The Spirited Actor - Honesty In Acting

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Episode Transcript

Speaker 1 (00:00):
Hello, and welcome to the Spirited Actor Podcast with me
Tracy Moore. I was a casting director for film and
TV and commercials for over thirty years. I transition to
a celebrity acting coach after I cast a film New
Jersey Drive with executive producers Spike Lee and director Nick Thomaz.
I audition every rapper from Bigg East Balls to Tupac,

(00:24):
and I realized that rappers and musical artists they needed
help transitioning to acting. My clients consist of musical artists
from Buster Rhymes to Eve, Missy Elliott, Angela Ye from
The Breakfast Club, and Vanessa Simmons, to name a few.
I also coach sports stars and host as well. I

(00:44):
feel I have the best of both worlds. As a
casting director, I know exactly what they're looking for, and
as an acting coach, I can coach you to be
remembered in that room. Now. I know, I know actors
want to get the job. I get that, but being
remembered by casting director that is powerful. And now it's
time for meditation of the day. We rise by lifting

(01:09):
each other Anonymous, I just have to say that it's
during those challenging times, it's during those dark times where
you step out of yourself and you you don't think
of yourself. You think of the world at large, You
think of your community, you think of your neighborhood. Because
my grandmother used to always say to me, Tracy, there's

(01:31):
somebody worse off than you. There's always somebody worse off
than you. Of course, that's not the thing that I
want to think about, but I do think about during
those trying times that where I am is not my
eternal existence, that it is going to get better. Things

(01:54):
are going to change and there will be a new day.
And that's what you have to hold onto. By you
lifting other people, you are actually lifting yourself. Lifting other
people becomes a distraction because you're focused on them and
you want their energy to shift and you want to
put a smile on their face. But I guarantee you,

(02:16):
when you lift others, you are also lifting your own spirit. Today,
I will focus on lifting others while lifting myself. Before
we get started, I'd like to remind everyone to look
out for my new show, Inside the Black Box. I'll
be co hosting with the Great Joe Morton. Will be

(02:37):
on Crackle Network real soon. I'll keep you posted. Welcome
to the Spirited Actor Podcast with me Tracy Moore. I
am excited, I am thrilled. I'm doing backflips because I
am teaching a class today conversations with actors. I want

(02:58):
one on one conversations with all my spiritual beings out here,
all of my my creative beings and my spiritual beings,
all my actors. I want to have a one on one,
honest conversation with you guys today, especially people who don't
live in the Tri state area and who don't have
the resources that we have in New York, Los Angeles

(03:21):
and Atlanta. I am specifically talking to you guys today,
but I'm talking to everybody in general. But I'm really
trying to hit those people that don't have some of
the advantages that we have in New York, Los Angeles
and l A. So this is for all of you,
but I need my South, Midwest, Northeast, all of you

(03:42):
guys to listen to me today. But before I begin,
I need to plug you know. I'm always plugging ladies
and gentlemen. I want you all to put your hands
together for the fact that we have second season Inside
Black Box on Crackle TV. So you need to subscribe now,
and if you haven't watched all ten episodes of the
first season, catch up on those and then sit back

(04:05):
and wait for some brand new Stellar episodes that are
going to be coming up soon. Very blessed and grateful.
I just want to continue to thank my crew, Spruce Henry,
producer extraordinaire, Elsa superwoman extraordinaire, Andy engineer extraordinary, and I'm
gonna shout out Mario engineer extraordinaire, Ju, Lisa Capri, everybody,

(04:30):
all the spirited actors that continue to support us and
make these dreams come true. You guys, dreams do come true.
After eighteen years, dreams do come true. And we had Oh,
of course, thank you cannot forget ever lean a motto.
Our writer and residents are spirit actor O g Current, Ju,

(04:52):
Lisa have been on this road from the beginning of
the podcast, so totally embrace and thank them. Oh and
also I want to remind you guys, please again listen
to Cassidy Arkins interview. All of these interviews are dynamic,
outstanding Cassidy. Without Cassidy, I wouldn't be talking to Spruce,
and so Cassidy and Spruce are so close to my heart.

(05:14):
And I feel like I would not be where I
am if it wasn't for them. So kisses and hugs
and special shoutouts to them. All right, you guys, we're
gonna get down to business. We don't get down to business,
all right, I'm coming from a loving place. Okay, before
we start, I want you guys to really listen and listen. Okay.

(05:38):
I want to have an honest conversation with all of you.
I want you to hear yourself. I want you to
really listen to your response to this because it's so important.
It lays out the rest of your journey. Right. I
want you to write this down recorded. But why do
you choose at tea? I really want to know that.

(06:02):
I really really want to know why you choose acting.
And the reason why this question is so important is
that if you don't know what you want, where's the
direction to get to where it is that you want
to go? What's the GPS? Right? So it's important before
you jump into this business that you really have an
honest conversation with yourself, by yourself. And and really, if

(06:27):
you want a closet like these Real Housewives franchise, that's fine,
and all the purses and shoes, no judgment. If you
want the new Mercedes, if you want to be able
to invest in all kinds of stocks and uh n

(06:48):
F T s, whatever it is that you want, be
clear with that and be unapologetic. You know, I was
talking before Inside the Blacks first season came out. I
was talking to some friends and I was like, yeah,
you know, I want my swimming pool, and you know
I'm gonna be doing work from my swimming pool. And

(07:08):
you know, everybody that works with me, who I have
to sit around the swimming pool or get into swimp
pool with me because that's where we're gonna have meetings.
And my friend said, you know, you shouldn't count your
chickens before they hatch. Let me tell you something about
some of these quite cliches that are out here that
some of you grabb on as beliefs. What's so bad
about you know that's another one, it's too good to

(07:31):
be true? What what's so bad about something being too good?
What's bad about something being too good? We have to
change our mindset because we all grew up with a
lot of things that still stick with us, and these
things prevent us from moving. We stay stuck in our
beliefs that well, there's not a role out there for
me and actor. The other day, I think on my

(07:51):
class was talking about being a struggling actor, and I
was like, well, you're going to continue to struggle. You're
going to continue to rugle until you decide that you
want to be a working actor and you attract all
the things that are moving you in the direction of working.
I'm gonna tell you guys, and this is my observation,
this is my belief. So you know, you can choose

(08:14):
to listen and and move with this or not. But
life is very, very, very very simple. And I know
this for a fact because I observed myself through life,
and I know that there are times when you know,
emotions can be like an emotional rollercoaster, and there are
times when you feel like you can conquer the world

(08:35):
and you can climb every single mountain, and then there
are days when you're like, I don't feel you know,
the wings of Archangel Michael around me guiding me and
and helping me through some of these dark rough times.
The presence of whatever your religious belief in never ever

(08:56):
leaves you. It's us that leaves, right And I'll use
myself as an example. You know, I freelance. I'm very
happy to Freelance is a choice. It allows me freedom
to spend time with Siyah and those of you who
don't know, that's my favorite grandchild and I only have one,

(09:16):
so she's my one and only. I like my kids,
and they're adults, Radiance and Miles. I like both of them,
so I like hanging out with them sometimes, you know,
like just spontaneous, let's go to the city, let's go
get some coffee and tea whatever. So that's what freelance
allows me. It also allows you to be as precise

(09:37):
as you can financially, because sometimes you'll have a great
month and then sometimes it just sort of moves slowly
and tickers along. Right during those months of where it's
slowly tickering along, um, those are the times when you know,
trusting in my spirit is imperative and what I never

(10:03):
ever want to be. And I am a spiritual being
living a human life, not a human being living a
spiritual life. I know my powers. There's power and sprinkled us.
There's power in faith. And when you talk about having
faith tested, I have been down that road several times

(10:24):
in my life. I don't regret anything. I take it
all with me and grateful for the experience. But you
have to hold on to something. You have to hold
onto your faith. This is also a time when I
shut down everything, all the devices, and I just meditate
because there's peace and meditation. There's so much comfort and meditation.

(10:45):
I feel like I'm being hugged by God. When I meditate,
I really feel like God. It's like it's okay, J
so you've got this. And then God gives me that
push and then I'm like, what was I thinking? Yes,
everything is going to work out. Everything is work being
out the way it's supposed to. The patience is the
killer man. And that's the thing that if I didn't

(11:07):
learn anything in this eighteen year journey with Inside Black Box,
who woo. I have learned patience and I embrace it.
And there's something in patients. There's something in this mystery
of not knowing when things are going to happen or
when things are supposed to happen. I choose, and I

(11:27):
always choose the Spirit because the Spirit's plan is so
much more dynamics, so much more precise, and always timely.
So these are things that I'm giving, you, guys, like
to do instead of complain, instead of feel bad about
yourself and your surroundings, feel hopeless, feel like you don't
have a support system. You do and it's right there

(11:52):
and it's attainable. Just be quiet and listen. And I
always say, whatever thoughts come to my mind and meditation,
they're coming from somewhere, and I choose to believe that
it's coming from a higher power. I'm obedient and I
follow it. And you, guys, it's always right, it's always

(12:13):
I can't. This is why I think there's so much
joy in church, like when people are shouting and jumping
and praising God, because there's an alignment. When you align
with that spirit, when you align with that trust and
that truth, everything works out for your good. Everything works
out for your good. Okay, So let's move forward with

(12:37):
the conversation. So now you guys have asked yourself, why
do you choose acting? Right? You guys have asked yourself
that I'm trusting you. Right now, you've asked yourself that,
and now we're exploring the possibilities of why you choose acting. Okay,
you choose acting because it's your passion. You can't stop
thinking about it. You love it, you love movies, you

(12:59):
love TV, you of production, whatever it is that has
created this relationship between you and acting, I'm here to
tell you it's never ever going to go away. Ever.
You can suppress it, you can ignore it, you can
disguise it. I for one, I studied acting in college,

(13:20):
and I performed in high school and middle school and
elementary school. But I knew that acting was not going
to be my final destination. For me. Directing on Broadway,
directing in general, that's my heart, that's my love. When
I'm on the set with actors and playing with actors,

(13:40):
I can't even begin to tell you how exhilarating that
is for me. And every aspect of directing, from having
a conversation to make up to wardrobe to craft service,
everybody is an integral part of making anything happen on
a set, and you, actors, you. Without you, nothing happens.

(14:02):
So that as you tell you right there where your
power is, and hold onto your power, you have power.
And it all starts with the mind. Remember your thoughts.
The words that you use to communicate will manifest what
it is that you are seeking. And this is something
that I think that is so like this fact, right,

(14:23):
think about this. You have the power with your mind
too visualize and to take that and put it into words.
The words that you use are what's going to manifest it, right,
So you have to choose the right words. You can't say,

(14:45):
can't hard, this will never happen. All that doubt, that
stuff cancels the frequency that is there to create what
it is that you want, and you get what you
want whether you want it or not. And this is
what I mean. If you say I don't want debt,
I don't want debt, right, and you keep worrying about debt,

(15:07):
you keep thinking about debt, you keep tossing and turning
about debt, you are creating more debt in your life.
What you want to say is I want abundance, to
be able to pay for my bills and pay for
my vacations and pay for my clothes, whatever it is
that you desire. But understand, either way you get what

(15:29):
you want. So if you are communicating I want to
be a working actor, everything about working and being an
actor is going to attract yourself to you. All of
a sudden, a casting director is going to call you
to come in for you know, a callback or you know,
some job that you audition for years or months ago

(15:51):
has now resurfaced and they're calling you back. Or like
myself and Elsa, we don't forget talent. So that's something
that is all ways in our mentor Rolodex just moving
because we constantly insert new talents. So we we we
never and most casting directors never ever forget talent. Okay,

(16:14):
So that's a good thing for you to know that.
But learn to master your own thoughts. So when your
mind is going into the direction of, oh, this isn't
gonna happen, let me tell you we were waiting a
long time to get the green light on season two.
I'm gonna be honest with you. I never doubted that
we weren't. I didn't. I have had so many amazing

(16:38):
conversations with people about the show itself and what the
show has done for so many people. I just couldn't
believe in my mind that the spirit bought me eighteen
years in this far to say, all right, Race, that's cool.
You did season one, all right? And seeing no, I
didn't believe that you can't talk to everybody. That's the child,

(17:00):
you know, not everybody is going to believe in your
reality and your truths right because a lot of times
people say, oh, Tracy, don't drink it. Oh I don't
believe in that. I believe that my thoughts, my words
manifest whatever it is that I choose. And I get
in the way when I start to get that aires
like fire and like uh, I need it today. But

(17:24):
I know that the spirit is going to provide when
it's supposed to provide, and I stay in that faith.
And you, guys, I just want to tell you it
happens lightning fast. This is why you have to know
yourself and you have to as an actor. You have
to create spaces to protect yourself, yourself, your self care,

(17:46):
your self health, your mental health, because there are people
out here who will detur you from your path. There
are people out here will discourage you. And I love family.
I love my family. However, not everybody in my family
has championed me along my journey. And a lot of
people in my family are visual. They need to see.

(18:09):
I told all of them eighteen years ago about inside
the black box, and once inside the black box happened.
Some of my family, yea other of my family acting
as if it never happened and never see the show.
That's okay. I'm not concerned with that. I'm concerned with
the people that champion me. Those are the people that
I'm gonna stick with. Those are the people that are
gonna put my energy, and I'm not gonna put my

(18:30):
energy into people who don't. It doesn't feel good one
to know that you have family and loved ones who
don't support you into I don't have time, and neither
do you. That's noise. Forget about that noise. Move on,
go learn a new monologue. Don't take a class. Work
with one of your fellow thespians. I love all my

(18:52):
spirited actors because one thing they do is they share.
They share and they look out for each other. It's
the community. It's a love. Man. I can't wait until
I have a building where I can house all of
them and we can just you know, be that resource
and that support system for ourselves, and people can just

(19:13):
walk into the Spirit Active Institute, which I'm putting out there.
They will walk into the Spirit act Institute and feel
the energy, and feel the love and feel the community
and not want to leave. That's what I want to create,
because the one thing that I do know is that
there are some talented, talented people out here who are

(19:34):
doing the work. And then, which is the reason why
we're speaking today, there are people out here who are
impersonating actors and who are thinking that all it is
is just saying some minds. It can't be that difficult.
Please don't disrespect my work or anybody else's work. This
is a real job. This is real work. This is
real time and energy and focus, and it takes training.

(20:00):
You don't just wake up in the morning. I can
say a couple of lines. Now you can, because that's
what it will sound like, a couple of lines. It
won't sound like character development. It won't look like character development.
And we won't remember you. I don't care if you
have one line or pages of lines. We want to
remember you, and you want to be remembered in your work. Okay,

(20:20):
So just to recap, it's the mind you guys. You
gotta get your mind right. I love one strew says
that I got to get your mind right. And by
getting your mind right, you have to feed your mind.
We're positive. I practiced this every day of my life.
When I landed here at twenty one in New York City.
The first thing I did was pull out my book.

(20:41):
I had the Bible, but I also had positive books
with me, like I had Napoleon to kill the power
of positive thinking. I read a lot of less Brown
Wayne Drier, Oh, Rest in Peace, love his writings. So
at twenty one I was already feeling my mind with

(21:02):
these things. Because at twenty one I left San Francisco,
three thousand miles away and said, I'm going to New York.
I'm gonna start my life. I'm gonna start my career right,
just naive and crazy. But you know what, I don't
regret it, because I did and I am. So let's
talk about who are you you, actors, because before you

(21:24):
could be anybody else, because acting is not pretending or imitating.
Acting is totally embodying the truth of your character in
their journey. Right, So before you can be anybody, you
have to know who you are. Do you know what
it's like to feel pain? Do you know what it's
like to be in love? Do you know what it's
like to grieve? Do you know what it's like to
be disappointed? All of these things are things in which

(21:47):
you have to tap into. Because I hate to say,
I hate to say, but the thing is is that
we all go through a lot to challenging things. We
all go through trauma, we all go through something that
shifts our consciousness. And as actors, this is the part

(22:09):
that I hate to say, but this stuff, it really
is good stuff for you as an actor. Some of
the stuff you may want to forget or not acknowledge,
but the feelings, the authentic connection, those are the things
that make performances outstanding, stellar, memorable, and you have to

(22:30):
pull from somewhere. Right. Two things. One, if you have
the experience of your character, that's the blessing. You know.
You can still do more research and get references, but
at least you have a knowingness in a connection. Two,
if you do not have the experience of your character,
it is your job as an actor to get references referrals. Right,

(22:53):
my son is doing a play currently and it is
about the Buffalo Soldiers the Wayne Meyer Store. And the
first thing I said to Miles was, you know, look
at as much footage of war as possible, and specifically
um black men in war during the time of World
War One and the Civil War, because even though we

(23:17):
allegedly fought, we were not acknowledged, we were not honored,
and so those feelings and that history is important for
him to know with his character. Right. I love when
I'm coaching women, uh, specifically on the monologue senses, and
these women are coming and squaring up to Troy and
you know, Roses, eighteen years I've been standing here, the

(23:40):
neck is going and then at the end of the monologue,
I have to say, Okay, we got to talk about
nineteen fifties because nineteen fifties women weren't squaring up on men.
Nineteen fifties women weren't doing the next thing. Nineteen fifties
women were at home. They were cooking, cleaning and taking
care of the home, of the children and the husband. Okay,

(24:03):
they were submissive, they most of them. I'm not say
at all, and I'm sure there was a tracy out there,
but I'm just saying the protocol is different, the time
nine fifties is different, and so as an actor, it's
your job to research that to understand that time. Any
of these uh the wonder years they've had a reboot.

(24:26):
The cast is all African American mostly, and it is
imperative that those actors do research on what it was
like to be a black person in the sixties, same
in the fifties. These things are relevant and even if
they never come up subconsciously, your body reacts a certain way,

(24:48):
your posture is a certain way when approaching different people. Right,
my son has conflict with one of the officers in
the play, and he's a white officer. And the challenge
with my son's characters that, of course there's so many
things that he wants to say, especially when that officer

(25:10):
makes reference to the black officers as being monkeys, but
he can't. It's not like you can't call me a month.
No no, no, no, not in the thirties, forties, fifties, sixties, no,
no no. So it's a very powerful position for you
to be in when you are coming from the truth
of these characters and doing the research is a confidence. Right.

(25:33):
So let's say I'm just throwing this situation out here,
but let's say hypothetically you were playing a student in
the sixties going to you know, this is one segregation,
and let's say they were bussing you from your home
to a Harvard Right, so you you're gonna want to

(25:55):
do the research. You're gonna want to get references of
how it out because you're we don't bust people today.
You want to be as confident and standing on your
foundation as possible, because this, again is what brings authenticity.
There are characters that I could pull from the seventies today,

(26:17):
movies today, that made an impact on me, just like you.
You can do the same. Those actors are embedded somewhere
in your head because of their performance, because of their authenticity,
because you walked out of the theater or you walked
away from your home screen like wow, you believed everything

(26:39):
and you forgot that person was an actor playing someone.
How do you get there? How do you get to
that point? Training? This is why we're here. We're here
because Elsa and I are currently casting a project and
in going through the breakdowns of this project. Most of
the time when I go through downs, I have this experience.

(27:02):
I'm not going to lie this. It's it's never flawless.
It's never Oh my god, Elsa. You know everyone submitted
self tapes through breakdown services and actors access It was perfect.
Everybody's audition was perfect. Now my expectations aren't there because
I know just in live auditions. When I used to

(27:23):
cast that if I saw fifty people in a day,
I was only I was only going to call back
maybe two to five people. Only two to five people.
So that tells you percentage wise, that's not even ten percent,
you know, if I call two to four people. So

(27:46):
why is it that we get a vast majority? You know,
we get a rush of submissions, right, I think if
we totaled it all, we're close to a thousand. But
let's say we have a house and auditions. Right now,
we're at nineteen in terms of callbacks. Why aren't there
more people getting callbacks? Why don't we have more choices

(28:11):
out of a thousand? Because people are not training, because
people are not doing the work, and people may not
even know what the work is. But if you train,
you will know if I'm your first class beautiful. But
I like to work with people and actors who have training.

(28:32):
And again, if I'm your first class and first introduction beautiful,
I'll make it your best experience. But if you have
no training and you're just out here winging it, you're
gonna be winning it for a very long time until
you get discouraged and say I don't want to do
this anymore. This acting is hard it's this and sad. No,
when you do the training, it's not hard, and you

(28:54):
have to have the foresight. You guys, you have to
have the vision. This is why you should practice visual
zation every single day. You visualize, Oh, I'm gonna go
to Starbucks and pick up a tall Moco late. You
visualize that, and then you go into Starbucks and you
get that Mko late. That seems very simple, but that
is actually the process of manifestation. You thought about the

(29:16):
Moko late, you said, I'm gonna go givemko lte, and
there you are on Starbucks in mine paying formko lat.
Manifestation on all levels happens like that. But it's simply,
and sometimes I think simplicity for human beings is like
there's a catch, there's a fraud. No, it's very simple.
I practice it every day. I have things in my
mind today that I want to accomplish. See and all

(29:39):
of them I saw this morning and meditation, and I
trust and believe they will be here. And some because
the ten folds. If you believe in that, the tenfold
is oh you believe, well, spirit is gonna granch you
some more wishes you wanted a hundred dollars. You got
a thousand. You wanted a secure place. This here's a
place that came out of nowhere. I will never forget this,

(30:01):
you guys. And I don't know how this happens. And
I honestly hate telling the story because I'm like, I
don't want to mess anything up. But I will never
forget when my daughter went to Howard h you and
we gave her a car, and um we went to
go purchase the car Radiance. His dad unfortunately had passed
and I had remarried, so my ex husband and I

(30:23):
were going to split the down payment. And I remember
this is when you wrote checks. I don't know if
you guys remember that, but I remember writing a check
at this car dealership for five hundred dollars and saying
to myself, who woo. And it was on a Saturday.
I was like, whoof. I hope that money is in there.

(30:49):
I hope that money is in there on Monday, when
I tell you on everything that I am, everything that
I am, that five dollar check never aim back overdraft,
never came back insufficient funds. I don't know where the
five hundred came. I don't question it. I just trust

(31:09):
and thank God every day that radiance was able to
take that car off the lot and take that car
to how unbelievable. I'm just I love testimony because testimony
is true to me. And testimony is inspiration because it
inspires you and let you know everything is gonna be
all right. Because everything is all right. We gotta say

(31:31):
that everything is all right and it always will be.
I don't I don't care how dark it is. I
don't care how challenging is. It says. Whatever your religious belief,
faith of a mustard seed. If you've ever seen a
mustard seed, it is the tiniest thing. That's the amount
of thing you have. The faith of a mustard seed
can get you through. I just want to thank you

(31:53):
guys for this honest conversation. I really wanted to just
be straight up and honest and tell you guys, stop
playing games, take training. Stopped playing games, and know the
protocol and the terminology. When you're working on set, work
every single day, three and sixty five days period. There
are no Memorial Day holidays off, no work that muscle.

(32:14):
The more you train, the better you get. The more
you work, the better you get. And that is the
point for you to be the best stellar actor that
you can be, so that you can be a working
actor and live your dreams. I want to thank you
for listening, and I want to thank myself for stamina.
All Right, So we're gonna be back with the Spirited

(32:36):
Actor Podcast with me Tracy Moore, and we're gonna have
Kudos Corner. Welcome back to the Spirited Actor Podcast with
me Tracy Moore, and we have what's called Kudos Corner
and Are Sprucinry, who we love, my producer extraordinaire. We
came up with this idea to celebrate actors and what

(33:00):
they're doing, what they're currently working on. And I would
like all of you guys to put your hands together
for Miles Marrable, my son also and Miles is currently
in a play. He's gonna let us know what's going on. Miles. Hey, well,
how are you doing? How you doing? So tell our

(33:20):
audience you're in Kudo's corner, congratulations and tell us what
you're working on. Okay, how everybody? Hope you're all doing well?
It was positive. Um in these times of course, UM
doing a play called Um The Buffalo Hero the Wayne
Minor Story. So Lieutenant Clark a lot of people actually
might not might not know deeply about these these troop

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of soldiers officers there were Black Command and World War One,
and Wayne Miner is actually the soldier who delivered the
last round of m O to the gunners to help
push the end of fight for the arms is to happen.
For the ending of the word app cancelations very much
last battle, so war ended and everything. So it's still

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very trying time, of course. So it's a very important
moment in black history, in world history, excusee, excuse me,
in world history. So I'm very blessed to play Lieutenant Clark,
who is there Black Command right under Captain Blue. So
I have to become the best face, their best man,
while I'm also dealing with the inequalities and degrading comments

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and treatment, and you know, I still have to be
a kind of the strong base for us. It's like
to a great balance. I think it's very important piece,
especially for people who don't know much about that story
to see and real quick free go at the American
Theater of Actors, which on fifty four and eighth Avenue
in Manhattan Wednesday. In the next show, so Wednesday through Sunday,
every night is a pm except Sunday. Sunday's at three

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pm show and link for tickets in my bio on
my Instagram it's just Miles Jetson Miles N y L E. S.
Jetson j E T s O. When you can buy
tickets and it's a discount for groups. So on. He's
trying to come if you can experience that, you know,
bring your youth to come seeing, bring your old people,
not old sort more wiser people to come experience. I

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think if they know of the story personally or not. No,
um definitely is a very very strong motivating the joint peace.
So definitely come out if you can and support well. Miles,
you gave us such a great I know people now
if they weren't before, they are motivated and inspired to
get more of the history. And that's one of the

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things I have to share that I thoroughly enjoyed the
history and the performances, including my son Miles Marrable. So
everybody give it up for Miles Marrable. Thank you. Miles.
Re glad that you are working and you guys as
much as you know, I am a coach and accessible
to him. He did not ask me to coach him all.

(35:52):
This is all Miles Marrable. Once again, Miles, thank you
for being on Kuda's corner and we will be back
with this. You're in an actor podcast with me Tracy Moore,
and I'm going to give you guys some love, and
now it's time to give love. I love family. I
love the word family. I love people in my family. However,

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family can be very challenging and I have learned through
my own experience and specifically inside the Black Box, that
not all family is for you. I remember my uncle
said one time at a family reunion, wouldn't it be
cool if we could choose our family? But we can't.

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And our family because we're connected by blood, we can't
literally disconnect. We may not talk to each other, we
may have our fights and our corals. However, at the
end of the day, we are still connected as family.
And I believe that sometimes, and specifically in my case,

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I remember being this way since I was six years old,
so I can only imagine when my family had to
endure when I was growing up because I'd just like
to have fun and I'm kind of crazy. But the
deal is this, regardless of what is going on in
your family within your family. Still love your family because

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for me, I think I am a reminder of some
people in my family of the dreams that they have
not pursued. However, regardless, I still love them, I still
support them, And as TD Jake says, sometimes you have
to love your family. From Afar family, we can't live

(37:40):
with them sometimes and we can't live without them. Don't
forget to look out for us. On our new show
Inside the black Box. My co host will be Jove
the Legend Morton. It's going to be The Spirited Actor
Podcast on Steroids. Will be streaming on the Crackle network.
I'll keep you posted. Thank you for joining us on

(38:02):
the Spirited Actor Podcast with me Tracy Moore. I look
forward to our next Spirited podcast. Thank you