Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Of ligity, like like like.
Speaker 2 (00:02):
Victory like bitchry back in the studio. You know what
I'm saying, Because home game, away game, it don't matter.
We're gonna deliver art, you know.
Speaker 1 (00:07):
What I'm saying.
Speaker 2 (00:07):
And on this episode, we're talking about why don't shows
have more than three seasons?
Speaker 1 (00:11):
You know what I'm saying.
Speaker 2 (00:12):
Why do y'all look at riding tomatoes like it's motherfucking levitkids?
Speaker 1 (00:15):
Why is Shannon.
Speaker 2 (00:16):
Sharpe out here looking like a dinosaur and do weird
ship like buying pussy and sending weird text messages back
and forth? Why the Nike released pre cooked forces, fam?
Speaker 1 (00:26):
Why that's not organic, that's gmo? What the fuck is
wrong with y'all? Man? Stay right there?
Speaker 3 (00:31):
Of ligity like like like of ligity, like.
Speaker 4 (00:48):
Look at y'all son, y'all looking at you know what
I'm saying, Yes, sir, you're like, yo, what happened to
the large beverages, bro?
Speaker 1 (00:59):
What happened to the the.
Speaker 2 (01:00):
People behind you with the vacer stairs and the boofs
and the sticky wings.
Speaker 1 (01:05):
Now we're here, We're back at the victory like trap house.
You know what I'm saying. We got the guys in
the building.
Speaker 2 (01:09):
The crew don't change. You know what it is, man,
it's fucking lists. Bill Ortiz, the super bitch of New
York City. This rain new Yeah then yeah, got rap cad.
You know what I'm saying.
Speaker 1 (01:17):
You know, you know what I'm saying. We got me
trained figure man in the building. God damn it, producer. Yeah,
we got d acted in the building. You what I'm saying.
Shot the queens, you know what I mean? Shot to
That's right, baby, shout out to. I don't get a
shout out for queens. Oh ship, No, that's right now.
You know why because you be everywhere. Men is international.
You like people, bro. Men. Men can't tell a story
(01:37):
without there being some freaky ethereal detail. Yeah in it
Like it was just I went to the supermarket and
you know what I'm saying. The asteroid crashed and then
from it emerged eight goblins and Fred.
Speaker 2 (01:52):
Yo.
Speaker 1 (01:53):
That's crazy, bro. You know what I'm saying. Fucking jail
Smith got pump faked in the dock. You know what
I'm saying. Don't do that, baf When you put your
hand dowt, that's weight to retract that. You know who
(02:15):
that is? What it's sad, insane. Yeah, you know what
I'm saying. Also trying to victor. You know what I'm saying.
He came into the lights of he did. I'm gonna
keep Yo. Welcome back, y'all. You know what I'm saying,
look back, happy to be home to the Yeah, you
(02:38):
know what I'm saying. How you doing? You know what
I mean?
Speaker 2 (02:40):
Say?
Speaker 5 (02:40):
Yo, Bro, took me seventeen fucking hours to get here today.
Speaker 1 (02:43):
I had.
Speaker 5 (02:44):
I had a Dominican uber driver who I swear, Bro,
I forgot I was in the car with him. He
was He was in that bitch on the phone with
his girlfriend the whole ride, eating snacks. At one point,
I'm like, Yo, this motherfucker must have forgot he got
a passenger.
Speaker 1 (02:57):
He just cruising through the city.
Speaker 5 (02:59):
Bro, I felt like I was on a road trip
with him. But I died four years ago.
Speaker 1 (03:05):
Wait, what's that? What's that like? Though? What do you mean?
Because personally I've never been to uber driver?
Speaker 6 (03:10):
So yeah, yo, Yo, that's right.
Speaker 1 (03:30):
It doesn't hurt. You know what doesn't hurt having back
to back Muslims. You know what I'm saying, that's crazy
Muslim guests, all right, you know what I mean. Well,
look here we doing this ship for real. I'm about
to get up here start singing then sheep, you already
know what time it is. This won't go for all
(03:50):
the ye many store owners, This for all the goddamn uh,
this for the entirety of Morris Park. In the past
year and a half. Somehow shit is crazy. Make that
way we are. We just not gonna talk. Bro. The
whole strip went from Albanian to just straight the Motherland, Bro,
(04:11):
like straight Mediterranean in a year and a half. Bro,
there's more bridal shops on Forest Park now than there
weren't a year and a half ago. It used to be.
Speaker 2 (04:22):
This used to be a piece aria crazy. You got
dresses in the oven, Bro, that's crazy.
Speaker 1 (04:26):
Yeah, but we would do that. You know why we
do that? The Muslim agenda. You know what I'm saying.
They know jenda. Bro, We're just not pussy, you know
what I'm exactly, We're just not pussy. You know what
I'm saying a lot of other risk averse we not.
Speaker 2 (04:39):
You know what I'm saying. We'll have two Muslins on
in the row, you know what I'm saying. One that's
gonna be the mayor and one that's on the subway
talking about You know what I mean, do gay people
dress better than heterosexual people? What's your take?
Speaker 1 (04:50):
You know what I'm saying, et cetera, et cetera.
Speaker 2 (04:54):
Unlike the rest of the world, in Hollywood in particular,
you know what I'm saying, we take risks, We.
Speaker 1 (04:59):
Talk about what we want on here. We cover topics
and intellectual properties that are new and original. You know
what I'm saying. I'm like, hollyweird. You know what I'm saying.
Speaker 2 (05:08):
I like saying that because it makes me feel like,
you know what I mean, Like I'm not part of
that ship.
Speaker 1 (05:12):
You know what I'm saying, Even though I'm like, does
it help?
Speaker 5 (05:15):
Do you ever feel like, you.
Speaker 1 (05:16):
Know, really? Bro? Even though you casually suggest cocaine on
the show every.
Speaker 7 (05:21):
Single day, just a little too bro, you know to Bro.
You know, listen, Hey, if you don't want to do that,
you know you can just you got cigarette, right, you
just licked the tip.
Speaker 1 (05:32):
Get a little freeze, you know, a little freeze, little freeze,
little freeze on the tip. Go to church. Bro.
Speaker 5 (05:43):
Sometimes I think God, like I don't think he should
have given us free will. There's a lot of things, Bro,
that we're doing we should not be doing.
Speaker 1 (05:51):
Oh my god, man, I'm leaving dangerousity.
Speaker 2 (05:58):
We Yo, listen man, something about Hollywood that has caught
the attention of my nuts.
Speaker 1 (06:03):
The Bear season four. You know what I'm saying.
Speaker 2 (06:05):
Are you familiar with this show? It's it's it's a
very popular show. Yeah, you know what I'm saying. It's
about the chef. You know what I'm saying. In Chicago,
you know he got a beef store a yo. You know,
and uh, they are.
Speaker 1 (06:16):
In season four.
Speaker 2 (06:17):
I put this question, is what have yall seen lately
that has made it that far, that has made it
to a season four? Because I'm like, I don't I
can't remember, Like I remember being like, I'm an old nigga.
Speaker 1 (06:28):
I don't know about Chaul, but I'm built their friends,
no ship. I can't relate. I remember watching Lost, Yeah.
Speaker 5 (06:36):
Like fourteen years, seventeen years.
Speaker 1 (06:39):
What the fuck is going on?
Speaker 4 (06:41):
Yeah?
Speaker 1 (06:41):
That ain't happening. That ain't happenings.
Speaker 5 (06:45):
We be lucky to see one full fucking season. Motherfuckers
will drop three episodes and sorry, yo, hey get you
fucking emotionally attached to these characters, waiting for the end, Bro.
Speaker 2 (06:55):
There's no there's no honor, like they don't even do
like yo, let me, let's do one last episode where
we just like act like this ship was Rady's dream
and like psych y'all out, you know what I mean.
Speaker 5 (07:08):
But that's what happened with the Wayne's family. You remember
the Wayne Show. They should just got canceled out of nowhere.
They've never gotten no closure, no closure, no no, like yo,
these motherfuckers sold the shop and moved to bigger places.
Speaker 1 (07:18):
Nothing nothing. I wanted to see them move to the suburbs.
Speaker 2 (07:21):
Bro.
Speaker 1 (07:21):
I think I think we need to take out of
I think we need to take a page out of
the BBC's book and nice. We all just hey, we all,
we all just smoke a little Jason Love. That's we
just smoke a little bit, just smoke a little bit
(07:43):
of Jason Love. And we lace it with Jmax. That's
what we're doing. We lace it with a little J
Max and then J veteran, rookie year veteran.
Speaker 5 (07:52):
Are we naming important stars again? No?
Speaker 1 (07:55):
Listen, listen, listen, listen, listen. Jokes aside, though, the actual BBC,
the British Broadcasting fucking Network, corporation. Yeah. What they'll do,
and they've been doing this pretty much their entire existence,
is that they'll intentionally produce things to be short. So
like six episodes, ten episodes, that's the whole story. That's it.
(08:16):
Limited series, right, limited series, Yeah, that's it. Right. Netflix
has done this a lot, like, uh, there's a show
that's really fucking good on Netflix called Godless and it's
a it's an old western about this town where like
all the men like all the something tragic. I'm not
I don't want to spoil it in case you guys
do want to watch it, but something tragic happens in
this old western town right to all the men specifically,
(08:38):
so all the women gotta kind of stand up and like, okay, well,
what are we gonna do? Right, because it's like, well,
they're not exactly in a society where they can call shots,
but the circumstances have put them in a place where
they kind of have to. And it's like ten episodes,
solid as fuck, bro, and it's like, Okay, great, now
I'm not here waiting for a season that's never gonna
come exactly. And I think that and BBC does this
(09:00):
very well. They have a they have a show. Bro,
I've been I've been singing this show's praises since like
Hulu was became a thing in like twenty twelve. It's
called the Fades when it was just who when exact
when it was Snoop going, Yeah, it's called the Fades.
It's an old it's an old British like mystery thriller
and our our man, our fave Daniel Khalujah, isn't it? Bro,
(09:26):
a very young Daniel Khaluia isn't it? And he is?
He is like the comic relief character. He's so funny.
You could tell that motherfucker had it from the beginning.
This Yeah, yeah, no, it's major, brother. No, listen, you
call a d pit broughlight sweared down. It's peak fan.
Speaker 2 (09:40):
What's crazy because all this shit is like British and
they doing that, but here in the United States of
Trump is dan uh, they're not doing that. They're like, yo, nah,
we no, no, we can't do that. We hold on,
what did you just come up with an original idea?
Speaker 1 (09:57):
Yeah, shut the fuck up. No, we can't do that. No, no, no, no, no,
I don't know.
Speaker 5 (10:00):
What we can do is remake something we've made four.
Speaker 1 (10:04):
Times, but brilliant? Who is she?
Speaker 2 (10:06):
Hire her?
Speaker 1 (10:06):
What do you think about that? Let's let's do it.
Speaker 2 (10:09):
Do you have any let me see let's uh, you
know what.
Speaker 1 (10:13):
How about some superheroes? Yeah, superheroes? All right? Yeah? How
about this? How about this Call of Duty? Biggest game
in the world. Who plays Call of Duty? Stoner's who's
everyone's favorite Stoner? Seth Rogan throws Seth Rogan in a
DLC right after we saw how much money we made
with Jay and Silent Bob. Hey, we throw Seth Rogan
in there. That's the big bucks baby. By the way, Chat,
(10:36):
I didn't make that up. That's a real thing that's happening. Yeah,
Seth Rogan is they're continuing the weed theme in call Yeah,
and Seth Rogan is going to be done for that. Yeah, yeah, bro,
And that's what you get. Clip you get three sixty
(10:56):
boom yours. You're about to play? Yeah, you talk about that,
You're about to play Nikki Nikki, Nikki, Nikki nik Nikki.
They're flagging us, Nikki nik Nikki. There's an enemy U
(11:17):
a V inbound, Nikki. We gotta get the funk out
of your set.
Speaker 8 (11:19):
Yeah, you just kind of also call you slurs in
the lobby.
Speaker 5 (11:34):
Good impression, Yo, thank you, he got it.
Speaker 1 (11:38):
You know what I'm saying, Whenever I want to derail
the show.
Speaker 2 (11:45):
Dog, it's fucking so they It's wild to me that
don't try something like that in the fucking video game
but not in a movie, Dog, Like what the fuck happened? Bro?
Like now, like everything I hear that's coming out, Like
we talked about Sinners little bit before, but it's like
Doug a nigga, like Frank Coogler has to make three
(12:06):
black panthers before you can make one Sinners.
Speaker 1 (12:09):
You know what I'm saying, Like, where are we at?
Speaker 5 (12:12):
And you know what, I find a little bit weird?
Why do you pocket watch and Ryan cool?
Speaker 1 (12:16):
Or so bad?
Speaker 5 (12:16):
I've never seen so many fucking interviews about, uh, the
way the movie was set up and what happens, like
the contracts of the rights. I've never seen that in
any film before. Like so many fucking interviews, like all
of a sudden, all of a sudden, you want to
pocket watch Ryan?
Speaker 1 (12:32):
Too many? Niggass? I got cooked. I got cooked recently
because I called the vampires the good guys, which was
probably not the best verbiage verbiage to use. But what
I meant was with the sentiment that I wanted to
communicate was, in my opinion, I think that good film
is supposed to make you think differently about things, which
is like, that's the job of a good movie, I think,
(12:54):
is to make you think about shit, uh, you know,
whether it's fun or not or whatever, just to get
the all rolling up there, you know what I mean?
And like I feel like with Sinners, like the vampires
were low key like to me, they were like an
allegory for revolution and how like that shit's not going
to be perfect or pretty and in the sense of like, hey,
you got to be this vampire and you can't come
out in the sun and you got to drink blood
for the rest of your life. But at least you
(13:16):
have super strength and you can fly, and you can
manipulate people and you can kill the clan. Now do
you see what I'm saying. So it's like that's kind
of where I was going with it. And the whole
point of me saying that is that that's like what
a good films supposed to do, and I feel like
people are so averse to that where it's like if if,
if you come to a conclusion that is not the
most immediately obvious fucking thing that is put right in
(13:36):
front of you, it's like, oh, well no, because Merrick
was white, so no, listen. Also, uh, what do we
just watch Thunderbolts? This is this is too much thinking.
I don't want to think. Yeah, it's like yeah for
my brain.
Speaker 5 (13:56):
But that's what the fuck a good movie is supposed
to do. That's why whenever you see a good film.
To me, the funnest part is after the film, yeah,
sitting down and be like, yo, this was my favorite scene.
This is what it meant to me, and then getting
everybody else's because you get to see different perspectives.
Speaker 1 (14:10):
That's what I have to weed and ship. I mean, yo, listen,
everybody listen to me, hold on and break down.
Speaker 5 (14:20):
For you cooking in that film out there dancing and singing.
Speaker 1 (14:25):
I'm like, yo, they would have had me hold you yo.
Personally yo, oh my god. Imagine centers in New York, like,
so you're not gonna let me in chat for real?
That's doing yeah, broake the like, bro, bro, just just
come on, just let me inside. Bro, I'm gonna put
you on. Look, they got the Milwaukee drip, Let me
(14:48):
walk it. That's a power tool. Trying to drill me. Well,
how about this?
Speaker 5 (14:52):
Why the fuck you need an invite? Why you can't
come to fuck? It's like you've been coming this in
a whole lie.
Speaker 1 (14:57):
I got something for y'all. Ship ship We better No,
he no, his bad one was crazy. We gotta let
him in. Bro H, Yeah he hit that not he
(15:17):
hit the evil evil forget it. Let him inside. Bro,
you just start getting light outside of New York. Person
can resist valid? Now he hit the valet like salad. Whoa.
Speaker 5 (15:32):
They hit the Bronx wine. It's like, I don't know.
Speaker 1 (15:40):
Because that man Bronx wine is Bronx wine.
Speaker 2 (15:45):
Bro, Doug, that's that's you can get diagnosed with that
New York sinners, which is being drillers.
Speaker 1 (15:57):
Drillers is crazy, Doug. Oh my god, listen, I don't
got time. Y'all got time crazy? You see what we're
going through? What do you mean I got time, y'all
got mad?
Speaker 5 (16:13):
Let me just be at home play when I told yeah,
I think.
Speaker 1 (16:18):
You want to hit another little You think you think
me and Liz Bell leave here and hold feet?
Speaker 2 (16:22):
Yeah?
Speaker 1 (16:24):
You think we interlock our toes. Listen if y'all want
to see that Lincoln on the Patreon. You know what
I'm saying. Oh man, all three of us link toes
for this before this man in power interrupted you. What
are you gonna say, list.
Speaker 5 (16:41):
Bell, I was gonna say before we switch topics that
that's what shout out to my sist right here, bitch, yeah,
oh no, no, that's a bad one right there. She
don't need a mirror. She don't need a mirror, do
her baby?
Speaker 1 (17:01):
Oh my God, give him tooth brush brow.
Speaker 5 (17:05):
Before we moved on from sentaers, is that in the
post that I made about our the show, there was
a bunch of people commented in their own theories and
shit like that. That's fun. That's what suppose you're supposed
to stimulate your mind. It isn't just one end all
be all, of course, once the director speaks and he's like, yo,
this is what I meant intentionally, But it's still a
very fun thing to dissect movies and try to see
(17:26):
what it is that you get from it.
Speaker 1 (17:28):
That's the beauty of art of legity, like like lives.
Speaker 2 (17:34):
Of legitary, like lies fly, Well, that's the ship too,
Like you could do that with original movies, but you
can't do that with like Avengers Part twelve. You know
what I'm saying, Like Nigga, I know Captain America's gonna
come back. He's gonna be black. They're gonna be mad like.
Speaker 1 (17:50):
What else, you know what I mean?
Speaker 2 (17:51):
Like, Also, another thing is just like Original Ship bro,
like you said, it's open to interpretation. There's something nar though,
where it's like this, there's the possibility of this shit
being mid or whack. You know what I'm saying, Like
where it's like with an Adventures movie or some shit
like that. With Marvel shit is kind like you know
what you get? Yeah, like if you like I enjoy Loki,
(18:12):
you know what I'm saying, Like I'm gonna watch this shit,
but I'm like, nah, this is not my cup of tea.
Speaker 1 (18:17):
I'm gonna sit this one out.
Speaker 2 (18:18):
Like you said, it's just like they give you the
roadmap and they're like, Yo, this is ABC, the EFG
all the way to ze.
Speaker 1 (18:24):
You don't got to use your brain at all, you
know what I'm saying. So it's the academics oication of
media where when you say I'm a bitch, what do
you mean Listen, what I mean by the academic cication
of media is everything boiling down to numbers, everything boiling
down to first week sales domestic box office. Bro Like,
(18:48):
commercial success has become synonymous with like artistic merit. Now
it's like, oh, this shit got low scores or whatever
on Roden Tomatoes, it must suck. And it's like, bro,
all which is crazy because all the ship that is
lauded as great and iconic and like influential, and you
know what I'm saying, Like we're flopped at the box office,
(19:10):
like uh Shawshank, Redemption flopped at the box office, Blade
Runner flopped at the box office, flopped, Yes, damn, Donnie
Darko flopped at the box office. It wasn't until twenty
fucking thirty years later that all this ship was getting
creditorial collection. Yeah right, right, That's what I'm saying. So
it's like, bro, Like, I don't understand. I just don't
understand the aversion to seeing the value in art when
(19:33):
it like appreciating art when it drops, everybody want to
be a fucking contrarian and everybody just want to have
the safest take. Yeah, well, it's just gonna.
Speaker 2 (19:49):
Make me think of.
Speaker 5 (19:52):
Say that you.
Speaker 2 (19:56):
Pull the and then be like yo, see you see
and then do a super cut, be interrupted you ship
and be like yo see this stick around.
Speaker 5 (20:02):
First of all, she can't how about that one?
Speaker 1 (20:07):
How about okay, shut the funk up? Some random YouTuber
gonna be like, is Victory Light a toxic environment? Let's
see we see here this felt is routinely interrupted. Does
that mean that it's not a welcome and environment for
(20:28):
female podcast?
Speaker 2 (20:30):
Let's check out this other clip is rainy on another podcast,
and he said women.
Speaker 1 (20:40):
So in my extimation, I think in my exclamation.
Speaker 2 (20:50):
Talking, I'm like, bro, why are you talking like you
giving a talk like you're talking You're making a YouTube
video about a YouTube video about you.
Speaker 1 (20:59):
You're not not theme mement your game, not at all.
Speaker 5 (21:03):
It was just finally addressed this.
Speaker 1 (21:04):
Bro.
Speaker 5 (21:04):
I'm safe.
Speaker 1 (21:06):
I'm all right.
Speaker 5 (21:06):
You know, there's three of us, three opinions. Sometimes we
jumped the gun. I'm very well respected and loved and
treated nicely in this environment. If anything, yet, yeah, should
be inquiring for them.
Speaker 1 (21:19):
I love them too, But.
Speaker 2 (21:22):
Yo, you you fucking made a great point, bro, Like
motherfuckers won't even like I would't even like, well not
not saying me because I'm watched.
Speaker 1 (21:29):
I don't watch it except like spank Bank, like you'll go.
Motherfuckers will go before you hit up, Like Yo, Rainy, Yo,
you saw that movie? Yo, what do you think about it?
You know what I'm saying, Or like Yo, man, Yo,
you what do you think about this?
Speaker 6 (21:43):
Yo?
Speaker 1 (21:43):
You saw the ship that she was fine word, let's go.
I'm gonna go check it out. Motherfuckers will go not
even read the synopsis of the movie. Just don't do
that with span Bank videos reviews like a.
Speaker 2 (21:59):
Really get seen with Angela White and Savanna bod So
they're too both Australian superstars.
Speaker 1 (22:05):
Other times I'm a text men later like Yo, Valerie
qu out of it?
Speaker 5 (22:09):
Time we back twelve fourteen?
Speaker 2 (22:13):
Yeah yeah, Timestams, Yeah, Yo, shout into all your heroes
that in the comments yup, and the timestams like yo,
twenty three oh nine, I blew my load.
Speaker 1 (22:25):
I'm like what I'm like, well to twenty minutes. I
want a little build up. Yeah, I'm we're disgusting, doc,
we're discussing.
Speaker 2 (22:36):
Motherfuckers will go straight to the rating site and be like, Yo,
I can't watch this because they got twenty eight percent
on Rymatos.
Speaker 1 (22:42):
Why is that? Why is it because we're risk averse?
Is it because we don't care? It's because we trust
these motherfuckers too much?
Speaker 2 (22:49):
Like?
Speaker 1 (22:50):
What is it because I don't given a fuck about
that ship?
Speaker 5 (22:52):
I feel like people letting other people do the mental
fucking load for them. It's just like, instead of you
just recent researching, I let me look up the trailer,
let me see the past movies this director that has
probably made, because this shit is probably kind of cool,
I watch it. I'm talking, but Bro, I watch bad
movies on purpose. Yes, Like I'm that kind of person.
And you know what's crazy. I will watch a movie
(23:13):
without reading, without I'll just look at the poster and
I'm like, yeah, this is gonna be it. And then
I realized. I realized after a week that I only
watch movies with giant animals. So it's either a movie
with a big ass, overgrown, mega fucking mega shark or
a big ass venous spider that like overgrows it takes
over a chop, a crocodile that like infiltrates in floods
(23:35):
of prison. I'm telling you, Bro, is wrong with you?
Speaker 2 (23:40):
Yo? Your whole fucking like viewing his three is fucking
like ankda Yes, fucking dragon movie Clifford the Big Red Dog.
Speaker 5 (23:48):
But it's like ship, It's like it's like it's like
not good movies. Bro, The qualities be really bad.
Speaker 1 (23:54):
You could just see.
Speaker 5 (23:55):
But that's the kind of shit that I enjoy.
Speaker 1 (23:57):
I gotta I got a great bad movie recommendation for you.
Veloci pastor veloc of pastor. Is that a veloc raptor?
That's a pastor? Bro, Yes, it's a pastor that gets
transformed into a veloci? What are we doing? Where are
we at?
Speaker 2 (24:15):
Is?
Speaker 1 (24:15):
I just wan't mind about original concept? Bron.
Speaker 8 (24:21):
You guys want to hear the description really quickly.
Speaker 1 (24:24):
Yeah.
Speaker 8 (24:25):
After losing his parents, a priest travels to China, where
he inherits a mysterious ability that allows him to turn
into a dinosaur. Although he was horrified by the new power,
a sex worker convinces him to use it to fight crime.
Speaker 1 (24:38):
Streaming on to be I got another one for you.
I got another one. This is the last month I
got to for y'all because they love it in the comments,
so chat. This is for y'all. If you haven't seen
Lama Geddon Lama, please get absolutely stoneface Fried and watch
(24:59):
it and watch Lama get it, and it's exactly what
it sounds like. It's a lama that is the harbinger
of the end times. Yeah, it's an evil Lama. The
budget was like eleven hundred dollars.
Speaker 5 (25:11):
Nice.
Speaker 1 (25:12):
Nine hundred of that went to renting the Lama. So
that's where we are. Because you asked where we are,
that's where we were at.
Speaker 2 (25:21):
Bro. Yeah, now a Lama rental and one nigga is
struggling with a movie. Yeah, Theama flying. Yeah, yeah, he's
wiping his brow.
Speaker 1 (25:32):
Yo.
Speaker 5 (25:33):
Yeah, I haven't watched Cocaine Bear.
Speaker 2 (25:35):
Yeah.
Speaker 1 (25:35):
Oh yeah. I enjoyed that movie.
Speaker 5 (25:38):
First when when I watched the trailer, I'm like, Yo,
we got to stop giving white people money, bro, we
just have to stop. And then I watched it and
I started giggling, like this ship is hilarious.
Speaker 1 (25:47):
Yeah, it was man funny. Also, like my favorite guy
was in it, the Ikea guy. Oh, the one that's
like the one that's like, oh, I I'd like to
speak to your manager. You think he gives a fun Yeah? Yeah,
I love that guy brought We did some way takes together.
(26:07):
He was on the train at the same time I
name look him up. Yeah, you got a mustage Cocaine Bear,
Cocaine Bear Cocaine Bear, Lamageddon, Veloci Pastor Battle Start Coalacted.
You know what I'm saying. That's it, barn Bean Boom.
You know what I'm saying. You gotta watch nothing. Stanley's
has passed. You know what I'm saying.
Speaker 2 (26:26):
You're not honoring his legacy no more. You know what
I'm saying by watching Marble. You don't gotta do that
no more unless we unless we if we want to.
It's amazing, phenomenal, crazy ship, most original fire, you know
what I mean.
Speaker 1 (26:39):
Nothing has been done like this in cinema ever. This
is three Dominicans super being super.
Speaker 5 (26:45):
But if they don't.
Speaker 1 (26:48):
Superheroes, and I really don't.
Speaker 2 (26:50):
Like you niggas want a movie word bet guess what
y'all are the super supers. Bitch y'all all y'all supers
and this ship is going on to be fuck out
of here. Yeah, the Veloci Pasta, y'all want original?
Speaker 1 (27:05):
Take that, but it's crazy how much how much you
have to how much you have to, I guess, for
lack of a better term, tolerate in Hollywood to get
your own ship made, you know, because we were just
talking about Sinners and it's like this, like Ryan Coogler,
like he's great, but he's been great the whole time though,
Like he was he was worth investing in when he
(27:27):
made Fruitvale Station. Hey, I appreciate that, you know what
I mean? Like, man, Yeah, I watched that man talk
about anything with that heavy assay for four hours. Bro,
don't ever shave you mustache. I want to podcast between
Ryan Coogler and E forty. That's what I want when
(27:47):
marsh Ding Yes, Marsha Lynch producing, Bro, that's what I want.
That's my ip.
Speaker 2 (27:53):
Bro.
Speaker 1 (27:53):
I'm patting that ship right now right now today, may
God murder? Like, why would say that right now today?
Speaker 5 (28:03):
It's like, now you don't have to do that now
let him kill him?
Speaker 2 (28:08):
Bro?
Speaker 1 (28:08):
Why you have been in no other clothing? Yeah, you know,
it's it's it's bizarre, man. It's it's almost like people
don't want to recognize when it is great when it's
right in front of their face. And it's like, you know,
because it's like he had to deal with a bunch
of bullshit probably before he could get his first original
I P made, you know, and it's and it's and
(28:30):
it's like, you know, it shouldn't take what two three
billion dollar films to for somebody to be like, Okay,
you know what, we'll take a we'll take a risk.
We'll take a risk, a risk, billion dollar director.
Speaker 2 (28:44):
What the fuck?
Speaker 1 (28:45):
What what risks you?
Speaker 5 (28:47):
It makes me mad, bro, because you see the top
the talent that is Ryan, the mastermind that is Ryan,
and you see that he got to play these games.
You don't know what that man has been through. If
we deal with racism and well I'm a regular bitch
and not deal with racism, reglazed bitch, I can only
imagine what Ryan goes through.
Speaker 1 (29:06):
In that industry.
Speaker 5 (29:07):
Ryan is the same one who went to cash a
check and the police were called on him because they
couldn't believe.
Speaker 1 (29:13):
They drew down on him. They drew he drew guns
on him.
Speaker 5 (29:16):
And this is somebody who said he he suffers with anxiety,
like he suffers with anxiety and impossible. So it's like
I'm doing that. That's why we got to support I've
gone to see Sinners twice. Yeah, for a few reasons.
I'll probably go back and see that shit again.
Speaker 1 (29:30):
Yeah, And he's like, yeah, and he was like and
he was like like, because I watched like the body
cam footage or whatever where they're talking to Ryan or whatever.
He got the mask on everything, and they were like, oh,
but but why did you pass her the note though,
Like because he didn't say it out loud. He passed
her a note with the amount he wanted, and he's like,
if I said fifty thousand, yeah right food, yeah, yeah, hello,
(29:54):
and it's like yeah, and it's like the compster showed up.
I don't remember if they were white or not, but
if they were, like, that's just a that's simply a
perspective that they are not gonna have. It's like, Bro,
you don't really live like that. You don't gotta worry
about ship like that. So of course me passing a
note with the mask on, it's gonnak weird to you,
but it's my account.
Speaker 5 (30:14):
Motherfucker, Like he had all of his fucking identification, Like, yeah,
do your job, do the knowledge, cakes, you know, you
know how mad you go, you'll get me. Bro, I'm
trying to take out my money and you you call
the fucking FEDS on me.
Speaker 2 (30:30):
Bro, Well, I ain't gonna hold you. That happened to
me one time because I did I did. I'm laughing, like,
like I did something wrong.
Speaker 1 (30:35):
I ain't do that wrong.
Speaker 2 (30:36):
I cleaned out this old lady's house in Long Island.
She was like, yo, come through, clean out my garage.
I come through, I smoke some weed. I clean out
the garage. I listen to my deep and then she
writes me a check for fi hundred dollars and makes
it out just to cash. And then I go to
the to the bank and I'm like, yo, I ended
the check and I'm like, found it dollars please. I
was like yo, And the motherfuckers went in the back
(30:58):
for so long. I was looking around, like yogs get
lost for what happened? Bro?
Speaker 1 (31:03):
Like three yo?
Speaker 2 (31:04):
When motherfuckers come out and just peek out the door
and look at you and then go back inside.
Speaker 1 (31:08):
I was like, all right, bro, what the is going on?
Speaker 5 (31:10):
Bro?
Speaker 1 (31:10):
I was like, oh, yeah, when they popped their head,
Wait right, they go back, go back to just one second,
just one second.
Speaker 5 (31:20):
With the nicest smile.
Speaker 2 (31:23):
Because I'm never here with the I don't know what
to do. I know what, hey, hey, bro, I didn't listen.
All I did was cleaned out of the garage. That's
what happens when you're black in America and you make
it and you take risks.
Speaker 1 (31:34):
Yeah, you know what I'm saying. Yeah, you know, but listen,
I don't want to say this uh flippantly, you know,
but you don't do that. I was trying to understand what.
Speaker 3 (31:49):
I'm with you, bro, ligity like ligity like this is
risk tasty and like arts and media.
Speaker 2 (32:01):
You know what I'm saying, because like you said, like
Ryan Coogler had to do so much to get like recognized.
Speaker 1 (32:07):
You know what I'm saying. As an athlete, if you
have like two good seasons, bro, you could be the man.
Speaker 2 (32:11):
You know what I'm saying. And people tell you the
man for a long time. And when you think you're
the man for a long time, you're like, yo, I
deserve the finest pussy in the whole world, you know
what I'm saying. And the older you get, the more
delusional you get, and you think, like, yo, do I
still got it? You know what I'm saying as an
old man, you know what I'm saying. As a wash dude.
I'll be walking through supermarket and you know what I'm saying.
(32:33):
It's like, yo, short like Yo, little p y t
look at me. I'm like, Yo, you're looking at me.
Speaker 1 (32:39):
Still got it? You know what I'm saying, Still got
the baby. You know what I'm saying and writing my
right knee. That's it. It's not curious.
Speaker 5 (32:52):
She know her dad got it?
Speaker 1 (32:54):
My good bro. You know that's crazy.
Speaker 2 (32:57):
See that's how your young shorty should be talking to
these niggas like Shane Shark. But y'all not you know
what I'm saying. And I have a very I have
a I have a specific take, not about Shannon Sharp,
but about dudes like Shannon Sharp, who was like, Yo,
I'm I got mad money. I'm rich, like bro, just
by pussy.
Speaker 1 (33:18):
Bro. Yeah, well that's isn't that what he does? Just
buy a pussy? No, like transactionally by pussy.
Speaker 2 (33:23):
I think he's doing like this weird thing where like
you're buying pussy, but like it's like indirect you know
what I'm saying.
Speaker 5 (33:29):
Like, yeah, it's not a contract, it's just like yo,
we fun and then I just give you a little
sign like.
Speaker 1 (33:34):
Reacting like that's like this isn't what it is? Yes,
Like yo, we're a sugar baby situation. Yeah, Like oh yo, and.
Speaker 2 (33:41):
It's just like, bro, just be transactional, my nigga. You
know what I'm saying, Like shake hands, you know what
I'm saying, and then like take your clothes off. You
know what I mean, like leave the money, money on
the dress.
Speaker 1 (33:50):
So you know what I'm saying, like compress, get the most,
not the least. Yeah, that's right. You know what I'm saying.
Pim Chad, you know what I'm saying.
Speaker 2 (34:08):
Yo, listen man, So y'all know Shannon Sharp is in
the news man, he's out here. He released the statement
through his fucking lawyer, which is great.
Speaker 1 (34:16):
I mean, were you that was the.
Speaker 5 (34:18):
Most Shannon Sharp ship that he ever did by snapshot? Well,
his lawyers told him to say, and that just posted.
Speaker 2 (34:25):
That because Yo, I'll be real with y'ad and y'all
tell me the truth. I might be I may be desensitized.
I might be a nihilist whatever. If that I can't
take him seriously, imagine him apologizing and like Shannon Sharp
voice with them tight ass pants on it, like that
tight ass nigga man muscular for no reason. Yeah, you
don't play in the NFL no more, Bro, you look
(34:46):
like Iron Man. Imagine that nigga sit up there straight
ten camera, be like, oh, this will be in some
allegations of me paying for the puss it And I
would just like to say that these allegations, uh, I
do pay for the pussy, but it is in a
contextual manner so that uh, you know, stars of the
(35:06):
Only Fans content platform such as uh you know the
shorty right here. Uh you know, I would like to
make it a public apology to eat FPM and to
make a mouse into everybody else in the in the
in the community about what I've done.
Speaker 1 (35:23):
Bro, he got ct that apologize.
Speaker 2 (35:26):
Remember when this guy when what's the name Fathers in
the homes Pops was running for congress Perchewalker, Yeah, and
it was like, Bro, you got you are Bro, you've
been having car crashes in your brain since fifteen.
Speaker 1 (35:37):
Bro, you cannot you know what I mean.
Speaker 2 (35:39):
Yeah.
Speaker 1 (35:40):
It's also I think there's a there is a there
is a pivotal like element that we are that that
word that we haven't really touched on. It's more serious,
like it is a it is a sexual assault allegation,
like you know what I'm saying. So it's like it's
not yeah, it's not even on some like, I don't know, man,
it's I've been reading that.
Speaker 2 (36:01):
Bro. Listen, I'll take all the heat. I read them
ships and I'm just like, what is happening here?
Speaker 1 (36:07):
What is happening here? I read them text and.
Speaker 2 (36:09):
The ship that brocause we were at the Adam Levine
text and that was just cool.
Speaker 1 (36:13):
That was just like yo, you just being too horny
shorty over here. That was like django weird shit.
Speaker 2 (36:20):
That was like, Yo, I want you to put a
big black baby and me yeah, and a big black
cock and a big black baby. I'm like, bro, hold on,
I've seen this type of porn before. And I switched
off in mad fast because I'm like, this is uncomfortable.
I'm not I'm not beating off.
Speaker 1 (36:33):
Yeah no, no, no, dude, any I'm in community with
sex workers, but I don't even like, I don't even
I don't even chop it up with with the white
shorties that be like, oh, I'm collabing with this big
BBC Like come see, nah, nah, I'm not with that,
Like you gotta switch that up, baby, I'm.
Speaker 2 (36:50):
No, It's crazy and it just goes to show because yo,
Bill Belichick is another one bro old man.
Speaker 1 (36:54):
But I'm talking about black, white Latino freaky as freaky
ass old man.
Speaker 5 (37:00):
I'll be trying to have these conversations, bro, because again,
these men are not ugly. Look at Shannon Shop. I
don't think Shannon Sharp is ugly. He is a He's
very very handsome, and I'm pretty sure a lot of
women his age want him.
Speaker 1 (37:12):
Oh for sure.
Speaker 5 (37:12):
The problem is he doesn't want that.
Speaker 1 (37:14):
Monique told him that, yes.
Speaker 5 (37:15):
And that's yeah. She told him you need to get
a bit. You're gonna make you some fucking gritam and
eggs after the fourth raft.
Speaker 8 (37:21):
Yeah.
Speaker 2 (37:22):
No.
Speaker 1 (37:22):
Also, and speaking of speaking of women his age, they
trying to flip the script on him using the Tracy
Ellis Ross clip from her from her appearance on Michelle
Obama's podcast, where she was saying, like, oh, I date
younger men because the men my age, like exactly like
Lisabelle said, like the men my age number one, they
(37:44):
don't want me. And number two, the ones that do
want me want me to to fill a role that's
like yeah, this like nineteen this, like eighteen fifty eight,
like like long ass botta servant. You all here you go, honey,
like like whatever you need, baby, I'm I. I live
to serve and I aim to please. Bro that's not
(38:06):
but that's what they want though, And like this ship
is like the frustrating thing is that now I see
people trying to use the Shannon Sharp situation as like
a commentary on the Tracy Ellis Ross thing that she said,
which was like, oh, but but Tracy Ellis Ross wants
to date younger men. Nobody say nothing. She's powerful.
Speaker 5 (38:28):
Was a topic for two fucking weeks.
Speaker 1 (38:29):
Yeh yeh yeah yeah, and and and here's my message
to to you guys. We have to look at the why.
We have to look at the why. All right, Tracy
Ellis Ross is out here dating men my age hopefully,
uh because because because there's a lack of understanding from
(38:49):
men her age, Shannon Sharp wants to date younger women,
and the guys like him want to date younger women
because they'll do It's a it's powered thing, y'all. Like
the younger women's gonna fall in line. The younger woman's
gonna do what he says. And especially if you're gonna
date somebody that's like in a way lower tax bracket
(39:13):
than you, you're way more well off than them. There
is an inherent power dynamic there, like we cannot ignore
this shit, and I feel like this shit is weird
when we gloss over that shit like it's no big deal.
It's like and especially like The last point I'll make
is when Tracy Ellis Ross says she dates younger men.
That is a woman in her fifties talking about dating
maybe men in their thirties, you know what I mean,
(39:35):
thirty plus whatever, even fucking like twenty eight whatever, still
grown men though, you know what I mean. And also
Tracy don't need nothing from these motherfuckers, so she want
to have her fun. When when when men talk about
dating younger, they're talking about twenty twenty one, nineteen barely
fucking legal. That shit is weird, Bro, that shit is weird.
(39:56):
If Tracy Ellis Ross is out here moving like that,
then that then she a weirdo too.
Speaker 5 (40:01):
But I feel like you would have been able to
tell too if you were as a fucking weirdo, you
would have passed out with some young as skateboarder. Yeah, bros,
some really weird shit. And I think it's very like
people love to me vent about age gaps, and bro,
you know what's the difference between a fifty year old
man dating a thirty year old or a thirty five
dating a forty five year old. These are all adults
(40:21):
people with their full fucking frontal lobes developed. You are
not trying to enter this relationship and saying yeah, you're
an eighteen year old. This is just in general. Obviously
we don't know Shaddam Sharpe's case, but let's say you
meet this eighteen year old. An eighteen year old who
meets a forty five fifty year old man is very
easily impressed. All you have to do is have a car,
(40:42):
have a give them money for lunch, you know, tell
them all of the nice things to them. That is
the most insane thing in the world, The fact that
you could put fucking.
Speaker 1 (40:50):
Gas in your car.
Speaker 5 (40:51):
Bitch, is this like you because you are still a teenager,
You're like, oh, this person is a full blown adult.
But guess what a fifty five year old woman is
gonna look at you.
Speaker 1 (41:00):
And be like, yeah, that's what you're supposed to.
Speaker 5 (41:03):
Be able to do.
Speaker 1 (41:05):
It's the baseline, yo.
Speaker 2 (41:06):
Also, like, I think that there's Tracy and Shannon is
Tracy is not just buying dick she's talking about like
having a relationship with somebody.
Speaker 1 (41:16):
Shane is just out here buying bussy bro. Like he's like,
he's not like, Yo, let's go, let's go to the
Oscars together. You know what I mean, Let's go, let's
go catch a Dodger game. Nah, he said, Yo, gome
to my crib.
Speaker 2 (41:25):
And fucking I'll hang upside down from the sex wing
when you eat my ass. Yeah, you know what I'm saying, Like,
that's what he's on.
Speaker 1 (41:31):
Which legend? Which is which is fine?
Speaker 2 (41:33):
Bro?
Speaker 5 (41:33):
I'm all for Like, if you got the money and
it's contentsual, guess what goes crazy? The problem is this
has now blurred the lines. She is now a legend
that is sexual assault. And I get he leaked the
text messages to kind of like tarnish her image, did
not And yeah, he also leaks the fact that she
was it made you look crazy because she was saying
(41:54):
she was. She first of all, you got to pay
twenty five thousand dollars for each she she said that.
She said she the way she said, once you put
that what was the baby gravy inside me, you're gonna
be stuck with me forever, and that she said, I
want a big black baby. Those are all three text
messages he sent to you. And guess what, bitch, you replied,
(42:15):
and to see what you said, there's a clip of
him saying.
Speaker 1 (42:20):
I date by wade. Yeah, I don't date by age.
I date my wage. You stand.
Speaker 5 (42:26):
And he also he also said that younger women do
what he wants. Other older women are more independent and
will be like, oh, I'm not doing this because I
don't have to, or because you know, it doesn't serve
me whatever. He knows that younger women will do whatever
it is that you need, So let's not try to
play it into some Oh yeah, he just he just
happened to fall in line with chick. No you you
(42:47):
was looking for that nineteen.
Speaker 1 (42:49):
Year old looking for that young milk.
Speaker 5 (42:52):
But girls, bro, from the moment they hit any kind
of puberty, the men who even raised you start to
treat you differently. So well, that's why that's like a
whole different fucking power dynamic, where like, yeah, now the
neighborhood guys who used to take care of you and
make sure that you was getting home safe, now they
start acting and.
Speaker 1 (43:09):
Being weird with you.
Speaker 5 (43:10):
Yeah, and it's everybody pays attention to this shit bro everybody.
It's like even the men. You know what, I'll never forget.
When I was probably like twelve or thirteen, there used
to be the battle wrappers of the of the neighborhood.
They used to just stay outside and for like freestyle
and shit was awesome. And then there was also the
old men who used to sit on the crates and
just be drinking like eighty year olds. Right. We were
(43:32):
all friends. Me thinking, one day I'm thirteen, like twelve thirteen,
I walk into the store. The older man gives me
a weird hug, very very weird hug, and even I
felt like it was weird, like his hand was very
it was placed weird, and I was like, okay, that's
a little bit uncomfortable. I walked to the back of
the store. Two of the like freestyle guys who watched
me grow up came to me and they was like, Yo,
(43:55):
don't ever let somebody touch you like that again. Don't
ever let like now you're growing up up. They were like,
men are gonna be weird. You're gonna have to like,
don't never let nobody put their arm under your waist
anywhere below below your waist and I remember sitting in
the store and I'm like, damn, they care about me,
but not enough to say to that mother him you
(44:15):
telling me why you didn't.
Speaker 1 (44:16):
I'm the child.
Speaker 5 (44:17):
I didn't even know exactly what was going on. You know,
you just feel weird and you saw usted to hugging
these people. You don't.
Speaker 1 (44:22):
But that's crazy. That hollow done looked out for you
like that earlier.
Speaker 5 (44:25):
She kind of looked like him.
Speaker 1 (44:29):
He did. Damn. I was like, whose name? Can I say?
Forget his name?
Speaker 5 (44:38):
One of their names was Davy, he was Puerto Rican
and the other one, I think his name was like forty.
It was either forty or Smiley, but one of them too, Damn.
Speaker 1 (44:46):
Drake, you did him? Dirty? Smiley was next crazy? Oh
fuck yeah yeah yeah, man, he's sick.
Speaker 3 (44:58):
Yeah.
Speaker 2 (44:58):
Speaking of dirty, you know what I'm saying, We're gonna
go from dirty old men to dirty old shoes because
for some reason, I mean.
Speaker 1 (45:08):
I know we're influential, you know what I'm saying. I
know this is an influential show.
Speaker 2 (45:11):
I had no idea that Rainey's influence would carry so
far that Nike would come out with pre cooked forces
bro like pre cooked like you.
Speaker 1 (45:20):
Know what I'm saying. It's like this.
Speaker 2 (45:22):
You know, when you buy the shrimp with the tail
off d vein. They're already doing that, bro, They're pre
cooking the forces. You know what I'm saying, White people,
Why I don't like.
Speaker 5 (45:33):
When rich people discover poor people activities?
Speaker 1 (45:36):
That's right.
Speaker 5 (45:36):
It really does piss me off. Reminds me of like
I think it was some famous expensive ass company try
to sell those Chinese slippers.
Speaker 1 (45:47):
We're not doing that, absolutely not. Yeah, No, it's it's
it's what you call it. It's like commodified. It's like
costplaying poverty.
Speaker 5 (45:59):
It's like they hey with the holes in the shirt.
Speaker 1 (46:01):
Yeah yeah, yeah, yeah, that was crazy. It's costplaying poverty. Yeah.
Remember fucking yo, it was.
Speaker 2 (46:06):
Yoked for real, bro, Like, yeah, that is nuts. So
these are out differical, they're pre cooked. The gag is
they they uncooked themselves as.
Speaker 1 (46:23):
We aware of them. Don't know how to fun That
was exactly yeah, sorcery. Now you know what this is?
What do you quit? Yeah? Don't yeah, tote, You're never
gonna believe this. Yeah, don't Nikes making some shoes and
(46:44):
get this, Jesus Christ, what are you talking about? Get
this they get cleaner as you're wearing them. What what
the are you? It's unfreaking believable to Jesus Christ. No,
you gotta know, you gotta you gotta get more nasally,
You gotta get more nasally. What you're talking about? Come on,
what do you make?
Speaker 2 (47:02):
What do you mean?
Speaker 1 (47:03):
What do you mean? They get unfried as you wear
It's ridiculous you believe this Christopher influence?
Speaker 2 (47:12):
Once I went to I've been I've been watching a
lot of hockey lately, and I went to a Devil's
game playoff game, got eliminated.
Speaker 1 (47:19):
See you next year, guys will be there Demon season. Holler.
But they did something I've never seen before in the arena.
Speaker 2 (47:29):
They kept switching, they kept panning the camera. And this
wasn't like a sponsored thing either. It was just like
a thing that they do. I don't know this this
hockey culture. Hockey niggas, let me know.
Speaker 1 (47:37):
Like this is what you're doing? Those don't exist. Yeah
you was looking No, you was looking like Wesley Snypes
and that motherfucker probably. Yeah, I'm Steph Curry in the
room that night, I was Daniel k Yeah, I was
little Rol Howry. Yo.
Speaker 2 (47:58):
So I'm in there, and I have never seen people.
I mean, I've seen it, but I've never seen it
in real life. They kept painting the camera around and
these motherfuckers would take off their shoe, pour their beer
in their shoe, and then drink their beer out of
their shoe in one shot, like chuck it. I've never
(48:20):
seen this shit before my life. I thought it was crazy.
Speaker 8 (48:22):
No, I saw a kid do that at the rodeo
last year.
Speaker 5 (48:24):
Yeah, that's crazy, of course you did, man.
Speaker 2 (48:30):
But the craziest thing about it is, I don't know
why this crossed my mind, but I was just like, Yo,
those sneakers are cooked. Bro. Liked drinking out of these
like they're not even new, Like if there was new,
I'd be like, all right, bro, this is kind of permissible.
Speaker 1 (48:45):
Maybe you know what I'm saying.
Speaker 2 (48:47):
But like when a sneaker is truly cooked and the
Caucasian man is wearing them, you know that them sneaker
has been through some shit. Like Yo, that sneaker was
in the OL three blackout when this nigga had to
hop out the d train and walking on the tracks
ship stepped on bump piss like it's been everywhere.
Speaker 1 (49:02):
Yeah, it's been everywhere, just like we've been everywhere. Lisabelle,
do you have any closing thoughts before we wrap the show?
Speaker 2 (49:09):
Yeah?
Speaker 5 (49:09):
What's how what's your favorite uh? Carrot? Cook car? What's
your favorite cartoon character?
Speaker 1 (49:19):
My favorite cartoon to oh? Gidget from Rescue Ranges? Wow?
Speaker 6 (49:26):
Uh?
Speaker 1 (49:27):
Probably uh foo Key from One Punch Man.
Speaker 5 (49:31):
C J from San Andres nice.
Speaker 1 (49:35):
The comments guy, Yeah, what's your favorite cartoon character to
go to? And as much as you guys love to
make fun of me for wearing my cooked forces on
the show, looks like the shoes on the other floor,
too bad. List If you want a pair of j
(50:00):
you cooked forces from two seasons of Victory Life. At
the end of season two, I will personally list my
genuinely cooked forces of two and a half years. It's
an eBay and we will sell that ship to the
highest bidder to go towards funds for season three. Fuck that, bro,
don't give these motherfuckers your money. Give it to me.
(50:21):
Look at this, Look at this, Look at this. That's right,
genuine fried material. Here we have the low top Air
Force Ones scuffed to all oblivion, warned by none other
than the certified yapp Er y Apoholics, rainy your badia,
they and here we traveled, and here we have the
well traveled bottom you could see here you see traveled bottom.
(50:51):
How many bodies is that? How many bodies? A literary
(51:12):
light light night like
Of ligity, like like like.
Speaker 2 (00:02):
Victory like bitchry back in the studio. You know what
I'm saying, Because home game, away game, it don't matter.
We're gonna deliver art, you know.
Speaker 1 (00:07):
What I'm saying.
Speaker 2 (00:07):
And on this episode, we're talking about why don't shows
have more than three seasons?
Speaker 1 (00:11):
You know what I'm saying.
Speaker 2 (00:12):
Why do y'all look at riding tomatoes like it's motherfucking levitkids?
Speaker 1 (00:15):
Why is Shannon.
Speaker 2 (00:16):
Sharpe out here looking like a dinosaur and do weird
ship like buying pussy and sending weird text messages back
and forth? Why the Nike released pre cooked forces, fam?
Speaker 1 (00:26):
Why that's not organic, that's gmo? What the fuck is
wrong with y'all? Man? Stay right there?
Speaker 3 (00:31):
Of ligity like like like of ligity, like.
Speaker 4 (00:48):
Look at y'all son, y'all looking at you know what
I'm saying, Yes, sir, you're like, yo, what happened to
the large beverages, bro?
Speaker 1 (00:59):
What happened to the the.
Speaker 2 (01:00):
People behind you with the vacer stairs and the boofs
and the sticky wings.
Speaker 1 (01:05):
Now we're here, We're back at the victory like trap house.
You know what I'm saying. We got the guys in
the building.
Speaker 2 (01:09):
The crew don't change. You know what it is, man,
it's fucking lists. Bill Ortiz, the super bitch of New
York City. This rain new Yeah then yeah, got rap cad.
You know what I'm saying.
Speaker 1 (01:17):
You know, you know what I'm saying. We got me
trained figure man in the building. God damn it, producer. Yeah,
we got d acted in the building. You what I'm saying.
Shot the queens, you know what I mean? Shot to
That's right, baby, shout out to. I don't get a
shout out for queens. Oh ship, No, that's right now.
You know why because you be everywhere. Men is international.
You like people, bro. Men. Men can't tell a story
(01:37):
without there being some freaky ethereal detail. Yeah in it
Like it was just I went to the supermarket and
you know what I'm saying. The asteroid crashed and then
from it emerged eight goblins and Fred.
Speaker 2 (01:52):
Yo.
Speaker 1 (01:53):
That's crazy, bro. You know what I'm saying. Fucking jail
Smith got pump faked in the dock. You know what
I'm saying. Don't do that, baf When you put your
hand dowt, that's weight to retract that. You know who
(02:15):
that is? What it's sad, insane. Yeah, you know what
I'm saying. Also trying to victor. You know what I'm saying.
He came into the lights of he did. I'm gonna
keep Yo. Welcome back, y'all. You know what I'm saying,
look back, happy to be home to the Yeah, you
(02:38):
know what I'm saying. How you doing? You know what
I mean?
Speaker 2 (02:40):
Say?
Speaker 5 (02:40):
Yo, Bro, took me seventeen fucking hours to get here today.
Speaker 1 (02:43):
I had.
Speaker 5 (02:44):
I had a Dominican uber driver who I swear, Bro,
I forgot I was in the car with him. He
was He was in that bitch on the phone with
his girlfriend the whole ride, eating snacks. At one point,
I'm like, Yo, this motherfucker must have forgot he got
a passenger.
Speaker 1 (02:57):
He just cruising through the city.
Speaker 5 (02:59):
Bro, I felt like I was on a road trip
with him. But I died four years ago.
Speaker 1 (03:05):
Wait, what's that? What's that like? Though? What do you mean?
Because personally I've never been to uber driver?
Speaker 6 (03:10):
So yeah, yo, Yo, that's right.
Speaker 1 (03:30):
It doesn't hurt. You know what doesn't hurt having back
to back Muslims. You know what I'm saying, that's crazy
Muslim guests, all right, you know what I mean. Well,
look here we doing this ship for real. I'm about
to get up here start singing then sheep, you already
know what time it is. This won't go for all
(03:50):
the ye many store owners, This for all the goddamn uh,
this for the entirety of Morris Park. In the past
year and a half. Somehow shit is crazy. Make that
way we are. We just not gonna talk. Bro. The
whole strip went from Albanian to just straight the Motherland, Bro,
(04:11):
like straight Mediterranean in a year and a half. Bro,
there's more bridal shops on Forest Park now than there
weren't a year and a half ago. It used to be.
Speaker 2 (04:22):
This used to be a piece aria crazy. You got
dresses in the oven, Bro, that's crazy.
Speaker 1 (04:26):
Yeah, but we would do that. You know why we
do that? The Muslim agenda. You know what I'm saying.
They know jenda. Bro, We're just not pussy, you know
what I'm exactly, We're just not pussy. You know what
I'm saying a lot of other risk averse we not.
Speaker 2 (04:39):
You know what I'm saying. We'll have two Muslins on
in the row, you know what I'm saying. One that's
gonna be the mayor and one that's on the subway
talking about You know what I mean, do gay people
dress better than heterosexual people? What's your take?
Speaker 1 (04:50):
You know what I'm saying, et cetera, et cetera.
Speaker 2 (04:54):
Unlike the rest of the world, in Hollywood in particular,
you know what I'm saying, we take risks, We.
Speaker 1 (04:59):
Talk about what we want on here. We cover topics
and intellectual properties that are new and original. You know
what I'm saying. I'm like, hollyweird. You know what I'm saying.
Speaker 2 (05:08):
I like saying that because it makes me feel like,
you know what I mean, Like I'm not part of
that ship.
Speaker 1 (05:12):
You know what I'm saying, Even though I'm like, does
it help?
Speaker 5 (05:15):
Do you ever feel like, you.
Speaker 1 (05:16):
Know, really? Bro? Even though you casually suggest cocaine on
the show every.
Speaker 7 (05:21):
Single day, just a little too bro, you know to Bro.
You know, listen, Hey, if you don't want to do that,
you know you can just you got cigarette, right, you
just licked the tip.
Speaker 1 (05:32):
Get a little freeze, you know, a little freeze, little freeze,
little freeze on the tip. Go to church. Bro.
Speaker 5 (05:43):
Sometimes I think God, like I don't think he should
have given us free will. There's a lot of things, Bro,
that we're doing we should not be doing.
Speaker 1 (05:51):
Oh my god, man, I'm leaving dangerousity.
Speaker 2 (05:58):
We Yo, listen man, something about Hollywood that has caught
the attention of my nuts.
Speaker 1 (06:03):
The Bear season four. You know what I'm saying.
Speaker 2 (06:05):
Are you familiar with this show? It's it's it's a
very popular show. Yeah, you know what I'm saying. It's
about the chef. You know what I'm saying. In Chicago,
you know he got a beef store a yo. You know,
and uh, they are.
Speaker 1 (06:16):
In season four.
Speaker 2 (06:17):
I put this question, is what have yall seen lately
that has made it that far, that has made it
to a season four? Because I'm like, I don't I
can't remember, Like I remember being like, I'm an old nigga.
Speaker 1 (06:28):
I don't know about Chaul, but I'm built their friends,
no ship. I can't relate. I remember watching Lost, Yeah.
Speaker 5 (06:36):
Like fourteen years, seventeen years.
Speaker 1 (06:39):
What the fuck is going on?
Speaker 4 (06:41):
Yeah?
Speaker 1 (06:41):
That ain't happening. That ain't happenings.
Speaker 5 (06:45):
We be lucky to see one full fucking season. Motherfuckers
will drop three episodes and sorry, yo, hey get you
fucking emotionally attached to these characters, waiting for the end, Bro.
Speaker 2 (06:55):
There's no there's no honor, like they don't even do
like yo, let me, let's do one last episode where
we just like act like this ship was Rady's dream
and like psych y'all out, you know what I mean.
Speaker 5 (07:08):
But that's what happened with the Wayne's family. You remember
the Wayne Show. They should just got canceled out of nowhere.
They've never gotten no closure, no closure, no no, like yo,
these motherfuckers sold the shop and moved to bigger places.
Speaker 1 (07:18):
Nothing nothing. I wanted to see them move to the suburbs.
Speaker 2 (07:21):
Bro.
Speaker 1 (07:21):
I think I think we need to take out of
I think we need to take a page out of
the BBC's book and nice. We all just hey, we all,
we all just smoke a little Jason Love. That's we
just smoke a little bit, just smoke a little bit
(07:43):
of Jason Love. And we lace it with Jmax. That's
what we're doing. We lace it with a little J
Max and then J veteran, rookie year veteran.
Speaker 5 (07:52):
Are we naming important stars again? No?
Speaker 1 (07:55):
Listen, listen, listen, listen, listen. Jokes aside, though, the actual BBC,
the British Broadcasting fucking Network, corporation. Yeah. What they'll do,
and they've been doing this pretty much their entire existence,
is that they'll intentionally produce things to be short. So
like six episodes, ten episodes, that's the whole story. That's it.
(08:16):
Limited series, right, limited series, Yeah, that's it. Right. Netflix
has done this a lot, like, uh, there's a show
that's really fucking good on Netflix called Godless and it's
a it's an old western about this town where like
all the men like all the something tragic. I'm not
I don't want to spoil it in case you guys
do want to watch it, but something tragic happens in
this old western town right to all the men specifically,
(08:38):
so all the women gotta kind of stand up and like, okay, well,
what are we gonna do? Right, because it's like, well,
they're not exactly in a society where they can call shots,
but the circumstances have put them in a place where
they kind of have to. And it's like ten episodes,
solid as fuck, bro, and it's like, Okay, great, now
I'm not here waiting for a season that's never gonna
come exactly. And I think that and BBC does this
(09:00):
very well. They have a they have a show. Bro,
I've been I've been singing this show's praises since like
Hulu was became a thing in like twenty twelve. It's
called the Fades when it was just who when exact
when it was Snoop going, Yeah, it's called the Fades.
It's an old it's an old British like mystery thriller
and our our man, our fave Daniel Khalujah, isn't it? Bro,
(09:26):
a very young Daniel Khaluia isn't it? And he is?
He is like the comic relief character. He's so funny.
You could tell that motherfucker had it from the beginning.
This Yeah, yeah, no, it's major, brother. No, listen, you
call a d pit broughlight sweared down. It's peak fan.
Speaker 2 (09:40):
What's crazy because all this shit is like British and
they doing that, but here in the United States of
Trump is dan uh, they're not doing that. They're like, yo, nah,
we no, no, we can't do that. We hold on,
what did you just come up with an original idea?
Speaker 1 (09:57):
Yeah, shut the fuck up. No, we can't do that. No, no, no, no, no,
I don't know.
Speaker 5 (10:00):
What we can do is remake something we've made four.
Speaker 1 (10:04):
Times, but brilliant? Who is she?
Speaker 2 (10:06):
Hire her?
Speaker 1 (10:06):
What do you think about that? Let's let's do it.
Speaker 2 (10:09):
Do you have any let me see let's uh, you
know what.
Speaker 1 (10:13):
How about some superheroes? Yeah, superheroes? All right? Yeah? How
about this? How about this Call of Duty? Biggest game
in the world. Who plays Call of Duty? Stoner's who's
everyone's favorite Stoner? Seth Rogan throws Seth Rogan in a
DLC right after we saw how much money we made
with Jay and Silent Bob. Hey, we throw Seth Rogan
in there. That's the big bucks baby. By the way, Chat,
(10:36):
I didn't make that up. That's a real thing that's happening. Yeah,
Seth Rogan is they're continuing the weed theme in call Yeah,
and Seth Rogan is going to be done for that. Yeah, yeah, bro,
And that's what you get. Clip you get three sixty
(10:56):
boom yours. You're about to play? Yeah, you talk about that,
You're about to play Nikki Nikki, Nikki, Nikki nik Nikki.
They're flagging us, Nikki nik Nikki. There's an enemy U
(11:17):
a V inbound, Nikki. We gotta get the funk out
of your set.
Speaker 8 (11:19):
Yeah, you just kind of also call you slurs in
the lobby.
Speaker 5 (11:34):
Good impression, Yo, thank you, he got it.
Speaker 1 (11:38):
You know what I'm saying, Whenever I want to derail
the show.
Speaker 2 (11:45):
Dog, it's fucking so they It's wild to me that
don't try something like that in the fucking video game
but not in a movie, Dog, Like what the fuck happened? Bro?
Like now, like everything I hear that's coming out, Like
we talked about Sinners little bit before, but it's like
Doug a nigga, like Frank Coogler has to make three
(12:06):
black panthers before you can make one Sinners.
Speaker 1 (12:09):
You know what I'm saying, Like, where are we at?
Speaker 5 (12:12):
And you know what, I find a little bit weird?
Why do you pocket watch and Ryan cool?
Speaker 1 (12:16):
Or so bad?
Speaker 5 (12:16):
I've never seen so many fucking interviews about, uh, the
way the movie was set up and what happens, like
the contracts of the rights. I've never seen that in
any film before. Like so many fucking interviews, like all
of a sudden, all of a sudden, you want to
pocket watch Ryan?
Speaker 1 (12:32):
Too many? Niggass? I got cooked. I got cooked recently
because I called the vampires the good guys, which was
probably not the best verbiage verbiage to use. But what
I meant was with the sentiment that I wanted to
communicate was, in my opinion, I think that good film
is supposed to make you think differently about things, which
is like, that's the job of a good movie, I think,
(12:54):
is to make you think about shit, uh, you know,
whether it's fun or not or whatever, just to get
the all rolling up there, you know what I mean?
And like I feel like with Sinners, like the vampires
were low key like to me, they were like an
allegory for revolution and how like that shit's not going
to be perfect or pretty and in the sense of like, hey,
you got to be this vampire and you can't come
out in the sun and you got to drink blood
for the rest of your life. But at least you
(13:16):
have super strength and you can fly, and you can
manipulate people and you can kill the clan. Now do
you see what I'm saying. So it's like that's kind
of where I was going with it. And the whole
point of me saying that is that that's like what
a good films supposed to do, and I feel like
people are so averse to that where it's like if if,
if you come to a conclusion that is not the
most immediately obvious fucking thing that is put right in
(13:36):
front of you, it's like, oh, well no, because Merrick
was white, so no, listen. Also, uh, what do we
just watch Thunderbolts? This is this is too much thinking.
I don't want to think. Yeah, it's like yeah for
my brain.
Speaker 5 (13:56):
But that's what the fuck a good movie is supposed
to do. That's why whenever you see a good film.
To me, the funnest part is after the film, yeah,
sitting down and be like, yo, this was my favorite scene.
This is what it meant to me, and then getting
everybody else's because you get to see different perspectives.
Speaker 1 (14:10):
That's what I have to weed and ship. I mean, yo, listen,
everybody listen to me, hold on and break down.
Speaker 5 (14:20):
For you cooking in that film out there dancing and singing.
Speaker 1 (14:25):
I'm like, yo, they would have had me hold you yo.
Personally yo, oh my god. Imagine centers in New York, like,
so you're not gonna let me in chat for real?
That's doing yeah, broake the like, bro, bro, just just
come on, just let me inside. Bro, I'm gonna put
you on. Look, they got the Milwaukee drip, Let me
(14:48):
walk it. That's a power tool. Trying to drill me. Well,
how about this?
Speaker 5 (14:52):
Why the fuck you need an invite? Why you can't
come to fuck? It's like you've been coming this in
a whole lie.
Speaker 1 (14:57):
I got something for y'all. Ship ship We better No,
he no, his bad one was crazy. We gotta let
him in. Bro H, Yeah he hit that not he
(15:17):
hit the evil evil forget it. Let him inside. Bro,
you just start getting light outside of New York. Person
can resist valid? Now he hit the valet like salad. Whoa.
Speaker 5 (15:32):
They hit the Bronx wine. It's like, I don't know.
Speaker 1 (15:40):
Because that man Bronx wine is Bronx wine.
Speaker 2 (15:45):
Bro, Doug, that's that's you can get diagnosed with that
New York sinners, which is being drillers.
Speaker 1 (15:57):
Drillers is crazy, Doug. Oh my god, listen, I don't
got time. Y'all got time crazy? You see what we're
going through? What do you mean I got time, y'all
got mad?
Speaker 5 (16:13):
Let me just be at home play when I told yeah,
I think.
Speaker 1 (16:18):
You want to hit another little You think you think
me and Liz Bell leave here and hold feet?
Speaker 2 (16:22):
Yeah?
Speaker 1 (16:24):
You think we interlock our toes. Listen if y'all want
to see that Lincoln on the Patreon. You know what
I'm saying. Oh man, all three of us link toes
for this before this man in power interrupted you. What
are you gonna say, list.
Speaker 5 (16:41):
Bell, I was gonna say before we switch topics that
that's what shout out to my sist right here, bitch, yeah,
oh no, no, that's a bad one right there. She
don't need a mirror. She don't need a mirror, do
her baby?
Speaker 1 (17:01):
Oh my God, give him tooth brush brow.
Speaker 5 (17:05):
Before we moved on from sentaers, is that in the
post that I made about our the show, there was
a bunch of people commented in their own theories and
shit like that. That's fun. That's what suppose you're supposed
to stimulate your mind. It isn't just one end all
be all, of course, once the director speaks and he's like, yo,
this is what I meant intentionally, But it's still a
very fun thing to dissect movies and try to see
(17:26):
what it is that you get from it.
Speaker 1 (17:28):
That's the beauty of art of legity, like like lives.
Speaker 2 (17:34):
Of legitary, like lies fly, Well, that's the ship too,
Like you could do that with original movies, but you
can't do that with like Avengers Part twelve. You know
what I'm saying, Like Nigga, I know Captain America's gonna
come back. He's gonna be black. They're gonna be mad like.
Speaker 1 (17:50):
What else, you know what I mean?
Speaker 2 (17:51):
Like, Also, another thing is just like Original Ship bro,
like you said, it's open to interpretation. There's something nar though,
where it's like this, there's the possibility of this shit
being mid or whack. You know what I'm saying, Like
where it's like with an Adventures movie or some shit
like that. With Marvel shit is kind like you know
what you get? Yeah, like if you like I enjoy Loki,
(18:12):
you know what I'm saying, Like I'm gonna watch this shit,
but I'm like, nah, this is not my cup of tea.
Speaker 1 (18:17):
I'm gonna sit this one out.
Speaker 2 (18:18):
Like you said, it's just like they give you the
roadmap and they're like, Yo, this is ABC, the EFG
all the way to ze.
Speaker 1 (18:24):
You don't got to use your brain at all, you
know what I'm saying. So it's the academics oication of
media where when you say I'm a bitch, what do
you mean Listen, what I mean by the academic cication
of media is everything boiling down to numbers, everything boiling
down to first week sales domestic box office. Bro Like,
(18:48):
commercial success has become synonymous with like artistic merit. Now
it's like, oh, this shit got low scores or whatever
on Roden Tomatoes, it must suck. And it's like, bro,
all which is crazy because all the ship that is
lauded as great and iconic and like influential, and you
know what I'm saying, Like we're flopped at the box office,
(19:10):
like uh Shawshank, Redemption flopped at the box office, Blade
Runner flopped at the box office, flopped, Yes, damn, Donnie
Darko flopped at the box office. It wasn't until twenty
fucking thirty years later that all this ship was getting
creditorial collection. Yeah right, right, That's what I'm saying. So
it's like, bro, Like, I don't understand. I just don't
understand the aversion to seeing the value in art when
(19:33):
it like appreciating art when it drops, everybody want to
be a fucking contrarian and everybody just want to have
the safest take. Yeah, well, it's just gonna.
Speaker 2 (19:49):
Make me think of.
Speaker 5 (19:52):
Say that you.
Speaker 2 (19:56):
Pull the and then be like yo, see you see
and then do a super cut, be interrupted you ship
and be like yo see this stick around.
Speaker 5 (20:02):
First of all, she can't how about that one?
Speaker 1 (20:07):
How about okay, shut the funk up? Some random YouTuber
gonna be like, is Victory Light a toxic environment? Let's
see we see here this felt is routinely interrupted. Does
that mean that it's not a welcome and environment for
(20:28):
female podcast?
Speaker 2 (20:30):
Let's check out this other clip is rainy on another podcast,
and he said women.
Speaker 1 (20:40):
So in my extimation, I think in my exclamation.
Speaker 2 (20:50):
Talking, I'm like, bro, why are you talking like you
giving a talk like you're talking You're making a YouTube
video about a YouTube video about you.
Speaker 1 (20:59):
You're not not theme mement your game, not at all.
Speaker 5 (21:03):
It was just finally addressed this.
Speaker 1 (21:04):
Bro.
Speaker 5 (21:04):
I'm safe.
Speaker 1 (21:06):
I'm all right.
Speaker 5 (21:06):
You know, there's three of us, three opinions. Sometimes we
jumped the gun. I'm very well respected and loved and
treated nicely in this environment. If anything, yet, yeah, should
be inquiring for them.
Speaker 1 (21:19):
I love them too, But.
Speaker 2 (21:22):
Yo, you you fucking made a great point, bro, Like
motherfuckers won't even like I would't even like, well not
not saying me because I'm watched.
Speaker 1 (21:29):
I don't watch it except like spank Bank, like you'll go.
Motherfuckers will go before you hit up, Like Yo, Rainy, Yo,
you saw that movie? Yo, what do you think about it?
You know what I'm saying, Or like Yo, man, Yo,
you what do you think about this?
Speaker 6 (21:43):
Yo?
Speaker 1 (21:43):
You saw the ship that she was fine word, let's go.
I'm gonna go check it out. Motherfuckers will go not
even read the synopsis of the movie. Just don't do
that with span Bank videos reviews like a.
Speaker 2 (21:59):
Really get seen with Angela White and Savanna bod So
they're too both Australian superstars.
Speaker 1 (22:05):
Other times I'm a text men later like Yo, Valerie
qu out of it?
Speaker 5 (22:09):
Time we back twelve fourteen?
Speaker 2 (22:13):
Yeah yeah, Timestams, Yeah, Yo, shout into all your heroes
that in the comments yup, and the timestams like yo,
twenty three oh nine, I blew my load.
Speaker 1 (22:25):
I'm like what I'm like, well to twenty minutes. I
want a little build up. Yeah, I'm we're disgusting, doc,
we're discussing.
Speaker 2 (22:36):
Motherfuckers will go straight to the rating site and be like, Yo,
I can't watch this because they got twenty eight percent
on Rymatos.
Speaker 1 (22:42):
Why is that? Why is it because we're risk averse?
Is it because we don't care? It's because we trust
these motherfuckers too much?
Speaker 2 (22:49):
Like?
Speaker 1 (22:50):
What is it because I don't given a fuck about
that ship?
Speaker 5 (22:52):
I feel like people letting other people do the mental
fucking load for them. It's just like, instead of you
just recent researching, I let me look up the trailer,
let me see the past movies this director that has
probably made, because this shit is probably kind of cool,
I watch it. I'm talking, but Bro, I watch bad
movies on purpose. Yes, Like I'm that kind of person.
And you know what's crazy. I will watch a movie
(23:13):
without reading, without I'll just look at the poster and
I'm like, yeah, this is gonna be it. And then
I realized. I realized after a week that I only
watch movies with giant animals. So it's either a movie
with a big ass, overgrown, mega fucking mega shark or
a big ass venous spider that like overgrows it takes
over a chop, a crocodile that like infiltrates in floods
(23:35):
of prison. I'm telling you, Bro, is wrong with you?
Speaker 2 (23:40):
Yo? Your whole fucking like viewing his three is fucking
like ankda Yes, fucking dragon movie Clifford the Big Red Dog.
Speaker 5 (23:48):
But it's like ship, It's like it's like it's like
not good movies. Bro, The qualities be really bad.
Speaker 1 (23:54):
You could just see.
Speaker 5 (23:55):
But that's the kind of shit that I enjoy.
Speaker 1 (23:57):
I gotta I got a great bad movie recommendation for you.
Veloci pastor veloc of pastor. Is that a veloc raptor?
That's a pastor? Bro, Yes, it's a pastor that gets
transformed into a veloci? What are we doing? Where are
we at?
Speaker 2 (24:15):
Is?
Speaker 1 (24:15):
I just wan't mind about original concept? Bron.
Speaker 8 (24:21):
You guys want to hear the description really quickly.
Speaker 1 (24:24):
Yeah.
Speaker 8 (24:25):
After losing his parents, a priest travels to China, where
he inherits a mysterious ability that allows him to turn
into a dinosaur. Although he was horrified by the new power,
a sex worker convinces him to use it to fight crime.
Speaker 1 (24:38):
Streaming on to be I got another one for you.
I got another one. This is the last month I
got to for y'all because they love it in the comments,
so chat. This is for y'all. If you haven't seen
Lama Geddon Lama, please get absolutely stoneface Fried and watch
(24:59):
it and watch Lama get it, and it's exactly what
it sounds like. It's a lama that is the harbinger
of the end times. Yeah, it's an evil Lama. The
budget was like eleven hundred dollars.
Speaker 5 (25:11):
Nice.
Speaker 1 (25:12):
Nine hundred of that went to renting the Lama. So
that's where we are. Because you asked where we are,
that's where we were at.
Speaker 2 (25:21):
Bro. Yeah, now a Lama rental and one nigga is
struggling with a movie. Yeah, Theama flying. Yeah, yeah, he's
wiping his brow.
Speaker 1 (25:32):
Yo.
Speaker 5 (25:33):
Yeah, I haven't watched Cocaine Bear.
Speaker 2 (25:35):
Yeah.
Speaker 1 (25:35):
Oh yeah. I enjoyed that movie.
Speaker 5 (25:38):
First when when I watched the trailer, I'm like, Yo,
we got to stop giving white people money, bro, we
just have to stop. And then I watched it and
I started giggling, like this ship is hilarious.
Speaker 1 (25:47):
Yeah, it was man funny. Also, like my favorite guy
was in it, the Ikea guy. Oh, the one that's
like the one that's like, oh, I I'd like to
speak to your manager. You think he gives a fun Yeah? Yeah,
I love that guy brought We did some way takes together.
(26:07):
He was on the train at the same time I
name look him up. Yeah, you got a mustage Cocaine Bear,
Cocaine Bear Cocaine Bear, Lamageddon, Veloci Pastor Battle Start Coalacted.
You know what I'm saying. That's it, barn Bean Boom.
You know what I'm saying. You gotta watch nothing. Stanley's
has passed. You know what I'm saying.
Speaker 2 (26:26):
You're not honoring his legacy no more. You know what
I'm saying by watching Marble. You don't gotta do that
no more unless we unless we if we want to.
It's amazing, phenomenal, crazy ship, most original fire, you know
what I mean.
Speaker 1 (26:39):
Nothing has been done like this in cinema ever. This
is three Dominicans super being super.
Speaker 5 (26:45):
But if they don't.
Speaker 1 (26:48):
Superheroes, and I really don't.
Speaker 2 (26:50):
Like you niggas want a movie word bet guess what
y'all are the super supers. Bitch y'all all y'all supers
and this ship is going on to be fuck out
of here. Yeah, the Veloci Pasta, y'all want original?
Speaker 1 (27:05):
Take that, but it's crazy how much how much you
have to how much you have to, I guess, for
lack of a better term, tolerate in Hollywood to get
your own ship made, you know, because we were just
talking about Sinners and it's like this, like Ryan Coogler,
like he's great, but he's been great the whole time though,
Like he was he was worth investing in when he
(27:27):
made Fruitvale Station. Hey, I appreciate that, you know what
I mean? Like, man, Yeah, I watched that man talk
about anything with that heavy assay for four hours. Bro,
don't ever shave you mustache. I want to podcast between
Ryan Coogler and E forty. That's what I want when
(27:47):
marsh Ding Yes, Marsha Lynch producing, Bro, that's what I want.
That's my ip.
Speaker 2 (27:53):
Bro.
Speaker 1 (27:53):
I'm patting that ship right now right now today, may
God murder? Like, why would say that right now today?
Speaker 5 (28:03):
It's like, now you don't have to do that now
let him kill him?
Speaker 2 (28:08):
Bro?
Speaker 1 (28:08):
Why you have been in no other clothing? Yeah, you know,
it's it's it's bizarre, man. It's it's almost like people
don't want to recognize when it is great when it's
right in front of their face. And it's like, you know,
because it's like he had to deal with a bunch
of bullshit probably before he could get his first original
I P made, you know, and it's and it's and
(28:30):
it's like, you know, it shouldn't take what two three
billion dollar films to for somebody to be like, Okay,
you know what, we'll take a we'll take a risk.
We'll take a risk, a risk, billion dollar director.
Speaker 2 (28:44):
What the fuck?
Speaker 1 (28:45):
What what risks you?
Speaker 5 (28:47):
It makes me mad, bro, because you see the top
the talent that is Ryan, the mastermind that is Ryan,
and you see that he got to play these games.
You don't know what that man has been through. If
we deal with racism and well I'm a regular bitch
and not deal with racism, reglazed bitch, I can only
imagine what Ryan goes through.
Speaker 1 (29:06):
In that industry.
Speaker 5 (29:07):
Ryan is the same one who went to cash a
check and the police were called on him because they
couldn't believe.
Speaker 1 (29:13):
They drew down on him. They drew he drew guns
on him.
Speaker 5 (29:16):
And this is somebody who said he he suffers with anxiety,
like he suffers with anxiety and impossible. So it's like
I'm doing that. That's why we got to support I've
gone to see Sinners twice. Yeah, for a few reasons.
I'll probably go back and see that shit again.
Speaker 1 (29:30):
Yeah, And he's like, yeah, and he was like and
he was like like, because I watched like the body
cam footage or whatever where they're talking to Ryan or whatever.
He got the mask on everything, and they were like, oh,
but but why did you pass her the note though,
Like because he didn't say it out loud. He passed
her a note with the amount he wanted, and he's like,
if I said fifty thousand, yeah right food, yeah, yeah, hello,
(29:54):
and it's like yeah, and it's like the compster showed up.
I don't remember if they were white or not, but
if they were, like, that's just a that's simply a
perspective that they are not gonna have. It's like, Bro,
you don't really live like that. You don't gotta worry
about ship like that. So of course me passing a
note with the mask on, it's gonnak weird to you,
but it's my account.
Speaker 5 (30:14):
Motherfucker, Like he had all of his fucking identification, Like, yeah,
do your job, do the knowledge, cakes, you know, you
know how mad you go, you'll get me. Bro, I'm
trying to take out my money and you you call
the fucking FEDS on me.
Speaker 2 (30:30):
Bro, Well, I ain't gonna hold you. That happened to
me one time because I did I did. I'm laughing, like,
like I did something wrong.
Speaker 1 (30:35):
I ain't do that wrong.
Speaker 2 (30:36):
I cleaned out this old lady's house in Long Island.
She was like, yo, come through, clean out my garage.
I come through, I smoke some weed. I clean out
the garage. I listen to my deep and then she
writes me a check for fi hundred dollars and makes
it out just to cash. And then I go to
the to the bank and I'm like, yo, I ended
the check and I'm like, found it dollars please. I
was like yo, And the motherfuckers went in the back
(30:58):
for so long. I was looking around, like yogs get
lost for what happened? Bro?
Speaker 1 (31:03):
Like three yo?
Speaker 2 (31:04):
When motherfuckers come out and just peek out the door
and look at you and then go back inside.
Speaker 1 (31:08):
I was like, all right, bro, what the is going on?
Speaker 5 (31:10):
Bro?
Speaker 1 (31:10):
I was like, oh, yeah, when they popped their head,
Wait right, they go back, go back to just one second,
just one second.
Speaker 5 (31:20):
With the nicest smile.
Speaker 2 (31:23):
Because I'm never here with the I don't know what
to do. I know what, hey, hey, bro, I didn't listen.
All I did was cleaned out of the garage. That's
what happens when you're black in America and you make
it and you take risks.
Speaker 1 (31:34):
Yeah, you know what I'm saying. Yeah, you know, but listen,
I don't want to say this uh flippantly, you know,
but you don't do that. I was trying to understand what.
Speaker 3 (31:49):
I'm with you, bro, ligity like ligity like this is
risk tasty and like arts and media.
Speaker 2 (32:01):
You know what I'm saying, because like you said, like
Ryan Coogler had to do so much to get like recognized.
Speaker 1 (32:07):
You know what I'm saying. As an athlete, if you
have like two good seasons, bro, you could be the man.
Speaker 2 (32:11):
You know what I'm saying. And people tell you the
man for a long time. And when you think you're
the man for a long time, you're like, yo, I
deserve the finest pussy in the whole world, you know
what I'm saying. And the older you get, the more
delusional you get, and you think, like, yo, do I
still got it? You know what I'm saying as an
old man, you know what I'm saying. As a wash dude.
I'll be walking through supermarket and you know what I'm saying.
(32:33):
It's like, yo, short like Yo, little p y t
look at me. I'm like, Yo, you're looking at me.
Speaker 1 (32:39):
Still got it? You know what I'm saying, Still got
the baby. You know what I'm saying and writing my
right knee. That's it. It's not curious.
Speaker 5 (32:52):
She know her dad got it?
Speaker 1 (32:54):
My good bro. You know that's crazy.
Speaker 2 (32:57):
See that's how your young shorty should be talking to
these niggas like Shane Shark. But y'all not you know
what I'm saying. And I have a very I have
a I have a specific take, not about Shannon Sharp,
but about dudes like Shannon Sharp, who was like, Yo,
I'm I got mad money. I'm rich, like bro, just
by pussy.
Speaker 1 (33:18):
Bro. Yeah, well that's isn't that what he does? Just
buy a pussy? No, like transactionally by pussy.
Speaker 2 (33:23):
I think he's doing like this weird thing where like
you're buying pussy, but like it's like indirect you know
what I'm saying.
Speaker 5 (33:29):
Like, yeah, it's not a contract, it's just like yo,
we fun and then I just give you a little
sign like.
Speaker 1 (33:34):
Reacting like that's like this isn't what it is? Yes,
Like yo, we're a sugar baby situation. Yeah, Like oh yo, and.
Speaker 2 (33:41):
It's just like, bro, just be transactional, my nigga. You
know what I'm saying, Like shake hands, you know what
I'm saying, and then like take your clothes off. You
know what I mean, like leave the money, money on
the dress.
Speaker 1 (33:50):
So you know what I'm saying, like compress, get the most,
not the least. Yeah, that's right. You know what I'm saying.
Pim Chad, you know what I'm saying.
Speaker 2 (34:08):
Yo, listen man, So y'all know Shannon Sharp is in
the news man, he's out here. He released the statement
through his fucking lawyer, which is great.
Speaker 1 (34:16):
I mean, were you that was the.
Speaker 5 (34:18):
Most Shannon Sharp ship that he ever did by snapshot? Well,
his lawyers told him to say, and that just posted.
Speaker 2 (34:25):
That because Yo, I'll be real with y'ad and y'all
tell me the truth. I might be I may be desensitized.
I might be a nihilist whatever. If that I can't
take him seriously, imagine him apologizing and like Shannon Sharp
voice with them tight ass pants on it, like that
tight ass nigga man muscular for no reason. Yeah, you
don't play in the NFL no more, Bro, you look
(34:46):
like Iron Man. Imagine that nigga sit up there straight
ten camera, be like, oh, this will be in some
allegations of me paying for the puss it And I
would just like to say that these allegations, uh, I
do pay for the pussy, but it is in a
contextual manner so that uh, you know, stars of the
(35:06):
Only Fans content platform such as uh you know the
shorty right here. Uh you know, I would like to
make it a public apology to eat FPM and to
make a mouse into everybody else in the in the
in the community about what I've done.
Speaker 1 (35:23):
Bro, he got ct that apologize.
Speaker 2 (35:26):
Remember when this guy when what's the name Fathers in
the homes Pops was running for congress Perchewalker, Yeah, and
it was like, Bro, you got you are Bro, you've
been having car crashes in your brain since fifteen.
Speaker 1 (35:37):
Bro, you cannot you know what I mean.
Speaker 2 (35:39):
Yeah.
Speaker 1 (35:40):
It's also I think there's a there is a there
is a pivotal like element that we are that that
word that we haven't really touched on. It's more serious,
like it is a it is a sexual assault allegation,
like you know what I'm saying. So it's like it's
not yeah, it's not even on some like, I don't know, man,
it's I've been reading that.
Speaker 2 (36:01):
Bro. Listen, I'll take all the heat. I read them
ships and I'm just like, what is happening here?
Speaker 1 (36:07):
What is happening here? I read them text and.
Speaker 2 (36:09):
The ship that brocause we were at the Adam Levine
text and that was just cool.
Speaker 1 (36:13):
That was just like yo, you just being too horny
shorty over here. That was like django weird shit.
Speaker 2 (36:20):
That was like, Yo, I want you to put a
big black baby and me yeah, and a big black
cock and a big black baby. I'm like, bro, hold on,
I've seen this type of porn before. And I switched
off in mad fast because I'm like, this is uncomfortable.
I'm not I'm not beating off.
Speaker 1 (36:33):
Yeah no, no, no, dude, any I'm in community with
sex workers, but I don't even like, I don't even
I don't even chop it up with with the white
shorties that be like, oh, I'm collabing with this big
BBC Like come see, nah, nah, I'm not with that,
Like you gotta switch that up, baby, I'm.
Speaker 2 (36:50):
No, It's crazy and it just goes to show because yo,
Bill Belichick is another one bro old man.
Speaker 1 (36:54):
But I'm talking about black, white Latino freaky as freaky
ass old man.
Speaker 5 (37:00):
I'll be trying to have these conversations, bro, because again,
these men are not ugly. Look at Shannon Shop. I
don't think Shannon Sharp is ugly. He is a He's
very very handsome, and I'm pretty sure a lot of
women his age want him.
Speaker 1 (37:12):
Oh for sure.
Speaker 5 (37:12):
The problem is he doesn't want that.
Speaker 1 (37:14):
Monique told him that, yes.
Speaker 5 (37:15):
And that's yeah. She told him you need to get
a bit. You're gonna make you some fucking gritam and
eggs after the fourth raft.
Speaker 8 (37:21):
Yeah.
Speaker 2 (37:22):
No.
Speaker 1 (37:22):
Also, and speaking of speaking of women his age, they
trying to flip the script on him using the Tracy
Ellis Ross clip from her from her appearance on Michelle
Obama's podcast, where she was saying, like, oh, I date
younger men because the men my age, like exactly like
Lisabelle said, like the men my age number one, they
(37:44):
don't want me. And number two, the ones that do
want me want me to to fill a role that's
like yeah, this like nineteen this, like eighteen fifty eight,
like like long ass botta servant. You all here you go, honey,
like like whatever you need, baby, I'm I. I live
to serve and I aim to please. Bro that's not
(38:06):
but that's what they want though, And like this ship
is like the frustrating thing is that now I see
people trying to use the Shannon Sharp situation as like
a commentary on the Tracy Ellis Ross thing that she said,
which was like, oh, but but Tracy Ellis Ross wants
to date younger men. Nobody say nothing. She's powerful.
Speaker 5 (38:28):
Was a topic for two fucking weeks.
Speaker 1 (38:29):
Yeh yeh yeah yeah, and and and here's my message
to to you guys. We have to look at the why.
We have to look at the why. All right, Tracy
Ellis Ross is out here dating men my age hopefully,
uh because because because there's a lack of understanding from
(38:49):
men her age, Shannon Sharp wants to date younger women,
and the guys like him want to date younger women
because they'll do It's a it's powered thing, y'all. Like
the younger women's gonna fall in line. The younger woman's
gonna do what he says. And especially if you're gonna
date somebody that's like in a way lower tax bracket
(39:13):
than you, you're way more well off than them. There
is an inherent power dynamic there, like we cannot ignore
this shit, and I feel like this shit is weird
when we gloss over that shit like it's no big deal.
It's like and especially like The last point I'll make
is when Tracy Ellis Ross says she dates younger men.
That is a woman in her fifties talking about dating
maybe men in their thirties, you know what I mean,
(39:35):
thirty plus whatever, even fucking like twenty eight whatever, still
grown men though, you know what I mean. And also
Tracy don't need nothing from these motherfuckers, so she want
to have her fun. When when when men talk about
dating younger, they're talking about twenty twenty one, nineteen barely
fucking legal. That shit is weird, Bro, that shit is weird.
(39:56):
If Tracy Ellis Ross is out here moving like that,
then that then she a weirdo too.
Speaker 5 (40:01):
But I feel like you would have been able to
tell too if you were as a fucking weirdo, you
would have passed out with some young as skateboarder. Yeah, bros,
some really weird shit. And I think it's very like
people love to me vent about age gaps, and bro,
you know what's the difference between a fifty year old
man dating a thirty year old or a thirty five
dating a forty five year old. These are all adults
(40:21):
people with their full fucking frontal lobes developed. You are
not trying to enter this relationship and saying yeah, you're
an eighteen year old. This is just in general. Obviously
we don't know Shaddam Sharpe's case, but let's say you
meet this eighteen year old. An eighteen year old who
meets a forty five fifty year old man is very
easily impressed. All you have to do is have a car,
(40:42):
have a give them money for lunch, you know, tell
them all of the nice things to them. That is
the most insane thing in the world, The fact that
you could put fucking.
Speaker 1 (40:50):
Gas in your car.
Speaker 5 (40:51):
Bitch, is this like you because you are still a teenager,
You're like, oh, this person is a full blown adult.
But guess what a fifty five year old woman is
gonna look at you.
Speaker 1 (41:00):
And be like, yeah, that's what you're supposed to.
Speaker 5 (41:03):
Be able to do.
Speaker 1 (41:05):
It's the baseline, yo.
Speaker 2 (41:06):
Also, like, I think that there's Tracy and Shannon is
Tracy is not just buying dick she's talking about like
having a relationship with somebody.
Speaker 1 (41:16):
Shane is just out here buying bussy bro. Like he's like,
he's not like, Yo, let's go, let's go to the
Oscars together. You know what I mean, Let's go, let's
go catch a Dodger game. Nah, he said, Yo, gome
to my crib.
Speaker 2 (41:25):
And fucking I'll hang upside down from the sex wing
when you eat my ass. Yeah, you know what I'm saying, Like,
that's what he's on.
Speaker 1 (41:31):
Which legend? Which is which is fine?
Speaker 2 (41:33):
Bro?
Speaker 5 (41:33):
I'm all for Like, if you got the money and
it's contentsual, guess what goes crazy? The problem is this
has now blurred the lines. She is now a legend
that is sexual assault. And I get he leaked the
text messages to kind of like tarnish her image, did
not And yeah, he also leaks the fact that she
was it made you look crazy because she was saying
(41:54):
she was. She first of all, you got to pay
twenty five thousand dollars for each she she said that.
She said she the way she said, once you put
that what was the baby gravy inside me, you're gonna
be stuck with me forever, and that she said, I
want a big black baby. Those are all three text
messages he sent to you. And guess what, bitch, you replied,
(42:15):
and to see what you said, there's a clip of
him saying.
Speaker 1 (42:20):
I date by wade. Yeah, I don't date by age.
I date my wage. You stand.
Speaker 5 (42:26):
And he also he also said that younger women do
what he wants. Other older women are more independent and
will be like, oh, I'm not doing this because I
don't have to, or because you know, it doesn't serve
me whatever. He knows that younger women will do whatever
it is that you need, So let's not try to
play it into some Oh yeah, he just he just
happened to fall in line with chick. No you you
(42:47):
was looking for that nineteen.
Speaker 1 (42:49):
Year old looking for that young milk.
Speaker 5 (42:52):
But girls, bro, from the moment they hit any kind
of puberty, the men who even raised you start to
treat you differently. So well, that's why that's like a
whole different fucking power dynamic, where like, yeah, now the
neighborhood guys who used to take care of you and
make sure that you was getting home safe, now they
start acting and.
Speaker 1 (43:09):
Being weird with you.
Speaker 5 (43:10):
Yeah, and it's everybody pays attention to this shit bro everybody.
It's like even the men. You know what, I'll never forget.
When I was probably like twelve or thirteen, there used
to be the battle wrappers of the of the neighborhood.
They used to just stay outside and for like freestyle
and shit was awesome. And then there was also the
old men who used to sit on the crates and
just be drinking like eighty year olds. Right. We were
(43:32):
all friends. Me thinking, one day I'm thirteen, like twelve thirteen,
I walk into the store. The older man gives me
a weird hug, very very weird hug, and even I
felt like it was weird, like his hand was very
it was placed weird, and I was like, okay, that's
a little bit uncomfortable. I walked to the back of
the store. Two of the like freestyle guys who watched
me grow up came to me and they was like, Yo,
(43:55):
don't ever let somebody touch you like that again. Don't
ever let like now you're growing up up. They were like,
men are gonna be weird. You're gonna have to like,
don't never let nobody put their arm under your waist
anywhere below below your waist and I remember sitting in
the store and I'm like, damn, they care about me,
but not enough to say to that mother him you
(44:15):
telling me why you didn't.
Speaker 1 (44:16):
I'm the child.
Speaker 5 (44:17):
I didn't even know exactly what was going on. You know,
you just feel weird and you saw usted to hugging
these people. You don't.
Speaker 1 (44:22):
But that's crazy. That hollow done looked out for you
like that earlier.
Speaker 5 (44:25):
She kind of looked like him.
Speaker 1 (44:29):
He did. Damn. I was like, whose name? Can I say?
Forget his name?
Speaker 5 (44:38):
One of their names was Davy, he was Puerto Rican
and the other one, I think his name was like forty.
It was either forty or Smiley, but one of them too, Damn.
Speaker 1 (44:46):
Drake, you did him? Dirty? Smiley was next crazy? Oh
fuck yeah yeah yeah, man, he's sick.
Speaker 3 (44:58):
Yeah.
Speaker 2 (44:58):
Speaking of dirty, you know what I'm saying, We're gonna
go from dirty old men to dirty old shoes because
for some reason, I mean.
Speaker 1 (45:08):
I know we're influential, you know what I'm saying. I
know this is an influential show.
Speaker 2 (45:11):
I had no idea that Rainey's influence would carry so
far that Nike would come out with pre cooked forces
bro like pre cooked like you.
Speaker 1 (45:20):
Know what I'm saying. It's like this.
Speaker 2 (45:22):
You know, when you buy the shrimp with the tail
off d vein. They're already doing that, bro, They're pre
cooking the forces. You know what I'm saying, White people,
Why I don't like.
Speaker 5 (45:33):
When rich people discover poor people activities?
Speaker 1 (45:36):
That's right.
Speaker 5 (45:36):
It really does piss me off. Reminds me of like
I think it was some famous expensive ass company try
to sell those Chinese slippers.
Speaker 1 (45:47):
We're not doing that, absolutely not. Yeah, No, it's it's
it's what you call it. It's like commodified. It's like
costplaying poverty.
Speaker 5 (45:59):
It's like they hey with the holes in the shirt.
Speaker 1 (46:01):
Yeah yeah, yeah, yeah, that was crazy. It's costplaying poverty. Yeah.
Remember fucking yo, it was.
Speaker 2 (46:06):
Yoked for real, bro, Like, yeah, that is nuts. So
these are out differical, they're pre cooked. The gag is
they they uncooked themselves as.
Speaker 1 (46:23):
We aware of them. Don't know how to fun That
was exactly yeah, sorcery. Now you know what this is?
What do you quit? Yeah? Don't yeah, tote, You're never
gonna believe this. Yeah, don't Nikes making some shoes and
(46:44):
get this, Jesus Christ, what are you talking about? Get
this they get cleaner as you're wearing them. What what
the are you? It's unfreaking believable to Jesus Christ. No,
you gotta know, you gotta you gotta get more nasally,
You gotta get more nasally. What you're talking about? Come on,
what do you make?
Speaker 2 (47:02):
What do you mean?
Speaker 1 (47:03):
What do you mean? They get unfried as you wear
It's ridiculous you believe this Christopher influence?
Speaker 2 (47:12):
Once I went to I've been I've been watching a
lot of hockey lately, and I went to a Devil's
game playoff game, got eliminated.
Speaker 1 (47:19):
See you next year, guys will be there Demon season. Holler.
But they did something I've never seen before in the arena.
Speaker 2 (47:29):
They kept switching, they kept panning the camera. And this
wasn't like a sponsored thing either. It was just like
a thing that they do. I don't know this this
hockey culture. Hockey niggas, let me know.
Speaker 1 (47:37):
Like this is what you're doing? Those don't exist. Yeah
you was looking No, you was looking like Wesley Snypes
and that motherfucker probably. Yeah, I'm Steph Curry in the
room that night, I was Daniel k Yeah, I was
little Rol Howry. Yo.
Speaker 2 (47:58):
So I'm in there, and I have never seen people.
I mean, I've seen it, but I've never seen it
in real life. They kept painting the camera around and
these motherfuckers would take off their shoe, pour their beer
in their shoe, and then drink their beer out of
their shoe in one shot, like chuck it. I've never
(48:20):
seen this shit before my life. I thought it was crazy.
Speaker 8 (48:22):
No, I saw a kid do that at the rodeo
last year.
Speaker 5 (48:24):
Yeah, that's crazy, of course you did, man.
Speaker 2 (48:30):
But the craziest thing about it is, I don't know
why this crossed my mind, but I was just like, Yo,
those sneakers are cooked. Bro. Liked drinking out of these
like they're not even new, Like if there was new,
I'd be like, all right, bro, this is kind of permissible.
Speaker 1 (48:45):
Maybe you know what I'm saying.
Speaker 2 (48:47):
But like when a sneaker is truly cooked and the
Caucasian man is wearing them, you know that them sneaker
has been through some shit. Like Yo, that sneaker was
in the OL three blackout when this nigga had to
hop out the d train and walking on the tracks
ship stepped on bump piss like it's been everywhere.
Speaker 1 (49:02):
Yeah, it's been everywhere, just like we've been everywhere. Lisabelle,
do you have any closing thoughts before we wrap the show?
Speaker 2 (49:09):
Yeah?
Speaker 5 (49:09):
What's how what's your favorite uh? Carrot? Cook car? What's
your favorite cartoon character?
Speaker 1 (49:19):
My favorite cartoon to oh? Gidget from Rescue Ranges? Wow?
Speaker 6 (49:26):
Uh?
Speaker 1 (49:27):
Probably uh foo Key from One Punch Man.
Speaker 5 (49:31):
C J from San Andres nice.
Speaker 1 (49:35):
The comments guy, Yeah, what's your favorite cartoon character to
go to? And as much as you guys love to
make fun of me for wearing my cooked forces on
the show, looks like the shoes on the other floor,
too bad. List If you want a pair of j
(50:00):
you cooked forces from two seasons of Victory Life. At
the end of season two, I will personally list my
genuinely cooked forces of two and a half years. It's
an eBay and we will sell that ship to the
highest bidder to go towards funds for season three. Fuck that, bro,
don't give these motherfuckers your money. Give it to me.
(50:21):
Look at this, Look at this, Look at this. That's right,
genuine fried material. Here we have the low top Air
Force Ones scuffed to all oblivion, warned by none other
than the certified yapp Er y Apoholics, rainy your badia,
they and here we traveled, and here we have the
well traveled bottom you could see here you see traveled bottom.
(50:51):
How many bodies is that? How many bodies? A literary
(51:12):
light light night like
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