Episode Transcript
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Speaker 1 (00:03):
It's Soosy and John Man.
Speaker 2 (00:12):
It's Dozy Man's cutting.
Speaker 3 (00:30):
On the cutting room floor, our first for twenty twenty five.
Speaker 1 (00:35):
I'm being like this because we're now on camera, are we? Yeah?
Speaker 4 (00:38):
Him, ma'am you can't hold your stomach him for all
this time?
Speaker 3 (00:42):
Surely and cuss what your handshake reveals about your sex life?
Speaker 1 (00:49):
What sort of handshake do you have? Let's shake the hands.
Just reach over there, friendly.
Speaker 4 (00:56):
Are you deliberately went h you deliberately went a big knuckle?
C No, No, you did, you you did really hard.
You don't normally. Oh, now you're doing that old man
finger on the palm on an old idiot would do that.
Speaker 1 (01:14):
I have. I like to think a good handshake.
Speaker 4 (01:18):
I'd like to think I do too.
Speaker 1 (01:20):
Your handshake feels quite firm.
Speaker 4 (01:22):
Are you ever put off by women shaking your hand?
Because when I used to, when I used to work
at Beyond two thousand, in some cultures, people were just
horrified that I went to shake their hands.
Speaker 3 (01:32):
Yeah, no, I have no beef for that when I
meet important women.
Speaker 1 (01:37):
From the Prime Minister when she was doing it too, But.
Speaker 3 (01:41):
Then Julia when she was in judge, I'd give her
a bit of a kiss as well, handshake and a kiss.
Speaker 4 (01:45):
Yeah, that's the hard thing. You don't know which way
to go. But you do that with Anthony Alberiezi right
in the middle of the bea smack up? Are you
saying now, bend over?
Speaker 3 (01:53):
I give him the kiss on the lips, the kiss
of death. Either you did that to himself though. Anyway,
this isn't about politics. This is about the sexual behaviors
of four thousand men and women.
Speaker 4 (02:05):
And these yes, they just shake hands instead.
Speaker 3 (02:08):
These researchers what they looked at at the upper body
strength and primarily grip strength.
Speaker 1 (02:14):
So this is what they looked at.
Speaker 3 (02:15):
And they found stronger men were more likely to be
in long term relationships. Who does the stronger men women rather,
were more likely to have higher numbers of sexual partners.
Speaker 1 (02:26):
Just let me fear you again.
Speaker 4 (02:30):
I deliberately did a big wet fish.
Speaker 1 (02:32):
You've had no sexual pass.
Speaker 4 (02:33):
I deliberately did the big wet fish.
Speaker 1 (02:35):
How you ever had a child?
Speaker 3 (02:40):
This was done by the Washington State University, so they
know what they're talking about.
Speaker 4 (02:43):
Well, they're just saying that strong, confident people are more
likely to be more sexual. That's obviously what they're saying.
Speaker 3 (02:48):
Upper body strength, they go on to say, is a
favorable natural selection trait making them a more attractive mate.
Speaker 4 (02:55):
I don't think it's strength. I think it's confidence. As
to how you shake your hand, it's not about strength.
Speaker 3 (03:00):
If you, I would gout garner, and I'm no scientist, No,
I would garner that a person with a dead limpfish
handshake is not going to be hot in the kite.
Speaker 1 (03:13):
No.
Speaker 4 (03:13):
But I think if you've got a limp handshake, it's
because you don't have confidence. It's not because you don't
have strength.
Speaker 1 (03:22):
Do you think so? Or you're just lazy.
Speaker 4 (03:24):
But if you walk into a room, you own the room,
you put your hand out and you shake it, that's
a sign of confidence strength.
Speaker 1 (03:30):
Maybe you need one of those those gripper things.
Speaker 4 (03:33):
You get, yeah, you know you've been practicing.
Speaker 1 (03:36):
Charles Atlas used to sell them, that's.
Speaker 4 (03:38):
Right, and not the bullworker. Get my chest hairs caught.
Speaker 1 (03:42):
You get the bullworker and then you get the gripper
thing as well.
Speaker 4 (03:45):
And what muscles that supposed to work your hand muscles?
Speaker 1 (03:50):
Well?
Speaker 4 (03:50):
Who needs strong hair?
Speaker 1 (03:51):
Is that scoo good to have strong opening jars?
Speaker 3 (03:54):
There is nothing more effeminate than a man that can't
open a jar really because the warm We'll say, oh
can you open this jar?
Speaker 1 (04:02):
And here, yep, there you go.
Speaker 4 (04:04):
And what if you can't, what do you do?
Speaker 1 (04:05):
Well?
Speaker 3 (04:07):
Then I bash it on the side of the desk,
or run some hot water on it.
Speaker 4 (04:12):
You know what I do? You turn it upside down
and you get a knife, not a sharp one, but
like a button knife, and you put it in between
the lid and this and the jar and you just
sort of go around and sort of loosen it a
little bit and it breaks the seal.
Speaker 1 (04:29):
That is the dumbest idea? Is that why you've got
Brian all over your kitchen bench?
Speaker 4 (04:34):
Brian, he hasn't been another for weeks. But see this
is what men think. I'm strong, I can do it.
All you need is a smart person to come in
and show you another way.
Speaker 1 (04:43):
Or you just need a man that can open it.
Speaker 4 (04:46):
Do you have one?
Speaker 1 (04:47):
A man with kung fu crip? That's what you need.
Speaker 4 (04:51):
So what have we deduced from any of this?
Speaker 1 (04:53):
I'm hot in the cot.
Speaker 4 (04:55):
You know, you're pointing in your own face and you
bang your elbow on the desk. Frank Spencer, Amanda, Hello,
did you like your basket?
Speaker 1 (05:06):
I love my bus.
Speaker 4 (05:07):
This morning we presented Brendan Jonesy Jones with a basket
to celebrate him being a new grandfather.
Speaker 1 (05:14):
Exciting times.
Speaker 4 (05:15):
What was in the basket? Have a look.
Speaker 3 (05:17):
I was a bit worried it was going to be
one of those T shirts with a combie on the
front that says old guys rule, which I hate.
Speaker 4 (05:24):
You can't help yourself. You went a bursket. And then
when I said it's a celebrate, bring your grandfather the
face of hate that you gave me, you just said,
I like that stuff I got.
Speaker 1 (05:35):
You got me a big hat.
Speaker 4 (05:36):
A big sun hat.
Speaker 1 (05:38):
That's what old coots wear already. You got me some
old gold.
Speaker 4 (05:44):
Chocolate and the thing that was in there. My main
suggestion was a packet of Worther's Originals because they're old
people's lollies and can I have someplace?
Speaker 1 (05:52):
Yes? Are they from your bag? You also got slippers
Canadian whiskeys.
Speaker 4 (05:57):
Yeah, you got slippers. You've got flannel lit pajama pants
that you can gape out of like old men do.
Speaker 1 (06:02):
And a noise canceling head.
Speaker 4 (06:04):
Yes, because if babies get noisy, because your ears might
get sensitive.
Speaker 1 (06:08):
So thank you.
Speaker 4 (06:09):
You're welcome. Can I actually have a word as original?
Speaker 1 (06:11):
I got to dig through the basket.
Speaker 4 (06:12):
Ok, people that goll land up in the model of
my briefcase. Eventually you want the whole pack? Yeah, thank you. Now,
while we're speaking of grandfather's there's a story I was
reading this morning that probably isn't so charming as a
packet of Wathers originals. This mum said that she's got
two toddlers, three and two. She just wanted to go
(06:35):
to the bathroom for a moment, just for a moment.
This is what happens when you've got children. You go
look away for a second. And she came out and
she thought, why are they playing with all that white dirt?
What's that? All that white chalky stuff they're playing with.
Turns out it was smeared all over their faces, all
over their hands, all over some furniture. It was Grandpa.
(06:58):
It was Grandpa's ashes. Grandpa, don't be relieved. It's not
a nice story.
Speaker 1 (07:03):
Well, no, I just said, what the hell?
Speaker 4 (07:05):
So she said, where does it all come from? She
discovered later the empty container that it housed the grandfather's
ashes and the dirt, and the truth dawned on her
that the dirt was his cremated remains. She said, they
got him and they dumped him all over the carpet.
I didn't realize it was poor poor, meaning that was
his name, paw paw, until I vacuumed him up.
Speaker 1 (07:26):
Ah, poor poor.
Speaker 4 (07:28):
You know, perhaps poor poor would have been quite happy
to know the kids happy with that.
Speaker 1 (07:34):
Yeah, I think it'd be good, would you.
Speaker 4 (07:35):
Yeah, it's better than just sitting on a mantelpiece.
Speaker 3 (07:38):
Yeah, and the kids. I look at my kids, they
don't want anything to do with their grandparents. So you
know it's a nice sentiment.
Speaker 4 (07:45):
Yeah, you've gone up their noses, you've smittle over there.
Speaker 1 (07:47):
Maybe this is a thing that we could start a
bit of a.
Speaker 4 (07:50):
Play with Grandpa one more time.
Speaker 3 (07:52):
Yeah, you know they've got all those those places. Now
you know you can cremate your pet, You can do
all that junt.
Speaker 4 (07:58):
Why don't you find a save space we can actually
play with the ashes. That's not a bad idea, and
it can be you got up his nose in life,
Let you get up his nose.
Speaker 1 (08:08):
No, he gets up your nose. Now, this is a
great idea.
Speaker 4 (08:11):
You get your hands of Grandpa.
Speaker 1 (08:14):
With the solfa.
Speaker 3 (08:16):
You could get one of those kiddies swimming pools. Yes,
fill it with the ashes, Yes, get under.
Speaker 4 (08:21):
Let grandpa get under his skin one more time.
Speaker 3 (08:23):
Okay, let's take it now that we're blue skying this.
What about grandpa's not cremated. You just prop him up.
Speaker 1 (08:30):
In the corner.
Speaker 4 (08:32):
It doesn't quite happen, and then.
Speaker 1 (08:33):
The kids just can play with grandpa.
Speaker 4 (08:35):
Then it doesn't quite he's playing with his ashes.
Speaker 3 (08:39):
You take him away with you, just trap him to
the roof racks of the car. Where's grandpa?
Speaker 4 (08:44):
No, I don't think that's quite as charming as playing
with his cremated remains.
Speaker 3 (08:48):
Imagine in a strapped to the roof of the car,
like Grannie from Beverly.
Speaker 4 (08:52):
You're like an old moose that you've hunted, hanging from
the wall. No, mount his head on the wall. That's
where your hat had come in hand. He didn't look rakish.
Speaker 3 (09:04):
No one who wears those hats has ever looked rakish,
similar to anyone that wears an old guy's rule T shirt.
Speaker 4 (09:11):
Can I have your word? I'm going to open them now?
Speaker 1 (09:12):
Okay?
Speaker 4 (09:16):
Yes?
Speaker 1 (09:16):
Z And then curling.
Speaker 5 (09:21):
It's chns curling.
Speaker 4 (09:33):
Are you ready for more?
Speaker 1 (09:35):
And what's on? The cutting room floor today.
Speaker 4 (09:37):
I have a brilliant example of bad worse worsters. You know,
when something terrible happens and then it just compounds, compounds, compounds.
That's bad, like getting a hangnail. Next minute you've lost
your arm. Bad worst, bad, worst worsters. So I saw
this guy tell this story about himself. He's at the
gym and there's a girl doing some squats pretty much
(09:58):
in front of him, and he's not perving, but he
happens to glance.
Speaker 1 (10:01):
Over and she's face. He's got the view of her bum.
Speaker 4 (10:05):
That's right, she's got headphones on view a bum. So
he's looking there and he realizes she's filming herself doing squats.
So this is the bad bit. He thinks, I'm going
to be in the back of her shot, looking like
a gormous PERV. He thinks, how do I deal with that?
At this gym?
Speaker 1 (10:25):
What do you do?
Speaker 4 (10:26):
I'll look like a pervert. So what he chose to
do this is where we've gone from bad. This is
kind of the next bit of it. He decides to
because she's not looking to go up and somehow stop
the recording, erase the video whatever it might be, and
his panicky thinks that's a good idea.
Speaker 1 (10:41):
And that sounds feasible.
Speaker 4 (10:43):
Well, he goes up to the phone. This is where
it gets worse. Her boyfriend looks over and sees him
kind of trying to touch her phone, and her boyfriend says,
are you stealing her phone so that you can look
at videos of her squatting?
Speaker 1 (11:02):
Oh?
Speaker 4 (11:02):
And so he's standing there in the front of the
gym and he says, he said, I'm an out of
shape guy. I look like a gormous PERV, which I'm not.
And he said, I just want him to punch me
in the face and end.
Speaker 1 (11:14):
We're presuming this this guy is huge.
Speaker 4 (11:16):
Oh yeah, I think so. You know, he's a big
gym junkie. The guy who's the boyfriend.
Speaker 1 (11:19):
Oh my god, brother, you're even living my girlfriend's vote.
Speaker 4 (11:22):
For that's all of that. And so he's saying, I'm
going to be punched in the head. There might be
a court case, I don't know, but either way, my
legacy will be that I'm a PERV. So we're saying
just end it. Just end it at that moment, So
that's worst worst. At that moment, it could have been
saved because the girlfriend takes her headphones off yeap and says,
what's going on. The boyfriend said, he was trying to
(11:43):
steal your phone to look at photos of you squatting.
And she says, and this is where it takes a
terrible trajectory. She said to her boyfriend, Babe, he's special,
and so this is the worstest part of all. The
boyfriend takes one look at him and says, oh, mate,
(12:05):
I'm so sorry. He says, this isn't your phone, this
is her phone. And he said he pats him on
the head like a golden retriever and this is the worst, worstest, worst.
That says to the whole gym, It's all right, everyone,
he's special.
Speaker 1 (12:24):
I'd rather a punch in their head.
Speaker 4 (12:25):
Would you rather be known as the pervert or the
golden retrieve?
Speaker 1 (12:29):
Hut, that's a game show.
Speaker 4 (12:32):
That's a terrible day at the gym. Because you know,
girls do this now. They film themselves doing these honey
trap A lot a lot of it is slide entrapment.
And sometimes what girls do now is they put the
phone in the back of their pocket to film people
perving at them, to say you were perving at me.
That's full entrapment.
Speaker 1 (12:49):
Hey, they do that.
Speaker 3 (12:51):
Yeah, you know there should be a sign, like when
you go film, because when I'm walking along the esplanade
in my home, which gave a surf, here we go,
these girls go past and a scrunchy bum pair.
Speaker 1 (13:03):
Have you seen scrunchbum pants?
Speaker 4 (13:05):
Is it where there's a like a seam right through
ut crack. Yeah, I've seen ones of those that are
skin colored and from a distance, girls so like they've
got no pants on.
Speaker 3 (13:16):
I don't even know, and I don't like I'm fifty
six on the cusp of fifty seven?
Speaker 1 (13:21):
You know it?
Speaker 4 (13:22):
Meaning?
Speaker 1 (13:23):
What? What? Meaning that? To get nudity? When I was young,
it was very hard. These days everyone so le case
feel No, it's.
Speaker 4 (13:30):
But it's an age thing. I've noticed this that when
we go around where we live at the beach with
our children. My kids are now in the early twenties,
they accept that a girl You'll be having a coffee
and a girl will walk past in a g string. Yeah,
they don't look twice. They choose not to. They just
accept that that's how people dress. They would never criticize them.
Speaker 1 (13:48):
Actually, it's men.
Speaker 4 (13:49):
There was its men of your age that really kind
of will go oh no, I just see that.
Speaker 3 (13:56):
But if young Jack or Liam look at it, looks
at a young girl's dairy air the young girl.
Speaker 4 (14:00):
But they don't.
Speaker 1 (14:02):
What's the difference they say that, I don't think.
Speaker 4 (14:05):
They're far more I've been with them. They're far more
accepting of that style of clothing than the older guys
who go, oh god, to just see that. Who were
the old wall get a load of that. Young guys
don't do that.
Speaker 1 (14:17):
I've never been to get a load of that.
Speaker 3 (14:19):
Although there was one time, many years ago, what happened
my sister's twenty first birthday?
Speaker 1 (14:24):
How old were you? I would have.
Speaker 3 (14:25):
Been twenty four, so twenty three because my wife, Helen
was pregnant with our elder son, Morgan, and she's heavily pregnant.
I'm at this twenty first birthday and all of my
sister's friends are there, and the wet suit dress.
Speaker 1 (14:39):
Do you remember the wetsuit dress? Yes, it was like
a miniskirt there.
Speaker 4 (14:43):
I made the mistake of weed in the shop.
Speaker 3 (14:47):
That was the high end fashion at the time, so
I thought I was standing next to my brother and
this girl in the wetsuit dress squats down to go
through her bag and I'm elbowing my brother.
Speaker 1 (14:59):
Get a load of this, Get a load of this.
My brother walked away.
Speaker 3 (15:03):
I'm elbowing my pregnant, my heavily pregnant wife in the stomach.
Speaker 1 (15:08):
Get a load of this.
Speaker 4 (15:09):
And did she say, don't worry everyone.
Speaker 3 (15:11):
He's simple, good boys, simple.
Speaker 1 (15:22):
It's cutting room floor time.
Speaker 4 (15:25):
And are you going to sing again?
Speaker 1 (15:27):
No?
Speaker 4 (15:28):
No cutting room floor time.
Speaker 1 (15:30):
If you want to sing, you can.
Speaker 4 (15:32):
I wish I could. Can you sing? You can sing,
you can hold a note.
Speaker 1 (15:34):
I can sing, I can dance, I can see.
Speaker 4 (15:40):
I'm a hum auditioned for that. It takes two.
Speaker 1 (15:43):
Takes two. They called me, Oh, they really want you
on this show. Bloody hell, they got me on there.
I was saying, they've got you for the audition, for
the audition, and they bloody what song?
Speaker 4 (15:54):
Did you sing?
Speaker 1 (15:55):
Another Saturday night?
Speaker 4 (15:57):
And is that how you say it?
Speaker 3 (15:59):
No?
Speaker 4 (16:00):
Do it normally?
Speaker 1 (16:00):
No?
Speaker 6 (16:01):
Another Saturday night? And I ain't got nobody. I got
some money because I just got paid. And how we
sho had someone to talk to?
Speaker 4 (16:13):
South's commercial awful? Actually, you can hold a tune anyway.
Speaker 7 (16:19):
They pursued, pursued, pursued, and then my agent rang and said,
oh sorry, they're not interested.
Speaker 1 (16:24):
They're going to pass and piss off.
Speaker 4 (16:27):
They would they wound you.
Speaker 3 (16:30):
I wasn't like queuing up to go on the show.
They rang not once, not twice, but trice.
Speaker 4 (16:37):
It takes two It takes two fingers to tell them
how you feel.
Speaker 1 (16:41):
What where's that show?
Speaker 4 (16:42):
Now?
Speaker 3 (16:43):
Yeah?
Speaker 4 (16:43):
Yeah, hold theyn't fighting words, Brendan, I like you.
Speaker 1 (16:46):
I've got this for now.
Speaker 4 (16:47):
Well, speaking of jobs, it's interesting when you see someone
who does a job that you use all the time,
but it never cursed to you that someone actually does
that job. Well, I've just said it doesn't make a
lot of sense, But have a listen to what this
girl's job is.
Speaker 3 (17:04):
I'm lander upon team and I'm a capture photographer.
Speaker 4 (17:08):
A capture if you don't know what it is is,
it's a test to see if.
Speaker 1 (17:11):
You're a human or if you're a freaking robot.
Speaker 2 (17:14):
Grassloights, bikes, motorcycles, car buses, a big old man.
Speaker 7 (17:19):
Now.
Speaker 1 (17:19):
I haven't done that one yet, but I could.
Speaker 2 (17:21):
I have a bachelor in camera and a minor in
philosophy from Stanford and Yale University.
Speaker 1 (17:28):
Someone does capture.
Speaker 4 (17:29):
Someone does the capture. That capture stuff. It's when your
phone or your computer says to you, are you a robot?
And it might say pick the cars in this grid,
and some of them will have a tiny bit of car,
some won't have cars. Or pick the traffic lights, and
your eyes are going is that a traffic light? Is
that a set of stairs? I don't know. Someone told me,
I don't know if it's true that you'll pass either way.
(17:52):
They just want you to hold on for longer they
can get more of your data. I don't know if
that's true. That's could be an urban.
Speaker 1 (17:57):
I like the box, Are you a robot? Yes? I am?
Speaker 4 (18:02):
You got me banged two rights? Will Robinson.
Speaker 1 (18:07):
It is weird.
Speaker 3 (18:08):
I was at a function and I met a guy
that works on elevators for Otis's.
Speaker 4 (18:14):
His career going up very good.
Speaker 3 (18:17):
He's an Otis elevator guy and he was just talking
about it.
Speaker 1 (18:20):
He was so passionate about it.
Speaker 4 (18:21):
What does he do?
Speaker 3 (18:23):
He's the guy that they call when the lift breaks down,
So you know, when you're in the lift and there's
that number you call that goes to a like a
data base like where someone like an operator and then
they doem how important the crisis is and then they'll
send out him.
Speaker 1 (18:39):
He's on call twenty four hours.
Speaker 4 (18:41):
So he's a technician yep, yeah, a mechanic, and he
goes out and gets you out of lift. So he's
the one that would see you when he turns up
if you've wet your pants and eaten someone.
Speaker 3 (18:50):
That's what I said, And he said it happens a lot,
but you got to do a pooh and stuff.
Speaker 1 (18:54):
Well, yeah, yeah, he said he has seen that. What
did you ask?
Speaker 3 (19:00):
Because there was a bid where he said to me,
he said, sorry, I'm just going on a bed.
Speaker 1 (19:03):
This too much. I said, no, no, no, I'll get
you another beer. Let's keep talking.
Speaker 3 (19:07):
And in the end I think he walked away from
me because my question, can we have no more questions
about poo?
Speaker 1 (19:14):
Sex and the ladder?
Speaker 4 (19:18):
And the lift wasn't even broken.
Speaker 3 (19:19):
He never caught anyone having sex in the lift, but
he did on the camera. Because the lifts as well,
they have to have a sign. If you get into
a lyft, it's got to have a sign saying whether
it's got a camera.
Speaker 4 (19:30):
Do ourse have one?
Speaker 1 (19:31):
This one in the new building does.
Speaker 2 (19:32):
Yes.
Speaker 1 (19:33):
This is all good. Now we've been here for a year.
Speaker 3 (19:36):
What that's the only place I have sex. But he
was fascinating, and you know what, I really loved about it.
He was so passionate about his work. That's the thing
I think when you meet someone and they're really into it.
Speaker 4 (19:51):
Also, it's the stuff of our lives, but you don't
picture some I'm actually doing that small that not a
small but.
Speaker 1 (19:57):
That, but it's an important part. Yeah.
Speaker 4 (20:00):
I've been on an aeroplane once and a man came
up to me and said, I was in the room
when you had your hip replaced.
Speaker 1 (20:07):
He's a surgeon.
Speaker 4 (20:08):
No, he's the guy who provides the hip.
Speaker 1 (20:11):
He just makes the hip.
Speaker 4 (20:13):
Yeah, he's a representative from the hip company drops the
hip off.
Speaker 1 (20:17):
I guess he sounds like a bit of a celebrity.
He just wanted to get there and look at your bea.
Speaker 4 (20:24):
Because it's a very intimate procedure. Decidedn't how to feel
that he'd been in that room. Goodness, I know it's confronting.
Speaker 1 (20:30):
I wondered who that guy was because in the room
because I was there and.
Speaker 4 (20:36):
The tenth caller through when we had a competition, Amanda's
bits you have made me incredibly uncomfortable.
Speaker 1 (20:47):
I wish you were Are you a robot? Is this
a bit? And and this bit?
Speaker 3 (20:52):
Now?
Speaker 2 (20:56):
Twenty joy and twenty too? Your twenty Jonesie and a Landa.
I can't believe they lasted twenty.
Speaker 3 (21:12):
Years on the cutting room floor today, Amanda.
Speaker 4 (21:16):
Well, you and I Brendan jonesy Jones if that's your
real name, and actually yes it is. We've been working
together as a radio duo on the station for twenty years.
Speaker 1 (21:26):
Twenty years. It's actually longer than that.
Speaker 3 (21:29):
In nineteen ninety nine I first did the show with
you when Andrew Denton went sick, and he went sick,
he went sea sick, and that blew out to a
week and I ended up doing a show with you
from was it.
Speaker 4 (21:41):
A different radio?
Speaker 1 (21:42):
Different radio station?
Speaker 4 (21:43):
Filling in? This is that you and I as a
duo twenty years. John Howard was Prime Minister when we started.
That makes me feel like we're positively post war.
Speaker 1 (21:52):
That's crazy.
Speaker 4 (21:53):
We may as well be talking about via Lynn. It
seems so long ago.
Speaker 1 (21:56):
Twenty years.
Speaker 4 (21:57):
Yeah. I have found little snippets of us from twenty
years ago. This is our first few weeks on it.
Do you want to hear what we sound like?
Speaker 1 (22:05):
Sure? So this is from two thousand and five. It's
like being in jail. Do you watch the prison break show?
And every little bit of hope is taken away from you?
So if you say it is like being on prison breaks,
it is less.
Speaker 4 (22:21):
What I'm astonished at is your voice.
Speaker 1 (22:25):
That's been pitched.
Speaker 4 (22:26):
It hasn't because my voice is normal. Why would they
picture it? Don't be like a jockie.
Speaker 1 (22:29):
This is how I sound. Now, Hello, Amanda.
Speaker 4 (22:32):
And this is how you sounded.
Speaker 8 (22:33):
Then a library in Holland Amanda is lending out people
as well as books and a new initiative I aimed
a challenging stereotypes. People can borrow gay people, Gypsies and
Muslims for an hour and talk to them about their lives.
Speaker 4 (22:46):
And I'd probably hire a gay person to redecorate my
lounge room.
Speaker 1 (22:51):
I don't know if you can use them. Can you
make me a key?
Speaker 4 (22:55):
That's dreadful all round? Content wise? But your voice? Why
is it so high?
Speaker 3 (23:00):
Was that first year I hadn't paid off my house yet.
I was probably a bit anxious.
Speaker 4 (23:04):
So what you're saying is that when you pay off
a mortgage, you've voice drops? What a long with your
interest rate?
Speaker 1 (23:09):
Your test is to send everything so cast.
Speaker 4 (23:12):
Speaking of people who don't sound like themselves, I've come
across this audio from a movie that Denzil Washington was in.
Speaker 1 (23:19):
I love.
Speaker 4 (23:20):
This is from nineteen ninety eight. The movie is called
for Queen and Country and he plays a retired British soldier.
So he said, sure I can do a British accent,
Sure I can have a listen.
Speaker 5 (23:30):
Since you were born on se Gusha, which has now
become an independent country, and do you no longer have
citizenship for the other Kingdom colonies?
Speaker 6 (23:39):
Well, I die for United Kingdom and colonies, can't I?
Speaker 1 (23:43):
You can put me out there as a front gun
and to get me bleed ned, blown off on British dead.
Speaker 5 (23:46):
Yet, yes, we instill become British citizen. All you have
to do send a check two hundred parents send to me.
I'll hurry along because I want to go on holiday.
Speaker 1 (23:53):
You don't understand too, you the two hundred pounds has
got nothing to.
Speaker 8 (23:57):
Deal with it.
Speaker 5 (23:57):
I appreciate it and protect them, and.
Speaker 1 (23:59):
I appreciate you don't appreciate nothing. Where were you when
I fully started?
Speaker 3 (24:02):
Fine eight, I'm behind your desk shitting yourself like the
rest of your car.
Speaker 1 (24:07):
Well, I was out there in the cold, in the dark,
and a ship I watch my mate, A man will
save my voice? Get his lake blown off? Okay, appreciate.
Speaker 4 (24:26):
And he's playing a beautiful guitar. Stenzil Washington saying I
can do an English accent. You you only do one voice,
and the people you've got three voices, right, none of
whom are still.
Speaker 1 (24:37):
In the media. Get me to do an impersonation from
my rich library.
Speaker 4 (24:44):
The tree that you've got is doctor Wright. Hi there
who hasn't been in the media and has passed away.
Let me have a look at your bot have Koshi?
Can I do on patrol as Hi?
Speaker 1 (24:53):
Mandy?
Speaker 3 (24:54):
You know if Sam ever drops off the Twig, you
can join me on the Sunrise Family.
Speaker 4 (24:58):
And what about Mike Whitney.
Speaker 1 (25:00):
Good, it's Mike Whitney.
Speaker 4 (25:02):
It's all the same voice. I don't do the queen
do something out of your queens with the second? Oh,
my royal subjects and was she's dead? It's hard to
do that like I do King Charles. Uh.
Speaker 1 (25:13):
Yes.
Speaker 7 (25:14):
Mommy said that I had to wear the hat. She said,
why are you wearing the fox hat? And I said,
you can't.
Speaker 4 (25:26):
Do either of them. You haven't told the joke and
you haven't done that.
Speaker 1 (25:29):
Give me you are a very good mimic. Give me
in the business. Okay, what about to her face?
Speaker 3 (25:38):
I'm not going to make you do anything bad, Sandra
Sally news reader.
Speaker 4 (25:43):
Sandra's a friend of mine, so I hope she doesn't
mind because she has a very unique kind of voice.
It's a little bit young, event, but very much Sandra.
Speaker 1 (25:54):
You know one of my favorite ones are Heather Mills
McCartney or McCartney's ex.
Speaker 4 (26:00):
No, no really, it was just an English winging vose
and I don't even know why I painted her as.
Speaker 1 (26:03):
A week I ever Mules Machai.
Speaker 4 (26:05):
No, I've been remember she went on this rant. I've
been called a pedophile just from marrying him. You know
I love China. No, no, stop, just stop. Don't lure
me in other ways to make me swear like Denzel Washing.
Speaker 1 (26:20):
Are a very good mimic. You are very good at it.
You are very good at it.
Speaker 4 (26:24):
How about I do one of you?
Speaker 1 (26:25):
Bra?
Speaker 4 (26:28):
They should do it?
Speaker 1 (26:28):
How did I do one of you?
Speaker 4 (26:29):
Okay?
Speaker 7 (26:30):
Oh, this is the workspace now, let's all save the planet.
Speaker 4 (26:34):
How did we get to twenty years? I'm not going
to make it to twenty.
Speaker 1 (26:37):
One around and sing Kumbaya together.
Speaker 4 (26:41):
Let's wrap it up to its Do you want to
hear it's Mike Whitney.
Speaker 3 (26:46):
Now I'm going to get Amanda and hanger off the
bridge and then make a buck.
Speaker 1 (26:51):
Wow, take it away.
Speaker 4 (26:53):
There's wins. How old is that reference?
Speaker 1 (26:57):
It's very good, although I think I.
Speaker 3 (26:59):
Need a lot of true Okay, everybody has it.
Speaker 4 (27:03):
Put it come back to don't see that the bland
that's cutting room.