Barely enough to cover my shame

• The origin of Cooker Kate
• Things that are embarrassing
• Strangers on an oval
• Text from mum

@thebuckuppodcast

@katelangbroek

@nathvalvo 

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Episode Transcript

Speaker 1 (00:02):
Imagine, if you will, that you are in a place
of great beauty. Some teenage boys walk past you, they
yell out, they bitch tits. The world you see is
a place of paradox of beauty and cruelty. It will

(00:26):
cut you off at the knees then gift.

Speaker 2 (00:28):
You a pair of easies.

Speaker 1 (00:31):
And that, my friends, is why you always always need
a buck up.

Speaker 2 (00:42):
Bye bye, bye bye bye.

Speaker 3 (00:49):
You actually got the girls out. I did actually undid
your top?

Speaker 2 (00:53):
Why did I?

Speaker 3 (00:54):
And showed me the girls.

Speaker 2 (00:56):
In an act of provocation.

Speaker 3 (00:58):
Also this, brah, you are where a purply like I
thought you were on? What did we say? In the
lift slash? The mum and me are two reunion cast
reunion outfit and it looks good but fairy.

Speaker 2 (01:09):
Yes, it's extreme extremely.

Speaker 3 (01:11):
Mum and me are dancing to Dancing Queen on an
Island with Meryl Street.

Speaker 2 (01:14):
And of course Sash just saw me and laughed. Now
that is who is Sash, she may ask Sasha French,
the greatest producer in the lamb.

Speaker 3 (01:24):
I figured out who you look like, the emo, the
emoji of the salsa dancing woman, that is the red
woman that I put in a lot of texts.

Speaker 2 (01:33):
So do I but I'm still I don't want to
sound old fashioned, but I remember when they ruined her.

Speaker 3 (01:39):
What did they do to her?

Speaker 2 (01:40):
She used to look better. They've changed, they changed her,
but they changed her like did she.

Speaker 3 (01:45):
Go did she go to Christianna's guy?

Speaker 2 (01:48):
I don't know what happened, but she she was improved.

Speaker 3 (01:52):
I can't remember the old Solcier woman.

Speaker 2 (01:54):
I remember she's in front of me now. Remember when
we were allowed Nate valvo.

Speaker 4 (02:00):
The gun?

Speaker 3 (02:01):
Hear the gun, bringing back the gun, bringing back the gun.
Bring when someone texts me, how's that corporate gear going?
And I don't have a gun to send back?

Speaker 2 (02:11):
Wait, then we had a water pistol.

Speaker 3 (02:13):
It's still there. You type.

Speaker 2 (02:16):
Water.

Speaker 3 (02:17):
I'm not typing water when I'm angry, mind like tapis
and someone says, how's dinner? I'm not riding water gun.

Speaker 2 (02:28):
Because give me okay. That's a very interesting point that
they did that, because as soon as you put water,
water is zen water is soothing.

Speaker 3 (02:40):
Takes you down or not? Yes?

Speaker 2 (02:41):
True, you can't maintain.

Speaker 3 (02:43):
The raigehiping water yes water sorry Melbourne accent water? Yeah yeah, yeah,
yeah water. I'm going to get the buckheads again.

Speaker 2 (02:53):
And I don't even know where that that emoji.

Speaker 3 (02:56):
Before I get rid of the gun kate and keep
Oh knife, is there a knife? I think so knife there?

Speaker 2 (03:01):
Yeah, but you know what has happenedchetties have been bad.
There we go emoji, but only in Victoria.

Speaker 3 (03:10):
I'll be honest with you. I would love a machetey emoji.
It would be so useful.

Speaker 2 (03:15):
I really know what it is. Is it a big
just laided just a big big blade? You can't. Often
I'll go to say things and they just don't exist.

Speaker 3 (03:23):
I don't know the names of any emoji. I'm to
got my head around the faces is Sarah.

Speaker 2 (03:29):
I seem to recall that there was something you could
increase and it would tell you what the expression was.
Sometimes I see the expressions and I don't know what
they are what they are either, But now I like
to just do random ones, the one that have no
meaning at all. And then I think, I think I'm
wasting three minutes in someone's day for them just to

(03:49):
try and decipher what I'm sending them. I love it.

Speaker 3 (03:53):
It's true. I do use upside down face too much.

Speaker 2 (03:56):
What is upside down? For me?

Speaker 3 (03:57):
It's just like discombobular kill me vibe just like it's
just that like upside down sarcastically saying, well, I'm it
blah blah upside down face.

Speaker 2 (04:06):
Oh okay, I thought upside down face. What did I
think it was?

Speaker 3 (04:10):
I don't know I said it to you? Or what miscommunication?

Speaker 2 (04:13):
Anyway? I don't know. But I love them. I love
that we have, after twelve thousand years of civilization, gone
back basically to cave drawings in communication. It's what the
Egyptians have got with their high I've got one yes
on a camel bone that is apparently my name.

Speaker 3 (04:40):
How big is a camel bone?

Speaker 2 (04:42):
And what a cartoon sh it's called? And my girlfriend
Rachel got it for me when she was in Egypt.
But I think basically, all of a sudden, they've all
got a bird. They've all got that sort of symbol
that cross with the drip on.

Speaker 3 (04:57):
I don't know why I remember this. Have you ever
seen footage of a camel drinking water from in the
water there's a camera underwater. No, it's quite a site.
Google it really tongue the mouth.

Speaker 2 (05:09):
Have you seen have you seen the babyl drinking camel?

Speaker 3 (05:13):
They're drinking camel? Or you gave me camel milk.

Speaker 2 (05:17):
I've forgotten to I've forgotten to put urine on my face.
I'm so forgotten about that.

Speaker 3 (05:23):
Your face looks lovely and glory.

Speaker 2 (05:25):
I don't. I actually think since.

Speaker 3 (05:29):
I stopped busing on you, since I just.

Speaker 2 (05:32):
Stopped that application, I think my face has dropped like
the mysterious Building seven.

Speaker 3 (05:38):
I did when you walked in before. I thought, well,
she needs some peers. I have never asked you this.
Here we go, we get the cook have it? Here
we go? What are your thoughts on the Pyramids? Speaking
of these parts of the world, do.

Speaker 2 (05:52):
You know what what? I literally have no thoughts on
the Pyramids.

Speaker 3 (05:57):
I can't slide down smile.

Speaker 2 (05:59):
I'm sorry, but I'm just like, I'll tell you what
I do. You have thoughts about though Oh cool, so
you just.

Speaker 3 (06:07):
Just before you cook? Built by humans all legit?

Speaker 2 (06:11):
Yeah I think so. I don't know. I don't know, and.

Speaker 3 (06:14):
You really I don't think.

Speaker 2 (06:17):
Oh really, I don't know. I've never really thought about them.
I'm not interested Big Triangle. It's not interested, not really,
I do you know what I mean, It's not my thing.
Take what you if you want to talk about Egyptology,
you need to get Molly still with us. Yes, oh, yes,
he's not really Why don't we get him on?

Speaker 3 (06:39):
I don't think he.

Speaker 2 (06:40):
Can just listen to him, you know, he's still a
lot and barely and he's very adult, but he'd be happy.

Speaker 3 (06:46):
To talk about it.

Speaker 2 (06:48):
Oh yeah, and remembers.

Speaker 3 (06:50):
That when he got his Elton John's con.

Speaker 2 (06:52):
Remember when Sam Johnson was cross at him for getting
a crowd out, No for crashing his moment when he
won the LOGI for playing him. So Sam Johnson played
Molly Meldrom, that's right, But Molly Meldrim got on stage
with his butty. No. I think he kept it. Think
he kept it tucked in. But he wasn't supposed to

(07:12):
be on stage because it was Sam Johnson's moment even
though he was playing Molly Meldrin, and Molly Meldrom kind
of crashed the moment. I mean when I say crashed it,
took it, owned it, dragged it back to the Pyramids,
put it in to Carmen's tomb, and anyone who was
cut and buried it, and then anyone who opened the
tomb subsequently was affected by the curse. That is the

(07:35):
plot to the hang On. I Love the curve on
board about the cookies, what's the you know what I
am on board? Yes, okay, all right, this was just
a thought that occurred to me randomly, I think, even
before I was a cooker, before I was identified.

Speaker 3 (07:52):
The origin story of the cooker.

Speaker 2 (07:55):
No, it was just one of that those that's very interesting,
isn't it. If you look backwards, you know, then you
only see one set of footsteps.

Speaker 3 (08:03):
When what are bird watchers called witches? Twitches? What do
they call the bird that makes people love bird watching?
There's a word for that bird, they say, that's my
d Is it like the gateway drug?

Speaker 2 (08:16):
Okay, so I don't think this was. But at the
time it occurred to me, there was a big Tot
and Carmen touring exhibition going on around the world and
it came to Australia very quickly.

Speaker 3 (08:27):
Couldn't be less interested? Okay, same, yeah, not in this
story going to.

Speaker 2 (08:32):
Incarmen catching a tram into the city to see that whatever.
In Sydney, it wasn't even a tramp paper bus. They
walked or they hitched your run.

Speaker 3 (08:50):
Do you cover it? All possible ways to get to
a museum anyway.

Speaker 2 (08:54):
I remember at the time and you know they always
they do it on the news.

Speaker 3 (08:59):
Em Oh, yes, go on lame street.

Speaker 4 (09:04):
Me.

Speaker 2 (09:05):
Yeah, lamestream media.

Speaker 3 (09:07):
Card.

Speaker 2 (09:07):
It wasn't going to go lamestream media. But I love
that you've said that. Mainstream media, and you know it's
such a formula, mainstream media and we all know war. Yeah,
football story, he's a kite. Yeah, exactly right, it's government propaganda.
You left that out in the middle.

Speaker 3 (09:24):
Oh, sorry, that's it, thank you.

Speaker 2 (09:27):
Anyway, at the end of the story, they had a
story about this too and carm and touring and it
was Egypt the.

Speaker 4 (09:35):
First time it's left Egypt and blah blah blah blah,
and it's got Asien one hundred kilos of gold and
dor to dur and this it took agen archaeologists to
move the stone.

Speaker 2 (09:49):
Blah blah blah blah. And I just went, they're not
doing that. They are not doing that, doing that. I
don't you know where that shit is made in China.
In China they can make anything look old.

Speaker 3 (10:08):
You know, like in primary school where you had to
do that homework. We're using tea bags. You had to
make the page old. Yes, let's have a map deparchmentate
your mum or Dad would let you use matches to
burn a couple of the edges off.

Speaker 2 (10:22):
That's all it was, okay. So I was just like,
there is no way that if you've got the most
valuable artifacts in the world, that you are shipping them
off around the world. You're just not doing that. You're
not doing it. So I went through that exhibit. I said,

(10:46):
it's fake, fake falls gold, not on board. Don't believe it.
Let's go get it and a claim.

Speaker 3 (10:55):
Yeah, that's the cook him.

Speaker 2 (10:57):
But I remember at the time when I said, went,
hang on a minute, nobody's doing this. You could literally
not get enough insurance in the world to cover that.
And if you've got a five hundred thousand kilo stone,
what's that thing called sarcophagus? Oh sure you're not shipping
that anywhere anywhere?

Speaker 3 (11:19):
No, God, yes, she's so you just get.

Speaker 2 (11:24):
It there for a reminded me of a thought that
I had that was at the time. But just but
if you think about it and all those I often
think that when I'm at any where, they go, oh,
these a touring Pakaso exhibition, or there's a touring Gogan
or whoever. The French impressionists I'm like, I'll tell you

(11:47):
my impression fake.

Speaker 3 (11:51):
I think there's many documentaries and much said about what
you're talking about, how much heart is actually fake, and
how many things they actually don't know for sure if
it's really the thing, and where is the real thing
and they get those you know what I don't believe in.
I don't believe in those blue lights that they put
on a painting and go, oh it's real. It's five
hundred you know when they scan it with that.

Speaker 2 (12:11):
The same ones that they it's always room all over
it by Belgium's though, you know what I do have
so bizarrely, one of Lewis's friends is an art curator.

Speaker 3 (12:29):
That is a sentence that you just never hear it,
never hear it.

Speaker 2 (12:32):
He met him in This is why a McJob is
always a great in life. Fake. Yeah, it does well.
I should ask him about that the real job, although
that would imagine the ructions in the art world when
they hear this episode.

Speaker 3 (12:45):
I'm not gonna yell out fake to him because I
have a job that people think is fake, so I'm
not going to accuse his job of being fake. Tell
someone you're a stand up comedian, their face is just like.

Speaker 2 (12:56):
What and some of the stuff is real. I totally
get some some of it's real. The Australian stuff is really.
You wouldn't bother faking that shit.

Speaker 3 (13:05):
Just a joke, joke, Joyce. Anyway, I should ask him
about it, Yeah, get him on the line. He was
gonna he's an art curator, as if he's going to say.

Speaker 2 (13:17):
You know what, you know what. It just reminded me
of what one of the things. Mum and Dad's friendships
in life were always marked by fallings out normally, not always,
not always, but there were significant ones, and they were always,
of course over.

Speaker 3 (13:36):
Religion, money, money.

Speaker 2 (13:38):
No, the religious ones somehow they could get over that,
but money, no, they couldn't get over. And one of
the things that they had it, So there were a
number of ones. I'll give you an example of how
strange and pity they were. When we moved to New Guinea.
Mum and Dad had an old rocking chair which Mum

(13:59):
had bought in or somewhere, and it had a tapestry
back on it, so it was wooden, but it had
an tapestry in set, and for some reason they gave
it to a woman who was in the congregation so
she was also Jehovah's witness, whose name was Lilian Colebatch,
a name that I remember even now. Fake. Maybe that

(14:20):
could be the name of my heroine again, Lillian Colebatch.

Speaker 3 (14:24):
I don't like it.

Speaker 2 (14:25):
No, I don't like it, and I didn't really like her.

Speaker 3 (14:28):
She sounds like a very not her in person in
the book that would be the mean character. Well, I
think that's the villain, you know, but.

Speaker 2 (14:37):
Heard mum and Dad's spin on it. And then one day,
you know, as an adult, because I was a kid,
when we came back from New Guinnit, I remember there
was this big kerfuffle about this chair, and I remember
hearing mumma like it. Honestly, it probably cost forty bucks
that you could have got it from hard rubbish, except well,
you know, it was an old fab, don't. People don't

(15:00):
love ancient things now everyone wants to go to now
two days anyway, It's like people don't like art deco stuff. Now.
Art Deco stuff is so beautiful, and apparently it's just
dropped out of collectibility. I don't want to sound like
an antique road.

Speaker 3 (15:15):
Very art deco suburb you live in, though, all the
all the apartment buildings or the old house. Some of
them are around, a lot of them are.

Speaker 2 (15:21):
Anyway, when they came back, there was this muttering about
Lilian Colebatch. And as I heard it, still as a child,
she wouldn't return the chair. And then a few years
later I remember, but this is a glimpse into it.

(15:45):
So you know, as a child you always believe your
parental narrative, you know, you just do. And then as
an adult you kind of go, hang on a minute,
why wouldn't she return the chair? So then mom and dad.
Mom told me this garbled story and it's very you know,
Mum's were very declamoratory. She wouldn't return the chair. And

(16:06):
I said that that's so weird. Why why wouldn't she
returned the chair? And Mom said, she said it was
hers And Dad said we never should have taken that
money from her.

Speaker 3 (16:18):
Here we go bomb, yeah, and it's always done like
Dad always looks correct, he always accidentally And then there's
an elbow from mom.

Speaker 2 (16:26):
Yeah correct. I'm like, hang on, what she gave you
money for the chair? And Mom said she was going
to do some repairs on the chair, on the chair pestry.
She said she could fix it with her needle point
and I said, but why was she giving you money?

Speaker 3 (16:41):
What that means you give her money holds in the
story mine?

Speaker 2 (16:47):
I never I can't even remember. But that was another moment.
There was like another can tombs.

Speaker 3 (16:52):
Mind, that's the cookie that's.

Speaker 2 (16:56):
Slate shifted.

Speaker 3 (16:57):
And you know this is therapy.

Speaker 2 (17:00):
No, you know what I learned, don't accept the prevailing
truth because if you ask enough questions, you will see
that it is merely an old Jamaican American woman and
an old Dushman's version of truth, and that when those

(17:20):
continental plates shift, Kate, there's a yawning chasm to be filled.

Speaker 3 (17:25):
Very few things in this world annoy me more when
I may or may not a little bit of showbiz
to a story and in front of people, Cody will
correct me.

Speaker 2 (17:34):
Do you do that though? Now?

Speaker 3 (17:37):
And then a little bit, just a little little little
bit And if Cody was, well, actually what you did say?

Speaker 2 (17:43):
Like Peter would do that too. But I really embroidered
a story life.

Speaker 3 (17:50):
I am a story.

Speaker 2 (17:51):
Tell example of what when he's pulled you up, not
at all?

Speaker 3 (17:54):
You know, I'll be like And then I jumped up
and said it, and well, you didn't actually jump up
youre seeded the whole time. That kind of stuff.

Speaker 2 (18:02):
Love the dler. He's such a down and dabbler isn't me.

Speaker 3 (18:07):
He's very It's hard to argue with because he's just
so fact obsessed.

Speaker 2 (18:11):
Yes, yes, come on, that's spectrom. Have a fight with that.

Speaker 3 (18:16):
Emotion, all emotion. This guy over here. Yeah, got a
d M from Buckhead.

Speaker 2 (18:20):
Scott.

Speaker 3 (18:21):
Oh, Scott, Hello Scott. Things that are embarrassing that shouldn't
be Oh my goodness.

Speaker 2 (18:27):
Okay, hang on, let's go through out. Just a mini list.
Umbrella umbrellas, being in a maxi taxi.

Speaker 3 (18:33):
On your own, walking across long lots of lanes of
traffic when it's just you crossing in front of all
the cars. Yes, there was something else. There's a bunch
of suitcases.

Speaker 2 (18:43):
Yeah, okay, we're not enough examples. Wheeling them.

Speaker 3 (18:46):
Okay, well wheel You started that, wheeling them.

Speaker 2 (18:49):
You started that.

Speaker 3 (18:51):
I came with you, and then you snapped into.

Speaker 2 (18:56):
That's what we like to do, the sa French chat
with exactly. That's enough. Likely not me, but I just
thought of that when you talked about wheeling your suitcase.
I just remembered I thought of you when I was
on my ill fated trip to Italy. Yes, when I
was wheeling a suitcase, particularly over cobblestone and the noise.

(19:18):
It was early in the morning. The Italians are not
early eyses. All you could hear through the streets of
Milan it was just.

Speaker 3 (19:33):
Scott Wright getting a massage. Oh yes, you go in
to take clothes off and get on the bed. They
knock and say ready, and your face down, squished in
the little face hole, you let out a little yes, ready, ready,
oh Scot.

Speaker 2 (19:52):
And you know what I love about him? What an
honorable man. He's not lying face hoping to go straight
to the ending.

Speaker 3 (20:00):
He's knocking on the doors.

Speaker 2 (20:02):
What a gentleman.

Speaker 3 (20:03):
Do you know what?

Speaker 2 (20:04):
I'd reward him with the full service, just for him
not go out in the first place. That's the kind
of establishment I run.

Speaker 3 (20:12):
I won't. This won't surprise you. I don't love a massage.

Speaker 2 (20:18):
Know that. You know what it's fraught with. There's too many.

Speaker 3 (20:22):
Unknowns, a lot of unknowns, and it's a bit repetitive
for me. So after about ten fifteen minutes, Marx, I'm like,
I'm done, And do.

Speaker 2 (20:30):
You know what? I love one? I love the fantasy
of it, but what we all want is a rarity. Sorry, okay,
what we all want is that amazing masses who's intuitive.

Speaker 3 (20:44):
Very quickly, Hickey wrote back to me, it's called a
spark bird. So the bird you fall in love with,
it makes you a bird lover. Really, you'll never forget
to spark bird. Love that?

Speaker 2 (20:57):
Oh I love that? Well, twot and common was my spark?
You cook a spark Yeah, I love it anyway's cook
The perfect is discussing we all want someone who's really intuitive,
and you go, oh, they're amazing. Women often have this discussion,
and I'm often disappointed by how mortal and flawed the

(21:22):
mass who is.

Speaker 3 (21:24):
Go somewhere out you know what I mean?

Speaker 2 (21:26):
Like you, we all want someone who's got a higher calling,
when in fact, what it basically is is, I can't
do anything else. I think I'm going to do a
mass arge course, get a portable, be driving it around
in the back of my keya. So not necessarily someone
who's got a higher calling, just someone who, like all
of us.

Speaker 3 (21:45):
My cousin who goes that exactly.

Speaker 2 (21:48):
Is trying to pay a bill. Sometimes you'll encounter one
who's amazing. But I've had a couple of devastating experiences.
One a man in Vietnam. I had a man, and
my girlfriend Alice had a woman and I were in
the same room and while she was groaning in absolute.

Speaker 3 (22:08):
X oh hello the man, ex.

Speaker 2 (22:11):
Sta sye, my guy was on top of me. And
all I could think of was a video who's that
chef that swears that people? Okay, a video that I
once saw in which Gordon Ramsey is jointing a chicken.
But that's what the guy was doing to me.

Speaker 3 (22:32):
I don't believe so anyone should ever walk on someone ever.

Speaker 2 (22:37):
Terrible someone made that up. He was straddling me. I
was like, you don't even know me, you can't hate
me this much. He gave me such a sore back
that I had to spend the next afternoon in beer
see recovering.

Speaker 3 (22:50):
No one. I don't know who invented it. Someone did
it first, and someone laughed in the little kitchen with
everyone afterwards and said, I walked on someone today. Then
they all giggled and yes, let's just pretend that's a
thing that needs to happen.

Speaker 2 (23:02):
And you know what's the end, the most horrendous one. Also,
I could tell you so many terrible massaarch stories, but
this one was the worst. I told you about this
in go I didn't I sash when we went up.
It was up in the main dusty little off this
little beach we stay at, right, and there's a dut
you know I've told you about the dusty little dirt

(23:24):
strip where the Cashmi jewelers are fake anyway there.

Speaker 3 (23:33):
This is no one.

Speaker 2 (23:34):
I love this pod.

Speaker 3 (23:36):
No one in my life would ever say that last
sentence of yours. But everyone listening knows that just makes
perfect sense. Oh yes, that one.

Speaker 2 (23:43):
So up that lane way there was a normally when
we'd lose interest in walking because you'd run out of restaurants.
You're about to get to some dusty, dirty sort of
main road, main Ish road. There was a like a
yoga school combined massage school, and they had a big
sign out the front. And because they also taught students

(24:04):
there from around the world, you thought, oh, I'll get
a really good massage there. And Peter said to me,
you always like a massage, why don't you go in
and get one? And they had this I said, I'll
go ask them first, because I don't want to be
roped into. I've also had another weird massage?

Speaker 3 (24:19):
What have we done? Scott? Look at you, Look what
you've done.

Speaker 2 (24:23):
It was stupid, damn horrendous.

Speaker 3 (24:25):
I thought today it was going to be the day
we stuck to the topics that we wrote so horrendous.

Speaker 2 (24:30):
So I go in there and I talked to the
guy behind the disk and I said, like a massage.
He goes here when we liked come, I said, I'll
come tomorrow. And he goes, do you want oil or
dry massage? I said, always oil? And then some people
like it dry. Get in there with no definitely, but
as it transponed never again. Well there was a picture
of a massage. Yeah, no, you never want to Yeah,

(24:54):
some people like that sensation. I don't think the recipient
maybe the purveyor of likes it dry. Please.

Speaker 3 (25:05):
Anyway you'll get into a massage place dry please.

Speaker 2 (25:09):
So I say to him, because I'm this is not
my first rodeo, I say to him what should I wear?
I said, what do you wear in the massage?

Speaker 3 (25:21):
During it?

Speaker 2 (25:22):
Yeah? During the massage, because you know they're always trying
to get your naked. That's just no matter where you are,
well in the in goer. I've had experience before they
always they want you.

Speaker 3 (25:33):
Well, I'm a guy that took my pants off.

Speaker 2 (25:37):
Well do you fit right in over there? I'm like
men in Australia. The men in Goer are desperate to
see me naked. Anyway, he didn't really answer, and I
just thought, oh, it's a communication. But I thought of
it the next day. When I arrived, I was shown
into a room in which there was nothing except a

(26:00):
giant plastic covered mattress on the ground. And you're talking
like a king size mattress.

Speaker 3 (26:08):
So far it sounds like my first apartment.

Speaker 2 (26:11):
And two stray hanging from the ceiling.

Speaker 3 (26:14):
No, now it sounds like my current.

Speaker 2 (26:17):
And then a guy came in. Guy came in, I
came in, and then commenced the most humiliating hour of
my life so long, which he oiled me so liberally

(26:39):
and removed my clothes so thoroughly. And I had just
had I just had a child.

Speaker 3 (26:49):
No a wax, Okay.

Speaker 2 (26:52):
I had a wax. As my Dutch grandmother said when
she came out from us from Holland and stayed with
us and saw my nickers hanging on the line. She's
said in Dutch, barely enough to cover her shame and
that's what That's what I ad my co host, that's
what I had left. So then he grabbed the straps
and he started not only walking on me, pushing me

(27:15):
with his feet. I was just sliding. I was like,
have you ever seen the deadliest catch? And big?

Speaker 3 (27:24):
Where are you?

Speaker 2 (27:25):
I'm lying on the match tress and I'm legs legs,
they're splayed. I'm full starfish. He's holding the straps he
suspended from the ceiling, and he's not only walking on me,
he's pushing me with his feet. So I'm slide down
the mattress. He hooks his feet under my arm picker

(27:48):
brings me back in and he's doing this with me.
It was so terrible. I was so humiliated. I was
literally just lying there in a flop sweet covered with oil, sliding.
At one stage, he pushed me so hard that I
slid on the oil stick of a mattress into the wall,

(28:10):
into the wall. I thudded into the wall. And then
the only blessed relief was when I got to turn
over where he did the same thing. But at least
I wasn't at least I wasn't bald barbie doll up.
It was. It was so terrible. You have not trying

(28:30):
to suffered humiliation. An Indian man in Goer has massaged
your bare breasts with his feet while he hangs from
a ceiling about to use his toes a little bites.
He was was so and he used think he's ever

(28:51):
done a course?

Speaker 3 (28:51):
Where did he put his toes?

Speaker 2 (28:54):
Where do you think as he's rubbing his feet over me?
Of course he's lingering long. Of course he's at the
secret a Ladd's case.

Speaker 3 (29:06):
There is Christmas decorations. Sorry, here is Christmas carols playing
a supermarket. And now we're talking about you getting to.

Speaker 2 (29:14):
Even even now it makes me hot? Feel how hot?
So terrible? And when I came out and I.

Speaker 3 (29:27):
Was so cigrette.

Speaker 2 (29:29):
I know, I know this is wrong, right, I totally understand.
I don't want to extrapolate too much. But when I
came out, I was so ashamed and none of that
was my fault and I paid for it. He was
so racked with humiliates.

Speaker 3 (29:47):
Is your fault, Scott?

Speaker 2 (29:48):
Thank you, Scott. I totally agreeing that are embarrassing, that
should it be.

Speaker 3 (29:55):
Crawling on your back. So many buckheads have really come
on board the Sylvia Brown Journey our favorite Sylvia Brown.
Sylvia Brown, Sylvia Brown, right, I'm gett her name right?

Speaker 2 (30:08):
Is it Sylvia Black?

Speaker 3 (30:09):
No, Sylvia Brown?

Speaker 2 (30:11):
Is it silver color? Anyway? The psychic Sylvia, she's accurate psychic.

Speaker 3 (30:18):
She's bad shit crazy psychic.

Speaker 2 (30:21):
She do you know what she could be listening to these?

Speaker 3 (30:23):
She probably is listening Sylvia Brown a sign. So since
we played some Sylvia Brown in this pod, so many
people send us clips. There is Instagram accounts dedicated to
Sylvia Brown, so people are spending their day.

Speaker 2 (30:39):
Did she get stuff right?

Speaker 3 (30:41):
No?

Speaker 2 (30:42):
She never? Well hang it stuff right?

Speaker 3 (30:45):
The clips and nuts. As we know the comments because
I deep dive, there's always comments from people saying, oh
my mum had a reading from her in ninety ninety
six and she got everything right. The comments always say
very differently now.

Speaker 2 (30:59):
But there's no video evidence of her getting.

Speaker 3 (31:02):
Things from But now her son is a sark and
he is carrying on her name.

Speaker 2 (31:09):
What he's called Sylvia.

Speaker 5 (31:11):
No, Sylver, Stay, what do you mean he's carrying a name, Well, he's.

Speaker 3 (31:21):
He he runs an account.

Speaker 2 (31:26):
When you say he's carrying her name.

Speaker 3 (31:28):
I meant carrying her legacy. Okay, in that sense you
should know as an author and writing.

Speaker 2 (31:34):
But things are not always literal, and I didn't want
to pounce on but.

Speaker 3 (31:41):
Quicker than your little Indian massus that he So, what's
he like about him? I'm going back on Sylvia.

Speaker 2 (31:49):
Well, I'm intrigued by him, but we'll get to him,
all right all the time. All right, we're going to
we're still doing a deep diving.

Speaker 3 (31:55):
Let's just return to Sylvia just for one little I
love who.

Speaker 2 (32:00):
Is in our house?

Speaker 1 (32:01):
First of while, George and Hazel anchoring p I C
K E R I n G. I would look it
up on you know the background.

Speaker 2 (32:15):
Of the house. Our house is only ten years old. Money,
the land.

Speaker 3 (32:25):
You know she sounds like as Margaret Pomerance.

Speaker 2 (32:28):
No, she sounds like George's mom from Seinfeld. You know
that real classic.

Speaker 3 (32:34):
You've only lived there for ten years.

Speaker 2 (32:35):
The land, the land. Oh. She was always ready though
to pounce on someone pointing out and normally.

Speaker 3 (32:43):
A lot yeah. Yeah. In the last few months she's
broken through and she's become a bit of a pop.
This drag queen's doing her now. There's drag accounts that
are like dressing as her and the mouthing of a
clear what did she look like she saw it how
you'd expect And honey, the land has become a land.

Speaker 2 (33:05):
Honey, the land. Do you know what our next live
show are there? She?

Speaker 3 (33:09):
Yeah, look at that? Oh you look at that's drag
Queen's dream. Yeah that totally you heard a look like that?

Speaker 2 (33:15):
Hey, that totally is. You can book a reading with
his son.

Speaker 3 (33:18):
Oh, I mean if you get half hour reading two
hundred and fifty nine dollars.

Speaker 2 (33:24):
Can I have a ten minute reading?

Speaker 3 (33:25):
Oh, you can do an asked Chris one question for
sixty five dollars.

Speaker 2 (33:29):
I'm going to do that.

Speaker 3 (33:32):
Yeah, we can do.

Speaker 2 (33:33):
What is it?

Speaker 3 (33:33):
Let's ask him who built the pyramids?

Speaker 2 (33:38):
We're not wasting on sixty five. That's a terrible suggestion.
You got me so excited, but I was like, okay,
but we've got to curate the question. Buckwits can tell
us what about?

Speaker 3 (33:50):
What about this?

Speaker 2 (33:51):
Okay? Not if you're going to waste time, No, no.

Speaker 3 (33:53):
No, this is good. I'm talking about someone in your
life that have passed. So maybe that's my dad. What
about if you asked him out the chair the woman
with the chair, Oh, lily.

Speaker 2 (34:02):
And cold and the chair. Oh that's interesting.

Speaker 3 (34:08):
Does he know about the chair.

Speaker 2 (34:09):
Does he know about the chair? Why did they I
can't remember what asks reason they gave me for why
she would have given them money when she was going
to fix up the chair?

Speaker 3 (34:22):
What we should absolutely spend the money and ask him
a question?

Speaker 2 (34:25):
Are we going to.

Speaker 3 (34:26):
I think we should? They like photos? Why don't we
send him a photo of the three of us and
then asked something about something just to see what he
can answer there? Who's going to die first?

Speaker 2 (34:36):
And you can have a second question for thirty four
dollars extra, So we're getting two questions basically for one hundred.

Speaker 3 (34:42):
Yuis that's good?

Speaker 4 (34:43):
Oh?

Speaker 2 (34:43):
That's really good. Do you know I love a gift
with purchase?

Speaker 3 (34:47):
So do I love this?

Speaker 2 (34:48):
Absolutely? Adore?

Speaker 3 (34:49):
But I love an upsel?

Speaker 2 (34:52):
What about the future?

Speaker 3 (34:54):
Something for the future?

Speaker 2 (34:54):
Okay, all right? You know what? How can Buckwitz contact us?
M Yeah, but they might not know that I'm not asking.
I'm asking.

Speaker 3 (35:04):
We'll ask him for twenty six for twenty twenty six.

Speaker 2 (35:07):
Okay, take us a question about what we should ask.

Speaker 3 (35:10):
And we'll kick off next year with that.

Speaker 2 (35:12):
Also, let me, oh, why don't we say to him
what's our money back guarantee? On this podcast that he'll
just listen, and I'm about to tell people now right,
so just in case Sylvester Brown is listening, what is
his name? Sash is Chris Chris Chris Chris Brown. No, no, no,

(35:36):
it's named after the father, Chris de Frend's a friends.

Speaker 3 (35:43):
That's a good name for us.

Speaker 2 (35:44):
That's really good. Anything we do in it. And also
it sounds.

Speaker 3 (35:48):
Very has changed it clearly.

Speaker 2 (35:49):
Where did they throw the beads at you for showing
your titty? Sash? New Orleans, very New Orleans.

Speaker 1 (35:58):
Very She ended up with a lot of bees.

Speaker 3 (36:02):
Stop jac a breeder. When someone says they threw the.

Speaker 2 (36:07):
Beads at you, for sure, that's a very New Orleans name.
He's got do anything is very new.

Speaker 3 (36:13):
So you went to Marti Gras and you got the.

Speaker 2 (36:15):
Girls just a happy Saturday night, Sunday night.

Speaker 3 (36:19):
They just do that. That's a thing. Yeah, when you walk.

Speaker 2 (36:22):
Down what's that main street called? What did we? Where
were wet Sash the world's greatest producer. We had such
a good time anyway, Sash couldn't wait to get them out.
And when we went to the when we went to
the remember what the encounter at the airport where Sash

(36:42):
in cat two of our what do you call them,
the security women with these classic black sassy women, right,
and we were having a chat to them whatever, and
Sash had her beads on and they were like, honey,
where'd you get those beads? And I see such we
got them last night at Bourbon Street. And they looked

(37:03):
at Sush, you know, they pulled their head back like
that and really and they said, what you've got beds
for showing them? Little titties, they said to Sash, and
Sash Sush Sash stiffened. Oh she didn't like it. She
drew herself up to a full four foot eleven and
she said, I've never hid any complaints, she said, and

(37:29):
that was that. Then we sailed through security with Sash
festooned with be thrown at her by strangers in exchange
for the I've never hid any complain for them little
titties divant.

Speaker 3 (37:50):
This is like an international story, which is its holidays
coming up.

Speaker 2 (37:55):
Well, we've gotten loose as a goose.

Speaker 3 (37:57):
We've kind of lost a little bit. I met no
one actually, which.

Speaker 2 (38:00):
The other night. Remember I forgot to mention that I'm
not telling you where uh huh, Yeah, I'm not telling
you where.

Speaker 3 (38:07):
Well.

Speaker 2 (38:08):
I was at a concert in the city and got canceled.

Speaker 3 (38:10):
Okay, yep, yeah, yep.

Speaker 2 (38:13):
And but while I was there, this woman came up
to me. Lovely woman, Kristen or Kirsten. You know, I
can never tell them apart or Christie or Kirsty.

Speaker 3 (38:25):
Really, I think they all need to come together and just.

Speaker 2 (38:29):
Can we have gladiator? Just work it out, but with
those names and then they duel it out. But I
remember her beautiful daughter scarlet.

Speaker 3 (38:38):
You should say, sorry, what Sylvia Brown?

Speaker 2 (38:45):
Sylvia Brown walks amongst ouns?

Speaker 3 (38:47):
How did the Sylvie's voice?

Speaker 2 (38:50):
They do?

Speaker 3 (38:50):
It?

Speaker 2 (38:52):
Go on? Just give it a go the land, Christian.
What's her name? Kristian Walker? Hello, Christian?

Speaker 3 (39:04):
Really, well, you did very well. What they are backwards
awesome stuff.

Speaker 2 (39:10):
I was going to tell you something I've forgotten where
it went on. I've been distracted anyway. Hello, Oh, no,
I know why I took a photo of them, Yeah,
and send it to that.

Speaker 3 (39:19):
She just said, they sent it.

Speaker 2 (39:21):
No, a photo of me with them, That's just a
photo on your phone. Yeah, why did I do that?

Speaker 4 (39:27):
That? Sweet?

Speaker 2 (39:28):
I was confused, and then she said, no, I know,
that was totally my fault. Christian I'll send it to them.
How do I do that? There? We get my God,
I'm terribly confused by things.

Speaker 3 (39:50):
Yeah, okay, I've decided that I am a sticky beak.
I know this right, it was sticky.

Speaker 2 (39:54):
Beak if the well, you know what often happens to me.
I hear thingsatingly. Yeah, or I'm in the right place
at the right time when you get a little morsel,
But I don't often seek it out because I can't
be bothered fair enough, But what defines sticky?

Speaker 3 (40:13):
So the first only got two places where I'm a
massive sticky beak. One, as I've already said, doctor's appointments,
I wouldn't know why everyone is there, Yes, yes, especially
the person before me.

Speaker 2 (40:26):
Yes, yes, I want details?

Speaker 3 (40:28):
What was going on here? Yeah?

Speaker 2 (40:30):
Yeah? You speculate about that?

Speaker 3 (40:32):
Well, sometimes it's like a half an hour. And if
that door opens and someone walks out, who's not like eighty.

Speaker 2 (40:38):
Yes, yes, yes, yes, what is going on? That's terribly
ages of it, isn't it, Because when there are a
certain age, you don't even bother Speculah. That's right. We
don't know where to begin, nor do we have any
Isn't that terrible and we're not doctors.

Speaker 3 (40:59):
It's a good thing.

Speaker 2 (41:00):
Sometimes I wonder how they maintain the.

Speaker 3 (41:02):
Eight year old walking You've got everything off your boss?

Speaker 2 (41:04):
Yeah no. But also, you know what, some of them
just need company. Well, they just want to go and
have someone to tell their ailments to having a chart,
because at some point that has become their primary conversation,
start their icebreaker.

Speaker 3 (41:20):
It is what they've got, what's infected, what they're dying of. True,
there eighty, but I get.

Speaker 2 (41:28):
What that's equivalent.

Speaker 3 (41:30):
And if they walk out of the doctor's office and
they're holding a prescription.

Speaker 2 (41:35):
You want to know what he got where else.

Speaker 3 (41:40):
I've always had that, but this is the new one
where I'm really so interested. I always want to know
why people are parked in their car at random ovals, Oh,
random ovals, random primary schools, on.

Speaker 2 (41:55):
The weekend, obviously on their own.

Speaker 3 (42:00):
Here's today's one. I'm there with my dog.

Speaker 2 (42:04):
Day's not weekend.

Speaker 3 (42:05):
This is not a weekend. Today. Down the oval, a
woman arrives in her car. She's there for a little bit.
Of course I'm looking because I'm already looking because I'm
abot right, a sicky beak. Then another car parks, but
not next to her. Goodness, oh not next to her.

Speaker 2 (42:22):
Buzz buzz two or three down, go affair.

Speaker 3 (42:26):
Another woman gets out of that. Yes, it's twenty twenty five.
Then they kind of like meet ish chat.

Speaker 2 (42:35):
But they go Facebook marketplace.

Speaker 3 (42:38):
No good, good, good good?

Speaker 2 (42:42):
Why would you do that in a remote place?

Speaker 3 (42:43):
Its remote, but you know, an oval. No one else
was there.

Speaker 2 (42:52):
But what I'm saying is you do it on the
high street. I like to say, I actually.

Speaker 3 (42:56):
Didn't think of Facebook Marketplace. But they didn't swap anything.
But this is where I was pinging because they stood
so there was.

Speaker 2 (43:03):
No did you clock the makes of cars?

Speaker 4 (43:07):
Uh?

Speaker 2 (43:07):
Just generic sort.

Speaker 3 (43:09):
Of Both were small sedans, okay, you know soccer mom cars.

Speaker 2 (43:14):
I'm in the market for a new car.

Speaker 3 (43:18):
A noble. By the way, if I don't know how
in that story you'd get one of the cars.

Speaker 2 (43:25):
What do you mean? No, I don't want to get
the cars. I'm just curious about people, women, mysterious women.
What cars mysterious women drive?

Speaker 3 (43:33):
Yeah, a good point. They didn't sit. There were seats around.

Speaker 2 (43:36):
There was one I'm imagining was European.

Speaker 3 (43:39):
They didn't get into another car, they didn't get into
each other's cars.

Speaker 2 (43:42):
They stood leaning against a car.

Speaker 3 (43:46):
They both walked away from their cars and kind of
just stood in the car park and just chattered.

Speaker 2 (43:50):
This is like a Detective Shiner starring Rebecca Gibney.

Speaker 3 (43:54):
Not too long minutes back in their cars, off they popped.
I have been thinking about it.

Speaker 2 (44:01):
What did they do when they were talking with they
side by side or face.

Speaker 3 (44:04):
To face to face? Oh, I wasn't so close that
I could see facial expressions.

Speaker 2 (44:09):
Wow. And there was no one else around, no one
else around. What was the cut of their jib?

Speaker 3 (44:15):
I don't know, m Age, I'd say fifties sixties in
their if one of them got into a car kiss
when they know nothing like that. There was no and
I feel that if they were in the car, it
would have been less weird because you go and sit
in the car, maybe having a bitch, having a goss
maybe one of maybe one of them leaving your husband
or something.

Speaker 2 (44:35):
I'll meet you at the oval. I don't know of
that sweet.

Speaker 3 (44:37):
It's weird that they didn't get into a car together.
They didn't even sit down.

Speaker 2 (44:41):
What could it be.

Speaker 3 (44:43):
I've been thinking about that. Yeah, that is weird, but
it's I've been noticing it.

Speaker 2 (44:48):
Did they see you while I.

Speaker 3 (44:50):
Was on the oval, did you take a photo.

Speaker 2 (44:56):
That we could examine?

Speaker 3 (44:57):
Why should have you? I'm saying, this is today's example
a publication. This is today's example. I've been noticing for
weeks and Cody's bored me talking about it. There's just
people sitting in cars all the time.

Speaker 2 (45:10):
Okay, ladies, I get I know. I'll tell you what
a lot of it is. They don't. A lot of
it is people with kids they're hiding. Yeah, well they're
on their way home and they they want to prolong
sneaky walking into that.

Speaker 3 (45:24):
Yeah, a sneaky park.

Speaker 2 (45:25):
You just sometimes have to buy that five minutes, seven minutes,
slash three weeks wherever you can, because you know as
soon as you walk in the front door on it's
an exercising brutality often and it's not that you don't
love it, blah blah blah blah, but you're tired. It
might be the first time you've had three minutes to yourself.

Speaker 3 (45:46):
This is a thing.

Speaker 2 (45:47):
Yeah, it's a massive thing.

Speaker 3 (45:49):
A little sneaky car.

Speaker 2 (45:51):
Yeah, it's a massive thing.

Speaker 3 (45:52):
I do love sitting in there and all stuff better.

Speaker 2 (45:55):
Yeah, And because you often do it.

Speaker 3 (45:57):
I just don't want to get home. Yeah, and I
just sit, especially if the sun's coming on the right one. Yeah,
bliss little.

Speaker 2 (46:04):
Scroll scroll, Yeah, Yeah, that's what I think often they're doing.

Speaker 3 (46:08):
You've got to go to an oval to do that.
If you're a big.

Speaker 2 (46:11):
Well, I think you're on the way home and you
don't want anyone to see you. And if anyone looks
at your location, it kind of looks like you're on
your way home.

Speaker 3 (46:19):
Mate. The trading men, the trading boys, they are up
to no good. They are there, this is their little plan.
They are there when I do the morning session times.
Sometimes they're not. And it's quarter past eight quarter and
they're there already, Like you have told your wife that
you had to go to work.

Speaker 2 (46:37):
Yeah, maybe they did.

Speaker 3 (46:40):
Yeah, but maybe they did already.

Speaker 2 (46:42):
We tell you what, you know. You're not supposed to
envy people.

Speaker 3 (46:48):
I envy people all the time.

Speaker 2 (46:49):
Okay. I have never envied anyone more than the other
morning when I was coming back from dropping Sunday at
her nursing placement. So it was early and there was
a trade in front of me at the servo, and
he had and it would have been ten past seven

(47:10):
if that he had a meat pie. He had meat
ten past seven meat pie, and I just loved. I
wished in that moment that I was him so much,
and everything about him was just like perfect who had

(47:32):
the high vears, he had a huge I noticed that
he'd had to lock down the back of the ute.
No doubt he had tool stolen. He had the most
perfect calves that had the imperfect amount of trade air.

Speaker 3 (47:45):
On the pie. Wanted to eat.

Speaker 2 (47:47):
No, but it wasn't sexual. It was just he was perfection,
and that he had a pie at ten past seven
in the morning.

Speaker 3 (47:56):
I'm like, I salute, that is a man's breakfast. He
can't have that because he's going to burn that off
and if he doesn't, but even if he probably will,
and we can't have because we're back in burning two hours.

Speaker 2 (48:09):
It wouldn't even occur to me to have a pie
at ten pout seven unless I was doing breakfast radio
when pregnant, and we would often eat party pits.

Speaker 3 (48:19):
Okay, when you were on breakfast radio, did you eat
like big breakfast?

Speaker 2 (48:23):
I eat on anything, No, not a big meal. Sasha
and I were always looking for what to eat the morning. Well,
she was up at four or four five. I was
up at probably.

Speaker 3 (48:35):
Quarter to five, very close to the studio.

Speaker 2 (48:39):
Not yeah, not that close, no, but not at that
time of the morning. There's no traffic. So and we
went through huge phases. One remember where with that anchovy
stuffed olive face.

Speaker 3 (48:52):
That's where absolutely we were.

Speaker 2 (48:53):
Oh, they're the most delicious, always fresh. I think they
am They're so delicious. I am one I brought. We
had two boxes curtons in.

Speaker 3 (49:04):
A small yeah cart with guests. Yeah.

Speaker 2 (49:07):
No, we worked with Hughesy like literally nothing. The smell
of anchovies would actually be cat nick to him. He
would love that.

Speaker 3 (49:17):
I'm just if Financhov's on a pizza.

Speaker 2 (49:19):
Welcome aboard your live but nowhere you have had one
stuffed in an olive at six a m. We had
to ration ourselves on that because they were Brian. So yeah,
we were so salty and there would be like eight am.
I'd be like, I'm so, but they were delicious.

Speaker 3 (49:43):
We had meat Pietter.

Speaker 2 (49:45):
But you know what I did realize then, and it
was while I was doing breakfast that Michael Mosley Rip
went for a walk and Rip changed my life with
his fasting because I realized if I ate sugary things,
and that means like toast, white breed toast, or no
matter what I put on it, I'd be like so

(50:08):
starving all day. I'd have these peaks and troughs, and
when I started fasting, everything change. I love him and
I'm so devo about him. Well, I'm really devo. Like
it's weird. You know how some people are about when
rock stars die. I'm like our whatever? Really about most

(50:28):
of them, I'm affected by very There's not many famous
people but him. I'm devo about him. Who are you
devo about? Who are you devo about?

Speaker 3 (50:41):
Christmas? My birthdays? This week?

Speaker 2 (50:44):
It's time to reflect at Christmas. It's not Christmas, but
this is a time reflect.

Speaker 3 (50:50):
What is it Christmas?

Speaker 2 (50:51):
Oh? When the lights go up and the presence it's Christmas?

Speaker 3 (50:55):
November one, mate.

Speaker 2 (50:57):
Oh, I haven't ordered my skull Island prawl.

Speaker 3 (51:01):
Not again.

Speaker 2 (51:01):
I would have emailed me really bad business everything else
about the world.

Speaker 3 (51:07):
And also a shout out because it is my birthday
this week.

Speaker 2 (51:11):
Thank you.

Speaker 3 (51:11):
December eleven turned forty two before my husband. Can I
just do a quick shout out to December birthdays? I
love you, I see you. What a crock of shit
we get served every year? No one cares about our birthdays.
I'll see you at Christmas. I'm just going to combine
your presence this year. Sorry, we can't come to your
birthday because everyone has Christmas parties.

Speaker 2 (51:32):
On and I and I like attention, if I may
just inter g and I like, who ha. You know
it's not like me to be the voice of reason. Reason.
But what an act of absolute bloody minded selfishness to
have a December birthday.

Speaker 3 (51:48):
HI completely agree, my husband, your husband Jesus husy husy
doesn't stop.

Speaker 2 (51:56):
Yeah, Sagittarians, actually terrible. What else we've got going on?
I do, and that we have to try and find
your room in a calendar. Anyway, so you were you
know what, sympathy evaporated.

Speaker 3 (52:09):
Cody and I really stuffed it by doing our wedding
January seventh, because, by the way, incredible date to have
a wedding, because everyone was so excited to have something
to do.

Speaker 2 (52:19):
Right and we were all fresh.

Speaker 3 (52:20):
Everyone was like ten and had January.

Speaker 2 (52:23):
It was great.

Speaker 3 (52:24):
So if you're planning a wedding, go jam. People are
so excited to plan their little holiday around it. Blah
blah blah. Yes, but the downside is that means to
do my birthday, Cody's birthday, Christmas news, and wedding anniversary
all within three weeks and then nothing.

Speaker 2 (52:39):
And also for eleven months. Just be grateful. And I
often think about this. The Americans are also squeezing Thanksgiving
in there, can you?

Speaker 3 (52:49):
They must just be and they.

Speaker 2 (52:50):
Go hard reeling from one thing to them.

Speaker 3 (52:53):
They go hard on Halloween too, really so, and that's
two weeks before Thanksgiving or something.

Speaker 2 (52:58):
Adness, let me.

Speaker 3 (53:02):
For Celsius and Thanksgiving.

Speaker 2 (53:05):
Can get and your birthday and my.

Speaker 3 (53:08):
Birth though, keep my birthday. I like my birthday. I
like eleven feels nice. Eleven. I like.

Speaker 2 (53:14):
My husband's really annoying about his birthday.

Speaker 3 (53:19):
I gave up years ago. I used to care. I've
given up.

Speaker 2 (53:23):
I always okay, but let's tell you what he's done.
So the other week he sees I bought a new bike.
M I'm like, why didn't you let us get you
a new bar? Then he says to me, oh, when
you're in Japan, I got that new guitar I've wanted.

(53:47):
I'm like, are you what?

Speaker 3 (53:50):
Literally, well, here's the question. It's so hard, here's the
question for you. Yeah, some people really don't like telling
people what they want because for them, what you think
about and get them is the point of the present.
And some people love that he's not a woman. Some
people like that. I'll give you a list, Ask me
what you tell a man.

Speaker 2 (54:12):
Men rarely operate on that level. It's only women that
want other people to be mind readers. But you know why,
because I thought you were going to say mindful, because
our friends are women do that for each other. Women
the very anticipatory of each other's needs. It's one of
our strengths.

Speaker 3 (54:27):
Well, I think about the bad gay. If you said
to me, what would what what's a nice present I
could get you for your birthday? I'd crumble. I wouldn't
know me, I wouldn't know what to get you.

Speaker 2 (54:37):
No, of course not, because even there maleness in you,
there is a live, often a cheap of maleness in
you that is still hardwired to be like that. And
you know what, that's the part of you I respect.

(55:01):
That's the yang to my yin.

Speaker 3 (55:05):
And a shout out to the good gays. God, I
love the good gays game in the right way, delivering
what you should deliver me.

Speaker 2 (55:16):
Attempted, good time, thoughtful, kind.

Speaker 3 (55:20):
Really there for people gayn I'm missing.

Speaker 2 (55:25):
You know what, if you want to see an example
of the species, then he's just so worthy of any
accolade you want to give them airlines.

Speaker 3 (55:39):
That's where they are. They get the friend of the crime,
and you know what, the gay of the gays.

Speaker 2 (55:46):
The women are tired and have got saw bunions or
the demeanor of someone who has that. Those men are
still up there. They're whisking down the aisle. They're saying, hello,
young lady, what can I get you? They've got a
little tatar takes thanks. You're sweet enough. They're doing it all.

Speaker 3 (56:08):
And the extra added layer of gay is when they
have a vest on, you're the best. If he's wearing
a vest he's wearing the vest you own.

Speaker 2 (56:16):
Yes, we see you, and we love you.

Speaker 3 (56:20):
Gay in the sky.

Speaker 2 (56:22):
You. They're so good, aren't they? They're a good time.

Speaker 3 (56:28):
It's a text from text from mom, so.

Speaker 2 (56:32):
Short and sweet. Love it and strange.

Speaker 3 (56:36):
Sometimes rare for it to be short. If it's from
a mother.

Speaker 2 (56:39):
It's just an interesting glimpse into the mind of a mother.
It's a slight departure as a text from mum. And
it's from just one more plant Okay, not an industry plant.
I was trying to explain to my husband, the do

(57:00):
they tell the concept of an industry planted? Oh?

Speaker 3 (57:03):
Yes, with the kids. It's actually quite hard. Yeah, it
is really really hard. It's really hard to explain. It's
not like trade wife.

Speaker 2 (57:10):
No, no, we all get trade wife. Who do you
think is an industry plan?

Speaker 3 (57:14):
Oh I'm never going to say, because it's so cruel
and our industry is so small.

Speaker 2 (57:18):
But I've got international?

Speaker 3 (57:20):
Oh international?

Speaker 2 (57:21):
Why of course you think bitchy local you comedian?

Speaker 3 (57:24):
Comedian? It's not a comedian, Oh wasn't it.

Speaker 2 (57:26):
No?

Speaker 3 (57:26):
No, no, it's a singer.

Speaker 2 (57:27):
Oh, an Australian singer. Oh that's amazing. Anyway, then we
none of us could, none of us could agree on
who that was. I said Jennifer Lawrence, and the kids
thought I had said Jennifer Lowpie's and they were so
keen to agree. And I'm like, I wouldn't have thought

(57:49):
j low was an industry plant for starting Warren the actress.

Speaker 3 (57:54):
Yeah, you can't be an industry plant when you're good
at acting. That's not how it works. I thought an
industry plant plant or plant?

Speaker 2 (58:04):
I don't I don't know, I don't know anyway, forget
once again, as I said, very difficult me or the topic,
the topic. So just one more plant, just one more plant.
Uh huh, she said, it's not a text from mom.
She knows it's not a text from mum.

Speaker 3 (58:24):
That's good, but.

Speaker 2 (58:27):
Drihannon, mm hmm. I got a hanky out of my
mum's cupboard recently and used it. I love that love
a hanky. My husband uses a hanky and I love it.

Speaker 3 (58:42):
An old stand up bit about dads are the only
people clown onto the hanky.

Speaker 2 (58:46):
I remember when we were first going out, we were
at his grandmother's funeral, where of course I was howling.
I never met his grandmother, but loved her from the
She used to tie omo bottle to a tree and
make things colorful, just with things that she had. And
she had a sad a bit of a sad life,

(59:07):
and she was married to a hard man.

Speaker 3 (59:08):
I have questions about the bottles, but I will not ask.

Speaker 2 (59:11):
Anyway, running over ride and cried, and Peter pulled a
hanky out of his pocket, and I've never loved him more.

Speaker 3 (59:20):
I dry reach.

Speaker 2 (59:21):
I know people are anti hanky, but for some reason,
people think it's better to rub your nose with a
bit of dead tree.

Speaker 3 (59:28):
I'm so annoying that if Cody's like, well, I'll have some.
He has to have his own fork, even if we're
a little sliver.

Speaker 2 (59:33):
But at the same time, the hypocris of you, of
you pretending to care about the environment.

Speaker 3 (59:39):
Ah, well, I love paper towels so much. Shout out
to my paper now too.

Speaker 2 (59:44):
I just I think I've got a seven dollars a
week habit a week. Yes, only seven dollars a week.

Speaker 3 (59:51):
We're we're two dollars a week. We're four rolls a week.
No kids, double incum, no kids, and heaps to clean up.

Speaker 2 (01:00:04):
So Rhianna, we.

Speaker 3 (01:00:05):
Don't use paper towels, folks.

Speaker 2 (01:00:07):
I got a hanky out of my mum's cupboard recently
and used it. When she saw that I used it,
she was disappointed, clearly disappointed. I said, is it not
okay to use this hanky? She said, that's the hanky
that was under my mum's pillow when she died. She said,

(01:00:29):
granny died twenty three years ago.

Speaker 3 (01:00:33):
It's a text from and now it's got her snot
all over it. What well?

Speaker 2 (01:00:38):
Why I don't know. Why was it there? Why was
it there. Oh well Granny would have had a hanky
under a pillow.

Speaker 3 (01:00:45):
Okay, sorry, but.

Speaker 2 (01:00:47):
Also what how why why is it off bounce? Who knows?
We don't know, but we love mus.

Speaker 3 (01:00:59):
Because I produced it down on a chair and they go,
not that chair. Yeah that's right.

Speaker 2 (01:01:04):
And also they cannot that member some really elemental things,
of course, but they have like a lazer like recall
of really random things.

Speaker 3 (01:01:15):
I get the wrong plate out. That plate is not sorry,
I opened a cupboard and got a plate. Now how
have I got this wrong? Or they're surprised that you've
even found something. I'll open a cupboard. I'd rather a mug.

Speaker 2 (01:01:28):
Where did you find that? I have that?

Speaker 3 (01:01:33):
Still, Mum, We love them. That was a good story.
Maybe for next year we can do text from mum
and also just stories about Mum.

Speaker 2 (01:01:44):
Oh yes, stories about open it up. Oh my goodness.
You know that will be an endless reservoir, a repository
of stories, each like strange and perplexing them.

Speaker 3 (01:01:58):
It will be laying down and there will be two
straps hanging from the roof, and all baby or all
up those stories to.

Speaker 2 (01:02:07):
Fingering so terrible, I've never thought more balls.

Speaker 3 (01:02:15):
It's December nothing matters, Love you all.

Speaker 2 (01:02:20):
The Buckup podcast is hosted by me, Kate Langbrook and
him Nathanalvo. It's produced by the brilliant Sasha French Audio
and sound by the magnificent Yack Lawrence you might call
him Jack. And Dom Evans. Oh we're lucky.