November 25, 2025 • 57 mins
Book a flight to this episode for tiresome tourists, foreign fax machines, and unsupportive undergarments. The person most confused by the film this week was: us finding out Scarlett Johansson is 17 in this!!!
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Episode Transcript
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Speaker 1 (00:00):
Toss Popcorn is a production of iHeartRadio.
Speaker 2 (00:11):
Hi, I'm Leanna Holsten and I'm Sienna Jacobs, and welcome
to Tossed Popcorn, the podcast where two idiots watched every
film on the AFI's one hundred Greatest American Movies of
All Time, the very slightly less Racist tenth Anniversary edition,
and are now watching films with Scarlett Johansson in them.
(00:32):
That's the podcast for the rest of the Directed by women,
this podcast is a safe hotel for people who don't
know anything about movies. Today we're watching Lost in Translation.
Speaker 3 (00:46):
For relaxing times.
Speaker 2 (00:48):
Make it suntory time.
Speaker 1 (00:53):
I'll have a vodkatonic thanks. A movie that I feel
like people talk about a lot.
Speaker 2 (01:01):
So yeah, there's like I've heard about.
Speaker 1 (01:03):
It, things about it. It feels like one of the
ones we were supposed to watch, So this will be interesting. Warning,
there will be spoilers about this. But old film, about
this sort of performative walking around, relatably walking around in
(01:26):
a performative way. Old film whose.
Speaker 2 (01:32):
Dog is that?
Speaker 1 (01:34):
You can hear that?
Speaker 2 (01:36):
So I love it. I obviously love it.
Speaker 1 (01:39):
So sorry. Today there's just a lot of I'm in
Seattle now, so there's dogs everywhere, and.
Speaker 2 (01:47):
The dogs here are big, though, dog is that? Well,
I'm in Seattle, of course that's nice. Earlier today you
can get a big, robust dog in Seattle. Speaking of robust,
there was sirens going and then I heard the sound
went on for so long that I was like, that
can't what is that because I thought it was a dog.
And then I was like, this is another sound. This
(02:09):
is another sound.
Speaker 3 (02:11):
It just had the amazing lungs. This dog a real
set of pipes. Yes, red dog. I love how you
interact with dogs in the world. I love that you
are always a little confused by them.
Speaker 1 (02:29):
That can't be real.
Speaker 4 (02:30):
You guys, do that.
Speaker 2 (02:32):
Love capacity on this dog?
Speaker 1 (02:35):
Well, I guess before we do anything, do you want
to do our predictions?
Speaker 4 (02:39):
Yeah?
Speaker 2 (02:40):
Mine was wrong?
Speaker 1 (02:41):
Oh great, let's listen to yours first. I would love that.
Speaker 2 (02:47):
Hi, Sienna, it's Leanna. I'm about to watch Lost in Translation.
I've never seen this before.
Speaker 5 (02:55):
I'm pretty sure it's Scarlett Johansson Tom in an airport
and somebody says to it. At one point in a
men's bathroom, one man turns to the man next to him.
Speaker 2 (03:09):
I think is the main character. That man says, do
you ever feel like you're living in an airport and
the guy is shaving, But the gag is that the
guy actually is living in an airport. But that might
be a completely different movie. So I don't know.
Speaker 1 (03:24):
I love you bye. That is the movie Terminal?
Speaker 2 (03:28):
Oh is that Tom Hanks?
Speaker 1 (03:31):
Tom Hanks is in a movie called Terminal? I don't
know has anything to do with that.
Speaker 2 (03:35):
I don't think she does. I love I wish you've
seen the trailer for that?
Speaker 1 (03:41):
What'd you say?
Speaker 2 (03:42):
I've only seen the trailer for Terminal, but it must
be stuck in my head for some reason.
Speaker 1 (03:48):
I h I wish we would get movies that wrong,
like just whole Chest. I remember that because I think
that Tom Hanks was Lost in Translation. Okay, here's my prediction. Hi, Leanna,
(04:11):
this is Sienna. I'm about to watch Lost in Translation.
I'm not sure what will happen in this, but I
have a few I know that part of it will
be in Japan. Hopefully nothing racist happens. And also I
don't know, like weird like sex party happens. Maybe it
will at least a woman will have done it. Yeah,
(04:31):
one of them maybe is working. Maybe they're both working,
like foreign like like maybe they're both working on foreign soil,
like like for their work. I don't know what I'm
trying to say with that. I do apologize, Okay, I
love you. Goodbye?
Speaker 6 (04:53):
Yeah?
Speaker 2 (04:54):
Did you did you get scared once you'd said the
word foreign? I think so, yeah.
Speaker 1 (05:00):
White fright. Yeah. I was trying to say that they're
like working abroad.
Speaker 6 (05:07):
Right.
Speaker 2 (05:11):
On foreign soil.
Speaker 1 (05:12):
Foreign?
Speaker 2 (05:14):
Goodbye, I apologize.
Speaker 1 (05:17):
Oh gosh, I want to talk about you. Talk to
you about so many things that aren't the movie.
Speaker 2 (05:22):
Okay, well I got great news for you. It's time
for our segment. Hey girl, Hey, hey, well, what do
you want to talk about?
Speaker 1 (05:33):
I guess I don't have anything that in particular. Oh
my god, Well, here's what's going on with me. I'm
in Seattle. My laptop broke. I just opened it up
and it was broke, like the screen had shatowed. I
think I could closed something in it, but I don't.
Speaker 2 (05:46):
Know what a diamond.
Speaker 1 (05:50):
I flew to Seattle yesterday and for some reason it
made me sicker. It's my mom's birthday today, the big wow,
and we decorated. We stayed up last night and decorated.
And did you ever see that book? The Seven Silly Eaters.
Speaker 2 (06:07):
No, when you were a kid, I've never seen that book.
I could not see that book as a kid.
Speaker 1 (06:12):
Okay, anybody can look up the seventh book.
Speaker 4 (06:15):
I have seen.
Speaker 1 (06:17):
It was one of my our favorite books as a kid.
It's like as as as children. It's seven siblings who
like for their mom's birthday, they get together overnight and
like bake a cake using all their favorite foods. Oh yeah,
I think that you would hate it in certain ways
because it would be disgusting, the cake. But that's what
(06:40):
we felt like last night staying up in But it
looks really cute.
Speaker 2 (06:44):
And you.
Speaker 1 (06:47):
Though, you know, those those are those are the things.
Thanksgiving is coming up. My family's absolutely going crazy right now.
Things are crazy. I can't say I'm on Mike, but
just know, hey, anybody, he's got a crazy Thanksgiving coming
up right there with you, Hey, right there with you, babies.
I love this. Yeah, And then I watched this movie,
(07:09):
so that's mostly it. And then as we know, we're
both sick and we just can't get and I kicked
out that we have exactly the same illness and like
the same cadence of the illness, like we both got
the same symptoms, got over them, got more symptoms, got
a migraine while being sick. Yeah, and now I have
(07:33):
cold symptoms again.
Speaker 2 (07:35):
Insane.
Speaker 1 (07:36):
It's terrible.
Speaker 2 (07:37):
Somehow we've sinked across across the pond, across a great nation,
that great, I mean large. Yes, let me let me
be clear.
Speaker 1 (07:50):
I guess that's it. I guess I don't have anything
to talk about. I just said all those things, so
that's okay.
Speaker 2 (07:54):
Hey girl, Hey girl, I was on TV this week.
That was crazy. I can finally talk about tell us.
I went to Belfast many weeks ago.
Speaker 1 (08:18):
I haven't watched because she said it.
Speaker 2 (08:21):
I said I was. I was traveling and I couldn't
tell you where or why. And it was for something
called the BBC New Comedy Awards Heat in Belfast, Northern Ireland.
So they taped regional heats around the UK and thirty
(08:41):
comedians were in them. So there were five comedians in
each heat and the heat is in the Belfast one. Yeah,
it's like a competition, like you apply for it. Then
they do live heats around the UK, so I did
one in Edinburgh and then they picked thirty people from
those to go on to the televised and then from
(09:01):
that they picked finalists, which I will not be commenting on.
And it was wild. It was very cool. It was
a very stressful experience, not from anything anybody working there did.
Everybody who worked on it was so competent. It was
honestly awesome to watch.
Speaker 1 (09:21):
WHOA that's great.
Speaker 2 (09:22):
So it was very cool to see people like be
good at their jobs totally. And so also because ours
was the sixth out of the six heats, so everybody
had a real rhythm down and everybody on the crew
really knew each other and knew like how the thing
was going to flow. And it wasn't a long taping either,
because they just ran straight through everybody sets and we
(09:44):
all were only doing five minutes. But an hour before
the taping started, I got the worst cramps oh, that
I have had since the ones that I had that
required surgery. Oh my god. I haven't had cramps like
this in a decade. And we think it was We
think it was a combo of of stress and nerves
(10:05):
and also trapped wind. Oh, we think it may have
been a bit of trapped wind.
Speaker 1 (10:09):
I had trapped wind recently and I went really terrible.
Speaker 2 (10:12):
It's not good, and it's because we all had to
fly to Belfast for this heat rather than taking a train,
so had pressure that and then the pain went away
for the actual taping and then immediately came back for
the like social hour after. Oh my god, the head
judges and the crew, like the BBC people, well, I
(10:33):
just sat in a rolling chair, just kind of being social,
making an impression, making it. Oh absolutely yeah. I was like, sorry,
I'm a woman of cramps.
Speaker 1 (10:49):
There's sort of a uterous situation going on.
Speaker 2 (10:51):
Here, something's awry. And then they were gonezo by the
next morning, so thank god for that, and it wasn't
another rupture, but oh my god, oh painful, but yes
it is. The episode is now. If you have access
to the BBC I Player you can watch it. It's
called the BBC New Comedy Awards and it's the Belfast Heat.
(11:13):
If you'd like to see me do five minutes, actually
I think they cut everybody's down to four minutes of
stand up comedy.
Speaker 1 (11:18):
That's really cool. Leanna.
Speaker 2 (11:21):
Congratulations, Thank you so much.
Speaker 1 (11:24):
I'm taking my family right now. We have to figure
out how to watch Leanna on TV. What's it called again, BBC,
BBC New Comedy Awards, New Comment Belfast Heat, Belfast Heat.
My dad's gonna love this. Oh well, do you want
(11:44):
to do our podcast? We can keep talking about other stuff.
Not a lot happened in this.
Speaker 2 (11:51):
Let's do our podcast. Speaking of a traveling mildly international
Malie for work. Yeah, Sienna, could you please give us
a synopsis of the film Lost in Translation?
Speaker 1 (12:08):
Yes? Lost in Translation. Two Caucasian lost souls connect in Tokyo,
finding the culture different and the city lonely. They have
an emotional affair for a week or so in a
strange land. The end, that's it. Yeah. Basically, Bill Murray's
(12:39):
like an old TV star kind of guy, old TV star,
He's like a TV whatever, and he took a They
both are lost in their lives. Yeah, makes sense. Lost
in Translation. I yes, in her early twenties and is
like I don't know what to do with my life,
and he is and she's married for some reason. Also, ye,
Scarlet Johnson in the movie Seventeen years Old. Yep. No,
(13:05):
that information made it very distracting the whole time for
me because I was so scared about what would happen.
It's interesting. I think they just like cast her to
play a twenty something, so she's still playing. Oh my god,
she's playing like a twenty two year old, I guess
because she recently graduated from Y.
Speaker 2 (13:23):
Yeah, she graduated in the spring, but somehow has been
married for two years.
Speaker 1 (13:28):
Yeah, and he in this movie fifty two years old.
But I will say, not that much happens like physically.
That's kind of the point, is that it's like an
emotional thing, I guess. But I was very distracted the
whole time by that information.
Speaker 2 (13:44):
Oh my gosh, oh young, she's seventeen.
Speaker 1 (13:48):
Yeah, isn't that insane?
Speaker 2 (13:52):
Sorry, no, no, you do not start a film with
a close up on a seventeen year old's.
Speaker 1 (13:57):
But when I said she was seventeen, don't know if
we did she was seventeen. My brother went, oh my god,
we looked at a seventeen year olds. But that is
how it feels. It's like, it's horrifying. Why'd you make
me do that? Why'd you make me like? I didn't
monocra that.
Speaker 2 (14:15):
It also was the first thing of the I didn't
think it was gonna it started, and I said, wow, oh.
Speaker 1 (14:25):
This is one of those movies where I go why
or what were movies like at the time, I go,
why what were movies like at the time to make
this one stand out? Because I'm sure there are things.
I'm sure there are things, the fact that it was
sort of slow paced and very little happens and they're
both just kind of lost in life, and it's a
(14:46):
lot it's really showing you. It's almost like slice of
life an expat in Tokyo, Like it's really showing Tokyo
a lot, but form very very specific angles. I don't know.
I'm aware that probably was a lot. A lot was new,
but it didn't feel new to me watching twenty twenty five,
(15:08):
So I want to both hold an understanding and awareness
of that, but I don't have the awareness. But probably
there was stuff going on. People love this movie. I've
just like heard about it so many times.
Speaker 7 (15:23):
Yikes, guys, yikes, y'all if you liked last in translation, yikes,
that's what I'll say.
Speaker 1 (15:34):
Oh yeah, let me just go ahead and look at
your notes.
Speaker 2 (15:37):
Is it too early to say I hated this movie?
Speaker 1 (15:39):
No, that's fine.
Speaker 2 (15:41):
I hated this with my whole over of age ass.
My legal ass hated this movie.
Speaker 1 (15:49):
My legal ass. What did you hate about it?
Speaker 2 (15:53):
Let's here let's hear, but it opens on a butt.
I obviously hated the age gap. I think Bill Murray
is like a certified creep at this point. That sucks.
I hated the voyeuristic I think so. I think that's
like an assistant has accused.
Speaker 4 (16:10):
Him of God.
Speaker 2 (16:13):
I hated the weird like white voyeurism of Japan in
the movie. That was very strange.
Speaker 1 (16:21):
It was weird.
Speaker 2 (16:22):
It was slow paced, which is okay if you're making
something beautiful, but this wasn't beautiful. And I didn't think
it was good for women's rights, like overall, And that's
how I felt about it. Quick, you've got three minutes
to send a facts revel in the nineties early aughts.
(16:48):
We'll be back to present day. Oh very shortly, sad I.
At one point in my notes, I wrote, I'm sorry,
but I am not rooting for Sophia Coppolo.
Speaker 1 (17:06):
Everything I've heard that she makes I've never wanted to see.
I think she's just interested in a different esthetic than I.
Speaker 3 (17:13):
Hm.
Speaker 1 (17:14):
I feel like she's far too far on the boob
spectrum for me to really relate to. I just felt nervous.
I wasn't sure what was gonna have.
Speaker 2 (17:21):
Way down the boob pipeline. Mm hmm.
Speaker 1 (17:24):
I was nervous. I was afraid that too many daring
things were gonna happen. Yeah, And I will say a
lot of it was okay, but the white voyeurism of
Japan is a good way of putting what a lot
of it was.
Speaker 2 (17:39):
Yeah, because we've now watched a couple of movies that
are slice of life. One in Korea, one in does
Aquafina she goes back to China for the Farewell mm hmm, yeah,
one in China. But both of those were made by
people who were Korean or Chinese. Yeah, so it's like
showing you life in that city in a way that
(18:01):
makes in a city in that country in a way
that is like, that's so true.
Speaker 1 (18:07):
That is a really good point because those I was like,
oh wow, that's cool. Oh that's interesting. Oh wow, it
seems really fun to like, like getting dinner with your
friends seems really fun. In Korea, for example, they takeaways
and uh uh, this was like, oh okay, go into
a lot of sex parties and thinking they're weird and
(18:29):
everyone's short, what and do you think that's weird?
Speaker 4 (18:32):
Yeah?
Speaker 2 (18:33):
Yep, it was very othering. Don't try to say words.
Don't try to say words disrespect the act and that culture.
Don't do the accent.
Speaker 1 (18:41):
Unless you're speaking the language. You don't need to make
fun of any words you needed it, Okay, Leanna, I'd
love to read your notes. You said, oh no, a
butt again. We addressed this, but we're not the girls
for this. We're not the ones who are gonna feel
safe when we see a butt crack, particularly when I
find out it's a seventeen year old.
Speaker 2 (19:01):
Seventeen year olds, but yeah, you first noted starts with
a butt. Are we gonna hate it?
Speaker 1 (19:07):
I feel more and more like the Portlandia bookstore ladies
every day of my damn life. Yep, I think they're
right about things.
Speaker 2 (19:15):
That is a private dance.
Speaker 1 (19:18):
This is a private dance. This is a dance you
do in the to the moon, in your own backyard moon. Leanna,
you've said jet lagged, Bill Murray is exactly how I
feel right now.
Speaker 2 (19:33):
Oh my god. I felt old, ugly, pervy.
Speaker 1 (19:40):
I'm so sick that I'm becoming a pervert. I feel
as ill as a pervert.
Speaker 2 (19:51):
But the concept of being so jet lagged in Japan,
I was like, that is I bodily am understanding because
I was. This was before I went to the doctor.
I watched this yesterday and oh it was a low point.
I did not feel good.
Speaker 1 (20:08):
Leanna, this is a great point. I was feeling this too.
You said, how is society so bad that I now
yearn for fax machines?
Speaker 2 (20:15):
Oh there was a period piece element to this.
Speaker 1 (20:20):
Yeah, the faxes.
Speaker 2 (20:22):
And I was like, oh my god, why do I
want that? Faxing seems so fun if we just send
each other so much work emails. But like he just
drew the thing and then faxed it. That's great. That's
kind of like where you work, right, I guess so
it's kind of like a I guess we are. We
(20:43):
do faxes for your marketing. No, honestly, the fax machine
of twenty twenty.
Speaker 1 (20:52):
Five, the modern facts, Leanna. You said, girl put some
pants on. Yeah, also change underwear?
Speaker 2 (21:00):
Oh my god, the same pair every day.
Speaker 1 (21:03):
You've got to find another pair of underwear.
Speaker 2 (21:05):
What also, I wouldn't feel held if my underwear was
like see through mesh.
Speaker 1 (21:16):
I've never seen that before.
Speaker 2 (21:17):
At that point, what is the point that is just lingerie?
I think, yeah, that's on the point of it.
Speaker 1 (21:28):
What it is to cover, to keep warm, to feel secured.
Speaker 2 (21:33):
Secured?
Speaker 1 (21:35):
Uh, how did you feel about the relationships in this
in this film?
Speaker 2 (21:39):
Oh my god, I'm just so tired of this narrative
that everybody hates their spouse. Marriage is like a doomed,
miserable agreement.
Speaker 1 (21:49):
Very depressing.
Speaker 2 (21:51):
It's very depressing. Maybe it's heterosexual culture, but I don't
think it has to be. And it's really really tiring.
And like, honestly, to watch I did, I had to
like get over the Bill Murray of it all in
order to appreciate the like connection that these two characters have.
(22:14):
Like if you put aside the fact that it's Bill
Murray and the fact that it's a literal child on screen,
then it's like, I understand that these are two people
who are similar stages emotionally and they find each other
and feel a connection. Right, I get that. Unfortunately they
(22:35):
it was gone about in all the worst ways where
you had a legal child her but and then a
guy who of course turned out to be a predator.
Speaker 1 (22:45):
Yeah, and he's cheated on his wife.
Speaker 2 (22:47):
Hand, he cheated on his wife with just some other
random person. Yeah.
Speaker 1 (22:54):
I was interested in the friendship side of this, and
like the again, they have like an emotional affair, and
I think that can happen with even if you don't
want that to be. And they only like they kiss
one time, and I guess you could argue that it
was like not really extremely romantic between them, but there
(23:14):
were other she was just so actively trying to cheat
on her husband. She especially kept being like staring him,
staring at him. That's that's what it felt like to me,
that she just stares kind of.
Speaker 2 (23:30):
That, I mean, that did become her whole brand for
a long so the desire.
Speaker 1 (23:34):
I definitely got the vibe that from the way that
I read it was that she is.
Speaker 4 (23:42):
Down.
Speaker 1 (23:44):
She's down down to clown more almost more than like
I thought she was more infatuated. Well, I don't know,
I don't know. Like I thought part of it was
that she was young and interested in this connection. But anyway,
I think I would have the friendship side of it
(24:05):
would maybe be more interesting to me if there wasn't
an applied romance. And maybe it's more nuanced than I
can even read. And they're like talking thinking about the
push and pull of that, like is this a friendship?
Is it romantic?
Speaker 8 (24:18):
Now?
Speaker 2 (24:18):
I was with you, I was thinking the same thing
while watching it, of like, if this was made today,
they would just have a friendship. Yeah, and that would
be really interesting, Yeah and fun because there is like
intimacy and friendships and yeah, especially a strange friendship like that,
Like what do you make of it?
Speaker 1 (24:36):
You know?
Speaker 2 (24:37):
But yeah, I think it's impossible to watch this in
the modern age and feel it all charmed by the
prospect of this being romantic. Yeah, between the two of them,
it's just strange. Yeah.
Speaker 1 (24:51):
I guess people probably really connect with this movie because
of like that, it's supposed to be like deep loneliness,
But I don't know, it didn't feel like It felt
more like they were wandering around whitely looking at Japan
and then they both hated their partners.
Speaker 2 (25:08):
Yeah, and it also felt like such upper class white nonsense.
Speaker 1 (25:13):
Right right, they both so much hard?
Speaker 2 (25:16):
Yeah, Like you noted, are they really here for a week?
I thought she'd been living in Tokyo for like a
year or something. They were both there for a week.
I was like, y'all shut up and enjoy this expenses
paid vacation to a cool part of the world. What
the fuck?
Speaker 1 (25:35):
I understand. Also, I relate to wanting to just like
stay in my hotel room or not knowing what to
do if I was like visiting my friend or something,
if I was if I was on a trip with
someone else, the way that Scarlett Johansen was, Hm. I
understand the impulse to be like, Okay, I'm gonna make
no plans at all, But if I were actually in
(25:57):
Japan for a week, I would go, Okay, well, I'm
gonna go to like that place where I can see
a bunch of monkeys, and like I'm gonna look up
some things I can do, like you can fill your
damn days.
Speaker 2 (26:07):
It's just I could not feel sympathy for them. I
couldn't do it.
Speaker 1 (26:12):
Yeah. Also, I think I'm just at a stage where
someone in their early twenties not knowing what they're doing,
I'm like whatever, someone in their late twenties not knowing
what they're doing, I would be like, work, Yeah, I
understand that's really interesting, but it's just sort of like,
of course you don't and you are gonna figure it out,
so get over it. But maybe I would have felt
differently in my early twenties when I felt incredibly incredibly lost, But.
Speaker 2 (26:35):
I just did not connect with them. In this, I
get being jet lagged. I get that. Yeah, but then
it's like, get up and go somewhere interesting and see
something cool she was doing. I also understand having depression,
but again it's like that this was the free trip
to Japan.
Speaker 4 (26:56):
Go look at Japan.
Speaker 2 (26:58):
Uh huh, go look at Japan, but not the way
that Sofia Coppola looked at Japan through the camera lens.
Speaker 1 (27:03):
I didn't like that, Leani, you said, oh, ga massage,
I want a massage? Oh never mind?
Speaker 4 (27:16):
What was that?
Speaker 1 (27:18):
For people who really appreciate actual massages because of our joints.
It's actually very disrespectful that so much content portrays massages
as being a sexualized medium, because guess what, there's lots
of sport massage out there. Get over it and get into.
Speaker 2 (27:34):
It, eat it. Yeah, there's also just like, I don't know,
that didn't feel right. All of that scene felt problematic.
Speaker 1 (27:45):
That I'm sorry, that's not how people speak. I don't
know if we want to get into the nitty gritty
of this, but they were being really weird about the
l R switch, where really that sound in other languages
sometimes is just more similar, and yeah, it doesn't sound weird.
It's just a more similar sound, so it can be
(28:05):
used interchangeably. It's not like people are switching them back
and forth in this weird racist way. Get over that.
Speaker 2 (28:13):
It just it felt it felt like it was hyperbolizing
the language Japanese in a racist way.
Speaker 1 (28:20):
Yeah, it's just like it just feels really like it
feels like playground level racism to me.
Speaker 2 (28:29):
It's like.
Speaker 1 (28:31):
That's there are some things that obviously, like all countries
are different, things are done really differently, and you can
notice like yeah, the shower being short or whatever.
Speaker 2 (28:41):
Is like yeah, there were certain things where it was like, yeah,
we're just observing.
Speaker 1 (28:46):
But the language thing, I'm like, don't do that.
Speaker 2 (28:51):
Everything kind of felt like a stereotype. Yeah, And I
was like, I don't know, I don't know about this that.
Speaker 4 (28:59):
I don't want to.
Speaker 1 (29:00):
There were a number of scenes that were like chill
or just like somebody being in a foreign country and
trying to communicate with people. But yeah, I don't know.
I just didn't know what it was trying to say
about that. I didn't I didn't feel, like you said,
I didn't feel safe, much like wearing sea through underwear,
I didn't feel held.
Speaker 2 (29:18):
No, no, you were unsupported.
Speaker 1 (29:24):
The experience of watching this film was a lot like
the experience of wearing sea through underwear. Yeah, I feel
like I felt loose and I felt like I shouldn't
be doing it.
Speaker 2 (29:32):
Yep Sienna, you wrote what kind of gun was that?
What was that?
Speaker 4 (29:37):
This?
Speaker 2 (29:38):
What was that?
Speaker 1 (29:39):
They're at this party, this like long party. It's a party. Okay,
you're at a party. Okay, it's night, it's Tokyo. Okay,
this is a movie, I guess. Question the dark.
Speaker 2 (29:48):
Bar slash club, Like, what is it? I thought it
was somebody's apartment, but then there was a bar.
Speaker 1 (29:53):
There, and then somebody, one of their friends like jumps
behind the bar and then they start shooting. Came with
a glass with like a buzz light year like air
lazer bullets, I don't know.
Speaker 2 (30:06):
A bb gun, I don't know. And then they chased
them through the streets of Tokyo with a gun, and
nobody had a strong emotional reaction.
Speaker 1 (30:15):
To me, I really was thinking. I was like, oh,
it was gun violence, not so much of a thing
at the time.
Speaker 2 (30:20):
But still it that's insane, that is wild. I think
That's also what I didn't like about this movie was
everybody's emotions felt very pastel in a really unsettling way,
like nobody was deeply affected by anything, including having a
gun pointed at you. Right, yeah, that was and that
is disturbing.
Speaker 1 (30:40):
See, this is why I think some of it was
like trying to show like, wow, there are so many
things that are so the future in Japan. And also
this was twenty years ago, so that's probably true that
it was.
Speaker 8 (30:52):
Yeah.
Speaker 2 (30:52):
I mean even like you see a train pull into
the station and I was like, that train today looks
twenty years ahead of the trains in England.
Speaker 1 (31:00):
Right, totally. So I feel like it was trying to
shove a lot of technology and stuff, but not enough
for that to be its thing. So I don't know.
Speaker 2 (31:09):
I don't know.
Speaker 1 (31:10):
We're not meant to understand movies. We're not the right
people to watch them.
Speaker 2 (31:16):
We don't like them.
Speaker 4 (31:17):
I just don't. I didn't need to watch it.
Speaker 2 (31:20):
We like the ones that are good that this was
just like a classic movie by somebody who was raised
in Hollywood, Like obviously it was gonna kind of suck.
Speaker 1 (31:30):
Yeah, Oh my god, Leanna, you said this movie is
not helping my migraine. You had a migraine while watching
this movie.
Speaker 2 (31:36):
I felt so poorly.
Speaker 1 (31:38):
No, it was not the right movie to watch.
Speaker 2 (31:41):
This film.
Speaker 1 (31:42):
No, god, no, I even you know, it's funny the
idea that they were supposed to be like really depressed
in this. I actually often enjoy things about depression because
I've just been so depressed before. So I'm like, okay, yeah,
like they're doing a good job of showing this, or
like I'm glad we acknowledge this part of like human existence.
(32:02):
But that's not what I felt this. So this felt
more like on We just general like this was on Wei.
Speaker 2 (32:07):
This was white on We.
Speaker 1 (32:09):
It wasn't like she can't get out of bed, but
she's in Japan and she's like, why am I not
making my life make any sense? She was just wandering
around going ah monks.
Speaker 2 (32:20):
That was her voice, so soft and high. Because she
was she was seventeen, Oh my god. Literally because she
was a teenager.
Speaker 6 (32:28):
Literally, we'll call us a pair of of lacy underwear
because we are minimally supported by the following sponsors.
Speaker 1 (32:39):
We'll be right back. The movie is the type of
movie that's go to a place and be really pretty.
That's the genre. Yeah, be really pretty in a place
with a terrible haircut. I was so curious about that haircut.
(32:59):
I was like, what did this say about her at
the time because the haircuts. Now I can interpret what
I'm supposed to know about the character based on what
the haircut is. And I wonder what this one said
about her at the time. This sort of side bend
but so choppy. Yeah, choppy, just poorly, poorly done, a
bad chop. All right, I'm gonna read the last of
(33:23):
your notes. You said, so you'll sleep with whoever but
not me is very relatable.
Speaker 2 (33:28):
Ooh that was tough. That was a real moment where
I was like, yeah, that is a circumstance.
Speaker 1 (33:36):
Yeah, that was I just didn't I didn't want to
think about their like romantic. I just didn't know. It's
good that they didn't do that. I'm glad they.
Speaker 6 (33:46):
Didn't do that.
Speaker 1 (33:47):
You said, Oh, I wonder what he whispered? Shut up
and just write something good. I knew there was something
about the movie that's like, yeah, something happens at the end,
But now I know that what you did at the end. Yeah,
I just kind of it's like, oh, the ending of
Lost in translation, he just whispers something you can't hear.
Speaker 2 (34:11):
Okay, that's just lazy. Sorry, that's lazy writing. I guess,
write something beautiful. If you're like something beautiful was said,
people have now accomplished writing something beautiful, So this movie
doesn't really matter anymore because there's beautiful stuff to look at.
Speaker 1 (34:33):
Leona's final note and remember she had a migraine at
this time. For the love of God, get a steady kid.
Speaker 2 (34:41):
Yeah, and your final notes, Ena is I'm so sick
of movies. Lol, They're just not from me.
Speaker 1 (34:50):
Yeah, I don't guess, so I'm sorry, but some of
them are very beautiful.
Speaker 4 (34:56):
This drink it's tine.
Speaker 2 (34:58):
Like drink it'stine. I was just thinking often about past lives,
which is perhaps a problematic comparison because it's fully a
different country, and but it does have a lot of
similar slice of life energy and people having connections and
having conversations and deep emotional connections, and it can kind
(35:22):
of like, oh, it's the wrong time and place, but
maybe in a different well, hello, in a past life
and they have that beautiful conversation at the end that's
actually written out that you actually hear slash read because
it's Korean, so we are reading subtitles.
Speaker 1 (35:41):
That's a really good point.
Speaker 2 (35:43):
The old man whispers in the teens ear.
Speaker 1 (35:52):
Yeah, versus two people who respect each other having a conversation.
That's where they get to say things respectfully.
Speaker 2 (36:00):
It's old man whispers and teen's ear, then kisses her
on the map.
Speaker 1 (36:03):
Then a sloppy kiss and off they go.
Speaker 4 (36:07):
Boo.
Speaker 1 (36:08):
Yeah. I think that's actually a really good comparison because
the dialogue in that movie was so good and this one,
like this one, I've just left with a lot of
questions like, oh, was that a movie about him having
more insights about life because he's older, Because they only
had like one conversation about that, so I didn't even
really get the wisdom that comes from that difference. You know,
they talk about it like one time, but besides that,
(36:30):
he's just joking around being kind of racist. Uh huh. Anyway, absolutely, well,
let's move on to our next segment, shall we?
Speaker 4 (36:40):
Badges and trages m hm.
Speaker 2 (36:42):
This is the segment award badges for.
Speaker 1 (36:48):
Botanical gardens, botanical gardens, and trages for tushes belonging to
teen teens.
Speaker 2 (36:56):
Tushes.
Speaker 1 (36:58):
Teen tushes are very traghan tush. Ye.
Speaker 2 (37:01):
No one look at them, and no one makes us
look at them. My first badge is a badge I
will admit for capturing that men are the worst, which
is when he's at the bar of the hotel and
he gets recognized by those two like kind of finance
bros who then just bother him and are annoying.
Speaker 1 (37:25):
I have a badge for the general pacing. Again, I
like a When it started, I was like, Okay, maybe
I'll like this because I like a slow movie.
Speaker 2 (37:34):
Yeah. A badge for a Japanese garden. I really love
Japanese gardens.
Speaker 1 (37:41):
They're doing some beautiful ful stuff with the nature over there.
They're doing a beautiful job over there.
Speaker 2 (37:48):
Healthy, beauty, healthy gardens, happy, healthy gardens.
Speaker 1 (37:59):
Unfortunately, I wrote a badge early on, and I will
say I was really looking for something to say because
I felt bad.
Speaker 2 (38:07):
Hmm.
Speaker 1 (38:08):
I wrote Bill Murray funny. Yeah he is. You know,
he's good at what his vibe is.
Speaker 2 (38:17):
Depressed.
Speaker 6 (38:18):
I'm not.
Speaker 1 (38:18):
I'm not like, I'm not into it enough to like
defend or protect.
Speaker 2 (38:24):
I understand, man, I understand to protect and serve, to
serve and protect. A badge for a shrine, a Japanese shrine.
Speaker 1 (38:33):
Very beautiful, very beautiful, very beautiful. I will give a
badge for healthy Beautiful, Healthy Shrine badge for I will
say it's ultimately not too weird or gross, like they
don't do that much. Uh, it's not like they have
(38:53):
like a sex scene between them. The point is I
think that they're trying to do like a friendship emotional
affair sort of thing, right. I think they would do
it differently now, and that would be actually even more
leaned into it. I don't think they had the capabilities
of just letting it be all the way kind of
just platonic, because that is actually very fascinating to me. Yeah,
(39:18):
but I will say it's like it's I do think again,
if a man was making the same thing, we'd see
a lot more teen body it would be a lot grosser.
So I will I understand probably some people are into
this movie because they're like, wow, it's so interesting that
it's never really romantic. I would argue it's two in
(39:38):
between for me to be comfortable because of how I am,
because I'm a feminist bookshop lady.
Speaker 2 (39:43):
But you know, yeah, much like a pair of mesh underwear,
it's two in between for me to feel comfortable exactly.
A badge for Iquibana Flower arranging. Oh, that was funny
the art of We learned about that in the fifth
grade and I love it.
Speaker 1 (40:05):
My final badge is a little forced. It's again. I
was kind of like, there were times where I was
really like rooting for this movie. There were times where
I was rooting for the themes. I was like, Okay,
so you're doing just a friendship thing, like that's cool. Yeah,
And so I wrote a badge for that. The speech
(40:26):
where they talk about I felt like what they were
trying to get to the heart of this was just
a twenty something and a lost twenty something and a
lost fifty something talking about life. And there was one
speech where they're on the bed where they're platonically discussing things,
(40:48):
and I was like, yeah, that that whatever he said about,
like things that when you get older, when you know
things better about yourself, it does get easier.
Speaker 2 (40:59):
Yeah, but stuff still sucks. Yeah.
Speaker 1 (41:02):
I was like, Okay, let's keep going with that. But yeah,
it's kind of a semi trage because I really didn't
think the rest of it was leaning into that much,
and I felt like it was a missed opportunity. But
maybe it just wasn't about what I thought it was about.
Speaker 2 (41:17):
Hmm, yeah, my final badge is a badge for that
round plush bird that he gets her at the hospital.
That's oh, I want that round plush birds for you.
It was like a squish mallow before for me.
Speaker 1 (41:35):
It can be.
Speaker 2 (41:39):
Yeah, that was funny.
Speaker 1 (41:41):
Trages.
Speaker 2 (41:42):
Oh yeah, hello, I have so many. A trage for
opening on a butt. I didn't even know it was
a team butt at the time. Yeah, a woman's butt specifically,
that is the real umbrage I take with it.
Speaker 1 (42:03):
Uh. Trage for the phone call with her friend was
inaccurate reading the Girlies. Yeah, she calls her friend and
her friend is like, what why are you talking to me?
And she's clearly crying on the phone and her friend
is like call me later, Like okay, wait, what are
you talking about? But no, you call a gal pal
and your your voice breaks it all. She's like, what's
(42:25):
going on? What did he do? What happened? Come home? Yeah?
Speaker 2 (42:28):
Yeah, that was insane like that.
Speaker 1 (42:31):
I was like, I mean, maybe you don't.
Speaker 2 (42:32):
That's where I was like, I don't think this is
women's right. This is not a girlies film.
Speaker 1 (42:36):
No, because you can tell by the friends the girl
friends tell you.
Speaker 2 (42:40):
Yeah, how committed we and the other women in it,
like the Anna Faris character just being kind of like
an airhead and annoying. Yeah, this is not good for women. Yeah,
a trage for Bill Is being an asshole his character.
He was just kind of being an asshole to his
colleagues who were shooting the commercial, which was very weird. Weird.
Speaker 1 (43:01):
Yeah, trash for mainly big trage for the low key
and high key racist jokes that are mostly about the language.
But it just feels so childish.
Speaker 2 (43:13):
Uh huh.
Speaker 1 (43:14):
I'm like, it's just not it's not respectful at all.
Speaker 2 (43:19):
Yep, yep. Yeah. I also have a trash for white
people doing a Japanese accent.
Speaker 1 (43:25):
Trage for I am so distracted that she's seventeen. Once
I knew that, the rest of the movie, I was
just like h white knuckle in it, trying to.
Speaker 4 (43:33):
Get it through.
Speaker 2 (43:35):
No, I hate that.
Speaker 4 (43:40):
Uh.
Speaker 2 (43:40):
Trash for I never liked this actor. I find him
so unsettling. This is the actor who plays her husband.
He was Frank on Friends and then he was in Avatar.
Oh well, and the way that his voice is always
like breaking when he talks, I find really disturbing and unsettling.
And I just don't. I've never trusted him in anything
(44:02):
he's been in.
Speaker 1 (44:03):
I think he's a big scientologist.
Speaker 2 (44:05):
That makes sense. Uh, tragfer, I'm so bored. Sorry, Oh
my god, it was bored. Yeah, a tradfer. I would
not seduce Bill Murray. This does not resonate with me.
Speaker 1 (44:18):
I don't like this movie because I couldn't understand seducing
Bill Murray.
Speaker 2 (44:22):
I wouldn't do that. I don't get it.
Speaker 1 (44:24):
I would.
Speaker 2 (44:24):
And then my final trag is I thought that they
were ending it on a nice hug between the two people.
He finds her in the street, and I was like, oh,
actually that is kind of like women's rights. Yeah, that
makes sense as a way to end this kind of
like not physical but definitely emotional affairs.
Speaker 1 (44:41):
I agree.
Speaker 2 (44:42):
Then they kiss on the mouth.
Speaker 1 (44:43):
It just made me confused because the hug. I was like, Okay,
I can finally everything I was confused about. And maybe
you were leaving it up to interpretation, but now you're like,
this is just what a connection is. There's something even
deeper than romance about this. It's not like surface level
like lust. It's just they're connecting. And yeah, I just
(45:05):
thought it took the power out of the hug to
help them do a sloppy kiss after Yeah, boo, it
just didn't hit for me.
Speaker 2 (45:15):
Let's take the bullet train into our segment. How to
pretend you've seen this film This is for you are
at a hotel in Tokyo filled with white.
Speaker 1 (45:26):
People, at the white Hotel in Tokyo.
Speaker 2 (45:32):
We're at a bar at a Tokyo hotel and it's
filled with white people, and God, what was his character's name?
Speaker 1 (45:39):
John? Is that right?
Speaker 4 (45:41):
Bob?
Speaker 6 (45:41):
Wow?
Speaker 2 (45:42):
I have no idea. I think it was Bob. And
Bob comes up to you and says, you know, knichiwa
is how they say hello sometimes in Japan. But I
have a lot of opinions on how I've heard people
speak both Japanese and English in Japan. And I'm going
(46:03):
to really reenact in a lively animated and vocal way
for you right now, all of my experiences with language
that I've had in this country, and in order.
Speaker 1 (46:14):
To divorce Bob and to straight up to get him
to stop talking generally, even if it's not about the movie.
Here a few things that you can say to pretend
you've seen the film lost in translation. I bet the
trivia for this is going to be really annoying.
Speaker 2 (46:34):
Oh, I cannot imagine.
Speaker 1 (46:35):
It's good.
Speaker 2 (46:37):
Yes, Bob, I've seen Lost in Translation. Now you're going
to have to excuse me because I have several factses
to send back to my girlies state side.
Speaker 1 (46:49):
We got to get faxing.
Speaker 2 (46:51):
We got I have to go. I have to send
a fax. I want to send a facts.
Speaker 1 (46:56):
Oh, this is interesting. Yes, Bob, I've seen the film
Lost in Translation. With this film, Sofia Coppola became the
first woman to be nominated for writing, directing, and producing
in the same year work. She won for Best Original Screenplay,
even though much of the film was heavily improvised and
not written by her. Okay, that feels like, can't we
(47:19):
give it to her for just give it to her
for directing it?
Speaker 2 (47:22):
Yeah? What the fuck?
Speaker 1 (47:25):
That makes sense that this movie was improvised. Actually, that
makes a lot because it was bad because I think
they just went to Japan and then do they have
a plan.
Speaker 2 (47:34):
That makes sense as to why pretty much nobody said anything.
Speaker 1 (47:38):
Is her dad the one who made Apocalypse Now? Yeah,
and The Godfather Apocalypse Now? They just like went to
the jungle and didn't plan anything, And yeah they did
like drugs or whatever. I guess she was following his footsteps.
Speaker 2 (47:51):
God, I hated that movie.
Speaker 1 (47:53):
Go to a Foreign Land.
Speaker 2 (47:54):
That's one of the movies I hate the most.
Speaker 1 (47:55):
I think I know me too. I hated it Go
to a Foreign Land, and just sort of.
Speaker 2 (48:01):
Yes, Bob, I've seen Lost in Translation. I'm leaving the
bar now to go up to my room to change
out of my a line pencil skirt and into a
comfortable pair of pajama pants that will be covering my butt,
which will be held in place by some supportive, opaque
(48:23):
and very comfortable undergarments.
Speaker 1 (48:27):
My underwear is always opaque, opaque. This makes sense to
me why I think a lot of people love this
movie because it's like Tumblr tumbler vibes. Yes, Bob, I've
seen the film Lost in Translations. Sofia Coppola designed many
(48:48):
of the shots for the film by taking a series
of photographs throughout Tokyo and then recreating them with the
cast and crew using the photos as reference. That's extremely
like tweet girl of her.
Speaker 2 (48:57):
I think that's just location scouting. What that is?
Speaker 1 (49:05):
I guess that's storyboarding.
Speaker 2 (49:07):
Also, that's just making a film. Uh, oh my god. Yes, Bob,
I've seen Lost in Translation. Please leave me alone. I'm
in mourning because I just found out that my crush,
who said they weren't ready for anything new, fully had
sex with somebody else last night. No, wasn't me.
Speaker 4 (49:27):
No.
Speaker 2 (49:28):
I need a couple of business months to process this.
Speaker 1 (49:33):
Oh God, right, know, there are so many if you
if you are interested in this movie, you can go
look at There's so much trivia about it which makes sense.
But here's a fact. Yes, Bob, I have seen the film.
(49:54):
I have seen the film Lost in Translation. Uh. Somewhat annoyingly.
One of the reasons that Bill Murray loved filming this,
he really enjoyed filming it was that, hopefully not just
that he was playing opposite of seventeen year old, but
he was very rarely recognized in Tokyo Okay.
Speaker 2 (50:18):
Wow, Oh Siena. Let us let us climb Mount Fuji
and jump into it. Let's jump into the mouth of
Mount Fuji. Into our next segment, Should you watch this
or oh, I wonder what the answer is gonna be,
in which we tell you if we think you should
watch this movie or if you should do something else
during your trip to Japan.
Speaker 1 (50:40):
Leanna would say, God.
Speaker 2 (50:43):
No, no, do not watch Lost in Translation. What a
stupid waste of a day that I had off of
work because I was sick. Oh my god, it is
two hours I will never get back. Wow, I hated
this movie. I think what you could do instead is
I mean, you could watch White Lotus because it is
(51:04):
enjoyable to watch like mostly rich white people vacationing somewhere
outside of America and being American or and I don't
know how this is going to hold up because I'm
only like a fifth of the way through the book.
But you could read something called The Liquid Land by
Rafaela Edelbauer and this is the cover of it, which
(51:26):
I'm obsessed with.
Speaker 1 (51:28):
Oh that's so funny.
Speaker 2 (51:32):
I know they look like miserable little people in Durndal's
shortlisted for the German Book Prize, longlisted for the Austrian
Book Prize. I'm just very obsessed with it so far,
and it's kind of like there's an air of mystery
to it and family and relationships and connecting with a
different culture and I feel confident, but check back in
(51:56):
with me in a week's time that this will be
better than Last in Translation, which admittedly is an incredibly
low bar. Sianna, what would you say.
Speaker 1 (52:06):
I would say, No, you don't have to watch this. Yeah,
it's kind of one said, is one of those must watches.
But I'm sorry, it just didn't really click with me. No,
I did not think it was the worst thing in
the world. I still think that the stuff I don't
like made by women, it like, disturbs me less and
(52:27):
ruins my life less than the stuff I haven't liked
made by men, and I stand by that. I stand
by that generalization. It still holds up. But I didn't
click with this. What you could watch instead, Well, if
you want to be voyeuristic about Japan, you could watch
the show Terra's House, which I watched for a while
and was h enjoyable to watch. It's just such a slow,
(52:52):
little slice of life vibe. But you know, they're just
showing like they have beautiful shots of like food and
gardens and things like that. But it's also maybe not
the best show. I think that people get really depressed
on it, and they're not allowed to show them being depressed, so.
Speaker 2 (53:07):
It's like, oh, I don't know, but wait, is it
a reality show?
Speaker 1 (53:11):
It is a reality show? Oh, but it's a lovely
reality show where like nothing happens. It's hilarious how little happens,
because it's just it's not like trying to cause drama.
It's just people can leave the house whenever they want.
They're like, all right, I've had a nice time, goodbye.
Speaker 2 (53:25):
Wow.
Speaker 1 (53:26):
But then there's there's really funny comedians watching them and
just like commenting, great, it's very Japanese in that way.
But another movie you could watch if you want to
watch like a love story that couldn't be I would
agree with Leanna that Past Lives is really good. Oh,
not to just make you choose Korea instead of Japan,
(53:49):
but if you're like, sometimes I do want to be
like I just want to watch a movie in a
different country, Yeah, and be sort of like brought into
a culture, And yeah, that one was really good, and
I feel like what's similar is that it's like slow
paced and thinking of just like the melancholy and strangeness
of life, and that was when we really liked So yeah, yeah,
(54:14):
unless and a whole lot less in fact, no teen
but no teen butt. So you don't have to like
reckon with that.
Speaker 2 (54:21):
It's that easy. It's that easy it's so easy to
not put teen butt in your film.
Speaker 1 (54:27):
Well, it makes a lot of sense to me that
this movie wasn't for us. What would you rate this movie?
Speaker 2 (54:31):
You know, what would you Yeah, I'm going to give
Last in Translation one Iquibana arrangement out of five. I
hated it. What would you rate the film?
Speaker 1 (54:45):
Yeah, I'd give it around one one point two one.
It wasn't really I don't really need to watch it again.
I mean, like, I think it could have been more
damaging in many ways. But I but, but that's not
really a good reason to watch anything. It's just kind
of lame. I don't know. It wasn't the best. I
(55:05):
give it one, uh hotel room out of out of
out of five? Yeah, yeah, that's all that was really enough?
Fax Machine, how about that one friendly facts out of
five for us? No, but now we've seen it, I
apologize that people love it. I apologize, I do.
Speaker 2 (55:25):
I don't. Y'all are weird. That's a weird opinion about
this movie's bad, and that has been tossed. Popcorn's review
of Lost in Translation. Thank you everybody for listening. Please,
for the love of damn God. Follow us on Instagram
at Tossed Popcorn. We post posters of the movie with
our faces on them and memes with stills from the film,
(55:46):
and we work really hard on them. So yeah, follow
us in like the posts nice. You can also follow us.
You can subscribe to our patreon patreon dot com slash
Tossed Popcorn, where we post bonus monthly video episodes out
movies that are coming out in real time right now.
We're off next week as we will be with family,
(56:07):
but join us. We'll see you.
Speaker 1 (56:10):
After that to commemorate thing we'll be watching with. Uh,
the kids are all right, hull.
Speaker 2 (56:17):
That's very Thanksgiving as a statement.
Speaker 1 (56:22):
The kids are all right.
Speaker 2 (56:23):
That's something everybody says at Thanksgiving. Hey, the kids are
all set of, like, hey, we should reckon with the
genocide that America did to the Native people.
Speaker 1 (56:30):
Kids are all right. We'll see you, get love you bye.
You can find us on Instagram as at Sienna Jaco
and at Leanna Holsten. Please check the description for the
spelling of our dumb names. We put out episodes every Tuesday,
(56:53):
so make sure to subscribe so that you don't miss
an episode. See you next week on Tossed Popcorn For
more podcasts, from my Heart radio check the iHeartRadio app.
Speaker 2 (57:05):
I'm so sorry I have to blow my nose.
Speaker 1 (57:06):
That's okay, Yeah, it's getting up and I'm just gonna
let her have this private time.
Speaker 4 (57:11):
Actually, May the road rise to me you.
Speaker 8 (57:22):
May the wind be at your back, the sunshine warm
upon your face, the rains falls off upon your fields.
Speaker 9 (57:34):
And um till we me to again, till we meet again.
May God hold you in the palm of his hand.
Speaker 2 (57:49):
Huh, Hello, Hello, not think.
Speaker 1 (57:52):
I just sang a little just sing a little church song.
Speaker 2 (57:54):
Okay, I can't wait to hear that.
Toss Popcorn is a production of iHeartRadio.
Speaker 2 (00:11):
Hi, I'm Leanna Holsten and I'm Sienna Jacobs, and welcome
to Tossed Popcorn, the podcast where two idiots watched every
film on the AFI's one hundred Greatest American Movies of
All Time, the very slightly less Racist tenth Anniversary edition,
and are now watching films with Scarlett Johansson in them.
(00:32):
That's the podcast for the rest of the Directed by women,
this podcast is a safe hotel for people who don't
know anything about movies. Today we're watching Lost in Translation.
Speaker 3 (00:46):
For relaxing times.
Speaker 2 (00:48):
Make it suntory time.
Speaker 1 (00:53):
I'll have a vodkatonic thanks. A movie that I feel
like people talk about a lot.
Speaker 2 (01:01):
So yeah, there's like I've heard about.
Speaker 1 (01:03):
It, things about it. It feels like one of the
ones we were supposed to watch, So this will be interesting. Warning,
there will be spoilers about this. But old film, about
this sort of performative walking around, relatably walking around in
(01:26):
a performative way. Old film whose.
Speaker 2 (01:32):
Dog is that?
Speaker 1 (01:34):
You can hear that?
Speaker 2 (01:36):
So I love it. I obviously love it.
Speaker 1 (01:39):
So sorry. Today there's just a lot of I'm in
Seattle now, so there's dogs everywhere, and.
Speaker 2 (01:47):
The dogs here are big, though, dog is that? Well,
I'm in Seattle, of course that's nice. Earlier today you
can get a big, robust dog in Seattle. Speaking of robust,
there was sirens going and then I heard the sound
went on for so long that I was like, that
can't what is that because I thought it was a dog.
And then I was like, this is another sound. This
(02:09):
is another sound.
Speaker 3 (02:11):
It just had the amazing lungs. This dog a real
set of pipes. Yes, red dog. I love how you
interact with dogs in the world. I love that you
are always a little confused by them.
Speaker 1 (02:29):
That can't be real.
Speaker 4 (02:30):
You guys, do that.
Speaker 2 (02:32):
Love capacity on this dog?
Speaker 1 (02:35):
Well, I guess before we do anything, do you want
to do our predictions?
Speaker 4 (02:39):
Yeah?
Speaker 2 (02:40):
Mine was wrong?
Speaker 1 (02:41):
Oh great, let's listen to yours first. I would love that.
Speaker 2 (02:47):
Hi, Sienna, it's Leanna. I'm about to watch Lost in Translation.
I've never seen this before.
Speaker 5 (02:55):
I'm pretty sure it's Scarlett Johansson Tom in an airport
and somebody says to it. At one point in a
men's bathroom, one man turns to the man next to him.
Speaker 2 (03:09):
I think is the main character. That man says, do
you ever feel like you're living in an airport and
the guy is shaving, But the gag is that the
guy actually is living in an airport. But that might
be a completely different movie. So I don't know.
Speaker 1 (03:24):
I love you bye. That is the movie Terminal?
Speaker 2 (03:28):
Oh is that Tom Hanks?
Speaker 1 (03:31):
Tom Hanks is in a movie called Terminal? I don't
know has anything to do with that.
Speaker 2 (03:35):
I don't think she does. I love I wish you've
seen the trailer for that?
Speaker 1 (03:41):
What'd you say?
Speaker 2 (03:42):
I've only seen the trailer for Terminal, but it must
be stuck in my head for some reason.
Speaker 1 (03:48):
I h I wish we would get movies that wrong,
like just whole Chest. I remember that because I think
that Tom Hanks was Lost in Translation. Okay, here's my prediction. Hi, Leanna,
(04:11):
this is Sienna. I'm about to watch Lost in Translation.
I'm not sure what will happen in this, but I
have a few I know that part of it will
be in Japan. Hopefully nothing racist happens. And also I
don't know, like weird like sex party happens. Maybe it
will at least a woman will have done it. Yeah,
(04:31):
one of them maybe is working. Maybe they're both working,
like foreign like like maybe they're both working on foreign soil,
like like for their work. I don't know what I'm
trying to say with that. I do apologize, Okay, I
love you. Goodbye?
Speaker 6 (04:53):
Yeah?
Speaker 2 (04:54):
Did you did you get scared once you'd said the
word foreign? I think so, yeah.
Speaker 1 (05:00):
White fright. Yeah. I was trying to say that they're
like working abroad.
Speaker 6 (05:07):
Right.
Speaker 2 (05:11):
On foreign soil.
Speaker 1 (05:12):
Foreign?
Speaker 2 (05:14):
Goodbye, I apologize.
Speaker 1 (05:17):
Oh gosh, I want to talk about you. Talk to
you about so many things that aren't the movie.
Speaker 2 (05:22):
Okay, well I got great news for you. It's time
for our segment. Hey girl, Hey, hey, well, what do
you want to talk about?
Speaker 1 (05:33):
I guess I don't have anything that in particular. Oh
my god, Well, here's what's going on with me. I'm
in Seattle. My laptop broke. I just opened it up
and it was broke, like the screen had shatowed. I
think I could closed something in it, but I don't.
Speaker 2 (05:46):
Know what a diamond.
Speaker 1 (05:50):
I flew to Seattle yesterday and for some reason it
made me sicker. It's my mom's birthday today, the big wow,
and we decorated. We stayed up last night and decorated.
And did you ever see that book? The Seven Silly Eaters.
Speaker 2 (06:07):
No, when you were a kid, I've never seen that book.
I could not see that book as a kid.
Speaker 1 (06:12):
Okay, anybody can look up the seventh book.
Speaker 4 (06:15):
I have seen.
Speaker 1 (06:17):
It was one of my our favorite books as a kid.
It's like as as as children. It's seven siblings who
like for their mom's birthday, they get together overnight and
like bake a cake using all their favorite foods. Oh yeah,
I think that you would hate it in certain ways
because it would be disgusting, the cake. But that's what
(06:40):
we felt like last night staying up in But it
looks really cute.
Speaker 2 (06:44):
And you.
Speaker 1 (06:47):
Though, you know, those those are those are the things.
Thanksgiving is coming up. My family's absolutely going crazy right now.
Things are crazy. I can't say I'm on Mike, but
just know, hey, anybody, he's got a crazy Thanksgiving coming
up right there with you, Hey, right there with you, babies.
I love this. Yeah, And then I watched this movie,
(07:09):
so that's mostly it. And then as we know, we're
both sick and we just can't get and I kicked
out that we have exactly the same illness and like
the same cadence of the illness, like we both got
the same symptoms, got over them, got more symptoms, got
a migraine while being sick. Yeah, and now I have
(07:33):
cold symptoms again.
Speaker 2 (07:35):
Insane.
Speaker 1 (07:36):
It's terrible.
Speaker 2 (07:37):
Somehow we've sinked across across the pond, across a great nation,
that great, I mean large. Yes, let me let me
be clear.
Speaker 1 (07:50):
I guess that's it. I guess I don't have anything
to talk about. I just said all those things, so
that's okay.
Speaker 2 (07:54):
Hey girl, Hey girl, I was on TV this week.
That was crazy. I can finally talk about tell us.
I went to Belfast many weeks ago.
Speaker 1 (08:18):
I haven't watched because she said it.
Speaker 2 (08:21):
I said I was. I was traveling and I couldn't
tell you where or why. And it was for something
called the BBC New Comedy Awards Heat in Belfast, Northern Ireland.
So they taped regional heats around the UK and thirty
(08:41):
comedians were in them. So there were five comedians in
each heat and the heat is in the Belfast one. Yeah,
it's like a competition, like you apply for it. Then
they do live heats around the UK, so I did
one in Edinburgh and then they picked thirty people from
those to go on to the televised and then from
(09:01):
that they picked finalists, which I will not be commenting on.
And it was wild. It was very cool. It was
a very stressful experience, not from anything anybody working there did.
Everybody who worked on it was so competent. It was
honestly awesome to watch.
Speaker 1 (09:21):
WHOA that's great.
Speaker 2 (09:22):
So it was very cool to see people like be
good at their jobs totally. And so also because ours
was the sixth out of the six heats, so everybody
had a real rhythm down and everybody on the crew
really knew each other and knew like how the thing
was going to flow. And it wasn't a long taping either,
because they just ran straight through everybody sets and we
(09:44):
all were only doing five minutes. But an hour before
the taping started, I got the worst cramps oh, that
I have had since the ones that I had that
required surgery. Oh my god. I haven't had cramps like
this in a decade. And we think it was We
think it was a combo of of stress and nerves
(10:05):
and also trapped wind. Oh, we think it may have
been a bit of trapped wind.
Speaker 1 (10:09):
I had trapped wind recently and I went really terrible.
Speaker 2 (10:12):
It's not good, and it's because we all had to
fly to Belfast for this heat rather than taking a train,
so had pressure that and then the pain went away
for the actual taping and then immediately came back for
the like social hour after. Oh my god, the head
judges and the crew, like the BBC people, well, I
(10:33):
just sat in a rolling chair, just kind of being social,
making an impression, making it. Oh absolutely yeah. I was like, sorry,
I'm a woman of cramps.
Speaker 1 (10:49):
There's sort of a uterous situation going on.
Speaker 2 (10:51):
Here, something's awry. And then they were gonezo by the
next morning, so thank god for that, and it wasn't
another rupture, but oh my god, oh painful, but yes
it is. The episode is now. If you have access
to the BBC I Player you can watch it. It's
called the BBC New Comedy Awards and it's the Belfast Heat.
(11:13):
If you'd like to see me do five minutes, actually
I think they cut everybody's down to four minutes of
stand up comedy.
Speaker 1 (11:18):
That's really cool. Leanna.
Speaker 2 (11:21):
Congratulations, Thank you so much.
Speaker 1 (11:24):
I'm taking my family right now. We have to figure
out how to watch Leanna on TV. What's it called again, BBC,
BBC New Comedy Awards, New Comment Belfast Heat, Belfast Heat.
My dad's gonna love this. Oh well, do you want
(11:44):
to do our podcast? We can keep talking about other stuff.
Not a lot happened in this.
Speaker 2 (11:51):
Let's do our podcast. Speaking of a traveling mildly international
Malie for work. Yeah, Sienna, could you please give us
a synopsis of the film Lost in Translation?
Speaker 1 (12:08):
Yes? Lost in Translation. Two Caucasian lost souls connect in Tokyo,
finding the culture different and the city lonely. They have
an emotional affair for a week or so in a
strange land. The end, that's it. Yeah. Basically, Bill Murray's
(12:39):
like an old TV star kind of guy, old TV star,
He's like a TV whatever, and he took a They
both are lost in their lives. Yeah, makes sense. Lost
in Translation. I yes, in her early twenties and is
like I don't know what to do with my life,
and he is and she's married for some reason. Also, ye,
Scarlet Johnson in the movie Seventeen years Old. Yep. No,
(13:05):
that information made it very distracting the whole time for
me because I was so scared about what would happen.
It's interesting. I think they just like cast her to
play a twenty something, so she's still playing. Oh my god,
she's playing like a twenty two year old, I guess
because she recently graduated from Y.
Speaker 2 (13:23):
Yeah, she graduated in the spring, but somehow has been
married for two years.
Speaker 1 (13:28):
Yeah, and he in this movie fifty two years old.
But I will say, not that much happens like physically.
That's kind of the point, is that it's like an
emotional thing, I guess. But I was very distracted the
whole time by that information.
Speaker 2 (13:44):
Oh my gosh, oh young, she's seventeen.
Speaker 1 (13:48):
Yeah, isn't that insane?
Speaker 2 (13:52):
Sorry, no, no, you do not start a film with
a close up on a seventeen year old's.
Speaker 1 (13:57):
But when I said she was seventeen, don't know if
we did she was seventeen. My brother went, oh my god,
we looked at a seventeen year olds. But that is
how it feels. It's like, it's horrifying. Why'd you make
me do that? Why'd you make me like? I didn't
monocra that.
Speaker 2 (14:15):
It also was the first thing of the I didn't
think it was gonna it started, and I said, wow, oh.
Speaker 1 (14:25):
This is one of those movies where I go why
or what were movies like at the time, I go,
why what were movies like at the time to make
this one stand out? Because I'm sure there are things.
I'm sure there are things, the fact that it was
sort of slow paced and very little happens and they're
both just kind of lost in life, and it's a
(14:46):
lot it's really showing you. It's almost like slice of
life an expat in Tokyo, Like it's really showing Tokyo
a lot, but form very very specific angles. I don't know.
I'm aware that probably was a lot. A lot was new,
but it didn't feel new to me watching twenty twenty five,
(15:08):
So I want to both hold an understanding and awareness
of that, but I don't have the awareness. But probably
there was stuff going on. People love this movie. I've
just like heard about it so many times.
Speaker 7 (15:23):
Yikes, guys, yikes, y'all if you liked last in translation, yikes,
that's what I'll say.
Speaker 1 (15:34):
Oh yeah, let me just go ahead and look at
your notes.
Speaker 2 (15:37):
Is it too early to say I hated this movie?
Speaker 1 (15:39):
No, that's fine.
Speaker 2 (15:41):
I hated this with my whole over of age ass.
My legal ass hated this movie.
Speaker 1 (15:49):
My legal ass. What did you hate about it?
Speaker 2 (15:53):
Let's here let's hear, but it opens on a butt.
I obviously hated the age gap. I think Bill Murray
is like a certified creep at this point. That sucks.
I hated the voyeuristic I think so. I think that's
like an assistant has accused.
Speaker 4 (16:10):
Him of God.
Speaker 2 (16:13):
I hated the weird like white voyeurism of Japan in
the movie. That was very strange.
Speaker 1 (16:21):
It was weird.
Speaker 2 (16:22):
It was slow paced, which is okay if you're making
something beautiful, but this wasn't beautiful. And I didn't think
it was good for women's rights, like overall, And that's
how I felt about it. Quick, you've got three minutes
to send a facts revel in the nineties early aughts.
(16:48):
We'll be back to present day. Oh very shortly, sad I.
At one point in my notes, I wrote, I'm sorry,
but I am not rooting for Sophia Coppolo.
Speaker 1 (17:06):
Everything I've heard that she makes I've never wanted to see.
I think she's just interested in a different esthetic than I.
Speaker 3 (17:13):
Hm.
Speaker 1 (17:14):
I feel like she's far too far on the boob
spectrum for me to really relate to. I just felt nervous.
I wasn't sure what was gonna have.
Speaker 2 (17:21):
Way down the boob pipeline. Mm hmm.
Speaker 1 (17:24):
I was nervous. I was afraid that too many daring
things were gonna happen. Yeah, And I will say a
lot of it was okay, but the white voyeurism of
Japan is a good way of putting what a lot
of it was.
Speaker 2 (17:39):
Yeah, because we've now watched a couple of movies that
are slice of life. One in Korea, one in does
Aquafina she goes back to China for the Farewell mm hmm, yeah,
one in China. But both of those were made by
people who were Korean or Chinese. Yeah, so it's like
showing you life in that city in a way that
(18:01):
makes in a city in that country in a way
that is like, that's so true.
Speaker 1 (18:07):
That is a really good point because those I was like,
oh wow, that's cool. Oh that's interesting. Oh wow, it
seems really fun to like, like getting dinner with your
friends seems really fun. In Korea, for example, they takeaways
and uh uh, this was like, oh okay, go into
a lot of sex parties and thinking they're weird and
(18:29):
everyone's short, what and do you think that's weird?
Speaker 4 (18:32):
Yeah?
Speaker 2 (18:33):
Yep, it was very othering. Don't try to say words.
Don't try to say words disrespect the act and that culture.
Don't do the accent.
Speaker 1 (18:41):
Unless you're speaking the language. You don't need to make
fun of any words you needed it, Okay, Leanna, I'd
love to read your notes. You said, oh no, a
butt again. We addressed this, but we're not the girls
for this. We're not the ones who are gonna feel
safe when we see a butt crack, particularly when I
find out it's a seventeen year old.
Speaker 2 (19:01):
Seventeen year olds, but yeah, you first noted starts with
a butt. Are we gonna hate it?
Speaker 1 (19:07):
I feel more and more like the Portlandia bookstore ladies
every day of my damn life. Yep, I think they're
right about things.
Speaker 2 (19:15):
That is a private dance.
Speaker 1 (19:18):
This is a private dance. This is a dance you
do in the to the moon, in your own backyard moon. Leanna,
you've said jet lagged, Bill Murray is exactly how I
feel right now.
Speaker 2 (19:33):
Oh my god. I felt old, ugly, pervy.
Speaker 1 (19:40):
I'm so sick that I'm becoming a pervert. I feel
as ill as a pervert.
Speaker 2 (19:51):
But the concept of being so jet lagged in Japan,
I was like, that is I bodily am understanding because
I was. This was before I went to the doctor.
I watched this yesterday and oh it was a low point.
I did not feel good.
Speaker 1 (20:08):
Leanna, this is a great point. I was feeling this too.
You said, how is society so bad that I now
yearn for fax machines?
Speaker 2 (20:15):
Oh there was a period piece element to this.
Speaker 1 (20:20):
Yeah, the faxes.
Speaker 2 (20:22):
And I was like, oh my god, why do I
want that? Faxing seems so fun if we just send
each other so much work emails. But like he just
drew the thing and then faxed it. That's great. That's
kind of like where you work, right, I guess so
it's kind of like a I guess we are. We
(20:43):
do faxes for your marketing. No, honestly, the fax machine
of twenty twenty.
Speaker 1 (20:52):
Five, the modern facts, Leanna. You said, girl put some
pants on. Yeah, also change underwear?
Speaker 2 (21:00):
Oh my god, the same pair every day.
Speaker 1 (21:03):
You've got to find another pair of underwear.
Speaker 2 (21:05):
What also, I wouldn't feel held if my underwear was
like see through mesh.
Speaker 1 (21:16):
I've never seen that before.
Speaker 2 (21:17):
At that point, what is the point that is just lingerie?
I think, yeah, that's on the point of it.
Speaker 1 (21:28):
What it is to cover, to keep warm, to feel secured.
Speaker 2 (21:33):
Secured?
Speaker 1 (21:35):
Uh, how did you feel about the relationships in this
in this film?
Speaker 2 (21:39):
Oh my god, I'm just so tired of this narrative
that everybody hates their spouse. Marriage is like a doomed,
miserable agreement.
Speaker 1 (21:49):
Very depressing.
Speaker 2 (21:51):
It's very depressing. Maybe it's heterosexual culture, but I don't
think it has to be. And it's really really tiring.
And like, honestly, to watch I did, I had to
like get over the Bill Murray of it all in
order to appreciate the like connection that these two characters have.
(22:14):
Like if you put aside the fact that it's Bill
Murray and the fact that it's a literal child on screen,
then it's like, I understand that these are two people
who are similar stages emotionally and they find each other
and feel a connection. Right, I get that. Unfortunately they
(22:35):
it was gone about in all the worst ways where
you had a legal child her but and then a
guy who of course turned out to be a predator.
Speaker 1 (22:45):
Yeah, and he's cheated on his wife.
Speaker 2 (22:47):
Hand, he cheated on his wife with just some other
random person. Yeah.
Speaker 1 (22:54):
I was interested in the friendship side of this, and
like the again, they have like an emotional affair, and
I think that can happen with even if you don't
want that to be. And they only like they kiss
one time, and I guess you could argue that it
was like not really extremely romantic between them, but there
(23:14):
were other she was just so actively trying to cheat
on her husband. She especially kept being like staring him,
staring at him. That's that's what it felt like to me,
that she just stares kind of.
Speaker 2 (23:30):
That, I mean, that did become her whole brand for
a long so the desire.
Speaker 1 (23:34):
I definitely got the vibe that from the way that
I read it was that she is.
Speaker 4 (23:42):
Down.
Speaker 1 (23:44):
She's down down to clown more almost more than like
I thought she was more infatuated. Well, I don't know,
I don't know. Like I thought part of it was
that she was young and interested in this connection. But anyway,
I think I would have the friendship side of it
(24:05):
would maybe be more interesting to me if there wasn't
an applied romance. And maybe it's more nuanced than I
can even read. And they're like talking thinking about the
push and pull of that, like is this a friendship?
Is it romantic?
Speaker 8 (24:18):
Now?
Speaker 2 (24:18):
I was with you, I was thinking the same thing
while watching it, of like, if this was made today,
they would just have a friendship. Yeah, and that would
be really interesting, Yeah and fun because there is like
intimacy and friendships and yeah, especially a strange friendship like that,
Like what do you make of it?
Speaker 1 (24:36):
You know?
Speaker 2 (24:37):
But yeah, I think it's impossible to watch this in
the modern age and feel it all charmed by the
prospect of this being romantic. Yeah, between the two of them,
it's just strange. Yeah.
Speaker 1 (24:51):
I guess people probably really connect with this movie because
of like that, it's supposed to be like deep loneliness,
But I don't know, it didn't feel like It felt
more like they were wandering around whitely looking at Japan
and then they both hated their partners.
Speaker 2 (25:08):
Yeah, and it also felt like such upper class white nonsense.
Speaker 1 (25:13):
Right right, they both so much hard?
Speaker 2 (25:16):
Yeah, Like you noted, are they really here for a week?
I thought she'd been living in Tokyo for like a
year or something. They were both there for a week.
I was like, y'all shut up and enjoy this expenses
paid vacation to a cool part of the world. What
the fuck?
Speaker 1 (25:35):
I understand. Also, I relate to wanting to just like
stay in my hotel room or not knowing what to
do if I was like visiting my friend or something,
if I was if I was on a trip with
someone else, the way that Scarlett Johansen was, Hm. I
understand the impulse to be like, Okay, I'm gonna make
no plans at all, But if I were actually in
(25:57):
Japan for a week, I would go, Okay, well, I'm
gonna go to like that place where I can see
a bunch of monkeys, and like I'm gonna look up
some things I can do, like you can fill your
damn days.
Speaker 2 (26:07):
It's just I could not feel sympathy for them. I
couldn't do it.
Speaker 1 (26:12):
Yeah. Also, I think I'm just at a stage where
someone in their early twenties not knowing what they're doing,
I'm like whatever, someone in their late twenties not knowing
what they're doing, I would be like, work, Yeah, I
understand that's really interesting, but it's just sort of like,
of course you don't and you are gonna figure it out,
so get over it. But maybe I would have felt
differently in my early twenties when I felt incredibly incredibly lost, But.
Speaker 2 (26:35):
I just did not connect with them. In this, I
get being jet lagged. I get that. Yeah, but then
it's like, get up and go somewhere interesting and see
something cool she was doing. I also understand having depression,
but again it's like that this was the free trip
to Japan.
Speaker 4 (26:56):
Go look at Japan.
Speaker 2 (26:58):
Uh huh, go look at Japan, but not the way
that Sofia Coppola looked at Japan through the camera lens.
Speaker 1 (27:03):
I didn't like that, Leani, you said, oh, ga massage,
I want a massage? Oh never mind?
Speaker 4 (27:16):
What was that?
Speaker 1 (27:18):
For people who really appreciate actual massages because of our joints.
It's actually very disrespectful that so much content portrays massages
as being a sexualized medium, because guess what, there's lots
of sport massage out there. Get over it and get into.
Speaker 2 (27:34):
It, eat it. Yeah, there's also just like, I don't know,
that didn't feel right. All of that scene felt problematic.
Speaker 1 (27:45):
That I'm sorry, that's not how people speak. I don't
know if we want to get into the nitty gritty
of this, but they were being really weird about the
l R switch, where really that sound in other languages
sometimes is just more similar, and yeah, it doesn't sound weird.
It's just a more similar sound, so it can be
(28:05):
used interchangeably. It's not like people are switching them back
and forth in this weird racist way. Get over that.
Speaker 2 (28:13):
It just it felt it felt like it was hyperbolizing
the language Japanese in a racist way.
Speaker 1 (28:20):
Yeah, it's just like it just feels really like it
feels like playground level racism to me.
Speaker 2 (28:29):
It's like.
Speaker 1 (28:31):
That's there are some things that obviously, like all countries
are different, things are done really differently, and you can
notice like yeah, the shower being short or whatever.
Speaker 2 (28:41):
Is like yeah, there were certain things where it was like, yeah,
we're just observing.
Speaker 1 (28:46):
But the language thing, I'm like, don't do that.
Speaker 2 (28:51):
Everything kind of felt like a stereotype. Yeah, And I
was like, I don't know, I don't know about this that.
Speaker 4 (28:59):
I don't want to.
Speaker 1 (29:00):
There were a number of scenes that were like chill
or just like somebody being in a foreign country and
trying to communicate with people. But yeah, I don't know.
I just didn't know what it was trying to say
about that. I didn't I didn't feel, like you said,
I didn't feel safe, much like wearing sea through underwear,
I didn't feel held.
Speaker 2 (29:18):
No, no, you were unsupported.
Speaker 1 (29:24):
The experience of watching this film was a lot like
the experience of wearing sea through underwear. Yeah, I feel
like I felt loose and I felt like I shouldn't
be doing it.
Speaker 2 (29:32):
Yep Sienna, you wrote what kind of gun was that?
What was that?
Speaker 4 (29:37):
This?
Speaker 2 (29:38):
What was that?
Speaker 1 (29:39):
They're at this party, this like long party. It's a party. Okay,
you're at a party. Okay, it's night, it's Tokyo. Okay,
this is a movie, I guess. Question the dark.
Speaker 2 (29:48):
Bar slash club, Like, what is it? I thought it
was somebody's apartment, but then there was a bar.
Speaker 1 (29:53):
There, and then somebody, one of their friends like jumps
behind the bar and then they start shooting. Came with
a glass with like a buzz light year like air
lazer bullets, I don't know.
Speaker 2 (30:06):
A bb gun, I don't know. And then they chased
them through the streets of Tokyo with a gun, and
nobody had a strong emotional reaction.
Speaker 1 (30:15):
To me, I really was thinking. I was like, oh,
it was gun violence, not so much of a thing
at the time.
Speaker 2 (30:20):
But still it that's insane, that is wild. I think
That's also what I didn't like about this movie was
everybody's emotions felt very pastel in a really unsettling way,
like nobody was deeply affected by anything, including having a
gun pointed at you. Right, yeah, that was and that
is disturbing.
Speaker 1 (30:40):
See, this is why I think some of it was
like trying to show like, wow, there are so many
things that are so the future in Japan. And also
this was twenty years ago, so that's probably true that
it was.
Speaker 8 (30:52):
Yeah.
Speaker 2 (30:52):
I mean even like you see a train pull into
the station and I was like, that train today looks
twenty years ahead of the trains in England.
Speaker 1 (31:00):
Right, totally. So I feel like it was trying to
shove a lot of technology and stuff, but not enough
for that to be its thing. So I don't know.
Speaker 2 (31:09):
I don't know.
Speaker 1 (31:10):
We're not meant to understand movies. We're not the right
people to watch them.
Speaker 2 (31:16):
We don't like them.
Speaker 4 (31:17):
I just don't. I didn't need to watch it.
Speaker 2 (31:20):
We like the ones that are good that this was
just like a classic movie by somebody who was raised
in Hollywood, Like obviously it was gonna kind of suck.
Speaker 1 (31:30):
Yeah, Oh my god, Leanna, you said this movie is
not helping my migraine. You had a migraine while watching
this movie.
Speaker 2 (31:36):
I felt so poorly.
Speaker 1 (31:38):
No, it was not the right movie to watch.
Speaker 2 (31:41):
This film.
Speaker 1 (31:42):
No, god, no, I even you know, it's funny the
idea that they were supposed to be like really depressed
in this. I actually often enjoy things about depression because
I've just been so depressed before. So I'm like, okay, yeah,
like they're doing a good job of showing this, or
like I'm glad we acknowledge this part of like human existence.
(32:02):
But that's not what I felt this. So this felt
more like on We just general like this was on Wei.
Speaker 2 (32:07):
This was white on We.
Speaker 1 (32:09):
It wasn't like she can't get out of bed, but
she's in Japan and she's like, why am I not
making my life make any sense? She was just wandering
around going ah monks.
Speaker 2 (32:20):
That was her voice, so soft and high. Because she
was she was seventeen, Oh my god. Literally because she
was a teenager.
Speaker 6 (32:28):
Literally, we'll call us a pair of of lacy underwear
because we are minimally supported by the following sponsors.
Speaker 1 (32:39):
We'll be right back. The movie is the type of
movie that's go to a place and be really pretty.
That's the genre. Yeah, be really pretty in a place
with a terrible haircut. I was so curious about that haircut.
(32:59):
I was like, what did this say about her at
the time because the haircuts. Now I can interpret what
I'm supposed to know about the character based on what
the haircut is. And I wonder what this one said
about her at the time. This sort of side bend
but so choppy. Yeah, choppy, just poorly, poorly done, a
bad chop. All right, I'm gonna read the last of
(33:23):
your notes. You said, so you'll sleep with whoever but
not me is very relatable.
Speaker 2 (33:28):
Ooh that was tough. That was a real moment where
I was like, yeah, that is a circumstance.
Speaker 1 (33:36):
Yeah, that was I just didn't I didn't want to
think about their like romantic. I just didn't know. It's
good that they didn't do that. I'm glad they.
Speaker 6 (33:46):
Didn't do that.
Speaker 1 (33:47):
You said, Oh, I wonder what he whispered? Shut up
and just write something good. I knew there was something
about the movie that's like, yeah, something happens at the end,
But now I know that what you did at the end. Yeah,
I just kind of it's like, oh, the ending of
Lost in translation, he just whispers something you can't hear.
Speaker 2 (34:11):
Okay, that's just lazy. Sorry, that's lazy writing. I guess,
write something beautiful. If you're like something beautiful was said,
people have now accomplished writing something beautiful, So this movie
doesn't really matter anymore because there's beautiful stuff to look at.
Speaker 1 (34:33):
Leona's final note and remember she had a migraine at
this time. For the love of God, get a steady kid.
Speaker 2 (34:41):
Yeah, and your final notes, Ena is I'm so sick
of movies. Lol, They're just not from me.
Speaker 1 (34:50):
Yeah, I don't guess, so I'm sorry, but some of
them are very beautiful.
Speaker 4 (34:56):
This drink it's tine.
Speaker 2 (34:58):
Like drink it'stine. I was just thinking often about past lives,
which is perhaps a problematic comparison because it's fully a
different country, and but it does have a lot of
similar slice of life energy and people having connections and
having conversations and deep emotional connections, and it can kind
(35:22):
of like, oh, it's the wrong time and place, but
maybe in a different well, hello, in a past life
and they have that beautiful conversation at the end that's
actually written out that you actually hear slash read because
it's Korean, so we are reading subtitles.
Speaker 1 (35:41):
That's a really good point.
Speaker 2 (35:43):
The old man whispers in the teens ear.
Speaker 1 (35:52):
Yeah, versus two people who respect each other having a conversation.
That's where they get to say things respectfully.
Speaker 2 (36:00):
It's old man whispers and teen's ear, then kisses her
on the map.
Speaker 1 (36:03):
Then a sloppy kiss and off they go.
Speaker 4 (36:07):
Boo.
Speaker 1 (36:08):
Yeah. I think that's actually a really good comparison because
the dialogue in that movie was so good and this one,
like this one, I've just left with a lot of
questions like, oh, was that a movie about him having
more insights about life because he's older, Because they only
had like one conversation about that, so I didn't even
really get the wisdom that comes from that difference. You know,
they talk about it like one time, but besides that,
(36:30):
he's just joking around being kind of racist. Uh huh. Anyway, absolutely, well,
let's move on to our next segment, shall we?
Speaker 4 (36:40):
Badges and trages m hm.
Speaker 2 (36:42):
This is the segment award badges for.
Speaker 1 (36:48):
Botanical gardens, botanical gardens, and trages for tushes belonging to
teen teens.
Speaker 2 (36:56):
Tushes.
Speaker 1 (36:58):
Teen tushes are very traghan tush. Ye.
Speaker 2 (37:01):
No one look at them, and no one makes us
look at them. My first badge is a badge I
will admit for capturing that men are the worst, which
is when he's at the bar of the hotel and
he gets recognized by those two like kind of finance
bros who then just bother him and are annoying.
Speaker 1 (37:25):
I have a badge for the general pacing. Again, I
like a When it started, I was like, Okay, maybe
I'll like this because I like a slow movie.
Speaker 2 (37:34):
Yeah. A badge for a Japanese garden. I really love
Japanese gardens.
Speaker 1 (37:41):
They're doing some beautiful ful stuff with the nature over there.
They're doing a beautiful job over there.
Speaker 2 (37:48):
Healthy, beauty, healthy gardens, happy, healthy gardens.
Speaker 1 (37:59):
Unfortunately, I wrote a badge early on, and I will
say I was really looking for something to say because
I felt bad.
Speaker 2 (38:07):
Hmm.
Speaker 1 (38:08):
I wrote Bill Murray funny. Yeah he is. You know,
he's good at what his vibe is.
Speaker 2 (38:17):
Depressed.
Speaker 6 (38:18):
I'm not.
Speaker 1 (38:18):
I'm not like, I'm not into it enough to like
defend or protect.
Speaker 2 (38:24):
I understand, man, I understand to protect and serve, to
serve and protect. A badge for a shrine, a Japanese shrine.
Speaker 1 (38:33):
Very beautiful, very beautiful, very beautiful. I will give a
badge for healthy Beautiful, Healthy Shrine badge for I will
say it's ultimately not too weird or gross, like they
don't do that much. Uh, it's not like they have
(38:53):
like a sex scene between them. The point is I
think that they're trying to do like a friendship emotional
affair sort of thing, right. I think they would do
it differently now, and that would be actually even more
leaned into it. I don't think they had the capabilities
of just letting it be all the way kind of
just platonic, because that is actually very fascinating to me. Yeah,
(39:18):
but I will say it's like it's I do think again,
if a man was making the same thing, we'd see
a lot more teen body it would be a lot grosser.
So I will I understand probably some people are into
this movie because they're like, wow, it's so interesting that
it's never really romantic. I would argue it's two in
(39:38):
between for me to be comfortable because of how I am,
because I'm a feminist bookshop lady.
Speaker 2 (39:43):
But you know, yeah, much like a pair of mesh underwear,
it's two in between for me to feel comfortable exactly.
A badge for Iquibana Flower arranging. Oh, that was funny
the art of We learned about that in the fifth
grade and I love it.
Speaker 1 (40:05):
My final badge is a little forced. It's again. I
was kind of like, there were times where I was
really like rooting for this movie. There were times where
I was rooting for the themes. I was like, Okay,
so you're doing just a friendship thing, like that's cool. Yeah,
And so I wrote a badge for that. The speech
(40:26):
where they talk about I felt like what they were
trying to get to the heart of this was just
a twenty something and a lost twenty something and a
lost fifty something talking about life. And there was one
speech where they're on the bed where they're platonically discussing things,
(40:48):
and I was like, yeah, that that whatever he said about,
like things that when you get older, when you know
things better about yourself, it does get easier.
Speaker 2 (40:59):
Yeah, but stuff still sucks. Yeah.
Speaker 1 (41:02):
I was like, Okay, let's keep going with that. But yeah,
it's kind of a semi trage because I really didn't
think the rest of it was leaning into that much,
and I felt like it was a missed opportunity. But
maybe it just wasn't about what I thought it was about.
Speaker 2 (41:17):
Hmm, yeah, my final badge is a badge for that
round plush bird that he gets her at the hospital.
That's oh, I want that round plush birds for you.
It was like a squish mallow before for me.
Speaker 1 (41:35):
It can be.
Speaker 2 (41:39):
Yeah, that was funny.
Speaker 1 (41:41):
Trages.
Speaker 2 (41:42):
Oh yeah, hello, I have so many. A trage for
opening on a butt. I didn't even know it was
a team butt at the time. Yeah, a woman's butt specifically,
that is the real umbrage I take with it.
Speaker 1 (42:03):
Uh. Trage for the phone call with her friend was
inaccurate reading the Girlies. Yeah, she calls her friend and
her friend is like, what why are you talking to me?
And she's clearly crying on the phone and her friend
is like call me later, Like okay, wait, what are
you talking about? But no, you call a gal pal
and your your voice breaks it all. She's like, what's
(42:25):
going on? What did he do? What happened? Come home? Yeah?
Speaker 2 (42:28):
Yeah, that was insane like that.
Speaker 1 (42:31):
I was like, I mean, maybe you don't.
Speaker 2 (42:32):
That's where I was like, I don't think this is
women's right. This is not a girlies film.
Speaker 1 (42:36):
No, because you can tell by the friends the girl
friends tell you.
Speaker 2 (42:40):
Yeah, how committed we and the other women in it,
like the Anna Faris character just being kind of like
an airhead and annoying. Yeah, this is not good for women. Yeah,
a trage for Bill Is being an asshole his character.
He was just kind of being an asshole to his
colleagues who were shooting the commercial, which was very weird. Weird.
Speaker 1 (43:01):
Yeah, trash for mainly big trage for the low key
and high key racist jokes that are mostly about the language.
But it just feels so childish.
Speaker 2 (43:13):
Uh huh.
Speaker 1 (43:14):
I'm like, it's just not it's not respectful at all.
Speaker 2 (43:19):
Yep, yep. Yeah. I also have a trash for white
people doing a Japanese accent.
Speaker 1 (43:25):
Trage for I am so distracted that she's seventeen. Once
I knew that, the rest of the movie, I was
just like h white knuckle in it, trying to.
Speaker 4 (43:33):
Get it through.
Speaker 2 (43:35):
No, I hate that.
Speaker 4 (43:40):
Uh.
Speaker 2 (43:40):
Trash for I never liked this actor. I find him
so unsettling. This is the actor who plays her husband.
He was Frank on Friends and then he was in Avatar.
Oh well, and the way that his voice is always
like breaking when he talks, I find really disturbing and unsettling.
And I just don't. I've never trusted him in anything
(44:02):
he's been in.
Speaker 1 (44:03):
I think he's a big scientologist.
Speaker 2 (44:05):
That makes sense. Uh, tragfer, I'm so bored. Sorry, Oh
my god, it was bored. Yeah, a tradfer. I would
not seduce Bill Murray. This does not resonate with me.
Speaker 1 (44:18):
I don't like this movie because I couldn't understand seducing
Bill Murray.
Speaker 2 (44:22):
I wouldn't do that. I don't get it.
Speaker 1 (44:24):
I would.
Speaker 2 (44:24):
And then my final trag is I thought that they
were ending it on a nice hug between the two people.
He finds her in the street, and I was like, oh,
actually that is kind of like women's rights. Yeah, that
makes sense as a way to end this kind of
like not physical but definitely emotional affairs.
Speaker 1 (44:41):
I agree.
Speaker 2 (44:42):
Then they kiss on the mouth.
Speaker 1 (44:43):
It just made me confused because the hug. I was like, Okay,
I can finally everything I was confused about. And maybe
you were leaving it up to interpretation, but now you're like,
this is just what a connection is. There's something even
deeper than romance about this. It's not like surface level
like lust. It's just they're connecting. And yeah, I just
(45:05):
thought it took the power out of the hug to
help them do a sloppy kiss after Yeah, boo, it
just didn't hit for me.
Speaker 2 (45:15):
Let's take the bullet train into our segment. How to
pretend you've seen this film This is for you are
at a hotel in Tokyo filled with white.
Speaker 1 (45:26):
People, at the white Hotel in Tokyo.
Speaker 2 (45:32):
We're at a bar at a Tokyo hotel and it's
filled with white people, and God, what was his character's name?
Speaker 1 (45:39):
John? Is that right?
Speaker 4 (45:41):
Bob?
Speaker 6 (45:41):
Wow?
Speaker 2 (45:42):
I have no idea. I think it was Bob. And
Bob comes up to you and says, you know, knichiwa
is how they say hello sometimes in Japan. But I
have a lot of opinions on how I've heard people
speak both Japanese and English in Japan. And I'm going
(46:03):
to really reenact in a lively animated and vocal way
for you right now, all of my experiences with language
that I've had in this country, and in order.
Speaker 1 (46:14):
To divorce Bob and to straight up to get him
to stop talking generally, even if it's not about the movie.
Here a few things that you can say to pretend
you've seen the film lost in translation. I bet the
trivia for this is going to be really annoying.
Speaker 2 (46:34):
Oh, I cannot imagine.
Speaker 1 (46:35):
It's good.
Speaker 2 (46:37):
Yes, Bob, I've seen Lost in Translation. Now you're going
to have to excuse me because I have several factses
to send back to my girlies state side.
Speaker 1 (46:49):
We got to get faxing.
Speaker 2 (46:51):
We got I have to go. I have to send
a fax. I want to send a facts.
Speaker 1 (46:56):
Oh, this is interesting. Yes, Bob, I've seen the film
Lost in Translation. With this film, Sofia Coppola became the
first woman to be nominated for writing, directing, and producing
in the same year work. She won for Best Original Screenplay,
even though much of the film was heavily improvised and
not written by her. Okay, that feels like, can't we
(47:19):
give it to her for just give it to her
for directing it?
Speaker 2 (47:22):
Yeah? What the fuck?
Speaker 1 (47:25):
That makes sense that this movie was improvised. Actually, that
makes a lot because it was bad because I think
they just went to Japan and then do they have
a plan.
Speaker 2 (47:34):
That makes sense as to why pretty much nobody said anything.
Speaker 1 (47:38):
Is her dad the one who made Apocalypse Now? Yeah,
and The Godfather Apocalypse Now? They just like went to
the jungle and didn't plan anything, And yeah they did
like drugs or whatever. I guess she was following his footsteps.
Speaker 2 (47:51):
God, I hated that movie.
Speaker 1 (47:53):
Go to a Foreign Land.
Speaker 2 (47:54):
That's one of the movies I hate the most.
Speaker 1 (47:55):
I think I know me too. I hated it Go
to a Foreign Land, and just sort of.
Speaker 2 (48:01):
Yes, Bob, I've seen Lost in Translation. I'm leaving the
bar now to go up to my room to change
out of my a line pencil skirt and into a
comfortable pair of pajama pants that will be covering my butt,
which will be held in place by some supportive, opaque
(48:23):
and very comfortable undergarments.
Speaker 1 (48:27):
My underwear is always opaque, opaque. This makes sense to
me why I think a lot of people love this
movie because it's like Tumblr tumbler vibes. Yes, Bob, I've
seen the film Lost in Translations. Sofia Coppola designed many
(48:48):
of the shots for the film by taking a series
of photographs throughout Tokyo and then recreating them with the
cast and crew using the photos as reference. That's extremely
like tweet girl of her.
Speaker 2 (48:57):
I think that's just location scouting. What that is?
Speaker 1 (49:05):
I guess that's storyboarding.
Speaker 2 (49:07):
Also, that's just making a film. Uh, oh my god. Yes, Bob,
I've seen Lost in Translation. Please leave me alone. I'm
in mourning because I just found out that my crush,
who said they weren't ready for anything new, fully had
sex with somebody else last night. No, wasn't me.
Speaker 4 (49:27):
No.
Speaker 2 (49:28):
I need a couple of business months to process this.
Speaker 1 (49:33):
Oh God, right, know, there are so many if you
if you are interested in this movie, you can go
look at There's so much trivia about it which makes sense.
But here's a fact. Yes, Bob, I have seen the film.
(49:54):
I have seen the film Lost in Translation. Uh. Somewhat annoyingly.
One of the reasons that Bill Murray loved filming this,
he really enjoyed filming it was that, hopefully not just
that he was playing opposite of seventeen year old, but
he was very rarely recognized in Tokyo Okay.
Speaker 2 (50:18):
Wow, Oh Siena. Let us let us climb Mount Fuji
and jump into it. Let's jump into the mouth of
Mount Fuji. Into our next segment, Should you watch this
or oh, I wonder what the answer is gonna be,
in which we tell you if we think you should
watch this movie or if you should do something else
during your trip to Japan.
Speaker 1 (50:40):
Leanna would say, God.
Speaker 2 (50:43):
No, no, do not watch Lost in Translation. What a
stupid waste of a day that I had off of
work because I was sick. Oh my god, it is
two hours I will never get back. Wow, I hated
this movie. I think what you could do instead is
I mean, you could watch White Lotus because it is
(51:04):
enjoyable to watch like mostly rich white people vacationing somewhere
outside of America and being American or and I don't
know how this is going to hold up because I'm
only like a fifth of the way through the book.
But you could read something called The Liquid Land by
Rafaela Edelbauer and this is the cover of it, which
(51:26):
I'm obsessed with.
Speaker 1 (51:28):
Oh that's so funny.
Speaker 2 (51:32):
I know they look like miserable little people in Durndal's
shortlisted for the German Book Prize, longlisted for the Austrian
Book Prize. I'm just very obsessed with it so far,
and it's kind of like there's an air of mystery
to it and family and relationships and connecting with a
different culture and I feel confident, but check back in
(51:56):
with me in a week's time that this will be
better than Last in Translation, which admittedly is an incredibly
low bar. Sianna, what would you say.
Speaker 1 (52:06):
I would say, No, you don't have to watch this. Yeah,
it's kind of one said, is one of those must watches.
But I'm sorry, it just didn't really click with me. No,
I did not think it was the worst thing in
the world. I still think that the stuff I don't
like made by women, it like, disturbs me less and
(52:27):
ruins my life less than the stuff I haven't liked
made by men, and I stand by that. I stand
by that generalization. It still holds up. But I didn't
click with this. What you could watch instead, Well, if
you want to be voyeuristic about Japan, you could watch
the show Terra's House, which I watched for a while
and was h enjoyable to watch. It's just such a slow,
(52:52):
little slice of life vibe. But you know, they're just
showing like they have beautiful shots of like food and
gardens and things like that. But it's also maybe not
the best show. I think that people get really depressed
on it, and they're not allowed to show them being depressed, so.
Speaker 2 (53:07):
It's like, oh, I don't know, but wait, is it
a reality show?
Speaker 1 (53:11):
It is a reality show? Oh, but it's a lovely
reality show where like nothing happens. It's hilarious how little happens,
because it's just it's not like trying to cause drama.
It's just people can leave the house whenever they want.
They're like, all right, I've had a nice time, goodbye.
Speaker 2 (53:25):
Wow.
Speaker 1 (53:26):
But then there's there's really funny comedians watching them and
just like commenting, great, it's very Japanese in that way.
But another movie you could watch if you want to
watch like a love story that couldn't be I would
agree with Leanna that Past Lives is really good. Oh,
not to just make you choose Korea instead of Japan,
(53:49):
but if you're like, sometimes I do want to be
like I just want to watch a movie in a
different country, Yeah, and be sort of like brought into
a culture, And yeah, that one was really good, and
I feel like what's similar is that it's like slow
paced and thinking of just like the melancholy and strangeness
of life, and that was when we really liked So yeah, yeah,
(54:14):
unless and a whole lot less in fact, no teen
but no teen butt. So you don't have to like
reckon with that.
Speaker 2 (54:21):
It's that easy. It's that easy it's so easy to
not put teen butt in your film.
Speaker 1 (54:27):
Well, it makes a lot of sense to me that
this movie wasn't for us. What would you rate this movie?
Speaker 2 (54:31):
You know, what would you Yeah, I'm going to give
Last in Translation one Iquibana arrangement out of five. I
hated it. What would you rate the film?
Speaker 1 (54:45):
Yeah, I'd give it around one one point two one.
It wasn't really I don't really need to watch it again.
I mean, like, I think it could have been more
damaging in many ways. But I but, but that's not
really a good reason to watch anything. It's just kind
of lame. I don't know. It wasn't the best. I
(55:05):
give it one, uh hotel room out of out of
out of five? Yeah, yeah, that's all that was really enough?
Fax Machine, how about that one friendly facts out of
five for us? No, but now we've seen it, I
apologize that people love it. I apologize, I do.
Speaker 2 (55:25):
I don't. Y'all are weird. That's a weird opinion about
this movie's bad, and that has been tossed. Popcorn's review
of Lost in Translation. Thank you everybody for listening. Please,
for the love of damn God. Follow us on Instagram
at Tossed Popcorn. We post posters of the movie with
our faces on them and memes with stills from the film,
(55:46):
and we work really hard on them. So yeah, follow
us in like the posts nice. You can also follow us.
You can subscribe to our patreon patreon dot com slash
Tossed Popcorn, where we post bonus monthly video episodes out
movies that are coming out in real time right now.
We're off next week as we will be with family,
(56:07):
but join us. We'll see you.
Speaker 1 (56:10):
After that to commemorate thing we'll be watching with. Uh,
the kids are all right, hull.
Speaker 2 (56:17):
That's very Thanksgiving as a statement.
Speaker 1 (56:22):
The kids are all right.
Speaker 2 (56:23):
That's something everybody says at Thanksgiving. Hey, the kids are
all set of, like, hey, we should reckon with the
genocide that America did to the Native people.
Speaker 1 (56:30):
Kids are all right. We'll see you, get love you bye.
You can find us on Instagram as at Sienna Jaco
and at Leanna Holsten. Please check the description for the
spelling of our dumb names. We put out episodes every Tuesday,
(56:53):
so make sure to subscribe so that you don't miss
an episode. See you next week on Tossed Popcorn For
more podcasts, from my Heart radio check the iHeartRadio app.
Speaker 2 (57:05):
I'm so sorry I have to blow my nose.
Speaker 1 (57:06):
That's okay, Yeah, it's getting up and I'm just gonna
let her have this private time.
Speaker 4 (57:11):
Actually, May the road rise to me you.
Speaker 8 (57:22):
May the wind be at your back, the sunshine warm
upon your face, the rains falls off upon your fields.
Speaker 9 (57:34):
And um till we me to again, till we meet again.
May God hold you in the palm of his hand.
Speaker 2 (57:49):
Huh, Hello, Hello, not think.
Speaker 1 (57:52):
I just sang a little just sing a little church song.
Speaker 2 (57:54):
Okay, I can't wait to hear that.
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