March 18, 2024 • 42 mins
Interview with Ray Vaughn on The Bootleg Kev Podcast.
Full video version of the episode is available on YouTube!
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's Rayvon, and y'all could check me out on a
Bootleg cav podcast You Feel Me.
Speaker 2 (00:08):
The Bootleg cav Podcasts, Bootlet CAV Show Special guests, Finally Stop,
Finally Stop, Rayvon.
Speaker 3 (00:17):
Thank you. What's the deal?
Speaker 2 (00:20):
What has been going on? I mean, I mean, I've
never ever seen a label be so meticulous about having
an incredible artist like yourself and putting out zero music
for so long.
Speaker 3 (00:33):
Because on the face so we was developing.
Speaker 2 (00:35):
You've been playing me some shit for years, and I'm like, dog,
you play me a song that made me cry.
Speaker 3 (00:40):
Yeah, but that's like that something that's gonna make you cry.
But we got that.
Speaker 1 (00:44):
I got that now, all that song gonna come out, Yes,
definitely better come out.
Speaker 3 (00:48):
It is on the album.
Speaker 1 (00:50):
But we also needed those records that our hits what
we were just talking about. So I feel like I
got like seven of those on one project. You got
a lot, I got a lot. I mean I've heard
some records with.
Speaker 3 (01:01):
You and some big names, yeah, huge James. Yeah, the Baby, huh, I.
Speaker 2 (01:06):
Think about the.
Speaker 3 (01:10):
I already knew about pre Canceled Baby too, huh. Pre
Canceled Baby.
Speaker 2 (01:15):
Yeah you had a yeah, Yeah, you got some big ones. Yeah,
push your teeth that we can talk about that.
Speaker 3 (01:20):
Yeah, we can talk about that. Well what was that like?
Speaker 2 (01:23):
Were you intimidated to be like, man, did you know
Push was getting on the record? Did you just send
him like a few records and he picked that one?
Speaker 1 (01:29):
Like no, no, no, So we did the record. I did
the record. At first Top walked in and he was.
Speaker 3 (01:33):
Like, uh, what you working on home, baby boy?
Speaker 1 (01:36):
And then that's how he walked in the room real
boogie managed and he was like, what y'all working on?
And then we uh I played him that and he like, man,
this is uh he was He got really excited, like
this fire. And after that he was like, uh, you know,
I'd be crazy if we got pushed on there, and
I'm like, push, that would be fire.
Speaker 3 (01:53):
And then it was just idea.
Speaker 1 (01:55):
And then one day he called me to the studio like, hey,
come up here, I need you to I've got what
he told me. I knew it was Bullyshakes, and I'm
like I already did that, but I went up there anyway,
and then he played the record for me.
Speaker 2 (02:06):
Like that, Yeah, I mean there is uh something to
be said about. There's two labels that I always look
to when it comes to just like high artists in
Tirety and it's you guys, TD, dream Bill, both labels,
whoever they signed is fire right. But like you said,
you've been I mean you had like a few years ago,
(02:27):
the freestyle run that like people were like, Yo, what
the fuck your lebron reposting your freestyle? I think it
was it was like Shaq everybody talking to I mean,
cause you had been I remember when you were coming up,
you would drop the freestyles in the front of your
car before you were on TV, before I was on TV. Yeah,
that's how I went viral.
Speaker 1 (02:44):
That's how I was, Like I started building a name
for myself on those uh off those freestyles in a
car just wrapping in a car talking about my real life. Yeah,
but I'm saying like it's it's just it's just it's interesting, Like,
was the thought process of kind of or you've been
getting put through because you've been writing a lot.
Speaker 2 (03:02):
Yeah, you're always always see in the studio writing for
other artists, But what's the thought process of rolling you
out slow slowly, Like are you going through like wrapper
boot camp or something.
Speaker 1 (03:12):
It was rapper boot camp at first, and then it
was like more and so we just we got to
make sure that they stick because we see a lot
of artists that's mail that are just coming and going,
and even established artists are not sticking. You know, they
dropping projects and they out of here next week, they
out of here. And it's like they're not dropping no records.
They don't care about no hits, they don't care about nothing,
(03:33):
and they just trying to I don't know what they're
trying to do, but I know I ain't trying to
do what they're trying to do. So for the most part,
it was just more developing a sound like my pepperoni pizza.
Speaker 3 (03:44):
Like what what?
Speaker 1 (03:44):
Because I'm such a anomaly, I can do everything, so
I do everything, so I try to. Like they're like,
you need a sound that we can market up and
be like, hey, this is his pepperoni pizza by it.
Yes he has pineapple pizza, Yes he has salad, yes
he has one.
Speaker 2 (03:59):
Yeah, but pizza.
Speaker 3 (04:00):
We got all that stuff. Yeah, man, I'm going up there.
Y'all got wings? Yeah, we don't get some wings.
Speaker 2 (04:08):
So so you honed in, you kind of figured out.
Speaker 1 (04:10):
What it is, what the sound is, and then now
it's like polished to where when I do feature with people,
it sound like them featuring me, not me featuring them.
M M, you know, not not I mean me me
featuring them, not them featuring me. So that I'm bringing
them into my world of what I want the sound
to be, not jumping into what they want them to be.
Speaker 2 (04:29):
Whatever you do, just don't lose the relatability of your content.
Oh no, never, because you're I feel like your strong
point of the music I hear Pepperoni is your vulnerability.
Speaker 3 (04:39):
Everybody said it, that's my Pepperoni piece for sure.
Speaker 1 (04:41):
Yeah, we got that, And I feel like we just
we just creating a space for duality so that people
can be like, oh yeah, because if you.
Speaker 2 (04:49):
Could do both, Yeah, we could do both. Like another
guy who was on DD who did really good job
of doing both.
Speaker 3 (04:54):
Yeah, you know what I'm saying.
Speaker 2 (04:55):
They can hit records and being very vulnerable, being very transparent.
Yeah you know what I'm saying, Just like you. Yeah, uh,
talk about some of the writing you've done, because you
have been writing a lot. I feel like his writing
kind of helped, like keep the dream alive while you're
not putting out music.
Speaker 3 (05:12):
Now you're in the studio, a lot.
Speaker 1 (05:13):
But even then, I'm always working on my own stuff
and trying to figure out, like the dreams stay alive,
like you know me from before I was signed, So
it's like from the car shit, I was like trying
to figure it out. So anything on TV is better
than being back in that car ship where I'm not
knowing where the dollars is coming from, and I'm like, man,
and writing was before even TD. I was in room
with people like Danny and stuff like that. I don't
(05:35):
want to name that because you.
Speaker 2 (05:35):
Know, I know you helped write with Danny La right
anybody else.
Speaker 3 (05:39):
There's a lot of more people. I just know they
got me signing papers.
Speaker 2 (05:42):
Now, man, did you get in any of those love
sessions with Diddy? Excuse me, the Diddy love Sessions? I
just got to ask. I know a lot of people
who were writing. I was just wondering how they were. No,
I was not.
Speaker 3 (05:53):
I was. I was not at Ditty's house.
Speaker 2 (05:55):
Man. I didn't say you were. I said the love sessions,
the Diddy sessions, the Diddy house is a lot of
people wrote on that album and it was a great album.
Did you write it?
Speaker 1 (06:04):
Let's gonna ask now. Bryson was on there. He shout
out to Bryson, he did some close shit on there.
Speaker 2 (06:10):
Pang Griffy Man, Yeah, Pan Griffy for sure. Do you
feel any level of pressure because with the anticipation, right, yeah,
it's like now there's just do you feel the pressure
at all?
Speaker 1 (06:23):
Like yeah, Like once, now that we drop problems with Pusher,
I've seen a different response and different people crawling out
of work.
Speaker 3 (06:32):
It's like, hey, who is this guy? What is he doing?
Speaker 1 (06:34):
And then like I noticed, like when I go live
in preview music blogs pick it up like immediately by
the time I'm off live, and I'm like, damn, that's new.
Speaker 3 (06:41):
Yeah, it's new.
Speaker 1 (06:42):
So people are paying more attention than they were. And
so now it's like, oh shit, everything I say on
these records. I wanted to be potent. I wanted to
be like me. So I'm like, all right, let me
take some time and actually craftic to where if it
came out or e leaked.
Speaker 3 (06:58):
I wouldn't give it down. I'd be like, this what
it is, and that's what it's gonna be for sure.
So what is the uh?
Speaker 2 (07:06):
Because obviously, you know TD has got such a dynamic
roster of artists. I feel like you, you know, there
needs to be like a new fresh face and you're that.
Speaker 3 (07:16):
Yeah, I feel like I feel like that's that's what
we're working on.
Speaker 2 (07:19):
But I was gonna ask you, like, what is I
always wonder because I feel like when people sign the
TD or some of these bigger labels that we kind
of look at as cruise, the assumption is just everyone's
like hanging out all the time and friendly and friends
are you Like, is your relationship with your label? Mats
is everything? Like you guys hang out, you chop it
up with.
Speaker 1 (07:35):
So I think there's a dynamic to it, like some people,
just like normal people in real life, you draw to
more and they draw to you.
Speaker 3 (07:43):
So it's like if you.
Speaker 2 (07:44):
Who do you draw to?
Speaker 1 (07:46):
I rock with everybody, but like close like out outside
of the studio probably rock, yeah, j rock.
Speaker 3 (07:52):
Yeah, you know what I'm saying me rock? Uh mmmm?
Speaker 1 (07:56):
They yeah, everybody, we all like locked in. But I
feel like those people outside of the outside of the
studio and be like, oh, it's just a normal conversation.
They'll just pick up the phone and call me and
we just chop it up about just regular life.
Speaker 2 (08:12):
For people who don't know you have an interaction.
Speaker 3 (08:15):
She's great. Shout to Tampa, Tampa legend.
Speaker 2 (08:19):
Talk to me about your story a bit because for
people who don't know, they'll they'll listen, they'll hear the
music when your album comes out. But you went through
a traumatic experience losing your baby mama, which you've wrapped
about in freestyles.
Speaker 1 (08:32):
Before before you were signed. Yeah, it's a big part
of your story.
Speaker 2 (08:37):
Kind of share that, you know, if if you don't mind,
just just because obviously I can only imagine what it'd
be like losing the mother of your child and then
being up and coming artists, trying to support the kid,
trying to be both parents. Like that's a that's a
real that's got to be a struggle man.
Speaker 3 (08:53):
No, it was trash, for sure. It was trash.
Speaker 1 (08:56):
We uh when everything happened, like I I was in Arizona,
you know, like I was, I was, but it happened
in California.
Speaker 3 (09:03):
So it was a tough time. There was no like help.
Speaker 1 (09:06):
There was no like county that like, you know, county
situation that can help me place me in a home.
Speaker 3 (09:12):
Nothing, And my credit was bad.
Speaker 1 (09:14):
I have money in my pocket, but no credit, So
I was sleeping in the car with my daughter for
like I want to say, like two months, damn, and
then like we figured it out. Don't get me wrong,
Like I was sleeping on people couches, but my actual
place where I was like the most.
Speaker 2 (09:27):
Like you didn't have like an actual like this is
my house.
Speaker 1 (09:29):
Yeah, I was in a car for like two months
and then But you're talking about when it happened or
after it happened, just like obviously she passed away from
having my daughter.
Speaker 2 (09:40):
Right, But I'm saying like when when that happens.
Speaker 3 (09:42):
It turned something on.
Speaker 1 (09:43):
It was either gonna be like I may either be
a bum like and my daughter gonna not have nothing,
or I'm gonna do everything I can to make sure
that my daughter got everything.
Speaker 3 (09:53):
And I feel like that's.
Speaker 1 (09:54):
What clicked me into gear of being like go crazy
because it ain't no other option.
Speaker 2 (09:59):
It's like like I can imagine bro sleeping with your
daughter in the car.
Speaker 1 (10:03):
Yeah, and then you on top of that, you like
the stress of her mom being dead and then the
stress of you being like I'm really in a.
Speaker 2 (10:09):
Car and you got to be strong for her, for
your kid.
Speaker 3 (10:11):
Yeah, for sure, you know what I'm saying. Yeah, when
her mom died. I didn't.
Speaker 1 (10:14):
I was so like, it's probably a bad thing, you
know what I'm saying when I look back now. But
when her mom died, I trying not to cry in
front of her whole family because I didn't want them
to think I was weak to be like, oh, he
ain't gonna be able to take care of So I
was like trying not to cry as much. But I'm crying.
But I'm just like, you.
Speaker 2 (10:31):
Were getting it out through your freestyles though.
Speaker 1 (10:33):
Yeah, I was getting it out through the freestyles. It
kind of worked then. Therapy, Yeah, therapy is important.
Speaker 3 (10:38):
Yeah.
Speaker 2 (10:38):
Do you still go to therapy now or no? It's
just something you had to get through. Do you think
anyone's ever actually healed though? Yeah?
Speaker 3 (10:45):
I feel like you. That don't define nobody, Like Yo,
trauma that you live through don't define you. I feel
like you.
Speaker 1 (10:52):
Somebody else was in that same predicament as me, and
they made it out figured out, So I don't. I
don't try to wither in the misery too long. You're
just all right for show. That's a moment of my life.
I acted out when it came to like how I
treated people for like the first two years, but then
after therapy.
Speaker 2 (11:07):
I was cool. Damn, that's crazy, sleeping on couches with
the with the baby, trying to figure out where to sleep.
Speaker 3 (11:13):
Like if CPS would have found out where we were sleeping,
it would be over.
Speaker 2 (11:17):
From where would you where'd you guys park at night?
Speaker 1 (11:20):
Like it would be like I would try to find
streets that don't have like street lights, right, So it
just it was more like that we just find the
street then.
Speaker 2 (11:27):
And it's all in Phoenix.
Speaker 1 (11:29):
Nah, this is an uh. It was back and forth
so Phoenix. I never actually Phoenix, let me stopped capping.
I never slept out there because Arizona Reggie shout out
to that guy. Yeah, so we I never anytime it
was like go over there. But when I was in Cali,
when I went back to Long Beach, that's.
Speaker 3 (11:45):
Where it was at damn. And so it was like
those were the nights. That's crazy, man.
Speaker 2 (11:50):
What would be for you? Man? Like if you had
to kind of give any sort of advice to anybody
who's going through any sort of like serious grief like that,
Like I mean obviously you you had no choice to
get through because you had to do.
Speaker 3 (12:00):
It for your little girl.
Speaker 2 (12:01):
But yeah, for sure, you know, I know when people
lose people sometimes it feels like the world ends and
there's no like other other side of the Like you
know what I'm saying, Like, if you lose somebody that
close to it, really could it really could like derail
your whole life.
Speaker 1 (12:14):
My outlook is different than a lot of people thus
already been through so much stuff and so many losses.
So I'd be like a lot of the things I
digest properly because I'm a I'm a poet, so I
can write everything out to kind of like cope. I
look at it like it's a part of the story.
So everything that happens, I'd be like that was supposed
(12:34):
to happen. It was part of the story. It might
be fucked up, but it's like that's that's just what
it is in its life.
Speaker 3 (12:39):
If you want one.
Speaker 2 (12:40):
For sure, you have a song where you address the situation,
and it literally made me shed a tear. Yeah, I
was like, this is the crazy shit I ever heard.
Speaker 1 (12:48):
Yeah, No, it's definitely That's what I'm saying. The project,
I can't wait for people to hear that. Dude, when
we get into that, I like, but I want people
to also the reason why we're waiting so long because
I don't want people to sympathize.
Speaker 3 (12:59):
I don't want them to empathize, right, So it's.
Speaker 1 (13:01):
Like I want people to be like, Yo, that kid
is crazy, that kid is funny, he's you know what
I'm saying, he's a dope artist. And then you double
back and be like, wait, what is his story? Then
you go check out the story, not hey, did you
care about to hear about that kid who baby Mama died?
His music is dope versus you know what I'm saying.
Speaker 2 (13:15):
Do you feel like there was a point in time
where people because you that was a lot of the
you were rapping about, like.
Speaker 3 (13:22):
Real, like they boxed me into that.
Speaker 1 (13:25):
I feel like initially, yeah, yeah, so I had to
like scale back because I'm like, that's not me and
right in its entire entirety, Like I'm a person who
have layers. I'm like, I make music for women, I
make music for ratchet niggas, and I make music for
the conscious people who actually.
Speaker 3 (13:42):
Think about the stuff that they doing.
Speaker 1 (13:43):
Like yeah, so we got out we had to figure
out a way to combine all of those and make
the artist whore I am now and that's where we're at.
Speaker 3 (13:51):
I mean, when you drop this push a record, I
was excited because I.
Speaker 2 (13:53):
Was like, finally, finally, yea, No, we're about to go crazy?
Does I mean the album is done? Is the album already?
Speaker 1 (14:00):
The album ever done? Until they come out? That's fair
when album come out? And then because I can make
because how.
Speaker 2 (14:04):
Many songs you actually have, like because you've been working
NonStop for it feels like five or six years.
Speaker 3 (14:09):
Yeah, it's been about five right, like four okay.
Speaker 2 (14:12):
Right before the pandemic. Yeah, so like I've heard so
many amazing records. How do you pick what's on the album?
What's on the next album?
Speaker 1 (14:22):
Because I'm like one of those people who evolve every
like six months.
Speaker 2 (14:25):
But then you also might get demo itis, which artists get. Yeah,
but I'll leavet some ill shit off the album.
Speaker 1 (14:31):
But I think I think that people who like around me,
they don't let that happen because it's you know, it's
not just me, like okay, this album.
Speaker 2 (14:37):
Like right now, if you listen to your album, like
what's on the like tentative track list, what's the oldest.
Speaker 3 (14:41):
Song on there?
Speaker 1 (14:46):
M it's a record I got with a big feature.
I can't say, but it's like that's probably the oldest
record on.
Speaker 3 (14:54):
The singer or rapper singer.
Speaker 2 (14:56):
Hm hmm.
Speaker 3 (14:59):
What's city they wro. I'm not saying none of that.
You try to get that clip.
Speaker 2 (15:03):
You didn't give me the city huh, state coast coast.
Speaker 3 (15:07):
If I say, you're gonna know exactly.
Speaker 4 (15:09):
If you wait east southwest, north, oh north oh north,
how Norton super super North. Yeah, Canada Yeah, oh ship
feel damn.
Speaker 2 (15:28):
Shout out to to Justin Bieber in the weekend. So
you got a song with both of them coming? So nice?
Speaker 3 (15:33):
Yeah, both of them. There's a clip new record.
Speaker 2 (15:37):
That'll be like that should be the Canadian national anthem
if you get both of them on the record. I
don't think they've ever been on a song together. Who
Justin Bieber in the weekend?
Speaker 3 (15:45):
Why would they do that?
Speaker 2 (15:46):
I don't know.
Speaker 3 (15:47):
They have two totally different.
Speaker 2 (15:49):
They gotta do it for the for the for the country, bro,
like for just like for the like you know what
I'm saying. Like, imagine if they did, imagine if they
did like a real Canada anthem, it'd be the softest
shit ever. But no, no, I think it would be
slap do you think I think it was slap. We
can't fire. You know what I want. I want somebody
to remake Hall Cogan's theme song, but make it hip hop.
(16:10):
Why because it'd be hard. I was just you ever
listen to wrestling theme songs while you're driving around?
Speaker 3 (16:17):
I do?
Speaker 2 (16:18):
Nah, man, we listening to those? You're not a wrestling fan, obviously, Huh.
I've watched wrestling. I literally put it on a on
a on a on a verse.
Speaker 3 (16:25):
Who's your favorite wrestler? My favorite wrestler was John Cener.
Speaker 2 (16:29):
Jesus says every twelve year old.
Speaker 1 (16:31):
But get off me because on the on the I
got like Matt Hardy, Jeff Hardy, Jeff Hardy.
Speaker 3 (16:37):
I put those in.
Speaker 2 (16:38):
Like I reference brothers. Yeah, yes, I referenced that good.
Speaker 1 (16:42):
I referenced like wrestlers in one of my songs, like
a lot of my songs on the project.
Speaker 3 (16:46):
As you should.
Speaker 1 (16:46):
You know what I'm saying, Naked Truth? I fuck it wrong.
I'm watching raw like the.
Speaker 2 (16:51):
Naked Truth, my Naked Truth. Oh that's okay, okay, I
thought you said that was the name of a wrestler. First,
I'm like, who the fuck is that our truth? You
mean there's a guy named Our.
Speaker 3 (16:58):
Truth, and I know who Our Truth is.
Speaker 2 (17:00):
He's a rapper too.
Speaker 3 (17:01):
Yeah, your your favorite Rakishi?
Speaker 2 (17:06):
You remember when used to put his ass in people's faces.
That's crazy, wicked, bro. If you look back at some
of that ship, you're like dog like they did this
ship on TV. Giant Fat was the first.
Speaker 3 (17:19):
It was the first sukie.
Speaker 2 (17:21):
Crazy when you say the first, like Soia, you know
how she'd be like she bowled with the well should
be eating asses?
Speaker 3 (17:30):
Yeah, you know. Yeah, my favorite wrestlers are stone cold.
He's right there. Of course he is. Why because you
have blue eyes?
Speaker 2 (17:40):
Thanks? And Bray Wyatt Bray White is my guy. Rest
in peace, love Bray Yo. So, Wendy, I'm coming up.
Do we have any idea?
Speaker 3 (17:51):
No?
Speaker 1 (17:52):
I what I'm trying to do this year is just
build the audience to actually demand the project. And I
got people on my page cut it out. They just
album album, But I'm talking about like a worldwide demand
where you like, so it sounds like not this year. No,
it sounds like this year because we're gonna drop if
we can. You can't start it and stop rolling and
gotta keep going. Nah, we got some stuff coming very soon,
(18:13):
like very soon right after problem like right, like, so
keep going.
Speaker 2 (18:16):
And people also don't realize you have a ton of music.
Yeah it's already shot. Shot.
Speaker 3 (18:20):
Yeah, we're doing the groundwork already for.
Speaker 2 (18:22):
You guys, been shooting fucking videos like and I'm just
being like, god damn, Like they must really have a
plan for this, because dog, how many unreleased music videos
are you sitting on?
Speaker 1 (18:31):
I don't know, m bias at least probably like that.
I know that could come out probably like five six.
That's tight because you know sound change.
Speaker 3 (18:43):
You still you got any JD Films videos from back
in the.
Speaker 1 (18:46):
Day, Bran, I would shoot some like like other stuff
with JD. I don't have any unreleased I would shoot
some new stuff with JD. JD's you know, he was
scared we didn't we didn't went viral a bunch, you
know what I'm saying. And he like part of the
story when it comes down to like my daughter and
mom passed and I he helped a lot.
Speaker 2 (19:01):
So if you could tell me who your biggest influences
are as an MC just growing up, who would have been.
Speaker 3 (19:08):
Snoop fifty, Wheezy Drake, Fabulous, Jada Kiss.
Speaker 1 (19:20):
That's probably as a kid that's like as a kid,
what about like when you because when you have your
songwriter hat on, who's somebody who's like melodies or lyrics?
Speaker 3 (19:29):
Neo shot? So who I say, shot a neo future future?
For sure?
Speaker 2 (19:42):
T Pain?
Speaker 3 (19:43):
M hm.
Speaker 2 (19:45):
I feel like you and T Pain could do a
song that doesn't seem like it's out of the Roman possibilities.
Speaker 3 (19:48):
Yeah, that's that's definitely, that'd be fire Pain is crazy.
He's great.
Speaker 2 (19:52):
If you pull off the shot a future, you're the
greatest of all time.
Speaker 3 (19:55):
Yeah, is crazy. That's like something that's.
Speaker 2 (19:56):
Like my bucket list concert sho for her to go
on tour. Like I don't know, like is she still fine?
Speaker 3 (20:04):
Like is she older?
Speaker 2 (20:05):
Like I don't think it's possible forever to not be fine.
Speaker 3 (20:07):
Because she's even. She's like a beautiful woman.
Speaker 2 (20:10):
Listen, man, she makes like massage music you like. For sure,
she makes music that you like. Yeah, you definitely. You
go to the Asian tug you know what I'm saying,
get tugged off while is playing? Wait? What what?
Speaker 3 (20:23):
What?
Speaker 2 (20:24):
What? You know? What I mean? No? No, I've never
I've never got tugged off at no A not me either.
I just heard that they got shot a playing Yeah,
uh is to go. Hey, I think I think if
(20:45):
Share is still kind of like she's like, you know,
seventy something.
Speaker 3 (20:51):
I don't know, she's out of mind.
Speaker 2 (20:53):
You don't know who that is, really, Share, You don't
know the old lady. She fucking tigers, A and R.
Speaker 3 (21:03):
You're saying it like three times like I'm gonna be like.
Speaker 2 (21:05):
Oh, that's shit.
Speaker 3 (21:06):
You believe in love? Man, some white people should. White
people should, that's sure.
Speaker 2 (21:15):
Can you tell us any features, any features on the
project any at all?
Speaker 3 (21:19):
No?
Speaker 2 (21:20):
Nothing, No, y'all gonna see him. Y'm gonna see him.
How many t D family members on your first album?
Speaker 3 (21:27):
A couple?
Speaker 2 (21:28):
A couple so two now to TD features.
Speaker 3 (21:30):
A couple of them? Wow, mm hmm. It's a couple
of my dogs on at least two.
Speaker 2 (21:36):
A couple of your dogs so a couple of men.
Speaker 3 (21:38):
A couple of my dogs. They could doc doci my dog,
my dog? What do you mean? I'm just curious.
Speaker 2 (21:44):
Yeah, I wonder I knew you were on like when
you got signed, like it was kind of like it's
pretty obvious like Kendrick was leaving the label.
Speaker 1 (21:53):
Did you guys ever have any Yeah, yeah, yeah, he
he definitely connected. We connected like right when I got in. Yeah,
like right when I signed. We had like good conversations.
He like very humble and that the.
Speaker 2 (22:04):
Most humble motherfucker alive.
Speaker 3 (22:06):
Yeah.
Speaker 1 (22:06):
He introduced himself to me, and I'm like, you're dot
Like you should have said no. I was like, of
course I know who you. I was like, Nigga, I
know who you is, and he was like, no, I
don't expect everybody to know who I am. And it's
stuck with me because I'm like, damn.
Speaker 3 (22:18):
That's a fair point.
Speaker 2 (22:19):
Man.
Speaker 3 (22:19):
You get too bighead and you can't fit indoors.
Speaker 2 (22:21):
And you should always like acknowledge everybody. Yeah, like you know,
like they're your equal.
Speaker 3 (22:26):
If you think you're bigger than the program, you're gonna
find out.
Speaker 2 (22:29):
Did he give you any game at all besides introducing
yourself to everybody?
Speaker 1 (22:33):
That was like one of the biggest pieces. Actually that
was like he talked to me about other stuff, but
stuff that like that I hold with me internally, is
like that right there at that moment right there was
like damn, like you the biggest artists in the world
at this time. I could you could easily be like
what's the deal. Yeah, but he like, know, what's how
you doing?
Speaker 3 (22:50):
Bro? Kendrick Lamar.
Speaker 1 (22:52):
So to me, it's like always stay humble, sure and
keep that same integrity that you have when you came in.
Speaker 2 (22:57):
If you weren't doing music and you to go do
something else, what are you doing?
Speaker 3 (23:02):
Im?
Speaker 2 (23:02):
No music out, no songwriting, no music, no making beads,
not nothing.
Speaker 3 (23:06):
What are you doing with your life?
Speaker 2 (23:07):
I'll probably be in jail because I didn't talking about
right now. But say you just get uninspired. You're like,
I'm done with this ship? What are you gonna do?
Speaker 3 (23:15):
I'm gonna go to school. I like that. I'm gonna
go to school. I'm gonna go to huh what kind
of school? The viride is crazy?
Speaker 1 (23:22):
Bro?
Speaker 3 (23:22):
Remember I'm not going over you.
Speaker 2 (23:26):
Remember? Yes?
Speaker 3 (23:27):
I remember? Why would I go to the ride when
I could go to ic DC College. I don't know
what that is?
Speaker 1 (23:34):
See you need step you need to educate us what
I see DC. It's crazy. I c d C College
was lit so but no, I would go. I would
go to school. I would go back to school. I
would probably do something in like the medical field. Oh
that's dope, like a nurse, not a nurse doctor. I
would probably go off to try to be like a doctor.
Speaker 3 (23:54):
Which field of doctory or would would you? Would you
be like a like a foot doctor, a.
Speaker 2 (24:00):
Gynocologist, a cologist, DST.
Speaker 1 (24:03):
Now I would probably be a what is that the
baby deliver the person who deliver babies?
Speaker 2 (24:12):
What's that called? Be a baby deliverer?
Speaker 3 (24:17):
You know what I mean?
Speaker 2 (24:18):
Hey, you know what's crazy, dude? I feel like if
you are the guy who delivers babies every day in
your life, you gotta look at certain anatomy and like
a real high respect.
Speaker 1 (24:29):
Yeah, I would see. I would do it for on
a on a different level. I would do it more
for like, you know, my daughter's mom. I'd be like, oh,
this was you know what I'm saying, and now and
then you it's like a mission almost yeah, yeah, because yeah,
make sure everybody make it out alive. It would be
like something like that if I was gonna go back
and try to change, because I would still try to
change the world and do something that's gonna touch the world.
Speaker 2 (24:48):
But what about hobby wise, what do you what's your hobby?
I'll be drawing you draw, like, what do you draw?
Dragon ball z Rest in peace to the guy who
I don't remember his name.
Speaker 3 (24:58):
You probably know his name. I don't watch anime. I
don't watch anime. I watch Dragon Bazi Dragon bar Z anime.
Let's get that out.
Speaker 2 (25:03):
It is nah, man, it's the biggest anime ever, just
because it's fucking popular to mean it's not anime.
Speaker 3 (25:10):
My people watch it. Your people watch it.
Speaker 2 (25:13):
Are you trying to say anime is exclusively for Asian viewers.
Speaker 3 (25:16):
No, I'm saying we all watch it.
Speaker 2 (25:18):
So what's that mean? I'm still an anime? Nah, Pokemon
is a fucking anime.
Speaker 3 (25:23):
It's Pokemon anime.
Speaker 2 (25:24):
Yes, the Boon Docks is an anime. It's the style
of animation.
Speaker 1 (25:29):
Bro, I like the style of animation of the Boon
Docks and Pokemon and Dragon Bazi.
Speaker 3 (25:34):
Put all that other ship.
Speaker 2 (25:35):
I'm not the you're an anime. You're an anime geek.
Speaker 1 (25:37):
Huh Like we used to we ain't gonna lie. We
used to uh the people who thought they was new rudo.
Speaker 2 (25:43):
Uh beat them up.
Speaker 3 (25:45):
No, no, no, we just used to. We used to laugh.
Speaker 1 (25:47):
How they used to run down the hallways with the
with their hands behind their back in middle school, in
high school.
Speaker 3 (25:52):
Sad, we're scared the hose off.
Speaker 2 (25:54):
But the guys who would act like they're.
Speaker 3 (25:56):
They go like Super saiand in the hallway.
Speaker 2 (25:59):
So would you discriminate against Naruto fans is what you're saying.
Speaker 3 (26:02):
No? Were you the person going super saying in the hallway.
Speaker 2 (26:04):
No, I'm be honest with you. I'm thirty six. So
when I was a kid, damn fuck you. When I
was a kid, there wasn't this anime wave that's hit
like now. There was Pokemon and put people at Pokemon cards.
But I used to steal Pokemon cards and sell them.
Who's that facts in the bag? Like really, back in
(26:27):
the day, there was POGs. You know what a pog is?
Get them motherfucking slammers.
Speaker 3 (26:32):
Bro.
Speaker 2 (26:32):
No, you'd be taking people's POGs, taking their slammers.
Speaker 3 (26:36):
Bro.
Speaker 2 (26:37):
I don't like how to sound, Bro. I don't like that.
I don't like I don't like that big ass tube
like this and it's full of POGs. And then at
recess you would fucking battle for POGs.
Speaker 3 (26:48):
So you take that.
Speaker 2 (26:49):
I had a Charles Barkley slammer. It was a heavier pog.
You throw that shit on the POGs and ships will
flip over.
Speaker 3 (26:55):
You get to keep that ship.
Speaker 2 (27:00):
You don't even know what a pog is. No pok Nah,
I don't know what no pug is. Bro, you should
bring them ships back for your merch of not doing
no POGs. You should do a raveon slammer.
Speaker 3 (27:11):
Bro.
Speaker 2 (27:11):
You understand if you brought POGs back, you know how
rich you'd be?
Speaker 3 (27:14):
Rich?
Speaker 2 (27:14):
Would I be fucking you get paid if you get
these little fuckers off the iPads and the POGs again,
I don't know.
Speaker 3 (27:20):
I like, I like my kids being that.
Speaker 2 (27:22):
iPads like parent two point oh. I'd be like, get
out of here, bro, I swear, it's like a babysitter.
I mean, take your pay, get the fuck out of here.
I don't What do you do to my son? What
is he like ten years?
Speaker 3 (27:34):
Ten? Yeah?
Speaker 2 (27:36):
Or like, hey, you want the Oculus here? Put the
Acus on, stay in this little square.
Speaker 3 (27:40):
I get it. Yeah, you have a fuck with Oculus.
No three D no. No.
Speaker 1 (27:45):
The only way I'm doing that is if you could
if you could put music on there?
Speaker 3 (27:49):
Couldeople put music on there? Yeah?
Speaker 2 (27:51):
You could do anything on there so you can listen
to problems on there. Yeah, you could listen to anything
on there. I got Spotify on there. They got Netflix.
Speaker 1 (27:57):
They have to put problems on there on there, they
got problems do there?
Speaker 2 (28:02):
Yeah, you can play problems while you watch the three
D poor It's crazy. You'd be like looking around and
the girls like right here, like she's really there. It's
pretty crazy. Big freak.
Speaker 4 (28:13):
Man.
Speaker 2 (28:14):
No, no, no, only man, I using Oculus. I legit
only want rappers listen, I only watch.
Speaker 3 (28:18):
I'm a rapper. I'm gonna just open my DMS.
Speaker 2 (28:20):
Oh fucking sick flex sick fleck. I'm sorry, you're you're
above watching Oculus porn. Oculus porn is ridiculous. No, you
gotta try.
Speaker 3 (28:31):
You just you.
Speaker 2 (28:32):
It's the first thing you go to. You just I
gotta see what it looks like. I'm not sitting in
my fucking crib watching that ship. I got too many
kids in my house. I can't do that ship. There's
no privacy, bro. And and like it's the type of
ship where if you have it on, you don't even
know if someone walks in the fucking room, right because
you're in a different world. You know what I'm saying.
You and you and uh, it's a it's a very
impractical way of consuming erotic cinema. If you're if you
(28:56):
have children and a wife and roommates or et cetera. Yeah, yeah,
you gotta be a single man with your own apartment
if you gonna fuck with that.
Speaker 1 (29:03):
Yeah, it's high level.
Speaker 2 (29:07):
I put I put it on Blue Face Pause. Blue
Face came in for an interview and I just bought
the Oculus, so he was like, ye, don't want to
see the porn.
Speaker 3 (29:14):
I was like, all right, I low some ship up,
so you put it on. He looked down.
Speaker 2 (29:17):
He's like, bro, my dick is white.
Speaker 3 (29:20):
It was funny.
Speaker 1 (29:22):
Yeah, shout the blue Face free that man, Free, free,
blue Face Free, blue Face Man. All right, So album
coming before the end of the year.
Speaker 3 (29:28):
Hopefully that's the plan. I don't know, man, that's the plan.
We've been waiting, Yeah, been waiting. Nah, we're gonna, We're
gonna We're gonna have something.
Speaker 2 (29:36):
The slowest roll out ever, No, it ain't.
Speaker 3 (29:38):
We just started rolling out. Well you know, fair enough?
Did I did? I just I just I just dropped. Yeah.
Speaker 1 (29:45):
So well, hopefully now then we're gonna we're gonna have something.
All right, when's the next song?
Speaker 3 (29:51):
Coming out? Soon? Very soon? That's all I can say.
Speaker 2 (29:54):
You're really good with general like statements. Nothing specific. Huh,
nothing specific? What this specificity of specific?
Speaker 1 (30:03):
See what I'm saying, That's what I'm talking about. At TD,
he had t d E. They give you media trading.
Speaker 2 (30:10):
Did you have to go through media somebody? Don't get
a packet, You don't get a packet.
Speaker 1 (30:15):
They just tell you, like, you know, watch what the
fuck you be talking about and control your conversation.
Speaker 3 (30:21):
Yeah, so I.
Speaker 2 (30:22):
Bet you they had a fucking their heads exploded when
reason went on back on fig.
Speaker 3 (30:29):
Yo.
Speaker 2 (30:29):
When that shit happened, I was just like, oh my god,
this is the most non TD shit of all time. Hey, hey,
before you went on this media run, did they show
you a clip of that and say, don't do this?
Whatever you do, don't do this. My goodness, that.
Speaker 3 (30:49):
Was fun, yo, bro man, Nah, they don't.
Speaker 2 (30:57):
Like, is it like a class, it's you have to
like take a test. It's not a class.
Speaker 1 (31:05):
No, they just tell you, like they tell you, you know,
what's what's good points to talk about and things that's
gonna be beneficial for you. Makes you can go there
and talk and shoot shit, but make sure you get
your point across the what you over there for.
Speaker 2 (31:19):
What has been you know? I think Top is like
the most prolific CEO we've had in hip hop and
probably like thirty years something like that, what has been
He's very meticulous and purposeful. There's no like accidents, I
feel like with Top except for what happened on Backlin
thing what she had no control over amis. But I'm curious, like,
(31:40):
what are the things that you know? Obviously you're really
close with him, and he's he's he's speaks very highly
of you, and you know he's obviously he's got big
plans for you. What's something you've learned from him working
so closely because he doesn't do a lot of interviews,
he doesn't do a lot of right, you know, we
see him course out of.
Speaker 3 (31:54):
The Laker game.
Speaker 2 (31:55):
You know what I'm saying, Yeah, what have you learned
from Top that that you know, even if you bar
from TD in a hundred years, that you'll always.
Speaker 1 (32:02):
It sounds cliche, it sound cliche, but patience, Yeah, clearly,
you know you got to be like very patient on
your time and when it's for you, it's gonna it's
gonna happen.
Speaker 2 (32:12):
And people say that, but you you see it.
Speaker 1 (32:13):
In real time when it's like with a Mogo like
top where you're like, Okay, he'll tell you to be
patient and then some some better than what was gonna
come out comes up and you'll be like, ah, man,
if I would have put that out, I would have
been mad that I you know, I put that out
the shot. Yeah, you wasted a shot, so he don't
let you waste I think it's with me though, because
it's so much pressure because of like being the new
(32:36):
face of the new generation of TD. I think that's
like a thing where it's like we can't we can't
miss with you, and you not the person that's gonna miss.
Speaker 2 (32:45):
So it's almost like that's kind of the legacy of
the label. Yeah, it's like we waited so long for
so OS, but SOS comes and it's like fucking one
of the greatest R and B albums ever. Yeah, and
you appreciate it. You appreach snubbed the other way.
Speaker 1 (33:01):
Yeah, they snubbed it, but you appreciate. You appreciate that
so much more because you like waited for it, but
you got it, and you like even though the people
like it took him minute, she still gave you a classic.
Speaker 3 (33:11):
Body or oh my god.
Speaker 2 (33:12):
Period Snooze is probably the best R and B single since.
Speaker 1 (33:16):
When the album twenty two, twenty two and people still
playing it like it's new. So like, that's what I'm saying.
I looking at that and you like the man know
what he talking about. So I just shut up and
be like, all right, Ford Show, there's a reason you
and that chair. You know what I'm saying. And once
I figure out what works, then we I could. You know,
(33:37):
I got a strong enough opinion to even go back
and forth. Usually I just be like, I'm here to
I came here to learn, like I can't. I'm a
student first, so I'll be paying attention to like how
everybody moved, how everybody do and be like, all right,
for Show.
Speaker 3 (33:51):
That's why I'm in.
Speaker 1 (33:52):
Such a good space and a positive position because I
came to terms with that.
Speaker 2 (33:56):
You got to do some touring with Isaiah Shad.
Speaker 3 (33:59):
Crazy, one of the best performers I've ever seen in
my life.
Speaker 2 (34:02):
Isaiah is one of the goats, for sure, and he's
one of the fucking goats when it comes to this
bar shit for sure.
Speaker 3 (34:08):
Yeah know, he'd be wrapping.
Speaker 2 (34:09):
And he'd be putting together fucking classic bodies of work. Yeah,
but what was that like, because that was pretty early
for you.
Speaker 1 (34:16):
That was like right after I announced, Right after I announced,
I went on tour, and you didn't have a lot
of like quote unquote TV records out. Yeah, I didn't
have I got ept right those three records out, my
announcement records. That was crazy to me. It was like, damn,
I'm really going on tour. I'm really about to go
see the world because of rap. To me, that's how
I looked at it, And it was just more of
(34:36):
an experience of like I'm seeing the world because of rap.
I didn't even I didn't even take it all in.
I just was like until after the tour. After the tour,
I kind of was like damn. But beforehand, I was
just like, yeah, it's crazy.
Speaker 2 (34:47):
So because the next time you're going to hit the stage,
like on a tour, capacity going to be your own tour,
you're gonna be I hope.
Speaker 1 (34:51):
So I hope that, like you know, my music do
what it is supposed to do when we drop and
then I'm able to do that. But if not, I
don't have a problem working going out with Isaiah, going
out with que going out with none of them.
Speaker 3 (35:03):
Have you played it at golf with Q. I don't
play golf. Yeah, I played golf for the first.
Speaker 2 (35:07):
Time, like three weeks for your first time.
Speaker 3 (35:09):
I mean I used to be the top golf drunk.
Speaker 2 (35:12):
What real golf though? I feel I went real golf.
Speaker 3 (35:14):
I feel like you was born like with a skill
from golf.
Speaker 2 (35:17):
Listen, I fucked my hand up. I hit the fucking
the first time I swung a club. I hit the
grass so hard, not the ball. I fucking broke. I
feel like I broke a bone in my hand. My
ship's still sore right now.
Speaker 3 (35:28):
That's sick work. Are you saying that just happened. It
happened like two weeks ago. Oh yeah, it's a bad look.
I'm not playing golf golf.
Speaker 2 (35:35):
That ship is overrated as fuck.
Speaker 1 (35:36):
Yeah, I'm not playing golf. I'm a I'm not playing golf. No,
we play football.
Speaker 2 (35:41):
That's a wild thing to do. What play football? Fucking
tackle flag? What if you get a concussion, bro and
you can't rap anymore? It's not worth it. I got
enough music, played basketball?
Speaker 3 (35:53):
I got enough music. Would you play soccer? Soccer? Hey
all know somebody kick you ever got kicked in your shin? Yeah?
What about tetherball. I broke my pinky playing tell Theball.
I think so much should bring POGs and tetherball back.
I won't beat that person.
Speaker 2 (36:11):
I think it could be I'm gonna keep rapping. What
if whis Khalifa owns a part of the p f L.
I think Gez owns a part of a soccer team.
What if you started a fucking tetherball league? That shit
could pop.
Speaker 3 (36:23):
It would be like the.
Speaker 2 (36:24):
Drew League, Bro, but for tether ball you can have
all the fucking rappers.
Speaker 3 (36:27):
And we get all the like the domestic men to
like join what like? What kid?
Speaker 2 (36:32):
When you say domestic man, what do you mean the
people who beat their wow? So like Little Reese? Who huh, bro?
Speaker 3 (36:40):
You wow?
Speaker 2 (36:42):
Who gonna play tetherball? Would only be rappers with domestic violences.
I did not say rappers, I said just man. So
it be Little Recent Diddy would be the coach. H
that's wicked.
Speaker 3 (37:00):
Bro. You would watch that.
Speaker 2 (37:03):
I fucking would for sure. You wouldn't watch.
Speaker 3 (37:06):
I don't know if I watch it.
Speaker 2 (37:07):
Oh my god, did he coaching someone tether You gotta
head it harder when I won't ever say anything ever
again and make him make that tether ball sign an NDA. No, no,
I'm not.
Speaker 3 (37:24):
I'm not watching nobody.
Speaker 2 (37:26):
Hey, have you seen the Slap League?
Speaker 1 (37:27):
You would sign a TD, you would sign a NDA
before you play tether ball at Didi's house.
Speaker 2 (37:32):
No, No, I would never go to that. I wouldn't go. No, well,
I mean, I don't know if I wouldn't go, but
I would have. Like what are we talking about here?
You know? You know what I'm saying, Like everyone's got
a price. Man, you're a while dude.
Speaker 3 (37:51):
Though.
Speaker 2 (37:52):
Have you watched the Slap League though?
Speaker 1 (37:53):
Yeah, I seen the slap legs wild. I wouldn't do that. No, no, no, yeah,
I'm gonna try to spin a block. Yeah, you watch
it a sports Yeah, I watched basketball and football. Laker Rams,
Lakers Rams all the way.
Speaker 2 (38:06):
Were you a Rams fan when they were in Saint
Louis Hell?
Speaker 3 (38:08):
No?
Speaker 2 (38:09):
Hm, So who are you fucking with back then?
Speaker 3 (38:12):
Raiders? Why not still? Because because the Rams are in LA?
Because yeah, they're in They're in Vegas.
Speaker 2 (38:20):
Which is kind of like LA.
Speaker 1 (38:22):
Now, it's not everybody moves that's like Lancaster more than
it is.
Speaker 2 (38:27):
It's but it's like, you know, people move to Vegas.
They save the tax money. They say that what tax money?
And they don't get banged on as hard.
Speaker 3 (38:35):
Pause.
Speaker 2 (38:35):
True, Yeah, Vegas is very la.
Speaker 1 (38:39):
It's just not a one day you're gonna be rich
enough where you're gonna consider moving there.
Speaker 2 (38:43):
I'm not saying you're going to Vegas. You're gonna be like, wait,
how much can I save on taxis telling you a
lot of your counterparts.
Speaker 3 (38:51):
I've seen wild ship got the casinos in Vegas.
Speaker 2 (38:53):
I ain't gonna what's the wildest thing you've seen at
the casino?
Speaker 1 (38:55):
It was just some It ain't like wow yet, but
it's wold. I've seen somebody like digging in they nose
in the casino and playing on the machine and then
looked at me and did it again and kept like
with I was playing with.
Speaker 2 (39:06):
A lot, right, And there was this old ass lady
bro Yeah, and I don't know how long this bitch
she was had oxygen she got to be how it is.
Let me tell you why she's a bitch. All right, Listen,
this bitch had an oxygen machine a cigarette. And I'm
sitting you know, They're like, this is the this is
the slot. So there's a chair here, a chair here,
a chair here, So I'm sitting here and she's sitting
here very much in each other's space with bitch shot
(39:30):
her pants because she didn't want to get up. That's
good looking, she nah, bro's fucking disgusting. So I'm in
the middle of.
Speaker 1 (39:37):
So you're gonna make her feel bad about shitting herself.
Of course she's an older lady. She's an older lady
because she's an addict and older.
Speaker 2 (39:44):
She didn't want to get off her machine because she
wanted She was waiting for the bonus to hit, and
so she shot herself instead. That's fucking disgusted.
Speaker 3 (39:50):
Did that bonus hit? I don't know?
Speaker 2 (39:52):
I got the fuck up?
Speaker 3 (39:53):
I bet you she got that bonus?
Speaker 2 (39:55):
I don't know.
Speaker 3 (39:56):
Are you shitting me? She was shitting me?
Speaker 1 (39:59):
Listen you The new song will push out new album
all the way, hopefully hopefully hopefully.
Speaker 3 (40:05):
Hey with TV you never know, nah we we we
we we doing some ship this year. I sure hope. So.
Speaker 2 (40:10):
Yeah, a lot of big, big features all the way,
h Justin Justin Bieber.
Speaker 1 (40:16):
Yeah, the weekend, Weekend, Taylor Swift, Taylor Swift, all the
good people, Demi.
Speaker 2 (40:25):
Whom Levado, Oh you don't want that feature?
Speaker 3 (40:30):
Pass on that these are all Disney people. They all fire.
We're going viral.
Speaker 2 (40:34):
You don't want it. You don't wan Dami Lovado. You
could do better than that.
Speaker 3 (40:37):
That's crazy. She's a talented human being.
Speaker 2 (40:39):
Yeah, a lot of people are talented. You'll be fine
without a Dami Levado feature. Get the Taylor Swift one.
What I feel like? You you what you know?
Speaker 3 (40:51):
Anyway?
Speaker 2 (40:51):
Listen, man, I'm just happy you're putting out music. I
look forward to the album. Anything else you got coming up?
Speaker 3 (40:59):
New music?
Speaker 2 (41:00):
New music? Yeah? Then I got some two B movies.
Speaker 3 (41:02):
You know what I'm saying?
Speaker 2 (41:03):
Really, No, to be's fire?
Speaker 3 (41:06):
To B is fire?
Speaker 2 (41:07):
Did you see that?
Speaker 3 (41:09):
Everything feels like it's just like did you.
Speaker 2 (41:11):
See the movie that they have on two BE called
the what's called like the Rapper who Got shot in
the ankle or some ship, that's what it's called. It's
called and it's and it's about a rapper name Raven
the Stallion and Corey Corey Lanez. Is this real? Yes?
And it's called the Rapper who Got Shot in the
foot and the character's names in the movie. Are y'all
(41:32):
for real?
Speaker 3 (41:33):
It's on two B man.
Speaker 2 (41:36):
You know how I asked you if you if music
went to wait, what would you do if my everything changed?
For me? I would just make two B movies. I mean,
I've seen a two B movie. I was in the back. Really,
it's like, is that me swear?
Speaker 1 (41:49):
Where like a plumping gas. I'm like, Yo, this is great.
Niggas just shoot anywhere on two B. It don't even
matter who's fire, shouts to tbe man. My granny watched
two B, so it's lit.
Speaker 2 (41:57):
I look forward to seeing your two BE debut very
soon and hearing your.
Speaker 3 (42:01):
So we put my music on to B. You think
we should put my music videos on two B? I
think so. I'd be lit my space, you'd be in
my top eight.
Speaker 2 (42:08):
If we had in MySpace, I'd have you as the song.
How did we get here? Just I shrooms earlier, So
that's how we got here. Ray Vaun, Ladies and gentlemen,
thanks for coming through, buddy
Speaker 3 (42:17):
No problem where it is
It's Rayvon, and y'all could check me out on a
Bootleg cav podcast You Feel Me.
Speaker 2 (00:08):
The Bootleg cav Podcasts, Bootlet CAV Show Special guests, Finally Stop,
Finally Stop, Rayvon.
Speaker 3 (00:17):
Thank you. What's the deal?
Speaker 2 (00:20):
What has been going on? I mean, I mean, I've
never ever seen a label be so meticulous about having
an incredible artist like yourself and putting out zero music
for so long.
Speaker 3 (00:33):
Because on the face so we was developing.
Speaker 2 (00:35):
You've been playing me some shit for years, and I'm like, dog,
you play me a song that made me cry.
Speaker 3 (00:40):
Yeah, but that's like that something that's gonna make you cry.
But we got that.
Speaker 1 (00:44):
I got that now, all that song gonna come out, Yes,
definitely better come out.
Speaker 3 (00:48):
It is on the album.
Speaker 1 (00:50):
But we also needed those records that our hits what
we were just talking about. So I feel like I
got like seven of those on one project. You got
a lot, I got a lot. I mean I've heard
some records with.
Speaker 3 (01:01):
You and some big names, yeah, huge James. Yeah, the Baby, huh, I.
Speaker 2 (01:06):
Think about the.
Speaker 3 (01:10):
I already knew about pre Canceled Baby too, huh. Pre
Canceled Baby.
Speaker 2 (01:15):
Yeah you had a yeah, Yeah, you got some big ones. Yeah,
push your teeth that we can talk about that.
Speaker 3 (01:20):
Yeah, we can talk about that. Well what was that like?
Speaker 2 (01:23):
Were you intimidated to be like, man, did you know
Push was getting on the record? Did you just send
him like a few records and he picked that one?
Speaker 1 (01:29):
Like no, no, no, So we did the record. I did
the record. At first Top walked in and he was.
Speaker 3 (01:33):
Like, uh, what you working on home, baby boy?
Speaker 1 (01:36):
And then that's how he walked in the room real
boogie managed and he was like, what y'all working on?
And then we uh I played him that and he like, man,
this is uh he was He got really excited, like
this fire. And after that he was like, uh, you know,
I'd be crazy if we got pushed on there, and
I'm like, push, that would be fire.
Speaker 3 (01:53):
And then it was just idea.
Speaker 1 (01:55):
And then one day he called me to the studio like, hey,
come up here, I need you to I've got what
he told me. I knew it was Bullyshakes, and I'm
like I already did that, but I went up there anyway,
and then he played the record for me.
Speaker 2 (02:06):
Like that, Yeah, I mean there is uh something to
be said about. There's two labels that I always look
to when it comes to just like high artists in
Tirety and it's you guys, TD, dream Bill, both labels,
whoever they signed is fire right. But like you said,
you've been I mean you had like a few years ago,
(02:27):
the freestyle run that like people were like, Yo, what
the fuck your lebron reposting your freestyle? I think it
was it was like Shaq everybody talking to I mean,
cause you had been I remember when you were coming up,
you would drop the freestyles in the front of your
car before you were on TV, before I was on TV. Yeah,
that's how I went viral.
Speaker 1 (02:44):
That's how I was, Like I started building a name
for myself on those uh off those freestyles in a
car just wrapping in a car talking about my real life. Yeah,
but I'm saying like it's it's just it's just it's interesting, Like,
was the thought process of kind of or you've been
getting put through because you've been writing a lot.
Speaker 2 (03:02):
Yeah, you're always always see in the studio writing for
other artists, But what's the thought process of rolling you
out slow slowly, Like are you going through like wrapper
boot camp or something.
Speaker 1 (03:12):
It was rapper boot camp at first, and then it
was like more and so we just we got to
make sure that they stick because we see a lot
of artists that's mail that are just coming and going,
and even established artists are not sticking. You know, they
dropping projects and they out of here next week, they
out of here. And it's like they're not dropping no records.
They don't care about no hits, they don't care about nothing,
(03:33):
and they just trying to I don't know what they're
trying to do, but I know I ain't trying to
do what they're trying to do. So for the most part,
it was just more developing a sound like my pepperoni pizza.
Speaker 3 (03:44):
Like what what?
Speaker 1 (03:44):
Because I'm such a anomaly, I can do everything, so
I do everything, so I try to. Like they're like,
you need a sound that we can market up and
be like, hey, this is his pepperoni pizza by it.
Yes he has pineapple pizza, Yes he has salad, yes
he has one.
Speaker 2 (03:59):
Yeah, but pizza.
Speaker 3 (04:00):
We got all that stuff. Yeah, man, I'm going up there.
Y'all got wings? Yeah, we don't get some wings.
Speaker 2 (04:08):
So so you honed in, you kind of figured out.
Speaker 1 (04:10):
What it is, what the sound is, and then now
it's like polished to where when I do feature with people,
it sound like them featuring me, not me featuring them.
M M, you know, not not I mean me me
featuring them, not them featuring me. So that I'm bringing
them into my world of what I want the sound
to be, not jumping into what they want them to be.
Speaker 2 (04:29):
Whatever you do, just don't lose the relatability of your content.
Oh no, never, because you're I feel like your strong
point of the music I hear Pepperoni is your vulnerability.
Speaker 3 (04:39):
Everybody said it, that's my Pepperoni piece for sure.
Speaker 1 (04:41):
Yeah, we got that, And I feel like we just
we just creating a space for duality so that people
can be like, oh yeah, because if you.
Speaker 2 (04:49):
Could do both, Yeah, we could do both. Like another
guy who was on DD who did really good job
of doing both.
Speaker 3 (04:54):
Yeah, you know what I'm saying.
Speaker 2 (04:55):
They can hit records and being very vulnerable, being very transparent.
Yeah you know what I'm saying, Just like you. Yeah, uh,
talk about some of the writing you've done, because you
have been writing a lot. I feel like his writing
kind of helped, like keep the dream alive while you're
not putting out music.
Speaker 3 (05:12):
Now you're in the studio, a lot.
Speaker 1 (05:13):
But even then, I'm always working on my own stuff
and trying to figure out, like the dreams stay alive,
like you know me from before I was signed, So
it's like from the car shit, I was like trying
to figure it out. So anything on TV is better
than being back in that car ship where I'm not
knowing where the dollars is coming from, and I'm like, man,
and writing was before even TD. I was in room
with people like Danny and stuff like that. I don't
(05:35):
want to name that because you.
Speaker 2 (05:35):
Know, I know you helped write with Danny La right
anybody else.
Speaker 3 (05:39):
There's a lot of more people. I just know they
got me signing papers.
Speaker 2 (05:42):
Now, man, did you get in any of those love
sessions with Diddy? Excuse me, the Diddy love Sessions? I
just got to ask. I know a lot of people
who were writing. I was just wondering how they were. No,
I was not.
Speaker 3 (05:53):
I was. I was not at Ditty's house.
Speaker 2 (05:55):
Man. I didn't say you were. I said the love sessions,
the Diddy sessions, the Diddy house is a lot of
people wrote on that album and it was a great album.
Did you write it?
Speaker 1 (06:04):
Let's gonna ask now. Bryson was on there. He shout
out to Bryson, he did some close shit on there.
Speaker 2 (06:10):
Pang Griffy Man, Yeah, Pan Griffy for sure. Do you
feel any level of pressure because with the anticipation, right, yeah,
it's like now there's just do you feel the pressure
at all?
Speaker 1 (06:23):
Like yeah, Like once, now that we drop problems with Pusher,
I've seen a different response and different people crawling out
of work.
Speaker 3 (06:32):
It's like, hey, who is this guy? What is he doing?
Speaker 1 (06:34):
And then like I noticed, like when I go live
in preview music blogs pick it up like immediately by
the time I'm off live, and I'm like, damn, that's new.
Speaker 3 (06:41):
Yeah, it's new.
Speaker 1 (06:42):
So people are paying more attention than they were. And
so now it's like, oh shit, everything I say on
these records. I wanted to be potent. I wanted to
be like me. So I'm like, all right, let me
take some time and actually craftic to where if it
came out or e leaked.
Speaker 3 (06:58):
I wouldn't give it down. I'd be like, this what
it is, and that's what it's gonna be for sure.
So what is the uh?
Speaker 2 (07:06):
Because obviously, you know TD has got such a dynamic
roster of artists. I feel like you, you know, there
needs to be like a new fresh face and you're that.
Speaker 3 (07:16):
Yeah, I feel like I feel like that's that's what
we're working on.
Speaker 2 (07:19):
But I was gonna ask you, like, what is I
always wonder because I feel like when people sign the
TD or some of these bigger labels that we kind
of look at as cruise, the assumption is just everyone's
like hanging out all the time and friendly and friends
are you Like, is your relationship with your label? Mats
is everything? Like you guys hang out, you chop it
up with.
Speaker 1 (07:35):
So I think there's a dynamic to it, like some people,
just like normal people in real life, you draw to
more and they draw to you.
Speaker 3 (07:43):
So it's like if you.
Speaker 2 (07:44):
Who do you draw to?
Speaker 1 (07:46):
I rock with everybody, but like close like out outside
of the studio probably rock, yeah, j rock.
Speaker 3 (07:52):
Yeah, you know what I'm saying me rock? Uh mmmm?
Speaker 1 (07:56):
They yeah, everybody, we all like locked in. But I
feel like those people outside of the outside of the
studio and be like, oh, it's just a normal conversation.
They'll just pick up the phone and call me and
we just chop it up about just regular life.
Speaker 2 (08:12):
For people who don't know you have an interaction.
Speaker 3 (08:15):
She's great. Shout to Tampa, Tampa legend.
Speaker 2 (08:19):
Talk to me about your story a bit because for
people who don't know, they'll they'll listen, they'll hear the
music when your album comes out. But you went through
a traumatic experience losing your baby mama, which you've wrapped
about in freestyles.
Speaker 1 (08:32):
Before before you were signed. Yeah, it's a big part
of your story.
Speaker 2 (08:37):
Kind of share that, you know, if if you don't mind,
just just because obviously I can only imagine what it'd
be like losing the mother of your child and then
being up and coming artists, trying to support the kid,
trying to be both parents. Like that's a that's a
real that's got to be a struggle man.
Speaker 3 (08:53):
No, it was trash, for sure. It was trash.
Speaker 1 (08:56):
We uh when everything happened, like I I was in Arizona,
you know, like I was, I was, but it happened
in California.
Speaker 3 (09:03):
So it was a tough time. There was no like help.
Speaker 1 (09:06):
There was no like county that like, you know, county
situation that can help me place me in a home.
Speaker 3 (09:12):
Nothing, And my credit was bad.
Speaker 1 (09:14):
I have money in my pocket, but no credit, So
I was sleeping in the car with my daughter for
like I want to say, like two months, damn, and
then like we figured it out. Don't get me wrong,
Like I was sleeping on people couches, but my actual
place where I was like the most.
Speaker 2 (09:27):
Like you didn't have like an actual like this is
my house.
Speaker 1 (09:29):
Yeah, I was in a car for like two months
and then But you're talking about when it happened or
after it happened, just like obviously she passed away from
having my daughter.
Speaker 2 (09:40):
Right, But I'm saying like when when that happens.
Speaker 3 (09:42):
It turned something on.
Speaker 1 (09:43):
It was either gonna be like I may either be
a bum like and my daughter gonna not have nothing,
or I'm gonna do everything I can to make sure
that my daughter got everything.
Speaker 3 (09:53):
And I feel like that's.
Speaker 1 (09:54):
What clicked me into gear of being like go crazy
because it ain't no other option.
Speaker 2 (09:59):
It's like like I can imagine bro sleeping with your
daughter in the car.
Speaker 1 (10:03):
Yeah, and then you on top of that, you like
the stress of her mom being dead and then the
stress of you being like I'm really in a.
Speaker 2 (10:09):
Car and you got to be strong for her, for
your kid.
Speaker 3 (10:11):
Yeah, for sure, you know what I'm saying. Yeah, when
her mom died. I didn't.
Speaker 1 (10:14):
I was so like, it's probably a bad thing, you
know what I'm saying when I look back now. But
when her mom died, I trying not to cry in
front of her whole family because I didn't want them
to think I was weak to be like, oh, he
ain't gonna be able to take care of So I
was like trying not to cry as much. But I'm crying.
But I'm just like, you.
Speaker 2 (10:31):
Were getting it out through your freestyles though.
Speaker 1 (10:33):
Yeah, I was getting it out through the freestyles. It
kind of worked then. Therapy, Yeah, therapy is important.
Speaker 3 (10:38):
Yeah.
Speaker 2 (10:38):
Do you still go to therapy now or no? It's
just something you had to get through. Do you think
anyone's ever actually healed though? Yeah?
Speaker 3 (10:45):
I feel like you. That don't define nobody, Like Yo,
trauma that you live through don't define you. I feel
like you.
Speaker 1 (10:52):
Somebody else was in that same predicament as me, and
they made it out figured out, So I don't. I
don't try to wither in the misery too long. You're
just all right for show. That's a moment of my life.
I acted out when it came to like how I
treated people for like the first two years, but then
after therapy.
Speaker 2 (11:07):
I was cool. Damn, that's crazy, sleeping on couches with
the with the baby, trying to figure out where to sleep.
Speaker 3 (11:13):
Like if CPS would have found out where we were sleeping,
it would be over.
Speaker 2 (11:17):
From where would you where'd you guys park at night?
Speaker 1 (11:20):
Like it would be like I would try to find
streets that don't have like street lights, right, So it
just it was more like that we just find the
street then.
Speaker 2 (11:27):
And it's all in Phoenix.
Speaker 1 (11:29):
Nah, this is an uh. It was back and forth
so Phoenix. I never actually Phoenix, let me stopped capping.
I never slept out there because Arizona Reggie shout out
to that guy. Yeah, so we I never anytime it
was like go over there. But when I was in Cali,
when I went back to Long Beach, that's.
Speaker 3 (11:45):
Where it was at damn. And so it was like
those were the nights. That's crazy, man.
Speaker 2 (11:50):
What would be for you? Man? Like if you had
to kind of give any sort of advice to anybody
who's going through any sort of like serious grief like that,
Like I mean obviously you you had no choice to
get through because you had to do.
Speaker 3 (12:00):
It for your little girl.
Speaker 2 (12:01):
But yeah, for sure, you know, I know when people
lose people sometimes it feels like the world ends and
there's no like other other side of the Like you
know what I'm saying, Like, if you lose somebody that
close to it, really could it really could like derail
your whole life.
Speaker 1 (12:14):
My outlook is different than a lot of people thus
already been through so much stuff and so many losses.
So I'd be like a lot of the things I
digest properly because I'm a I'm a poet, so I
can write everything out to kind of like cope. I
look at it like it's a part of the story.
So everything that happens, I'd be like that was supposed
(12:34):
to happen. It was part of the story. It might
be fucked up, but it's like that's that's just what
it is in its life.
Speaker 3 (12:39):
If you want one.
Speaker 2 (12:40):
For sure, you have a song where you address the situation,
and it literally made me shed a tear. Yeah, I
was like, this is the crazy shit I ever heard.
Speaker 1 (12:48):
Yeah, No, it's definitely That's what I'm saying. The project,
I can't wait for people to hear that. Dude, when
we get into that, I like, but I want people
to also the reason why we're waiting so long because
I don't want people to sympathize.
Speaker 3 (12:59):
I don't want them to empathize, right, So it's.
Speaker 1 (13:01):
Like I want people to be like, Yo, that kid
is crazy, that kid is funny, he's you know what
I'm saying, he's a dope artist. And then you double
back and be like, wait, what is his story? Then
you go check out the story, not hey, did you
care about to hear about that kid who baby Mama died?
His music is dope versus you know what I'm saying.
Speaker 2 (13:15):
Do you feel like there was a point in time
where people because you that was a lot of the
you were rapping about, like.
Speaker 3 (13:22):
Real, like they boxed me into that.
Speaker 1 (13:25):
I feel like initially, yeah, yeah, so I had to
like scale back because I'm like, that's not me and
right in its entire entirety, Like I'm a person who
have layers. I'm like, I make music for women, I
make music for ratchet niggas, and I make music for
the conscious people who actually.
Speaker 3 (13:42):
Think about the stuff that they doing.
Speaker 1 (13:43):
Like yeah, so we got out we had to figure
out a way to combine all of those and make
the artist whore I am now and that's where we're at.
Speaker 3 (13:51):
I mean, when you drop this push a record, I
was excited because I.
Speaker 2 (13:53):
Was like, finally, finally, yea, No, we're about to go crazy?
Does I mean the album is done? Is the album already?
Speaker 1 (14:00):
The album ever done? Until they come out? That's fair
when album come out? And then because I can make
because how.
Speaker 2 (14:04):
Many songs you actually have, like because you've been working
NonStop for it feels like five or six years.
Speaker 3 (14:09):
Yeah, it's been about five right, like four okay.
Speaker 2 (14:12):
Right before the pandemic. Yeah, so like I've heard so
many amazing records. How do you pick what's on the album?
What's on the next album?
Speaker 1 (14:22):
Because I'm like one of those people who evolve every
like six months.
Speaker 2 (14:25):
But then you also might get demo itis, which artists get. Yeah,
but I'll leavet some ill shit off the album.
Speaker 1 (14:31):
But I think I think that people who like around me,
they don't let that happen because it's you know, it's
not just me, like okay, this album.
Speaker 2 (14:37):
Like right now, if you listen to your album, like
what's on the like tentative track list, what's the oldest.
Speaker 3 (14:41):
Song on there?
Speaker 1 (14:46):
M it's a record I got with a big feature.
I can't say, but it's like that's probably the oldest
record on.
Speaker 3 (14:54):
The singer or rapper singer.
Speaker 2 (14:56):
Hm hmm.
Speaker 3 (14:59):
What's city they wro. I'm not saying none of that.
You try to get that clip.
Speaker 2 (15:03):
You didn't give me the city huh, state coast coast.
Speaker 3 (15:07):
If I say, you're gonna know exactly.
Speaker 4 (15:09):
If you wait east southwest, north, oh north oh north,
how Norton super super North. Yeah, Canada Yeah, oh ship
feel damn.
Speaker 2 (15:28):
Shout out to to Justin Bieber in the weekend. So
you got a song with both of them coming? So nice?
Speaker 3 (15:33):
Yeah, both of them. There's a clip new record.
Speaker 2 (15:37):
That'll be like that should be the Canadian national anthem
if you get both of them on the record. I
don't think they've ever been on a song together. Who
Justin Bieber in the weekend?
Speaker 3 (15:45):
Why would they do that?
Speaker 2 (15:46):
I don't know.
Speaker 3 (15:47):
They have two totally different.
Speaker 2 (15:49):
They gotta do it for the for the for the country, bro,
like for just like for the like you know what
I'm saying. Like, imagine if they did, imagine if they
did like a real Canada anthem, it'd be the softest
shit ever. But no, no, I think it would be
slap do you think I think it was slap. We
can't fire. You know what I want. I want somebody
to remake Hall Cogan's theme song, but make it hip hop.
(16:10):
Why because it'd be hard. I was just you ever
listen to wrestling theme songs while you're driving around?
Speaker 3 (16:17):
I do?
Speaker 2 (16:18):
Nah, man, we listening to those? You're not a wrestling fan, obviously, Huh.
I've watched wrestling. I literally put it on a on
a on a on a verse.
Speaker 3 (16:25):
Who's your favorite wrestler? My favorite wrestler was John Cener.
Speaker 2 (16:29):
Jesus says every twelve year old.
Speaker 1 (16:31):
But get off me because on the on the I
got like Matt Hardy, Jeff Hardy, Jeff Hardy.
Speaker 3 (16:37):
I put those in.
Speaker 2 (16:38):
Like I reference brothers. Yeah, yes, I referenced that good.
Speaker 1 (16:42):
I referenced like wrestlers in one of my songs, like
a lot of my songs on the project.
Speaker 3 (16:46):
As you should.
Speaker 1 (16:46):
You know what I'm saying, Naked Truth? I fuck it wrong.
I'm watching raw like the.
Speaker 2 (16:51):
Naked Truth, my Naked Truth. Oh that's okay, okay, I
thought you said that was the name of a wrestler. First,
I'm like, who the fuck is that our truth? You
mean there's a guy named Our.
Speaker 3 (16:58):
Truth, and I know who Our Truth is.
Speaker 2 (17:00):
He's a rapper too.
Speaker 3 (17:01):
Yeah, your your favorite Rakishi?
Speaker 2 (17:06):
You remember when used to put his ass in people's faces.
That's crazy, wicked, bro. If you look back at some
of that ship, you're like dog like they did this
ship on TV. Giant Fat was the first.
Speaker 3 (17:19):
It was the first sukie.
Speaker 2 (17:21):
Crazy when you say the first, like Soia, you know
how she'd be like she bowled with the well should
be eating asses?
Speaker 3 (17:30):
Yeah, you know. Yeah, my favorite wrestlers are stone cold.
He's right there. Of course he is. Why because you
have blue eyes?
Speaker 2 (17:40):
Thanks? And Bray Wyatt Bray White is my guy. Rest
in peace, love Bray Yo. So, Wendy, I'm coming up.
Do we have any idea?
Speaker 3 (17:51):
No?
Speaker 1 (17:52):
I what I'm trying to do this year is just
build the audience to actually demand the project. And I
got people on my page cut it out. They just
album album, But I'm talking about like a worldwide demand
where you like, so it sounds like not this year. No,
it sounds like this year because we're gonna drop if
we can. You can't start it and stop rolling and
gotta keep going. Nah, we got some stuff coming very soon,
(18:13):
like very soon right after problem like right, like, so
keep going.
Speaker 2 (18:16):
And people also don't realize you have a ton of music.
Yeah it's already shot. Shot.
Speaker 3 (18:20):
Yeah, we're doing the groundwork already for.
Speaker 2 (18:22):
You guys, been shooting fucking videos like and I'm just
being like, god damn, Like they must really have a
plan for this, because dog, how many unreleased music videos
are you sitting on?
Speaker 1 (18:31):
I don't know, m bias at least probably like that.
I know that could come out probably like five six.
That's tight because you know sound change.
Speaker 3 (18:43):
You still you got any JD Films videos from back
in the.
Speaker 1 (18:46):
Day, Bran, I would shoot some like like other stuff
with JD. I don't have any unreleased I would shoot
some new stuff with JD. JD's you know, he was
scared we didn't we didn't went viral a bunch, you
know what I'm saying. And he like part of the
story when it comes down to like my daughter and
mom passed and I he helped a lot.
Speaker 2 (19:01):
So if you could tell me who your biggest influences
are as an MC just growing up, who would have been.
Speaker 3 (19:08):
Snoop fifty, Wheezy Drake, Fabulous, Jada Kiss.
Speaker 1 (19:20):
That's probably as a kid that's like as a kid,
what about like when you because when you have your
songwriter hat on, who's somebody who's like melodies or lyrics?
Speaker 3 (19:29):
Neo shot? So who I say, shot a neo future future?
For sure?
Speaker 2 (19:42):
T Pain?
Speaker 3 (19:43):
M hm.
Speaker 2 (19:45):
I feel like you and T Pain could do a
song that doesn't seem like it's out of the Roman possibilities.
Speaker 3 (19:48):
Yeah, that's that's definitely, that'd be fire Pain is crazy.
He's great.
Speaker 2 (19:52):
If you pull off the shot a future, you're the
greatest of all time.
Speaker 3 (19:55):
Yeah, is crazy. That's like something that's.
Speaker 2 (19:56):
Like my bucket list concert sho for her to go
on tour. Like I don't know, like is she still fine?
Speaker 3 (20:04):
Like is she older?
Speaker 2 (20:05):
Like I don't think it's possible forever to not be fine.
Speaker 3 (20:07):
Because she's even. She's like a beautiful woman.
Speaker 2 (20:10):
Listen, man, she makes like massage music you like. For sure,
she makes music that you like. Yeah, you definitely. You
go to the Asian tug you know what I'm saying,
get tugged off while is playing? Wait? What what?
Speaker 3 (20:23):
What?
Speaker 2 (20:24):
What? You know? What I mean? No? No, I've never
I've never got tugged off at no A not me either.
I just heard that they got shot a playing Yeah,
uh is to go. Hey, I think I think if
(20:45):
Share is still kind of like she's like, you know,
seventy something.
Speaker 3 (20:51):
I don't know, she's out of mind.
Speaker 2 (20:53):
You don't know who that is, really, Share, You don't
know the old lady. She fucking tigers, A and R.
Speaker 3 (21:03):
You're saying it like three times like I'm gonna be like.
Speaker 2 (21:05):
Oh, that's shit.
Speaker 3 (21:06):
You believe in love? Man, some white people should. White
people should, that's sure.
Speaker 2 (21:15):
Can you tell us any features, any features on the
project any at all?
Speaker 3 (21:19):
No?
Speaker 2 (21:20):
Nothing, No, y'all gonna see him. Y'm gonna see him.
How many t D family members on your first album?
Speaker 3 (21:27):
A couple?
Speaker 2 (21:28):
A couple so two now to TD features.
Speaker 3 (21:30):
A couple of them? Wow, mm hmm. It's a couple
of my dogs on at least two.
Speaker 2 (21:36):
A couple of your dogs so a couple of men.
Speaker 3 (21:38):
A couple of my dogs. They could doc doci my dog,
my dog? What do you mean? I'm just curious.
Speaker 2 (21:44):
Yeah, I wonder I knew you were on like when
you got signed, like it was kind of like it's
pretty obvious like Kendrick was leaving the label.
Speaker 1 (21:53):
Did you guys ever have any Yeah, yeah, yeah, he
he definitely connected. We connected like right when I got in. Yeah,
like right when I signed. We had like good conversations.
He like very humble and that the.
Speaker 2 (22:04):
Most humble motherfucker alive.
Speaker 3 (22:06):
Yeah.
Speaker 1 (22:06):
He introduced himself to me, and I'm like, you're dot
Like you should have said no. I was like, of
course I know who you. I was like, Nigga, I
know who you is, and he was like, no, I
don't expect everybody to know who I am. And it's
stuck with me because I'm like, damn.
Speaker 3 (22:18):
That's a fair point.
Speaker 2 (22:19):
Man.
Speaker 3 (22:19):
You get too bighead and you can't fit indoors.
Speaker 2 (22:21):
And you should always like acknowledge everybody. Yeah, like you know,
like they're your equal.
Speaker 3 (22:26):
If you think you're bigger than the program, you're gonna
find out.
Speaker 2 (22:29):
Did he give you any game at all besides introducing
yourself to everybody?
Speaker 1 (22:33):
That was like one of the biggest pieces. Actually that
was like he talked to me about other stuff, but
stuff that like that I hold with me internally, is
like that right there at that moment right there was
like damn, like you the biggest artists in the world
at this time. I could you could easily be like
what's the deal. Yeah, but he like, know, what's how
you doing?
Speaker 3 (22:50):
Bro? Kendrick Lamar.
Speaker 1 (22:52):
So to me, it's like always stay humble, sure and
keep that same integrity that you have when you came in.
Speaker 2 (22:57):
If you weren't doing music and you to go do
something else, what are you doing?
Speaker 3 (23:02):
Im?
Speaker 2 (23:02):
No music out, no songwriting, no music, no making beads,
not nothing.
Speaker 3 (23:06):
What are you doing with your life?
Speaker 2 (23:07):
I'll probably be in jail because I didn't talking about
right now. But say you just get uninspired. You're like,
I'm done with this ship? What are you gonna do?
Speaker 3 (23:15):
I'm gonna go to school. I like that. I'm gonna
go to school. I'm gonna go to huh what kind
of school? The viride is crazy?
Speaker 1 (23:22):
Bro?
Speaker 3 (23:22):
Remember I'm not going over you.
Speaker 2 (23:26):
Remember? Yes?
Speaker 3 (23:27):
I remember? Why would I go to the ride when
I could go to ic DC College. I don't know
what that is?
Speaker 1 (23:34):
See you need step you need to educate us what
I see DC. It's crazy. I c d C College
was lit so but no, I would go. I would
go to school. I would go back to school. I
would probably do something in like the medical field. Oh
that's dope, like a nurse, not a nurse doctor. I
would probably go off to try to be like a doctor.
Speaker 3 (23:54):
Which field of doctory or would would you? Would you
be like a like a foot doctor, a.
Speaker 2 (24:00):
Gynocologist, a cologist, DST.
Speaker 1 (24:03):
Now I would probably be a what is that the
baby deliver the person who deliver babies?
Speaker 2 (24:12):
What's that called? Be a baby deliverer?
Speaker 3 (24:17):
You know what I mean?
Speaker 2 (24:18):
Hey, you know what's crazy, dude? I feel like if
you are the guy who delivers babies every day in
your life, you gotta look at certain anatomy and like
a real high respect.
Speaker 1 (24:29):
Yeah, I would see. I would do it for on
a on a different level. I would do it more
for like, you know, my daughter's mom. I'd be like, oh,
this was you know what I'm saying, and now and
then you it's like a mission almost yeah, yeah, because yeah,
make sure everybody make it out alive. It would be
like something like that if I was gonna go back
and try to change, because I would still try to
change the world and do something that's gonna touch the world.
Speaker 2 (24:48):
But what about hobby wise, what do you what's your hobby?
I'll be drawing you draw, like, what do you draw?
Dragon ball z Rest in peace to the guy who
I don't remember his name.
Speaker 3 (24:58):
You probably know his name. I don't watch anime. I
don't watch anime. I watch Dragon Bazi Dragon bar Z anime.
Let's get that out.
Speaker 2 (25:03):
It is nah, man, it's the biggest anime ever, just
because it's fucking popular to mean it's not anime.
Speaker 3 (25:10):
My people watch it. Your people watch it.
Speaker 2 (25:13):
Are you trying to say anime is exclusively for Asian viewers.
Speaker 3 (25:16):
No, I'm saying we all watch it.
Speaker 2 (25:18):
So what's that mean? I'm still an anime? Nah, Pokemon
is a fucking anime.
Speaker 3 (25:23):
It's Pokemon anime.
Speaker 2 (25:24):
Yes, the Boon Docks is an anime. It's the style
of animation.
Speaker 1 (25:29):
Bro, I like the style of animation of the Boon
Docks and Pokemon and Dragon Bazi.
Speaker 3 (25:34):
Put all that other ship.
Speaker 2 (25:35):
I'm not the you're an anime. You're an anime geek.
Speaker 1 (25:37):
Huh Like we used to we ain't gonna lie. We
used to uh the people who thought they was new rudo.
Speaker 2 (25:43):
Uh beat them up.
Speaker 3 (25:45):
No, no, no, we just used to. We used to laugh.
Speaker 1 (25:47):
How they used to run down the hallways with the
with their hands behind their back in middle school, in
high school.
Speaker 3 (25:52):
Sad, we're scared the hose off.
Speaker 2 (25:54):
But the guys who would act like they're.
Speaker 3 (25:56):
They go like Super saiand in the hallway.
Speaker 2 (25:59):
So would you discriminate against Naruto fans is what you're saying.
Speaker 3 (26:02):
No? Were you the person going super saying in the hallway.
Speaker 2 (26:04):
No, I'm be honest with you. I'm thirty six. So
when I was a kid, damn fuck you. When I
was a kid, there wasn't this anime wave that's hit
like now. There was Pokemon and put people at Pokemon cards.
But I used to steal Pokemon cards and sell them.
Who's that facts in the bag? Like really, back in
(26:27):
the day, there was POGs. You know what a pog is?
Get them motherfucking slammers.
Speaker 3 (26:32):
Bro.
Speaker 2 (26:32):
No, you'd be taking people's POGs, taking their slammers.
Speaker 3 (26:36):
Bro.
Speaker 2 (26:37):
I don't like how to sound, Bro. I don't like that.
I don't like I don't like that big ass tube
like this and it's full of POGs. And then at
recess you would fucking battle for POGs.
Speaker 3 (26:48):
So you take that.
Speaker 2 (26:49):
I had a Charles Barkley slammer. It was a heavier pog.
You throw that shit on the POGs and ships will
flip over.
Speaker 3 (26:55):
You get to keep that ship.
Speaker 2 (27:00):
You don't even know what a pog is. No pok Nah,
I don't know what no pug is. Bro, you should
bring them ships back for your merch of not doing
no POGs. You should do a raveon slammer.
Speaker 3 (27:11):
Bro.
Speaker 2 (27:11):
You understand if you brought POGs back, you know how
rich you'd be?
Speaker 3 (27:14):
Rich?
Speaker 2 (27:14):
Would I be fucking you get paid if you get
these little fuckers off the iPads and the POGs again,
I don't know.
Speaker 3 (27:20):
I like, I like my kids being that.
Speaker 2 (27:22):
iPads like parent two point oh. I'd be like, get
out of here, bro, I swear, it's like a babysitter.
I mean, take your pay, get the fuck out of here.
I don't What do you do to my son? What
is he like ten years?
Speaker 3 (27:34):
Ten? Yeah?
Speaker 2 (27:36):
Or like, hey, you want the Oculus here? Put the
Acus on, stay in this little square.
Speaker 3 (27:40):
I get it. Yeah, you have a fuck with Oculus.
No three D no. No.
Speaker 1 (27:45):
The only way I'm doing that is if you could
if you could put music on there?
Speaker 3 (27:49):
Couldeople put music on there? Yeah?
Speaker 2 (27:51):
You could do anything on there so you can listen
to problems on there. Yeah, you could listen to anything
on there. I got Spotify on there. They got Netflix.
Speaker 1 (27:57):
They have to put problems on there on there, they
got problems do there?
Speaker 2 (28:02):
Yeah, you can play problems while you watch the three
D poor It's crazy. You'd be like looking around and
the girls like right here, like she's really there. It's
pretty crazy. Big freak.
Speaker 4 (28:13):
Man.
Speaker 2 (28:14):
No, no, no, only man, I using Oculus. I legit
only want rappers listen, I only watch.
Speaker 3 (28:18):
I'm a rapper. I'm gonna just open my DMS.
Speaker 2 (28:20):
Oh fucking sick flex sick fleck. I'm sorry, you're you're
above watching Oculus porn. Oculus porn is ridiculous. No, you
gotta try.
Speaker 3 (28:31):
You just you.
Speaker 2 (28:32):
It's the first thing you go to. You just I
gotta see what it looks like. I'm not sitting in
my fucking crib watching that ship. I got too many
kids in my house. I can't do that ship. There's
no privacy, bro. And and like it's the type of
ship where if you have it on, you don't even
know if someone walks in the fucking room, right because
you're in a different world. You know what I'm saying.
You and you and uh, it's a it's a very
impractical way of consuming erotic cinema. If you're if you
(28:56):
have children and a wife and roommates or et cetera. Yeah, yeah,
you gotta be a single man with your own apartment
if you gonna fuck with that.
Speaker 1 (29:03):
Yeah, it's high level.
Speaker 2 (29:07):
I put I put it on Blue Face Pause. Blue
Face came in for an interview and I just bought
the Oculus, so he was like, ye, don't want to
see the porn.
Speaker 3 (29:14):
I was like, all right, I low some ship up,
so you put it on. He looked down.
Speaker 2 (29:17):
He's like, bro, my dick is white.
Speaker 3 (29:20):
It was funny.
Speaker 1 (29:22):
Yeah, shout the blue Face free that man, Free, free,
blue Face Free, blue Face Man. All right, So album
coming before the end of the year.
Speaker 3 (29:28):
Hopefully that's the plan. I don't know, man, that's the plan.
We've been waiting, Yeah, been waiting. Nah, we're gonna, We're
gonna We're gonna have something.
Speaker 2 (29:36):
The slowest roll out ever, No, it ain't.
Speaker 3 (29:38):
We just started rolling out. Well you know, fair enough?
Did I did? I just I just I just dropped. Yeah.
Speaker 1 (29:45):
So well, hopefully now then we're gonna we're gonna have something.
All right, when's the next song?
Speaker 3 (29:51):
Coming out? Soon? Very soon? That's all I can say.
Speaker 2 (29:54):
You're really good with general like statements. Nothing specific. Huh,
nothing specific? What this specificity of specific?
Speaker 1 (30:03):
See what I'm saying, That's what I'm talking about. At TD,
he had t d E. They give you media trading.
Speaker 2 (30:10):
Did you have to go through media somebody? Don't get
a packet, You don't get a packet.
Speaker 1 (30:15):
They just tell you, like, you know, watch what the
fuck you be talking about and control your conversation.
Speaker 3 (30:21):
Yeah, so I.
Speaker 2 (30:22):
Bet you they had a fucking their heads exploded when
reason went on back on fig.
Speaker 3 (30:29):
Yo.
Speaker 2 (30:29):
When that shit happened, I was just like, oh my god,
this is the most non TD shit of all time. Hey, hey,
before you went on this media run, did they show
you a clip of that and say, don't do this?
Whatever you do, don't do this. My goodness, that.
Speaker 3 (30:49):
Was fun, yo, bro man, Nah, they don't.
Speaker 2 (30:57):
Like, is it like a class, it's you have to
like take a test. It's not a class.
Speaker 1 (31:05):
No, they just tell you, like they tell you, you know,
what's what's good points to talk about and things that's
gonna be beneficial for you. Makes you can go there
and talk and shoot shit, but make sure you get
your point across the what you over there for.
Speaker 2 (31:19):
What has been you know? I think Top is like
the most prolific CEO we've had in hip hop and
probably like thirty years something like that, what has been
He's very meticulous and purposeful. There's no like accidents, I
feel like with Top except for what happened on Backlin
thing what she had no control over amis. But I'm curious, like,
(31:40):
what are the things that you know? Obviously you're really
close with him, and he's he's he's speaks very highly
of you, and you know he's obviously he's got big
plans for you. What's something you've learned from him working
so closely because he doesn't do a lot of interviews,
he doesn't do a lot of right, you know, we
see him course out of.
Speaker 3 (31:54):
The Laker game.
Speaker 2 (31:55):
You know what I'm saying, Yeah, what have you learned
from Top that that you know, even if you bar
from TD in a hundred years, that you'll always.
Speaker 1 (32:02):
It sounds cliche, it sound cliche, but patience, Yeah, clearly,
you know you got to be like very patient on
your time and when it's for you, it's gonna it's
gonna happen.
Speaker 2 (32:12):
And people say that, but you you see it.
Speaker 1 (32:13):
In real time when it's like with a Mogo like
top where you're like, Okay, he'll tell you to be
patient and then some some better than what was gonna
come out comes up and you'll be like, ah, man,
if I would have put that out, I would have
been mad that I you know, I put that out
the shot. Yeah, you wasted a shot, so he don't
let you waste I think it's with me though, because
it's so much pressure because of like being the new
(32:36):
face of the new generation of TD. I think that's
like a thing where it's like we can't we can't
miss with you, and you not the person that's gonna miss.
Speaker 2 (32:45):
So it's almost like that's kind of the legacy of
the label. Yeah, it's like we waited so long for
so OS, but SOS comes and it's like fucking one
of the greatest R and B albums ever. Yeah, and
you appreciate it. You appreach snubbed the other way.
Speaker 1 (33:01):
Yeah, they snubbed it, but you appreciate. You appreciate that
so much more because you like waited for it, but
you got it, and you like even though the people
like it took him minute, she still gave you a classic.
Speaker 3 (33:11):
Body or oh my god.
Speaker 2 (33:12):
Period Snooze is probably the best R and B single since.
Speaker 1 (33:16):
When the album twenty two, twenty two and people still
playing it like it's new. So like, that's what I'm saying.
I looking at that and you like the man know
what he talking about. So I just shut up and
be like, all right, Ford Show, there's a reason you
and that chair. You know what I'm saying. And once
I figure out what works, then we I could. You know,
(33:37):
I got a strong enough opinion to even go back
and forth. Usually I just be like, I'm here to
I came here to learn, like I can't. I'm a
student first, so I'll be paying attention to like how
everybody moved, how everybody do and be like, all right,
for Show.
Speaker 3 (33:51):
That's why I'm in.
Speaker 1 (33:52):
Such a good space and a positive position because I
came to terms with that.
Speaker 2 (33:56):
You got to do some touring with Isaiah Shad.
Speaker 3 (33:59):
Crazy, one of the best performers I've ever seen in
my life.
Speaker 2 (34:02):
Isaiah is one of the goats, for sure, and he's
one of the fucking goats when it comes to this
bar shit for sure.
Speaker 3 (34:08):
Yeah know, he'd be wrapping.
Speaker 2 (34:09):
And he'd be putting together fucking classic bodies of work. Yeah,
but what was that like, because that was pretty early
for you.
Speaker 1 (34:16):
That was like right after I announced, Right after I announced,
I went on tour, and you didn't have a lot
of like quote unquote TV records out. Yeah, I didn't
have I got ept right those three records out, my
announcement records. That was crazy to me. It was like, damn,
I'm really going on tour. I'm really about to go
see the world because of rap. To me, that's how
I looked at it, And it was just more of
(34:36):
an experience of like I'm seeing the world because of rap.
I didn't even I didn't even take it all in.
I just was like until after the tour. After the tour,
I kind of was like damn. But beforehand, I was
just like, yeah, it's crazy.
Speaker 2 (34:47):
So because the next time you're going to hit the stage,
like on a tour, capacity going to be your own tour,
you're gonna be I hope.
Speaker 1 (34:51):
So I hope that, like you know, my music do
what it is supposed to do when we drop and
then I'm able to do that. But if not, I
don't have a problem working going out with Isaiah, going
out with que going out with none of them.
Speaker 3 (35:03):
Have you played it at golf with Q. I don't
play golf. Yeah, I played golf for the first.
Speaker 2 (35:07):
Time, like three weeks for your first time.
Speaker 3 (35:09):
I mean I used to be the top golf drunk.
Speaker 2 (35:12):
What real golf though? I feel I went real golf.
Speaker 3 (35:14):
I feel like you was born like with a skill
from golf.
Speaker 2 (35:17):
Listen, I fucked my hand up. I hit the fucking
the first time I swung a club. I hit the
grass so hard, not the ball. I fucking broke. I
feel like I broke a bone in my hand. My
ship's still sore right now.
Speaker 3 (35:28):
That's sick work. Are you saying that just happened. It
happened like two weeks ago. Oh yeah, it's a bad look.
I'm not playing golf golf.
Speaker 2 (35:35):
That ship is overrated as fuck.
Speaker 1 (35:36):
Yeah, I'm not playing golf. I'm a I'm not playing golf. No,
we play football.
Speaker 2 (35:41):
That's a wild thing to do. What play football? Fucking
tackle flag? What if you get a concussion, bro and
you can't rap anymore? It's not worth it. I got
enough music, played basketball?
Speaker 3 (35:53):
I got enough music. Would you play soccer? Soccer? Hey
all know somebody kick you ever got kicked in your shin? Yeah?
What about tetherball. I broke my pinky playing tell Theball.
I think so much should bring POGs and tetherball back.
I won't beat that person.
Speaker 2 (36:11):
I think it could be I'm gonna keep rapping. What
if whis Khalifa owns a part of the p f L.
I think Gez owns a part of a soccer team.
What if you started a fucking tetherball league? That shit
could pop.
Speaker 3 (36:23):
It would be like the.
Speaker 2 (36:24):
Drew League, Bro, but for tether ball you can have
all the fucking rappers.
Speaker 3 (36:27):
And we get all the like the domestic men to
like join what like? What kid?
Speaker 2 (36:32):
When you say domestic man, what do you mean the
people who beat their wow? So like Little Reese? Who huh, bro?
Speaker 3 (36:40):
You wow?
Speaker 2 (36:42):
Who gonna play tetherball? Would only be rappers with domestic violences.
I did not say rappers, I said just man. So
it be Little Recent Diddy would be the coach. H
that's wicked.
Speaker 3 (37:00):
Bro. You would watch that.
Speaker 2 (37:03):
I fucking would for sure. You wouldn't watch.
Speaker 3 (37:06):
I don't know if I watch it.
Speaker 2 (37:07):
Oh my god, did he coaching someone tether You gotta
head it harder when I won't ever say anything ever
again and make him make that tether ball sign an NDA. No, no,
I'm not.
Speaker 3 (37:24):
I'm not watching nobody.
Speaker 2 (37:26):
Hey, have you seen the Slap League?
Speaker 1 (37:27):
You would sign a TD, you would sign a NDA
before you play tether ball at Didi's house.
Speaker 2 (37:32):
No, No, I would never go to that. I wouldn't go. No, well,
I mean, I don't know if I wouldn't go, but
I would have. Like what are we talking about here?
You know? You know what I'm saying, Like everyone's got
a price. Man, you're a while dude.
Speaker 3 (37:51):
Though.
Speaker 2 (37:52):
Have you watched the Slap League though?
Speaker 1 (37:53):
Yeah, I seen the slap legs wild. I wouldn't do that. No, no, no, yeah,
I'm gonna try to spin a block. Yeah, you watch
it a sports Yeah, I watched basketball and football. Laker Rams,
Lakers Rams all the way.
Speaker 2 (38:06):
Were you a Rams fan when they were in Saint
Louis Hell?
Speaker 3 (38:08):
No?
Speaker 2 (38:09):
Hm, So who are you fucking with back then?
Speaker 3 (38:12):
Raiders? Why not still? Because because the Rams are in LA?
Because yeah, they're in They're in Vegas.
Speaker 2 (38:20):
Which is kind of like LA.
Speaker 1 (38:22):
Now, it's not everybody moves that's like Lancaster more than
it is.
Speaker 2 (38:27):
It's but it's like, you know, people move to Vegas.
They save the tax money. They say that what tax money?
And they don't get banged on as hard.
Speaker 3 (38:35):
Pause.
Speaker 2 (38:35):
True, Yeah, Vegas is very la.
Speaker 1 (38:39):
It's just not a one day you're gonna be rich
enough where you're gonna consider moving there.
Speaker 2 (38:43):
I'm not saying you're going to Vegas. You're gonna be like, wait,
how much can I save on taxis telling you a
lot of your counterparts.
Speaker 3 (38:51):
I've seen wild ship got the casinos in Vegas.
Speaker 2 (38:53):
I ain't gonna what's the wildest thing you've seen at
the casino?
Speaker 1 (38:55):
It was just some It ain't like wow yet, but
it's wold. I've seen somebody like digging in they nose
in the casino and playing on the machine and then
looked at me and did it again and kept like
with I was playing with.
Speaker 2 (39:06):
A lot, right, And there was this old ass lady
bro Yeah, and I don't know how long this bitch
she was had oxygen she got to be how it is.
Let me tell you why she's a bitch. All right, Listen,
this bitch had an oxygen machine a cigarette. And I'm
sitting you know, They're like, this is the this is
the slot. So there's a chair here, a chair here,
a chair here, So I'm sitting here and she's sitting
here very much in each other's space with bitch shot
(39:30):
her pants because she didn't want to get up. That's
good looking, she nah, bro's fucking disgusting. So I'm in
the middle of.
Speaker 1 (39:37):
So you're gonna make her feel bad about shitting herself.
Of course she's an older lady. She's an older lady
because she's an addict and older.
Speaker 2 (39:44):
She didn't want to get off her machine because she
wanted She was waiting for the bonus to hit, and
so she shot herself instead. That's fucking disgusted.
Speaker 3 (39:50):
Did that bonus hit? I don't know?
Speaker 2 (39:52):
I got the fuck up?
Speaker 3 (39:53):
I bet you she got that bonus?
Speaker 2 (39:55):
I don't know.
Speaker 3 (39:56):
Are you shitting me? She was shitting me?
Speaker 1 (39:59):
Listen you The new song will push out new album
all the way, hopefully hopefully hopefully.
Speaker 3 (40:05):
Hey with TV you never know, nah we we we
we we doing some ship this year. I sure hope. So.
Speaker 2 (40:10):
Yeah, a lot of big, big features all the way,
h Justin Justin Bieber.
Speaker 1 (40:16):
Yeah, the weekend, Weekend, Taylor Swift, Taylor Swift, all the
good people, Demi.
Speaker 2 (40:25):
Whom Levado, Oh you don't want that feature?
Speaker 3 (40:30):
Pass on that these are all Disney people. They all fire.
We're going viral.
Speaker 2 (40:34):
You don't want it. You don't wan Dami Lovado. You
could do better than that.
Speaker 3 (40:37):
That's crazy. She's a talented human being.
Speaker 2 (40:39):
Yeah, a lot of people are talented. You'll be fine
without a Dami Levado feature. Get the Taylor Swift one.
What I feel like? You you what you know?
Speaker 3 (40:51):
Anyway?
Speaker 2 (40:51):
Listen, man, I'm just happy you're putting out music. I
look forward to the album. Anything else you got coming up?
Speaker 3 (40:59):
New music?
Speaker 2 (41:00):
New music? Yeah? Then I got some two B movies.
Speaker 3 (41:02):
You know what I'm saying?
Speaker 2 (41:03):
Really, No, to be's fire?
Speaker 3 (41:06):
To B is fire?
Speaker 2 (41:07):
Did you see that?
Speaker 3 (41:09):
Everything feels like it's just like did you.
Speaker 2 (41:11):
See the movie that they have on two BE called
the what's called like the Rapper who Got shot in
the ankle or some ship, that's what it's called. It's
called and it's and it's about a rapper name Raven
the Stallion and Corey Corey Lanez. Is this real? Yes?
And it's called the Rapper who Got Shot in the
foot and the character's names in the movie. Are y'all
(41:32):
for real?
Speaker 3 (41:33):
It's on two B man.
Speaker 2 (41:36):
You know how I asked you if you if music
went to wait, what would you do if my everything changed?
For me? I would just make two B movies. I mean,
I've seen a two B movie. I was in the back. Really,
it's like, is that me swear?
Speaker 1 (41:49):
Where like a plumping gas. I'm like, Yo, this is great.
Niggas just shoot anywhere on two B. It don't even
matter who's fire, shouts to tbe man. My granny watched
two B, so it's lit.
Speaker 2 (41:57):
I look forward to seeing your two BE debut very
soon and hearing your.
Speaker 3 (42:01):
So we put my music on to B. You think
we should put my music videos on two B? I
think so. I'd be lit my space, you'd be in
my top eight.
Speaker 2 (42:08):
If we had in MySpace, I'd have you as the song.
How did we get here? Just I shrooms earlier, So
that's how we got here. Ray Vaun, Ladies and gentlemen,
thanks for coming through, buddy
Speaker 3 (42:17):
No problem where it is
Popular Podcasts
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations.
The Nikki Glaser Podcast
Every week comedian and infamous roaster Nikki Glaser provides a fun, fast-paced, and brutally honest look into current pop-culture and her own personal life.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.