A Girl Walks Home Alone at Night: Cute & Eyeliner

Meow! Sink your fangs into deadbeat dates, freaky flames, and one cute cat. The person most confused by the film this week was: the street urchin who lived by the ravine of bodies???

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Episode Transcript

Speaker 1 (00:00):
Toss Popcorn is a production of iHeartRadio OOO.

Speaker 2 (00:13):
Hi, I'm Leana Holsten and I'm Sienna Jacob and welcome
to Tossed Popcorn, the podcast where two idiots watched every
film on the AFI's one hundred Greatest American Movies of
All Time, the very slightly Less Racist tenth Anniversary edition,
and are now watching films directed by women, particularly this

(00:35):
month spooky films.

Speaker 1 (00:40):
We keep adding on things to explain about what watch.
This podcast is a safe street for people who don't
know anything about movies. Today we're watching a girl walks
home alone at night.

Speaker 2 (00:59):
And no.

Speaker 1 (01:02):
Warning there will be spoilers about this vampiric recent ish
film recent to me.

Speaker 2 (01:12):
To me couldn't be more recent yet? Is there content warnings?

Speaker 1 (01:18):
Content warning for abuse, violence, particularly against women. Yeah, and yeah,
you know a salty vibe, oh, drug use, addiction. The
streets of Bad City are bad or bad? They're bad?

Speaker 2 (01:38):
Sianna, did you know a thing about this movie?

Speaker 1 (01:40):
Noting? Like today, not a thing. But let's just listen
to my prediction because it's one of the worst I've done,
which you can tell is based on that I accidentally
saw like what I was looking it up, I like
saw a picture.

Speaker 2 (01:51):
Okay, yeah, okay.

Speaker 1 (01:53):
Hi Leanna, this is Sienna. I'm about to watch a
girl walks home alone at night. A predicted girl will
walk home alone at night myself?

Speaker 2 (02:07):
Are you rolling around in a bed right now?

Speaker 1 (02:11):
And that it's in black and white? But I also
think I saw that it might be in black and
white and that it's another language there, that's my prediction.
I love you, goodbye, nice. I just couldn't think of anything.
I just said all this stuff I knew, and I
knew that from looking it up right then. So I'm
really sorry everybody. I'm sorry. Okay, Leon, I'd love to
hear your prediction. Hi, Sienna, it's Leanna. I about to

(02:34):
watch a girl walks home alone at night.

Speaker 2 (02:40):
I hope this isn't what I think it's gonna be.
Oh what, but nope, I'm not optimistic. Love you bye.

Speaker 1 (02:53):
What did you think it was gonna be? Like scary?
Like girl chased, girls chase girls getting chased?

Speaker 3 (02:58):
On it?

Speaker 1 (02:59):
Me too, like girl gets chased at night? Let me answer.
You know you think it's gonna be Leanna? So you
thought me too? Before the other person is in too,
I thought that too. We haven't yet agreed on that.

Speaker 2 (03:22):
I did. But yeah, so what did you think it
was gonna be? I thought it was gonna be girl
gets chased home. I thought it was gonna be very
scared team to uh makes me scared to walk home
alone at night and more uh, blatant visual representations of

(03:49):
harm being done to women. Yes, like what I was
afeared of. But I should have had faith, like.

Speaker 1 (03:54):
A parade of all the abusive things we've had to
see in the other we've seen.

Speaker 2 (04:00):
I thought it was gonna be a parade, a pride
of horrors. Yeah, I'm glad it wasn't that as well.
It really wasn't at all because different women.

Speaker 1 (04:10):
Because women. This movie was made by a girl, and
you could absolutely tell. And I love that. Mm hmmm yeah.

Speaker 2 (04:18):
Yeah, Well before we can talk about a girl that
was a girl? Uh huh, A girl walks home alone
at night.

Speaker 1 (04:25):
Hey girl, you are killing it at every aspect of
every segment today, girl walks. Let's go, girl, Hey girl,
how's it go in? Let's go girls.

Speaker 2 (04:51):
I guess I'm not well.

Speaker 1 (04:54):
Girl.

Speaker 2 (04:55):
It's the weekend, and for the past two days I've
gotten up, had breakfast, gone to the gym, come home, showered,
and then laid down for two to three hours. Oh
that's excellent, and that's been like the whole day. Well
then you know, the afternoon happens and the into the evening.
But I need there's stuff I need to do. Uh huh,
I need to do stuff.

Speaker 1 (05:15):
Today.

Speaker 2 (05:15):
I tried to get a massage from this place. There's
this new back massage place where you sit in a
chair and they massage your back and it's cheaper than
a full body massage for obvious reasons. But they only
take walkins. So I walked in like fifteen minutes after
they opened. I said, hello, do you have any availability
for walkins? And they were like, yes, it'll be a

(05:35):
thirty five minute wait. We can't take payment right now,
and we can't save you a spot, so you'd have
to just sit here for thirty five minutes.

Speaker 1 (05:41):
What And I.

Speaker 2 (05:42):
Said that's not gonna work. So I said, okay, I'm
gonna go run an errand and I'll just chance it
and hope that nobody else has come in thirty five
minutes from now twenty five minutes from then, I'd run
my errand of getting groceries for the first time in
a thousand years came back. There's three people who've walked
in and are now on the way list, and it's
a forty minute wait. And I can either pay now

(06:04):
to secure a spot or sit and wait for forty minute.
And I said, I gotta I got stuff I gotta do.

Speaker 1 (06:11):
They couldn't accept payment earlier that day. That that's no.

Speaker 2 (06:14):
I was like only one person in there, and she
was actively giving someone a massage. That's what's also crazy
about it is the waiting room is the room with
the chairs where people get massages.

Speaker 1 (06:25):
Okay, how was it a thirty five minute wait for
one person?

Speaker 3 (06:28):
Oh?

Speaker 1 (06:28):
Because they had more they had more massage therapists. Okay,
I was gonna say there were three people there.

Speaker 2 (06:31):
And one person showed up behind and what is behind
the computer by the second time I arrived. But I said,
I don't think this is the best system. No, you
just opened and I feel and it shows how did
one How.

Speaker 1 (06:42):
Did three people being added out only five minutes to
your wait time? That's what that's what's getting me. I
guess the computer price.

Speaker 2 (06:49):
Maybe they booked, maybe they all booked like fifteen minute
massages or that an industry?

Speaker 1 (06:56):
You just did?

Speaker 2 (06:56):
I was hoping we computer prison can become a Hong
Kong we could move on from that.

Speaker 1 (07:04):
Is that how you massage? I don't know. I love
massages so much and I think I like know how
to do them well because I've received so many. There
was a time where I was getting a lot of
them for my scoliosis, and I think.

Speaker 2 (07:15):
Often about that person who worked at one part of
your shoulder blade for like nineteen minutes and Jamala, they
were stressed.

Speaker 1 (07:21):
Oh no, wait, that wasn't Jamaala.

Speaker 2 (07:23):
Oh it wasn't.

Speaker 1 (07:24):
Okay, they weren't. The one who was Jamala was awesome
and she was like, I'm gonna give you cupping for free, Like,
oh yeah, I'm gonna lean my full body weight onto
your uh big big big not and she like she
took care of me. I loved her. But then she
but then she blew her back out what and she
couldn't keep doing it? Jamala, No, I know, Oh my god.

(07:48):
But all this is to say that because of the
massages I've received, I think that I have like a
good sense of it. But I have these spidery weak hands.
I see that, or they're strong in the wrong places.
So when I like go to give him massage. It's like,
it's not like the meat of your hand that you want,
it's like spidery, Like I know, I watch myself do it.
I'm like, mm mmm mmmmmmm. I can't help it.

Speaker 2 (08:10):
Feel good, No, my mom, I can't help them. So
I'm gasping because I've got something. Something's awry with my
shoulder to the point that it's disrupting my sleep, and
I'm like, oh man, something must be done, but it
was not done today, so damn.

Speaker 1 (08:26):
Oh well, hey girl, hey girl, I kind of have
one of those weeks where I'm like, oh my god,
I have so much to do that I can't even
think about it. But that's okay. I will say sometimes
when I buy something, I go, I see why people
love this, See why people love doing this, because it
does make everything feel better. Like I'm so excited for
my stuff to write, would you buy I bought? Well,

(08:49):
I bought a bunch of dresses to return because it's
my brother's wedding. It's my brother's wedding next next in June,
but I'm already comparing. And also I have my other
friend's wedding in January, so that's that one's coming.

Speaker 2 (09:05):
Up, So I'm starting to do like January and where
Steph in Michigan.

Speaker 1 (09:10):
In New York in Long Island, New York. So I
need to get like, I don't know, a warm dress
a parka. Is it going to be so warm in there?

Speaker 2 (09:17):
I don't know. I need to ask her, You're gonna
need to get a fur lined gown.

Speaker 1 (09:21):
But all this is to say that I'm now like, well,
if I want to really take the time and like
be a mature adult person, I should probably be buying
dresses like every week and trying them on. Wow. Okay,
that's so that's how I'm justifying it to myself. It's
what an adult would do. It does feel a little
bit like I don't know. We've talked about trying like

(09:45):
the like trying to get our hair right and like
our style right and being like how do people do that?
And that's how I'm feeling about this, where I'm like,
this is my one shot to like actually look nice
for a wedding. Yeah, my brother's wedding is lature of
the groom. You're gonna be in so many photos. It's
just like I'm it's gonna be one of the most
important weddings besides my own. Yeah, like I have to.

(10:08):
This is my end, This is the only chance. Weddings
are the only reason to like look nice in adult life.

Speaker 2 (10:14):
Mm hmmm hm, like publicly publicly and form having to
explain or justify and like and congratulates you if it's achieved.

Speaker 1 (10:25):
So I really gotta I gotta step it up, Rick.
So anyway, but I'm excited for I'm starting months in
advance for that reason. Stid. No, I don't think they're
doing that. But maybe I'll stand on Matt's side, That's
what I think. That's a fun idea.

Speaker 2 (10:40):
I think that's fun. But most people let you do that.

Speaker 1 (10:43):
Most people these days that are getting married around me
aren't doing the wedding party thing. Oh but instead they're like,
but I'll have three people wear what I'm wearing and
stand with me. It's like, okay, sure, not wear what
I'm wearing. Not where you.

Speaker 2 (11:03):
Yes, yes boy do actually.

Speaker 1 (11:06):
Anyway, So I'm just excited for my dresses to arrive.
But I did order them from Australia, so they will
be hearing about Wow.

Speaker 2 (11:14):
I didn't realize that Australian dresses after I ordered Wow.

Speaker 1 (11:18):
Yeah, there's a lot.

Speaker 2 (11:21):
Are they just from a brand that you're really.

Speaker 1 (11:24):
On the dress? It's going a little bit kiwi. Well
how exciting? Yeah? Yeah, I'm sorry.

Speaker 2 (11:32):
I said that with a straight face and in a
tone that sounded sarcastic. But that's that's just my voice
and face. I do.

Speaker 1 (11:39):
You know me?

Speaker 2 (11:40):
Well, I've I've recently all often been having to explain,
especially at work, that I meant what I said because
it sounds sarcastic. But that's just my voice and face.
So I'll be like, oh, no, that sounds great, and
they'll be like stop. I'm like, no, it's it sounds great.

Speaker 1 (12:02):
No, it does. It sounds great, It really does. Yeah,
I think we should do that. I've been very annoyed
with my my vibes recently.

Speaker 2 (12:09):
I've been annoyed with my vibes recently.

Speaker 1 (12:12):
Oh my god, I'm just like, why did I do that? Yeah,
that's so annoyed. I wish she had done things differently. Well,
I think you're awesome.

Speaker 2 (12:23):
Oh, I think you're awesome. Oh god, okay, all right, Well,
speaking of two people who think the other person is awesome, Sienna,
could you please give us a synopsis of the film
A girl walks home alone at night.

Speaker 1 (12:43):
A girl walks home alone at night. The Smoothie asks
what if a vampire was like an Iranian omily type
and only had a problem with men? Yes, and then
what if she got crush on a cute guy.

Speaker 3 (13:06):
The end.

Speaker 1 (13:13):
Yeah, the world's sort of like hyper freaky, like they're
all out at night and people are addicts and violin.

Speaker 2 (13:22):
I was. I was describing it as promising young woman
meets what we do in the shadows totally.

Speaker 1 (13:29):
Totally Leanna. What was your basic what was your vibe?
My basic vibe? Vibe?

Speaker 2 (13:36):
So I watched this on my laptop in my bed too. Okay,
we are we no wonder where neither of us is
thrilled with our own vibes right now, we're incredibly in sync.

Speaker 1 (13:46):
Mental illness.

Speaker 2 (13:50):
Was on my left on my bed in the middle
of the day, and my vibe on it was like,
I think I liked it a lot, but it was
a little bit too quiet time times, and I did
I was nodding off. Okay, yeah, because I will I
can sleep anywhere at any time, regardless of circumstances.

Speaker 1 (14:09):
Yea, yeah, I think putting one to sleep is something
this movie could do.

Speaker 2 (14:12):
But I think I liked it. I think I maybe
liked it a lot. How did you feel me too?

Speaker 1 (14:16):
I liked it a lot. As I was watching it,
I was just like, I am really enjoying myself. And
you know, I love a slow I love a slow pace,
a slow pace where I'm locked in. Like they they
they won my they won my attention and they won
my trust. So I wasn't watching stuff that confused me.
Like she was a vampire. I got it.

Speaker 2 (14:38):
Yeah, that's easy to understand. And it became clear she
was a vampire when her teeth came out. Also, and
then she ate that guy. Yeah that's a vampire.

Speaker 1 (14:49):
That's a vampire right there. But it's vampire behavior. You
can tell a girl directed this because there was a
scene that was just a hug. There's a scene that's
just like listening to her beat there, Like it was
just like I was enjoying it. I loved so many things.

Speaker 2 (15:06):
So many things happened in this where I was like,
I need that medically, like a long hone. And this
man was cue to hold the cat or a bath.

Speaker 1 (15:16):
They they made that cat a bath. Yeah, they made
that cat extremely hilarious and cute. The clothes was so cute.
They like slowly made me into a cat person by
the end. I was like, that was awesome. I'm obsessed
with the cat. The cat. I am the cat.

Speaker 2 (15:39):
Well, I like to imagine I'm like one of the
people in the romantic storyline. No, I am the cat
sitting between the two.

Speaker 1 (15:45):
People with its little feet.

Speaker 2 (15:50):
Yeah, me and my little pause and my round um
just sat.

Speaker 1 (15:54):
There like confused. Hello. It was so did I get here?

Speaker 2 (16:00):
How did I get involved in this?

Speaker 1 (16:02):
This was like, okay, yes, the best case scenario because
once I found out I was twenty fourteen, I was like, oh,
this makes sense because it's kind of twee. It feels
a little homily. It feels a little it's like in
black and white, Like what was that movie that was
in black and white? That was the movie that was
not borrowing it down the artist? Yeah, or like yeah,

(16:24):
I don't know. It met all of those things, but
it was actually deserving of the praise. Oh my god, yes,
let's oh my god.

Speaker 2 (16:33):
Let's get straight into our phone notes because my first
note is very about that. This is okay, segment of
the pod where we read the notes that the other
person took on their phone while watching the film in
their bed on their laptop.

Speaker 1 (16:43):
Leanna, your first note is when a man does a
film in black and white, it's annoying, but when a
woman does it, it's actually artsy and brave. That is
so true. Also, it was just very It wasn't just
in black and white. Like the cinematography and everything was
very i don't know, alluring. Yeah, and it felt like
the vampire thing and all the colors and the.

Speaker 2 (17:07):
It was very stylized. Yeah, it was not just black
and white. You're so right, But I feel like sometimes
directors will do that where it's like, well, but it's
in black and white, and it's like you didn't change
anything else, though, yes, you just put it in black
and white. Yeah, merch available in the toss popcorns door.

Speaker 1 (17:23):
Or even though I like the look of the seventies,
I'm really tired of going, wow, it's so cool that
they made this look like the seventies, because it's like
everybody keeps doing it and it's like, yeah, that's when
movies were like sex movies. So you're like, yeah, it's
kind of cool that we do this.

Speaker 2 (17:38):
Yeah, I don't, I don't. I don't like alluding to
that decade.

Speaker 1 (17:41):
But yeah, the stark light and dark in this one
was really working for me because it's all night the
whole time. I did not even notice that once or
for a lot of Italys. Oh yeah, there were sometimes
where she was sleeping and dreaming and it was daytime.
But yeah, she was a vampire.

Speaker 2 (17:56):
Oh my god, of course.

Speaker 3 (17:59):
Okay, yeah, oh ah, that makes so much sense. Yes,
she was, she was, she was Leonna, you said, and

(18:22):
this is a great point.

Speaker 1 (18:23):
I couldn't believe this one. I noticed it, you said,
I can't imagine this guy with sex tattooed on his
throat is a savory character. That guy was the worst.
He was truly the worst. He did have sex tattooed
on his throat.

Speaker 2 (18:39):
Yeah in English, huh, he was the worst man.

Speaker 1 (18:45):
I did not like.

Speaker 2 (18:45):
Him, but I would not like he was he got eaten.
I didn't like watching it, and I did put it
on mute. But it was like, okay, good they.

Speaker 1 (18:54):
Okay, another sorry, another way that this was my bad girl,
a girly if you will. His badness he was. He
was abusive to the women. He threw a woman by
the way, I literally gasped. He threw that woman.

Speaker 2 (19:07):
Threw a woman, yeah, the sex worker out of the car. Yeah,
when he tells her her yeah, yeah, yea yeah. Oh
my gosh, he threw a woman when oh when he threw.

Speaker 1 (19:16):
Her yeah even when either yeah, oh I remember that. Yeah,
but one of his one of his, uh, because she
goes after all like the bad men, right and m hmmm.
So that's he was abusive, right, and just a horrible person,
but also part of us seeing him be bad. He
didn't just try to like assault this vampire girl or something.

(19:37):
He just like was a horrible vibe when she came
into his house.

Speaker 2 (19:42):
Oh my god, he was all time like nightmare blunt rotation.

Speaker 1 (19:45):
Yes, Like he invites her over, she goes over, completely
consents to go over, and like they go over, you
to like the promise of like let's go. And then
instead of being like hey hey baby, sexy time, he
comes in, starts doing lines, starts counting his money, completely
ignores her, starts lifting weights. And then at some.

Speaker 2 (20:03):
Point I wrote down, is this what sex is?

Speaker 1 (20:07):
It was so crazy, so crazy, and I love that
that is one of the things punishable by death. It's like,
why did you invite me to your home and come
I completely ignore me. But that just feels totally the
vibe of like has yes, guy, that is womanhood lifting
weights and yeah, womanhood is that you're standing there while

(20:27):
he's like sort of doing his thing and wants you
to be there.

Speaker 2 (20:31):
You're like, what what?

Speaker 1 (20:34):
What? I used to go over to all I went
over to my friend's house. It was not romantic, but
he would just play the piano. He would sit down
and play the piano. When I would go, what, hello,
what do I do?

Speaker 2 (20:49):
It's very young, it's not my house. I can't just
move about the space.

Speaker 1 (20:54):
Sit here. And then afterwards I'd be like, awesome, that
was great, Like what do I say?

Speaker 2 (21:03):
I once, when I was very little, I was like
at the boy's house who was in my carpool waiting
to get picked up or something, and I had to
just watch him play the sims exactly when.

Speaker 1 (21:17):
I was an adult.

Speaker 2 (21:18):
In college, when I was legally an adult, I invited
a guy for coffee, but he was late with an
article that was due for the student newspaper, and so
he just had to write it while I sat and watched.

Speaker 1 (21:34):
Why would you think this is.

Speaker 2 (21:35):
Punishable by death? If I was a vampire. I'd have
eaten them.

Speaker 1 (21:39):
Because why do you think this is okay? But like,
why would I be here for this?

Speaker 2 (21:43):
You can't just invite I'm not an NPC in your
video game. I have an agenda of my I have
to do. I have an agenda, an agenda of her own.
M oh wait, an agenda of one zone?

Speaker 1 (21:57):
Nice? Are you amazing at dancing? Please please teach me.
We'll be right back.

Speaker 3 (22:11):
Yeah.

Speaker 1 (22:11):
Anyway, she just stared him down and he brought her
into his home. But then, of course her reward was
not sex yet, it was watching him lift weights and
count his money, which is very real.

Speaker 2 (22:21):
He didn't even invite her to sit down. He left
her in the entryway he and then went and did
all that.

Speaker 1 (22:27):
He snorted like five lines. Also, it's a line drugs.

Speaker 2 (22:32):
He cleared his nose like it was a vacuum cleaner.

Speaker 1 (22:35):
Stop snorting like it was a vacuum cleaner. My god,
my god.

Speaker 2 (22:44):
I really lost it when he went over and started
lifting weights and just looking at her, and I was like, no, really,
would somebody please tell me? Is this what they do
if a guy invites me back to his do I
need to be prepared for.

Speaker 1 (22:57):
This no, I need to expect.

Speaker 2 (22:59):
Also, just lifting weights while making eye contact? What am
I supposed to do in that? Do I bring my
own weights?

Speaker 1 (23:06):
I'm sorry, I don't have any. I didn't know.

Speaker 2 (23:08):
I didn't know I could do some bodyweight exercises.

Speaker 1 (23:11):
Is are we exercises? You start doing a plank?

Speaker 2 (23:18):
I count just the money that I have in my lailaw.
I'm like, I'm trying to match your freak.

Speaker 1 (23:23):
I guess I don't have anything to snort. I'll smell something.

Speaker 2 (23:27):
Yeah, I'll just do a flowers and fresh flowers I
could inhale.

Speaker 1 (23:32):
That's my cocaine. A fresh flower nature is my cocaine. Leanna,
you've asked, is this the titular girl? And I was waiting,
waiting to find out her name, but we did not
find it out. Oh, I guess that's true. We did
not find it.

Speaker 2 (23:49):
That part of vampire lore, like if you know their name,
you have some sort of power over them or is
that something else?

Speaker 1 (23:54):
I don't know. I've never heard of that, but I
will accept. Okay, thank you, Thank you so much, Leanna.
You said, okay, she's insane. Love that for her. Oh
my god.

Speaker 2 (24:10):
When she bit off his finger, I was like, oh,
and then she made him eat it. And I obviously
was covering up the screen with my salad bowl at
this time, and it was on mute because I had
gone to as soon as there was a cat on screen,
I went to Does Thedogdie?

Speaker 1 (24:24):
Dot Com?

Speaker 2 (24:25):
I thought, and it was like, the movie is about vampires,
and I was like, what, I thought he was gonna
kill that cat. I was very scared for the cat,
but not after I went to does the Dog Die?

Speaker 1 (24:33):
But it did.

Speaker 2 (24:34):
Of course, the peril of does Thedogdie dot Com? Is
it will of course spoil upcoming things. But I did
want to be forewarned. Yeah, but that meant that anytime
there was a finger on screen, I got real nervous. Yeah,
so when the woman in the car is sucking on
his finger, I.

Speaker 1 (24:52):
Said, oh no, no, no no. But then they made it.

Speaker 2 (24:54):
They made it very cool, and then when you saw it,
you went, this makes sense that this is the vampire.
Teeth came out and I said, I think this is
gonna be it.

Speaker 1 (25:00):
I bet this.

Speaker 3 (25:01):
Yep. There.

Speaker 2 (25:02):
I thought there was a tasteful amount of violence in this,
like that was really the ger scene that there was
the only one and then the rest of it. I
was like pretty okay with.

Speaker 1 (25:09):
Yeah, because it was like from different from angles and
she's like you already saw it.

Speaker 2 (25:14):
You're just getting the vampire vibe, but the gist of
a vampire doing vampirism, and.

Speaker 1 (25:19):
It wasn't really just like disgusting for disgusting sake. It
was just she just hate that man, and we did
hate like Sinners was much more gory about it, with
like a close up on the injury as well, like
the bitemark, which was gross all that. This was very like, oh,
she moved very fast and now he clearly in the focus.

Speaker 2 (25:44):
Uh you said, what, well, two things from you? One
so true, she's a vampire, but she's still trying to
survive capitalism like the rest of us. And then several
lives down. Bet you love this cat.

Speaker 1 (26:01):
I did. I loved that cat. That cat was They
just kept showing the cat. Yeah, because that cat was
a star. Yeah.

Speaker 2 (26:09):
That was the other movie we saw where the cat
got cut from a lot of the film when we
watched like three days ago. Oh my god, oh my god,
I've always lived in the castle.

Speaker 1 (26:23):
The last one I watched. Yes, yes, yes, yeah, this
is the opposite just when they said that cat, We're
gonna put the cat in as much as possible.

Speaker 2 (26:32):
And I always wonder cat is the main character?

Speaker 1 (26:34):
Was that in the script or did they keep just
going okay, wait, wait, wait, wait wait, get one of
the cat. Yeah.

Speaker 2 (26:39):
Maybe it's that thing where like when an actor is
really beloved and then they end up making the role
much larger for them in the TV series. Yeah, I
bet the cat was just like kept slaying on. They
were like, oh my god, we got to get another
shot of Oh my god.

Speaker 1 (26:52):
I'm sorry. I know we're in the middle of this scene,
but yeah, where.

Speaker 2 (26:55):
We build it around the cat? Yeah, can we get
the cat in? Is being so good right now?

Speaker 1 (27:01):
Oh, Leonna, you said I fear this will not solve
the male loneliness epidemic.

Speaker 2 (27:05):
Oh and you noted is she teaching men to be good?
And so this is when she's.

Speaker 1 (27:11):
At the child. I think, yeah, this is when she's
at the child. I think it was almost so relatable
to me that I couldn't believe that's what this movie was.
I was like, I get exactly what you're going for.
I get it. I want to grab every little boy
and go don't become like them. Don't become like them.

Speaker 2 (27:29):
I just don't think that that would do that would
do the trick. No, I think that might radicalize them
even faster. If you terrify a boy, steal his skateboard,
start skateboarding around the town on it, and during the
terrifying of him, threaten to eat his eyeballs right and
tell him you'll be watching him for the rest of his.

Speaker 1 (27:47):
Life, and then watch him when you set down a
murdered guy later.

Speaker 2 (27:49):
Yeah, you know, I guess. I guess maybe in bad
city it's the only way, right, it is bad, But
I do worry.

Speaker 1 (27:59):
I almost need Uh does the does the Dog Die?
Dot com? For?

Speaker 3 (28:03):
Like?

Speaker 1 (28:04):
Is the is the babysad dot Com? Because watching that
be sad? Like, oh that was upsetting. Yes, yes, it
was so sad. It was so sad. He was so cute.

Speaker 2 (28:16):
Okay, yes, yes, yes, I bow good boy. But she
didn't kill him, And then I was like, Eh, it's fine, fine.
I was gonna be surprised if she killed him. Think
we've seen this young boy do anything wrong?

Speaker 1 (28:30):
Because I couldn't figure out her motives for a while,
because I'm like, I know, she takes out the bad guy,
but then she goes up to the kit and when
I thought she was gonna eat him, I'm like, what's
the point. But then then I did get it. But
then later she does just kind of eat an unhoused guy.
Was he bad?

Speaker 2 (28:45):
That's so true.

Speaker 1 (28:46):
I wasn't sure about that one. I guess she also
needs to eat. Huh.

Speaker 2 (28:50):
Maybe she was going to eat the guy, the main
guy that she met on the sidewalk, but then it
turned out he was like a beautie pie.

Speaker 1 (29:01):
Yeah, and she's like crowd.

Speaker 2 (29:01):
I bet she assumed he was bad, and so she
was like, there's dinner. But then he was really cute
and she just wanted to hug him. So then she
needed a meal. I don't know though, Yeah, that's dubious morally.

Speaker 1 (29:12):
I guess she just also eats.

Speaker 2 (29:16):
Girls gotta eat, Girls gotta eat. Okay, Sienna, Okay, Sienna,
you noted. I wish I knew how to do this
boob dance.

Speaker 1 (29:27):
There was a lot of dancing in this movie that
I was like, I don't know how to do anything
with my body this like that when he's dancing with
the All the women in this were so beautiful. It
was kind of oh yeah, but one of the beautiful
women in it. Uh the uh the one who who
denies him, the rich girl Peter the Bible what oh oh,

(29:50):
it was like her name is Peter. Her name's Peter
from the Bible. No.

Speaker 2 (29:55):
Sorry, that's just like one of the few things I
know about the Bible.

Speaker 1 (29:58):
She uh wanted to him three times. She is doing
a dance. It's like, is this at the club? At
the club?

Speaker 2 (30:09):
Yeah, oh my god, I have I think I have
a trag about that.

Speaker 1 (30:11):
Oh really probably.

Speaker 2 (30:13):
I mean it's but it's reflective on myself. It's not
about the uh oh, the voyeurism or anything like that.
It's nothing to do with the film. It's the dancing
she's doing.

Speaker 1 (30:22):
I'm just like, what if I wanted to bring out
whatever type of hot and sexy that is, that would
be impossible for me.

Speaker 2 (30:28):
I could not yep yep, yep, yep yeap.

Speaker 1 (30:31):
Who how do you know? How do you know?

Speaker 2 (30:34):
I have a note about dancing later in my notes.
I think if you look up dance.

Speaker 1 (30:40):
Why is a woman dancing the most beautiful thing ever?
And a man dancing? Is like stop, it's a great question.

Speaker 4 (30:50):
What I mean?

Speaker 1 (30:51):
Was this? Also?

Speaker 2 (30:53):
This is right at the end when Hossein is like,
I want you to dance for me, and she does,
and I was like, this is so beautiful. She's doing
this so beautifully. Yeah, man were dancing, I would be like.

Speaker 1 (31:01):
Stop, it depends on the man dance for me, because
I mean, well, we love a man doing.

Speaker 2 (31:05):
Choreography, that's true, but choreography feels different from dance.

Speaker 1 (31:10):
I get what you mean because I went to a
wedding that was like a really fritty wedding because one
of our family friends, unfortunately he's a frat person, and
in a big way because all of his guests they
clearly had all been like in a frat together and
they're dancing. They're dancing.

Speaker 4 (31:29):
Was like I was like no, no, no, because it
was it was both very sexual but also they were like,
I'm straight, so it was kind of like this like
frat thing of being really like you're kind of like
grinding is sort of what you're going for.

Speaker 1 (31:45):
But h and they could all do the worm, and
I was like, this should be awesome, but somehow it
feels like illegal threaten. I yeah, it's threatening. Was it
was a threatening worm. They were doing the threatening worm,
and it was very scary. That's what it's all very threatening.
It's like they have to prove that they're not like feminine,

(32:07):
so they're not doing like a feminine dance, which I love,
but I don't know, so yeah, I guess. I guess
a guy dancing as like a a mating ritual is
much much worse than a woman's written note ritual. Yeah,

(32:27):
because it is. It's threatening for some reason. It's like,
don't don't do that. Like the guy dancing earlier, after
he lifts weights, he does a little Oh, I hated that.
It was disgusting. That sucked. It was disgusting. It was
disgusting that guy had the worst vibe of all time.
He had such a realistically bad bad man vibe. Yeah,

(32:53):
because this is when a guy makes a movie that's like,
this is how when you hate bad guys who are
like this, right, And it's guys who are just like,
you know, trying to hit on what women and like, yeah,
beating women aside, and we're like, yes, we hate that,
but we also hate this. Yeah, this, this is what
the vampire is gonna go for. A guy who's like
dancing at me like this and ignoring me on a date. Yeah,

(33:14):
that's what we need but they're like, wait, yes, but
I do that.

Speaker 2 (33:16):
Yeah, he ignores you until he wants something from you,
and then you're like, then he does a disgusting dance
at you. Oh you have a note that you didn't bold,
which is so real, which is you can't just be
out at night.

Speaker 1 (33:30):
Yeah, what do they keep doing? Crazy? Yeah, these guys
keep doing that and that's the bad city promise.

Speaker 2 (33:38):
He was like, I wondered initially because I was still
thinking very promising young woman, if she was trying to
like lure him back to see if he would try
to take advantage of her right And then when he
was like, you know what, I actually can't stand up
right now, so I can't go with you, and she
had to put him on the skateboard. If it was
at that point that she was like, nah, you know what,
he's not a bad guy. If I have to scoot

(33:59):
him to my home, that's a pretty good test.

Speaker 1 (34:02):
If I have to scoot him to my home, it's
a scoot test.

Speaker 2 (34:08):
It's like our jump test for seeing if you have depression.

Speaker 1 (34:12):
I forgot about if you can't.

Speaker 2 (34:13):
Jump very high you have depression. If you have to
scoot the man to your own home, he is not
a bad guy.

Speaker 1 (34:18):
He is not a bad man.

Speaker 2 (34:19):
Did you think this man was just to put him
on a skateboard and scoot him? I thought this guy
was hot as hell. Yeah, me too, Oh my god.

Speaker 1 (34:24):
Yes, I think.

Speaker 2 (34:25):
He's much closer to your type than most of the
men in films, because he's a man of com unfortunately,
like vaguely, he's got a little something going on.

Speaker 1 (34:37):
That's really all I need. Yeah, he was very good looking.
He was.

Speaker 2 (34:40):
I enjoyed looking at him very much. He was such
a girls, he's such a guy. He was just like,
he looked really good. An eyeliner, that's how you know.

Speaker 1 (34:50):
Yeah, the eyeliner in this movie off the charts. It
made me really want to try wearing a lot of eyeliner.
Oh love, Leanna, you said, why is it so silent
in this town? That is so true. No ambient noise,
like they're in a vacuum. It really was. And Okay,
you know what I never figured out that I don't
know if I'm supposed to. The one thing tonally, which

(35:10):
it did a good job of making it sort of uncanny,
is why was there the pit of the ravine of
dead bodies? Yeah? Because at first one it started, I
was like, okay, there's gonna be like there's vampires all
over the town, Like there's so did you know vampires?
Right away? I think I saw it the thing okay, yeah, okay.

Speaker 2 (35:30):
I was like, there has just been an atrocity and
I was like, yeah, oh my god, because it was
very atrocity coded and also like it's giving war crime.

Speaker 1 (35:41):
You know, when the ravine was revealed at the very beginning,
he's walking back with a cat and there's like these people.
I didn't notice until I think the music was amazing
in this the like all the scoring and everything because
the uh I didn't notice that. In the background, I
was eating my pastap and then the music kind of
like faded out and got wreaky, and I went, oh,
I need to watch what's happening on the screen. And

(36:02):
then I went and looked closer and there was a revie.
There's a big bodies and I went, I wouldn't have
noticed that at first.

Speaker 2 (36:12):
It was so not quite addressed, and then you see
them adding bodies to it later it was like there
has killed. So you're like, okay, and he gets paid
to put a body in the ravine. Yeah, it's not
a subtle way to dispose of a body. You can
see them in there. Yeah, very strange.

Speaker 1 (36:30):
Dying all the time. That's one of the ways. It
was like they just implied bad without seeing that people
were like getting attacked all the time or anything. Yeah,
but it was really eerie, Leanna. You said of the
things we just discussed, you said, can I offer you
a nice plum in this spooky jar? Such a spooky time,

(36:52):
please take my plumb? Yeah. When she danced in this
it was really quite well.

Speaker 2 (37:00):
Yes, And you noted, I wish I knew how to
do this hip dance. So the boom dance and the
hip dance, I know what you're talking about, was very
beautiful as well.

Speaker 1 (37:10):
I want to have just the ability for myself to
do it, even just for myself, sister, uh doing it
for them shop?

Speaker 2 (37:22):
Yes? Yes, yes, sorry?

Speaker 1 (37:26):
Sorry? Did I just say yes at my own I
think so. I just conserved, Oh I feel.

Speaker 2 (37:37):
Like I'm blackout to sing something and then go yeah.

Speaker 1 (37:43):
Ooh at your own.

Speaker 2 (37:44):
Sing Ooh all right Ley, you noted ear piercing scene.
That's how you know a girl made this.

Speaker 1 (37:54):
Yeah.

Speaker 2 (37:54):
The way they love sterilizes the safety pin.

Speaker 1 (37:57):
That's another version of her being like freaky and kind
a little freak. She's like a mix of not like
the other girls and also just like confused and but
she's she's like, I want I want this, I want this.
I don't know what it is I want, but I'm
not afraid of violence. And she Yeah, he pierces her
ears with a pin, which is how you also know
that he's a little bit of a freak. Hella very

(38:18):
kindly pierces her ear so that you can put the
pretty new earrings in them for the rest of the movie.
When she goes up and does a little hiss, Yeah,
I love that a lot. Mm hmm so cute. Oh
my gosh, yeah, me too, you said, omg, the cat,
I gasped. What a reveal.

Speaker 2 (38:39):
As the twist of that's how he finds out that
she's the one who killed his dad, which, by the way, listeners,
his dad not awesome, okay, and not because of addiction.
Addiction is a disease he has. He makes a woman
have a very bad time in the film. Yeah, that
is not good. Yeah, And then she shows up and
uh kills him very much to death and then they
bury him and I assume the ravine. Yeah, and then

(39:02):
she takes the cat because why does nobody want this cat?

Speaker 1 (39:04):
Yeah? So sad.

Speaker 2 (39:05):
That cat is adorable. That's one of the best cats
I've ever seen. And you're telling me you don't want
that cat. Anyway. She takes the cat from the woman's
home back to her place, and then he shows up
and he's like, my dad's dead.

Speaker 1 (39:18):
We have to go.

Speaker 2 (39:18):
And then the cat rounds the corner and that's how
he figures it.

Speaker 1 (39:21):
He goes, hold on a second. She has a lot
of jewelry that has clearly been stolen from dead bodies,
and she's shoveling it into her bag.

Speaker 2 (39:30):
God, do you think she's the one who killed all
of the bodies in the ravine?

Speaker 1 (39:34):
I do think that. Wow, But actually maybe it's just
crime town. I don't know, Crimetown. Crimetown. That was the
first draft of Bad City. Yeah. And then he looks
all around and then he's driving later, and it's I
really love the pace of this because it gives you
a time to think also, and you think back and
you go, you know, his dad really wasn't that great
to begin with, if you think about it.

Speaker 2 (39:55):
She was just taking out the bad guys. Yeah, and
you see him think about it, and then he's kind
of like, all right, all right, well I do love her. Well,
I guess I kept found the cat. Yeah, I guess
I'm on board with her actions. And Leanna, your last
note is, I think these two did a really good job.

Speaker 1 (40:18):
These two actors.

Speaker 2 (40:19):
Thought those two actors maybe did a really good job.

Speaker 1 (40:21):
But they were so beautiful.

Speaker 2 (40:23):
They were both gorgantine and just the like sitting in stillness,
the way they so they moved, They would move so slowly,
I don't know how she was and when they would turn,
when they turned to look at each other at the end,
and I said, she's evaluating.

Speaker 1 (40:41):
The menu.

Speaker 2 (40:42):
Yeah, she's having a look at the menu. And then
when they turned to look at each other at the end.

Speaker 1 (40:48):
I loved that. And the Cats in the Middle of.

Speaker 2 (40:51):
Me as the cat in the middle watching two lovers
find love and you're there, but you're the.

Speaker 1 (40:56):
Cat, the little pause. I really liked this movie.

Speaker 2 (41:03):
Are you in a loving relationship currently? Well, look between
the two of you, there might be a cat there
in surprise, it's me.

Speaker 1 (41:12):
I'll be right back. Oh my god, oh hi meo, hi,
I'm here. Meow. Well, Leanna. Yes, shall move on to
our next segment, which is of course badges and trages,

(41:35):
where we give you.

Speaker 2 (41:35):
Badges for bite marks.

Speaker 1 (41:39):
Bite marks ooh, and trages.

Speaker 2 (41:42):
For a terrorizing a little boy.

Speaker 1 (41:45):
Yeah, yeah, that's good.

Speaker 2 (41:50):
My first badge is a cunty way to reveal she
is a vampire. Ooh. She revealed that in such a
cunty way.

Speaker 1 (41:57):
She said, Oh, I have teeth. Yeah. For some reason,
those fangs were extra perfect for her thangs. That's the word.
Thank you. Look at my teeth. I like you. They
were cute, little they were adobes. And he for a
second is like, okay, maybe these are cool. Not right, Yeah,
you know what? Okay, Oh, I have a bad This

(42:19):
is before anything, and before we found out that this
man is the worst man in the world. But badge
for rock candy stirstick. Hello, I did like that. Yeah,
that sweeten your tea with a little candy stick. Mm hmmm.
Badge for cute cat. That cat is so cute. Yeah,
this this cat was excellent. I gotta say. Badge for music.

(42:44):
I loved the music in this This is so classic US.

Speaker 2 (42:47):
Where in the film where you noticed the music?

Speaker 1 (42:49):
I don't really. I was not really.

Speaker 2 (42:52):
I noticed there was not music a lot of the time.

Speaker 1 (42:54):
There was so much music. She was like obsessed with music.

Speaker 2 (42:57):
And oh when they would actually play music.

Speaker 1 (43:00):
They would play it. But at the beginning there was
some fun whatever, and some of the score was really cool. Yeah,
it does make sense though. Whatever they were playing was
the kind of thing I notice. Yeah, probably because she
was playing like depressing boy band, not boy band, just
guys who sing, not a boy band, guys who sing,
male singers, a boy in a band.

Speaker 2 (43:17):
Yeah, I have a badge for Okay, skateboarding vampire.

Speaker 1 (43:23):
Why was that? Why was that so wonder loved that.
I loved that. I'm just scooting around, Oh my god, cloak.

Speaker 2 (43:30):
But in such a dignified way. Yeah, in a way
that also was like, I think this vampire is having
a lot of fun with this.

Speaker 1 (43:36):
Yes, she's scooted along. She's also just entertaining herself at night. Also, Yeah, yeah,
badge for the pace. This is the right pace for me.
I like it being slow enough that I can think
about things. I was so locked in the moments that
were romantic. They let them just be romantic for a

(43:57):
long time. They let you, like, I don't know it
had me on the on the edge of my seat,
but also I was comfortable. I wasn't confused. I really
this is perfect for me. Loved it.

Speaker 2 (44:09):
A badge for he looks great in this eyeliner.

Speaker 1 (44:12):
He really looked good an eyeliner. M badge for only
one full on killing scene and like, yeah, I don't know.
I just thought it was I thought it was classy
that they thought about, Okay, we're not necessarily doing this
for the gore. I know that would be the point
of some movies, but just when they're like, that's not
really what we're trying to tell with this. Yeah.

Speaker 2 (44:33):
A badge for a disco ball in your room.

Speaker 1 (44:36):
Yeah, that was awesome.

Speaker 2 (44:37):
Really made me think, I think I gotta get a
disco ball in here.

Speaker 1 (44:41):
That's the first time she smiled. He spun it around
and she smiles. Badge for everyone is in this is
so cute and killing it mm hmmm amazing.

Speaker 2 (44:56):
Wow yeah, wow, Oh, huge badge for this poke flower fabric.
Somebody at the very end is wearing a very very
long outfit with polka dotted flowers on it. It's like white,
so it really stands out because everybody else is usually
in very dark clothes, and it's when they're looking at
the father's body, when it's when he's found the next morning,

(45:16):
And I said, I love this fabric.

Speaker 1 (45:19):
Wow, I did not see that at all, but I'd
love to see it. Tom Badge for the happy ending.
Thank you, thank you for just letting it be this.
Thanks for that. Yeah, thank you.

Speaker 2 (45:31):
Badge for the silhouette of his outfit with his big
jacket and little skinny jeans.

Speaker 1 (45:35):
I mean, this is what I mean. The female geese,
that is the female gaze. She's dreaming of her little
like greaser fantasy. Yes. And then a greaser boy who
turns out to be really nice and chill a little sweetie.

Speaker 3 (45:51):
Yes.

Speaker 2 (45:52):
And my final badge is a badge for driving on
the right side of the road. Thank you, Yes, I felt.
I also felt that.

Speaker 1 (46:00):
It was really comforting. I also felt that relief. I'm
not even in London. I'm just prejudiced.

Speaker 2 (46:06):
I was like, and I'm both, Yeah, tragic trages, trage
for this horrible woman throwing man.

Speaker 1 (46:18):
It's horrible, I said, I saw. Yeah.

Speaker 2 (46:21):
I was really upset when he came back. I was
hoping he was just going to be in that one scene.
He was bad trage for this is what I think
I look like at the club. I do not look
like this at the club. The dancing, the Peter who
denies him she.

Speaker 1 (46:39):
Miss Peter, Yeah, miss Peter.

Speaker 2 (46:42):
Yeah.

Speaker 1 (46:43):
She was hot, hot hot. That's how I too. And
then I go when I look in the mirror and
I go, I'm so sweaty. How do some people just
like not look as sweaty and the curly I was like, yeah, yeah,
uh trage for this boy so sad. That made me

(47:05):
so sad. When she went up to the boy and
he was like, yes, yes, everybody keeps shaking this little boy.
It's a cute little boy. He's so cute.

Speaker 2 (47:15):
M trage for is anybody going to address the ravine
of bodies?

Speaker 1 (47:20):
That was also my next trage, though I guess I
don't really feel super tragy about it, but it was
something I was like, hello, Hello, I.

Speaker 2 (47:28):
Was very hello about it. I was like, I think,
what everything else? I feel like kind of god explained
by the end. I was curious about it.

Speaker 1 (47:40):
But I have to read up on that. Yeah, me too,
That's how I feel. I have to go read some reading.

Speaker 2 (47:46):
Yeah, I have to read about that trage for he
spun that disco ball too fast.

Speaker 1 (47:51):
That was it was crazy. Oh my god, I got dizzy. Whoa, whoa.

Speaker 2 (47:57):
I get that you're trying to set a vibe, but
not this one and take.

Speaker 1 (48:01):
It down a notch. Trag for forcing drugs into this woman.
Yeah that I gasped. I gasped.

Speaker 2 (48:11):
That was so that was really ef I had to
mute that. That was too upsetting.

Speaker 1 (48:14):
I didn't know what was gonna happen, and I just
I really was like, Yeah, that was so scary and dark.
It was kind of a genius climax of the film
of her like violence that would take her to to
take down someone that he loved. Yeah, because I don't know.
Once again, it's sort of a badge for it being
a little bit classy that it wasn't like it was

(48:36):
super upsetting to see, but I don't know. It's like
it's like a quick thing that is so powerfully horrible.

Speaker 2 (48:45):
Like yeah, and it really is a bad guy.

Speaker 1 (48:50):
Yeah, you're also has to die, uh trag for it's
interestingly filmed.

Speaker 2 (48:59):
But I am following a sleep Sorry if.

Speaker 1 (49:01):
You're sleepy, I could see how you could fall asleep
for this. Definitely, it's just a necessarily.

Speaker 2 (49:05):
Bad thing, which you know, I think if you get
into your bed and lie down, it's likely that you
might fall asleep.

Speaker 1 (49:13):
Those are all my trages.

Speaker 2 (49:15):
My final trage is a trage for not wanting the
cat anymore? Why did people keep not wanting this cat?

Speaker 1 (49:20):
Keep being like, take this thing? Okay? Is so cute.

Speaker 2 (49:24):
I get that some of them thought it was a demon,
but that doesn't matter. It's adorable.

Speaker 1 (49:28):
It was very cute. I love cat Leanna. Shall we
move on to our next segment, which is, of course,
how to pretend you've seen this film? This is for
your skateboarding at night, because you have you will yes,
And wow, I don't know anyone's name in this, and
I'm not gonna make it. The main guy and a
dad I think was Hosain, and Hossein comes up to you,

(49:51):
the freaky dad and says, oh, wow, you're having a
good time at night. That's hey, I'm here too. We
might as well hang out. Maybe I'll mirror all of
your movements just to get your attention. Uh, And I'm
gonna tell you about this movie that I just saw.
Had a bunch of hot chicks in it and some

(50:11):
pretty cool guys.

Speaker 3 (50:12):
Too.

Speaker 1 (50:13):
I will kind of fell asleep for it, but I
think I got the gist was that obscury lady was
killing all these guys for no reason. So I'm gonna
tell you all about it. And in order to.

Speaker 2 (50:24):
Well bite Hossein's finger off to stop him talking about
this film, We're gonna give you a few sentences that
you can say to pretend you've seen the movie A
Girl walks home Alone at night. Yes, Hossein, I've seen
a girl walks home alone at night. Please stop following me.

(50:44):
For the majority of the film, the main guy has
his hand in a cast. Oh yeah, and I was
forced to say it out loud at the beginning. Well, yeah,
that's what happens when you punch a brick wall.

Speaker 1 (50:58):
I forgot that's why he had a cast. Yeah, I
could not remember part way through. He's cute, but he's dumb.
Oh cool, Yes, Hossein, I have seen the film A
Girl Walks home Alone at night. The skateboarding sequences were
actually performed by the director herself, who is a lifelong skateboarder.

Speaker 2 (51:21):
You go, girl, slay, slay, Yes, Hossein, I've seen a
girl walks home alone at night. Little Sweet dummy. Main
character boy A Rash at one point says you're so cold,
and I said, well, yeah, she's undead.

Speaker 1 (51:40):
You figured it out. Yes, Hossein, I have seen the
film A Girl Walks home Alone at night. Leanna, you
are like kind of amazing at guessing. Yeah, some of these,
some of these film trivia facts. Oh my god.

Speaker 3 (51:57):
Uh.

Speaker 1 (51:57):
Masuka the cat was not originally written into the script,
but Armor Poor was so impressed by his skills that
she put him in the film. No, yes, she went,
that kind is skilled. I have to keep going. I
love that, which does kind of make sense. It's like
he was a huge part of this movie. This is

(52:18):
like when you guessed in what's it called Wayne's World,
you were like, I bet this happened, this happened, and
this happened with their faces, when you were right about everything.

Speaker 2 (52:28):
It's because I'm an EmPATH, an EmPATH through the screen
good sense. Yeah, Hussein, I've seen a girl walks home
alone at night. I cannot believe you are still talking
to me about film. Are you an idiot?

Speaker 3 (52:41):
Now?

Speaker 1 (52:41):
Have you become an idiot? And as he.

Speaker 2 (52:45):
Continues babbling on, I say to myself, Yep, he's an idiot. Yep,
I did love that question. Have you become an idiot?

Speaker 1 (52:56):
Then he ends up being like, all right, good for you. Okay, sorry,
this isn't the one I'm gonna say. But also, Masuka
the cat initially refused to be in the film, but
a few cans of sardines changed his mind. I sometimes
the people writing this trivia are so changent.

Speaker 2 (53:16):
Yes, hold on, there's actually a really good cans of sardines.

Speaker 1 (53:20):
I wish is mine. I would recommend the trivia for this.
There's some good ones.

Speaker 2 (53:23):
I'm not doing that film. Have you considered these few
cans of sardines?

Speaker 1 (53:27):
Oh?

Speaker 2 (53:28):
Well, you got me? That cat is a star.

Speaker 1 (53:33):
Yes, Hossein, I have seen the film A Girl Walks
Home Alone at Night. This is the first vampire story
to be set in a Middle Eastern setting. And also
despite that it was shot in Taft, California. WHOA, what
the heck? They must have been looking for one of
the most like I mean, they did have a lot

(53:55):
of specific settings in this, like they needed a big
power plant and then specific looking streets, So I wonder
if they just looked for a really uh liminal looking
city mmmmm. But it was also.

Speaker 2 (54:09):
Oh yes, I'm seeing all the oil things in Taft, California.

Speaker 1 (54:13):
How did they find that?

Speaker 2 (54:14):
Huh huh that would suck. Imagine you book a film
and they're like, and we're shooting it in tag.

Speaker 1 (54:23):
Like damn it, oh, damn.

Speaker 2 (54:28):
It, oh Sienna. Let us drill into our next segment,
Should you watch this or in which we tell you
the listeners if we think you should watch this movie
or if you should do something else with your spooky season?

Speaker 1 (54:41):
What do you think?

Speaker 2 (54:42):
I'll say it, I think you can watch this film. Yes,
I enjoyed it very much. And if you know a cat,
hold on to it while you're watching. Oh, that's my recommendation.

Speaker 1 (54:51):
I would also I would also say watch this movie.
It was really cute, it was not that long, it
was chill. It's not very scary, but I'll get you
in the spooky season. But it's yeah, it's it's it's
it's adorable. It takes down, it takes down bad men,
but nothing's too like grotesque. It's so romantic, yeah, after

(55:15):
the first one, but it's not you know, and also
nothing's too gratuitous in terms of the It shows some
bad guys, but that could be a really gratuitous thing
and respectful. Yeah, I really liked it. Yay, good hug, me,
good hug, great hug, really really good hug.

Speaker 3 (55:37):
Yeah.

Speaker 1 (55:38):
Well would you rate it, Leona, what would you rate it?

Speaker 2 (55:41):
I would give the film A Girl Walks Home Alone
at night four Masuka the Cats out of five. I
really enjoyed it a lot. The gore was upsetting at
the beginning, and I still don't really get what this
whole ravine of body things was and that was very unsettling. Sure,

(56:02):
and at times it was a little too quiet.

Speaker 1 (56:05):
For my liking. Yeah, that makes it but sweet.

Speaker 2 (56:09):
And I thought the actors did a very good job
and that cat was so goddamn cute. Seanna, what would
you say?

Speaker 1 (56:15):
I'm going to give this movie five pierced ears out
of five. I just really liked it. It was a
perfect amount of quiet for me. I love when they
don't talk because I don't have to think about things.
This worked specifically for my type of brain, just to
watch go, Okay, oh I get that, Oh, I get it.
Oh she's a vampire, I know because she ate that guy.

(56:36):
Good hug, And it helped that the guys in this
were my type. So yeah, no, problem for mama. Okay, well,
no qualms for mama. This movie that was a full
sentence was not a flop, so that's a good thing.
Oh oh that's right. Thank you everybody so much. We
have watched the film A Girl Walks Home Alone at Night.

(57:01):
We are at Tosspopcorn on instagram dot com well on
Instagram the app if you'd like to see our memes.
We make fun memes and posters every week, and you
can follow us on patreon dot com slash toss Popcorn
where we post uh and we're posting again our bonus
content about movies that just came out or this month

(57:21):
since they got messed up. There's a little bonus, bonus
something something. Go check it out a bonus and join
us next week when we will be watching Master Scarey.
Thank you, We love you. Bye. You can find us

(57:45):
on Instagram as at Sienna Jaco and at Leanna Holsten.
Please check the description for the spelling of our dumb names.
We put on episodes every Tuesday, so make sure to
subscribe so that you don't miss an episode. See you
next week on Tossed Popcorn. For more podcasts, my Heart
Radio check the iHeartRadio app three two one.

Speaker 2 (58:09):
Oh, Oh my god, I'm so sorry.

Speaker 1 (58:17):
What happened?

Speaker 2 (58:20):
I forgot when we're supposed to clear it like this,
well I couldn't remember if I was supposed to then
wait for a go, like if it's three to one,
go clap, but it's three two one clap.

Speaker 1 (58:31):
Oh my god.

Speaker 2 (58:32):
Okay, let's please try that again. Okay, ready, please give
me another chance, give me another better, I promise, Come
on

Speaker 1 (58:39):
Ready please three two one, Yes, that was good