May 14, 2024 • 22 mins
Interview with DaBoii on The Bootleg Kev Podcast.
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Speaker 1 (00:00):
Or so the man. It's the boy Man. Check me
out boutleg Cam podcast.
Speaker 2 (00:07):
Your Boutlet Cam podcast special guests in here. Just got
out of jail after sitting down for about a year
or so, but he is home the boys.
Speaker 1 (00:14):
Yes, sir, appreciate you for having me.
Speaker 2 (00:16):
You gained how many pounds in jail?
Speaker 1 (00:19):
I gained fundy for real, went in the boy looking
like the man now, No appreciate it, yes, and no
reference to the Kendrick Yourphoria songs.
Speaker 2 (00:27):
By the way, anyway, what does it feel like to
be home?
Speaker 1 (00:30):
And obviously you know, yeah gonna Lie, I feel good
like I still feel like it's my first day out
for real, Lie.
Speaker 2 (00:37):
I mean, what was the reason why you ended up
having to go sit down?
Speaker 1 (00:41):
Probasic violation for high speed? And then they pulled me
over They found a little strap somewhere up in the
whip on the high speed?
Speaker 2 (00:51):
Yeah, sh like criminal speed, like what you must have
been I was triple digits for so triple digiting, so
for so jesus, oh mamas, at least you didn't getting
caught bipping or something that'd have been crying like a
barrier goes to jail for bipping like Finally I know
who broke it into my fucking car.
Speaker 1 (01:08):
Was the boy. Niggas don't get no time for that
shit through they don't, right.
Speaker 2 (01:11):
That's why everyone does it because like they just get
like let go, or there's like.
Speaker 1 (01:15):
They getting kicked right out oz in jail and hell
the niggas thats in there for bipping, they getting right out.
Speaker 2 (01:20):
What the fuck?
Speaker 1 (01:21):
Mamas?
Speaker 2 (01:22):
So do you think that they're at least starting to
take the bipping because I feel like there's been this
like narrative about at least obviously the lated for people
who don't know, the Bay Area is not just one place.
It's different mayors and shit. But the mayor of San
Francisco made it very easy for people to bip and
keep it moving or going to the store and grab
(01:43):
up a bunch of shit. Yeah, take it to the
mission and sell it. Has it gotten like more? Is
it the same?
Speaker 1 (01:51):
It's dinner the same for I ain't seen you know
up there they talk about a lot of shit on
the nose, but you feel me, A lot of shit
don't happen. You feel me?
Speaker 2 (01:57):
Do you feel like the because the narrative of people
who a lot of people from the base is too,
but nationally is like San Francisco, which I know is
not all of the Bay, shots of Oakland, shots of
Hill shots, the whole area, but that like it's like
it's kind of cooked out there right now. Like a
lot of the nightlife is kind of gone, like just
a lot of just because of all the crime or
(02:17):
do you say, do you think that that's overstated?
Speaker 1 (02:20):
Uh, I ain't got a lot of Uh the nightlife
kind of cool, but there ain't a lot of day
parties in the Beato cragging praise a lot of DJs.
Speaker 2 (02:30):
They've always been crazy shots, army and ribs and all that.
There's always I feel like always the Bays always had
the best day.
Speaker 1 (02:35):
Parties for sure. For so the dj is run the
day life for so dinner the night life too.
Speaker 2 (02:39):
For Yeah, I mean like there's no like Lentier was
a Vlentier room providence, is there?
Speaker 1 (02:45):
Yeah?
Speaker 2 (02:46):
Shots to San Jose too, if you want to party
with some.
Speaker 1 (02:48):
Lovely Asians, you know, Mama's San Jose. That should be
cracking out there too. Really the city though, San Francisco
and Ugland, that's where everybody's going.
Speaker 2 (02:58):
Yeah, because you were like in and out Burger closed
in Oakland, yep, yep. And that's the first story they
ever closed, and they said it was just because of
the crime and like it's crazy out there. But I
feel like anytime I'm in the bay and I go often,
I don't ever feel it. I just know I don't
keep nothing in the car.
Speaker 1 (03:14):
Better not keep nothing in the car. Roll your ship down,
Mama's keep that motherfucker down it. If you really don't
give a fuck, pop the trunk. You leave the trunk
open for so for so especially if you ain't got
nothing in it, They're gonna look in there. You feel
me see it's nothing in it. But are you good?
Other than that, you're gonna come to your whip broken
window for sure? Have you have you?
Speaker 2 (03:34):
Have you been bipped yourself?
Speaker 1 (03:36):
I think I got a bit one time ever in
my life?
Speaker 2 (03:38):
Real did they take anything?
Speaker 1 (03:40):
Yeah?
Speaker 2 (03:41):
Anything of importance?
Speaker 1 (03:43):
Yeah? Damn yeah, like what some some ship.
Speaker 2 (03:48):
Something that you might have got violated for? Why don't
mister fab has been for a couple of times. I remember,
I think once they took his daughter's backpack with like
her like homework in it, and he was like, yo,
my keep on all the other ship.
Speaker 1 (04:00):
I just need my daughter ship back. She's studying niggas
out of pocket for that. You know how that it
beat all like if that ship in a backpack zipped up.
You feel me they going for bags and ship and
there ain't taking that ship to They getting they shit
for sure? For sure?
Speaker 2 (04:15):
Did you see Bernard just dropped the trailer. He's doing
a movie called Splash City. Have you heard of it?
Speaker 1 (04:19):
It's it's about bipping.
Speaker 2 (04:21):
It's about bipping. It's it's kind of the first Bay
Area crime movie.
Speaker 1 (04:27):
I feel like that we've gotten damn near. I remember
that he was talking about doing that for a couple
of years. Though it's finally emotion now for so waiting
for that to come out for so that gotta watch that.
Speaker 2 (04:40):
Yo. I've been to Vallejo a few times. You and
I were supposed to shoot up there. I think we
were at King's Market shout to the Crest, and then
we went back and we actually got a hotel across
the street from was it seven to eleven right there?
Speaker 1 (04:58):
Yeah?
Speaker 2 (04:59):
Was that Hampton? Yeah, we're sure we're staying at that
Hampton end right there, because we went out and try
with low Russell and everybody was tripping there like you're
staying in the crest, and I was like, what's the
big deal? Like, we walked over to the we got
we got some fucking mister so mac dre soda over there,
you know what I'm saying. But the time you and
I were supposed to shoot there, it was super active
(05:20):
over there. For people who don't kind of understand, like
Vallejo is like we hear about it all the time.
Obviously we know about the forty, obviously we know about
mac dre. It's but I think a lot of people
kind of associate Vallejo and San Francisco and Oakland all
be pretty much the same thing or very close to
each other. But like Vallejo is like a serious Yeah,
(05:41):
forty five minute drive away from if there's no traffic right.
Speaker 1 (05:45):
Now, if there's no traffick thirty yeah, like thirty thirty.
Speaker 2 (05:48):
To forty five an hour, you know. But it is
like a small town that is on the outskirts of
San Francisco and Oakland, right so you got to cross
a bridge, go over some water.
Speaker 1 (05:58):
Yeah.
Speaker 2 (05:58):
So, and it's known to be like a very violent place,
you know. I feel like recently l Russell has done
a really good job of just highlighting some of the
positive stuff out of there. But what was it like
for you growing up in that area.
Speaker 1 (06:11):
I ain't gonna lie like it's really what you make
it for real, Like you could grow up in the
hood and you feel me. You don't even gotta You're
still gonna be around it. But like how affect your
life is how you move for real? You feel me
so with me, it was ain't I was really cool.
It was smooth for real, and it got a little older,
and you feel me. A lot of bushit start happening.
You feel me, and it's like once you sucked into
(06:33):
this street shit, it don't matter if you're not even
in the streets no more. You feel me. You forever
stuck in this shit. You feel me. Nigga could catch
you out of town somewhere. You feel me. He'll try
to get on you for some shit that happened years ago.
You feel me so crazy, just the life of nigga,
really regular shit for real.
Speaker 2 (06:48):
It's crazy because that shit, like you said, like it
haunt you anywhere. You could be like somewhere out of
town with your guard down.
Speaker 1 (06:53):
And we could be in can kN wrong. Niggas see
who you feel me. He got the upper hand on
you feel me, and it can happen.
Speaker 2 (06:59):
It's funny while sent as that song, I got there
just trying to kill me for some shit that I forgot.
Speaker 1 (07:03):
I did just a life, you know, Mamas, when you
live in fast, you feel me, You forget a lot
of shit. But at the end of the day, you
gotta stay, got to keep your head on the swivel
because this shit could come back and haunt you any day.
Speaker 2 (07:14):
For sure.
Speaker 1 (07:15):
I know you.
Speaker 2 (07:16):
Uh, you're back to it, man. How active have you
been in the studio since you got because what would
you get out on twenty third, twenty.
Speaker 1 (07:23):
Four or something like that. Knock got out on the fifteenth.
Speaker 2 (07:25):
Of April, so it's been about a little under a month. Yeah,
have you been just working?
Speaker 1 (07:30):
Nah? Really ain't been working for real. I really just
been at home with the family, joined the family and
trying to make up that time that you feel me,
the nigga can't get back type shit. You feel me?
Speaker 2 (07:39):
For sure.
Speaker 1 (07:40):
I've been in a studio like once or twice, like
really just listening to beasts, gathering beasts up and shit
for real. After this weekend though, I'm back on it
through for so full force on the ground, on full force.
But you feel me. I had to rebuild that bond
with my son and shit, the fan bam, all that
type of shit, just making that time.
Speaker 2 (07:57):
Were you allowed? Like was your son able to come
and see you while you in jail?
Speaker 1 (08:00):
He was able to come and see me. But I
ain't want him to come and see you.
Speaker 2 (08:04):
Don't want them to remember you, like I had to
go to jail.
Speaker 1 (08:06):
Yeah, it's the every time I was talking to him
on the phone, telling my mat work. You feel me,
that makes sense, telling my mat work.
Speaker 2 (08:14):
I had a long time of work. How does he
he for now? Okay? So yeah, I mean he's for
so he kind of understands what's going on. You get
to kind of chat with.
Speaker 1 (08:21):
Him and them at work. I just found out, like
right before I got out, that he knew what jail was.
I don't even know who knew what jail was. You
know what jail is though, because he'd be watching Paul
Patrol and ship. Yeah, Mama out, Mamas were on a
little video visit. He talking to his toys. He like,
you going to jail. I'm like what you say? He
(08:43):
like you going to jail? I'm like, you know what
jail is, you feel me?
Speaker 2 (08:46):
That's your.
Speaker 1 (08:48):
You know, mama. So I just been telling him I'm
at work type ship you feel me?
Speaker 2 (08:53):
I want you know. Obviously you're forever kind of connected
with Kendrick, because I think Kendrick did a good job
of using that Black Panthers soundtrack to expose SBRB and
MAZI specifically to a bigger audience. You guys are obviously
already torn and anti was already an anthem, and you
guys already were selling out shows and ship. But what
(09:13):
was the initial communication between t D. Kendrick and you
guys to be on that soundtrack.
Speaker 1 (09:22):
Like how it came together?
Speaker 2 (09:23):
Type yeah, yeah, Like because obviously for people who don't know, man,
if you were that, I always say, like s ob Shoreline, Mafia, Draco, Like,
you guys influenced so much what's going on right now.
But for real, y'all were kind of before all like
before the before everybody. And I feel like Kendrick obviously
(09:45):
was very attentative to the movement you guys had going
on because it was hard to ignore, you know, And.
Speaker 1 (09:50):
He really ain't even had to come and get us,
get anybody. He won't you feel Me, came and got
the young niggas from the bay, you know what I mean.
But now how it came about. J Rock had DM Slimmy.
He was like, Kendrick trying to get in with you.
You feel me? Slimmy asks my manager. He like, Nigga,
it's real, It's the real j Rock. He like, yeah, Nigga,
let's go fly out there. Let's go get it in.
(10:12):
We get the call you feel me, It's time to
go fly to La. Kendrick trying to get in the study.
We come out here, hey save you feel me? We
get in the studio. He playing the song we nod
in our head and shit, I see the looks on
everybody's face like we all kind of like we're like, ooh,
this is Kendrick Lamar, Like what do you want us
to talk about? Because you know how so when.
Speaker 2 (10:31):
You get when you get there is the paramedic the
first like what is is it just the beat or
what's been worked on already?
Speaker 1 (10:39):
It was the beat and then the little intro he
had on there, the yeah yeah that ship you feel Me?
We all nod in our head and ship, but I
see nobody's picking up the they Pinning and pad you
feel me? So I go over there and not ask him.
I'm like, big bro, like what you want us to
talk about? Like you feel me? What we on? He like, Man,
do y'all how you feel me? Yeah? I kind of
(11:00):
made a nigga happy. I'm like, you serious? Do us?
Like he's gonna be talking reckless on this motherfucker? He like, yeah,
do that shit. He's like, all right, niggas got in
you feel me? After every nigga verse, he was like,
he fucking with it. We really didn't think it was
gonna come out. He like asked Kendrick, anybody he won
on that song? You feel me? When that motherfucker really
came out, I'm in the studio at the time, my
phone blowing up, everybody calling me. I'm like, Yo, what's up?
(11:22):
What's happening here? Like nigga you black Panther soundtracked Kendrick
on the hook. He went on the hook at first,
you feel me? So once I heard in the studio,
niggas was jokes, I ain't gonna lie.
Speaker 2 (11:33):
That's wild And it's funny too because I kind of
feel like he paid homage to a few. I feel
like you paid homage to your guys' flow, to Draco
a Bit and to Vada Vada's got the wop wop,
you know, the ship that's going crazy in La. So
I felt like, I feel like they not like us.
Was also a way for him to kind of pay
(11:55):
homage to like this whole generation of West Coast music.
It's been going crazy. He really was like you close
your eyes and you didn't know.
Speaker 1 (12:01):
It was Kendrick, you know what I mean, mamas.
Speaker 2 (12:04):
So I'm just hoping. Man I saw today had posted
something about Charla Mane. But Sandi helps we get like
a real West Coast Kendrick gobbin where he's wrapping over
like that kind of ship.
Speaker 1 (12:14):
So I think it might happen, you know, mamas, because
him by him doing it like that, like they could
keep over for everybody everybody realistically, like because if he
everybody at the tone for the national sound now, you know, mamas,
because realistically everybody you feel me rapping with that type
of flow nowadays, you feel me, So everybody you make
that flow mainstream, that's gonna help everybody, you feel. Not
(12:35):
for sure, that's the big birth.
Speaker 2 (12:37):
What do you think of the battle?
Speaker 1 (12:40):
I guess it's crazy, right, you know, you know I
gotta be team Kendrick.
Speaker 2 (12:45):
It's crazy. It's you know, It's like when I was
growing up there we had we had, uh you know
I was I was probably like seven or eight when no,
let's see ninety six. I was like nine years old
when the Biggie two box.
Speaker 1 (12:59):
Ship was happening.
Speaker 2 (13:00):
But I was very much alive and alert as a
hip hop fan when jay Z and notas happen. And
to me, this is like bigger than anything ever. This
ship big and they's dropping. This is back to back
to back to back.
Speaker 1 (13:13):
You feel me. Every one trending not playing.
Speaker 2 (13:16):
When when Kendrick said, you think the Bay is gonna
let you disrespect Pop, that showing is gonna be your
last stop? What do you think about that?
Speaker 1 (13:29):
I don't get too much in it. I mean, I
don't know. I mean, realistically, Drake got a lot of
love like you feel me.
Speaker 2 (13:36):
He's got a lot of love in the Bay mom,
in the model video, you.
Speaker 1 (13:39):
Got a lot of love for real. I feel like
he motherfuckers, you feel me. All his fans is not
like gangsters and ship like you feel me. It's like
regular just regular people.
Speaker 2 (13:51):
That's what I say about like you know, I noticed
about this whole situation is like with Drake, Like there's
so many fans of Drake where their only rapper they
listen to is him and everything else feeling this other
shit because he's like a pop artist too.
Speaker 1 (14:02):
At the end of the day. All this controversy shit,
even if it's bad controversy nowadays, like it make niggas
go up, You feel me, Like niggas is getting exposed
on paperwork and they going up for that. You feel
so great? Is shit? Crazy? The world different right now?
Speaker 2 (14:15):
It is wild too, because like you just said, like
it's like un like man, even if like we there's
guys out here still getting booked, still thriving, still doing
whatever they're doing, and they have been jaked exactly, and
it's like yo, like if this was like twenty ten,
Like I don't know, these guys can walk around like
(14:37):
it's just a different time.
Speaker 1 (14:38):
The world different right now, like as a whole, Like
everybody not out here standing on they don't they don't
give a fuck about that shit. You feel me, right,
they're not standing on that type of business. Like really
niggas getting away with murder right now? I ain't gonna
lie you.
Speaker 2 (14:51):
Have a great uh working relationship. I feel like with
certain guys from Detroit. Uh in Detroit, you know, I
feel like it's having their own renaissance the last couple
of years going crazy. Then also Shot to Flint, Shot
to Real, the Younger was a show and the RMC
mic and those guys. But uh, yeah, Detroit, it's going crazy.
(15:12):
Uh have you you know, I would love to hear like, uh,
somebody needs to like I don't know if it's Ghazi,
but it'd be hard if they put together Like back
in the day when I was growing up, there was
compilation albums. They need to do like a Detroit to
the Bay compilation where half of it is Detroit producers,
half of the Bay Area producers and it's just POSSI
(15:34):
cuts that Shiit would be.
Speaker 1 (15:34):
Great now for so niggas do need to do that.
You feel me at the end of the day, Detroit,
you feel me to my cousins for so you feel me, Yeah,
we'd be on the same type of ship. Niggas need
to handle that for show. Yeah, we had a You've
worked with cash Kid, right, Yeah, that's my nigga. Yeah,
Cash Kids hard Bro. They go crazy for so he's
guessing his fucking bars are fucking sick. Yeah, I remember
(15:59):
he came here in free style. All his sports references
a me fucked up? What the fuck that nigga? He's
smart as fuck, he'd be saying some sholly like high
niggas come up with that, Like you be tripping for
So what has.
Speaker 2 (16:11):
Getting locked up for you and being away from your
kid for the last year? So has it? Has it
changed any of the way you think? Any any any
like now that you're free, Like obviously you don't want
to go back, but like, are you changing up anything?
Like is your mentality changed at all?
Speaker 1 (16:25):
Or my mentality change? For so I ain't gonna lie
it humbled or Nigga ain't gonna lie like Nigga really
trying to. Nigga really just gotta keep his head on
the swivel out here. You feel me like, I ain't
gonna lie. Like when I was out, I was dinner wasting,
I was wasting a little time like you feel me.
I could have been stepping harder than what I was,
but you were going you were going up there, Yeah,
but I could have been stepping way harder. You feel
(16:47):
me like that shit made me realize that, like I
gotta go full fledged with this ship. You feel me, You.
Speaker 2 (16:52):
Feel like it would help you to like leave the
bay for a little bit, he said, would have helped me, Yeah,
to like get out the bay for like a year
or so.
Speaker 1 (16:58):
Like I ain't gonna lie, I don't. I'll be thinking
about that shit sometime, like like just get out the way.
I don't know, it's just something about being in the backyard,
like I got access to everything I need. You feel
me like I don't want to go to Atlanta and
I'm trying to work out there and then like I
got hell at Lena producers pulling up on me and
like none of this shit my style. You feel me
(17:19):
like for soul Nigga gonna branch out and like work
with other artists, and you feel me like try with
different sounds, but like I need my man.
Speaker 2 (17:26):
I just mean, like just for the sake of like
getting out the way of the bullshit and just focusing. Yeah,
because like you know, like Mazie did that where he
came to LA and I feel like it almost like
immediately changed his minium, you know, be a little bit
more like tuned into the music. And I have to
worry because when you're at home and you got whatever
issues you got at home, it's like you're always you
(17:47):
always gotta have that guard up. You can't really focus.
I feel like one hundred percent if you got street
shit going.
Speaker 1 (17:53):
On, mamas. So once you've been in this shit for
so long, it's like you kind of become new to it.
I mean you've become come numb to it type shit.
You feel me like you don't even notice, Like being
on guard, just being on point is just regular. For
really feel me like, even if I moved to La,
I'm gonna be on gard, I'm gonna be on point.
Me me personally, I'd rather be on point in the
(18:14):
Bay because you feel me. I know niggas facings. You
feel me out here. You don't know, Yeah, I don't
know what's going on out here. You feel me, I
like I got a couple niggas out here. You feel me,
but you feel me, I gotta I got a whole
city behind me in the v You feel me like
I got niggas in Oakland. You feel me, I got
niggas in Enrichment. I got niggas in the city. You
feel me like nigga got pulled out there? You feel me?
(18:35):
I got love out here for show, but like on
some street shit, ain't. I ain't got no pull out here.
This ain't my backyard, you feel me?
Speaker 2 (18:42):
Uh? Did you see recently? Well yesterday Shortland Mafi dropped
a new song.
Speaker 1 (18:47):
Oh yeah, I was just on the phone with that
nigga Phoenix today for real Phoenix flexing o GZ shout
out to the whole storyline?
Speaker 2 (18:54):
Could this spark Obviously one of you guys are incarcerated
for like twenty years for him, But could this spark
at least a song between the guys from SB of
one song and no comments? I saw the shortline thing.
I said, maybe this could lead two. And when you
(19:15):
say no comment to me, that means yes, that means
it's already happening. If you're gonna hit me with a
no comment to me, that that's that's it's already in
the It's already in the cooker. It's already in the
deep frier. So you guys are already working.
Speaker 1 (19:29):
HUHN were not working? Are you sure? No?
Speaker 2 (19:33):
Have you talked about Nah?
Speaker 1 (19:35):
We ain't talked about it. No nothing. I really ain't
talked to brouh. I ain't talked to bro in yours.
I ain't gonna lie.
Speaker 2 (19:41):
Well, I hope I'm wrong. I hope you're capping right now.
Speaker 1 (19:47):
It would be a beautiful thing to see.
Speaker 2 (19:49):
It would be well if in twenty twenty four we
got a Shoreline Mafia song and the s ob RB song.
You guys are the biggest probably what if out of
like West Coast hip hop in like years.
Speaker 1 (20:01):
A big what It would be a beautiful thing to
see for so yeah, cool.
Speaker 2 (20:06):
Well, and now that it's in the air, hopefully we
can revisit this conversation too and be like, look he.
Speaker 1 (20:10):
Was lying hopefully one day never know.
Speaker 2 (20:14):
All right, So obviously you said you ain't really been
working too much, but now you're back, your back focused
is putting out singles? Is it working on a project?
What is What's? And are you still with Empire?
Speaker 1 (20:23):
Uh No, I'm not under Empire right now, but you
feel me in my boys for so like shot the
guys probably realistically like I'm probably gonna end up being
under Empired or for show Mama's But yeah, I'm really
on some uh right now, I think I'm gonna play
the I'm a fuck with the single.
Speaker 2 (20:41):
Game, right now you throw out there shooting video.
Speaker 1 (20:43):
Fuck with the single game before drop a tape tape
on the way for soon the Russell should do a tape,
yeah for show do it man, that'd be big for
the city.
Speaker 2 (20:51):
Is it like kind of like seeing him kind of
like change, you know the way independent artists are able
to kind of think about how they do things.
Speaker 1 (20:56):
Because he's it's crazy. It just showing taking from the
backyard front the backyard, tool making cheese out of his backyard.
That's shit crazy, like when you pushing all positivity, you
feel me and like you ain't got too much going
on in the streets like that, you can move like that,
like he's showing niggas like you feel me. Just be yourself.
You feel me, you ain't got too much going on
(21:16):
in the streets. I watch your back, you feel me.
Niggas need to be moving like this, you feel me.
I call the Russell all the time, call him baby.
I call him baby Jesus, Baby Jesus. That's baby Jesus.
For sure. He showing niggas the way me personally, I
can't do no shit like that. I ain't gonna lie.
I got too much going on. Well, one day man
one day for one day, one day for sure. New
(21:38):
music coming hopefully. We just put some shit into the
air that ends up come to Fruition, so go watch.
We just dropped the crazy freestyle over Not Like Us too,
so you could check that out on YouTube.
Speaker 2 (21:49):
I appreciate you coming through, man. Look we got to
keep you free, bro, keep that weight on you.
Speaker 1 (21:53):
Noah for so look good on you. I ain't even
spoke for real. Yeah, I've been on my sober shit.
You feel me?
Speaker 2 (21:59):
Oh you ain't just again. Keep that Souper ship going, bro,
you can stay fund so yeah, I got it. There
it is man, the boy. Appreciate you, Brother, appreciate you.
Fire
Or so the man. It's the boy Man. Check me
out boutleg Cam podcast.
Speaker 2 (00:07):
Your Boutlet Cam podcast special guests in here. Just got
out of jail after sitting down for about a year
or so, but he is home the boys.
Speaker 1 (00:14):
Yes, sir, appreciate you for having me.
Speaker 2 (00:16):
You gained how many pounds in jail?
Speaker 1 (00:19):
I gained fundy for real, went in the boy looking
like the man now, No appreciate it, yes, and no
reference to the Kendrick Yourphoria songs.
Speaker 2 (00:27):
By the way, anyway, what does it feel like to
be home?
Speaker 1 (00:30):
And obviously you know, yeah gonna Lie, I feel good
like I still feel like it's my first day out
for real, Lie.
Speaker 2 (00:37):
I mean, what was the reason why you ended up
having to go sit down?
Speaker 1 (00:41):
Probasic violation for high speed? And then they pulled me
over They found a little strap somewhere up in the
whip on the high speed?
Speaker 2 (00:51):
Yeah, sh like criminal speed, like what you must have
been I was triple digits for so triple digiting, so
for so jesus, oh mamas, at least you didn't getting
caught bipping or something that'd have been crying like a
barrier goes to jail for bipping like Finally I know
who broke it into my fucking car.
Speaker 1 (01:08):
Was the boy. Niggas don't get no time for that
shit through they don't, right.
Speaker 2 (01:11):
That's why everyone does it because like they just get
like let go, or there's like.
Speaker 1 (01:15):
They getting kicked right out oz in jail and hell
the niggas thats in there for bipping, they getting right out.
Speaker 2 (01:20):
What the fuck?
Speaker 1 (01:21):
Mamas?
Speaker 2 (01:22):
So do you think that they're at least starting to
take the bipping because I feel like there's been this
like narrative about at least obviously the lated for people
who don't know, the Bay Area is not just one place.
It's different mayors and shit. But the mayor of San
Francisco made it very easy for people to bip and
keep it moving or going to the store and grab
(01:43):
up a bunch of shit. Yeah, take it to the
mission and sell it. Has it gotten like more? Is
it the same?
Speaker 1 (01:51):
It's dinner the same for I ain't seen you know
up there they talk about a lot of shit on
the nose, but you feel me, A lot of shit
don't happen. You feel me?
Speaker 2 (01:57):
Do you feel like the because the narrative of people
who a lot of people from the base is too,
but nationally is like San Francisco, which I know is
not all of the Bay, shots of Oakland, shots of
Hill shots, the whole area, but that like it's like
it's kind of cooked out there right now. Like a
lot of the nightlife is kind of gone, like just
a lot of just because of all the crime or
(02:17):
do you say, do you think that that's overstated?
Speaker 1 (02:20):
Uh, I ain't got a lot of Uh the nightlife
kind of cool, but there ain't a lot of day
parties in the Beato cragging praise a lot of DJs.
Speaker 2 (02:30):
They've always been crazy shots, army and ribs and all that.
There's always I feel like always the Bays always had
the best day.
Speaker 1 (02:35):
Parties for sure. For so the dj is run the
day life for so dinner the night life too.
Speaker 2 (02:39):
For Yeah, I mean like there's no like Lentier was
a Vlentier room providence, is there?
Speaker 1 (02:45):
Yeah?
Speaker 2 (02:46):
Shots to San Jose too, if you want to party
with some.
Speaker 1 (02:48):
Lovely Asians, you know, Mama's San Jose. That should be
cracking out there too. Really the city though, San Francisco
and Ugland, that's where everybody's going.
Speaker 2 (02:58):
Yeah, because you were like in and out Burger closed
in Oakland, yep, yep. And that's the first story they
ever closed, and they said it was just because of
the crime and like it's crazy out there. But I
feel like anytime I'm in the bay and I go often,
I don't ever feel it. I just know I don't
keep nothing in the car.
Speaker 1 (03:14):
Better not keep nothing in the car. Roll your ship down,
Mama's keep that motherfucker down it. If you really don't
give a fuck, pop the trunk. You leave the trunk
open for so for so especially if you ain't got
nothing in it, They're gonna look in there. You feel
me see it's nothing in it. But are you good?
Other than that, you're gonna come to your whip broken
window for sure? Have you have you?
Speaker 2 (03:34):
Have you been bipped yourself?
Speaker 1 (03:36):
I think I got a bit one time ever in
my life?
Speaker 2 (03:38):
Real did they take anything?
Speaker 1 (03:40):
Yeah?
Speaker 2 (03:41):
Anything of importance?
Speaker 1 (03:43):
Yeah? Damn yeah, like what some some ship.
Speaker 2 (03:48):
Something that you might have got violated for? Why don't
mister fab has been for a couple of times. I remember,
I think once they took his daughter's backpack with like
her like homework in it, and he was like, yo,
my keep on all the other ship.
Speaker 1 (04:00):
I just need my daughter ship back. She's studying niggas
out of pocket for that. You know how that it
beat all like if that ship in a backpack zipped up.
You feel me they going for bags and ship and
there ain't taking that ship to They getting they shit
for sure? For sure?
Speaker 2 (04:15):
Did you see Bernard just dropped the trailer. He's doing
a movie called Splash City. Have you heard of it?
Speaker 1 (04:19):
It's it's about bipping.
Speaker 2 (04:21):
It's about bipping. It's it's kind of the first Bay
Area crime movie.
Speaker 1 (04:27):
I feel like that we've gotten damn near. I remember
that he was talking about doing that for a couple
of years. Though it's finally emotion now for so waiting
for that to come out for so that gotta watch that.
Speaker 2 (04:40):
Yo. I've been to Vallejo a few times. You and
I were supposed to shoot up there. I think we
were at King's Market shout to the Crest, and then
we went back and we actually got a hotel across
the street from was it seven to eleven right there?
Speaker 1 (04:58):
Yeah?
Speaker 2 (04:59):
Was that Hampton? Yeah, we're sure we're staying at that
Hampton end right there, because we went out and try
with low Russell and everybody was tripping there like you're
staying in the crest, and I was like, what's the
big deal? Like, we walked over to the we got
we got some fucking mister so mac dre soda over there,
you know what I'm saying. But the time you and
I were supposed to shoot there, it was super active
(05:20):
over there. For people who don't kind of understand, like
Vallejo is like we hear about it all the time.
Obviously we know about the forty, obviously we know about
mac dre. It's but I think a lot of people
kind of associate Vallejo and San Francisco and Oakland all
be pretty much the same thing or very close to
each other. But like Vallejo is like a serious Yeah,
(05:41):
forty five minute drive away from if there's no traffic right.
Speaker 1 (05:45):
Now, if there's no traffick thirty yeah, like thirty thirty.
Speaker 2 (05:48):
To forty five an hour, you know. But it is
like a small town that is on the outskirts of
San Francisco and Oakland, right so you got to cross
a bridge, go over some water.
Speaker 1 (05:58):
Yeah.
Speaker 2 (05:58):
So, and it's known to be like a very violent place,
you know. I feel like recently l Russell has done
a really good job of just highlighting some of the
positive stuff out of there. But what was it like
for you growing up in that area.
Speaker 1 (06:11):
I ain't gonna lie like it's really what you make
it for real, Like you could grow up in the
hood and you feel me. You don't even gotta You're
still gonna be around it. But like how affect your
life is how you move for real? You feel me
so with me, it was ain't I was really cool.
It was smooth for real, and it got a little older,
and you feel me. A lot of bushit start happening.
You feel me, and it's like once you sucked into
(06:33):
this street shit, it don't matter if you're not even
in the streets no more. You feel me. You forever
stuck in this shit. You feel me. Nigga could catch
you out of town somewhere. You feel me. He'll try
to get on you for some shit that happened years ago.
You feel me so crazy, just the life of nigga,
really regular shit for real.
Speaker 2 (06:48):
It's crazy because that shit, like you said, like it
haunt you anywhere. You could be like somewhere out of
town with your guard down.
Speaker 1 (06:53):
And we could be in can kN wrong. Niggas see
who you feel me. He got the upper hand on
you feel me, and it can happen.
Speaker 2 (06:59):
It's funny while sent as that song, I got there
just trying to kill me for some shit that I forgot.
Speaker 1 (07:03):
I did just a life, you know, Mamas, when you
live in fast, you feel me, You forget a lot
of shit. But at the end of the day, you
gotta stay, got to keep your head on the swivel
because this shit could come back and haunt you any day.
Speaker 2 (07:14):
For sure.
Speaker 1 (07:15):
I know you.
Speaker 2 (07:16):
Uh, you're back to it, man. How active have you
been in the studio since you got because what would
you get out on twenty third, twenty.
Speaker 1 (07:23):
Four or something like that. Knock got out on the fifteenth.
Speaker 2 (07:25):
Of April, so it's been about a little under a month. Yeah,
have you been just working?
Speaker 1 (07:30):
Nah? Really ain't been working for real. I really just
been at home with the family, joined the family and
trying to make up that time that you feel me,
the nigga can't get back type shit. You feel me?
Speaker 2 (07:39):
For sure.
Speaker 1 (07:40):
I've been in a studio like once or twice, like
really just listening to beasts, gathering beasts up and shit
for real. After this weekend though, I'm back on it
through for so full force on the ground, on full force.
But you feel me. I had to rebuild that bond
with my son and shit, the fan bam, all that
type of shit, just making that time.
Speaker 2 (07:57):
Were you allowed? Like was your son able to come
and see you while you in jail?
Speaker 1 (08:00):
He was able to come and see me. But I
ain't want him to come and see you.
Speaker 2 (08:04):
Don't want them to remember you, like I had to
go to jail.
Speaker 1 (08:06):
Yeah, it's the every time I was talking to him
on the phone, telling my mat work. You feel me,
that makes sense, telling my mat work.
Speaker 2 (08:14):
I had a long time of work. How does he
he for now? Okay? So yeah, I mean he's for
so he kind of understands what's going on. You get
to kind of chat with.
Speaker 1 (08:21):
Him and them at work. I just found out, like
right before I got out, that he knew what jail was.
I don't even know who knew what jail was. You
know what jail is though, because he'd be watching Paul
Patrol and ship. Yeah, Mama out, Mamas were on a
little video visit. He talking to his toys. He like,
you going to jail. I'm like what you say? He
(08:43):
like you going to jail? I'm like, you know what
jail is, you feel me?
Speaker 2 (08:46):
That's your.
Speaker 1 (08:48):
You know, mama. So I just been telling him I'm
at work type ship you feel me?
Speaker 2 (08:53):
I want you know. Obviously you're forever kind of connected
with Kendrick, because I think Kendrick did a good job
of using that Black Panthers soundtrack to expose SBRB and
MAZI specifically to a bigger audience. You guys are obviously
already torn and anti was already an anthem, and you
guys already were selling out shows and ship. But what
(09:13):
was the initial communication between t D. Kendrick and you
guys to be on that soundtrack.
Speaker 1 (09:22):
Like how it came together?
Speaker 2 (09:23):
Type yeah, yeah, Like because obviously for people who don't know, man,
if you were that, I always say, like s ob Shoreline, Mafia, Draco, Like,
you guys influenced so much what's going on right now.
But for real, y'all were kind of before all like
before the before everybody. And I feel like Kendrick obviously
(09:45):
was very attentative to the movement you guys had going
on because it was hard to ignore, you know, And.
Speaker 1 (09:50):
He really ain't even had to come and get us,
get anybody. He won't you feel Me, came and got
the young niggas from the bay, you know what I mean.
But now how it came about. J Rock had DM Slimmy.
He was like, Kendrick trying to get in with you.
You feel me? Slimmy asks my manager. He like, Nigga,
it's real, It's the real j Rock. He like, yeah, Nigga,
let's go fly out there. Let's go get it in.
(10:12):
We get the call you feel me, It's time to
go fly to La. Kendrick trying to get in the study.
We come out here, hey save you feel me? We
get in the studio. He playing the song we nod
in our head and shit, I see the looks on
everybody's face like we all kind of like we're like, ooh,
this is Kendrick Lamar, Like what do you want us
to talk about? Because you know how so when.
Speaker 2 (10:31):
You get when you get there is the paramedic the
first like what is is it just the beat or
what's been worked on already?
Speaker 1 (10:39):
It was the beat and then the little intro he
had on there, the yeah yeah that ship you feel Me?
We all nod in our head and ship, but I
see nobody's picking up the they Pinning and pad you
feel me? So I go over there and not ask him.
I'm like, big bro, like what you want us to
talk about? Like you feel me? What we on? He like, Man,
do y'all how you feel me? Yeah? I kind of
(11:00):
made a nigga happy. I'm like, you serious? Do us?
Like he's gonna be talking reckless on this motherfucker? He like, yeah,
do that shit. He's like, all right, niggas got in
you feel me? After every nigga verse, he was like,
he fucking with it. We really didn't think it was
gonna come out. He like asked Kendrick, anybody he won
on that song? You feel me? When that motherfucker really
came out, I'm in the studio at the time, my
phone blowing up, everybody calling me. I'm like, Yo, what's up?
(11:22):
What's happening here? Like nigga you black Panther soundtracked Kendrick
on the hook. He went on the hook at first,
you feel me? So once I heard in the studio,
niggas was jokes, I ain't gonna lie.
Speaker 2 (11:33):
That's wild And it's funny too because I kind of
feel like he paid homage to a few. I feel
like you paid homage to your guys' flow, to Draco
a Bit and to Vada Vada's got the wop wop,
you know, the ship that's going crazy in La. So
I felt like, I feel like they not like us.
Was also a way for him to kind of pay
(11:55):
homage to like this whole generation of West Coast music.
It's been going crazy. He really was like you close
your eyes and you didn't know.
Speaker 1 (12:01):
It was Kendrick, you know what I mean, mamas.
Speaker 2 (12:04):
So I'm just hoping. Man I saw today had posted
something about Charla Mane. But Sandi helps we get like
a real West Coast Kendrick gobbin where he's wrapping over
like that kind of ship.
Speaker 1 (12:14):
So I think it might happen, you know, mamas, because
him by him doing it like that, like they could
keep over for everybody everybody realistically, like because if he
everybody at the tone for the national sound now, you know, mamas,
because realistically everybody you feel me rapping with that type
of flow nowadays, you feel me, So everybody you make
that flow mainstream, that's gonna help everybody, you feel. Not
(12:35):
for sure, that's the big birth.
Speaker 2 (12:37):
What do you think of the battle?
Speaker 1 (12:40):
I guess it's crazy, right, you know, you know I
gotta be team Kendrick.
Speaker 2 (12:45):
It's crazy. It's you know, It's like when I was
growing up there we had we had, uh you know
I was I was probably like seven or eight when no,
let's see ninety six. I was like nine years old
when the Biggie two box.
Speaker 1 (12:59):
Ship was happening.
Speaker 2 (13:00):
But I was very much alive and alert as a
hip hop fan when jay Z and notas happen. And
to me, this is like bigger than anything ever. This
ship big and they's dropping. This is back to back
to back to back.
Speaker 1 (13:13):
You feel me. Every one trending not playing.
Speaker 2 (13:16):
When when Kendrick said, you think the Bay is gonna
let you disrespect Pop, that showing is gonna be your
last stop? What do you think about that?
Speaker 1 (13:29):
I don't get too much in it. I mean, I
don't know. I mean, realistically, Drake got a lot of
love like you feel me.
Speaker 2 (13:36):
He's got a lot of love in the Bay mom,
in the model video, you.
Speaker 1 (13:39):
Got a lot of love for real. I feel like
he motherfuckers, you feel me. All his fans is not
like gangsters and ship like you feel me. It's like
regular just regular people.
Speaker 2 (13:51):
That's what I say about like you know, I noticed
about this whole situation is like with Drake, Like there's
so many fans of Drake where their only rapper they
listen to is him and everything else feeling this other
shit because he's like a pop artist too.
Speaker 1 (14:02):
At the end of the day. All this controversy shit,
even if it's bad controversy nowadays, like it make niggas
go up, You feel me, Like niggas is getting exposed
on paperwork and they going up for that. You feel
so great? Is shit? Crazy? The world different right now?
Speaker 2 (14:15):
It is wild too, because like you just said, like
it's like un like man, even if like we there's
guys out here still getting booked, still thriving, still doing
whatever they're doing, and they have been jaked exactly, and
it's like yo, like if this was like twenty ten,
Like I don't know, these guys can walk around like
(14:37):
it's just a different time.
Speaker 1 (14:38):
The world different right now, like as a whole, Like
everybody not out here standing on they don't they don't
give a fuck about that shit. You feel me, right,
they're not standing on that type of business. Like really
niggas getting away with murder right now? I ain't gonna
lie you.
Speaker 2 (14:51):
Have a great uh working relationship. I feel like with
certain guys from Detroit. Uh in Detroit, you know, I
feel like it's having their own renaissance the last couple
of years going crazy. Then also Shot to Flint, Shot
to Real, the Younger was a show and the RMC
mic and those guys. But uh, yeah, Detroit, it's going crazy.
(15:12):
Uh have you you know, I would love to hear like, uh,
somebody needs to like I don't know if it's Ghazi,
but it'd be hard if they put together Like back
in the day when I was growing up, there was
compilation albums. They need to do like a Detroit to
the Bay compilation where half of it is Detroit producers,
half of the Bay Area producers and it's just POSSI
(15:34):
cuts that Shiit would be.
Speaker 1 (15:34):
Great now for so niggas do need to do that.
You feel me at the end of the day, Detroit,
you feel me to my cousins for so you feel me, Yeah,
we'd be on the same type of ship. Niggas need
to handle that for show. Yeah, we had a You've
worked with cash Kid, right, Yeah, that's my nigga. Yeah,
Cash Kids hard Bro. They go crazy for so he's
guessing his fucking bars are fucking sick. Yeah, I remember
(15:59):
he came here in free style. All his sports references
a me fucked up? What the fuck that nigga? He's
smart as fuck, he'd be saying some sholly like high
niggas come up with that, Like you be tripping for
So what has.
Speaker 2 (16:11):
Getting locked up for you and being away from your
kid for the last year? So has it? Has it
changed any of the way you think? Any any any
like now that you're free, Like obviously you don't want
to go back, but like, are you changing up anything?
Like is your mentality changed at all?
Speaker 1 (16:25):
Or my mentality change? For so I ain't gonna lie
it humbled or Nigga ain't gonna lie like Nigga really
trying to. Nigga really just gotta keep his head on
the swivel out here. You feel me like, I ain't
gonna lie. Like when I was out, I was dinner wasting,
I was wasting a little time like you feel me.
I could have been stepping harder than what I was,
but you were going you were going up there, Yeah,
but I could have been stepping way harder. You feel
(16:47):
me like that shit made me realize that, like I
gotta go full fledged with this ship. You feel me, You.
Speaker 2 (16:52):
Feel like it would help you to like leave the
bay for a little bit, he said, would have helped me, Yeah,
to like get out the bay for like a year
or so.
Speaker 1 (16:58):
Like I ain't gonna lie, I don't. I'll be thinking
about that shit sometime, like like just get out the way.
I don't know, it's just something about being in the backyard,
like I got access to everything I need. You feel
me like I don't want to go to Atlanta and
I'm trying to work out there and then like I
got hell at Lena producers pulling up on me and
like none of this shit my style. You feel me
(17:19):
like for soul Nigga gonna branch out and like work
with other artists, and you feel me like try with
different sounds, but like I need my man.
Speaker 2 (17:26):
I just mean, like just for the sake of like
getting out the way of the bullshit and just focusing. Yeah,
because like you know, like Mazie did that where he
came to LA and I feel like it almost like
immediately changed his minium, you know, be a little bit
more like tuned into the music. And I have to
worry because when you're at home and you got whatever
issues you got at home, it's like you're always you
(17:47):
always gotta have that guard up. You can't really focus.
I feel like one hundred percent if you got street
shit going.
Speaker 1 (17:53):
On, mamas. So once you've been in this shit for
so long, it's like you kind of become new to it.
I mean you've become come numb to it type shit.
You feel me like you don't even notice, Like being
on guard, just being on point is just regular. For
really feel me like, even if I moved to La,
I'm gonna be on gard, I'm gonna be on point.
Me me personally, I'd rather be on point in the
(18:14):
Bay because you feel me. I know niggas facings. You
feel me out here. You don't know, Yeah, I don't
know what's going on out here. You feel me, I
like I got a couple niggas out here. You feel me,
but you feel me, I gotta I got a whole
city behind me in the v You feel me like
I got niggas in Oakland. You feel me, I got
niggas in Enrichment. I got niggas in the city. You
feel me like nigga got pulled out there? You feel me?
(18:35):
I got love out here for show, but like on
some street shit, ain't. I ain't got no pull out here.
This ain't my backyard, you feel me?
Speaker 2 (18:42):
Uh? Did you see recently? Well yesterday Shortland Mafi dropped
a new song.
Speaker 1 (18:47):
Oh yeah, I was just on the phone with that
nigga Phoenix today for real Phoenix flexing o GZ shout
out to the whole storyline?
Speaker 2 (18:54):
Could this spark Obviously one of you guys are incarcerated
for like twenty years for him, But could this spark
at least a song between the guys from SB of
one song and no comments? I saw the shortline thing.
I said, maybe this could lead two. And when you
(19:15):
say no comment to me, that means yes, that means
it's already happening. If you're gonna hit me with a
no comment to me, that that's that's it's already in
the It's already in the cooker. It's already in the
deep frier. So you guys are already working.
Speaker 1 (19:29):
HUHN were not working? Are you sure? No?
Speaker 2 (19:33):
Have you talked about Nah?
Speaker 1 (19:35):
We ain't talked about it. No nothing. I really ain't
talked to brouh. I ain't talked to bro in yours.
I ain't gonna lie.
Speaker 2 (19:41):
Well, I hope I'm wrong. I hope you're capping right now.
Speaker 1 (19:47):
It would be a beautiful thing to see.
Speaker 2 (19:49):
It would be well if in twenty twenty four we
got a Shoreline Mafia song and the s ob RB song.
You guys are the biggest probably what if out of
like West Coast hip hop in like years.
Speaker 1 (20:01):
A big what It would be a beautiful thing to
see for so yeah, cool.
Speaker 2 (20:06):
Well, and now that it's in the air, hopefully we
can revisit this conversation too and be like, look he.
Speaker 1 (20:10):
Was lying hopefully one day never know.
Speaker 2 (20:14):
All right, So obviously you said you ain't really been
working too much, but now you're back, your back focused
is putting out singles? Is it working on a project?
What is What's? And are you still with Empire?
Speaker 1 (20:23):
Uh No, I'm not under Empire right now, but you
feel me in my boys for so like shot the
guys probably realistically like I'm probably gonna end up being
under Empired or for show Mama's But yeah, I'm really
on some uh right now, I think I'm gonna play
the I'm a fuck with the single.
Speaker 2 (20:41):
Game, right now you throw out there shooting video.
Speaker 1 (20:43):
Fuck with the single game before drop a tape tape
on the way for soon the Russell should do a tape,
yeah for show do it man, that'd be big for
the city.
Speaker 2 (20:51):
Is it like kind of like seeing him kind of
like change, you know the way independent artists are able
to kind of think about how they do things.
Speaker 1 (20:56):
Because he's it's crazy. It just showing taking from the
backyard front the backyard, tool making cheese out of his backyard.
That's shit crazy, like when you pushing all positivity, you
feel me and like you ain't got too much going
on in the streets like that, you can move like that,
like he's showing niggas like you feel me. Just be yourself.
You feel me, you ain't got too much going on
(21:16):
in the streets. I watch your back, you feel me.
Niggas need to be moving like this, you feel me.
I call the Russell all the time, call him baby.
I call him baby Jesus, Baby Jesus. That's baby Jesus.
For sure. He showing niggas the way me personally, I
can't do no shit like that. I ain't gonna lie.
I got too much going on. Well, one day man
one day for one day, one day for sure. New
(21:38):
music coming hopefully. We just put some shit into the
air that ends up come to Fruition, so go watch.
We just dropped the crazy freestyle over Not Like Us too,
so you could check that out on YouTube.
Speaker 2 (21:49):
I appreciate you coming through, man. Look we got to
keep you free, bro, keep that weight on you.
Speaker 1 (21:53):
Noah for so look good on you. I ain't even
spoke for real. Yeah, I've been on my sober shit.
You feel me?
Speaker 2 (21:59):
Oh you ain't just again. Keep that Souper ship going, bro,
you can stay fund so yeah, I got it. There
it is man, the boy. Appreciate you, Brother, appreciate you.
Fire
Hosts And Creators
James Andre Jefferson Jr.
Bootleg Kev
Brian Baumgartner
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