Ep 136: A.I. Wrote This Episode

Today, this is what's important:

C&C Music Factory, Rae Sremmurd, Coachella on Youtube, sleeping in the car, the pronunciation of Nevada and Zebra, the WGA strike, AI, cars, the Oakland Athletics, the giveaway winner, and more. 

You can now purchase live streaming tickets for our live show on 6/7 at 8pm pst! The stream will be live for 7 days after the show's air date. Tickets available here: https://www.moment.co/tii

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Episode Transcript

Speaker 1 (00:02):
Welcome to This is important a production of iHeartRadio, the
show where we only talk about what's obviously most crucially
integral to the fabric of our very nature.

Speaker 2 (00:13):
Today we talk about.

Speaker 3 (00:15):
Oh, Jersey's laying down spread and cheeks for these robots. Yeah,
I sleep and dog Grace, I've done that.

Speaker 2 (00:22):
It's so important to crack that back end.

Speaker 4 (00:25):
And you think Blake is a good name, fucking piece
of shits.

Speaker 2 (00:31):
Here we go, start your engines.

Speaker 3 (00:35):
M m m m m m m m m ming
ming ming ming ming ming ming mink.

Speaker 2 (00:45):
We're lived, guys, We're live. We're live right now. We're live.

Speaker 3 (00:49):
Oh my god, Wow, we're.

Speaker 5 (00:59):
This Generation X, Generation X.

Speaker 3 (01:07):
Who god was that?

Speaker 4 (01:10):
Were you playing that off of Party Radio B ninety
six Chicago's.

Speaker 3 (01:13):
Very Oh I wish, I wish I knew that.

Speaker 2 (01:15):
Rabbid my Love, I got to be.

Speaker 3 (01:19):
Wish. I just saw it was. I think it was
that song on an old clip on our Cinio Hall
where the woman is, uh, the woman who starts off
that song.

Speaker 4 (01:32):
No different woman. It's the woman who was singing for
I believe and C Music Factory.

Speaker 3 (01:36):
It was like C and C Music Factory, right.

Speaker 4 (01:38):
Yeah, So there's a whole story behind that where that
woman who was the voice of the.

Speaker 3 (01:42):
Like everybody, Yes, it was her.

Speaker 2 (01:45):
It was her, that's right, Wait, it was that's the doc.

Speaker 3 (01:52):
No points, he's being hard with those little stingy with
the points.

Speaker 5 (02:00):
Are they singing?

Speaker 4 (02:02):
So she was?

Speaker 2 (02:03):
She was the one who sang.

Speaker 4 (02:04):
But they put a little skinny girl in the video
and I think that woman sued in one. I believe that, yes,
and that's probably why she was on our because our
signo was all about give them the spotlight to the people.

Speaker 3 (02:18):
Ye he did. Still I wanted to get on it.

Speaker 6 (02:22):
Did the Millie Vanilli bros. Get the same treatment? Did
those guys get out in front of the camera, because.

Speaker 4 (02:28):
You mean the guys who were actually singing?

Speaker 6 (02:30):
No?

Speaker 4 (02:30):
But did you ever see the Super Mario Brothers cartoon
about it?

Speaker 3 (02:34):
What do you mean not about it?

Speaker 4 (02:36):
Okay, good good, good, good good good?

Speaker 3 (02:38):
What do you mean about about? What? About?

Speaker 4 (02:41):
There was an episode that was kind of like the
Milli Vanilli story in Super Mario Brothers the cartoon where
it was and then like they were fake and there
were other people that were really singing for them. They
dreamed this up, but I'm pretty sure it was real.

Speaker 3 (02:57):
They were getting pretty poly charged there. Yeah, super.

Speaker 2 (03:05):
Cartoons are you know?

Speaker 4 (03:07):
The original sattire is the drawing of humans?

Speaker 7 (03:10):
Okay, the original impression that it dance not dude.

Speaker 3 (03:16):
I knew today was going to be on fire?

Speaker 2 (03:19):
You felt it? I knew you felt it and woke
up hot? Did you wake up hot?

Speaker 6 (03:22):
What?

Speaker 3 (03:23):
I just knew? My boys?

Speaker 2 (03:25):
Where the buttons are at Kyle's?

Speaker 3 (03:27):
I just knew coming on fire today? We were coming
on fire, dude.

Speaker 2 (03:40):
Yeah, that means you're hot charge.

Speaker 3 (03:44):
Yeah, that's a that's a fun way to put it,
coming on.

Speaker 2 (03:47):
Fire, Uhli Factory? Pretty good though, right?

Speaker 3 (03:50):
Yes, I don't know it was the album solid, you know,
I don't pretty good?

Speaker 2 (03:56):
What's Milli Vanilli? I don't know Milli Vanilla Great?

Speaker 8 (03:58):
I feel like, do we do we go back to
that era of music where it's just fun and we
have beautiful people doing it while the talented people are
behind the scenes. Because I admittedly pretty good era, pretty
good era.

Speaker 4 (04:14):
Great era, I feel like some people are taking that
sound bag Blake sent me a new album the other
day that sounds like it's from the yester year.

Speaker 2 (04:21):
What was that? The new Race Rummred album?

Speaker 3 (04:24):
Oh Black Beatles in the city.

Speaker 4 (04:27):
Yes, it's got a little bit of like two live
crew tracks on there.

Speaker 2 (04:31):
It's pretty good.

Speaker 8 (04:32):
I met those kids once backstage at Ellen and it
was the first time I ever did Ellen, and they
were race Rummond, race hrumm.

Speaker 3 (04:40):
Yeah, race shrummered. You met sway Lee and the other guy.
The other guy exactly, And I'm trying to remember the place.
It was the first time I walked into Ellen in
the place of we and I didn't know that race
Shrummer was the musical act, so I was just like, Damn,
Ellen throws down.

Speaker 2 (05:00):
You thought those were just like her crew, Like.

Speaker 3 (05:02):
Ellen just gets fucking ripped. That would be Tuesday show.

Speaker 5 (05:06):
It would have been. That would have been really cool
if you rolled into Ellen and it smelled like fucking
Seth Rogan's off.

Speaker 8 (05:11):
It was like not the energy I was feeling, you know,
like a lot of too much high intensity dancing to
be that stoned.

Speaker 4 (05:18):
But like Rosie o'donald had the coushballs, Ellen had that ye.

Speaker 5 (05:23):
Yeah, cush, that is well done.

Speaker 2 (05:29):
Wait to see that's reach.

Speaker 8 (05:30):
But then I'm standing in the hall and someone told
them that the guy from Workaholics is on the show,
and I'm in the hall talking with Isaac, and I'm
right down the hall from them.

Speaker 3 (05:41):
They come out and they go, oh, Ship, where's the
guy from Workaholics? And I like, turn and look at him.

Speaker 8 (05:48):
They ran right past me, ran down, ran down the hall,
looked both directions, looked back past me again to their
publicist whoever, and then like where and they go, he's
right there. And then they look at me for five
seconds and then they were like, oh, Ship, what's up man?

Speaker 2 (06:09):
Where's Yeah? I know, and I'm sorry about that.

Speaker 6 (06:12):
They're like, where's Carl, dude? Where they were not trying
to freak Carl.

Speaker 3 (06:18):
I'm assuming they were expecting Blake.

Speaker 2 (06:21):
Yeah, that's for sure, looking for Blake.

Speaker 5 (06:22):
Yeah, yeah, yeah, they come out Stone and assuming they
were like the hair, Yeah, they're looking for I.

Speaker 3 (06:28):
Just could not compute that a guy without Blake's hair
was in We're they just start hugging a mop in
the closet.

Speaker 4 (06:36):
The.

Speaker 2 (06:39):
Black beatles helf burn burn.

Speaker 3 (06:42):
But then you know, they're very cool once they clocked,
once they registered that it was a I was a
human being with.

Speaker 5 (06:48):
Feelings, once they remembered you were on the show too.

Speaker 4 (06:51):
No, no, Adam, If anything, this was this would only
solidify that you've had a glow up.

Speaker 2 (06:56):
Okay, Oh yeah, they were looking for that season one.

Speaker 4 (07:00):
Grainy camera, maybe a little truly.

Speaker 8 (07:02):
Yeah, hey, Durris, No, if anything, I had to glow
down by the time they were seeing me.

Speaker 3 (07:09):
No, because I was, Oh yeah, because season one was
peak p ninety X. Season two is where two into
three is when I I let things slide a little bit,
and then the five when I was doing then I
got it back together.

Speaker 5 (07:25):
But I think I don't know, dude, you were young
and in shape when we started, Okay, but everybody's in
shape when they're young, right, You know what I mean
by no?

Speaker 2 (07:32):
Not everybody all worked the fun out before season one?

Speaker 3 (07:35):
Sure, yeah, man, we were all hot as fuck when
we were children.

Speaker 2 (07:39):
For sure, all of us. We were awesome.

Speaker 3 (07:41):
Yeah, we the four of us were hot as ship.

Speaker 5 (07:45):
But not talking about us.

Speaker 6 (07:47):
Yeah.

Speaker 5 (07:47):
And then but to keep that alive over the span
of you know, seven year career means you must have
had a glow up at some point in there.

Speaker 3 (07:54):
Yeah, yeah, you know what, I'll take it. I don't
want to argue my glow up, but yeah, okay, but
by the way, why do you associate glowing up with
with your body.

Speaker 4 (08:03):
I don't know what is happening.

Speaker 2 (08:05):
Oh, he's gotta work.

Speaker 3 (08:08):
What the I'm currently icing iced my groin, So I'm
not currently living my.

Speaker 6 (08:13):
Adam is pulling his cock out and it's in a
bag he has in a blue.

Speaker 3 (08:18):
Set for some reason. Uh No, I'm currently iced my groin.
Uh so the glow up is still not is not happening.

Speaker 2 (08:24):
What Blake is trying to do?

Speaker 4 (08:27):
Us say something about body shapes and sizes being more
beautiful than others, and I agree Skinny's high.

Speaker 6 (08:33):
Adam was associating the glow up with his physical transformation.
I say, Adam glew up in several other ways.

Speaker 2 (08:41):
He grew up in it's hard to see him up. Well,
we're talking about him being unrecognizable and not but go ahead, hey,
I like it.

Speaker 3 (08:53):
No, man, I'm saying he you had a.

Speaker 2 (08:55):
Personality glow up, a real piece of ship.

Speaker 6 (08:58):
He glowed as an artist. He glowed as an artist.

Speaker 3 (09:01):
Man. He glue is just kind of and it was
I was so bright that they didn't even look at me.
Oh I was glow. I was glowing. So I was
so illuminescent that they couldn't even see me, dude, I
was blindy and standing in that hall talking with.

Speaker 2 (09:15):
They were high looking for Blake.

Speaker 3 (09:17):
Yeah, yes, to be honest for sure.

Speaker 2 (09:18):
Yeah, they were very stone exactly.

Speaker 4 (09:20):
That's but anyway, that new album, I'll just say new
album's good.

Speaker 2 (09:24):
That's good ship, I'm going to check out.

Speaker 8 (09:25):
And they were super cool and I ended up working
out at the same gym with them, like a year later.
They worked out at that Unbreakable Man, and then I
got to know them a little bit at least sweight
Lee very nice.

Speaker 2 (09:37):
Dude, are you on this album?

Speaker 4 (09:39):
I'm not normal number my favorite new line of any song.

Speaker 3 (09:43):
I'm not normal no Mo.

Speaker 4 (09:45):
He's like, it's over, I'm not number no Mo.

Speaker 5 (09:47):
That's cool.

Speaker 6 (09:47):
I know they performed at Coachella. Do you guys watch
Coachella on YouTube? Do you do Couchella or do you
just skip it all together?

Speaker 3 (09:56):
I did not do it.

Speaker 2 (09:57):
I coucheck I've done it.

Speaker 3 (10:00):
And I didn't watch any I watched a part of
Blank set not live, but just afterwards.

Speaker 2 (10:08):
I didn't watch it this year, dude, nothing. I couched
last year, though I did the couch Ella last year.
How was it, Blake?

Speaker 5 (10:15):
Yeah, did you do it? Blake.

Speaker 3 (10:15):
It's kind of fun.

Speaker 2 (10:16):
It was tired, dude.

Speaker 6 (10:18):
I actually I actually loved watching Coachella from YouTube. It
decreases my fomo. As you guys know, I haven't insane fomo.

Speaker 2 (10:26):
For a lot of events. Yeah that's up there.

Speaker 3 (10:29):
Yeah any event. Yeah, so to be able to watch it, really,
any event, any event you have.

Speaker 4 (10:35):
I just didn't even like, I didn't clock, like, oh,
I got to watch it tonight because I gotta see
metro booming.

Speaker 5 (10:43):
I wanted to watch.

Speaker 2 (10:45):
I wanted to watch Frank ocean set. Look, okay, I'm
not mad at that. Oh yeah, Frank, did you watch
Frank ocean set? Was that?

Speaker 3 (10:52):
I mean he only tell one It wasn't, dude, that
was the thing, the one I thought you.

Speaker 2 (10:55):
Did the first. I thought you did the first, the
first weekend, but not the second.

Speaker 6 (10:59):
But Kyle what he cut the feed for his He
cut the feed for his YouTube. You couldn't even walk.

Speaker 2 (11:05):
Oh, he was like so so he wasn't allowing the couchheads.
You wait a second.

Speaker 4 (11:10):
I feel like we just don't want to do spoilers.
We don't want to spoilers in case, like no one's
talked about this.

Speaker 3 (11:16):
Yeah, yeah, but the hasn't been covered in mid May. Yes,
we may be two thousand and late to this one,
but I feel we're a little two thousand and late with.

Speaker 6 (11:30):
This.

Speaker 4 (11:31):
It's weird just we're I just fear that some of
this stuff was covered moments after it happened. And I
want to make sure anyone we're talking about.

Speaker 3 (11:38):
Even that we're talking about it right now is very late.
But that's the thing with our podcast. Dude, they love
that we talk about We.

Speaker 4 (11:44):
Should rename it two thousand late for sure?

Speaker 5 (11:47):
Cares?

Speaker 3 (11:48):
Who cares? Yeah, we are way late on this one.

Speaker 2 (11:53):
Yeah, go ahead, you enjoy it. Yeah, but it's still interesting.

Speaker 5 (11:56):
It's still interesting, though, is it not?

Speaker 6 (11:58):
Is it not?

Speaker 3 (12:00):
Is interesting? Interesting?

Speaker 2 (12:03):
Interesting?

Speaker 5 (12:05):
All right? So there's drama with Frank Ocean. All right,
look it up. I guess check it out. Look it up.

Speaker 6 (12:11):
How many times have you been to Coachella, Blake? I
want to say I have been to Coachella.

Speaker 3 (12:16):
Was working a lot every April? We were, Yeah, we were,
But when did you go it? Always?

Speaker 6 (12:24):
I just want to say I went like four times.
I'm not sure what years those aligned with, but I
want to say I went four times. One time I
even like slept in my car in the parking lot
because I didn't have I never had like a room
to sleep in.

Speaker 3 (12:36):
I really roughed it.

Speaker 5 (12:37):
You just bombed down there.

Speaker 4 (12:39):
Yeah, it's par for the course.

Speaker 3 (12:40):
Right, Yeah, but that's like I feel like you just
do that on a Thursday night.

Speaker 2 (12:43):
That's true.

Speaker 3 (12:44):
Yeah, sometimes just like you come home and you were like,
I don't want to walk all up all those stairs.
I'm just going to sleep here or just like my
driveway or something.

Speaker 2 (12:53):
Why is he smiling like that, Blake, Because it's.

Speaker 5 (12:56):
It's too real, it's too that's a good question. Are
you still doing that, Blake? Are you still like crashing
in your car, like when you crashing my car, not
crashing my car, but no crashing.

Speaker 2 (13:06):
In your car.

Speaker 5 (13:07):
I mean, I think it's a safe thing that you
do because you're a little ineviated, you're.

Speaker 2 (13:11):
Tossed all back, you're pretty slammed.

Speaker 8 (13:14):
No, Michael Jordan's dad was murdered that way. But yeah,
it's I mean, it's not super safe getting a hotel.

Speaker 3 (13:19):
What happened. Michael Jordan's father was murdered that way, that
very way.

Speaker 5 (13:24):
Fair enough?

Speaker 2 (13:25):
Okay, yes, maybe it's time to stop a car.

Speaker 8 (13:27):
Adam brings up a very valuator feel like getting a
hotel would be the more responsible choice.

Speaker 3 (13:33):
But that's what's cool and edgy about Blake.

Speaker 8 (13:36):
Not you know, he's not as edgy as you think
he is. But he might fall asleep somewhere he should
not be sleeping. That's one of the cool edgy things.

Speaker 6 (13:44):
That's so edgy, honestly due if I know, if I
know I'm going out and I'm going to have some drinks,
I definitely uber.

Speaker 3 (13:51):
I don't. I do not drunk drive. That is a
very silly mistake to do.

Speaker 5 (13:55):
Yeah.

Speaker 6 (13:56):
With that said, the last time I fell asleep in
my car probably two months ago, because I had drinks
and I didn't know I was going to have them,
so I slept in my trunk.

Speaker 4 (14:03):
I did, So that's where the smile was coming from.

Speaker 8 (14:06):
Your wait, the trunk, The trunk sounds exactly and then
you call him out on it and he's like, what, no,
And then he tells you the.

Speaker 2 (14:13):
Trunk sounds brutal. The trunk an suv trunk.

Speaker 3 (14:18):
I can sleep in my back seat, dude. You just
you just recline your front seat as far down as
it'll go. You don't crawl in. No, you can get
a dui that way. No, you climb in the passenger.

Speaker 4 (14:30):
Seat, you sit and shotgun. Yeah, you sit, you sit shotgun.
He's like, you put your driver's license on the dash.

Speaker 3 (14:39):
I've I've slept in the car before.

Speaker 5 (14:41):
I mean, why would you not fold your back seats
down and put your legs in the trunk and then
sleep on top of the fucking folded seats, like so
you can lay true, Kyle, that sounds like a lot
of work.

Speaker 3 (14:51):
Kyle, that sounds like a lot of work. That's a
sober man's logic.

Speaker 2 (14:55):
Yeah, that's a sober man's logic.

Speaker 5 (14:57):
Yeah, we'll think about it.

Speaker 2 (14:58):
Okay, fair, fair, Yes, yes, So you're like in the
size of like a dog. Cry back there, just curled up.

Speaker 3 (15:04):
Yeah, I actually been dog grapes. I've done that. You
are right now, I never have. I wish I tell
the truth. I was lying. That's when he was going
through his kinky phase.

Speaker 2 (15:14):
Oh, do not let me.

Speaker 3 (15:16):
Yeah, I'm like, baby, put me in the dog crape. Baby,
I'm a bad boy.

Speaker 5 (15:22):
The doghouse been the dog house tonight.

Speaker 3 (15:25):
You paint some little cute whiskers on your cheeks? Really? Oh,
I got a full furry costume. Dude, come on, let's go.

Speaker 5 (15:33):
I believe that, Thank you God, I don't believe it.
It's a lie.

Speaker 2 (15:37):
I don't.

Speaker 4 (15:37):
Let's see, we could, we could dedicate the rest of
the episode to this.

Speaker 5 (15:40):
Go ahead.

Speaker 3 (15:41):
No, I'm not a furry. I wish I was.

Speaker 5 (15:43):
Okay, I would totally even if I was drunk or not.
It's been a long time since I've been drunk. But
I would fold down my seats, I think. And that's
a lie because I did wake up having kissed myself
in my driver's seat before. So like, you know what
I mean?

Speaker 3 (15:56):
Yeah, come on, wait, did you say pissed yourself?

Speaker 2 (15:58):
I did say that.

Speaker 5 (15:59):
I did.

Speaker 8 (16:00):
I don't know that was part of the story that
I also didn't know as part of the story either.

Speaker 3 (16:04):
I feel like you just this story is grown.

Speaker 2 (16:06):
We've heard this story leaks. Hey, what better? What better
time to bring it up than on national television?

Speaker 5 (16:11):
You know what I mean.

Speaker 3 (16:12):
This isn't national television at all.

Speaker 2 (16:14):
It's a podcasts. It's a cast worldwide, baby brought to
you by it depends. We'll be right back. Yeah, did
I not tell you guys? That didn't tell you guys
that part of the.

Speaker 5 (16:23):
Story where it was I had to.

Speaker 3 (16:25):
Have it, and here that you pissed yourself. Really. I
mean we heard it was a gun store, yeah, but
we didn't hear that it was pissed yourself, which.

Speaker 2 (16:35):
Is all that was embarrassing.

Speaker 3 (16:37):
I had a McDonald's.

Speaker 5 (16:37):
There's a McDonald's right there too, so I had McDonald's
rappers all over me too.

Speaker 2 (16:41):
Oh ship, So you asked me, no, don't you don't
cloud don't cloud this.

Speaker 4 (16:45):
We're focusing on one thing here.

Speaker 2 (16:47):
Yeah.

Speaker 5 (16:47):
Well, and I did piss myself in my driver's seat,
so I guess I could have got a DUI in
that position.

Speaker 2 (16:55):
Is that what you're saying?

Speaker 3 (16:56):
Yeah?

Speaker 2 (16:57):
Absolutely, with the keys not in the.

Speaker 3 (17:00):
Though it doesn't matter. I think I still think you can't.
Holy mackerel, it's it's it's definitely a pap and not
a good path. No, that's a bad pa.

Speaker 2 (17:11):
Wait a second, is.

Speaker 4 (17:12):
That that can't be true If the car's off and
and you're sleeping.

Speaker 3 (17:17):
I think it is real. Bam, Yeah, I really do.
I think that is a real thing.

Speaker 5 (17:21):
Fucking disaster. My god.

Speaker 2 (17:23):
I'm questioning this logic too.

Speaker 5 (17:25):
I know our laws are fucking they're wild, but this
seems a little wild.

Speaker 4 (17:30):
Uh Okay, Kyle, you got to run for mayor up
north and fucking change that ship, dude.

Speaker 5 (17:35):
I'm running on that platform.

Speaker 3 (17:36):
I would love to drive through Kyle's wacky town where
he's the mayor and all these he's made a lot
of new different wacky town.

Speaker 2 (17:44):
No, I'll be buttoned up at that point, Bro, I'll
be like, so conservative.

Speaker 3 (17:49):
I see. No, that's what I mean by wacky. I
think it'll be wacky in a way that it's a militia.

Speaker 2 (17:54):
Yeah, it's so conservative. It's the most conservative.

Speaker 8 (17:56):
Yeah, like a very very right wing militia and like
still smoke a lot of weed.

Speaker 6 (18:04):
You know.

Speaker 3 (18:04):
That's not like when you go right on the map
in Washington. So that's where Kyle's holding it down. Yeah,
that's where the Yeah.

Speaker 2 (18:11):
We're anywhere.

Speaker 4 (18:12):
I feel like if you go right on the map
from La, You're like, well.

Speaker 3 (18:16):
That's Nevada.

Speaker 2 (18:17):
You're in some shit Nevada.

Speaker 3 (18:20):
Nevada. Yeah, I've never heard anyone say Nevada like that.

Speaker 2 (18:23):
Nevada You mean a place where everyone I know goes
to shoot machine guns? Yeah, how do you say Nevada, Blake,
how do you say that state?

Speaker 3 (18:32):
Nevada?

Speaker 2 (18:33):
That's how you say it.

Speaker 3 (18:34):
It is definitely Nevada. You think it's pronounced Nevada. I
certainly do.

Speaker 2 (18:38):
Oh care I do too?

Speaker 3 (18:41):
Nevada, Nevada, Nevada.

Speaker 2 (18:44):
Yes, well, he's from California, Adam.

Speaker 4 (18:46):
They say avocado.

Speaker 2 (18:48):
Yeah, yeah, But I wouldn't say Nevada.

Speaker 4 (18:51):
We're from the Midwest. We say Nevada.

Speaker 3 (18:53):
We say yeah, Kyle wouldn't say Nevada. I say, I'm
going to Nevada. I've never heard anyone pronounce it. Yeah,
it's Nevada.

Speaker 2 (19:00):
Kyle says, Diablo.

Speaker 5 (19:01):
So yeah, I say Diablo. Now I've changed my work.
I've changed my ways on Diablo. I have changed my wilicopter.

Speaker 4 (19:10):
How do you say helicopter?

Speaker 2 (19:11):
Helicopter? I say helicopter, And there's nothing wrong with that.
That's a hill of beans.

Speaker 3 (19:17):
So we're not we're not piling on Kyle. We know
he says things in a funny way. Thank you. You're
piling on Blake, Blake.

Speaker 8 (19:23):
We're plabling on Blake a little bit because he said Nevada.
And I'm just saying, I've never heard it pronounced that.

Speaker 4 (19:30):
I feel like that's callie speak.

Speaker 6 (19:32):
Okay, it's the same as you know, how everybody says zebra.
It's definitely zebra. It's definitely zebra. It's not zebra.

Speaker 2 (19:39):
I don't know why podcast I'm saying funny.

Speaker 3 (19:45):
And this is not funny.

Speaker 2 (19:47):
Just does you imagine you're just with your friend.

Speaker 3 (19:49):
This is when you find out, like your friends are, Hey,
what happens?

Speaker 2 (19:54):
Can you can you.

Speaker 4 (19:55):
Turn it off for one moment?

Speaker 2 (19:56):
Are you always joking? Can you just turn it off
for one moment?

Speaker 3 (19:59):
I'm not joking, dude. It is definitely supposed to be
pronounced zebra. Motherfucker.

Speaker 8 (20:05):
So if you're in a safari and a lion is
chasing its prey and you're like, dear God, I hope
that lion doesn't get that zebra, that's how you would
say it.

Speaker 5 (20:15):
Well, I think it's I think it's actually leon. I
hope that leon doesn't get that zebra.

Speaker 3 (20:20):
Loneine lonin.

Speaker 4 (20:22):
I think if you're from South Africa or Australia, they
say zebra.

Speaker 3 (20:25):
God, I hope that leon doesn't grab that zebra.

Speaker 2 (20:29):
Well, what didn't you cry about it?

Speaker 3 (20:30):
You're fucking with us right.

Speaker 4 (20:31):
It's it's no, it's definitely zebra, because what Debra is
Deborah and it's not Debra.

Speaker 3 (20:37):
There you go and proving my point, dude.

Speaker 8 (20:41):
But that's why the English language is a very confusing
language to learn. But you, as a person who has
grown up in America as English being their first language,
now should.

Speaker 6 (20:51):
Know that a zebra Okay, you want me to draw
I didn't want to drop the freaking bomb on you.

Speaker 2 (20:58):
It zebra?

Speaker 3 (20:59):
Sh want you want it?

Speaker 6 (21:02):
Frus straight from the freaking authorities. What is the name
of the Daily Show?

Speaker 3 (21:07):
Dude? Trevor Noah says zebra. So that is the right way.

Speaker 4 (21:12):
I know.

Speaker 2 (21:13):
I just said, if you're from South Africa, from South Africa,
he's from South.

Speaker 6 (21:17):
Amste Zebra's okay. How many zebras do you encounter in California?

Speaker 2 (21:22):
You'd be surprised. Don't They also say other things?

Speaker 5 (21:25):
Don't They also say other things that are a little
bit different than how we pronounce them in South Africa.

Speaker 4 (21:31):
Don't say that, I promise you South Africa saying a
lot of stuff we don't.

Speaker 3 (21:37):
They say a lot of the things. So you're aligning
completely with South African and and how they say all things, Yes.

Speaker 6 (21:44):
Where the animal is indigenous, yes that I'm gonna side
with them.

Speaker 3 (21:48):
Okay, I'm not gonna side. I don't think Zebras are
indigenous to South Africa.

Speaker 5 (21:54):
I think they. I think they might be.

Speaker 3 (21:56):
I think they are are they? I think they are
the South.

Speaker 2 (22:01):
I think that was a good job by Blake.

Speaker 4 (22:03):
I mean, yeah, they're up in Kenya. They're up in Kenya,
but we went on Safari there.

Speaker 3 (22:06):
We saw the way down there. They didn't they didn't
wrangle them.

Speaker 4 (22:09):
In great migration brings them down.

Speaker 3 (22:13):
I thought they're more like Sudan or Sudan.

Speaker 7 (22:16):
They're not there, regardless, they're definitely they're more the more,
they're more indigenous to that area than to freaking Nevada,
which is crazy.

Speaker 2 (22:27):
It doesn't matter.

Speaker 4 (22:29):
I've actually seen just as many Zebras in Nevada as
I've seen in Nevada.

Speaker 8 (22:34):
So, okay, Blake, So we're supposed to believe in this
made up world. We're supposed to believe that you that
you watched the Daily Show daily.

Speaker 3 (22:42):
Enough to know that.

Speaker 2 (22:45):
I believe that.

Speaker 4 (22:47):
No.

Speaker 3 (22:47):
So one, I don't think you watched the Daily Show.
I think I called bullshit there. Okay, Okay, you got
me there too.

Speaker 8 (22:55):
You've been saying zebra forever. Then you hear Trevor Noah
once on the Daily Show, a show I know you
don't watch, like.

Speaker 2 (23:01):
A commercial for it, maybe right, yeah, probably on a
TikTok or something.

Speaker 8 (23:05):
And then he says zebra and that's that climbed into
your brain for eternity enough to tee off on your
three best buds, who obviously are.

Speaker 3 (23:14):
Right in this very instance.

Speaker 2 (23:15):
Yeah, yeah, I'm taking it. I'm taking it back.

Speaker 6 (23:17):
No, dude, you hear it and it makes sense to you.
Definitely is not zebra. There's no way the word is zebra.

Speaker 2 (23:24):
And why not Blake zebra?

Speaker 3 (23:26):
Because what R said, Deborah, Deborah Zebra?

Speaker 6 (23:29):
Is it? Is it?

Speaker 2 (23:30):
Is it Blake Anderson or is it?

Speaker 3 (23:34):
Yeah? Exactly, It's how it's how we pronounce it here
in America.

Speaker 6 (23:38):
So how many words can you think about that start
with ze that are pronounced z always like zepplin, ziplock.

Speaker 3 (23:49):
But it's that's an I, that's z I.

Speaker 2 (23:52):
It's not zebraelin.

Speaker 3 (23:57):
Zen. Producer Becca has how to pronoun ounce zebra.

Speaker 5 (24:01):
I love these.

Speaker 2 (24:02):
I know how you click on like the YouTube thing
and it's.

Speaker 1 (24:04):
Like bra.

Speaker 5 (24:08):
Blake should do it because he's got board control, right, Yeah,
can you play it through yours?

Speaker 2 (24:12):
Blake?

Speaker 3 (24:13):
Where is it can you play It's in the link,
you play it? Okay?

Speaker 2 (24:16):
Yes?

Speaker 3 (24:17):
And the and the audience at home is waiting with
baited breath. I'm waiting with baited breath, like God, damn,
I hope I'm not wrong.

Speaker 5 (24:24):
I know how to pronounce this.

Speaker 3 (24:26):
I don't have Google Chrome. This is Google Chrome. Like,
what do you mean you don't have Google Chrome? Homie?
Get your life to get on.

Speaker 2 (24:33):
Here we go.

Speaker 3 (24:34):
Are you ready?

Speaker 2 (24:34):
Here we go?

Speaker 3 (24:35):
Here goes the reveal.

Speaker 2 (24:36):
Are you ready? Yes, we're real.

Speaker 3 (24:38):
Puke on the microphone. Oh wait, hold on, it will
after the ad. Okay, here we go, Here we go.
Sh okay, here we go. All right, we go?

Speaker 2 (24:55):
Ready and zebra zebra American z American Zebra American zebra. Motherfucker.

Speaker 8 (25:05):
You claim to be so patriotic. Okay, you come to
be super American. That's kind of your whole thing. You
had an American flag.

Speaker 5 (25:13):
You're not done, guy, trust me, you.

Speaker 3 (25:15):
Lean into being super extra patriotic.

Speaker 2 (25:18):
Red, white and blue.

Speaker 5 (25:19):
Baby.

Speaker 3 (25:20):
Hey, here's what I'm going to change right now.

Speaker 6 (25:22):
Being American doesn't have to be mean, being ignorant, and
the way it should be pronounced no is.

Speaker 2 (25:28):
No one's ever said that.

Speaker 3 (25:29):
Well, you guys feel pretty ignorant to me right now?

Speaker 2 (25:34):
Will you?

Speaker 3 (25:34):
I feel like you touched a nerve there and maybe
you feel ignorant. I'll just touch it.

Speaker 4 (25:41):
Can we watch you touch your nerve?

Speaker 3 (25:42):
You feel like I'm betraying my country, Blake, Kyle.

Speaker 2 (25:53):
I have a question for you. I have a question
for you because I am about to go to France.
Tron Okay, oh dude, let's get it it.

Speaker 3 (26:00):
Okay, can't?

Speaker 6 (26:02):
Is that?

Speaker 5 (26:03):
How you fucking pronounce that festival?

Speaker 3 (26:05):
How do you said can?

Speaker 5 (26:07):
How do you pronounce that name of.

Speaker 3 (26:09):
The flex It is just a little bit of a
glow up right here. Okay, you're going to camp?

Speaker 2 (26:13):
Yeah, you know it, dude, you know it?

Speaker 5 (26:15):
Yeah? But how is it?

Speaker 2 (26:16):
Because I don't really know.

Speaker 3 (26:17):
I think it's Can. Is spelled c A n n
e s c A n n e S. Well, I
know how I've been told to pronounce it, but I
you know, I've never been there.

Speaker 5 (26:27):
So what is it?

Speaker 2 (26:28):
What is it?

Speaker 3 (26:28):
How have you been told can? Because I don't know,
I've been told it is can?

Speaker 5 (26:32):
Can't?

Speaker 3 (26:33):
Can? Just can not Conn. Don't don't put any extra
stonk on it. It's not Conn, It's not James conn.

Speaker 5 (26:39):
Isn't that so fucking weird though, because it's like con
is cons it's just cam.

Speaker 3 (26:45):
It sounds like, well you think like it's in France.

Speaker 2 (26:48):
Zip it.

Speaker 3 (26:48):
You want to put some extra stok on it, you know,
you want to judge it up a little.

Speaker 5 (26:54):
Yeah, it's weird that it's the most boring.

Speaker 3 (26:56):
Say it's probably pronounced.

Speaker 2 (26:58):
It's conn you can can wait? So how do you
fucking so connor can?

Speaker 3 (27:04):
Yeah? It is can can k A N.

Speaker 2 (27:07):
I don't give According to Google, it's conny.

Speaker 6 (27:10):
When it comes to France, I don't give a Hey,
straight up, I don't give a fuck what France says.

Speaker 2 (27:15):
Bro, Yeah that's right, we got some can, we got can,
we got cans?

Speaker 5 (27:18):
Okay, great, all.

Speaker 4 (27:19):
Right, Kyle, why don't you just go there and report back.

Speaker 5 (27:23):
I'm gonna do that. I'll definitely call it CON's at
least four times, like bring.

Speaker 4 (27:27):
A microphone or like record, like interview people on the
street and be like how do you pronounce it?

Speaker 2 (27:32):
Hey, guys, how do you do it?

Speaker 5 (27:34):
Dude? When do you get to go there?

Speaker 3 (27:35):
Kyle?

Speaker 5 (27:37):
I'm going out there in May for the for the market,
for the film market, like in a couple of weeks.
That's yeah, me and baby Nuts going out there. It's
gonna be sick cool.

Speaker 4 (27:49):
Yeah, dude, it's so good. If you need recommendations, holler
at me.

Speaker 1 (27:52):
I do.

Speaker 2 (27:52):
I do.

Speaker 3 (27:53):
Been to Can.

Speaker 2 (27:54):
You've been to the go to Can and I've been.
I've been there for not for the festival, but he's
oh cool. I was just down the road. Yeah, all right,
Like with Nice, I'm flying into a lying dude.

Speaker 3 (28:05):
Blakes are just trying to be Monico.

Speaker 2 (28:08):
That's also down the road.

Speaker 5 (28:08):
I've been to Monaco. Yeah, Monica is right there, not
too far.

Speaker 3 (28:13):
My French guys.

Speaker 2 (28:14):
Yeah, the sound we must hear.

Speaker 3 (28:15):
How worldly you guys are zibra? Well that sounds very
very cool. Dude, that'll be fun.

Speaker 2 (28:23):
It's gonna be dope.

Speaker 3 (28:24):
I guess the thing to do is ask French people
how they say zebra.

Speaker 5 (28:28):
They're gonna fuck with me. I've been to France once
before and they last they laughed at me for asking
for almond milk, like they don't they don't.

Speaker 2 (28:36):
America definite almond milk.

Speaker 3 (28:40):
I feel like no one drinks that outside of California,
Like the rest of the country is like, what what
the fuck is this?

Speaker 5 (28:45):
Yeah?

Speaker 2 (28:46):
It makes sense, ud, Yeah.

Speaker 3 (28:47):
Kyle, you know in France what almonds Amon brothers.

Speaker 5 (28:54):
Lake called on. I'm interested, what's almond milk?

Speaker 3 (28:56):
You know France what almond milk is?

Speaker 2 (28:58):
Right?

Speaker 5 (28:58):
What you don't know.

Speaker 2 (29:02):
Zebra is? You know what you're ask not zebras, zebraes
and ladies and gentlemen.

Speaker 3 (29:12):
Yeah, you were asking ob Debra's So the strike, the
Writer's Guild of America strike technically DEM boys are on
strike right now, is still going on?

Speaker 2 (29:22):
You guys think it'll still be on by the time
this I do, by the time, yeah, in two weeks
or whatever?

Speaker 3 (29:27):
What is this?

Speaker 2 (29:27):
This is the over under on this?

Speaker 3 (29:29):
I think it's I think three weeks.

Speaker 5 (29:32):
I don't know. I never understand what over unders mean
or how to even do those, but I think it's
going to last a long time.

Speaker 8 (29:38):
So you say over nine months or under nine months? Yeah,
it's pretty self explanatory, Okay.

Speaker 2 (29:43):
So I'll say under three months, under three months?

Speaker 4 (29:46):
You think under three no, no, no, no, somebody picks
you picked the over under as in as.

Speaker 3 (29:50):
In like, oh, you pick the lines, So okay, So
I will say four months over under four months.

Speaker 5 (29:56):
Over, So I would say I would say under four months.
But that's very much wish wishful thinking.

Speaker 3 (30:02):
It's science, Like, what are you saying under four months?

Speaker 2 (30:05):
For sure?

Speaker 3 (30:06):
Yeah, we're gonna get this figured out for sure.

Speaker 2 (30:08):
I think Well, the last time it happened in in
O eight, it was one hundred days.

Speaker 3 (30:12):
I guess, Yeah, so it's about three and a half months.

Speaker 5 (30:15):
Yeah, a little less.

Speaker 4 (30:16):
Yeah, there's so much more at stake.

Speaker 3 (30:18):
Oh yeah, I think it's gonna be over. I think
it's gonna be over four months. I think it really
is just just with the AI component, me and Durs.
I think that.

Speaker 5 (30:28):
Yeah, No, I'm I'm kind of with you. I read
the I read the ship that like the producer's retaliation.

Speaker 3 (30:33):
Well, are you kind of with us or uh?

Speaker 2 (30:35):
Or your you think it's gonna be under you can push.

Speaker 5 (30:38):
I don't want it to be I said, it's wishful
thinking under four Like, I don't want it to be
over four. I want it to be resolved.

Speaker 3 (30:46):
But dude, I don't want it to be I would
love to be wrong and it's over tomorrow. Hey Kyle, don't, Yeah,
you don't bet with what you want. No, think that
you would be a terrible sports better. You have to
go with your gut, not with your feet.

Speaker 6 (30:59):
You.

Speaker 4 (31:00):
I just want to hear a cool theory of mine
that's kind of involved in this. Where's what I think
we're we're kind of we're fighting against this, but I
think I think that at a certain point it's going
to be cool. Is like the AI stuff that's being
introduced to like writing and whatever. But also at some
point filmmaking, right, you'll be able to type something in

(31:21):
and then the images will appear, right m hm. And
much like stand up and how stand up is like
a singular mind, right, and a singular opinion that doesn't
that doesn't get noted by like these corporate entities and
all that. You're gonna get some of the greatest films
of all time when we get to a point where
someone can just create a movie with just like writing

(31:45):
their own script out or or helping having AI help
them write something, to create a movie fully from a
singular vision that doesn't have all the like hang ups
of like oh corporate's got to like sign off on this,
that and the other. You're gonna get some amazing stories
and some.

Speaker 2 (32:01):
Horrible shit, but goodbye.

Speaker 5 (32:03):
Well yeah, Like how many filmmakers have like made an
animation where they're the animator as well, you know what
I mean like those Yeah, you know, I don't know
of how much.

Speaker 8 (32:13):
What the issue is is with the Writers Guild and
what they're fighting for right now and what the studios
won't give them.

Speaker 3 (32:20):
Essentially is they're saying like, you can't have AI write
a script. It has to be through the WGA members,
and they're saying no, And they're saying like, I'm still
gonna say that.

Speaker 4 (32:31):
I gotta go with the studios on this.

Speaker 3 (32:34):
There's what okay, And this is durs he's our writer,
so we're saving this is safe pape. Okay.

Speaker 4 (32:40):
I think it's cool. I think it's interesting.

Speaker 8 (32:42):
I think like but then interesting, then all writers are
going to be out of jobs in five to ten years.

Speaker 2 (32:48):
Look.

Speaker 4 (32:48):
Look, writing movies can't last forever.

Speaker 2 (32:52):
I'm sorry. And this is somebody who writes movies.

Speaker 3 (32:54):
Wow, bullshit.

Speaker 6 (32:55):
Man, the Caveman wrote stories, dres We've stories are infinite.

Speaker 4 (33:00):
I'm not saying that stories didn't begin at a certain time.
I'm saying that, like this is over, I'm on that. Come.
I don't want people mining for coal all the time either.

Speaker 2 (33:10):
I'd rather get to solar.

Speaker 3 (33:11):
But we can put things in place, so it isn't
so in the movies that we make aren't done by AI, right,
I know, but what are you fighting AI and everyone's job?

Speaker 4 (33:23):
I guess I'm just kind of I know, but I
guess I'm just kind of like this is it's gonna happen.

Speaker 5 (33:30):
So like when I read the negotiations this morning, I
read like what the producers were like, not willing to
give you anything, not willing to budge, not willing to
do this the one that I zeroed in on.

Speaker 3 (33:39):
And of course that's just the negotiation tactic. It's like,
of course you're gonna say nothing.

Speaker 2 (33:44):
Yeah, for sure, you gotta go hard.

Speaker 5 (33:46):
But I'm worried that people are gonna lose sight of
like the back end and the residuals and stuff, and
this AI thing is going to be the big thing.

Speaker 2 (33:54):
That's like, we can't let robots take us over.

Speaker 4 (33:56):
Who fucking cares write better movies?

Speaker 2 (33:59):
It's a whole world.

Speaker 5 (34:00):
The big thing is more of like the residuals in
the fucking you know, the livelihoods of the writers and
the times that they get to work, and the humans.

Speaker 8 (34:08):
Well I think they're both. It's a two headed monster.
It's a two headed monster, because it's that's obviously.

Speaker 2 (34:14):
Very important, that's hugely important.

Speaker 3 (34:15):
If no one can have a job in five to
ten years because this AI is growing so fast and
so quick, then what's the point anyways? You know what
I mean.

Speaker 2 (34:25):
I don't see it's over. I don't think that. I
don't think that the robots are gonna tell stories.

Speaker 3 (34:31):
You're gonna just give into the robots. Ohs is laying
down spreading cheeks for these robots.

Speaker 5 (34:37):
Urs is not afraid. He's not afraid of the robots,
and I like that because fuck the robots. The robots
are not fucking human. I know.

Speaker 6 (34:44):
Durs is not not afraid. He's a fucking cyborg. He's
gonna fuck robots and he's gonna create cyborg dude.

Speaker 3 (34:52):
Is ai AI? Yeah he is. I always thought you were,
and now you're just.

Speaker 8 (34:58):
Proving that's like that movie we almost did wear butt
Bursters where us played.

Speaker 4 (35:06):
No, don't give away though they didn't get this, don't
give away this story.

Speaker 3 (35:08):
We're all right, Okay, true.

Speaker 2 (35:11):
That's still good.

Speaker 3 (35:14):
It could still happen. It's happened. Very funny movie that
you guys.

Speaker 4 (35:17):
Aren't interested in, like a script written by a robot
who's not interested in that.

Speaker 5 (35:23):
No, I'm interested in it because it's tech forward. I'm
interested because it's tech forward. Like what the fuck?

Speaker 4 (35:28):
I guess I'm just saying like, we can't just keep
fighting the inevitable by being like, no, it can't happen.

Speaker 2 (35:33):
Write better movies, write better than the robot, durs, you can't.
That's it, that's it. All you gotta do is do that.

Speaker 5 (35:39):
They used to say, like, be smarter than the machine. Okay,
that's all you gotta do, dude.

Speaker 6 (35:44):
Sometimes you have to unplug the robot before it surpasses.

Speaker 2 (35:50):
That's what I think too, So then do so do
that when you unplug the robot.

Speaker 4 (35:54):
So then you can be like, all right, I'm gonna
go only watch movies written by people, and I'm gonna
be pardening with all the people watching the movies.

Speaker 2 (36:02):
Written by robots. Who cares?

Speaker 8 (36:03):
I think they should be able to help, like if
if you, but but to cut their writer out completely.

Speaker 6 (36:10):
It's science.

Speaker 3 (36:10):
A writer needs to get credit for every movie that's written. Okay, wait, adam, but.

Speaker 2 (36:15):
So then what what is writing? What is writing?

Speaker 3 (36:18):
To you?

Speaker 4 (36:18):
Like, we have to define what writing is then, because
can writing.

Speaker 8 (36:22):
Be well, because if a writer can guide the AI
to help them in certain ways, but if the studios can, what's.

Speaker 4 (36:29):
The definition of guiding. I just say what I'm saying
is it's all gray. So you get hung up like
Kyle's talking about, I'm fighting AI instead of making sure
we get paid for our fucking clicks.

Speaker 2 (36:39):
It's science. I don't care.

Speaker 3 (36:41):
Well, absolutely, we need that too. We need It's just
you don't need just one thing, you need multiple things.

Speaker 2 (36:48):
And if Netflix wants to go all robots.

Speaker 3 (36:50):
Great, Well what if you take this out of Hollywood?

Speaker 4 (36:52):
I know, but there's distractions, It's it's it's right out
of politics where it's like we're fighting for abortion. It's like, yo,
there's no bridges right now.

Speaker 3 (37:00):
Exactly what if you take this out of AI? What
if you take this out of a what AI? Or Hollywood?

Speaker 6 (37:06):
What if you sorry, what if you take this out
of Hollywood? Like technically when you self check out groceries.

Speaker 4 (37:11):
Already did I said, I don't want people call mine.

Speaker 3 (37:13):
Wait you call it Hollywood? Holy? What if we take
this out of like where are we?

Speaker 6 (37:30):
Like when you go to the grocery store and you
self check out, you that is it's not necessarily AI,
but it's still a machine taking a person's job. At
what At what point do you say, like machines, what
jobs are okay for machines to take only all of them?

Speaker 3 (37:46):
There you go, sure's you fucking cyborn pit.

Speaker 4 (37:50):
I'm just saying, like we're all pretending like we're concerned,
but like these things are already working on like everything
we're doing. Like people used to get head I worked
at a head shot place in two thousand and five, right,
everyone got headshots.

Speaker 2 (38:04):
You to take it there, you get it.

Speaker 3 (38:05):
Developed assassin. He used to shoot people in the head.
He used to execute.

Speaker 4 (38:10):
What I'm saying is like that place had to completely
change its business model because people were like, you don't
bring hard copies of headshots anymore. And they're like, yeah,
like we will take all the pictures and put them
on this hard drive and they're gonna be high reds
pictures and da da da da dah.

Speaker 8 (38:23):
Yeah, But that's that was one little sub sect of
the industry. This is the entire industry.

Speaker 3 (38:29):
And then also you just gotta evolve.

Speaker 5 (38:31):
No, I mean, this is this is gonna this is
gonna consume the industry. There's lots of areas where Ai
is fucking it up, you know, like all the dubbing,
all the fucking editing.

Speaker 3 (38:41):
Yeah, and it'll it'll get to a point where it'll
be sound design, okay, the assistant. You just the studios
putting out movies that was written by Ai starring a
nineteen year old Brad Pitt, and you know, like, no,
no one gets paid.

Speaker 2 (38:56):
But you guys are missing the point.

Speaker 4 (38:58):
If that's what everyone wants, then it's inevitable everyone has
to not want that. Like ballet, guess what, Nobody goes
to the fucking ballet anymore except for the ten people
who still like ballet.

Speaker 2 (39:09):
It's still there.

Speaker 4 (39:11):
You can be a ballerina if you want to, but
it just isn't a thing anymore time.

Speaker 3 (39:17):
Yeah, exactly because what people don't care.

Speaker 4 (39:20):
Dude, think about movies already compared to what they used
to be. If you want to be a movie writer now,
you better be ready to fucking adapt a book or
a fucking play a fucking toy.

Speaker 3 (39:30):
Otherwise you're out the Gramlin's five motherfucker.

Speaker 2 (39:34):
And fucking draft a thousand drafts.

Speaker 4 (39:36):
I'm just saying, you can't come to Hollywood now and
go dude, I've got this idea about like this dude
buried in m coffin.

Speaker 2 (39:42):
It comes back like it. No, nobody wants it.

Speaker 4 (39:44):
They want Avatar four, they want to reboot of playto
or what the fuck happens.

Speaker 5 (39:48):
The problem is really in the demand. The problems in
the demand. That's that's the issue right now, exactly.

Speaker 4 (39:53):
And if people want fucking Gumby, they want Gumby. They
don't want whatever's cooking in your brain, but.

Speaker 3 (39:59):
They want whatever is given to them. So they want
what is being given to them.

Speaker 4 (40:04):
I don't disagree, Yeah, but the studios don't.

Speaker 2 (40:07):
They don't care.

Speaker 5 (40:08):
Bro money, bro dollars, money talks. Man, if it's cheaper
to use AI than fuck.

Speaker 3 (40:13):
You guys are losing the human element.

Speaker 2 (40:15):
I know this, Blake, I completely understand this, and I
believe that that will prevail.

Speaker 3 (40:19):
That will prevail.

Speaker 6 (40:20):
Even when Durr said, like ballet, Like okay, So I
never gave one fuck about ballet, but I am allowed
this news.

Speaker 2 (40:28):
Yeah what, oh my god, I'm gonna tell jeff A
here no, but.

Speaker 6 (40:32):
I am willing to say that ballet is extremely fucking hard.

Speaker 3 (40:36):
It's crazy.

Speaker 6 (40:37):
It's an insane thing to put the human body through
like if you are good.

Speaker 2 (40:42):
At ballet, like pickleball.

Speaker 3 (40:43):
Yeah, not all the way like that.

Speaker 2 (40:45):
But similar.

Speaker 6 (40:47):
This is where I'm getting to Kyle sports. So as
soon as we just watch a all robot basketball game,
we're not watching humans elevate beyond what they're even capable
of because the moment and all the things.

Speaker 8 (41:01):
That you add all well, that is what's cool about
movies is because it's it's crafted by artists, and that
is what's awesome.

Speaker 2 (41:10):
We we don't know any better.

Speaker 4 (41:11):
We don't know any better, we don't have anything to
compare it to. Yet these other movies might be fucking great,
and we might have to go, this is better, this
is great.

Speaker 3 (41:19):
I will say I've seen some AI art that's very good.
I don't know. I just have some empathy.

Speaker 8 (41:24):
Yeah, I have some empathy for our whole industry in
this town, the Los Angeles that I love, and all
these people that work for movies and television. And to
see that the whole industry just get decimated because listen.

Speaker 5 (41:39):
That's the residuals. We need to crack the back end.
The streaming is what fucked that up.

Speaker 3 (41:44):
This is life.

Speaker 2 (41:45):
I just worked with the Muppets and like they don't.
That's it.

Speaker 6 (41:49):
I know.

Speaker 4 (41:50):
There's no puppeteers anymore. It's just these guys and people
who love it tune in. That's how they stay a
lot human built.

Speaker 3 (41:57):
I think it is mostly always the Muppet.

Speaker 4 (42:00):
No, it was like, if you're doing if you're making creatures,
if you're Stan Winston or these other guys who make
these creatures.

Speaker 8 (42:07):
But it's that's a subsect of the entertainment industry. It
isn't the entertainment industry as a whole.

Speaker 3 (42:13):
You know what I mean.

Speaker 4 (42:14):
And and movies are a subsect of entertainment period.

Speaker 2 (42:17):
You could do that forever. What I'm saying is that
this is just what happens.

Speaker 3 (42:21):
But movies and TVs are a pretty large piece of
the pie compared to muppets.

Speaker 2 (42:26):
I understand. And guess what. We used to drive only
gas cars. From now we drive electric cars.

Speaker 3 (42:32):
And then I'm.

Speaker 2 (42:36):
You will drive an electric.

Speaker 4 (42:37):
Car and then twenty five years, especially in California, baby, Yeah,
I'm just saying. And everyone who made money off of gasoline,
guess what your fucking time is up.

Speaker 2 (42:47):
It's just what it is. Look, I don't know, I
don't know what to say.

Speaker 3 (42:51):
I know dude, No, gas is a fucking uh what
is it? F a natural?

Speaker 2 (43:00):
We are talking about.

Speaker 6 (43:01):
Human beings, dude, we're talking about the human experience.

Speaker 4 (43:06):
But I mean Adam was talking about jobs and industries
being overturning.

Speaker 2 (43:09):
I'm like, this is what happens. It's fine. No, I
do get it.

Speaker 3 (43:12):
I do think there should be some failed saves that
we put in and and meet in the middle so
it doesn't so it's not just within the next five years.
La is just a fucking ghost town and the worst
scariest place to be ever because I like living here.

Speaker 6 (43:26):
Guys, we are the generation that watched every like AI
takes Over the World movie.

Speaker 3 (43:32):
We are the ones who have to save the world.
We have the blueprint. Mayna, we saw I robot, we
saw a terminator, we saw exactly are the people we
should do it. We are the ones who have to
say no. We have to say no to the robots.

(43:52):
Speaking of gas, though, I do remember how a few
weeks ago I was saying that I want to get
a new convertible. Dude, They uh, wait, what'd you want
to get a Dodge Challenger like how Kyle used to have?

Speaker 2 (44:04):
Yeah, dude, get a souped up Dodge Challenger.

Speaker 8 (44:08):
I guess just in August they uh released you can
now get it as a convertible like they send it
to this convertible show.

Speaker 2 (44:16):
Oh I always want to chop the top of the
fucking Charlie. Dude.

Speaker 3 (44:20):
Yeah, dude, you can. You could do it now, you
could do it through Dodge.

Speaker 2 (44:23):
Is this a hell cat?

Speaker 3 (44:24):
It's the seven oh seven. It can be a command
it could be whatever you want it to be.

Speaker 2 (44:29):
Top of the line, crad Yeah, yeah, that's cool. You
should definitely get dude.

Speaker 3 (44:33):
Look look it up. Look up Dodge Challenger convertible here.
I'll just look it up and put in the truck.
Look at it. It is very tight about.

Speaker 4 (44:42):
I will say this, the Challenger was designed by robots.
I will say this, the Challenger has the best daytime
running lights in the automotive industry on the road today.

Speaker 3 (44:53):
Oh yeah, baby, Oh it looks super top man.

Speaker 4 (44:56):
I love me some fucking car top when it pulls
it behind you with those little orange circles. Oh yeah,
that's the best looking.

Speaker 3 (45:05):
Uh.

Speaker 2 (45:06):
I loved it. I fucking loved that car. It was
sad to get rid of it. I traded it in
for the Tesla.

Speaker 5 (45:12):
For the Model X. But like, that was my fucking
Nightcrawler car, Dude, I had the one that was in Nightcrawler.

Speaker 3 (45:21):
Written by a human.

Speaker 8 (45:22):
Yeah, dude, I'm I actually just looked this up last
night and put this all together.

Speaker 3 (45:27):
But it's pretty, dude. The convertible, I'm like, yeah, look
at that. That's look at that.

Speaker 5 (45:33):
Boys, it looks a lot like your Camaro. Dude, that's interesting.
How much when you take the.

Speaker 3 (45:37):
Top, Yeah, it looks exactly the same to me. But
that front looks really tough though.

Speaker 4 (45:43):
Yeah, and this is not an insult to your current car.

Speaker 6 (45:46):
This.

Speaker 4 (45:46):
I feel like this is a stronger, stronger lines.

Speaker 5 (45:49):
I like this car. Oh, I like it too.

Speaker 4 (45:51):
You know.

Speaker 2 (45:51):
The the hips on the Challenger are so good.

Speaker 3 (45:56):
Them hips don't lie.

Speaker 4 (45:58):
And it looks like a Bentley from the side off.

Speaker 3 (46:01):
I'm a dude. Yeah, I'm working it a lot. I'm
leaning real heavily towards this gas guzzler.

Speaker 5 (46:08):
You know, they will make you sign something out of
They will make you sign something when you leave the lot.

Speaker 2 (46:13):
It's called a gas guzzler. Tax I had to do
that back in the day.

Speaker 3 (46:17):
I stay signing those scott They say, you realize as
soon as you pull off the lot, you're ruining the planet. Yeah,
I stay signed, you're ruining the planet. Are you cool
with that? I'm to do that with the Camaro. I
had to get that for the Grand Cherokee. And you say, hey, man,
ruin this dick. Bro here we go, ruin this Brigand.

Speaker 2 (46:39):
Are we doing car talk?

Speaker 4 (46:40):
Because by the time this airs, I think, I hope not.
I think a Rivian SUV is gonna be in my driveway.

Speaker 3 (46:48):
Shut up, shut the fun up?

Speaker 2 (46:51):
Are you serious? I'm gonna talk?

Speaker 7 (46:53):
What is it?

Speaker 5 (46:55):
It's just imp I'd rather talk about Zebru's.

Speaker 3 (47:00):
But go ahead, go not.

Speaker 2 (47:02):
I not I ravillant.

Speaker 3 (47:05):
What's a Riviera? I'll tell you right now. I don't
like the name.

Speaker 2 (47:09):
Why Rivian?

Speaker 3 (47:11):
Have you not seen them? They look really cool, They're
stick that's a to me, that is a that is
a bad name. Rivian. They always remind me of Gucci.

Speaker 4 (47:20):
For whatever reason, I see like a fucking piece of ship.

Speaker 8 (47:25):
You think Rivian reminds you of Gucci? No, I don't
just a word, A word that is a little too
fancy for you to say.

Speaker 5 (47:31):
No, No, no, the car itself, the car itself. When
I see like the break lights, like the one stingle
light going across and the like. I don't know why,
but it reminds me of Gucci.

Speaker 3 (47:40):
You're scared of like like RoboCop masks, but like Gucci,
Gucci doesn't make cars.

Speaker 2 (47:46):
Maybe you had the colors of of Gucci, you.

Speaker 3 (47:48):
Know, red and green.

Speaker 2 (47:50):
Here's what color are you getting? Red? We got a
sick We're a red car fan, Gucci, Gucci Red. Oh
that's cool.

Speaker 3 (47:57):
Do you have already in a red Rivian?

Speaker 2 (48:00):
Yeah?

Speaker 5 (48:00):
I like those.

Speaker 3 (48:01):
I'm a blue car family.

Speaker 5 (48:02):
Okay, that's.

Speaker 3 (48:05):
What a What does the word Rivian mean?

Speaker 4 (48:08):
I think it's some sort of Native American Indian term
or like a river.

Speaker 2 (48:13):
It's a place well.

Speaker 3 (48:14):
Beca Oh yeah, the name comes from the Indian River.

Speaker 2 (48:20):
Indian river.

Speaker 3 (48:21):
Yeah, dude. Those Polestar cars are kind of tight too.
What is it Pollstars?

Speaker 4 (48:25):
Polestar?

Speaker 2 (48:26):
Yeah, Polestars are great looking.

Speaker 3 (48:27):
Yeah, Pollstars are pretty cool.

Speaker 2 (48:29):
I just wish they got.

Speaker 4 (48:30):
More miles per charge. But they are super sweet looking.

Speaker 3 (48:33):
I don't know anything about that.

Speaker 5 (48:35):
No, you've got to get the miles per charge. That's
a big, big part of these electric cars.

Speaker 4 (48:41):
What I'm saying is, like you just want to at
least have three hundred miles per charge.

Speaker 2 (48:44):
Yeah fuck, I don't think they do. Yeah, don't go
west of that. But yeah, car talk funniest episode.

Speaker 3 (48:51):
Yeah, Hey, there's what's your freaking dream car?

Speaker 2 (48:54):
Bro?

Speaker 3 (48:55):
What's your number one freaking dream car?

Speaker 4 (48:57):
My station Wagon, my amg Wagon?

Speaker 2 (48:59):
I have it.

Speaker 3 (49:00):
Okay, that's freaking sick.

Speaker 5 (49:01):
That's your dream car? Yeah, I mean, what else do
I need? That's the car that if you had any everything,
that's it. That's the one you do have everything.

Speaker 3 (49:10):
And my health.

Speaker 8 (49:14):
He no longer has a job because the robots are
about to take it. That's why he That's why he
has no empathy.

Speaker 2 (49:19):
He has everything.

Speaker 3 (49:21):
I don't have my job.

Speaker 4 (49:22):
I'll teach children how to swim and save lives.

Speaker 3 (49:24):
How's that a robot can teach people how to swim?

Speaker 2 (49:28):
I doubt it not.

Speaker 5 (49:29):
In this speat up, we should put up regulations against
ai Adam. I don't want it to sound like I'm
against that. I just don't want to get lost.

Speaker 2 (49:35):
I don't want to take the high off the prize.

Speaker 3 (49:37):
Man.

Speaker 2 (49:37):
It's all about residuals in the back end.

Speaker 8 (49:39):
Yeah no, no, no, That's why I said it's a
two headed monster. You got to attack both things. It's
you know you're both they're both coming for you.

Speaker 2 (49:45):
It's so important to crack that back end. You know
what they're going after, Monny. One thing, one thing. Money
do not come on men, But was this polycharge? How
much you think you got to pay AI to do
a script? Nothing?

Speaker 3 (50:00):
Oh yeah, big fat zero baby.

Speaker 2 (50:02):
So once upon a time you might have been like
a writer.

Speaker 4 (50:05):
But just go create the program that creates all these
stories and the yeah you're gogillion.

Speaker 3 (50:10):
Yeah, dude, don't be a bitch. Just be a programmer, dude.

Speaker 4 (50:13):
And then go and then take your goodgillion dollars.

Speaker 3 (50:15):
Cares about your dream to be a writer.

Speaker 2 (50:17):
It's over.

Speaker 6 (50:17):
Oh great, And then you buy all of Oakland and
you just fucking kick every human out. Fuck that, dude,
these geeks for these nerdswl whoa what about the culture DERs?

Speaker 2 (50:31):
Come on, man, I love it. I love the culture.

Speaker 8 (50:34):
Come on, man, Blake, do you would you like to
talk about that? Because I don't really know a lot
about it. But they are moving the Oakland Athletics out
of Oakland?

Speaker 2 (50:43):
Is this right?

Speaker 5 (50:43):
Oh yeah, this is a heartbreaker, dude, This is fucking
I haven't even talked about this at all with anyone
because I heard it and it's just very sad. Bro,
this is a real fucking thing. Yeah.

Speaker 3 (50:54):
Yeah, it's the worst.

Speaker 5 (50:55):
It's the worst thing.

Speaker 2 (50:56):
Are you hearing it now?

Speaker 3 (50:57):
Wait? Are you hearing it just now from me?

Speaker 6 (50:58):
No?

Speaker 3 (50:58):
No, No, I've heard it.

Speaker 5 (51:01):
I haven't had the discussion about it because I'm just like,
it's just I'm burying my head in the fucking stand
on this thing.

Speaker 3 (51:08):
Yeah, because it sucks so Blake, because I didn't really
I just sort of saw a headline and was like,
and you know, I don't have any sort of affiliation
with this scug buzz letic. So I was just like,
that sucks for Blake and.

Speaker 2 (51:21):
Kyle Yeah, and Andy Samberg.

Speaker 6 (51:24):
What they are, what they're talking about and dancing around,
is the fact that the Oakland Athletics are basically pretty
much moving to Las Vegas instead of staying in oak
I love it.

Speaker 3 (51:37):
I love it. I love it basically pretty much. Or
they are doing. Yeah, this is what I want to know.
I want to know what's that?

Speaker 5 (51:43):
What's the basically pretty much part of it because they've
been moving time Mars since I was fucking you know,
fifteen years old. Quote unquote, well, I think it was
this year.

Speaker 3 (51:52):
Didn't they have like a game where there was like
thirty fans or something? Absolutely absurd?

Speaker 6 (51:57):
No one goes, Yeah, they had a game where there
was like a very very so it's like three thousand.
But when you're in that stadium, which is massive, three
thousand people.

Speaker 3 (52:07):
Which holds eighty thousand or whatever, and yeah, it's it's
insane or sixty thousand, it's insane. But the politics of
it all is fucking weird, dude.

Speaker 6 (52:16):
It's like a lot of like just rich people just
moving money around in weird ways and like trying to
like that's why I'm saying they're not officially moving to
Las Vegas because they're kind of banking on the fact
that if they moved to Las Vegas they have to
get this like five hundred million dollar tax break.

Speaker 3 (52:36):
It's all. It's it's just fucking sure math.

Speaker 4 (52:39):
And well Blake's trying to say he hasn't understand it,
but it's just going down.

Speaker 3 (52:42):
He has no idea. I don't know. Yeah, Blake has
no idea. I don't understand it.

Speaker 2 (52:47):
When it gets that pig likes, it's just ugly. I
don't even want to get into it.

Speaker 4 (52:50):
It's discussing.

Speaker 3 (52:51):
He ran the same headline that I read and did
zero more research.

Speaker 5 (52:56):
I don't like it, but I also don't exactly know
what's happening standing any of the adam in that headline.

Speaker 3 (53:02):
Did they give a date in that headline? Do you
remember I'm just a cave man, Blake?

Speaker 8 (53:07):
I was like gonna ask Blake on the podcast because
I figured he would have looked into it, even the
tiniest bit, because he posted.

Speaker 2 (53:14):
It sounds like he did.

Speaker 4 (53:16):
He did.

Speaker 2 (53:16):
He did give him credit.

Speaker 8 (53:17):
He posted up many things about the athletics over the
years and even recently about like his moments in the
stadium and uh, and so I was kind of excited
to hear.

Speaker 4 (53:30):
If you give him a chance to speak, he did
read the date and does not remember what it is?

Speaker 3 (53:36):
Just a cave man.

Speaker 2 (53:39):
We read things, we see things, and then we don't.

Speaker 3 (53:41):
Know this is it.

Speaker 6 (53:44):
It's super confusing, dude, like, because no one wants to
tell the truth. A lot of people point fingers at
the city of Oakland, a lot of people point fingers
at the fucking owners of the A's, but nobody wants
to accept blame for why the team is leaving. Yes,
no one goes to the games anymore, but it's kind
of in protest because the ownership trades away their players.

Speaker 2 (54:08):
This is why we get rid of humans.

Speaker 6 (54:11):
Yeah, yeah, it's just it's just a fucked up situation.
And but maybe it is time to move on. Who
fucking knows. Like, but then it just I get super
existential because I'm like, what, why my childhood doesn't even
matter anymore? I can't bring Mike ins to the.

Speaker 5 (54:24):
Game, dude.

Speaker 3 (54:24):
Yeah, you can't go right to Vegas. You have closer
to Vegas than you do to the Bay Area.

Speaker 6 (54:30):
Yeah, but you can't walk through the shitty cement, fucking dirt,
gross fucking stadium.

Speaker 2 (54:38):
Yeah dude, yeah, it's fucking state.

Speaker 4 (54:41):
You know what old Comiskey Park gone, never gonna go
back park that was built when I was a kid.

Speaker 6 (54:48):
You stayed in Chicago, stayed in Chicago, stayed in Chicago.

Speaker 4 (54:52):
It's not a bitch ass kidding.

Speaker 2 (54:54):
Uh. People went to games.

Speaker 3 (54:57):
People went to games, and that's that's the only people.

Speaker 2 (55:01):
To blame for the A's moving are the A's fans.

Speaker 5 (55:04):
No, that's tough, but it's the same durs just putting
it all in supply and demand today and I like it.

Speaker 3 (55:11):
He's at the fundamental that's what an outsider was.

Speaker 5 (55:14):
No, he's at the fundamentals of business right now, and
he's being Yeah.

Speaker 2 (55:18):
Moneyball, it's not baseball's moneyball.

Speaker 3 (55:21):
It's not moneyball.

Speaker 5 (55:22):
No, if they were selling out, if people were there,
what if people were there, if people were going to
the coliseum, they would not be moving if there was
eighty thousand people at the like when we grew up,
people went to the fucking games, bro, When we grew up,
people were at the games, right, Yeah, Thursday night people
were there.

Speaker 3 (55:39):
So Todd just dropped in the chat. Last year, the
team said a new forty year low when only two
and eighty eight fans showed up to a game in May.
Now in twenty twenty three, they're logging similarly low numbers.
That is my high school class, and that's a shame.

Speaker 2 (55:55):
That's too bad.

Speaker 3 (55:55):
Yes, there are two things that account for low attendance.

Speaker 4 (55:59):
That's my place in a high school class.

Speaker 5 (56:00):
Go ahead, get them a one one.

Speaker 6 (56:03):
The fucking colisseum is super old, outdated, like the average
person does not go ahead, the average person with less history.
They're from the sixies, The fucking Cubs existed forever forever.
It's an established place. Okay, the stadium, the colisseum is
not up to snuff. It's not great. It's not great.

Speaker 3 (56:26):
Be the roster, the the the ownership trades away anybody.
Why are we talking about.

Speaker 6 (56:32):
Sports even though the roster that they trade away anybody
who's any good because they they're trying to tank the team.
Because the ownership wanted to get the fuck out of Oakland.

Speaker 3 (56:42):
And they did it. They succeeded, They succeeded.

Speaker 5 (56:45):
Yeah, got it.

Speaker 6 (56:46):
Yeah, the fans get fucked so fuck that. It's not
on the fans, That's what I'm saying to DRS. It's
not on the fans.

Speaker 3 (56:51):
But well, I'm with you. You need it, you need
a good owner.

Speaker 2 (56:56):
Uh no, No, the Cubs were bad forever.

Speaker 3 (57:00):
You can't pull up to a shitty coliseum with no team.

Speaker 2 (57:03):
It's the atmosphere.

Speaker 3 (57:04):
They always tried to compete.

Speaker 2 (57:06):
It's the atmosphere.

Speaker 3 (57:07):
Hang on, hang, I always tried to compete, and the
Cubs have been bad.

Speaker 4 (57:10):
When I was a kid, the Cubs were always bad.
Shout out Andre Dawson.

Speaker 5 (57:14):
He was good.

Speaker 3 (57:14):
I don't know, and Heine Samberg was the ship.

Speaker 4 (57:18):
Brian Samberg. Okay, that was their one year. I got
a baseball somewhere where they're all signed up. But they
were bad until like four years ago when they won
the World Series. They were bad the whole time. But
the atmosphere that the fans created was what it was.
And that's why it's a pap and not a naked grandma.

Speaker 3 (57:34):
That is so true.

Speaker 4 (57:34):
Okay, I guess I'll give you that saying.

Speaker 3 (57:37):
When you put it like that, I mean, I think.

Speaker 5 (57:39):
I think it's all the factors, it's all the things
you guys are talking about.

Speaker 3 (57:42):
Yes, i'll give you that. I'm with you, Blake. I
think it sucks.

Speaker 4 (57:46):
What is the fan experience when they go to the
A's games?

Speaker 2 (57:50):
Are they fun? Are the A's games fun or not?

Speaker 3 (57:52):
I love them?

Speaker 2 (57:52):
A Game's Rock.

Speaker 5 (57:53):
Yeah, they're they're great.

Speaker 2 (57:54):
So you make a crack off. So what's going on
with the people.

Speaker 3 (57:57):
Well, they're fun, but there there's only twenty four hundred
twenty five hundred people and everybody spread out, so you're
not even around other fans.

Speaker 2 (58:05):
Really, Well, you get to hang out with your friends
and the people you came with.

Speaker 3 (58:08):
It's all good.

Speaker 2 (58:09):
The problem with these is that they do shake up
the team, and then it is it's it's a problem,
but that doesn't matter. It does.

Speaker 3 (58:15):
No, it's a problem.

Speaker 4 (58:16):
Goes to baseball games to watch the sport. You go
to drink beer, kick it, and then be like, yo.

Speaker 2 (58:21):
Home run.

Speaker 5 (58:22):
Uh no, I'm completely only there for the strategy in
the game. That's the only that's what I'm there for.

Speaker 2 (58:27):
Strategy.

Speaker 6 (58:27):
You're cutting out half some people do go for that reason.
You're cutting out that fan base. So it, dude, it's
not the fans fault.

Speaker 3 (58:36):
It's none of it's not It's gotta be okay.

Speaker 2 (58:38):
God, there's a part.

Speaker 5 (58:39):
I think there's part fan, and there's part owner, and
there's also part tax incentives. It sounds like like five
hundred million dollars worth of tax incentives.

Speaker 3 (58:47):
It's part fucking.

Speaker 8 (58:48):
Business and Blake, you could still be I understand the
nostalgia factor of like going back to the same place
and taking your kids to the same baseball stadium that you.

Speaker 3 (58:58):
Went to, but it is the same team and they're
moving to Vegas.

Speaker 8 (59:02):
Technically that is closer. They're going to have a brand
new stadium to me, uh, closer to you exactly.

Speaker 3 (59:09):
That's what I'm saying, far from farther from me. I'll
go to Opening Day. I'd love to.

Speaker 2 (59:14):
It's further from Alaska.

Speaker 3 (59:16):
Yeah, it's from still going to be a fan? Or
are you?

Speaker 2 (59:18):
Like?

Speaker 6 (59:19):
Are you are you still be a fan of the
A's of the A's Yes, if they move to you
want to know the truth, I'll probably just stop watching baseball.
Fuck that, really, I'm done with that?

Speaker 3 (59:31):
Are you finally going to be a.

Speaker 6 (59:35):
Also, like baseball is dying, the whole entire sport is dying.
It's just the A's are the first, the first example
of it.

Speaker 4 (59:42):
So we're just talking about another industry. I agree, we're
talking about in another industry.

Speaker 3 (59:46):
It is true.

Speaker 2 (59:47):
Well, yeah, it's doing demand. It's because the demand isn't
there anymore.

Speaker 3 (59:52):
Man, Hey, you know it's not dying.

Speaker 4 (59:54):
Basketball, baby, the playoffs, the playoffs have been fucking popping.

Speaker 2 (59:58):
I don't know how many weeks.

Speaker 3 (59:59):
I had have been unreal. Wait, we have to drop
this episode next week.

Speaker 2 (01:00:06):
We have this one jumps you should jump the line.

Speaker 4 (01:00:12):
Blake went in on Harden's outfit and then he put
forty five on.

Speaker 8 (01:00:16):
Blake comes in swinging with Coachella talk three minutes in
and and set us on a.

Speaker 4 (01:00:22):
Yeah path, and guys, can we can you guys turn
your headphones off real quick.

Speaker 2 (01:00:27):
I just want to talk to the to the listeners.

Speaker 5 (01:00:29):
Absolutely might have been off.

Speaker 4 (01:00:32):
Okay, interesting, interesting.

Speaker 6 (01:00:35):
I just want to say that, guess what, listeners, we're
not talking about cards, you fucking piece of.

Speaker 2 (01:00:41):
Engines.

Speaker 3 (01:00:41):
Bro Hey, I thought they're supposed to be off turnment
come on?

Speaker 5 (01:00:44):
Oh yeah, sorry.

Speaker 4 (01:00:47):
This podcast is called this is important. It's not called
this is funny. It's not called this is cute. Sometimes
we're gonna get on here and we're gonna blow some
fucking smoke. Okay, it's gonna be a little, a little
out there, a little maybe not even interesting, but we
have to talk for an hour and sometimes shit goes down.

Speaker 3 (01:01:12):
Can we come back or what's it?

Speaker 5 (01:01:15):
Yeah?

Speaker 3 (01:01:15):
Come on, okay, care?

Speaker 4 (01:01:17):
Yeah?

Speaker 3 (01:01:17):
I liked it. I thought it was fun. Is there
any take backs, any epic slams, any apologies for this?

Speaker 2 (01:01:25):
I do have I do have an announcement, yes, please,
yes we got our winner.

Speaker 3 (01:01:30):
Oh my, now, this is huge several weeks ago from
several several weeks ago, and you're gonna have to hold
maybe this episode is coming out tomorrow. I don't know.
Let's let's ask guys it. I don't think so, I
don't think.

Speaker 2 (01:01:44):
Hold on, I got to navigate to where this goes.

Speaker 4 (01:01:45):
And we're gonna ask that this winner sends us a
picture of them holding it so we can maybe post
it with this episode.

Speaker 3 (01:01:52):
And do they have to be nude or are we
going not nude? That the winner has to be nude or.

Speaker 4 (01:01:56):
Not up to them, but hopefully Instagram friendly.

Speaker 5 (01:01:59):
Yeah. Friendly.

Speaker 4 (01:02:00):
So that being said, we've always said hashtag for the
nipple winning.

Speaker 2 (01:02:05):
It's my present.

Speaker 5 (01:02:06):
I'd prefer them to be clothed.

Speaker 3 (01:02:08):
Yeah, but okay, that's weird coming from you.

Speaker 2 (01:02:12):
Kyle's president. Now, yes, it's my present. I make the
rules and the winner.

Speaker 8 (01:02:19):
For people that are listening audio on sorry sorry Blake audio.
Yes audio, Well, they're listening to audio. Explain what giveaway
this was a few weeks ago.

Speaker 3 (01:02:35):
What do we do, Kyle?

Speaker 5 (01:02:37):
This We gave away the Christina Aguilera steined drumhead that
my parents got me when I was about thirteen years
old and sick.

Speaker 3 (01:02:47):
We said that this was Christina Aguilera even famous when
we were thirteen.

Speaker 2 (01:02:52):
Maybe it was fifteen. It's right after Jeanie and a bottle. Yeah,
a hole.

Speaker 3 (01:02:56):
I'm seeing holes in your story.

Speaker 5 (01:02:57):
Yeah, well, it'd be.

Speaker 2 (01:02:59):
Good to get those care before I broadcast him.

Speaker 3 (01:03:01):
Yeah, a lot of television, jeez, go ahead, go ahead,
and television.

Speaker 4 (01:03:07):
I think when you were thirteen she had done Genie
in a Bottle?

Speaker 3 (01:03:10):
Yeah, no, she had.

Speaker 5 (01:03:11):
It was two right because Blank parodied there. When did
the blink?

Speaker 4 (01:03:16):
I was fifteen or sixteen when she was Yeah, dun
dunt dum.

Speaker 3 (01:03:21):
What year did in the bottle come out?

Speaker 2 (01:03:23):
Actually? You know what I think? Dunk dum.

Speaker 4 (01:03:26):
Britney Spears was my freshman year in college because I
was like, this seems weird that this fucking half naked school.

Speaker 2 (01:03:31):
Girls running around.

Speaker 3 (01:03:32):
Okay, weird or dube.

Speaker 2 (01:03:36):
For us, we were school guys, so we'll see who
you were in high school. So it was good.

Speaker 8 (01:03:40):
So nineteen ninety nine we would have hit me freshman,
So I guess fourteen, fourteen, fifteen.

Speaker 3 (01:03:48):
Yeh, so I probably got this when I was fifteen.

Speaker 5 (01:03:49):
Great. Yeah, A great job at him, uh and I
got to.

Speaker 3 (01:03:53):
The bottom of it.

Speaker 2 (01:03:54):
Dude, dude, this is why he's part of the team.

Speaker 3 (01:03:56):
I thought you beaing, a fucking liar.

Speaker 2 (01:03:59):
A great job him, don't shout on what he brings
to the table. Dude, I can't you.

Speaker 3 (01:04:04):
Everybody he has to read who won? This is Hughes.
I'm waiting.

Speaker 2 (01:04:08):
That's why I'm holding this thing up. Drum roll. The
sixty ninth commenter.

Speaker 3 (01:04:13):
On, wait, hold on, let me can I look up?
Can I look up? A drum roll?

Speaker 6 (01:04:18):
Drums?

Speaker 5 (01:04:18):
Go ahead?

Speaker 2 (01:04:19):
Yeah, Phil, just push it, yeah, yeah, yeah, on my Phil,
this is not a heavy item, but this is.

Speaker 5 (01:04:26):
It's now feeling very heavy.

Speaker 3 (01:04:27):
That sounded like a waiter. Okay, we haven't ad we
haven't a What the fuck is a dial?

Speaker 2 (01:04:40):
Yip?

Speaker 3 (01:04:40):
We haven't had, we haven't had, we haven't had and drumm.

Speaker 5 (01:04:45):
Okay, And.

Speaker 2 (01:04:50):
Sixty commenter was is it gonna go?

Speaker 3 (01:04:54):
Partato?

Speaker 2 (01:04:55):
Where do I just go?

Speaker 4 (01:04:56):
Thank you?

Speaker 6 (01:04:57):
Just go?

Speaker 5 (01:04:58):
Judge Miller, his name is judge, Yes, Judge, Judge, Judge Miller.

Speaker 2 (01:05:04):
Dude, Judge Bill Miller.

Speaker 3 (01:05:06):
The guy's name is judge. That's a hard name, Judge Miller.

Speaker 2 (01:05:11):
Congratulations, you got It's a cool name.

Speaker 3 (01:05:13):
Looks like.

Speaker 2 (01:05:17):
Judge Miller.

Speaker 3 (01:05:19):
Congratulations, Judge.

Speaker 2 (01:05:23):
Important is coming soon? More giveaway to stay tuned.

Speaker 3 (01:05:31):
Yeah, congratulations Judge Miller. Bye,