June 11, 2025 • 47 mins
After spotting a newspaper delivery person downstairs at 4:35am this morning, Clairsy & Lisa discussed jobs that won’t be lost to AI and in anticipation of tonight’s Powerball $100 Million Powerball jackpot, the guys have very different ideas of what they would do with their winnings.
Actress Marta Dusseldorp phoned in to discuss the second season of Bay of Fire and said viewers can expect new villains and deeper, darker secrets. The phone and text lines opened as Clairsy & Lisa pondered ‘Who do you know with a celebrity name?’.
On The Shaw Report, Lisa paid tribute to the legendary Brian Wilson from The Beach Boys. The singer passed away at age 82.
Ahead of Channel 9 Perth’s 60th Anniversary Michael Thomson & Tracey Vo popped in to discuss all the major tv moments across the station and what to expect from their special anniversary broadcast special.
For Clairsy & Lisa’s Perth Pub Crawl, Peter Dean from The Jets chatted about the band‘s start in a lounge room, memories of glass raked out the carpets at The Raffles and Lisa asked about the band’s Bindoon memories.
Plus Ben O’Shea reviews Materialists, which he said falls short of being a rom or a com.
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Powered by the iHeartRadio app from ninety six airfam to
wherever you're listening today, This is Clearsy and Lisa's podcast.
Speaker 2 (00:09):
Coming up on the podcast, Michael Thompson and Tracy Vou
join us to talk about Channel nine turning sixty oh.
Speaker 1 (00:15):
Sixty years young.
Speaker 3 (00:16):
Hey.
Speaker 4 (00:16):
Actor Martin Dusseldorp joined us, chatting about season two of
the show Bay of Fires.
Speaker 2 (00:20):
Brian Wilson from The Beach Boys has passed away, so
very sad.
Speaker 1 (00:24):
We caught up with Deanie Yeah.
Speaker 4 (00:26):
Peter Dean from The Jets joining us for the second
last Perth pub Crawl chat.
Speaker 2 (00:29):
Benochet reviews The Materialists, which stars Pedro Pascal.
Speaker 4 (00:34):
You say that in the same way you say yeah,
Pete Dress's name. And we take calls on celebrity names.
Do you have one or did you work with someone
like that or someone in the family. Do you find
it's something that you do when there's a big lotto
draw like tonight one hundred million, there you go, oh,
let's just get a ticket for the hell of it,
or every now and then you.
Speaker 2 (00:50):
Do oh yeah, every now and then, every and then
because it's been a big gambler. I know when to
hold them, and I know when to fold them, when
I when.
Speaker 5 (00:57):
To walk away.
Speaker 1 (00:57):
Jim what you could be buying?
Speaker 2 (00:58):
Thank you, Kenny good On, Kennie Rogers, imagine, Oh.
Speaker 5 (01:03):
I imagine I play with you and I both played play.
Speaker 1 (01:07):
W Way House that game.
Speaker 2 (01:09):
I don't have a hell of a lotto list by
that Purple Burkin, but you love that Perkin.
Speaker 4 (01:14):
Idea is a handbag. Mine's the house in Codslow Well or.
Speaker 5 (01:21):
Both by Aston Martin.
Speaker 1 (01:24):
Oh Hello, yeah, good morning Aston Martin.
Speaker 5 (01:26):
It's got a special place for my Berkelen.
Speaker 4 (01:28):
If I see your rock up on Monday with an
Aston Martin, no one know what's happened. Friend, Hey, you've
got it if you're in the in for a bit
of a laugh to night or whatever. Yeah, good luck
one hundred million someone. Then someone's been winning. People have
been winning the whole lot lately. Draws to win it well,
nineteen sixty five, it was born stw nine and.
Speaker 2 (01:46):
Per yes it's sixty and there's a big celebration tonight
on Channel nine celebrating sixty years. So many memories, absolutely,
so many memories from Channel Night. My brother actually went
to school, as it turned out, with flat Puss.
Speaker 5 (02:00):
Do you remember Flapper the Blue Elephant.
Speaker 1 (02:02):
I remember Flapper.
Speaker 2 (02:04):
He used to do a show with Jenny Dunstan, that's right,
and Keith Woodland, and I think they would you know,
they would do a weekend morning show, but they would
also put the kids to bed at night. So I
guess a few people probably recorded Flapper and Lady Millar
when the guy who was in the Flapper suit, his
his head was where Flapper's hat was, so he couldn't
(02:26):
see a darn thing. And when they do Jenny Jenny
the show with Jenny Dunston and Humpy, they do cooking
segments and stuff, and his trunk we'd go in the
cake mix or something, flopping it about trying.
Speaker 1 (02:40):
To No one mentioned the elephant in the room. Control
of elephant was up in the hat. That's horrible.
Speaker 5 (02:46):
Everyone else would be cracking up. Must have been so
much fun making those.
Speaker 1 (02:50):
Sorts of Flapper Flapper Flapper was sweating.
Speaker 2 (02:54):
Not for the lady in the or man in the
costume department who had to clean it afterwards.
Speaker 4 (02:58):
Yeah, like you said, so many memory And you can
actually YouTube the old Dianella studios and buildings of Channel nine.
Speaker 1 (03:05):
There's a format video on there on YouTube I looked at.
Speaker 5 (03:07):
Yesterday's TV City, they were all not Rabbit Warrens.
Speaker 4 (03:11):
The Channel ten month came later, but yeah, just over
the road was Channel seven. But you can see the
video of that if you want to reminisce about what
the old building looked like and a lot of people
visited there over the years as well.
Speaker 2 (03:21):
All right, well, we are going to reminisce further with
Michael Thompson and Tracy vo next.
Speaker 1 (03:25):
Happy Birthday Channel nine.
Speaker 2 (03:26):
Channel nine is turning sixty tonight Chickens Watch celebrating sixty
years Channel nine, Perth seven thirty on nine and nine. Now,
we were just having a bit of a reminisce before.
I was telling Clazy how my brother went to school
with Flapper, and Flapper was last story. Michael Thompson Tracy
with us. Good morning morning, Happy birthday, Happy Birthday nine nine.
Speaker 6 (03:52):
It's incredible sixty years.
Speaker 1 (03:54):
Yeah, Flapper, that's going on.
Speaker 2 (03:57):
Jenny Dunstan, the show Hustree Ory was controversial and we
didn't care that.
Speaker 4 (04:06):
You reminder, I was trying to work her what Flapper was,
and of course it was an outfit Jenny.
Speaker 7 (04:11):
Jenny Dunstan features in this special tonight which is. Yeah,
it's great to hear her stories of being on the
show all that time ago, so it's wonderful to see
her in the show.
Speaker 6 (04:22):
Yeah, in the special, very good.
Speaker 1 (04:24):
So how much has changed, hasn't it? Hasn't it?
Speaker 4 (04:27):
I was just saying that least on air that we
you can go to YouTube and see the old building,
which is a long time ago now.
Speaker 1 (04:34):
Since you yeah, sixteen years is it sixteen?
Speaker 3 (04:37):
Is it.
Speaker 6 (04:38):
Twenty sixteen?
Speaker 1 (04:39):
We moved sixteen.
Speaker 6 (04:42):
Year nine years twenty sixteen we moved into St. George's Terrace.
Speaker 7 (04:45):
Yeah, okay, and oh gosh, Doanella was at Hill was
a distant memory last.
Speaker 5 (04:51):
To leave the little television city that it was.
Speaker 7 (04:54):
Yeah, Yes, Louise Momba presented the last bulletin from there. Yeah,
and then I think we launched off his six pm.
And then that we did like a major morning sort
of broadcast as well at the new studios, So it
was really Yeah, it changed.
Speaker 1 (05:13):
A lot and that those studios.
Speaker 8 (05:15):
On top of that, there was an area where a
cameraman could set up a tripod. That's where Skylab the
only pictures in the world. Channel nine person World Exclusive.
John Cunningham was the chief of starting but a cameraman
on the roof and he got this. It was just
like a streak of light, the trail of the sky,
and we got those pictures and that they went around
(05:37):
the world and then they found pieces of Skylab down
in Espirans and round through there.
Speaker 1 (05:42):
That was a big deal. A whole generation that doesn't remember.
Speaker 6 (05:47):
I would know about it.
Speaker 2 (05:48):
I worked very briefly for John Cunningham in the eighties
and I swear to God William mcinnesson's Characterom in the Newsroom.
Speaker 5 (05:57):
Is based on John Cunningham.
Speaker 1 (05:59):
Politically incorrect.
Speaker 2 (06:03):
Eighties news director. There there is nothing else like her.
Speaker 7 (06:08):
Else.
Speaker 5 (06:09):
Will we see pop up tonight on the special.
Speaker 6 (06:11):
We've got Jenny Seton Lovely Jenny Seaton.
Speaker 7 (06:14):
And she still looks fabulous, incredible, and it was really
lovely because the vision of her doing the weather in
the day and she remember this is about how she
thought she was terrible, but she just looks really.
Speaker 6 (06:29):
As fabulous as ever and.
Speaker 1 (06:31):
That great voice, Yes, beautiful.
Speaker 6 (06:35):
And then yeah, we've got Terry Spence was who was
the former news director for a.
Speaker 1 (06:40):
Long time time.
Speaker 8 (06:41):
A lot of things happening and just going back and
looking in the early days, some obviously swap stations because
Jeff Newman was on nine in the days. Lloyd Lawson
was was there, Peter Dean who spent time on sever
but he was on nine in those early days.
Speaker 1 (06:56):
Peter Harry's har Y Entertainment, good people the channel as well.
Speaker 5 (07:04):
It was great.
Speaker 7 (07:05):
The team did so well in contacting all these people
have been there who had worked for Channel nine all
those decades ago.
Speaker 6 (07:13):
And Burjo is on there. He's on there.
Speaker 8 (07:18):
Yes, you know, I was thinking and sadly some have
passed away. Peter w passed away recently. He did worked
at seven and worked at Wally Foreman and Wally was
Bruce Walker.
Speaker 1 (07:30):
Yes, and there's you know, there's.
Speaker 5 (07:31):
Lots of people.
Speaker 8 (07:32):
Yeah, And I always think of Channel nine for some reason.
When I was a kid, they had Gilligan's Island, which
was which was a show you remember the stations for
what you'd watched made Gilligan's Island, and they had Wimbled
and Live and that.
Speaker 9 (07:48):
We didn't have any cricket. Cricket, yeah, and all those things.
Just growing up with things like those. We were very
Americanized with their comedy back.
Speaker 8 (07:59):
It's true Michale's Navy gets smart my favorite.
Speaker 5 (08:04):
It was on Gilligan Coreck.
Speaker 3 (08:10):
Michael.
Speaker 6 (08:11):
Yeah, I got to interview Terry.
Speaker 8 (08:15):
Terry looks incredible. Terry's eighty and he looks fantastic. And
he was a big star. He was probably our first
major star. He read the six scott News, then he
did Terry Willisey's Perth. He did a series of documentaries,
a lot of documentaries. Then he went on to take
on his brother. So Michael Willisey was hosting a Current
Affair which was obviously on nine here and he was
(08:36):
on Terry Willisey. I think it was Terry Willisey's Nation
or Terry Willisey's Current Affairs show, and that went head
to head with Mike. So the Willises Don Willisey worked
at nine.
Speaker 1 (08:47):
Perth as well.
Speaker 8 (08:48):
Yes, so they had a huge influence on massive.
Speaker 4 (08:53):
What about with the celebrations. What about this Perth Symphony
Orchestra link. I think it's wonderful, it's beautiful. So it's
about a four minute piece.
Speaker 7 (09:01):
There are about twelve musicians who performed this medley and
it's it's one of a kind. The Perth Syphony Orchestra
hasn't done anything like this before and the beauty of
it as well with a conductor is Greg Schultz. And
Greg Schultz the former music director for Channel nine for
thirty five years. So when he got contacted by the
(09:22):
Perth Syphony Orchestra to put together I get arrange this medley,
I think he I think he got chuffed because he
was full circle moment for him and so we interviewed
him and he's also actually he's part of the special
as well.
Speaker 6 (09:36):
But you're talking about cricket, Lisa, and I.
Speaker 7 (09:39):
Was like, oh, I said a tom, I said, the
wide world of sports themes.
Speaker 3 (09:43):
On comes on. It just.
Speaker 6 (09:47):
Everyone knows what it is.
Speaker 5 (09:48):
It gives me.
Speaker 7 (09:49):
I've got goosebumps now with you just doing it now,
it's so good, you know, And that's that's a big
part of the medley. But you know it also mixes
in local production shows as well, so it's good.
Speaker 1 (10:00):
Just a water gurus the news.
Speaker 4 (10:04):
It's iconic. We have to have a little listeners a
bit ready.
Speaker 9 (10:16):
I've heard that told me that that was used in
the movie cool Hand.
Speaker 7 (10:23):
Look was it was the theme song for nine News
came from the cool Handler.
Speaker 1 (10:30):
Yes can you believe that? Yes? So we do have
a linked I was going to say Jeff youman.
Speaker 7 (10:40):
But it was a wonderful medley from the percific We
thank them, We thank them for doing them for us, and.
Speaker 6 (10:45):
You'll see the full masterpiece tonight.
Speaker 2 (10:47):
Oh you know, you're a happening thing. When the Symphony
Orchestra wants very very special, they do star Wars And two.
Speaker 8 (10:59):
Of those themes were written by a guy, Tim Halligan,
who works with He's a freelance opera He wrote just
ad Water and the Postcards themes. A very clever guy.
So that's really nice. So a lot of it to
come back to the to the local factor in it,
and we all grew up with that sort of stuff.
Speaker 1 (11:15):
Didn't just add water.
Speaker 7 (11:18):
That was iconic for me growing up back in the day.
Speaker 1 (11:21):
That was that was That was.
Speaker 4 (11:25):
Obviously you did a lot of sport. But you've mentioned
Bruce Walker. Bruce Walker was sitting next to Bob Hawk
the night that we won the America's Cup.
Speaker 8 (11:31):
Wasn't Jack he was? And that today I can remember
watching Sue Kellaway. I think Steve Leeban we're hosting the
Today Show that night. I remember I was doing a
kid at chip at w Newspapers and I had a
shorthand exam that day, I still remember, but I remember
watching Himo the early hours and into the morning, like
(11:51):
it was sort of six or seven o'clock, was still
celebrating and still going strong.
Speaker 3 (11:54):
Yeah.
Speaker 8 (11:54):
Bruce, Bruce was look was an absolute legend at nine
for a long time.
Speaker 1 (11:59):
So I was, you know, and Wally.
Speaker 8 (12:01):
I remember that we had Wally Bruce, Terry, Willisy Russell,
Deer Russell's. Yeah, they were really iconic figures.
Speaker 1 (12:10):
Crew.
Speaker 5 (12:11):
Well, we could sit here and reminiscence.
Speaker 2 (12:14):
We're going to have to save some for tonight, seven
thirty tonight on nine and nine now celebrating sixty years
Channel Night. I mean, we've all grown up with it.
We all remember when it used to close down at about.
Speaker 1 (12:25):
Yeah, yeah, yeah, tomorrow even watching.
Speaker 5 (12:29):
A now they don't believe.
Speaker 10 (12:33):
Yeah.
Speaker 8 (12:34):
I think we were the first. We were the first
station to go twenty four hours, which was okay, and
first color too.
Speaker 6 (12:39):
Yes, first I.
Speaker 1 (12:40):
Remember going to carry up shops, watching.
Speaker 4 (12:41):
The cricket, watching cartoons.
Speaker 1 (12:45):
It was a big deal.
Speaker 5 (12:46):
Was a huge deal. Well, it is a huge deal.
Thank you for sing and we'll see you tonight.
Speaker 1 (12:53):
Thank you.
Speaker 8 (12:54):
Tell you to more Clezy more podcasts soon.
Speaker 2 (12:59):
See two beaufires starts eight pm Sunday on the ABC
and on abc I View. Of course, in the star
of the show, Marta Dusseldorf is joining us.
Speaker 10 (13:07):
Good morning, good morning, thank you, thank you for having me.
Speaker 5 (13:11):
Oh, thank you for joining us.
Speaker 2 (13:13):
I loved season one and I love the synopsis for
season two. It says Stella sees a glimmer of hope
on the horizon. No one has tried to kill her
for some months. I'm right back there with you. So
what can we expect in season two? Are you at
the center of a myriad of problems again?
Speaker 10 (13:35):
Not to start with, she's simply the boss of the town,
managing these fabulous bunch of Motley criminals. Yes, and doing
quite well in fact, and everyone's got more than they need.
But of course no one's ever satiated. So she gets
a tap on the shoulder by someone that needs more,
and it all starts unraveling very quickly. We've got new villains,
(13:59):
We've got deeper, darker secrets. We go deep into the
relationships between the characters you met in season one. So,
for example, Magda and Heather, pam Rave and ros Hammond
have a their very own storyline where Selli takes a
break and we find out why they're together and what
they mean to each other and how they make it
(14:20):
all work. The kids have grown up, so Otis and
Iris are more trouble than they're.
Speaker 3 (14:26):
Worth, of course not. We love our kids.
Speaker 10 (14:31):
And Stella and Jeremiah are still trying to work it out.
And in the background, yes, there's people wanting things from
her that she couldn't possibly provide, and we don't not
as many people die this season, and of course it's
all accidental, but we really tried to keep the vibe.
(14:54):
You know, Ozark meets Fargo meets.
Speaker 4 (14:58):
It's very good, comperhensive summer. It's going on without giving
any spoils away, Mat, I thank you for that. Now
film filming and tasty, which is home since you and
Ben and the family moved lived back to how the
film That's Possible.
Speaker 10 (15:12):
I was so wonderful to return to zen and Queenstown
on the west coast of Tasmania. It is one of
the most unique landscapes I think in the world, and
the people are now like family. Ben and I have
a place there and have for longer than the shows existed.
Speaker 5 (15:27):
But we knew when.
Speaker 10 (15:29):
We first arrived there, and especially when we walked into
z and that that was where we needed to place
this western which is really what Bayprize is. And and
so this time you'll see us actually spend more time
in that main street and Stella and the kids have
moved into that, into that amazing art deco Gaiety theater
(15:50):
which exists. And yeah, it's I mean, look it's cold,
it's the dead of winter, but that's when we need
to be there.
Speaker 3 (15:57):
You really see the West coast.
Speaker 10 (15:59):
Come along in the winter, the moss and the mycilium
and all of the treasures of snow one day and
just wet the next and then brilliant sunshine. So we
found some locations in season one that we couldn't get
to because we didn't have time. But season two I
made sure we went up the highest mountains into the
(16:20):
coldest river. Well done, and we really made the most
of this glorious landscape.
Speaker 1 (16:26):
It is.
Speaker 2 (16:27):
It's like a character in and of itself, the landscape
of Tasmania. I mean that great show Deadlock that was
on last year, and then on the weekend I watched
The Survivors, two shows recently set in Tasmania.
Speaker 5 (16:40):
It's incredible and great cast.
Speaker 2 (16:43):
As you said, Ros and Pamela are back, and Matt
Nabel he's back for season two as well.
Speaker 1 (16:48):
Really yep.
Speaker 10 (16:49):
And we've got Andre Dvani who plays Jason, and Emily
who plays Bonnie his wife live in the caravan. I've
got Bob Franklin, and we've got Kim Coo and El Mandalas.
Speaker 1 (17:02):
They're all back.
Speaker 10 (17:03):
And then we've got some really fabulous new faces. So
Benedict Hardy joins us as as I think one of
the most unusual villains I've ever created, co created with
my writing buddies, but his performance is so electric and
every time I did a scene with him, I didn't
(17:25):
know when the scene had finished, I should we stop now,
you know, because he's so so in it and fabulous.
And then some other really great guest artists. We love
to bring people in quite quickly and then get them
out one way or another, so there are lots of
people tripping literally out of the scene, out of the show.
(17:48):
But it was such a ball to write again, and
the privilege of being able to go back in is
you know. The audience loved it, being the most watched
show on ABC in two thousand and twenty three, so
we just want to please. I mean, it really was
about giving them back all the Loveday gave us, so
hopefully they love it.
Speaker 1 (18:08):
This So a young woman who plays Rebecca looks like
she shows promised too. Grace. Well, I want to talk
about We mentioned quite a bit about Tazzy, but here
in Perth we're going to be very spoiled because we've
almost finished these new film studios in Malaga.
Speaker 4 (18:27):
What's the setup like down here? I mean, I know
you and then would love to have an everyone else
in the industry love to have that facility. And then
what is the promise for that to come?
Speaker 10 (18:37):
I think while there's focus on another very big structure
going on down in Tasmania at the moment, that that's
not a possibility necessarily. But the beauty of Chassy and
it's you'll feel it when you come and visit, it's
you have to get out in it. That's where the
magic lies. So to box us in a room I
(18:58):
don't think is conducive to what Tassi has to offer.
So and all those shows you mentioned, they're all in
completely different regions and spaces of that incredible state. So
us taking the West Coast, I just it's so unique,
it's so organic, and often you know, it says, come
(19:20):
down for air, you know that tourism thing.
Speaker 3 (19:23):
It's so true, like we ordered sit out.
Speaker 10 (19:25):
There, breathing in this air and going. We can't believe
we're allowed to be here with cameras and capturing this
in national parks. I mean, obviously everything's permitted.
Speaker 3 (19:36):
We're very careful with it.
Speaker 10 (19:38):
I mean, look, of course I'd love a studio because
it's actually cost effective. As now my producer goes on.
You know, regional shooting is not cheap. Our budgets aren't huge,
so compared to the Americans, what.
Speaker 3 (19:56):
We're able to achieve is pretty startling.
Speaker 10 (19:59):
And I hope yeah, and our stories travel around the world,
so I think we do okay.
Speaker 5 (20:05):
I think we do well.
Speaker 2 (20:07):
Season one of Bayer Fires was such a trip.
Speaker 5 (20:10):
If you haven't seen season one, get around it.
Speaker 2 (20:12):
In Season two starts eight o'clock Sunday on the ABC.
Speaker 5 (20:16):
I can't wait, Marta. Thank you for joining.
Speaker 10 (20:18):
Us, Thank you, thanks for speaking to me.
Speaker 1 (20:21):
Absolutely time.
Speaker 4 (20:23):
We were talking with our one of our producers, Liz
during the week and talking about the fact that she
she had a boss whose name was Tracy Chapman and oh,
that's that's unusual a famous name.
Speaker 5 (20:35):
And then did she say that her mum knew a
Tina Turner?
Speaker 1 (20:39):
Tina Turner.
Speaker 5 (20:40):
Yeah, we used to know Elizabeth Taylor, really Taylor.
Speaker 1 (20:43):
Yeah, what did she call herself?
Speaker 5 (20:45):
Liz?
Speaker 1 (20:45):
Just Liz having to run with it?
Speaker 5 (20:47):
Yeah, well there's not a lot she could do with it.
Speaker 1 (20:50):
It's a bit different, isn't it? A little bit bit
lily bit Taylor name by Deed pol.
Speaker 4 (20:55):
Yes's funny because we were chatting about this and the
classic example of hollyo it is. You know, when you've
got a person by the name of Michael Jordan in
the world, you put a be in the middle of
the name might change things just a little bit for you.
Speaker 5 (21:07):
Confusing.
Speaker 2 (21:08):
A lot of people are named after famous people. We
want you to give us a call.
Speaker 5 (21:14):
Do you know someone with a celebrity name or were
you named after someone famous? Do you, indeed yourself have
a famous name.
Speaker 1 (21:21):
I went to school with the McDonald boys, and the
older brother's name is Ronald.
Speaker 5 (21:24):
Get out you went to school with Ronald McDonald.
Speaker 1 (21:26):
I went to Ronald McDonald.
Speaker 2 (21:28):
We wouldn't have had McDonald's here yet. No, because you
didn't go to school with hungry Jacks.
Speaker 4 (21:33):
No, No, that's right, Burger King or Hamburgler. Yeah, so
later on it became. But in the school days it
wasn't that funny, No, it was I would have been
later hilarious later Callen, what do it go for us?
Speaker 11 (21:46):
In the name in the eighties of the famous TV
show called Callen and.
Speaker 3 (21:50):
Edward Woodwood was the actor.
Speaker 11 (21:52):
That's right, and Detective shod and I'm named after him.
Speaker 5 (21:57):
You are, you're very general saying the eighties. It was
the sixties.
Speaker 2 (22:01):
Was the sixties, but we were probably in reruns of
it in in in the eighties for sure.
Speaker 5 (22:07):
Callen, Yes, Edward Ward he was.
Speaker 1 (22:11):
It was quite a stared.
Speaker 2 (22:12):
Pretty cool, nice one. That's a good name to be
named after its good name.
Speaker 1 (22:15):
He did what he could have been called Colomboka.
Speaker 2 (22:20):
Thanks Gallos, Bye John, and como go what do you
got for us?
Speaker 3 (22:27):
Hello?
Speaker 1 (22:28):
Hello John?
Speaker 5 (22:30):
There you going good?
Speaker 3 (22:31):
I'm good saves. Back in the seventies, a long time ago,
the guy that run the local newsagent was the name
John Lennon.
Speaker 5 (22:42):
John Lennon.
Speaker 3 (22:46):
So yeah, when John Lennard was actually small, Yeah.
Speaker 1 (22:51):
Yeah, seventies at the time, absolutely a very famous name
at the time. Thanks John, appreciate that, John. Of course,
as you know, my name is Dean. Anthony Claire is
known about the Norman Bates from Psycho Anthony Perkins.
Speaker 5 (23:05):
Thanks mum, not really, you gotta you gotta let go
of it, being she was only human he was.
Speaker 1 (23:13):
He was a heart throw He was a heart thrown.
Speaker 5 (23:16):
When he was Norman baits mother.
Speaker 4 (23:18):
But other times, but your mum calls you that, and
it's time to have a shower.
Speaker 1 (23:24):
I'm going on a shower, remember the shower of Psycho.
Speaker 5 (23:30):
Alisia.
Speaker 2 (23:32):
Her brothers named Clinton after Clint Eastwood. Parents are big fans.
They watched all all Clint's movies growing up. Stephen Sterling says,
there's a shop fitter here in Perth called James Brown.
Speaker 5 (23:43):
You're going to expect him to feel good every time
he introduces himself.
Speaker 2 (23:48):
Kylie in Rockingham's bosses name is Paul Kelly Dominic and
Osborne Park said Paul Hogan was the name of a
boss I worked for back in the nineties and Phil
in Quins ra So. I went to secondary school in
the UK with Brian Gardner.
Speaker 1 (24:03):
Oh there you go.
Speaker 5 (24:04):
I had a kid in the year behind me was
Keith Richard.
Speaker 1 (24:07):
Oh right, Oh that's cool.
Speaker 2 (24:08):
What wasn't the Keith Richard because he went to school
in the eighteen hundred, it wasn't.
Speaker 4 (24:11):
Keith, not that Keith was still alive. Speaking of Paul Huggins,
we worked in radio with Paul Hogan. Didn't help. I
did it along there. It didn't help along the way.
Every Paul Hrgan's on the radio.
Speaker 5 (24:22):
He worked here.
Speaker 1 (24:24):
He became a cop. He did he he's got a kedwork.
Can I Peter? I?
Speaker 5 (24:28):
Peter good?
Speaker 1 (24:31):
What do you got?
Speaker 3 (24:33):
I went to school with Paul Newman and Michael Jackson
if you like, and and my second name is Alexander's
very good.
Speaker 5 (24:43):
Oh you make my favorite ugly.
Speaker 2 (24:46):
I had the money yesterday, just yesterday.
Speaker 3 (24:50):
It's kind of when you wear them.
Speaker 5 (24:51):
You got my got my initials, very good with your
name on my fate all winter paper.
Speaker 1 (24:56):
You've got Bespoke.
Speaker 5 (24:59):
The Fantastic.
Speaker 1 (25:01):
That's a good collection.
Speaker 5 (25:03):
Yes, Sabrina in Berlia, Hello, Hi, So.
Speaker 12 (25:09):
Apparently I was named after the original, one of the
original Charlie's Angels from the seventies. Yes, yes, but no
one seems to remember that. All they remember is that
famous singer from the eighties, that one.
Speaker 1 (25:24):
Who has the one with the big boobs. Yeah yeah, boys, boys, boys,
Oh god.
Speaker 5 (25:30):
No, I think I think of Sabrina and Bewitched.
Speaker 1 (25:35):
Sister. Yeah.
Speaker 12 (25:37):
If I had a dollar for every time someone said
to me Sabrina the teenage witch or something.
Speaker 2 (25:44):
Thank you Sabrina, it's a beautiful naw, it is a
lovely name.
Speaker 1 (25:48):
Thanks.
Speaker 4 (25:49):
And Sabrina was also Elizabeth Montgomery, wasn't she. She'd throw
a wig on, That's.
Speaker 5 (25:53):
What I mean. Yeah, I think you bewitched her, her sister,
her twin sister.
Speaker 3 (25:57):
She was.
Speaker 5 (25:57):
She was the naughty she was.
Speaker 1 (25:59):
She was yeah stuff, she used to always try and
crack on the down.
Speaker 2 (26:02):
Yeah, that show was like ahead of its time and
all sorts of things all the same.
Speaker 1 (26:08):
So good run away.
Speaker 5 (26:10):
Paul In Jodler, Hello.
Speaker 11 (26:12):
Morning, happy for Friday. Sorry, yes, yeah, we we know
someone who named their son Malcolm. Than there. They're the youngs.
Speaker 3 (26:24):
A C. D C.
Speaker 11 (26:25):
Normally people for Angus, but yeah, they went for Malcolm.
Speaker 5 (26:30):
You don't get the baby malcolms these days.
Speaker 11 (26:35):
Of Hayden's and things like that.
Speaker 4 (26:37):
I want to store the few males in my day.
But yeah, it was more with the John's and the David's.
Speaker 2 (26:42):
Travel the countryside. Absolutely, Malcolm, Malcolm Douglas. Malcolm Douglas, Yes,
was prominent.
Speaker 5 (26:53):
Malcolm Fraser.
Speaker 11 (26:55):
Malcolm Douglas or used to own the Crocodile.
Speaker 5 (27:00):
That's right, made all those shows.
Speaker 1 (27:03):
That's right.
Speaker 5 (27:03):
Yes, we're all.
Speaker 1 (27:05):
Down to earth years before stevee ewe.
Speaker 5 (27:07):
Absolutely yeah wa one, yes.
Speaker 1 (27:11):
Thank you, Paul. I believe.
Speaker 11 (27:17):
Any chance of any chance for photo with you.
Speaker 1 (27:19):
God, I don't know about that.
Speaker 4 (27:21):
Look yeah ok, we were too with you, the Sure
Report on ninety six Air FM.
Speaker 2 (27:33):
Tributes are pouring in for Brian Wilson, the legendary Beach Boy,
has died at eighty two. Wilson's family broke the news online,
saying they are at a total loss for words. Following
the death of his wife, Melinda last year, Brian's family
filed court documents to obtain a conservatorship, revealing that he
suffered from a major neuro cognitive disorder. Brian Wilson co
(27:55):
founded the Beach Boys in nineteen sixty one with his
brothers Carl and Dennis, cousin Mike Love, and their friend
Al Jardine when the group was fresh out of high school.
They went on to embody the California feel of the sixties,
and with Brian's production and guidance, gave us some of
the finest harmonies we are ever going to Getmisicus, it's.
Speaker 1 (28:37):
Just sublime section.
Speaker 2 (28:40):
Brian wrote that song in my room as an expression
of his severe agoraphobia. It's no secret he suffered with
various anxiety disorders all through his life. It's that fine
line between genius and anxiety. So, as I said, the
tributes have been pouring in. Ronnie Wood from the Stones
as posted Brian Wilson's liestone in week my world is
(29:00):
in mourning. Sean Lennon called him America's Mozart, saying that
not many people influenced him as much as he did.
John Cusack, who played Wilson in the twenty fourteen biopic
Love and Mercy, wrote, the man was an open heart
with two legs, with an ear that heard the angels.
Elton John called him a musical genius and revolutionary, that
Brian changed the goalpost when it came to writing songs
(29:22):
and shaped music forever, and Mick Fleetwood wrote on behalf
of Fleetwood Mac, anyone with a musical bone in their
body must be grateful for Brian Wilson's genius, magical touch
and greatly saddened by this major worldly loss. If you
didn't catch the Beach Boys documentary that came out in
May last year streaming on Disney Yep, Now's the time.
(29:44):
It is a wonderful doco featuring interviews with Brian and
Mike Love and Al Jardine. It chronicles their eyes from
their modest family origins to becoming a revolutionary force in music.
I think I'll definitely be revisiting that most weekend More.
Speaker 1 (29:59):
Pleasy, Oh Lisa More podcast.
Speaker 8 (30:02):
Soon we would be singing a man at Work song
to twelve hundred people and men at.
Speaker 5 (30:07):
Work and began the road.
Speaker 1 (30:07):
I don't need to put people party in the venue,
but the.
Speaker 4 (30:10):
Bands was a wave like Colesy and lisas person pub
Crawl at Pinocchio's.
Speaker 7 (30:14):
Magnet House is resurrecting Pinocchio's for one night only Magnet House,
a maker of dance and diversity right in the heart
of the city.
Speaker 2 (30:22):
And from the jets. Peter Deeny Dean, how the heck
are you? What was it like listening to that on
the radio again?
Speaker 3 (30:38):
I thought, I all right, I remember that one band. Yeah,
we did that sorry sorry, what was that?
Speaker 1 (30:46):
That sounds like a solid rock band of me? Mate?
Speaker 3 (30:49):
Yeah, yeah, I was papping away to a CDCs like
just as good to this? Great songs, aren't they?
Speaker 2 (30:55):
Yeah, absolutely take us back to the start, Daney, How
did the band get together?
Speaker 3 (31:00):
Ah? Well, I basically put it together with a fentol
meadow and what the band I was in with my
brother and that we both we split up and so
the drummer was was living with us and the guitars
were still here and we're going to go around Australia.
So which is my wife now? And anyway, so I
(31:24):
met up with Fenton and he was saying, you know,
I did that, and I was thinking, that's the same
sort of music I want to play. So I put
together in the land room and had a bit of
a jam and thought this was good. So we just thought,
you know, went up to crowd and to put the
band together for two weeks, but we got flooded in
and couldn't think of a name for the band. Like
that's the hardest thing in the band is thinking of
(31:45):
a name.
Speaker 1 (31:45):
Yeah, yeah it was.
Speaker 3 (31:47):
It was Trevor's girlfriend thought what about the Jets and
we thought it sounds a bit corny, but we had
to ringing up. Berth was ringing up, the agent was
ringing up. So what's the name of the band? We
need some posts?
Speaker 1 (32:00):
Yeah, of course.
Speaker 3 (32:01):
Played the four people at the Civic Hotel.
Speaker 1 (32:04):
Four friends and really no, no, well yeah.
Speaker 3 (32:09):
And there was there was some invited industry people, but yeah,
loading their own gear. And that went from six gigs
a week, loading their own gear and where only couldn't
afford anything all the money winning production. Yeah, it just
went from there. But honestly, I've been looking at it.
I can't believe of band's been going for forty five
years if they have a band and we did a
(32:31):
show in a long weekend down Ravenswood and like fourteen
hundred people come sort of band stand alone from.
Speaker 5 (32:39):
Four to fourteen hundred there.
Speaker 4 (32:41):
Yeah, that's a test of time, Dan's some of the
venues goes just to play. And I mean you mentioned
the Civic there with not that many there, But you
played the Morley part the Generator quite a bit morey,
didn't you.
Speaker 3 (32:52):
Yeah. Yeah, and there was a good band in there
and good fights on a Friday night. Yeah, the guard
pack that was entertaining.
Speaker 1 (33:00):
Yeah, yeah, right.
Speaker 3 (33:02):
My favorite pub of all the time in per per
Put because we did traveling flight that was as a
rabble stick stick to the.
Speaker 11 (33:11):
Carpet there they.
Speaker 3 (33:14):
Used to rake. It looked like the parpet like it's been.
It was all white. It was all broken glass. They
used to rake the glass out to break the carpet. Yes, right,
the broken glass, you know it was. It was incredible,
but all the most well, all those venues are gone
now that I think the Charles is about the only
one hanging on. I do believe the Civics. I haven't
(33:37):
lived in Perth over twenty years now, so obviously do
pop in. But it was the last show I hadn't
played for five years. So my bass in the case
and they stayed in the cupboard for five years to
get it out and basically learned to play again. And
singing was you never know how you're going to go
and sing to your rehearse. So I've got to know
(33:59):
the guitarist is the new lyne guitaris, so they're going
to find him in me in rehearse and we only
get a few days to rehearse, and then you've got
to get out on stage and there's no like a
warm up. You just got to do it. It's quite scary,
and you're quite scary.
Speaker 2 (34:16):
You were always you know, the ultimate you know, professionals too.
We're putting on a show, proper sound, proper lighting. You
had a whole crew behind you, so you didn't really
you never cut corners back in the day.
Speaker 3 (34:30):
Well that's what the whole idea was, put on a
show something people to look at it like. We toured,
We went to the country towns in w A. And
he's as well. But I was brought up in Albury
and Perth. Bands used to come down in the old
days with nothing, and they say it's only the country
who gives it out, you know. And I always had
(34:51):
that and I thought, no, why should Why not if
you don't see a band in Perth or a show,
you want to see that show we bring down. I remember,
I think one of the first places when the band
was management yep, and they hadn't seen a show like that.
Now the Pirates and that sort of stuff and just
blew away and even even like Fitt through a crossing.
(35:12):
Can you imagine, I don't have anyone's been crossing. Great
little town. Yeah, we're talking roll up there with with
a Fami trailer full of gear and you got two
hundred ten light show. It just blew everyone away. But
that compromise, you know, like just give everyone the same shape,
(35:33):
given the quality.
Speaker 1 (35:34):
Yeah, but you speak of that same hymn book as
Jane Simmons from KIS you always said, he and Paul
always said they put on the BES show. They came
wherever they go. Yeah, I remember see that. Yeah.
Speaker 3 (35:46):
Yeah, well, you know, just because you lived somewhere differently,
why should you have a second grade show? So we
try and used to go to a place and say
take all your tail and chairs out of your venue
as well, people's got to sit. Said they won't be
round for people to sit, they'll just be standing. Yeah,
but I cannot believe forty five years, forty five years.
Speaker 5 (36:10):
Stop saying it, you know.
Speaker 3 (36:14):
But a blower with one original member still left in it,
and it's it's it's still something out. It's like it's
mind blowing.
Speaker 5 (36:26):
Denny memories have been do well.
Speaker 1 (36:29):
I saw you guys have been doing.
Speaker 3 (36:32):
What did you are glad.
Speaker 4 (36:34):
That would have been doing the nineteen ninety because Diesel
Young Diesel was the headlining you guys and Nick Parker
and the reptiles.
Speaker 1 (36:40):
It was a great weekend.
Speaker 3 (36:42):
What full diesel it rained when he was on, they
used they used to put us on after. I love
being doing. I used to put us on after to
keep the player drinking.
Speaker 1 (36:56):
And yeah, yeah's we went.
Speaker 3 (36:58):
We went on after all but headline Accent and we
did eight out of the ten and yeah that they
were great, very well organized. Yeah, yeah, there's a lot
of bad negativity and that sort of stuff, but we
never ever saw that. We were all the basically all
the games we did watch of them, there're shows and
(37:20):
there was never any trouble. Never. They were just professional.
I feel like an ambass at all. But you never
had any you know, never had any because people are
scared to go to the Raffles Hotel because I thought
it was rough and the people Rand you talk to
wouldn't go there, and you know what I mean, it's
just if you've been to the Raffles. Yeah, yeah, there's
(37:46):
just memories. You've got me thinking you were once about
thinking of.
Speaker 5 (37:50):
Great memory.
Speaker 3 (37:52):
Yes, you know when you mentioned Peter Dan when I
listened to the.
Speaker 1 (37:55):
Town nine, Yeah, it's a story for you.
Speaker 3 (37:59):
He used to live fairly close and I was at
the boat wrapped down. Hillary is there and he's pulling
his boat out and I went up to him and
I said, oh you made I said. I said, I'm
Peter Dean and here you going. And he sort of said,
he said, right, you're that Feta Dean. So what it was?
(38:19):
I said, I'm getting phone calls to me, I'm getting
phone calls to open a furniture store. And he said,
I'm getting shows to play at a biking party.
Speaker 1 (38:35):
That's it was a big radio.
Speaker 3 (38:40):
Is he still with us?
Speaker 1 (38:41):
No, we've lost Yeah. He was the man who used
to read it the final total on telephone before Jeff even.
Speaker 3 (38:48):
That's that's another thing is how many great you said,
legends and all that, But there's so many people that
we've lost, you know, in music, identities and all that,
you know, not just Perth but all realistic.
Speaker 1 (39:01):
Yeah, scari well. Brian Wilson Boys over Night Night.
Speaker 5 (39:06):
Yeah, you know you listen to it's like or not
another one exactly.
Speaker 3 (39:10):
Yeah, I remember when I was young, Remember.
Speaker 2 (39:13):
When we were young. Don't say forty five years again, Jeanny.
But we have loved reminiscing with you this morning.
Speaker 1 (39:20):
Yeah, good to catch up mate, you will keep Pete
rocking it.
Speaker 3 (39:24):
Yeah, and thank everyone that's come out and seen the
Jets and also all the other bands and sort of
stuff and support live music. It is. It is getting
hard and hard, and I feel really sorry for the
up and coming musics. But stick there, hang in there and.
Speaker 1 (39:38):
Do what you love, enjoy beautiful.
Speaker 5 (39:41):
Thanks Danny, thank you.
Speaker 3 (39:43):
Thank you guys for keeping the music alive.
Speaker 5 (39:45):
Thank you and all the best.
Speaker 1 (39:47):
Ye great the flick with.
Speaker 2 (39:51):
Ben, good morning band, good morning, and brought us today
Pedro Pascal.
Speaker 1 (39:58):
Leave him here?
Speaker 13 (39:59):
Yeah, I just that's that's undone. Yeah, the Internet's boyfriend,
Pedro Pascal is so hot right now. Everyone loves Pedro
and so he is one of a love triangle basically
with Chris Evans and Dakota Johnson in this new film Materialists. Now,
before I get into this film, it's normally maybe I
wouldn't go into the director straight away, but I think
(40:20):
it's important because the director of this film is Selene Song,
who for people who are not familiar with her, she
is the Korean Canadian slash American director behind Past Lives,
a film from a couple of years ago that was
also a love triangle based on her real life story
of growing up in Soul, having a childhood sweetheart, moving
to America, marrying an American, and then her childhood sweetheart
(40:43):
rocks up. And it's kind of a you know, awkward
kind of situation like did she make did she make
the right decision? Well, you know, kind of a sliding doors. Yes,
she thinks about what might have been. And so that
film was incredible, emotionally devastating. It was nominated for Best
Picture at the Oscars. She was also nominated for Best
Original Screenplay, So two time Oscar nominee for her first film.
(41:06):
So Selene's Song hit the ground running as a filmmaker,
and so there was going to be a lot of
attention around what she did next. And so people might
look at materialists and certainly at the trailer and go okay,
So the director of this Best Picture nominee has done
a generic rom com. It does kind of feel like
a commercial sellout. But the problem is it's not, and
(41:31):
it's kind of it's not art house either. It's in between.
She wrote the film not as an attempt to do
something more mainstream. She actually wrote it while she was
waiting for Past Lives to hit the cinema, So she
didn't even know Past Lives was going to be successful
when she wrote this movie. It was also based on
something in her real life. She worked as a matchmaker
in New York for six months and in this film,
(41:52):
Dakota Johnson plays a matchmaker in New York. And you
look at the trailer and you go, this is a classic
rom com, but that there's not much comm and there's
also not a lot of rom It's really a movie.
It's really a movie more about maths. It's mathematics. Oh really, yes,
maths No sounds weird and it certainly doesn't sound very
sexy when you look at the poster and you've got
(42:13):
Chris Evans and Pedro Pascal and Dakota Johnson. Maths no,
not that sexy. But so basically, as a match makup,
it really is about a mathematical equation. You've got to
weigh up variables such as height, weight, age, income and
determine a person's worth and whether or not that's compatible
with somebody else's age, height, weight and so on and
(42:34):
so forth.
Speaker 5 (42:35):
That's not terribly romantic, but that's.
Speaker 13 (42:37):
The business of matchmakers because people come to them and
they say, look, I want to find my significant other,
and the matchmaker says, okay, what are you looking for?
Speaker 1 (42:45):
And they're like, I'm looking, I'm looking.
Speaker 13 (42:46):
I'm looking for a guy that's six foot tall. He's
got to make more than two hundred grand a year,
he's got to be you know, under thirty five, but
over thirty. So a lot of numbers get thrown out there,
and then they start talking about, oh, well, you know,
like I want someone who's got a good sense of
you and so on. But in this movie, it explores
the fact that, you know, people say, you know, I
want someone with a great personality that I can you know,
(43:06):
go to the movies with. But in reality, you know,
sometimes that's not actually what they're looking for, and people
are quite superficial and it's like, oh, that person's maybe
carrying a few extra pounds and that's that's a deal breaker.
And so this film is very unflinching and when it
examines those types of things. Dakota Johnson's the matchmaker, so
she's you know, very brutal in her calculations as she's
(43:27):
setting up these people, and in her own love life
it's a disaster. Really, she's kind of so she's she
sees these people try and fail to find love, and
it's put her right off the whole concept take exactly, counsel.
And so then she meets then she meets Pedro Pascal,
a rich hedge fund type, like multi multi millionaire, amazing apartment,
(43:49):
and he's also Pedro Pascal, and so the surprise surprise,
she goes, Oh, you know what I'm gonna I'm gonna
get into the game here my mathematical making brains.
Speaker 1 (44:01):
You're a good but you're a good match.
Speaker 13 (44:03):
I could I could farm you out to some of
my clients, but no, no, I'm going to keep you. Yes,
so she starts, she starts dating Pedro Pascal and everything
do you think, Okay, Like, why is this movie? This
is the first twenty five minutes. Why do we need
to even continue anymore?
Speaker 1 (44:18):
This heavy is over?
Speaker 13 (44:20):
Yeah, this romance is done. But then of course Chris Evans,
who is her old boyfriend, struggling actor, a bit of
a no hoper, comes onto the scene, and then she's
faced with this choice. You know, Chris Evans might be
the love of my life, even though he's got not
a cent to his name, and if I end up
with him, life is going to be difficult or do
(44:40):
I use my head and go and you know, use
my brain and on paper Pedro Pascal, who's perfect. The
problem with this film is it attempts to make super
rich Pedro Pascal the worst option, which makes zero sense.
Like anybody watching this movie is going like what the heck?
Like like go with Pedro Divita exactly. And I think that
(45:07):
is part of the problem. Like Pedro, he's too perfect,
and their attempts to try and make him less than perfect.
Speaker 1 (45:14):
Just don't make sense. Find some flaw and the and.
Speaker 13 (45:19):
Part of that is, I guess you know, Celene script
gravitates so much towards Pedro Pascal unintentionally and intentionally that
when when Chris Evans starts to play more of a role,
it just doesn't make sense. Like you're just going like
why would you? And it kind of you know, Chris
Evans's character this you know, he's a waiter at a
catering company and acts in these little plays and yeah,
(45:42):
there's nothing about him and lives in a sharehouse that's filthy.
There's nothing about it that is actually appealing. And even
if you talk about, oh, he's the love of my life,
like you just don't even buy that. And then you've
got the Dakota Johnson of it all. Who you know,
she was in one of the worst movies of all
time in Madam Webb and obviously the fifty the Fifty
Shades series, and so the jury is out on whether
Dakotah Johnson is even much of a box office draw
(46:04):
card in the first place. I think she's okay. This
is probably the best performance of her career. The good
thing about this film Sillin Song's direction is incredible, like
the way the camera lingers on little details to add
intimacy to a scene. It's beautiful in many many ways.
It's more art house than rom com, but it's not
art house enough to appeal to the fans of Past Lives,
(46:27):
and it's certainly not rom common enough to appeal to
fans of those Matthew rom coms. Like I've had people
message me who have seen this film and have gone
rom com fans, going, oh, you know, I just didn't
like it at all. And I totally expect that, because
you know, the trailer sells it as this lighthearted, funny
rom com romp. That's not what it is.
Speaker 4 (46:48):
So when the Chris comes in I just want to
get your vibe. Does it start feeling a bit Past
Lives at all? When the past comes in?
Speaker 1 (46:54):
My Past Live is just so much better.
Speaker 13 (46:56):
And there will be people who you'll you'll know people
who watch this film and they will try and convince
you that it's amazing. They'll be trying to convince themselves.
Speaker 1 (47:03):
It's amazing because they're hoping it would.
Speaker 13 (47:05):
Be, and they're hoping. It's more wishful thinking than anything else.
And you know, go watch Past Live.
Speaker 1 (47:10):
All right.
Speaker 2 (47:11):
It's like I tried to convince myself that The Mountain
One with interested it was good.
Speaker 5 (47:19):
It was terrible.
Speaker 2 (47:20):
Okay, So how many not exactly Sophy's choices are you
giving us three?
Speaker 5 (47:24):
Three?
Speaker 13 (47:25):
It's not bad, It's like, it's not a terrible film. Still,
go and watch it, but just don't expect it. Yeah,
mid middling, So her next movie will be critical. But
definitely go watch Past Lives though, because that is incredible.
Speaker 1 (47:35):
All right, thank you, thanks, thanks for your honesty as
always six S m Clearzy and Lisa
Powered by the iHeartRadio app from ninety six airfam to
wherever you're listening today, This is Clearsy and Lisa's podcast.
Speaker 2 (00:09):
Coming up on the podcast, Michael Thompson and Tracy Vou
join us to talk about Channel nine turning sixty oh.
Speaker 1 (00:15):
Sixty years young.
Speaker 3 (00:16):
Hey.
Speaker 4 (00:16):
Actor Martin Dusseldorp joined us, chatting about season two of
the show Bay of Fires.
Speaker 2 (00:20):
Brian Wilson from The Beach Boys has passed away, so
very sad.
Speaker 1 (00:24):
We caught up with Deanie Yeah.
Speaker 4 (00:26):
Peter Dean from The Jets joining us for the second
last Perth pub Crawl chat.
Speaker 2 (00:29):
Benochet reviews The Materialists, which stars Pedro Pascal.
Speaker 4 (00:34):
You say that in the same way you say yeah,
Pete Dress's name. And we take calls on celebrity names.
Do you have one or did you work with someone
like that or someone in the family. Do you find
it's something that you do when there's a big lotto
draw like tonight one hundred million, there you go, oh,
let's just get a ticket for the hell of it,
or every now and then you.
Speaker 2 (00:50):
Do oh yeah, every now and then, every and then
because it's been a big gambler. I know when to
hold them, and I know when to fold them, when
I when.
Speaker 5 (00:57):
To walk away.
Speaker 1 (00:57):
Jim what you could be buying?
Speaker 2 (00:58):
Thank you, Kenny good On, Kennie Rogers, imagine, Oh.
Speaker 5 (01:03):
I imagine I play with you and I both played play.
Speaker 1 (01:07):
W Way House that game.
Speaker 2 (01:09):
I don't have a hell of a lotto list by
that Purple Burkin, but you love that Perkin.
Speaker 4 (01:14):
Idea is a handbag. Mine's the house in Codslow Well or.
Speaker 5 (01:21):
Both by Aston Martin.
Speaker 1 (01:24):
Oh Hello, yeah, good morning Aston Martin.
Speaker 5 (01:26):
It's got a special place for my Berkelen.
Speaker 4 (01:28):
If I see your rock up on Monday with an
Aston Martin, no one know what's happened. Friend, Hey, you've
got it if you're in the in for a bit
of a laugh to night or whatever. Yeah, good luck
one hundred million someone. Then someone's been winning. People have
been winning the whole lot lately. Draws to win it well,
nineteen sixty five, it was born stw nine and.
Speaker 2 (01:46):
Per yes it's sixty and there's a big celebration tonight
on Channel nine celebrating sixty years. So many memories, absolutely,
so many memories from Channel Night. My brother actually went
to school, as it turned out, with flat Puss.
Speaker 5 (02:00):
Do you remember Flapper the Blue Elephant.
Speaker 1 (02:02):
I remember Flapper.
Speaker 2 (02:04):
He used to do a show with Jenny Dunstan, that's right,
and Keith Woodland, and I think they would you know,
they would do a weekend morning show, but they would
also put the kids to bed at night. So I
guess a few people probably recorded Flapper and Lady Millar
when the guy who was in the Flapper suit, his
his head was where Flapper's hat was, so he couldn't
(02:26):
see a darn thing. And when they do Jenny Jenny
the show with Jenny Dunston and Humpy, they do cooking
segments and stuff, and his trunk we'd go in the
cake mix or something, flopping it about trying.
Speaker 1 (02:40):
To No one mentioned the elephant in the room. Control
of elephant was up in the hat. That's horrible.
Speaker 5 (02:46):
Everyone else would be cracking up. Must have been so
much fun making those.
Speaker 1 (02:50):
Sorts of Flapper Flapper Flapper was sweating.
Speaker 2 (02:54):
Not for the lady in the or man in the
costume department who had to clean it afterwards.
Speaker 4 (02:58):
Yeah, like you said, so many memory And you can
actually YouTube the old Dianella studios and buildings of Channel nine.
Speaker 1 (03:05):
There's a format video on there on YouTube I looked at.
Speaker 5 (03:07):
Yesterday's TV City, they were all not Rabbit Warrens.
Speaker 4 (03:11):
The Channel ten month came later, but yeah, just over
the road was Channel seven. But you can see the
video of that if you want to reminisce about what
the old building looked like and a lot of people
visited there over the years as well.
Speaker 2 (03:21):
All right, well, we are going to reminisce further with
Michael Thompson and Tracy vo next.
Speaker 1 (03:25):
Happy Birthday Channel nine.
Speaker 2 (03:26):
Channel nine is turning sixty tonight Chickens Watch celebrating sixty
years Channel nine, Perth seven thirty on nine and nine. Now,
we were just having a bit of a reminisce before.
I was telling Clazy how my brother went to school
with Flapper, and Flapper was last story. Michael Thompson Tracy
with us. Good morning morning, Happy birthday, Happy Birthday nine nine.
Speaker 6 (03:52):
It's incredible sixty years.
Speaker 1 (03:54):
Yeah, Flapper, that's going on.
Speaker 2 (03:57):
Jenny Dunstan, the show Hustree Ory was controversial and we
didn't care that.
Speaker 4 (04:06):
You reminder, I was trying to work her what Flapper was,
and of course it was an outfit Jenny.
Speaker 7 (04:11):
Jenny Dunstan features in this special tonight which is. Yeah,
it's great to hear her stories of being on the
show all that time ago, so it's wonderful to see
her in the show.
Speaker 6 (04:22):
Yeah, in the special, very good.
Speaker 1 (04:24):
So how much has changed, hasn't it? Hasn't it?
Speaker 4 (04:27):
I was just saying that least on air that we
you can go to YouTube and see the old building,
which is a long time ago now.
Speaker 1 (04:34):
Since you yeah, sixteen years is it sixteen?
Speaker 3 (04:37):
Is it.
Speaker 6 (04:38):
Twenty sixteen?
Speaker 1 (04:39):
We moved sixteen.
Speaker 6 (04:42):
Year nine years twenty sixteen we moved into St. George's Terrace.
Speaker 7 (04:45):
Yeah, okay, and oh gosh, Doanella was at Hill was
a distant memory last.
Speaker 5 (04:51):
To leave the little television city that it was.
Speaker 7 (04:54):
Yeah, Yes, Louise Momba presented the last bulletin from there. Yeah,
and then I think we launched off his six pm.
And then that we did like a major morning sort
of broadcast as well at the new studios, So it
was really Yeah, it changed.
Speaker 1 (05:13):
A lot and that those studios.
Speaker 8 (05:15):
On top of that, there was an area where a
cameraman could set up a tripod. That's where Skylab the
only pictures in the world. Channel nine person World Exclusive.
John Cunningham was the chief of starting but a cameraman
on the roof and he got this. It was just
like a streak of light, the trail of the sky,
and we got those pictures and that they went around
(05:37):
the world and then they found pieces of Skylab down
in Espirans and round through there.
Speaker 1 (05:42):
That was a big deal. A whole generation that doesn't remember.
Speaker 6 (05:47):
I would know about it.
Speaker 2 (05:48):
I worked very briefly for John Cunningham in the eighties
and I swear to God William mcinnesson's Characterom in the Newsroom.
Speaker 5 (05:57):
Is based on John Cunningham.
Speaker 1 (05:59):
Politically incorrect.
Speaker 2 (06:03):
Eighties news director. There there is nothing else like her.
Speaker 7 (06:08):
Else.
Speaker 5 (06:09):
Will we see pop up tonight on the special.
Speaker 6 (06:11):
We've got Jenny Seton Lovely Jenny Seaton.
Speaker 7 (06:14):
And she still looks fabulous, incredible, and it was really
lovely because the vision of her doing the weather in
the day and she remember this is about how she
thought she was terrible, but she just looks really.
Speaker 6 (06:29):
As fabulous as ever and.
Speaker 1 (06:31):
That great voice, Yes, beautiful.
Speaker 6 (06:35):
And then yeah, we've got Terry Spence was who was
the former news director for a.
Speaker 1 (06:40):
Long time time.
Speaker 8 (06:41):
A lot of things happening and just going back and
looking in the early days, some obviously swap stations because
Jeff Newman was on nine in the days. Lloyd Lawson
was was there, Peter Dean who spent time on sever
but he was on nine in those early days.
Speaker 1 (06:56):
Peter Harry's har Y Entertainment, good people the channel as well.
Speaker 5 (07:04):
It was great.
Speaker 7 (07:05):
The team did so well in contacting all these people
have been there who had worked for Channel nine all
those decades ago.
Speaker 6 (07:13):
And Burjo is on there. He's on there.
Speaker 8 (07:18):
Yes, you know, I was thinking and sadly some have
passed away. Peter w passed away recently. He did worked
at seven and worked at Wally Foreman and Wally was
Bruce Walker.
Speaker 1 (07:30):
Yes, and there's you know, there's.
Speaker 5 (07:31):
Lots of people.
Speaker 8 (07:32):
Yeah, And I always think of Channel nine for some reason.
When I was a kid, they had Gilligan's Island, which
was which was a show you remember the stations for
what you'd watched made Gilligan's Island, and they had Wimbled
and Live and that.
Speaker 9 (07:48):
We didn't have any cricket. Cricket, yeah, and all those things.
Just growing up with things like those. We were very
Americanized with their comedy back.
Speaker 8 (07:59):
It's true Michale's Navy gets smart my favorite.
Speaker 5 (08:04):
It was on Gilligan Coreck.
Speaker 3 (08:10):
Michael.
Speaker 6 (08:11):
Yeah, I got to interview Terry.
Speaker 8 (08:15):
Terry looks incredible. Terry's eighty and he looks fantastic. And
he was a big star. He was probably our first
major star. He read the six scott News, then he
did Terry Willisey's Perth. He did a series of documentaries,
a lot of documentaries. Then he went on to take
on his brother. So Michael Willisey was hosting a Current
Affair which was obviously on nine here and he was
(08:36):
on Terry Willisey. I think it was Terry Willisey's Nation
or Terry Willisey's Current Affairs show, and that went head
to head with Mike. So the Willises Don Willisey worked
at nine.
Speaker 1 (08:47):
Perth as well.
Speaker 8 (08:48):
Yes, so they had a huge influence on massive.
Speaker 4 (08:53):
What about with the celebrations. What about this Perth Symphony
Orchestra link. I think it's wonderful, it's beautiful. So it's
about a four minute piece.
Speaker 7 (09:01):
There are about twelve musicians who performed this medley and
it's it's one of a kind. The Perth Syphony Orchestra
hasn't done anything like this before and the beauty of
it as well with a conductor is Greg Schultz. And
Greg Schultz the former music director for Channel nine for
thirty five years. So when he got contacted by the
(09:22):
Perth Syphony Orchestra to put together I get arrange this medley,
I think he I think he got chuffed because he
was full circle moment for him and so we interviewed
him and he's also actually he's part of the special
as well.
Speaker 6 (09:36):
But you're talking about cricket, Lisa, and I.
Speaker 7 (09:39):
Was like, oh, I said a tom, I said, the
wide world of sports themes.
Speaker 3 (09:43):
On comes on. It just.
Speaker 6 (09:47):
Everyone knows what it is.
Speaker 5 (09:48):
It gives me.
Speaker 7 (09:49):
I've got goosebumps now with you just doing it now,
it's so good, you know, And that's that's a big
part of the medley. But you know it also mixes
in local production shows as well, so it's good.
Speaker 1 (10:00):
Just a water gurus the news.
Speaker 4 (10:04):
It's iconic. We have to have a little listeners a
bit ready.
Speaker 9 (10:16):
I've heard that told me that that was used in
the movie cool Hand.
Speaker 7 (10:23):
Look was it was the theme song for nine News
came from the cool Handler.
Speaker 1 (10:30):
Yes can you believe that? Yes? So we do have
a linked I was going to say Jeff youman.
Speaker 7 (10:40):
But it was a wonderful medley from the percific We
thank them, We thank them for doing them for us, and.
Speaker 6 (10:45):
You'll see the full masterpiece tonight.
Speaker 2 (10:47):
Oh you know, you're a happening thing. When the Symphony
Orchestra wants very very special, they do star Wars And two.
Speaker 8 (10:59):
Of those themes were written by a guy, Tim Halligan,
who works with He's a freelance opera He wrote just
ad Water and the Postcards themes. A very clever guy.
So that's really nice. So a lot of it to
come back to the to the local factor in it,
and we all grew up with that sort of stuff.
Speaker 1 (11:15):
Didn't just add water.
Speaker 7 (11:18):
That was iconic for me growing up back in the day.
Speaker 1 (11:21):
That was that was That was.
Speaker 4 (11:25):
Obviously you did a lot of sport. But you've mentioned
Bruce Walker. Bruce Walker was sitting next to Bob Hawk
the night that we won the America's Cup.
Speaker 8 (11:31):
Wasn't Jack he was? And that today I can remember
watching Sue Kellaway. I think Steve Leeban we're hosting the
Today Show that night. I remember I was doing a
kid at chip at w Newspapers and I had a
shorthand exam that day, I still remember, but I remember
watching Himo the early hours and into the morning, like
(11:51):
it was sort of six or seven o'clock, was still
celebrating and still going strong.
Speaker 3 (11:54):
Yeah.
Speaker 8 (11:54):
Bruce, Bruce was look was an absolute legend at nine
for a long time.
Speaker 1 (11:59):
So I was, you know, and Wally.
Speaker 8 (12:01):
I remember that we had Wally Bruce, Terry, Willisy Russell,
Deer Russell's. Yeah, they were really iconic figures.
Speaker 1 (12:10):
Crew.
Speaker 5 (12:11):
Well, we could sit here and reminiscence.
Speaker 2 (12:14):
We're going to have to save some for tonight, seven
thirty tonight on nine and nine now celebrating sixty years
Channel Night. I mean, we've all grown up with it.
We all remember when it used to close down at about.
Speaker 1 (12:25):
Yeah, yeah, yeah, tomorrow even watching.
Speaker 5 (12:29):
A now they don't believe.
Speaker 10 (12:33):
Yeah.
Speaker 8 (12:34):
I think we were the first. We were the first
station to go twenty four hours, which was okay, and
first color too.
Speaker 6 (12:39):
Yes, first I.
Speaker 1 (12:40):
Remember going to carry up shops, watching.
Speaker 4 (12:41):
The cricket, watching cartoons.
Speaker 1 (12:45):
It was a big deal.
Speaker 5 (12:46):
Was a huge deal. Well, it is a huge deal.
Thank you for sing and we'll see you tonight.
Speaker 1 (12:53):
Thank you.
Speaker 8 (12:54):
Tell you to more Clezy more podcasts soon.
Speaker 2 (12:59):
See two beaufires starts eight pm Sunday on the ABC
and on abc I View. Of course, in the star
of the show, Marta Dusseldorf is joining us.
Speaker 10 (13:07):
Good morning, good morning, thank you, thank you for having me.
Speaker 5 (13:11):
Oh, thank you for joining us.
Speaker 2 (13:13):
I loved season one and I love the synopsis for
season two. It says Stella sees a glimmer of hope
on the horizon. No one has tried to kill her
for some months. I'm right back there with you. So
what can we expect in season two? Are you at
the center of a myriad of problems again?
Speaker 10 (13:35):
Not to start with, she's simply the boss of the town,
managing these fabulous bunch of Motley criminals. Yes, and doing
quite well in fact, and everyone's got more than they need.
But of course no one's ever satiated. So she gets
a tap on the shoulder by someone that needs more,
and it all starts unraveling very quickly. We've got new villains,
(13:59):
We've got deeper, darker secrets. We go deep into the
relationships between the characters you met in season one. So,
for example, Magda and Heather, pam Rave and ros Hammond
have a their very own storyline where Selli takes a
break and we find out why they're together and what
they mean to each other and how they make it
(14:20):
all work. The kids have grown up, so Otis and
Iris are more trouble than they're.
Speaker 3 (14:26):
Worth, of course not. We love our kids.
Speaker 10 (14:31):
And Stella and Jeremiah are still trying to work it out.
And in the background, yes, there's people wanting things from
her that she couldn't possibly provide, and we don't not
as many people die this season, and of course it's
all accidental, but we really tried to keep the vibe.
(14:54):
You know, Ozark meets Fargo meets.
Speaker 4 (14:58):
It's very good, comperhensive summer. It's going on without giving
any spoils away, Mat, I thank you for that. Now
film filming and tasty, which is home since you and
Ben and the family moved lived back to how the
film That's Possible.
Speaker 10 (15:12):
I was so wonderful to return to zen and Queenstown
on the west coast of Tasmania. It is one of
the most unique landscapes I think in the world, and
the people are now like family. Ben and I have
a place there and have for longer than the shows existed.
Speaker 5 (15:27):
But we knew when.
Speaker 10 (15:29):
We first arrived there, and especially when we walked into
z and that that was where we needed to place
this western which is really what Bayprize is. And and
so this time you'll see us actually spend more time
in that main street and Stella and the kids have
moved into that, into that amazing art deco Gaiety theater
(15:50):
which exists. And yeah, it's I mean, look it's cold,
it's the dead of winter, but that's when we need
to be there.
Speaker 3 (15:57):
You really see the West coast.
Speaker 10 (15:59):
Come along in the winter, the moss and the mycilium
and all of the treasures of snow one day and
just wet the next and then brilliant sunshine. So we
found some locations in season one that we couldn't get
to because we didn't have time. But season two I
made sure we went up the highest mountains into the
(16:20):
coldest river. Well done, and we really made the most
of this glorious landscape.
Speaker 1 (16:26):
It is.
Speaker 2 (16:27):
It's like a character in and of itself, the landscape
of Tasmania. I mean that great show Deadlock that was
on last year, and then on the weekend I watched
The Survivors, two shows recently set in Tasmania.
Speaker 5 (16:40):
It's incredible and great cast.
Speaker 2 (16:43):
As you said, Ros and Pamela are back, and Matt
Nabel he's back for season two as well.
Speaker 1 (16:48):
Really yep.
Speaker 10 (16:49):
And we've got Andre Dvani who plays Jason, and Emily
who plays Bonnie his wife live in the caravan. I've
got Bob Franklin, and we've got Kim Coo and El Mandalas.
Speaker 1 (17:02):
They're all back.
Speaker 10 (17:03):
And then we've got some really fabulous new faces. So
Benedict Hardy joins us as as I think one of
the most unusual villains I've ever created, co created with
my writing buddies, but his performance is so electric and
every time I did a scene with him, I didn't
(17:25):
know when the scene had finished, I should we stop now,
you know, because he's so so in it and fabulous.
And then some other really great guest artists. We love
to bring people in quite quickly and then get them
out one way or another, so there are lots of
people tripping literally out of the scene, out of the show.
(17:48):
But it was such a ball to write again, and
the privilege of being able to go back in is
you know. The audience loved it, being the most watched
show on ABC in two thousand and twenty three, so
we just want to please. I mean, it really was
about giving them back all the Loveday gave us, so
hopefully they love it.
Speaker 1 (18:08):
This So a young woman who plays Rebecca looks like
she shows promised too. Grace. Well, I want to talk
about We mentioned quite a bit about Tazzy, but here
in Perth we're going to be very spoiled because we've
almost finished these new film studios in Malaga.
Speaker 4 (18:27):
What's the setup like down here? I mean, I know
you and then would love to have an everyone else
in the industry love to have that facility. And then
what is the promise for that to come?
Speaker 10 (18:37):
I think while there's focus on another very big structure
going on down in Tasmania at the moment, that that's
not a possibility necessarily. But the beauty of Chassy and
it's you'll feel it when you come and visit, it's
you have to get out in it. That's where the
magic lies. So to box us in a room I
(18:58):
don't think is conducive to what Tassi has to offer.
So and all those shows you mentioned, they're all in
completely different regions and spaces of that incredible state. So
us taking the West Coast, I just it's so unique,
it's so organic, and often you know, it says, come
(19:20):
down for air, you know that tourism thing.
Speaker 3 (19:23):
It's so true, like we ordered sit out.
Speaker 10 (19:25):
There, breathing in this air and going. We can't believe
we're allowed to be here with cameras and capturing this
in national parks. I mean, obviously everything's permitted.
Speaker 3 (19:36):
We're very careful with it.
Speaker 10 (19:38):
I mean, look, of course I'd love a studio because
it's actually cost effective. As now my producer goes on.
You know, regional shooting is not cheap. Our budgets aren't huge,
so compared to the Americans, what.
Speaker 3 (19:56):
We're able to achieve is pretty startling.
Speaker 10 (19:59):
And I hope yeah, and our stories travel around the world,
so I think we do okay.
Speaker 5 (20:05):
I think we do well.
Speaker 2 (20:07):
Season one of Bayer Fires was such a trip.
Speaker 5 (20:10):
If you haven't seen season one, get around it.
Speaker 2 (20:12):
In Season two starts eight o'clock Sunday on the ABC.
Speaker 5 (20:16):
I can't wait, Marta. Thank you for joining.
Speaker 10 (20:18):
Us, Thank you, thanks for speaking to me.
Speaker 1 (20:21):
Absolutely time.
Speaker 4 (20:23):
We were talking with our one of our producers, Liz
during the week and talking about the fact that she
she had a boss whose name was Tracy Chapman and oh,
that's that's unusual a famous name.
Speaker 5 (20:35):
And then did she say that her mum knew a
Tina Turner?
Speaker 1 (20:39):
Tina Turner.
Speaker 5 (20:40):
Yeah, we used to know Elizabeth Taylor, really Taylor.
Speaker 1 (20:43):
Yeah, what did she call herself?
Speaker 5 (20:45):
Liz?
Speaker 1 (20:45):
Just Liz having to run with it?
Speaker 5 (20:47):
Yeah, well there's not a lot she could do with it.
Speaker 1 (20:50):
It's a bit different, isn't it? A little bit bit
lily bit Taylor name by Deed pol.
Speaker 4 (20:55):
Yes's funny because we were chatting about this and the
classic example of hollyo it is. You know, when you've
got a person by the name of Michael Jordan in
the world, you put a be in the middle of
the name might change things just a little bit for you.
Speaker 5 (21:07):
Confusing.
Speaker 2 (21:08):
A lot of people are named after famous people. We
want you to give us a call.
Speaker 5 (21:14):
Do you know someone with a celebrity name or were
you named after someone famous? Do you, indeed yourself have
a famous name.
Speaker 1 (21:21):
I went to school with the McDonald boys, and the
older brother's name is Ronald.
Speaker 5 (21:24):
Get out you went to school with Ronald McDonald.
Speaker 1 (21:26):
I went to Ronald McDonald.
Speaker 2 (21:28):
We wouldn't have had McDonald's here yet. No, because you
didn't go to school with hungry Jacks.
Speaker 4 (21:33):
No, No, that's right, Burger King or Hamburgler. Yeah, so
later on it became. But in the school days it
wasn't that funny, No, it was I would have been
later hilarious later Callen, what do it go for us?
Speaker 11 (21:46):
In the name in the eighties of the famous TV
show called Callen and.
Speaker 3 (21:50):
Edward Woodwood was the actor.
Speaker 11 (21:52):
That's right, and Detective shod and I'm named after him.
Speaker 5 (21:57):
You are, you're very general saying the eighties. It was
the sixties.
Speaker 2 (22:01):
Was the sixties, but we were probably in reruns of
it in in in the eighties for sure.
Speaker 5 (22:07):
Callen, Yes, Edward Ward he was.
Speaker 1 (22:11):
It was quite a stared.
Speaker 2 (22:12):
Pretty cool, nice one. That's a good name to be
named after its good name.
Speaker 1 (22:15):
He did what he could have been called Colomboka.
Speaker 2 (22:20):
Thanks Gallos, Bye John, and como go what do you
got for us?
Speaker 3 (22:27):
Hello?
Speaker 1 (22:28):
Hello John?
Speaker 5 (22:30):
There you going good?
Speaker 3 (22:31):
I'm good saves. Back in the seventies, a long time ago,
the guy that run the local newsagent was the name
John Lennon.
Speaker 5 (22:42):
John Lennon.
Speaker 3 (22:46):
So yeah, when John Lennard was actually small, Yeah.
Speaker 1 (22:51):
Yeah, seventies at the time, absolutely a very famous name
at the time. Thanks John, appreciate that, John. Of course,
as you know, my name is Dean. Anthony Claire is
known about the Norman Bates from Psycho Anthony Perkins.
Speaker 5 (23:05):
Thanks mum, not really, you gotta you gotta let go
of it, being she was only human he was.
Speaker 1 (23:13):
He was a heart throw He was a heart thrown.
Speaker 5 (23:16):
When he was Norman baits mother.
Speaker 4 (23:18):
But other times, but your mum calls you that, and
it's time to have a shower.
Speaker 1 (23:24):
I'm going on a shower, remember the shower of Psycho.
Speaker 5 (23:30):
Alisia.
Speaker 2 (23:32):
Her brothers named Clinton after Clint Eastwood. Parents are big fans.
They watched all all Clint's movies growing up. Stephen Sterling says,
there's a shop fitter here in Perth called James Brown.
Speaker 5 (23:43):
You're going to expect him to feel good every time
he introduces himself.
Speaker 2 (23:48):
Kylie in Rockingham's bosses name is Paul Kelly Dominic and
Osborne Park said Paul Hogan was the name of a
boss I worked for back in the nineties and Phil
in Quins ra So. I went to secondary school in
the UK with Brian Gardner.
Speaker 1 (24:03):
Oh there you go.
Speaker 5 (24:04):
I had a kid in the year behind me was
Keith Richard.
Speaker 1 (24:07):
Oh right, Oh that's cool.
Speaker 2 (24:08):
What wasn't the Keith Richard because he went to school
in the eighteen hundred, it wasn't.
Speaker 4 (24:11):
Keith, not that Keith was still alive. Speaking of Paul Huggins,
we worked in radio with Paul Hogan. Didn't help. I
did it along there. It didn't help along the way.
Every Paul Hrgan's on the radio.
Speaker 5 (24:22):
He worked here.
Speaker 1 (24:24):
He became a cop. He did he he's got a kedwork.
Can I Peter? I?
Speaker 5 (24:28):
Peter good?
Speaker 1 (24:31):
What do you got?
Speaker 3 (24:33):
I went to school with Paul Newman and Michael Jackson
if you like, and and my second name is Alexander's
very good.
Speaker 5 (24:43):
Oh you make my favorite ugly.
Speaker 2 (24:46):
I had the money yesterday, just yesterday.
Speaker 3 (24:50):
It's kind of when you wear them.
Speaker 5 (24:51):
You got my got my initials, very good with your
name on my fate all winter paper.
Speaker 1 (24:56):
You've got Bespoke.
Speaker 5 (24:59):
The Fantastic.
Speaker 1 (25:01):
That's a good collection.
Speaker 5 (25:03):
Yes, Sabrina in Berlia, Hello, Hi, So.
Speaker 12 (25:09):
Apparently I was named after the original, one of the
original Charlie's Angels from the seventies. Yes, yes, but no
one seems to remember that. All they remember is that
famous singer from the eighties, that one.
Speaker 1 (25:24):
Who has the one with the big boobs. Yeah yeah, boys, boys, boys,
Oh god.
Speaker 5 (25:30):
No, I think I think of Sabrina and Bewitched.
Speaker 1 (25:35):
Sister. Yeah.
Speaker 12 (25:37):
If I had a dollar for every time someone said
to me Sabrina the teenage witch or something.
Speaker 2 (25:44):
Thank you Sabrina, it's a beautiful naw, it is a
lovely name.
Speaker 1 (25:48):
Thanks.
Speaker 4 (25:49):
And Sabrina was also Elizabeth Montgomery, wasn't she. She'd throw
a wig on, That's.
Speaker 5 (25:53):
What I mean. Yeah, I think you bewitched her, her sister,
her twin sister.
Speaker 3 (25:57):
She was.
Speaker 5 (25:57):
She was the naughty she was.
Speaker 1 (25:59):
She was yeah stuff, she used to always try and
crack on the down.
Speaker 2 (26:02):
Yeah, that show was like ahead of its time and
all sorts of things all the same.
Speaker 1 (26:08):
So good run away.
Speaker 5 (26:10):
Paul In Jodler, Hello.
Speaker 11 (26:12):
Morning, happy for Friday. Sorry, yes, yeah, we we know
someone who named their son Malcolm. Than there. They're the youngs.
Speaker 3 (26:24):
A C. D C.
Speaker 11 (26:25):
Normally people for Angus, but yeah, they went for Malcolm.
Speaker 5 (26:30):
You don't get the baby malcolms these days.
Speaker 11 (26:35):
Of Hayden's and things like that.
Speaker 4 (26:37):
I want to store the few males in my day.
But yeah, it was more with the John's and the David's.
Speaker 2 (26:42):
Travel the countryside. Absolutely, Malcolm, Malcolm Douglas. Malcolm Douglas, Yes,
was prominent.
Speaker 5 (26:53):
Malcolm Fraser.
Speaker 11 (26:55):
Malcolm Douglas or used to own the Crocodile.
Speaker 5 (27:00):
That's right, made all those shows.
Speaker 1 (27:03):
That's right.
Speaker 5 (27:03):
Yes, we're all.
Speaker 1 (27:05):
Down to earth years before stevee ewe.
Speaker 5 (27:07):
Absolutely yeah wa one, yes.
Speaker 1 (27:11):
Thank you, Paul. I believe.
Speaker 11 (27:17):
Any chance of any chance for photo with you.
Speaker 1 (27:19):
God, I don't know about that.
Speaker 4 (27:21):
Look yeah ok, we were too with you, the Sure
Report on ninety six Air FM.
Speaker 2 (27:33):
Tributes are pouring in for Brian Wilson, the legendary Beach Boy,
has died at eighty two. Wilson's family broke the news online,
saying they are at a total loss for words. Following
the death of his wife, Melinda last year, Brian's family
filed court documents to obtain a conservatorship, revealing that he
suffered from a major neuro cognitive disorder. Brian Wilson co
(27:55):
founded the Beach Boys in nineteen sixty one with his
brothers Carl and Dennis, cousin Mike Love, and their friend
Al Jardine when the group was fresh out of high school.
They went on to embody the California feel of the sixties,
and with Brian's production and guidance, gave us some of
the finest harmonies we are ever going to Getmisicus, it's.
Speaker 1 (28:37):
Just sublime section.
Speaker 2 (28:40):
Brian wrote that song in my room as an expression
of his severe agoraphobia. It's no secret he suffered with
various anxiety disorders all through his life. It's that fine
line between genius and anxiety. So, as I said, the
tributes have been pouring in. Ronnie Wood from the Stones
as posted Brian Wilson's liestone in week my world is
(29:00):
in mourning. Sean Lennon called him America's Mozart, saying that
not many people influenced him as much as he did.
John Cusack, who played Wilson in the twenty fourteen biopic
Love and Mercy, wrote, the man was an open heart
with two legs, with an ear that heard the angels.
Elton John called him a musical genius and revolutionary, that
Brian changed the goalpost when it came to writing songs
(29:22):
and shaped music forever, and Mick Fleetwood wrote on behalf
of Fleetwood Mac, anyone with a musical bone in their
body must be grateful for Brian Wilson's genius, magical touch
and greatly saddened by this major worldly loss. If you
didn't catch the Beach Boys documentary that came out in
May last year streaming on Disney Yep, Now's the time.
(29:44):
It is a wonderful doco featuring interviews with Brian and
Mike Love and Al Jardine. It chronicles their eyes from
their modest family origins to becoming a revolutionary force in music.
I think I'll definitely be revisiting that most weekend More.
Speaker 1 (29:59):
Pleasy, Oh Lisa More podcast.
Speaker 8 (30:02):
Soon we would be singing a man at Work song
to twelve hundred people and men at.
Speaker 5 (30:07):
Work and began the road.
Speaker 1 (30:07):
I don't need to put people party in the venue,
but the.
Speaker 4 (30:10):
Bands was a wave like Colesy and lisas person pub
Crawl at Pinocchio's.
Speaker 7 (30:14):
Magnet House is resurrecting Pinocchio's for one night only Magnet House,
a maker of dance and diversity right in the heart
of the city.
Speaker 2 (30:22):
And from the jets. Peter Deeny Dean, how the heck
are you? What was it like listening to that on
the radio again?
Speaker 3 (30:38):
I thought, I all right, I remember that one band. Yeah,
we did that sorry sorry, what was that?
Speaker 1 (30:46):
That sounds like a solid rock band of me? Mate?
Speaker 3 (30:49):
Yeah, yeah, I was papping away to a CDCs like
just as good to this? Great songs, aren't they?
Speaker 2 (30:55):
Yeah, absolutely take us back to the start, Daney, How
did the band get together?
Speaker 3 (31:00):
Ah? Well, I basically put it together with a fentol
meadow and what the band I was in with my
brother and that we both we split up and so
the drummer was was living with us and the guitars
were still here and we're going to go around Australia.
So which is my wife now? And anyway, so I
(31:24):
met up with Fenton and he was saying, you know,
I did that, and I was thinking, that's the same
sort of music I want to play. So I put
together in the land room and had a bit of
a jam and thought this was good. So we just thought,
you know, went up to crowd and to put the
band together for two weeks, but we got flooded in
and couldn't think of a name for the band. Like
that's the hardest thing in the band is thinking of
(31:45):
a name.
Speaker 1 (31:45):
Yeah, yeah it was.
Speaker 3 (31:47):
It was Trevor's girlfriend thought what about the Jets and
we thought it sounds a bit corny, but we had
to ringing up. Berth was ringing up, the agent was
ringing up. So what's the name of the band? We
need some posts?
Speaker 1 (32:00):
Yeah, of course.
Speaker 3 (32:01):
Played the four people at the Civic Hotel.
Speaker 1 (32:04):
Four friends and really no, no, well yeah.
Speaker 3 (32:09):
And there was there was some invited industry people, but yeah,
loading their own gear. And that went from six gigs
a week, loading their own gear and where only couldn't
afford anything all the money winning production. Yeah, it just
went from there. But honestly, I've been looking at it.
I can't believe of band's been going for forty five
years if they have a band and we did a
(32:31):
show in a long weekend down Ravenswood and like fourteen
hundred people come sort of band stand alone from.
Speaker 5 (32:39):
Four to fourteen hundred there.
Speaker 4 (32:41):
Yeah, that's a test of time, Dan's some of the
venues goes just to play. And I mean you mentioned
the Civic there with not that many there, But you
played the Morley part the Generator quite a bit morey,
didn't you.
Speaker 3 (32:52):
Yeah. Yeah, and there was a good band in there
and good fights on a Friday night. Yeah, the guard
pack that was entertaining.
Speaker 1 (33:00):
Yeah, yeah, right.
Speaker 3 (33:02):
My favorite pub of all the time in per per
Put because we did traveling flight that was as a
rabble stick stick to the.
Speaker 11 (33:11):
Carpet there they.
Speaker 3 (33:14):
Used to rake. It looked like the parpet like it's been.
It was all white. It was all broken glass. They
used to rake the glass out to break the carpet. Yes, right,
the broken glass, you know it was. It was incredible,
but all the most well, all those venues are gone
now that I think the Charles is about the only
one hanging on. I do believe the Civics. I haven't
(33:37):
lived in Perth over twenty years now, so obviously do
pop in. But it was the last show I hadn't
played for five years. So my bass in the case
and they stayed in the cupboard for five years to
get it out and basically learned to play again. And
singing was you never know how you're going to go
and sing to your rehearse. So I've got to know
(33:59):
the guitarist is the new lyne guitaris, so they're going
to find him in me in rehearse and we only
get a few days to rehearse, and then you've got
to get out on stage and there's no like a
warm up. You just got to do it. It's quite scary,
and you're quite scary.
Speaker 2 (34:16):
You were always you know, the ultimate you know, professionals too.
We're putting on a show, proper sound, proper lighting. You
had a whole crew behind you, so you didn't really
you never cut corners back in the day.
Speaker 3 (34:30):
Well that's what the whole idea was, put on a
show something people to look at it like. We toured,
We went to the country towns in w A. And
he's as well. But I was brought up in Albury
and Perth. Bands used to come down in the old
days with nothing, and they say it's only the country
who gives it out, you know. And I always had
(34:51):
that and I thought, no, why should Why not if
you don't see a band in Perth or a show,
you want to see that show we bring down. I remember,
I think one of the first places when the band
was management yep, and they hadn't seen a show like that.
Now the Pirates and that sort of stuff and just
blew away and even even like Fitt through a crossing.
(35:12):
Can you imagine, I don't have anyone's been crossing. Great
little town. Yeah, we're talking roll up there with with
a Fami trailer full of gear and you got two
hundred ten light show. It just blew everyone away. But
that compromise, you know, like just give everyone the same shape,
(35:33):
given the quality.
Speaker 1 (35:34):
Yeah, but you speak of that same hymn book as
Jane Simmons from KIS you always said, he and Paul
always said they put on the BES show. They came
wherever they go. Yeah, I remember see that. Yeah.
Speaker 3 (35:46):
Yeah, well, you know, just because you lived somewhere differently,
why should you have a second grade show? So we
try and used to go to a place and say
take all your tail and chairs out of your venue
as well, people's got to sit. Said they won't be
round for people to sit, they'll just be standing. Yeah,
but I cannot believe forty five years, forty five years.
Speaker 5 (36:10):
Stop saying it, you know.
Speaker 3 (36:14):
But a blower with one original member still left in it,
and it's it's it's still something out. It's like it's
mind blowing.
Speaker 5 (36:26):
Denny memories have been do well.
Speaker 1 (36:29):
I saw you guys have been doing.
Speaker 3 (36:32):
What did you are glad.
Speaker 4 (36:34):
That would have been doing the nineteen ninety because Diesel
Young Diesel was the headlining you guys and Nick Parker
and the reptiles.
Speaker 1 (36:40):
It was a great weekend.
Speaker 3 (36:42):
What full diesel it rained when he was on, they
used they used to put us on after. I love
being doing. I used to put us on after to
keep the player drinking.
Speaker 1 (36:56):
And yeah, yeah's we went.
Speaker 3 (36:58):
We went on after all but headline Accent and we
did eight out of the ten and yeah that they
were great, very well organized. Yeah, yeah, there's a lot
of bad negativity and that sort of stuff, but we
never ever saw that. We were all the basically all
the games we did watch of them, there're shows and
(37:20):
there was never any trouble. Never. They were just professional.
I feel like an ambass at all. But you never
had any you know, never had any because people are
scared to go to the Raffles Hotel because I thought
it was rough and the people Rand you talk to
wouldn't go there, and you know what I mean, it's
just if you've been to the Raffles. Yeah, yeah, there's
(37:46):
just memories. You've got me thinking you were once about
thinking of.
Speaker 5 (37:50):
Great memory.
Speaker 3 (37:52):
Yes, you know when you mentioned Peter Dan when I
listened to the.
Speaker 1 (37:55):
Town nine, Yeah, it's a story for you.
Speaker 3 (37:59):
He used to live fairly close and I was at
the boat wrapped down. Hillary is there and he's pulling
his boat out and I went up to him and
I said, oh you made I said. I said, I'm
Peter Dean and here you going. And he sort of said,
he said, right, you're that Feta Dean. So what it was?
(38:19):
I said, I'm getting phone calls to me, I'm getting
phone calls to open a furniture store. And he said,
I'm getting shows to play at a biking party.
Speaker 1 (38:35):
That's it was a big radio.
Speaker 3 (38:40):
Is he still with us?
Speaker 1 (38:41):
No, we've lost Yeah. He was the man who used
to read it the final total on telephone before Jeff even.
Speaker 3 (38:48):
That's that's another thing is how many great you said,
legends and all that, But there's so many people that
we've lost, you know, in music, identities and all that,
you know, not just Perth but all realistic.
Speaker 1 (39:01):
Yeah, scari well. Brian Wilson Boys over Night Night.
Speaker 5 (39:06):
Yeah, you know you listen to it's like or not
another one exactly.
Speaker 3 (39:10):
Yeah, I remember when I was young, Remember.
Speaker 2 (39:13):
When we were young. Don't say forty five years again, Jeanny.
But we have loved reminiscing with you this morning.
Speaker 1 (39:20):
Yeah, good to catch up mate, you will keep Pete
rocking it.
Speaker 3 (39:24):
Yeah, and thank everyone that's come out and seen the
Jets and also all the other bands and sort of
stuff and support live music. It is. It is getting
hard and hard, and I feel really sorry for the
up and coming musics. But stick there, hang in there and.
Speaker 1 (39:38):
Do what you love, enjoy beautiful.
Speaker 5 (39:41):
Thanks Danny, thank you.
Speaker 3 (39:43):
Thank you guys for keeping the music alive.
Speaker 5 (39:45):
Thank you and all the best.
Speaker 1 (39:47):
Ye great the flick with.
Speaker 2 (39:51):
Ben, good morning band, good morning, and brought us today
Pedro Pascal.
Speaker 1 (39:58):
Leave him here?
Speaker 13 (39:59):
Yeah, I just that's that's undone. Yeah, the Internet's boyfriend,
Pedro Pascal is so hot right now. Everyone loves Pedro
and so he is one of a love triangle basically
with Chris Evans and Dakota Johnson in this new film Materialists. Now,
before I get into this film, it's normally maybe I
wouldn't go into the director straight away, but I think
(40:20):
it's important because the director of this film is Selene Song,
who for people who are not familiar with her, she
is the Korean Canadian slash American director behind Past Lives,
a film from a couple of years ago that was
also a love triangle based on her real life story
of growing up in Soul, having a childhood sweetheart, moving
to America, marrying an American, and then her childhood sweetheart
(40:43):
rocks up. And it's kind of a you know, awkward
kind of situation like did she make did she make
the right decision? Well, you know, kind of a sliding doors. Yes,
she thinks about what might have been. And so that
film was incredible, emotionally devastating. It was nominated for Best
Picture at the Oscars. She was also nominated for Best
Original Screenplay, So two time Oscar nominee for her first film.
(41:06):
So Selene's Song hit the ground running as a filmmaker,
and so there was going to be a lot of
attention around what she did next. And so people might
look at materialists and certainly at the trailer and go okay,
So the director of this Best Picture nominee has done
a generic rom com. It does kind of feel like
a commercial sellout. But the problem is it's not, and
(41:31):
it's kind of it's not art house either. It's in between.
She wrote the film not as an attempt to do
something more mainstream. She actually wrote it while she was
waiting for Past Lives to hit the cinema, So she
didn't even know Past Lives was going to be successful
when she wrote this movie. It was also based on
something in her real life. She worked as a matchmaker
in New York for six months and in this film,
(41:52):
Dakota Johnson plays a matchmaker in New York. And you
look at the trailer and you go, this is a classic
rom com, but that there's not much comm and there's
also not a lot of rom It's really a movie.
It's really a movie more about maths. It's mathematics. Oh really, yes,
maths No sounds weird and it certainly doesn't sound very
sexy when you look at the poster and you've got
(42:13):
Chris Evans and Pedro Pascal and Dakota Johnson. Maths no,
not that sexy. But so basically, as a match makup,
it really is about a mathematical equation. You've got to
weigh up variables such as height, weight, age, income and
determine a person's worth and whether or not that's compatible
with somebody else's age, height, weight and so on and
(42:34):
so forth.
Speaker 5 (42:35):
That's not terribly romantic, but that's.
Speaker 13 (42:37):
The business of matchmakers because people come to them and
they say, look, I want to find my significant other,
and the matchmaker says, okay, what are you looking for?
Speaker 1 (42:45):
And they're like, I'm looking, I'm looking.
Speaker 13 (42:46):
I'm looking for a guy that's six foot tall. He's
got to make more than two hundred grand a year,
he's got to be you know, under thirty five, but
over thirty. So a lot of numbers get thrown out there,
and then they start talking about, oh, well, you know,
like I want someone who's got a good sense of
you and so on. But in this movie, it explores
the fact that, you know, people say, you know, I
want someone with a great personality that I can you know,
(43:06):
go to the movies with. But in reality, you know,
sometimes that's not actually what they're looking for, and people
are quite superficial and it's like, oh, that person's maybe
carrying a few extra pounds and that's that's a deal breaker.
And so this film is very unflinching and when it
examines those types of things. Dakota Johnson's the matchmaker, so
she's you know, very brutal in her calculations as she's
(43:27):
setting up these people, and in her own love life
it's a disaster. Really, she's kind of so she's she
sees these people try and fail to find love, and
it's put her right off the whole concept take exactly, counsel.
And so then she meets then she meets Pedro Pascal,
a rich hedge fund type, like multi multi millionaire, amazing apartment,
(43:49):
and he's also Pedro Pascal, and so the surprise surprise,
she goes, Oh, you know what I'm gonna I'm gonna
get into the game here my mathematical making brains.
Speaker 1 (44:01):
You're a good but you're a good match.
Speaker 13 (44:03):
I could I could farm you out to some of
my clients, but no, no, I'm going to keep you. Yes,
so she starts, she starts dating Pedro Pascal and everything
do you think, Okay, Like, why is this movie? This
is the first twenty five minutes. Why do we need
to even continue anymore?
Speaker 1 (44:18):
This heavy is over?
Speaker 13 (44:20):
Yeah, this romance is done. But then of course Chris Evans,
who is her old boyfriend, struggling actor, a bit of
a no hoper, comes onto the scene, and then she's
faced with this choice. You know, Chris Evans might be
the love of my life, even though he's got not
a cent to his name, and if I end up
with him, life is going to be difficult or do
(44:40):
I use my head and go and you know, use
my brain and on paper Pedro Pascal, who's perfect. The
problem with this film is it attempts to make super
rich Pedro Pascal the worst option, which makes zero sense.
Like anybody watching this movie is going like what the heck?
Like like go with Pedro Divita exactly. And I think that
(45:07):
is part of the problem. Like Pedro, he's too perfect,
and their attempts to try and make him less than perfect.
Speaker 1 (45:14):
Just don't make sense. Find some flaw and the and.
Speaker 13 (45:19):
Part of that is, I guess you know, Celene script
gravitates so much towards Pedro Pascal unintentionally and intentionally that
when when Chris Evans starts to play more of a role,
it just doesn't make sense. Like you're just going like
why would you? And it kind of you know, Chris
Evans's character this you know, he's a waiter at a
catering company and acts in these little plays and yeah,
(45:42):
there's nothing about him and lives in a sharehouse that's filthy.
There's nothing about it that is actually appealing. And even
if you talk about, oh, he's the love of my life,
like you just don't even buy that. And then you've
got the Dakota Johnson of it all. Who you know,
she was in one of the worst movies of all
time in Madam Webb and obviously the fifty the Fifty
Shades series, and so the jury is out on whether
Dakotah Johnson is even much of a box office draw
(46:04):
card in the first place. I think she's okay. This
is probably the best performance of her career. The good
thing about this film Sillin Song's direction is incredible, like
the way the camera lingers on little details to add
intimacy to a scene. It's beautiful in many many ways.
It's more art house than rom com, but it's not
art house enough to appeal to the fans of Past Lives,
(46:27):
and it's certainly not rom common enough to appeal to
fans of those Matthew rom coms. Like I've had people
message me who have seen this film and have gone
rom com fans, going, oh, you know, I just didn't
like it at all. And I totally expect that, because
you know, the trailer sells it as this lighthearted, funny
rom com romp. That's not what it is.
Speaker 4 (46:48):
So when the Chris comes in I just want to
get your vibe. Does it start feeling a bit Past
Lives at all? When the past comes in?
Speaker 1 (46:54):
My Past Live is just so much better.
Speaker 13 (46:56):
And there will be people who you'll you'll know people
who watch this film and they will try and convince
you that it's amazing. They'll be trying to convince themselves.
Speaker 1 (47:03):
It's amazing because they're hoping it would.
Speaker 13 (47:05):
Be, and they're hoping. It's more wishful thinking than anything else.
And you know, go watch Past Live.
Speaker 1 (47:10):
All right.
Speaker 2 (47:11):
It's like I tried to convince myself that The Mountain
One with interested it was good.
Speaker 5 (47:19):
It was terrible.
Speaker 2 (47:20):
Okay, So how many not exactly Sophy's choices are you
giving us three?
Speaker 5 (47:24):
Three?
Speaker 13 (47:25):
It's not bad, It's like, it's not a terrible film. Still,
go and watch it, but just don't expect it. Yeah,
mid middling, So her next movie will be critical. But
definitely go watch Past Lives though, because that is incredible.
Speaker 1 (47:35):
All right, thank you, thanks, thanks for your honesty as
always six S m Clearzy and Lisa
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