
just something right, that's not you not performing well, but
like in your mind because I get all crazy, I'd
(14:01):
like two really close friends and I will go to
because I'm anxiety ridden when it comes to certain things. Sure,
who will you call?
Speaker 10 (14:06):
I'll call my producer Zach, because he's like the first
guy that ever came into my world and shot me
straight and wasn't like playing the game for himself or
any other reason other than hey, we want to make
the best music we can and so that would be
hell I call.
Speaker 2 (14:21):
He's brutally honest, which I think is good. Full name
check him, Zach Krawll. And I know Zach too. And
the great thing about having somebody like Zach like U
Zach is and I wrote about this in one of
my books. It's like, it's hard to believe people when
they tell you that, oh, you're so good if they've
not told you, oh, you're not that good. Because everybody
wants to come along and jump on whatever train it
(14:43):
is and be positive and happy. But you really can't
believe them when they say, hey, that's amazing, if at
a certain time they haven't said, hey, maybe this isn't
your best. Sure. Yeah, And he was the first guy
to kind of he could have he could have.
Speaker 10 (14:53):
Come in and because I was already up and rocking
and I having hits, but it was the first time
he stood up. Was like man, that sounds not good
to you know, and everybody else. I want to say,
everybody else I've working with, But the previous folks I
was working with, as far as the music goes, it's
we're kind of yes men and just playing the game
and weren't really standing up for what I was thinking
or believing. That was more of how do I get
(15:14):
the next artists off this label to you know, to
help produce and that type of thing.
Speaker 2 (15:19):
So I don't know.
Speaker 10 (15:19):
I think having that that person in my corner has
been very valuable for me.
Speaker 2 (15:24):
Sometimes it's frustrating want to punch them in the face,
but it is very worth it. It's worth it. It
was worth them and I only have like two, but
I do want to punch them in the face sometimes,
But it's the net gain is massive, Yeah, for sure,
because I can actually believe them if they say I
did something really well, that they're telling me the truth,
because they've also told me when they didn't feel like
I was at my best. Yeah, and that I don't
(15:46):
never like that time my feelings, but then I come
out of it and I grow from it.
Speaker 10 (15:51):
I think it's good to have those people, you know,
for myself too. Like in the live show out on
the road, and you know, I have like my team,
my management team will come out they shoot us straight, like, hey.
Speaker 2 (16:01):
Will they tell you right after a show? Yeah, I
was too early. Give give the guy twelve hours now.
Speaker 10 (16:06):
No, okay, I like it right after and then we'll
you know, recon mean like the next day or whatever.
Speaker 2 (16:10):
They came out after a song, they walk out like
after man, sorry, everybody, hold on, doesn't that wasn't good.
Speaker 3 (16:17):
Let's do that.
Speaker 2 (16:18):
Yeah, if you do that move again on stage, this
show's over all?
Speaker 4 (16:21):
Right, go Has that been a discussion?
Speaker 2 (16:23):
Roofs? Oh yeah, oh really, Oh that's funny. Obviously not
during a show, but not a show. Sure, I don't know.
I did some like goofy because I just got a
fair in goof off.
Speaker 10 (16:32):
But I did some like goofy spin one night and
after the show they were like, hey.
Speaker 2 (16:37):
About that spin, about that twirl? What's what's happened with you? Like,
how are you? How are you mentally? How's everything going?
Like this is great?
Speaker 10 (16:44):
Yeah, yeah, it's been a fun summer. I've packed a
lot in I I kind of I'm a little bit
regretting I didn't say no to a couple of things,
because this summer for me was a lot of great shows.
But I was saying yes to like the Sunday Monday
Tuesday Adventures this, you know, this place, that place. But
it's been fun. I just think maybe one or two
of those was too many. I need to be home
a little bit more.
Speaker 2 (17:05):
Oh, you must love your home. There was a time
in my life where I started to love actually my
home because I got to create it myself. Like my
wife and I have a home that we love and
we're comfortable in. And do you feel like your space
now that you have is like your place? Not right now?
Speaker 4 (17:19):
No?
Speaker 2 (17:19):
Why I don't. I don't know.
Speaker 10 (17:21):
I'm very uneasy in my house right now. Like I'll
be home for about fifteen minutes. No, no, I mean
maybe one day. But I like my place. I just
I get there, I'm like, Okay, there's not really anything
to do here.
Speaker 2 (17:34):
I don't. Can you sit on the couch and watch TV? No,
Like I gotta go do something. Yeah, it's not even
home in Can you relax?
Speaker 10 (17:44):
Yeah, I can relax a little bit. I think I
relax better out at my farm. How do you sleep great?
Oh that's really good. Yeah, I sleep I mean I
sleep terribly. Do you have anxiety in the day? No,
I just like to be on the go. What's that
telling you over there? No?
Speaker 4 (17:58):
I mean I don't, well know, I think being on
the go it's okay. Some people's personalities are that. But
you're saying, like you can't be still at home and
sometimes learning to get what they say comfortable and the uncomfortable.
Speaker 2 (18:08):
Yeah.
Speaker 4 (18:08):
I can help you realize some things, but I don't
because you just said I need to be home more
like you. You just said to us, like you said
yes to too many things and you need to be
home more. But then you also, in the same breath,
sort of said you didn't you don't like being.
Speaker 2 (18:22):
Don't like home like I like doing things at home?
I guess, just not in my house. I don't know.
Speaker 10 (18:27):
I'll come off the road for a few weeks and
I'll be there a half hour and be like, all right,
let's go do something. I just don't want to. I'm
not a good couch potato, don't guess. I don't like
just sitting around.
Speaker 2 (18:37):
What do you like going out on your equipment? Love it? Yeah?
Is that always something to do out with the farm?
So is that you turn your brain off thing? It is? Yeah,
you know, I just started a couple of my guys
on the road.
Speaker 10 (18:50):
We're talking about true crime podcasts, which I've never really
gotten into, and man, I'm deep right now.
Speaker 2 (18:56):
Which ones have you listened to that you love? I started?
He says, says serious, vanished? The old one? Is it?
Up and vanished? So I didn't mean to reupt you up.
I don't know up in vantished lunchbox? Is that one
you listened to?
Speaker 6 (19:08):
Never heard of it?
Speaker 2 (19:09):
What's give me this phone? Give me the synopsis?
Speaker 10 (19:13):
So I started season one, episode one. We're in Georgia
and this girl's been missing for eleven years. Cold case,
but it's one of those scenarios where it seems like
law enforcement is involved in the cover up, and uh,
I'm hooked.
Speaker 2 (19:30):
It's it's really bad.
Speaker 10 (19:31):
Like I was listening this morning walking around the house,
playing on the phone and like, okay, I need to
get a better headspace. I'm in a murder mystery headspace
right now before I go on air.
Speaker 2 (19:39):
So you've done multiple others, No, this would be the
first one.
Speaker 10 (19:42):
And I actually in twenty twenty twenty one, I listened
to to Live and Die in La. When I was
driving to and from the coast to my girlfriend's parents' house,
we listened to that. That was that I would get
in the car and like, hey, anybody need me to
go get anything so I could listen more.
Speaker 2 (20:00):
We would road trip and listen to those. You know
that that was a big one for us. We would
turn on these because my wife likes the true crime
stuff more than I do. But for long trips, they
really get you. But it's like the shows where they
lead one direction and then all of a sudden they
like goose chase you and you're like, oh, they led
me all to think it was that when the whole
time it was the priest. Right No, but yeah, And
(20:20):
what's cool about those too is they've actually solved crimes
because of them, meaning not just the reporting, and they've
done all this reporting. They both reopen the cold cases.
But then people listening will also go, oh, wait, I
have some facts to give about this, and they've actually
solved cases because it's them. Awesome Watchbuck Cereal? Was that
ever solved that was released from prison? Right?
Speaker 8 (20:37):
Yeah, he's released from prison, but I think they're going
to order him to go back to trial or something
like that.
Speaker 2 (20:41):
Which it's fine though, because he's not just like guilty
in a selling anymore.
Speaker 8 (20:44):
Right, But he was in there for sixteen seventeen years. Wow,
And they did the serial.
Speaker 2 (20:48):
Lated podcast on it. It was like one of the
first fame real big ones sid Yeah, and then saw Yeah,
which is like the og man it.
Speaker 6 (21:00):
Wow.
Speaker 2 (21:01):
Lunchbocks just discovered podcasts. We're not kidding. And he works
in an audio media because we do our shows.
Speaker 4 (21:06):
He has his own podcast, has his own yes.
Speaker 2 (21:08):
Yeah. Two weeks ago he said, do you guys ever
listen to podcasts? Yeah?
Speaker 6 (21:12):
I listened. What did I listen to the first time?
And I was like, man, this is crazy, but it's fun.
Speaker 2 (21:18):
What was crazy the fact that there was a podcast
that existed and how you listen?
Speaker 3 (21:21):
Yeah?
Speaker 6 (21:22):
Yeah. I was like this is wild.
Speaker 8 (21:24):
Like he can just ride like we're we're road tripping.
And so we played it and I was like, man,
this makes life pretty easy.
Speaker 2 (21:30):
It does go back quicker. I think it makes drives
go back quicker. Definitely awesome. It's like the great don't
turn us off, listen, stay with us.
Speaker 4 (21:37):
He could be listening to this right now on the podcasts.
Speaker 2 (21:40):
That's true. Music wise, Uh, let me ask some questions
about Chevrolet because it's one.
Speaker 7 (21:44):
Of the.
Speaker 2 (21:46):
The We were talking about melodies that we love to sing,
and obviously drift Away is like one of the greatest melodies.
It doesn't matter what you sing to it. Whenever you
write the song. Mentor Williams is the one is the
writer on it, who wrote the red drift Away. He
was British way before Adobie Gray, way before Uncle Cracker.
Did you go, let's just include the greatest catchiest hook
(22:08):
of all time? Or did you kind of accidentally get
there and go, oh, we're kind of on this, let's
just commit to it.
Speaker 10 (22:13):
I was scared to death to record this song. I'm
not a writer on the song. It wasn't my idea.
You got pitched to, uh.
Speaker 3 (22:19):
Hey that's good.
Speaker 2 (22:20):
Hey yeah yeah, yeah.
Speaker 10 (22:22):
Yeah, you got fits to Zach and he tossed up
my way. He's like, man, you know, we we've been
hearing the national is kind of funny. Whenever you feel
like you have a great song idea, it seems like
five other writers have that song. I did end in
a couple of months, but but with like the interpolation
thing going, man, we just started geting flooded with a
bunch of different classic songs that have been interpretated to
(22:45):
new country songs, and this was the one that was
kind of like, huh, that one's sticking around. It doesn't
seem super contrived, and.
Speaker 2 (22:53):
It kind of stuck with me.
Speaker 10 (22:54):
But I was scared of it, just because you know,
without a doubt, there's gonna be a portion of the
fan base that hears it on the radio and goes, oh,
he ripped off that song. You know, they don't understand, well,
we're kind of reimagining it with the original writers and
with their permission. So I was scared of it. But
then it was like, Okay, let's do it. Let's soften
the blow with doing it. Because Jelly was in the
(23:15):
studio working at the same time, so asked if he
would do it, and he's like, yeah, I'm in. And
I thought that would just be it because collabs are
so hard to release to get people's schedules to line up.
Speaker 2 (23:26):
He just happened to be like in this video next door.
Speaker 10 (23:28):
So this is a little fun fact I came across,
not that I came across Jelly, but I was watching
what Jelly was doing during the COVID lockdowns, and his
fan base was just super interactive and he would post
something and there'd be like thousands of comments and that's
not normal. So I hit up my producer just kind
of talking game plan and strategy of just overarching how
(23:51):
do we stay connected and what do we do do
we release music? And he's like, man, you know, I
used to make a lot of the early Jelly beats
way back in the day.
Speaker 2 (23:58):
This is before I moved to Nashville. Really, he goes, yeah, he's.
Speaker 10 (24:01):
Like one of my first guys I started making beats with.
And he's like, I need to reconnect with that guy.
In't talked to him in a long time. So they
reconnected because of that and started He had recorded Save Me,
and they started talking about maybe doing a country album,
and Zach introduced Jelley to my record label, and so
it was just kind of a whole big swirl and
then they start trying to do, you know, an album together,
and things start popping and Chevrolet came in. It was
(24:22):
just kind of one of those great timing things.
Speaker 2 (24:25):
I didn't feel like the first time I heard it,
and I understood why as an artist you would feel
that way, where you're like I don't want people to
think I never felt like this was a rip off,
even listeners would think that. I think it would be
more of like when Cole did Heads Carolina. There are
songs that you can definitely tell they're trying to get
(24:47):
away with it and then they got caught. I don't
feel like this was out at all. I feel like
this is like we're doing a song that everybody loves
and because Mentor Wheels gets paid, he's the writer, and
we're just like reinterpreting it. Yeah, did you guys, do
you ever think it was like a or did you
just feel like it was? It was it was a
purposeful Yeah. I think everybody felt like a purpose new
(25:10):
lyric over the Because there's another song right now that
we know wasn't purposeful. We've talked about it. There's another
and we're like, oh, they for assured it that and
they got caught and had to add it.
Speaker 3 (25:19):
I feel like this the whole time.
Speaker 2 (25:20):
That's all right too.
Speaker 3 (25:21):
No, no, no, this one's very bad.
Speaker 2 (25:23):
This one's very bad, but everything everything else to go.
This song is awesome. Yeah, it's great. It's been a
fun ride.
Speaker 10 (25:28):
This is a cool moment of this song's in this
song's life for me was playing it live and then
it hit a point on the chart where there's some
familiarity with it. And my keyboard player that's been with
me for a few years, so we've had a few
hits since he's been in the band. He goes, Man,
this song seems different live. I'm like, what do you mean?
He goes, Since I've been in the band, we haven't
(25:50):
had one to react like this, And I'm like, that's
pretty cool endorsement because you know, he gets to watch
obviously everything every night, and that's when we knew. Early
on it was like, oh, it's probably gonna do pretty
good for us.
Speaker 2 (26:02):
Will you ever turn into like a seven minute version though,
and then go into the actual because that's a hard one,
like do the whole song? I try, you know.
Speaker 10 (26:07):
Uncle Cracker came out to the pool situation at CMA
Fest and as a surprise guest, and we had him
pop out and do some of a drift away, but
my brain froze up because I've got Chevrolet Lyrics program
now and I couldn't like make the flip. Maybe one maybe,
one day we'll try it, but get Cracker back out there.
Speaker 2 (26:26):
But it was tough. I just kind of stepped aside,
let him take. Whenever the song was chosen as a single,
did you have reservations then or you already.
Speaker 10 (26:35):
I didn't think it would be a single. I honestly
would it never would have gotten my vote. But when
the album came out, it was a kind of a
landslide of duh, that's what it's gotta be next.
Speaker 2 (26:46):
The other song that the song you had before this
starts like anfetti. That song I love because it goes yeah,
like it's you have like two or three of those songs.
There's just some little element there. Yep Yep is another
one where it's not like he's spent an hour.
Speaker 10 (27:05):
I've always thought the Yep yep was cheesy, but every
night in the crowds like, you know why you.
Speaker 2 (27:11):
Think it was cheesy because I felt it's too easy.
Sometimes too easy is just extremely relatable and fine, and
they're a fine line. But I think I don't. I
never thought the one was cheesy.
Speaker 4 (27:20):
Wait, Okay, so I'm placing the stars like yeah, but
I know my brain has that, so I can't place
the yep, yep.
Speaker 2 (27:27):
Yep yep. Yeah, But what that's where it's that you
have an hour. Do you need need more? Just give
us a little bit, and no, don't sing it full,
but singing the hook for it. Yep, yep. That's where
it's at. That's all it is.
Speaker 4 (27:42):
Yep, yep.
Speaker 2 (27:43):
Okay, I got it more than that.
Speaker 10 (27:45):
When she's reached, no, got it, Yes, thank you, I
got it.
Speaker 2 (27:54):
She just needed a little more. She knew the top loud.
Did you take music in high school?
Speaker 10 (27:59):
I did college. I got kicked out. I got kicked
out of vocal music too. It was my only ce.
Speaker 3 (28:05):
Was it because you were too good?
Speaker 2 (28:06):
I was bored? I think I was.
Speaker 10 (28:08):
I just pissed the teacher off. I don't think I
was talking too much or so I didn't pay attention.
Speaker 2 (28:11):
But do you play golf at all anymore? I do
the back into it?
Speaker 3 (28:15):
I think I saw.
Speaker 2 (28:16):
I think I saw a picture on social of you
playing golf. He great golf? Isn't it really good?
Speaker 4 (28:21):
Like?
Speaker 10 (28:22):
No, no, no, I'm not here, but but I got
lucky once this summer though.
Speaker 2 (28:25):
But okay, so he can say, he can say he
may not play now, but he is and has been
a fantastic golfer, like a plus my past life. Yeah,
his past life. So you're playing again, Yeah, back in
the bug again? Yes, I do. Yeah. I was looking.
Speaker 10 (28:42):
Actually when I was walking out of the house this morn,
I'm like, oh, I wonder if I can get the
range later.
Speaker 2 (28:46):
It's it is such a weird thing, like you cannot
play and just get away from it, and eventually you're like,
it doesn't exist in my life, but once you are.
Because I tore my my shoulder, I have like an
injury here, so for I didn't play for a year
and finally played again, and now it's like it's all
I could think about. And I wasn't even thinking that
much about it. When I was heard, I was like,
I'm good, I'm checked out not playing golf. I don't
(29:07):
think about it. Played once and I was like, and
I hadn't played in a year, and I want to
shoot like a eighty eight after not putting, not even
going to the range when I was shot at eighty eight,
and I was like, I.
Speaker 3 (29:17):
Think I need it.
Speaker 2 (29:18):
Yeah, you need to already to get back in my blood.
Speaker 10 (29:20):
Oh the well, it's turning. It's going to be a great,
great time for golf and in Tennessee. But I played
enough last summer with my band where I kind of
felt the nerves coming down the stretch like ooh, I
might can break eighty. You know that that's when it
gets fun. But this summer I did get like. I
had a great round on July fourth, and I was like,
I've got it back.
Speaker 2 (29:39):
Oh yeah and famous last words. Yeah. And then the
next round I lost eight golf ball. I said to
Eddie the time we played, I said, Eddie, I haven't lost
a ball all day. We're on like, hoa hold twelve.
I lost three balls and three holes right after that,
Like that's how it works. You ever had a hole in.
Speaker 10 (29:51):
One Yes, but I don't think I counted. I had
it last October. I was doing a charity event in
Texas and I was a celeb one of the celeib
T offers.
Speaker 2 (30:01):
I guess on one of the part three holes. It
was a part three course, so you played it every
hole for every group shot.
Speaker 10 (30:08):
So like I dunked one, I got really close on
a bunch of them than I dunked one. That was
my first one ever.
Speaker 2 (30:13):
That's interesting, though. I don't think that counts because it's
not but it is a hole in one shot. I
don't think it count.
Speaker 9 (30:17):
But heah, how many shots you think you had on
that whole?
Speaker 2 (30:20):
One hundred and yeah? Fifty yeah, yeah, no, no, he's
one for each one for each group. Yeah, forty shots.
Speaker 10 (30:26):
Yeah, I have very many groups. Yeah, I don't know.
I don't count it. I mean it's a hole in one.
Speaker 2 (30:31):
But see that's the thing. It is all on one,
but got a one on the whole. See that's yeah. Eight.
Speaker 3 (30:38):
Congratulations, thank you really good.
Speaker 10 (30:40):
I missed you guys, and it's been about a year,
I guess since we've been back in here.
Speaker 2 (30:44):
Yeah, I've missed you so much. It's actually been three
hundred and sixty seven days and nine hours. I've been waiting.
I just had a clock going. Uh Dustin Lynch Chevrolet
with Jelly Roll, massive, massive, massive song we love It.
The Killed the Cowboy album came out last September. Yep,
God dang, it's been that long.
Speaker 10 (31:01):
It has I'm working away and finding new stuff and
writing new stuff.
Speaker 2 (31:05):
And so okay, but what's what's happening with other new songs?
Anything else coming happening? Yeah?
Speaker 10 (31:13):
I think you know a song that's really taken off
for us in our live shows, honky Tonk Heartbreaker which
is on the Killed the Cowboy album. Because we've only
had Chevrolet off this album, so it's still pretty new.
And give me to play it. Still got smugs. Heck, yea,
let's play it. I don't know if it's ever been
played before.
Speaker 2 (31:25):
Well then that's why. That's while we're here, man, let's
do it. We do stuff all the time. Here he is.
We'll call him mister hole in one, Dustin Lench, and
we'll play the new what's it called again? Before I
played Honkey Talk Heartbreaker Honkey Talk Heartbreaker, which it says
here in the notes was actually written about Bobby Belce. Wow,
there we go. Need to electric Cowboy in Arkansas? Yeah,
I want to see that outfit. All right? There he is,
Dustin Letch. Everybody go to see a buddy, all right.
Speaker 3 (31:46):
Jamie left us his voicemail.
Speaker 2 (31:48):
I had a little joke, framey, why does the mass
book look so mad? Because it has too many problems?
Speaker 4 (31:55):
It's funny.
Speaker 3 (31:59):
I hears Tara from North Carolina.
Speaker 1 (32:01):
Hey, guys, I was just listening to read school songs
and he has such a smooth and soulful voice that
kind of reminds me of a young Robin Thick. I'd
love to hear him do a cover of Robin Thick
Blurred Vine. Thanks guys love the show.
Speaker 3 (32:16):
That's up to him. But read Rberry does our theme song,
you know.
Speaker 2 (32:19):
That wake Up, Wake Up in the morning, and then
he also does It's the Anonymous Inbox that But you
can listen to that whole Bobby Uncier theme wherever you
stream music. You start for Readarberry. We think he's great.
That's that's true. The Robin Thick thing I'm probably not
gona address with him. Amy's pile of stories.
Speaker 4 (32:40):
So Instagram rolled out a new feature. You can now
leave comments on Instagram stories.
Speaker 2 (32:45):
Yes, comments are so healthy. The comment sections of places
just are so healthy. It make me feel so good.
Oh what a great story.
Speaker 4 (32:51):
Well, at least these are temporary, just like the story post,
so you don't have to look at them forever. But
you can just go into the app and turn it
on if you at that setting to start happening in
your stories.
Speaker 2 (33:01):
I have it and people short leaving comments and stories
and I was like, what's happening?
Speaker 3 (33:04):
How do they hack?
Speaker 2 (33:05):
And and then some of them were not nice, and
then I just got off again.
Speaker 3 (33:10):
They were making it worse.
Speaker 4 (33:11):
You can go in and turn it off that feature.
Speaker 3 (33:13):
That's okay.
Speaker 4 (33:16):
So fall is cold and flu season. But there's a
flu we also need to be worrying about. And it's
teflon flu. It's a sneaky illness caused by inhaling fumes
from overheated nonstick cookware. And we're cooking a lot more
come fall that Thanksgiving coming up, Christmas, you're hosting a
lot more people.
Speaker 3 (33:33):
This is a rich person flu, I think.
Speaker 4 (33:35):
No, it's a no, it's a cooking I know.
Speaker 3 (33:37):
But if you're worried about.
Speaker 2 (33:38):
This flu, you have lots of the worry of teflon
is Yeah, he slides off. Yeah, that's what makes it
not stick. They call it gangster doesn't get in trouble
teflon don Yeah.
Speaker 3 (33:47):
Symptoms off the original Yeah, that.
Speaker 4 (33:50):
Include headaches, fever, chills, cough, muscle, eggs. And to avoid it,
just make sure that your kitchen is well ventilated and
avoid using abrasive cleaners on your non stick pants.
Speaker 3 (34:00):
A bird flu or like a way, it's a real thing.
Speaker 4 (34:04):
A lot of people have it. Okay, what is your
pet peeve? So everyone has little things that annoy them,
for sure, and read it. Ask this whole question about.
It's a ridiculous pet peeve, though, like something that normally
people are not annoyed by. So I'll list some of
the popular responses while y'all think of yours.
Speaker 3 (34:21):
I don't need time to think, but go ahead, give
me three.
Speaker 4 (34:22):
Okay. When people stop the microwave before it's done and
they leave the seconds like standing there, like you can
see twenty two seconds.
Speaker 2 (34:29):
Least, I don't mind that I do that. Sometimes I
don't like to beep. I don't like to beat microwave.
I hate to beep with the microwave.
Speaker 3 (34:36):
Yeah do you?
Speaker 4 (34:37):
How do you? It's only it's real quick.
Speaker 2 (34:39):
No, I don't like it. Though it doesn't matter. You
can't judge it before. I like it, don't know.
Speaker 3 (34:44):
I like to beep of the microwave.
Speaker 2 (34:45):
I don't like that tone, so I stop over a
couple seconds, and sometimes I don't change take it off, okay.
Speaker 4 (34:49):
People licking their fingers before turning a page, or even worse,
before counting money.
Speaker 2 (34:54):
It's that to me is a It's kind of gross,
but I don't mind it, gause my pages are stuck together.
Speaker 3 (34:58):
I just I just talk to on it.
Speaker 4 (35:02):
People who hold their cell phone in front of their
mouth to talk, like they're not on speakerphone, but they
hold it out in front of their mouth to talk
and then put it back up to their ear to
listen to what the other person is going to say.
Speaker 2 (35:12):
I never noticed anybody doing that. I can see where
that would be a ridiculous.
Speaker 4 (35:16):
And then you like you for yo, You like, why
not just spell out yo you?
Speaker 2 (35:22):
But that's that's like me, mom, Papaul getting upset at that.
Speaker 3 (35:25):
That's that's if you're old. Mine's easy.
Speaker 2 (35:27):
Anytime I'll read you say over one hundred percent or
say like one hundred and ten percent, not a thing,
or you can't write it any better.
Speaker 3 (35:33):
You can always write.
Speaker 4 (35:34):
It better or literally when it's not literally.
Speaker 3 (35:35):
Yeah, that one, I've had to shake a little bit.
Speaker 4 (35:37):
Because, oh good, this is one of my favorite.
Speaker 3 (35:39):
Too many people do it. It drives you too crazy, so
I had to stop.
Speaker 4 (35:42):
Yeah, all right, I Amy, that's my file.
Speaker 3 (35:45):
That was Amy's pile of stories.
Speaker 2 (35:47):
It's time for the good news produce a ready.
Speaker 9 (35:54):
William and Pamela. They are siblings from Massachusetts. They decided
to play the lottery, and they decided to play the
same numbers because they were all family birthdays.
Speaker 2 (36:04):
So they did two.
Speaker 9 (36:05):
Different tickets, same numbers, and they both hit it.
Speaker 3 (36:09):
Maybe better be big. How much?
Speaker 2 (36:11):
Guys?
Speaker 9 (36:12):
The name of the game was twenty five thousand dollars
a year for life. Okay, so that's what they want.
They want they both won twenty split it. No, they
bought two different tickets. Oh yeah, So William has his
Pamela has her two questions lunchbox to goet my expert
up here.
Speaker 2 (36:28):
Let's say they die.
Speaker 6 (36:31):
I don't think anybody gets it.
Speaker 2 (36:32):
Okay, let's say one dies. The one who's still alive
keeps getting it, but twenty dies doesn't.
Speaker 6 (36:37):
Right because they have separate tickets.
Speaker 3 (36:38):
Or can you do the lump sum and just get
a bunch up front?
Speaker 2 (36:41):
And that's what they both did.
Speaker 9 (36:42):
They both got what is it, three hundred and ninety
thousand dollars lumpsum.
Speaker 3 (36:47):
That's what I would have done.
Speaker 2 (36:48):
But now you might as well do a half a million,
because if they're getting lumped I don't know if that's
taxed untied. That is probably untaxed. That would it twenty five?
They never mind? Just do three ninety three ninety Okay,
I'm not I'm not gonna be why.
Speaker 3 (37:04):
Don't you pull out your phone. You have a computer
in front of you.
Speaker 4 (37:06):
What are you carry the two.
Speaker 2 (37:08):
He's doing the numbers and fifty six.
Speaker 8 (37:12):
It would take sixteen years to get there, right, sixteen
years to get.
Speaker 2 (37:16):
To the know the headline is lunchbars, says a calculator
on his computer in front of him, and.
Speaker 3 (37:20):
He still chose to go to his paper.
Speaker 4 (37:22):
Yeah, it's interesting, say for life, you know, what if
you're twenty and you want oh god, and you get
it forever, but a lot of these places to will
buy it from you and pay you.
Speaker 2 (37:32):
Like let's say there's a company and they'll go like,
we'll give you three hundred thousand dollars and they get
that twenty five thousand for life, and.
Speaker 3 (37:38):
You just go out and get your money, you know,
shift it over to them. I would take the lump
sum as well. Same then.
Speaker 4 (37:43):
Did you never know?
Speaker 3 (37:44):
Oh, I wouldn't think.
Speaker 2 (37:45):
I was thinking you could do more smart things with
all that money at once, seah, I was thinking comfortable
life for like every month. You never got twenty five
grand coming in for every month every year? Right? Is
that what it is? Every year?
Speaker 3 (37:55):
But I don't know that.
Speaker 6 (37:56):
Yeah, twenty five thousands you still have to work though.
Speaker 2 (37:58):
Man, that's the problems a box money though.
Speaker 6 (38:00):
It's money, but it's like, ah, man, I still gotta work.
It's twenty five K.
Speaker 2 (38:04):
But it's like you're talking about let's say, roughly two
grand a month extra. Yeah, after tax thirteen, you probab're
getting about thirteen hundred bucks a month extra. Right, So
it's not really gonna it's gonna help you pay bills.
You can be definitely get a boat, That's what I'm
talking about.
Speaker 3 (38:20):
But Lunchbu wants to quit. He wants to retire off
of the lottery.
Speaker 6 (38:23):
Yeah that's what I want.
Speaker 2 (38:24):
Yeah, all right, there you go. Anyway, it's a good story,
all all awesome. Good, that's what it's all about. That
was telling me something good. They're making a sequel to Goonies.
Nineteen eighty five is when the original came out. I
think i've seen it. It must have been when I
was really young.
Speaker 4 (38:40):
Yeah, it's good. I saw it when I was young,
but then rewatched it with my kids a couple of
years ago and they loved it.
Speaker 2 (38:44):
Hey you guys, Yeah, yeah, it holds up. It is well,
they're making a sequel. Do we need a sequel? Mighty.
Speaker 3 (38:50):
I think we do.
Speaker 2 (38:51):
Is it the originals from the.
Speaker 3 (38:53):
Movie as adults?
Speaker 2 (38:54):
Now, yeah, they're all coming back from being adults. I
think with like the success of Beetle Juice or like,
let's bring them all back from the eighties. I like
that instead of like a recreation. I want to know,
like what mid management jobs that are doing now?
Speaker 3 (39:05):
Yeah?
Speaker 2 (39:05):
Yeah, and their second marriage is and are they looking
for treasure again something or are they just looking to
find fulfillment in life because they're all like forty eight
that's the real treasure good life crisis. The kid who
played Chunk is like rip, Now, how's he going to
do the truble shuffle? Oh yeah, he's the biggest Yeah yeah.
Speaker 3 (39:24):
Do you know the theme, the plot, anything like that?
Speaker 4 (39:26):
Now?
Speaker 2 (39:26):
Probably just another adventure?
Speaker 3 (39:28):
Do you know when it comes out?
Speaker 2 (39:29):
I think they're going to start filming in the next
couple of years, so probably like three or four years.
Oh gosh, oh really yeah, I just got announced. Also,
it's not in filming where they're like it's about to
oh now, they're just like and the cast is coming back.
All right, Well there's a goony sequel that hopefully we
live to see. All right, let's go down and do
Amy's Morning Corny, the Mourning Corny.
Speaker 4 (39:51):
Why was the horse so happy? Why because he lived
in a stable environment, stable home.
Speaker 2 (39:57):
Yeah, that was the morning Morning And that is the
end of the first half of the podcast.
Speaker 3 (40:09):
That is the end of the first half.
Speaker 2 (40:11):
Of the podcast. That is the end of the first
step of the podcast. That is the end of the
first tip of the podcast. You can go to podcast
to or you can wait a podcast to come out.
Transmitting this.
Speaker 2 (00:11):
Hey, welcome to Wednesday Show Morning Studio today, September eleventh,
twenty three years since nine to eleven. So I mean kids,
this is World War two to kids now, meaning or
Vietnam War to us.
Speaker 3 (00:24):
We don't remember. That was before we were born.
Speaker 2 (00:26):
And people fifteen years older than us are probably like, man,
we remember like crazy, nineteen sixty nine, it's on television.
People like, to us, this is it's such a real
thing because we remember everything as it happened, where we
were after it happened, all the things that we did right,
all the things we did wrong. But to kids, this
is that like I have to imagine your kids. Your
(00:47):
oldest seventeen.
Speaker 4 (00:49):
Yeah, she's seventeen and just knows kind of what she's
learned six years.
Speaker 3 (00:53):
Before she was even born.
Speaker 5 (00:54):
Yeah, but they have video and everything now, like the
Vietnam War alone, lots of protests and stuff, but it's
still like not in their life. So that feels a
bit bizarre because it was to us like so tangible.
Speaker 2 (01:11):
It was so was here on our soil. Some celebrity
stories from people. Mark Wahlberg was supposed to be on
the American Airlines Flight eleven along with Seth MacFarlane, who
was the creator of Family Guy. But it said he
was invited to attend a film festival in Toronto, so
instead he last minute chartered a jet with some of
his friends. But weird, thinking about the Wahlberg thing. Years
(01:33):
later he was saying stuff like he would have stoped
the attacks from happening.
Speaker 6 (01:36):
No, he did not say that. Come on, dude.
Speaker 2 (01:39):
He did apologize the article, and I remember him saying this,
so I went and looked at the article. Wahlberg started
up quite a bit of controversy and years later by
claiming that if he had been on the flight, he
would have stopped the attacks from happening. I won't even
think about it. Why I say that. I know they
have that much testostero. Pumpa th to your blood. You
gotta say that kind of stuff. But again, he has apologized,
(02:00):
so we should let him sure live in his apology
and move on. But Seth MacFarlane, who I was talking about,
he was supposed to board that flight and he had
been out drinking the night before and just basically missed
the flight. Dang, that's I mean, that's really the whole story.
His travel agent listed the flight as well. At the
time when people had travel agents as ten minutes later
(02:21):
than it actually was. And back in the day day
you could just go and run through the airport and
get on a flight. There wasn't security. This all this
security and detective like that's because of.
Speaker 3 (02:29):
Nine to eleven.
Speaker 2 (02:30):
And so he missed the plane. But he did get
to the airport, but he just missed it. Like he
was at the airport, he went to the passenger lounge
and was sleeping because he was out drinking the night before,
and he awoke an hour later to panic sounds of
the people at the airport.
Speaker 7 (02:44):
Oh oh man, that one because the wallburg when like
he made a decision, he went and got a jet,
went to a different place, like he was going to
be on that flight, and that is like, wow, that's
the seth.
Speaker 3 (02:56):
MacFarlane one slept in.
Speaker 2 (02:58):
Yeah, he like tried, got to the airport and just
didn't get on that flight because he had party too hard.
Speaker 6 (03:04):
Yeah. Julie from Real World, New Orleans, the Mormon girl.
Speaker 8 (03:07):
She was supposed to be on that flight, but she
got in a fight with her boyfriend the night before,
so she decided to skip the.
Speaker 3 (03:11):
Flight because of the fight.
Speaker 6 (03:14):
Because of the fight.
Speaker 8 (03:14):
She was like, fine, I just won't come see you
because she was supposed to go visit her boyfriend.
Speaker 2 (03:18):
They'll be on TV show sometimes like an old like
Friends for example, whenever like Ross runs to the.
Speaker 3 (03:23):
Gate with Rachel like to wait for her.
Speaker 2 (03:25):
It just seems so weird that you could just walk
to the gate now because that hasn't happened in forever.
But back in the day, for all you kids out there,
you could just walk into the airport, go chill.
Speaker 9 (03:35):
You can even like meet whoever you were at right
when they got.
Speaker 2 (03:39):
Signs, Yeah, like not down in the bottom, like right
there when they walk out of that door. So at
nine to eleven, twenty three years ago, Sina.
Speaker 6 (03:56):
Have a question to be.
Speaker 3 (04:02):
Hello, Bobby Bones. I've been with my boyfriend for almost
a year.
Speaker 2 (04:05):
During our entire relationship, he has struggle with waking up
in the morning because of his ADHD. He sleeps through
all of his alarms, which means he's usually late for work.
Sometimes it's only ten fifteen minutes, but it can be
an hour. His boss likes him, has given him plenty
of chances, but yesterday he got his last warning that
if he doesn't show up on time, he will lose
his job. We've had a couple discussions arguments about this,
(04:29):
because he believes it's partly my responsibility as his girlfriend
to wake him up. I don't believe that, despite me
waking up from his alarms, I don't think it's my
responsibility to wake him up. But when his boss gave
him his last warning, I felt guilt because had I
just woke him up and been persistent, he wouldn't have
been in the situation. So that's why I'm asking you, Bobby,
(04:50):
is my responsibility? Am I in the wrong for not
helping or should he, as an adult, be able to
do this by himself signed not a human alarm clock.
There's gonna be some nuance and not some nuance. The
answer is no, it is not your job. The answer
is yes, if at times you feel like you can
help them, you can on your on in your version
of your story. Sure, great, help them a little bit,
(05:12):
But it is not your obligation. It is not your fault.
There are many people that I know that have add
and ADHD significantly that get to work on time. Amy's
here every day, so and then I'm gonna let Amy
give like a real answer. But the answer is no,
it is not your responsibility. No, you should not have guilt. No,
(05:33):
it wasn't your fault this one time. That now he's
almost fired because you didn't wake him up. Because this
is a long it's a chronic issue. Also, there's medicine
to help with this. Not everybody's brains release chemicals in
the same patterns and in the right ways, and there
are things that we can do to supplement our bodies' minds, soul's.
Speaker 3 (05:50):
Hearts, everything. It is not your fault the end.
Speaker 2 (05:52):
Now you can help them occasionally if it's like a
really big sure, but no, it is not on you,
Amy Gowhead.
Speaker 4 (05:57):
Yeah, no, definitely don't feel any guilt about this at all.
And if he shifted blame towards you, then that that's
really annoying. But I do think when you're in a relationship,
you're in a partnership and you can support each other,
but discuss it beforehand, Like if you know he has ADHD, Hey,
what are some things that I can do that would
help support your morning? Can you decide okay? Then she
(06:20):
can decide okay, is that is that something I want
to do? If not, she can say, hey, that's a
little much. Let's figure out another plan and maybe research
different alarm situations, like maybe he has to get up.
I don't know that.
Speaker 2 (06:33):
Hearing disgust and all the times that he's not because
he's been like I expect you to wake me up?
Speaker 4 (06:37):
Okay, Well then that's a hymn problem.
Speaker 2 (06:39):
That is yeah, yeah, but you're right. It is a
relationship they have to figure out. She can help the times,
but it's not her job or obligation.
Speaker 4 (06:45):
No, and no part of me would expect my partner
to wake me up if that was my struggle. And
I don't know what him not hearing an alarm and
getting up has to do with his ADHD, right, probably.
Speaker 2 (06:57):
Like yeah, or there are other things too that you
can do. You can research for him other types of alarms,
other types of things to wake him up.
Speaker 3 (07:05):
The problem is she gets woken up every time.
Speaker 4 (07:07):
It's a long MS. The louder it gets, the worse
it is for her.
Speaker 2 (07:11):
You guy, to find a way that helps both of you.
Speaker 3 (07:13):
That's what relationships are, or break up you know, or
break up you know.
Speaker 2 (07:16):
I'm just kidding, but it is not on you.
Speaker 4 (07:21):
I don't like that he's making her feel bad about it.
Speaker 3 (07:23):
Why they should break up. Ye, yeah, I.
Speaker 2 (07:27):
Really like this. Amy sent me the story on what
to say when someone belittles you Number one in this story.
I thought this was so wise.
Speaker 4 (07:35):
Tell these guys, well, the first thing you can say is, hey,
can you repeat that?
Speaker 2 (07:40):
So when someone says something that little jude it makes
you feel bad, they say something rude to you, haven't
repeat it? Okay, And I think if I want to
say something rude to Amy, I'm like, man, Amy, you're
just you're so pretty it makes me uncomfortable.
Speaker 4 (07:53):
That's not rude.
Speaker 2 (07:54):
Well, but I didn't know what to say because I
don't want to say anything rude. So just I thought
that was rude. Okay, Okay, okay, I'll do it. Say
I'll let you do it. Say to me, say you're
really ugly.
Speaker 4 (08:02):
Say to me, go just say it you're really ugly?
Speaker 2 (08:07):
Oh oh well, would you mind saying that again? But
when they say it again, it like extra resonates with them,
like what they just said, because sometimes we say things
out of being triggered or sensitive or insecurity.
Speaker 4 (08:20):
Yeah, they're not expecting that as.
Speaker 3 (08:22):
The like would you which do I say that again?
Speaker 2 (08:25):
It almost shines a light on how big of a
jerk they're being but you don't say it like say
that again.
Speaker 4 (08:30):
No, it says specifically. It says when you calmly say
I need you to repeat that the gut of dopamine
that they were expecting and you put a spotlight on
their behavior which makes them nervous.
Speaker 2 (08:44):
Doesn't mean to me, Eddie, but mean it okay loser?
Uh yeah, they're such a loser. Sucks yours being moved on.
You didn't want to say anything.
Speaker 4 (08:58):
I was just getting the hang of it.
Speaker 2 (09:02):
So Number one is make them repeat it that to
me like mind blown, because that will make somebody who's
being mean, because most people aren't mean naturally or a lot.
But when they are and you make them do it again,
I bet there's a bit of actualization that's happening there.
Speaker 3 (09:19):
What's number two?
Speaker 4 (09:20):
Use questions of intent so you can ask them things
like did you want that to hurt?
Speaker 3 (09:25):
That's so good?
Speaker 2 (09:26):
Did you want to make me feel that?
Speaker 3 (09:28):
They just say the loser thing again?
Speaker 2 (09:29):
Okay, hey bones, you're a loser man.
Speaker 3 (09:31):
Would you say that like? Do you is your gold?
And hurt my feelings? See even that you got me?
Speaker 2 (09:38):
Because even if it was, it's usually out of it's
out of an emotion, and emotions usually aren't thoughtful. I'm
not saying thoughtful and a thoughtfully, but you're not putting
a lot of thought into them. You're reacting with emotions. Dang,
that's so good. Good.
Speaker 4 (09:52):
Or you can ask something like did you mean to
embarrass me?
Speaker 2 (09:55):
Like that? Make them repeat it, then ask them if
their goal was to hurt you, Go ahead, give me
the one uh silence.
Speaker 4 (10:02):
No matter what they say, you have the option to
just not respond at all and let silence be your answer.
This is going to fumble their words, and then they
made backtrack and kind of let them linger in it.
Speaker 2 (10:13):
I like wanting to because they'll think you didn't hear them.
If you do silence and they'll say it again, you'll
get hurt double worse. Yeah, because that he I'll try
silence on you or they think you're so you're so
hurt by it that you're just quiet.
Speaker 3 (10:23):
They win, they want and they win.
Speaker 2 (10:24):
I don't like that. Dang, you want to say something
else again?
Speaker 3 (10:27):
Now I'm getting it.
Speaker 2 (10:28):
Well.
Speaker 3 (10:28):
Amy came hard, like out of nowhere.
Speaker 2 (10:30):
She's like, I don't want to do this, and then
she starts whispering insults, make them repeat it, that is
a plus. Yeah, you ask them, so was your goal
to hurt me with that?
Speaker 4 (10:39):
Like?
Speaker 3 (10:39):
What was your purpose of saying that? That's so good?
Speaker 2 (10:42):
Just want to let you know you're a loser man?
Then what do you do?
Speaker 6 (10:46):
Uh?
Speaker 2 (10:46):
Thanks for letting me know. Why do you why do
you feel like saying that out loud? Is your goal
to hurt my feelings? Is it to make you feel better? Yeah? Yeah, yeah,
then you make them think of it. But then we
just come best friends and then we just bond over that.
Speaker 6 (10:57):
But you say, yeah, my goal was to hurt your feelings,
but no more.
Speaker 2 (11:00):
When no one's gonna say that, that's.
Speaker 3 (11:02):
Not really a thing. Like if Abby, when you bully her, I.
Speaker 6 (11:04):
Don't bully her. I just tell her she's not a
good singer.
Speaker 2 (11:07):
No, but it's in an aggressive way and at times
out of nowhere, when she's like, hey, I would like
to share a news story with you about something that's
happened in Kansas and you're like, you're not a good singer.
Speaker 4 (11:16):
I feel like Lunchboks might be the one person that
this may not work on because I feel like if
Abby were to say, oh, could you repeat that I'd
be like, you're not.
Speaker 2 (11:22):
A good singer, said he suck.
Speaker 3 (11:25):
I like it though.
Speaker 2 (11:25):
I think you can take make them repeat it and
then use questions like, hey, what was the goal here?
Speaker 3 (11:29):
You turn to have my feelings. That's good. That makes
people go I am a douche. So I think.
Speaker 2 (11:36):
On the Bobby Bones Show now.
Speaker 6 (11:38):
Dustin Lynch could to see you, buddy.
Speaker 2 (11:40):
Good to be back. You have chill bumps on you
a little bit, you get caught. Do you do cold plunge?
I do? Do you have a cold plunge at your house?
I've got this, you know. I tried one.
Speaker 10 (11:49):
I got tired of emptying it out and cleaning it,
and so I got this chiller that just goes to
my bat's up.
Speaker 2 (11:54):
So is that something you run the bath and you
turn Is it something you put in it lowers the temperature? Yeah? Yeah,
just you're on two tubes.
Speaker 10 (12:01):
The unit sits outside the battop and then I'll turn
it on and overnight it gets it down to fifty one.
Speaker 2 (12:06):
Whatever I wanted a can you explain to me what
you benefit from cold plunging.
Speaker 10 (12:11):
I'm alive and I'm very awake for the Bobby Bone
Show right now.
Speaker 2 (12:14):
Said, that's a great fake answer, and I like it.
It's my favorite answer, and I'll probably just cut that
out separately and play it.
Speaker 6 (12:19):
Over and over.
Speaker 2 (12:20):
That's that's why I did it this morning. I like,
nothing's hurting. I was going to wake up. It was
with Jake oh And, who's a big cold plunch guy,
cold punch plunge guy. We were doing some stuff on
a weekend. He's like, you got to go do this
cold plunge with me, And I'm all for anything that
makes people, puts people in a better place, it doesn't matter.
And I did it and I was just cold, and
I don't It didn't make me anything except angry. I
(12:40):
get it.
Speaker 4 (12:40):
No.
Speaker 10 (12:41):
The first few times I did that was out at
I was in Phoenix for like the long week of
Super Bowl and what else was it?
Speaker 2 (12:47):
Golf?
Speaker 10 (12:47):
Waste yeah, waste management, and I was doing almost like man,
I'm just cold. All of these stinks. And then this
year I started doing it on the Blake Shelton tour.
We were in the like arenas and it was really
cold outside and just the I don't know, the sauna
and the cold kind of combo got me feeling better
about life every day.
Speaker 2 (13:03):
I'm sure there's something to it. Too many smart people
that are in great shape do it. I just remember going, Yeah,
I like that. I'm good.
Speaker 10 (13:12):
That's why I committed to It's because like the guys
I look up to in my life that are very
active later in life and also still doing music later
in life, are all kind of on the schedule of
working out and doing Sona and cold Plunge. It's like, hey,
you got to pay attention to your elders that you admire.
Speaker 2 (13:30):
You you have a mentor music mentor do I like
one that you would call or do you have just
a few that you would call if you need it to? Yeah,
I would say a few.
Speaker 10 (13:37):
I don't have, like a guy really lean on or
have ever had that person to kind of hold my hand.
Speaker 2 (13:41):
How about let's not say professionally, let's say psychologically in
your business. Who could you call in this and be like,
I'm not having a great day, Like let's say a
certain song you want that labels not or like kick
just something right, that's not you not performing well, but
like in your mind because I get all crazy, I'd
(14:01):
like two really close friends and I will go to
because I'm anxiety ridden when it comes to certain things. Sure,
who will you call?
Speaker 10 (14:06):
I'll call my producer Zach, because he's like the first
guy that ever came into my world and shot me
straight and wasn't like playing the game for himself or
any other reason other than hey, we want to make
the best music we can and so that would be
hell I call.
Speaker 2 (14:21):
He's brutally honest, which I think is good. Full name
check him, Zach Krawll. And I know Zach too. And
the great thing about having somebody like Zach like U
Zach is and I wrote about this in one of
my books. It's like, it's hard to believe people when
they tell you that, oh, you're so good if they've
not told you, oh, you're not that good. Because everybody
wants to come along and jump on whatever train it
(14:43):
is and be positive and happy. But you really can't
believe them when they say, hey, that's amazing, if at
a certain time they haven't said, hey, maybe this isn't
your best. Sure. Yeah, And he was the first guy
to kind of he could have he could have.
Speaker 10 (14:53):
Come in and because I was already up and rocking
and I having hits, but it was the first time
he stood up. Was like man, that sounds not good
to you know, and everybody else. I want to say,
everybody else I've working with, But the previous folks I
was working with, as far as the music goes, it's
we're kind of yes men and just playing the game
and weren't really standing up for what I was thinking
or believing. That was more of how do I get
(15:14):
the next artists off this label to you know, to
help produce and that type of thing.
Speaker 2 (15:19):
So I don't know.
Speaker 10 (15:19):
I think having that that person in my corner has
been very valuable for me.
Speaker 2 (15:24):
Sometimes it's frustrating want to punch them in the face,
but it is very worth it. It's worth it. It
was worth them and I only have like two, but
I do want to punch them in the face sometimes,
But it's the net gain is massive, Yeah, for sure,
because I can actually believe them if they say I
did something really well, that they're telling me the truth,
because they've also told me when they didn't feel like
I was at my best. Yeah, and that I don't
(15:46):
never like that time my feelings, but then I come
out of it and I grow from it.
Speaker 10 (15:51):
I think it's good to have those people, you know,
for myself too. Like in the live show out on
the road, and you know, I have like my team,
my management team will come out they shoot us straight, like, hey.
Speaker 2 (16:01):
Will they tell you right after a show? Yeah, I
was too early. Give give the guy twelve hours now.
Speaker 10 (16:06):
No, okay, I like it right after and then we'll
you know, recon mean like the next day or whatever.
Speaker 2 (16:10):
They came out after a song, they walk out like
after man, sorry, everybody, hold on, doesn't that wasn't good.
Speaker 3 (16:17):
Let's do that.
Speaker 2 (16:18):
Yeah, if you do that move again on stage, this
show's over all?
Speaker 4 (16:21):
Right, go Has that been a discussion?
Speaker 2 (16:23):
Roofs? Oh yeah, oh really, Oh that's funny. Obviously not
during a show, but not a show. Sure, I don't know.
I did some like goofy because I just got a
fair in goof off.
Speaker 10 (16:32):
But I did some like goofy spin one night and
after the show they were like, hey.
Speaker 2 (16:37):
About that spin, about that twirl? What's what's happened with you? Like,
how are you? How are you mentally? How's everything going?
Like this is great?
Speaker 10 (16:44):
Yeah, yeah, it's been a fun summer. I've packed a
lot in I I kind of I'm a little bit
regretting I didn't say no to a couple of things,
because this summer for me was a lot of great shows.
But I was saying yes to like the Sunday Monday
Tuesday Adventures this, you know, this place, that place. But
it's been fun. I just think maybe one or two
of those was too many. I need to be home
a little bit more.
Speaker 2 (17:05):
Oh, you must love your home. There was a time
in my life where I started to love actually my
home because I got to create it myself. Like my
wife and I have a home that we love and
we're comfortable in. And do you feel like your space
now that you have is like your place? Not right now?
Speaker 4 (17:19):
No?
Speaker 2 (17:19):
Why I don't. I don't know.
Speaker 10 (17:21):
I'm very uneasy in my house right now. Like I'll
be home for about fifteen minutes. No, no, I mean
maybe one day. But I like my place. I just
I get there, I'm like, Okay, there's not really anything
to do here.
Speaker 2 (17:34):
I don't. Can you sit on the couch and watch TV? No,
Like I gotta go do something. Yeah, it's not even
home in Can you relax?
Speaker 10 (17:44):
Yeah, I can relax a little bit. I think I
relax better out at my farm. How do you sleep great?
Oh that's really good. Yeah, I sleep I mean I
sleep terribly. Do you have anxiety in the day? No,
I just like to be on the go. What's that
telling you over there? No?
Speaker 4 (17:58):
I mean I don't, well know, I think being on
the go it's okay. Some people's personalities are that. But
you're saying, like you can't be still at home and
sometimes learning to get what they say comfortable and the uncomfortable.
Speaker 2 (18:08):
Yeah.
Speaker 4 (18:08):
I can help you realize some things, but I don't
because you just said I need to be home more
like you. You just said to us, like you said
yes to too many things and you need to be
home more. But then you also, in the same breath,
sort of said you didn't you don't like being.
Speaker 2 (18:22):
Don't like home like I like doing things at home?
I guess, just not in my house. I don't know.
Speaker 10 (18:27):
I'll come off the road for a few weeks and
I'll be there a half hour and be like, all right,
let's go do something. I just don't want to. I'm
not a good couch potato, don't guess. I don't like
just sitting around.
Speaker 2 (18:37):
What do you like going out on your equipment? Love it? Yeah?
Is that always something to do out with the farm?
So is that you turn your brain off thing? It is? Yeah,
you know, I just started a couple of my guys
on the road.
Speaker 10 (18:50):
We're talking about true crime podcasts, which I've never really
gotten into, and man, I'm deep right now.
Speaker 2 (18:56):
Which ones have you listened to that you love? I started?
He says, says serious, vanished? The old one? Is it?
Up and vanished? So I didn't mean to reupt you up.
I don't know up in vantished lunchbox? Is that one
you listened to?
Speaker 6 (19:08):
Never heard of it?
Speaker 2 (19:09):
What's give me this phone? Give me the synopsis?
Speaker 10 (19:13):
So I started season one, episode one. We're in Georgia
and this girl's been missing for eleven years. Cold case,
but it's one of those scenarios where it seems like
law enforcement is involved in the cover up, and uh,
I'm hooked.
Speaker 2 (19:30):
It's it's really bad.
Speaker 10 (19:31):
Like I was listening this morning walking around the house,
playing on the phone and like, okay, I need to
get a better headspace. I'm in a murder mystery headspace
right now before I go on air.
Speaker 2 (19:39):
So you've done multiple others, No, this would be the
first one.
Speaker 10 (19:42):
And I actually in twenty twenty twenty one, I listened
to to Live and Die in La. When I was
driving to and from the coast to my girlfriend's parents' house,
we listened to that. That was that I would get
in the car and like, hey, anybody need me to
go get anything so I could listen more.
Speaker 2 (20:00):
We would road trip and listen to those. You know
that that was a big one for us. We would
turn on these because my wife likes the true crime
stuff more than I do. But for long trips, they
really get you. But it's like the shows where they
lead one direction and then all of a sudden they
like goose chase you and you're like, oh, they led
me all to think it was that when the whole
time it was the priest. Right No, but yeah, And
(20:20):
what's cool about those too is they've actually solved crimes
because of them, meaning not just the reporting, and they've
done all this reporting. They both reopen the cold cases.
But then people listening will also go, oh, wait, I
have some facts to give about this, and they've actually
solved cases because it's them. Awesome Watchbuck Cereal? Was that
ever solved that was released from prison? Right?
Speaker 8 (20:37):
Yeah, he's released from prison, but I think they're going
to order him to go back to trial or something
like that.
Speaker 2 (20:41):
Which it's fine though, because he's not just like guilty
in a selling anymore.
Speaker 8 (20:44):
Right, But he was in there for sixteen seventeen years. Wow,
And they did the serial.
Speaker 2 (20:48):
Lated podcast on it. It was like one of the
first fame real big ones sid Yeah, and then saw Yeah,
which is like the og man it.
Speaker 6 (21:00):
Wow.
Speaker 2 (21:01):
Lunchbocks just discovered podcasts. We're not kidding. And he works
in an audio media because we do our shows.
Speaker 4 (21:06):
He has his own podcast, has his own yes.
Speaker 2 (21:08):
Yeah. Two weeks ago he said, do you guys ever
listen to podcasts? Yeah?
Speaker 6 (21:12):
I listened. What did I listen to the first time?
And I was like, man, this is crazy, but it's fun.
Speaker 2 (21:18):
What was crazy the fact that there was a podcast
that existed and how you listen?
Speaker 3 (21:21):
Yeah?
Speaker 6 (21:22):
Yeah. I was like this is wild.
Speaker 8 (21:24):
Like he can just ride like we're we're road tripping.
And so we played it and I was like, man,
this makes life pretty easy.
Speaker 2 (21:30):
It does go back quicker. I think it makes drives
go back quicker. Definitely awesome. It's like the great don't
turn us off, listen, stay with us.
Speaker 4 (21:37):
He could be listening to this right now on the podcasts.
Speaker 2 (21:40):
That's true. Music wise, Uh, let me ask some questions
about Chevrolet because it's one.
Speaker 7 (21:44):
Of the.
Speaker 2 (21:46):
The We were talking about melodies that we love to sing,
and obviously drift Away is like one of the greatest melodies.
It doesn't matter what you sing to it. Whenever you
write the song. Mentor Williams is the one is the
writer on it, who wrote the red drift Away. He
was British way before Adobie Gray, way before Uncle Cracker.
Did you go, let's just include the greatest catchiest hook
(22:08):
of all time? Or did you kind of accidentally get
there and go, oh, we're kind of on this, let's
just commit to it.
Speaker 10 (22:13):
I was scared to death to record this song. I'm
not a writer on the song. It wasn't my idea.
You got pitched to, uh.
Speaker 3 (22:19):
Hey that's good.
Speaker 2 (22:20):
Hey yeah yeah, yeah.
Speaker 10 (22:22):
Yeah, you got fits to Zach and he tossed up
my way. He's like, man, you know, we we've been
hearing the national is kind of funny. Whenever you feel
like you have a great song idea, it seems like
five other writers have that song. I did end in
a couple of months, but but with like the interpolation
thing going, man, we just started geting flooded with a
bunch of different classic songs that have been interpretated to
(22:45):
new country songs, and this was the one that was
kind of like, huh, that one's sticking around. It doesn't
seem super contrived, and.
Speaker 2 (22:53):
It kind of stuck with me.
Speaker 10 (22:54):
But I was scared of it, just because you know,
without a doubt, there's gonna be a portion of the
fan base that hears it on the radio and goes, oh,
he ripped off that song. You know, they don't understand, well,
we're kind of reimagining it with the original writers and
with their permission. So I was scared of it. But
then it was like, Okay, let's do it. Let's soften
the blow with doing it. Because Jelly was in the
(23:15):
studio working at the same time, so asked if he
would do it, and he's like, yeah, I'm in. And
I thought that would just be it because collabs are
so hard to release to get people's schedules to line up.
Speaker 2 (23:26):
He just happened to be like in this video next door.
Speaker 10 (23:28):
So this is a little fun fact I came across,
not that I came across Jelly, but I was watching
what Jelly was doing during the COVID lockdowns, and his
fan base was just super interactive and he would post
something and there'd be like thousands of comments and that's
not normal. So I hit up my producer just kind
of talking game plan and strategy of just overarching how
(23:51):
do we stay connected and what do we do do
we release music? And he's like, man, you know, I
used to make a lot of the early Jelly beats
way back in the day.
Speaker 2 (23:58):
This is before I moved to Nashville. Really, he goes, yeah, he's.
Speaker 10 (24:01):
Like one of my first guys I started making beats with.
And he's like, I need to reconnect with that guy.
In't talked to him in a long time. So they
reconnected because of that and started He had recorded Save Me,
and they started talking about maybe doing a country album,
and Zach introduced Jelley to my record label, and so
it was just kind of a whole big swirl and
then they start trying to do, you know, an album together,
and things start popping and Chevrolet came in. It was
(24:22):
just kind of one of those great timing things.
Speaker 2 (24:25):
I didn't feel like the first time I heard it,
and I understood why as an artist you would feel
that way, where you're like I don't want people to
think I never felt like this was a rip off,
even listeners would think that. I think it would be
more of like when Cole did Heads Carolina. There are
songs that you can definitely tell they're trying to get
(24:47):
away with it and then they got caught. I don't
feel like this was out at all. I feel like
this is like we're doing a song that everybody loves
and because Mentor Wheels gets paid, he's the writer, and
we're just like reinterpreting it. Yeah, did you guys, do
you ever think it was like a or did you
just feel like it was? It was it was a
purposeful Yeah. I think everybody felt like a purpose new
(25:10):
lyric over the Because there's another song right now that
we know wasn't purposeful. We've talked about it. There's another
and we're like, oh, they for assured it that and
they got caught and had to add it.
Speaker 3 (25:19):
I feel like this the whole time.
Speaker 2 (25:20):
That's all right too.
Speaker 3 (25:21):
No, no, no, this one's very bad.
Speaker 2 (25:23):
This one's very bad, but everything everything else to go.
This song is awesome. Yeah, it's great. It's been a
fun ride.
Speaker 10 (25:28):
This is a cool moment of this song's in this
song's life for me was playing it live and then
it hit a point on the chart where there's some
familiarity with it. And my keyboard player that's been with
me for a few years, so we've had a few
hits since he's been in the band. He goes, Man,
this song seems different live. I'm like, what do you mean?
He goes, Since I've been in the band, we haven't
(25:50):
had one to react like this, And I'm like, that's
pretty cool endorsement because you know, he gets to watch
obviously everything every night, and that's when we knew. Early
on it was like, oh, it's probably gonna do pretty
good for us.
Speaker 2 (26:02):
Will you ever turn into like a seven minute version though,
and then go into the actual because that's a hard one,
like do the whole song? I try, you know.
Speaker 10 (26:07):
Uncle Cracker came out to the pool situation at CMA
Fest and as a surprise guest, and we had him
pop out and do some of a drift away, but
my brain froze up because I've got Chevrolet Lyrics program
now and I couldn't like make the flip. Maybe one maybe,
one day we'll try it, but get Cracker back out there.
Speaker 2 (26:26):
But it was tough. I just kind of stepped aside,
let him take. Whenever the song was chosen as a single,
did you have reservations then or you already.
Speaker 10 (26:35):
I didn't think it would be a single. I honestly
would it never would have gotten my vote. But when
the album came out, it was a kind of a
landslide of duh, that's what it's gotta be next.
Speaker 2 (26:46):
The other song that the song you had before this
starts like anfetti. That song I love because it goes yeah,
like it's you have like two or three of those songs.
There's just some little element there. Yep Yep is another
one where it's not like he's spent an hour.
Speaker 10 (27:05):
I've always thought the Yep yep was cheesy, but every
night in the crowds like, you know why you.
Speaker 2 (27:11):
Think it was cheesy because I felt it's too easy.
Sometimes too easy is just extremely relatable and fine, and
they're a fine line. But I think I don't. I
never thought the one was cheesy.
Speaker 4 (27:20):
Wait, Okay, so I'm placing the stars like yeah, but
I know my brain has that, so I can't place
the yep, yep.
Speaker 2 (27:27):
Yep yep. Yeah, But what that's where it's that you
have an hour. Do you need need more? Just give
us a little bit, and no, don't sing it full,
but singing the hook for it. Yep, yep. That's where
it's at. That's all it is.
Speaker 4 (27:42):
Yep, yep.
Speaker 2 (27:43):
Okay, I got it more than that.
Speaker 10 (27:45):
When she's reached, no, got it, Yes, thank you, I
got it.
Speaker 2 (27:54):
She just needed a little more. She knew the top loud.
Did you take music in high school?
Speaker 10 (27:59):
I did college. I got kicked out. I got kicked
out of vocal music too. It was my only ce.
Speaker 3 (28:05):
Was it because you were too good?
Speaker 2 (28:06):
I was bored? I think I was.
Speaker 10 (28:08):
I just pissed the teacher off. I don't think I
was talking too much or so I didn't pay attention.
Speaker 2 (28:11):
But do you play golf at all anymore? I do
the back into it?
Speaker 3 (28:15):
I think I saw.
Speaker 2 (28:16):
I think I saw a picture on social of you
playing golf. He great golf? Isn't it really good?
Speaker 4 (28:21):
Like?
Speaker 10 (28:22):
No, no, no, I'm not here, but but I got
lucky once this summer though.
Speaker 2 (28:25):
But okay, so he can say, he can say he
may not play now, but he is and has been
a fantastic golfer, like a plus my past life. Yeah,
his past life. So you're playing again, Yeah, back in
the bug again? Yes, I do. Yeah. I was looking.
Speaker 10 (28:42):
Actually when I was walking out of the house this morn,
I'm like, oh, I wonder if I can get the
range later.
Speaker 2 (28:46):
It's it is such a weird thing, like you cannot
play and just get away from it, and eventually you're like,
it doesn't exist in my life, but once you are.
Because I tore my my shoulder, I have like an
injury here, so for I didn't play for a year
and finally played again, and now it's like it's all
I could think about. And I wasn't even thinking that
much about it. When I was heard, I was like,
I'm good, I'm checked out not playing golf. I don't
(29:07):
think about it. Played once and I was like, and
I hadn't played in a year, and I want to
shoot like a eighty eight after not putting, not even
going to the range when I was shot at eighty eight,
and I was like, I.
Speaker 3 (29:17):
Think I need it.
Speaker 2 (29:18):
Yeah, you need to already to get back in my blood.
Speaker 10 (29:20):
Oh the well, it's turning. It's going to be a great,
great time for golf and in Tennessee. But I played
enough last summer with my band where I kind of
felt the nerves coming down the stretch like ooh, I
might can break eighty. You know that that's when it
gets fun. But this summer I did get like. I
had a great round on July fourth, and I was like,
I've got it back.
Speaker 2 (29:39):
Oh yeah and famous last words. Yeah. And then the
next round I lost eight golf ball. I said to
Eddie the time we played, I said, Eddie, I haven't lost
a ball all day. We're on like, hoa hold twelve.
I lost three balls and three holes right after that,
Like that's how it works. You ever had a hole in.
Speaker 10 (29:51):
One Yes, but I don't think I counted. I had
it last October. I was doing a charity event in
Texas and I was a celeb one of the celeib
T offers.
Speaker 2 (30:01):
I guess on one of the part three holes. It
was a part three course, so you played it every
hole for every group shot.
Speaker 10 (30:08):
So like I dunked one, I got really close on
a bunch of them than I dunked one. That was
my first one ever.
Speaker 2 (30:13):
That's interesting, though. I don't think that counts because it's
not but it is a hole in one shot. I
don't think it count.
Speaker 9 (30:17):
But heah, how many shots you think you had on
that whole?
Speaker 2 (30:20):
One hundred and yeah? Fifty yeah, yeah, no, no, he's
one for each one for each group. Yeah, forty shots.
Speaker 10 (30:26):
Yeah, I have very many groups. Yeah, I don't know.
I don't count it. I mean it's a hole in one.
Speaker 2 (30:31):
But see that's the thing. It is all on one,
but got a one on the whole. See that's yeah. Eight.
Speaker 3 (30:38):
Congratulations, thank you really good.
Speaker 10 (30:40):
I missed you guys, and it's been about a year,
I guess since we've been back in here.
Speaker 2 (30:44):
Yeah, I've missed you so much. It's actually been three
hundred and sixty seven days and nine hours. I've been waiting.
I just had a clock going. Uh Dustin Lynch Chevrolet
with Jelly Roll, massive, massive, massive song we love It.
The Killed the Cowboy album came out last September. Yep,
God dang, it's been that long.
Speaker 10 (31:01):
It has I'm working away and finding new stuff and
writing new stuff.
Speaker 2 (31:05):
And so okay, but what's what's happening with other new songs?
Anything else coming happening? Yeah?
Speaker 10 (31:13):
I think you know a song that's really taken off
for us in our live shows, honky Tonk Heartbreaker which
is on the Killed the Cowboy album. Because we've only
had Chevrolet off this album, so it's still pretty new.
And give me to play it. Still got smugs. Heck, yea,
let's play it. I don't know if it's ever been
played before.
Speaker 2 (31:25):
Well then that's why. That's while we're here, man, let's
do it. We do stuff all the time. Here he is.
We'll call him mister hole in one, Dustin Lench, and
we'll play the new what's it called again? Before I
played Honkey Talk Heartbreaker Honkey Talk Heartbreaker, which it says
here in the notes was actually written about Bobby Belce. Wow,
there we go. Need to electric Cowboy in Arkansas? Yeah,
I want to see that outfit. All right? There he is,
Dustin Letch. Everybody go to see a buddy, all right.
Speaker 3 (31:46):
Jamie left us his voicemail.
Speaker 2 (31:48):
I had a little joke, framey, why does the mass
book look so mad? Because it has too many problems?
Speaker 4 (31:55):
It's funny.
Speaker 3 (31:59):
I hears Tara from North Carolina.
Speaker 1 (32:01):
Hey, guys, I was just listening to read school songs
and he has such a smooth and soulful voice that
kind of reminds me of a young Robin Thick. I'd
love to hear him do a cover of Robin Thick
Blurred Vine. Thanks guys love the show.
Speaker 3 (32:16):
That's up to him. But read Rberry does our theme song,
you know.
Speaker 2 (32:19):
That wake Up, Wake Up in the morning, and then
he also does It's the Anonymous Inbox that But you
can listen to that whole Bobby Uncier theme wherever you
stream music. You start for Readarberry. We think he's great.
That's that's true. The Robin Thick thing I'm probably not
gona address with him. Amy's pile of stories.
Speaker 4 (32:40):
So Instagram rolled out a new feature. You can now
leave comments on Instagram stories.
Speaker 2 (32:45):
Yes, comments are so healthy. The comment sections of places
just are so healthy. It make me feel so good.
Oh what a great story.
Speaker 4 (32:51):
Well, at least these are temporary, just like the story post,
so you don't have to look at them forever. But
you can just go into the app and turn it
on if you at that setting to start happening in
your stories.
Speaker 2 (33:01):
I have it and people short leaving comments and stories
and I was like, what's happening?
Speaker 3 (33:04):
How do they hack?
Speaker 2 (33:05):
And and then some of them were not nice, and
then I just got off again.
Speaker 3 (33:10):
They were making it worse.
Speaker 4 (33:11):
You can go in and turn it off that feature.
Speaker 3 (33:13):
That's okay.
Speaker 4 (33:16):
So fall is cold and flu season. But there's a
flu we also need to be worrying about. And it's
teflon flu. It's a sneaky illness caused by inhaling fumes
from overheated nonstick cookware. And we're cooking a lot more
come fall that Thanksgiving coming up, Christmas, you're hosting a
lot more people.
Speaker 3 (33:33):
This is a rich person flu, I think.
Speaker 4 (33:35):
No, it's a no, it's a cooking I know.
Speaker 3 (33:37):
But if you're worried about.
Speaker 2 (33:38):
This flu, you have lots of the worry of teflon
is Yeah, he slides off. Yeah, that's what makes it
not stick. They call it gangster doesn't get in trouble
teflon don Yeah.
Speaker 3 (33:47):
Symptoms off the original Yeah, that.
Speaker 4 (33:50):
Include headaches, fever, chills, cough, muscle, eggs. And to avoid it,
just make sure that your kitchen is well ventilated and
avoid using abrasive cleaners on your non stick pants.
Speaker 3 (34:00):
A bird flu or like a way, it's a real thing.
Speaker 4 (34:04):
A lot of people have it. Okay, what is your
pet peeve? So everyone has little things that annoy them,
for sure, and read it. Ask this whole question about.
It's a ridiculous pet peeve, though, like something that normally
people are not annoyed by. So I'll list some of
the popular responses while y'all think of yours.
Speaker 3 (34:21):
I don't need time to think, but go ahead, give
me three.
Speaker 4 (34:22):
Okay. When people stop the microwave before it's done and
they leave the seconds like standing there, like you can
see twenty two seconds.
Speaker 2 (34:29):
Least, I don't mind that I do that. Sometimes I
don't like to beep. I don't like to beat microwave.
I hate to beep with the microwave.
Speaker 3 (34:36):
Yeah do you?
Speaker 4 (34:37):
How do you? It's only it's real quick.
Speaker 2 (34:39):
No, I don't like it. Though it doesn't matter. You
can't judge it before. I like it, don't know.
Speaker 3 (34:44):
I like to beep of the microwave.
Speaker 2 (34:45):
I don't like that tone, so I stop over a
couple seconds, and sometimes I don't change take it off, okay.
Speaker 4 (34:49):
People licking their fingers before turning a page, or even worse,
before counting money.
Speaker 2 (34:54):
It's that to me is a It's kind of gross,
but I don't mind it, gause my pages are stuck together.
Speaker 3 (34:58):
I just I just talk to on it.
Speaker 4 (35:02):
People who hold their cell phone in front of their
mouth to talk, like they're not on speakerphone, but they
hold it out in front of their mouth to talk
and then put it back up to their ear to
listen to what the other person is going to say.
Speaker 2 (35:12):
I never noticed anybody doing that. I can see where
that would be a ridiculous.
Speaker 4 (35:16):
And then you like you for yo, You like, why
not just spell out yo you?
Speaker 2 (35:22):
But that's that's like me, mom, Papaul getting upset at that.
Speaker 3 (35:25):
That's that's if you're old. Mine's easy.
Speaker 2 (35:27):
Anytime I'll read you say over one hundred percent or
say like one hundred and ten percent, not a thing,
or you can't write it any better.
Speaker 3 (35:33):
You can always write.
Speaker 4 (35:34):
It better or literally when it's not literally.
Speaker 3 (35:35):
Yeah, that one, I've had to shake a little bit.
Speaker 4 (35:37):
Because, oh good, this is one of my favorite.
Speaker 3 (35:39):
Too many people do it. It drives you too crazy, so
I had to stop.
Speaker 4 (35:42):
Yeah, all right, I Amy, that's my file.
Speaker 3 (35:45):
That was Amy's pile of stories.
Speaker 2 (35:47):
It's time for the good news produce a ready.
Speaker 9 (35:54):
William and Pamela. They are siblings from Massachusetts. They decided
to play the lottery, and they decided to play the
same numbers because they were all family birthdays.
Speaker 2 (36:04):
So they did two.
Speaker 9 (36:05):
Different tickets, same numbers, and they both hit it.
Speaker 3 (36:09):
Maybe better be big. How much?
Speaker 2 (36:11):
Guys?
Speaker 9 (36:12):
The name of the game was twenty five thousand dollars
a year for life. Okay, so that's what they want.
They want they both won twenty split it. No, they
bought two different tickets. Oh yeah, So William has his
Pamela has her two questions lunchbox to goet my expert
up here.
Speaker 2 (36:28):
Let's say they die.
Speaker 6 (36:31):
I don't think anybody gets it.
Speaker 2 (36:32):
Okay, let's say one dies. The one who's still alive
keeps getting it, but twenty dies doesn't.
Speaker 6 (36:37):
Right because they have separate tickets.
Speaker 3 (36:38):
Or can you do the lump sum and just get
a bunch up front?
Speaker 2 (36:41):
And that's what they both did.
Speaker 9 (36:42):
They both got what is it, three hundred and ninety
thousand dollars lumpsum.
Speaker 3 (36:47):
That's what I would have done.
Speaker 2 (36:48):
But now you might as well do a half a million,
because if they're getting lumped I don't know if that's
taxed untied. That is probably untaxed. That would it twenty five?
They never mind? Just do three ninety three ninety Okay,
I'm not I'm not gonna be why.
Speaker 3 (37:04):
Don't you pull out your phone. You have a computer
in front of you.
Speaker 4 (37:06):
What are you carry the two.
Speaker 2 (37:08):
He's doing the numbers and fifty six.
Speaker 8 (37:12):
It would take sixteen years to get there, right, sixteen
years to get.
Speaker 2 (37:16):
To the know the headline is lunchbars, says a calculator
on his computer in front of him, and.
Speaker 3 (37:20):
He still chose to go to his paper.
Speaker 4 (37:22):
Yeah, it's interesting, say for life, you know, what if
you're twenty and you want oh god, and you get
it forever, but a lot of these places to will
buy it from you and pay you.
Speaker 2 (37:32):
Like let's say there's a company and they'll go like,
we'll give you three hundred thousand dollars and they get
that twenty five thousand for life, and.
Speaker 3 (37:38):
You just go out and get your money, you know,
shift it over to them. I would take the lump
sum as well. Same then.
Speaker 4 (37:43):
Did you never know?
Speaker 3 (37:44):
Oh, I wouldn't think.
Speaker 2 (37:45):
I was thinking you could do more smart things with
all that money at once, seah, I was thinking comfortable
life for like every month. You never got twenty five
grand coming in for every month every year? Right? Is
that what it is? Every year?
Speaker 3 (37:55):
But I don't know that.
Speaker 6 (37:56):
Yeah, twenty five thousands you still have to work though.
Speaker 2 (37:58):
Man, that's the problems a box money though.
Speaker 6 (38:00):
It's money, but it's like, ah, man, I still gotta work.
It's twenty five K.
Speaker 2 (38:04):
But it's like you're talking about let's say, roughly two
grand a month extra. Yeah, after tax thirteen, you probab're
getting about thirteen hundred bucks a month extra. Right, So
it's not really gonna it's gonna help you pay bills.
You can be definitely get a boat, That's what I'm
talking about.
Speaker 3 (38:20):
But Lunchbu wants to quit. He wants to retire off
of the lottery.
Speaker 6 (38:23):
Yeah that's what I want.
Speaker 2 (38:24):
Yeah, all right, there you go. Anyway, it's a good story,
all all awesome. Good, that's what it's all about. That
was telling me something good. They're making a sequel to Goonies.
Nineteen eighty five is when the original came out. I
think i've seen it. It must have been when I
was really young.
Speaker 4 (38:40):
Yeah, it's good. I saw it when I was young,
but then rewatched it with my kids a couple of
years ago and they loved it.
Speaker 2 (38:44):
Hey you guys, Yeah, yeah, it holds up. It is well,
they're making a sequel. Do we need a sequel? Mighty.
Speaker 3 (38:50):
I think we do.
Speaker 2 (38:51):
Is it the originals from the.
Speaker 3 (38:53):
Movie as adults?
Speaker 2 (38:54):
Now, yeah, they're all coming back from being adults. I
think with like the success of Beetle Juice or like,
let's bring them all back from the eighties. I like
that instead of like a recreation. I want to know,
like what mid management jobs that are doing now?
Speaker 3 (39:05):
Yeah?
Speaker 2 (39:05):
Yeah, and their second marriage is and are they looking
for treasure again something or are they just looking to
find fulfillment in life because they're all like forty eight
that's the real treasure good life crisis. The kid who
played Chunk is like rip, Now, how's he going to
do the truble shuffle? Oh yeah, he's the biggest Yeah yeah.
Speaker 3 (39:24):
Do you know the theme, the plot, anything like that?
Speaker 4 (39:26):
Now?
Speaker 2 (39:26):
Probably just another adventure?
Speaker 3 (39:28):
Do you know when it comes out?
Speaker 2 (39:29):
I think they're going to start filming in the next
couple of years, so probably like three or four years.
Oh gosh, oh really yeah, I just got announced. Also,
it's not in filming where they're like it's about to
oh now, they're just like and the cast is coming back.
All right, Well there's a goony sequel that hopefully we
live to see. All right, let's go down and do
Amy's Morning Corny, the Mourning Corny.
Speaker 4 (39:51):
Why was the horse so happy? Why because he lived
in a stable environment, stable home.
Speaker 2 (39:57):
Yeah, that was the morning Morning And that is the
end of the first half of the podcast.
Speaker 3 (40:09):
That is the end of the first half.
Speaker 2 (40:11):
Of the podcast. That is the end of the first
step of the podcast. That is the end of the
first tip of the podcast. You can go to podcast
to or you can wait a podcast to come out.
Hosts And Creators
Bobby Bones
Abby Anderson
Amy Brown
Stephen "Scuba Steve" Spradlin
Morgan Huelsman
Daniel "Lunchbox" Chapelle
Eddie Garcia
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