September 23, 2025 • 24 mins
En este vibrante episodio de Que Pasa Boston, la presentadora Gabriela Salas conversa con Elsa Mosquera, visionaria fundadora del Ágora Cultural Architects, quien está transformando el panorama cultural de Boston a través de la celebración auténtica de la herencia puertorriqueña y la cultura latina. Su pasión por preservar tradiciones mientras crea espacios inclusivos para las nuevas generaciones ha convertido a Ágora en un faro de identidad cultural en Massachusetts.
Elsa revela los orígenes de Ágora Cultural Architects y cómo su compromiso personal con honrar la herencia puertorriqueña se convirtió en una misión comunitaria que trasciende fronteras culturales. Desde espectáculos de danza folclórica hasta exhibiciones de arte contemporáneo, Ágora ha creado un espacio donde la cultura puertorriqueña no solo se preserva, sino que evoluciona y se comparte con toda la comunidad de Boston.
Esta conversación profunda explora:
• La inspiración detrás de la organización de Ágora Cultural Architects
• Cómo la herencia puertorriqueña se mantiene viva en la diáspora bostoniana
• El impacto de los centros culturales en la preservación de identidad
• La planificación y visión detrás de “Fiesta en la Plaza” del 28 de septiembre
• Programas educativos que conectan a jóvenes latinos con sus raíces
• Colaboraciones comunitarias que fortalecen el tejido cultural de Boston
• El papel de las mujeres latinas como guardianas de tradiciones culturales
• Estrategias para mantener la relevancia cultural en comunidades urbanas
Elsa también comparte detalles exclusivos sobre “Fiesta en la Plaza,” el evento del 28 de septiembre que promete ser una celebración sin precedentes de la cultura puertorriqueña en Boston. Este festival representa la culminación de años de trabajo dedicado a crear espacios donde las familias latinas puedan celebrar su herencia mientras construyen puentes con otras comunidades.
Su perspectiva sobre liderazgo cultural, emprendimiento social y la importancia de mantener tradiciones vivas en entornos urbanos ofrece inspiración tanto para líderes comunitarios actuales como para futuras generaciones de activistas culturales.
Ya seas puertorriqueño orgulloso de tus raíces, miembro de la comunidad latina buscando conexión cultural, o simplemente alguien que aprecia la riqueza de la diversidad cultural en Boston, este episodio te conectará con la pasión y propósito que impulsa a los verdaderos guardianes de la cultura.
Únete a Fiesta en la Plaza el 28 de septiembre y visita agoracultural.org para más información sobre eventos y programas.
#ElsaMosquera #AgoraCulturalCenter #HerenciaPuertorriqueña #CulturaLatina #FiestaEnLaPlaza #Sept28 #CentroCultural #QuePassaBoston #TradicionesPuertorriqueñas #LiderazgoCultural #ComunidadPuertorriqueña #EventosCulturales #IdentidadLatina #PreservaciónCultural #BostonCulture #GabrielaSalas #ActivismoCultural #CulturaBoston #CommunityLeadership #LatinoHeritage
Elsa revela los orígenes de Ágora Cultural Architects y cómo su compromiso personal con honrar la herencia puertorriqueña se convirtió en una misión comunitaria que trasciende fronteras culturales. Desde espectáculos de danza folclórica hasta exhibiciones de arte contemporáneo, Ágora ha creado un espacio donde la cultura puertorriqueña no solo se preserva, sino que evoluciona y se comparte con toda la comunidad de Boston.
Esta conversación profunda explora:
• La inspiración detrás de la organización de Ágora Cultural Architects
• Cómo la herencia puertorriqueña se mantiene viva en la diáspora bostoniana
• El impacto de los centros culturales en la preservación de identidad
• La planificación y visión detrás de “Fiesta en la Plaza” del 28 de septiembre
• Programas educativos que conectan a jóvenes latinos con sus raíces
• Colaboraciones comunitarias que fortalecen el tejido cultural de Boston
• El papel de las mujeres latinas como guardianas de tradiciones culturales
• Estrategias para mantener la relevancia cultural en comunidades urbanas
Elsa también comparte detalles exclusivos sobre “Fiesta en la Plaza,” el evento del 28 de septiembre que promete ser una celebración sin precedentes de la cultura puertorriqueña en Boston. Este festival representa la culminación de años de trabajo dedicado a crear espacios donde las familias latinas puedan celebrar su herencia mientras construyen puentes con otras comunidades.
Su perspectiva sobre liderazgo cultural, emprendimiento social y la importancia de mantener tradiciones vivas en entornos urbanos ofrece inspiración tanto para líderes comunitarios actuales como para futuras generaciones de activistas culturales.
Ya seas puertorriqueño orgulloso de tus raíces, miembro de la comunidad latina buscando conexión cultural, o simplemente alguien que aprecia la riqueza de la diversidad cultural en Boston, este episodio te conectará con la pasión y propósito que impulsa a los verdaderos guardianes de la cultura.
Únete a Fiesta en la Plaza el 28 de septiembre y visita agoracultural.org para más información sobre eventos y programas.
#ElsaMosquera #AgoraCulturalCenter #HerenciaPuertorriqueña #CulturaLatina #FiestaEnLaPlaza #Sept28 #CentroCultural #QuePassaBoston #TradicionesPuertorriqueñas #LiderazgoCultural #ComunidadPuertorriqueña #EventosCulturales #IdentidadLatina #PreservaciónCultural #BostonCulture #GabrielaSalas #ActivismoCultural #CulturaBoston #CommunityLeadership #LatinoHeritage
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Calvos Andosmiana contar mouch of the lot Siendo in las
dad a cultura, fiestas a television, sine Mahina Spana, Elsa,
mosqu compan Aqui and Capas Boston, Bibnida, milidar can Los
(00:30):
orient the ram podcast El Sake Impression, much plat, Cando
estodo loke estavio crada and la cultura yablo cultura no
na mas and mucho and mosque cultura, Salsa ver art,
(00:51):
mosell p Quenta, cas Agora, Mira fund Agora cultural architect
Ciagora is la pla, the the the Lanta keas on
in the second bocal and passando or not as hunt
(01:11):
a communil Nombreagora, la sto, nadi la Espanol, the commons
express a ke Agora na millia, you know, but b Civiliza,
las bosses, the mastros Latinos, and there was a cress
(01:32):
means so lament and elsa on the vines too, Jasa
Wollstone are Agora pero que background manacella cultura and then
assist the coat Mirada na be jesas because ada coma
(01:56):
mundo experiences Calico Colombia b Quinanos portasones politica, the vene
coursas Puerto Rico and elomamial Elnico Colombia, the Familia and
(02:19):
that the salid Colombia, Puerto Rico, ya g alos quinanos
in verdak on comed familia primosu perto Ricania is a
seri Porto Ricana qui fell cambio mass forte patio garaist
(02:39):
and the rio Matamei and l s lang as the
las costumeress on different is quale for to impactes mira
cosa dat croquet c o momentos, the major inflextion NSI
and parque and friend arme and Conosia Puerto Rico, Una Colonia,
(03:03):
thousndos Latino and in seuelementosna kulmens and assumed with the
Nila Puerto Rico pero politicamente no looes then much Influenzia,
the thousandos and the two and this is come okay
song greenos perono so gringos so latinos pero latinosch influenza
(03:23):
North Americana, pultura perfund that no memora vi josa the
litera et cetera I.
Speaker 2 (03:31):
Realmene fuel teatro.
Speaker 1 (03:34):
Loke lokeo darma cuentake wel perto rican justa and morea
the Toasus express on artistic culturals and the part of
the Puerto Rico establis sistem and.
Speaker 2 (03:48):
Someone and sellinas.
Speaker 1 (03:53):
You ye Miko MONIAI is then tons esto in Puerto
Rico and I know K and Boston, stoy connect.
Speaker 2 (04:08):
Boston.
Speaker 1 (04:09):
That's the Colombia Puerto Rico basal called Puerto Rico Tria Boston.
Mario Mira for Momento me has a started, and the
high school and a Momento Mario and professor visit and
(04:29):
r c I hi rid into diagnostica.
Speaker 2 (04:33):
Who can sell that. Deroy is says.
Speaker 1 (04:36):
Momento CAMBIOK, cancert me and cam com Americos come on
we podcast. He went on the KI studio and hir
rid on on certificate and nonprofit management in an army
(04:59):
army start commas started the Contra com Victoria the Niva
un it's an organists us to be on festival in
festival dances organ E l June that this experience the
(05:23):
last create and me per mediola that is as soon
as Passio magnifico. And then then the Lasa and Latin
representation Latina and Bosa to Jas Puerto Rico is the
Sierra Formata established Certe and a community Puerto Rican yes
(05:49):
solo jela the Boston.
Speaker 2 (05:53):
Diego, Cambridge okay and.
Speaker 1 (05:56):
To esposo Harvard to us to and Harvard communs us
to carreta professional the iva includecas and axiotion kereas various
loss programmers, I says okay okay, I said Elsa to
statista common pieceasa Cambi are two hero and syntheses Eami
(06:22):
mass the Agusta.
Speaker 2 (06:25):
In Boston, Mira.
Speaker 1 (06:28):
Verdam processor Cressymiento professionally personal and or s Lamia larger
Perta Linda Cambio and al momento los preadj and B
(06:50):
the Victoria Center for the Art Antiua prolemas duralis the
construction and etcetera India implemented a problemas and seeing the
construction when over dies so so intra centro alkil as
(07:14):
a programmer et cetera, c l s centro but.
Speaker 2 (07:19):
Ja ke locate joke.
Speaker 1 (07:24):
The momento and boendo constru algo and Juan et cetera
moment para g the siendo ramas proprojo lista Nina experience,
(07:51):
a house lost ya siendo a fun you know miliae
who la pandemica, even a CEO and processor and ormos,
various projectors called jamos you know REGOs, Chroma, Ca, Pasio,
the performance and Cola Arlington Street Church and Central Boston
(08:18):
up inside. But that s a location location location, Ristmas
program and intentionally that opportunias artista localist Chroma projectors, Chroma
(08:39):
space Elsa quandos to project forms.
Speaker 2 (08:45):
Is the.
Speaker 1 (08:50):
The the respect of loke passas the conto and.
Speaker 2 (08:56):
The cir cancer CEO.
Speaker 1 (08:58):
Now it's as content as recupera. So then focus and
T and T salud start sello and mass and ok
comes a process.
Speaker 2 (09:12):
So the see.
Speaker 1 (09:15):
The harveste yeah, the mass vocart and autos, Mira Joke,
Propy experience, the Mido, Sally into pos and Momento et cetera,
(09:37):
Pero job Gracia and persona Sinica film Pero, Creoke Ela
more video, seem Press, familiar ban meloper, Medio, Mika, Mio, Servi,
(09:59):
et cetera. Then with prano ol and the certifaction escuandoo
clad okay ok mari and to a super infermat and
poco from momento that.
Speaker 2 (10:23):
It is okay, but.
Speaker 1 (10:27):
Formake momento you know par just no sola men tello
physical concreto cancer, the deroy is you know san.
Speaker 2 (10:44):
N processor, the sana.
Speaker 1 (10:48):
Jo persona ke o the okay, I go pasion your
proud and yes a motorbi and toaster processes are crear momentos.
The communia experiment algo estheticos in huisio because.
Speaker 2 (11:15):
Bb you know, pero is can.
Speaker 1 (11:20):
Group and bib on experience a cien do communismo tempo
so DNA and san or and personal como community so
o n d M. But it's an importante elarte express
(11:41):
cultural selection, andalos project those.
Speaker 2 (11:48):
You ten pero quile fil.
Speaker 1 (11:56):
Versus galleria no com hist a process mira last representatias
and zo param fundamental.
Speaker 2 (12:12):
Prince there and ten there ya.
Speaker 1 (12:16):
A s pati story, rada y e coast represented, tanto
la lanza jo ok joe personal connect massualist can a
terminus practical represented us facile expanded so my facil de
(12:40):
manihar dominos para a c M press upel tra vajo
artistical cultural star and focal las artes and.
Speaker 2 (12:51):
And live arts and performance.
Speaker 1 (12:53):
Equal retos mass grandes o the reto and Boston or
on as a contract to lento, the talento no mira,
I'm the the the muchas mucho aspectos, the the heni
ard looking gresive necessieties, rakas projectors and so the levant
(13:22):
a questo por citamo recursos umanos economics, the DMPO cy tests,
chando requord the now the NCO capasa Boston. But it's
more important that the programmer you look at keio is
(13:42):
trailer recursos Carlos lae and not st the consultants call
artistas on project to importante you come promise, l come promise.
Speaker 2 (14:10):
People. So chops in port a ke lo really that.
Speaker 1 (14:19):
Tengas is perfect now coming in problem and no pero
me and trust and am a co pro They were
that they were that look premier paso, yes that I
(14:41):
me problem pero Joe ok and tambi and the ol
based insad no not not formula establish you know opportun
saramos is the is the conversation on the key present opportunia,
(15:04):
not quenta gran report come o start.
Speaker 2 (15:10):
Okay, toldas le to.
Speaker 1 (15:14):
My len hold is honest because my present and the
present and to dis yeah, you can know your trust
mammos Camida to Latina asmaesgoo complete to send complete tota
(15:34):
and okyrus plans and com domino okay, but was tailto
it was surendo is my communia to Tennis Nevento Pronto.
It is part of the astros projectos case okay, the
(15:58):
that erra no companion and pert as first Este la
plaza estevano looso specio economical, la via, the Boston or
la the Boston O, the s and p monart impression
(16:20):
and travajo theme quas political, caldsa major uzo, u Alia
and or malas artists La and Orman lat Latinas okay,
sk mi caasso and much the the different in k
(16:41):
mossa no so the can can can can can important
representation on Latin and Boston and then mosl being Lace Latina,
Yeah Boston almost al quatro person mahina are siento en
ormy in rapido in percent is much intance bear Ken
(17:09):
terminus culturally artistical representation M sevent percent ra ke la.
Speaker 2 (17:17):
Cala programmas on the Vento's.
Speaker 1 (17:21):
Cultural meat Americanos represented in percento the toloventos K tol
verta cultural and ormy you can selling bits familiars A
Key and st Tipo events organisman No Save and star
(17:42):
or Stantana and B and l D and L Trabajo
and so events Yeah call sold Tambien is part of
than Cultsmiento Latten there is Sister I went to Cultural.
Speaker 2 (17:58):
Estra Nerac but then Comparti and Espanol and Lamente T
Parson and then the.
Speaker 1 (18:14):
Demostos connect Total.
Speaker 2 (18:19):
Fiesta and La Plaza Spero Lo the st.
Speaker 1 (18:30):
La Plas s l n T Ladura s Yeah Ama Jenna,
the Artistas, the the Remos.
Speaker 2 (18:44):
Concelerity Series Partners.
Speaker 1 (18:49):
Programs Artistica, the Nino reges Una and Persona, Flamenco super
Via compan Pianist and Lanco per La probably Moving Leo
(19:09):
and the It's just commot and Espanol and Colonialistamo conflicto
Pero real represented in the Flamenco Pero Conio loc Latin
America Flamenco revet record the most conky when colon Pero
(19:37):
Pero keyl Flaming America being America a portal flaming cos
l Ossia Espano, Espana and today America. Oh you have
in espanias well, Veta being.
Speaker 2 (19:52):
But when ulta noise noise meamente.
Speaker 1 (20:00):
Important esta contoil project to the Africa Triento.
Speaker 2 (20:05):
To Mosca community in pression.
Speaker 1 (20:11):
Arts is to locate tambiente try on our center Latino
Jo and in Central America and Mexico exactly guandos a
la la plaza I you costore.
Speaker 2 (20:32):
Jegas cil hall plaza.
Speaker 1 (20:36):
Del medioia the histrate and bodilata forma ventos to implemented
esperish crew guard peroa by less control va leoi, flamencol,
(21:01):
flamenco inter minamos, babarna parada, arimos connon parade bi pedal
or noos cave sulos. Traditionally sevastian el k jabad bonnie
quandel bino cuandeles to ariendo la ceremonial delo gram passau
(21:25):
l ario con com conna comparedsa perto Ricana traquiara arimos
canaparada con sancos, cave sulos, bomba play minamos, alda consider
pola ca sonati bala extradinaria, studio qum Boston, Puerto, Rico pla,
(21:48):
trimos la place ramos connon super vi super banda alsa
the Sidra Pola Amas Felis, the t Salcea Con Talent
impression Ante Carella port Organization Mirabunde. They were Lovenos Garavenist,
(22:11):
the Nemos Barios Project, Pero cult Lagora is Comola Sombrija
Peroos and Chroma Space Bori, sem Chromato, Chromamos, Una programmaton
Ke Sally Aura and MA Programmation del fall A Normal
Memos does Tempora can Aura.
Speaker 2 (22:36):
It will be.
Speaker 1 (22:38):
The cpla Esta, the Finale Deno at Majo and El
Verano Chroma Para Pasando and festival Esafuera cle Et Cetera
and El Verano Nomos Programmation and Croma l s A
record Nueva meant the colls to Paina web, cul To Lagora,
(23:00):
Cla com tambi Roma space, Punto com e a lot project,
Okay bory Gory or some project okay usca MA Pear Geographica,
Intelo centerl Scoolturalist, the thousand Center Culture Puerto Ricanos and
thousands amos as the Investigation E Conejo Tramos Quadro Sinco
(23:26):
group of Artist. Because the lar Puerto Rico Antur and
La Partes thousand is a projector say I'm a Bory cor.
Speaker 2 (23:35):
Bory Corridor Punto com body, the riguac La artist Puerto Ricano.
Speaker 1 (23:44):
La Parra, Communida test compartiendos grandest experiences called to Parostra, Communidad, Parque,
then the cave So, the Son Natures, Your Latino, Gracias,
Noamne and Cultura, the Nostro programmer a Qi and Capasa Boston,
(24:10):
Gracia Meal, Sime Venaji and Intela Plaza, Bengan Star Feli.
Speaker 2 (24:18):
Director Mis.
Speaker 1 (24:21):
Grass Party, Yellows an Esteem a Fiesta and La Plaza
b sit and as Campartito in all We and the
vaarlaplicaci on I Heart Radio is a lexion Arkepasa Boston,
com podcast Faurito Los Vemos and last mana called Massive
(24:41):
Bitados in Mascultura in mas Mosica, Los Mucopas, Boston,
Calvos Andosmiana contar mouch of the lot Siendo in las
dad a cultura, fiestas a television, sine Mahina Spana, Elsa,
mosqu compan Aqui and Capas Boston, Bibnida, milidar can Los
(00:30):
orient the ram podcast El Sake Impression, much plat, Cando
estodo loke estavio crada and la cultura yablo cultura no
na mas and mucho and mosque cultura, Salsa ver art,
(00:51):
mosell p Quenta, cas Agora, Mira fund Agora cultural architect
Ciagora is la pla, the the the Lanta keas on
in the second bocal and passando or not as hunt
(01:11):
a communil Nombreagora, la sto, nadi la Espanol, the commons
express a ke Agora na millia, you know, but b Civiliza,
las bosses, the mastros Latinos, and there was a cress
(01:32):
means so lament and elsa on the vines too, Jasa
Wollstone are Agora pero que background manacella cultura and then
assist the coat Mirada na be jesas because ada coma
(01:56):
mundo experiences Calico Colombia b Quinanos portasones politica, the vene
coursas Puerto Rico and elomamial Elnico Colombia, the Familia and
(02:19):
that the salid Colombia, Puerto Rico, ya g alos quinanos
in verdak on comed familia primosu perto Ricania is a
seri Porto Ricana qui fell cambio mass forte patio garaist
(02:39):
and the rio Matamei and l s lang as the
las costumeress on different is quale for to impactes mira
cosa dat croquet c o momentos, the major inflextion NSI
and parque and friend arme and Conosia Puerto Rico, Una Colonia,
(03:03):
thousndos Latino and in seuelementosna kulmens and assumed with the
Nila Puerto Rico pero politicamente no looes then much Influenzia,
the thousandos and the two and this is come okay
song greenos perono so gringos so latinos pero latinosch influenza
(03:23):
North Americana, pultura perfund that no memora vi josa the
litera et cetera I.
Speaker 2 (03:31):
Realmene fuel teatro.
Speaker 1 (03:34):
Loke lokeo darma cuentake wel perto rican justa and morea
the Toasus express on artistic culturals and the part of
the Puerto Rico establis sistem and.
Speaker 2 (03:48):
Someone and sellinas.
Speaker 1 (03:53):
You ye Miko MONIAI is then tons esto in Puerto
Rico and I know K and Boston, stoy connect.
Speaker 2 (04:08):
Boston.
Speaker 1 (04:09):
That's the Colombia Puerto Rico basal called Puerto Rico Tria Boston.
Mario Mira for Momento me has a started, and the
high school and a Momento Mario and professor visit and
(04:29):
r c I hi rid into diagnostica.
Speaker 2 (04:33):
Who can sell that. Deroy is says.
Speaker 1 (04:36):
Momento CAMBIOK, cancert me and cam com Americos come on
we podcast. He went on the KI studio and hir
rid on on certificate and nonprofit management in an army
(04:59):
army start commas started the Contra com Victoria the Niva
un it's an organists us to be on festival in
festival dances organ E l June that this experience the
(05:23):
last create and me per mediola that is as soon
as Passio magnifico. And then then the Lasa and Latin
representation Latina and Bosa to Jas Puerto Rico is the
Sierra Formata established Certe and a community Puerto Rican yes
(05:49):
solo jela the Boston.
Speaker 2 (05:53):
Diego, Cambridge okay and.
Speaker 1 (05:56):
To esposo Harvard to us to and Harvard communs us
to carreta professional the iva includecas and axiotion kereas various
loss programmers, I says okay okay, I said Elsa to
statista common pieceasa Cambi are two hero and syntheses Eami
(06:22):
mass the Agusta.
Speaker 2 (06:25):
In Boston, Mira.
Speaker 1 (06:28):
Verdam processor Cressymiento professionally personal and or s Lamia larger
Perta Linda Cambio and al momento los preadj and B
(06:50):
the Victoria Center for the Art Antiua prolemas duralis the
construction and etcetera India implemented a problemas and seeing the
construction when over dies so so intra centro alkil as
(07:14):
a programmer et cetera, c l s centro but.
Speaker 2 (07:19):
Ja ke locate joke.
Speaker 1 (07:24):
The momento and boendo constru algo and Juan et cetera
moment para g the siendo ramas proprojo lista Nina experience,
(07:51):
a house lost ya siendo a fun you know miliae
who la pandemica, even a CEO and processor and ormos,
various projectors called jamos you know REGOs, Chroma, Ca, Pasio,
the performance and Cola Arlington Street Church and Central Boston
(08:18):
up inside. But that s a location location location, Ristmas
program and intentionally that opportunias artista localist Chroma projectors, Chroma
(08:39):
space Elsa quandos to project forms.
Speaker 2 (08:45):
Is the.
Speaker 1 (08:50):
The the respect of loke passas the conto and.
Speaker 2 (08:56):
The cir cancer CEO.
Speaker 1 (08:58):
Now it's as content as recupera. So then focus and
T and T salud start sello and mass and ok
comes a process.
Speaker 2 (09:12):
So the see.
Speaker 1 (09:15):
The harveste yeah, the mass vocart and autos, Mira Joke,
Propy experience, the Mido, Sally into pos and Momento et cetera,
(09:37):
Pero job Gracia and persona Sinica film Pero, Creoke Ela
more video, seem Press, familiar ban meloper, Medio, Mika, Mio, Servi,
(09:59):
et cetera. Then with prano ol and the certifaction escuandoo
clad okay ok mari and to a super infermat and
poco from momento that.
Speaker 2 (10:23):
It is okay, but.
Speaker 1 (10:27):
Formake momento you know par just no sola men tello
physical concreto cancer, the deroy is you know san.
Speaker 2 (10:44):
N processor, the sana.
Speaker 1 (10:48):
Jo persona ke o the okay, I go pasion your
proud and yes a motorbi and toaster processes are crear momentos.
The communia experiment algo estheticos in huisio because.
Speaker 2 (11:15):
Bb you know, pero is can.
Speaker 1 (11:20):
Group and bib on experience a cien do communismo tempo
so DNA and san or and personal como community so
o n d M. But it's an importante elarte express
(11:41):
cultural selection, andalos project those.
Speaker 2 (11:48):
You ten pero quile fil.
Speaker 1 (11:56):
Versus galleria no com hist a process mira last representatias
and zo param fundamental.
Speaker 2 (12:12):
Prince there and ten there ya.
Speaker 1 (12:16):
A s pati story, rada y e coast represented, tanto
la lanza jo ok joe personal connect massualist can a
terminus practical represented us facile expanded so my facil de
(12:40):
manihar dominos para a c M press upel tra vajo
artistical cultural star and focal las artes and.
Speaker 2 (12:51):
And live arts and performance.
Speaker 1 (12:53):
Equal retos mass grandes o the reto and Boston or
on as a contract to lento, the talento no mira,
I'm the the the muchas mucho aspectos, the the heni
ard looking gresive necessieties, rakas projectors and so the levant
(13:22):
a questo por citamo recursos umanos economics, the DMPO cy tests,
chando requord the now the NCO capasa Boston. But it's
more important that the programmer you look at keio is
(13:42):
trailer recursos Carlos lae and not st the consultants call
artistas on project to importante you come promise, l come promise.
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