Shut up Kate

• Kate has the girls out
• The Oasis connection
• Don't take your pants off
• Sausage dog conspiracy 
• Text from mum

@thebuckuppodcast

@katelangbroek

@nathvalvo 

Our money back guarantee is that you're going to feel better at the end of this podcast than you did at the beginning.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:02):
Imagine, if you will, that you are in a place
of great beauty. Some teenage boys walk past you, they
yell out, they bitch tits.

Speaker 2 (00:20):
The world you see is a place of paradox of
beauty and cruelty. It will cut you off with the knees,
then gift you a pair of easies.

Speaker 1 (00:31):
And that, my friends, is why you always always need
a buck up.

Speaker 3 (00:45):
I bat a bad, bad bad ba. You're missing it.

Speaker 4 (00:50):
I can't look because it's gonna make me question everything
about my wife. Really, you're coming in here. You've got
all over the shoulder showing I've got a shoulder, and
the girls around.

Speaker 3 (01:00):
Is cut like that, which is strange.

Speaker 4 (01:03):
You look radiant, and this dresses dress. It's a lot
of things going on. I love what's happening, Valve.

Speaker 3 (01:13):
What is happening?

Speaker 4 (01:14):
Oh my okay, riddle me this late in life the
other wise, Yes.

Speaker 3 (01:19):
How would your parents take it?

Speaker 4 (01:21):
Mum would be like baby, but she'd.

Speaker 3 (01:24):
Be devastated by Cody.

Speaker 4 (01:27):
Well, I've always said if Cody and I were to
ever divorce, Yeah, wouldn't because cody'smum's a divorced I'm not dumb.

Speaker 3 (01:34):
Yes, my family would. He's a bit dumb.

Speaker 4 (01:39):
My family would side with Cody, I think from that
beautiful buck Hello Kate Lanebrook, Hello Nate Valva. I wonder
if there's any buckheads listening who truly do think like
I do, that their family like their partner more than them.

Speaker 3 (01:52):
Oh yes, oh yes.

Speaker 4 (01:55):
Let me say this, Kate Lanebrook. Everyone acts their best
to the in laws.

Speaker 5 (02:00):
No, I know, but some people can do it, like
some people like you. You're good for ten minutes on stage, right.

Speaker 3 (02:08):
You've got a tight teen.

Speaker 4 (02:10):
It's a good ten.

Speaker 5 (02:11):
But some people like Peter Allen Lewis have got a
loose twenty five years oh hello, and they can just long.

Speaker 3 (02:21):
It but going. It's a long set, and yet he
never seems to tire of it.

Speaker 4 (02:27):
I meant with me his stick of you're.

Speaker 5 (02:30):
Maintaining the facade in front of the in laws, the best.

Speaker 4 (02:37):
With that when they live in another state.

Speaker 3 (02:40):
Yeah, okay, but they don't.

Speaker 5 (02:43):
Oh, Sasha French World's Greatest producer.

Speaker 3 (02:49):
Hello, oh hello. Oh that's a very high lilting voice. Yes, yeah,
you're very feminist.

Speaker 4 (02:56):
I'd say, no accusations this week about our producer on.

Speaker 3 (03:00):
What was your name? Andel's dad and it's dad.

Speaker 4 (03:04):
Oh, that's right, Andre's dad on the show. Are you
still rubbing your thing in?

Speaker 3 (03:08):
Absolutely?

Speaker 5 (03:10):
Sash has never had in laws that have lived in
the same place.

Speaker 4 (03:15):
Have you no country?

Speaker 6 (03:17):
No?

Speaker 3 (03:17):
What about with that?

Speaker 5 (03:18):
Oh no you did with the English one, the English
husband to a different country.

Speaker 3 (03:23):
Yeah, but you were lived in England. Did you see
his parents there? They loved you.

Speaker 4 (03:29):
We got married after three months.

Speaker 5 (03:31):
Yeah, she got married after three months, and then she
got pregnant after four months with.

Speaker 4 (03:38):
A different from the wedding.

Speaker 3 (03:41):
Yeah, No, she got and she's real. She does. She
isn't back around.

Speaker 4 (03:47):
Just because I've just every now and then you just
drop things about Sash that, really, I know, why shocking?

Speaker 3 (03:53):
I don't know. Do you know what?

Speaker 4 (03:56):
I didn't know that she's a tramp. I've always just thought, yes.

Speaker 3 (04:00):
Oh no, she is delightful. I told you what she said.
We're hospitable, she said about New Zealand.

Speaker 4 (04:05):
Oh yeah, friendly, very friendly.

Speaker 3 (04:08):
Friendly people.

Speaker 5 (04:08):
Yeah, and also catnip. There's something about her. You know
the photos that we put up on when Hughsey made
us go and get that they made and go. But
he did because now people be.

Speaker 3 (04:22):
Like, come where he can trowl? Google had his colors.

Speaker 4 (04:26):
Let's cancel Hughsey from fifteen years ago, give him a
week and just give us something new.

Speaker 5 (04:31):
Can Is he talking about people love nothing more than
to cancel people from decades ago?

Speaker 4 (04:34):
I agree. I don't like it at all. My worst
the worst one Kate tell me is when people watch
an old TV show and there are five yes Bay
a joke that was written yeah thirty five years.

Speaker 3 (04:45):
Yes, yes, yes, yes. The idea're always going at friends.

Speaker 4 (04:48):
We've all moved on.

Speaker 3 (04:49):
They're always going at friends for not having enough diversity
in the car.

Speaker 4 (04:53):
Just chill, guys. Times have change.

Speaker 5 (04:55):
And then the Friends producers say, but nobody was forced
to have diversity back then.

Speaker 3 (04:59):
That's the answers.

Speaker 4 (05:00):
The answer I can't answer.

Speaker 3 (05:03):
I say answers sometimes is.

Speaker 4 (05:04):
That Melbourne accent answer answer?

Speaker 3 (05:07):
I say plant and I say dance, dance.

Speaker 4 (05:13):
You look like someone that would love a dance in
that dress down.

Speaker 3 (05:18):
You know. I went and saw Oasis and I had
a good dance.

Speaker 4 (05:22):
Can you to their music?

Speaker 3 (05:24):
Three of the songs.

Speaker 4 (05:25):
I saw some footage of it the gig and it
looked like my worst nightmare. The footage I saw was
the ground level. Someone was looking down down fifty thousand
receding hairlines moshing.

Speaker 3 (05:40):
Do you know?

Speaker 5 (05:40):
I know you keep saying receiving hairlines on fighting it
that they the crowd was.

Speaker 3 (05:46):
Not as old as you seem to want to make.

Speaker 4 (05:48):
Any clips I've seen with my own eyes.

Speaker 3 (05:51):
I was there in the crowd with my own eyes.

Speaker 4 (05:54):
You received it.

Speaker 3 (05:55):
Good on you for sitting.

Speaker 5 (05:57):
On Facebook on Friday night, tippity tapping on people's follicular
challenge scout.

Speaker 4 (06:03):
As if I've on Facebook, come on.

Speaker 3 (06:09):
But there were a lot of young men there.

Speaker 4 (06:14):
But the bouncing was the issue. That's like anxiety inducing.
Enjoy your music, valas.

Speaker 5 (06:19):
My husband went the Tuesday night. I went on the
Saturday night with some girlfriends. Very strange that I went,
but I, for some reason, really wanted to go. He
went on the Tuesday night with a maid of his
who has always loved Oasis so much so he put
his antipathy towards the poems aside to marry an English girl. Okay,

(06:43):
loves Oasis one step closer, that's right. Anyway, Peter loved it,
and when I came home and I told him about
it the next day, I think I was not very
overwhelmed about it, and he didn't.

Speaker 3 (06:56):
Want to hear it.

Speaker 5 (06:57):
In fact, any men who were looking forward to going
to Oasis have taken a very dim view of me
giving my nigator eye review, which I understand. No one
likes someone to before they've even had to yet.

Speaker 4 (07:12):
And what young those men of those generations have anymore? Okay,
what do they? What have they got?

Speaker 3 (07:18):
All right?

Speaker 5 (07:18):
So you know what Peter said to me when I
when he went to the Oasis. I was in Sydney
interviewing Jelly Roll. Now there's a concert. Google who he
is if you don't know, a lot of people have
had to google him. A most magnificent, intriguing man. So
I called Peter on the way home and he was
just on his way back from Oasis and.

Speaker 3 (07:36):
This he said. I said, how was it? He goes, Yeah,
it was great, it was great, he.

Speaker 5 (07:41):
Goes, Liam was wearing a hat with corks on it and.

Speaker 4 (07:49):
That was all it. Okay, So he doesn't always do that.

Speaker 5 (07:56):
He didn't do it at the show I was at,
but robbed. He did so little at the show. I
was ast like, just so little and you could hardly
see him in his windbreaker. However, if you will recall
when we discussed the show, I my girlfriend Alice was
telling us that her girlfriend, Sally, who she used to

(08:16):
work with years ago and still very tight friends with Skelington.
We call her because she's very cute and English, and
she says Skellington instead of Skeleton.

Speaker 3 (08:26):
So I always say, how Skellington.

Speaker 4 (08:33):
Is your book? Got an editor? I really hope.

Speaker 3 (08:38):
I have the backstory because we're about to introduce Skellington,
because Skelington had told Alice a story years and years
and years ago one night when they were out and
on it, and it involved the song that I thought
was called Pelican Lane.

Speaker 4 (08:57):
Uh huh, but it's not. We spoke about that the
other week. That's rough Sally, Sally can Wait. All that song.

Speaker 3 (09:02):
Sally can Wait, don't get back in Anger.

Speaker 4 (09:05):
That's the lyrics, yeah, Sully can chorus. Yeah.

Speaker 3 (09:09):
And so the bit that I thought was Pelican Lane.

Speaker 5 (09:12):
Is, and so Sally can wait exactly. She knows it's
too Later, as we're walking on by her soul slides away.
Don't look back in anger, all right, Sally maintains.

Speaker 4 (09:30):
Oh god, I've just worked it out.

Speaker 5 (09:31):
Yeah, that she is the Sally in the song.

Speaker 3 (09:36):
Now, when Alice.

Speaker 4 (09:37):
Told us that it's a unique name.

Speaker 5 (09:40):
So she told me and Flewes, the other friend we
were with, and we were like, what, what's the story?
She said, I don't know, but it was such a
good story. I made her tell me it again when
we were on holiday and Thailand together, but once again
we were really drunken.

Speaker 3 (09:51):
I can't remember it. We must hear the Sally can wait?

Speaker 4 (09:58):
G Sally? Is she what a scoop for the buddy?
This is a huge story, I mean a few weeks.

Speaker 5 (10:06):
Too late, and she now considers Australia her own does
she live here?

Speaker 3 (10:11):
Lives the Sally? Hello? She couldn't wait for play Skellington. Oh,
we're so.

Speaker 4 (10:21):
Good so far. The accident checks out? Tick tick Oh
it's authentic.

Speaker 5 (10:27):
So Alice told us when we're at Oasis about well.
She couldn't give us any details because she couldn't remember
any of it. All she said is it's a really
good song, and Sally thinks it might be about an
encounter she had with Oasis.

Speaker 7 (10:45):
We were like, what, I know, it's pretty it's pretty mad.
It's also possibly not true, but of course I've purposely
never googled anything just in case, because it's most favorite story.

Speaker 3 (10:58):
It's already amazing. I'll tell you what.

Speaker 5 (11:00):
You don't need to apologize for the fact that it's
it might not be true, because I'm surrounded by fools
who believe in the moon landing. So you don't need
to You don't need to make any excuses for yourself.
All we know is we love a cute little English
girl who's had a brush with the oasis brothers.

Speaker 7 (11:24):
I have what is one of them?

Speaker 3 (11:26):
Which one?

Speaker 7 (11:27):
No, the one that wrote, the one that writes the song.

Speaker 5 (11:30):
The one who writes it, she says, quickly, getting in.

Speaker 3 (11:34):
She gets that in quickly.

Speaker 4 (11:36):
So far, so good.

Speaker 5 (11:37):
All right, take us back, we'll get out the time harp.

Speaker 3 (11:42):
All right.

Speaker 7 (11:44):
So it was early nineties and me and my were
husband now but boyfriend then. I think I got nineteen
or twenty. We went on a camping camp America trip,
like adventure camping trip. It was in Americas, in California.

Speaker 3 (11:56):
Oh okay, it was in America. Okay, good.

Speaker 4 (11:58):
Yes.

Speaker 7 (11:59):
It was like a little tour bus and there was
twelve people on it and we were the only English people.
There were a couple of oozes actually, and it went
it went all around California and to Vegas and that
and then when we were in San Francisco, Matt and
I went off on our own, went shopping or whatever, and
we were aiming to meet up with the others later
in the evening. And as we were, as we were

(12:19):
walking down the hills of San Francisco it's.

Speaker 3 (12:23):
Famous for its hills, Sally famous.

Speaker 7 (12:26):
It is it is there are trams anyway, we spotted
no Gallagher walking towards us on his own. He might
have been a bit pissed or something, I don't know,
a bit wobbly, yeah, and we stopped him. No. Later
on we found out no one else knew Eve knew
who Oasis was it, because.

Speaker 4 (12:42):
It was like, of course, early days.

Speaker 7 (12:44):
It was early days.

Speaker 3 (12:45):
And America in America.

Speaker 4 (12:48):
He was walking around, walking out.

Speaker 3 (12:51):
On his own.

Speaker 7 (12:52):
Yeah, and we stopped him and said it hello. So
we were fans, et cetera, et cetera.

Speaker 3 (12:57):
I was.

Speaker 7 (12:58):
I was ninety twenty, so I was looking a bit
better than I do these days, and hotness peak hotness.
He texted me out for sure, and he asked my
name twice, which is Sally. Obviously Sally checked out Sally
and then we and then my husband was equally as
excited as I was. And then we said you want

(13:19):
to come for a drink and he said, yeah, sure,
and he said, well, I know, and then he said
where are you going? And I said the hard rock cafe, right.

Speaker 4 (13:30):
Which is the worst answer to that question I've ever heard.

Speaker 7 (13:35):
It's literally my bigger life regrets.

Speaker 4 (13:39):
Are you sixty five years old? You have a bum
bag on what happened?

Speaker 3 (13:43):
What happened?

Speaker 7 (13:45):
So we were meeting, and that's where we were meeting.
These these people are right, he said, not really my scene.
And then and then I went went to full panic
mode and was just like, oh, we can go somewhere else,
and he was like no, and then he kind of
sawn it off, swagger it off, and I was like
left on the streets, the sidewalks of San Francisco with

(14:05):
my head in my hands, and I looked up and
he turned around and looked at me, and I was like, going, what.

Speaker 3 (14:10):
The I done?

Speaker 7 (14:13):
About a year later, I was listening to the new album,
so I don't I don't reckon the songs about me,
but I think I might have inspired.

Speaker 3 (14:23):
With your name that he asked twice. And that point
in the.

Speaker 5 (14:27):
Early nineties, he never would have encountered the letters of
the alphabet put together in that order.

Speaker 3 (14:35):
To spell your name, Sally, well you applause.

Speaker 7 (14:43):
There's more that the verse goes, take me to a
place where you go, where nobody knows if it's night
or I can't trouble, trouble, saying without singing it, please
don't put your life in the hands of rock and roll.
Burn and then and then concrete.

Speaker 5 (15:00):
I think I just got a bit of a goose bump.
It might have been, it might have been a sympathy
goose bump. Did he at any point say, when he
looked back and saw you with your head in your hands, saying,
what have I done? Did he at any point say,
don't look back?

Speaker 3 (15:18):
In anger? What he did?

Speaker 7 (15:22):
What he did say? Though this was just before because
all the all the people on the tour buff with
us in their shell track suits. Of course he went
that lot. I said yes, And then he picked up steps,
and then he ran away, and anger, I.

Speaker 4 (15:39):
Don't need any more convincing.

Speaker 3 (15:41):
I love it, all of that. I love it. And
you know what I say, Sally, why not?

Speaker 4 (15:49):
Why not?

Speaker 7 (15:50):
Why not? He kept I did just I was just
talking to my son then, who also loves the story,
and tells people. And he said, because I've forbid my
children to google or anything from you, it's my story. Yeah,
but he said, I didn't google it, but I was
listening to interview and apparently he wrote it in Paris.
I was like, he could have been in Paris.

Speaker 4 (16:07):
After course, people travel.

Speaker 3 (16:09):
You think he stayed in San Francisco.

Speaker 4 (16:12):
Up Sally's son, Yeah, Sally son son.

Speaker 3 (16:17):
Yeah, I'm looking back in anger at him. Don't take
a big flying pooh on mum's story. I love it.

Speaker 5 (16:26):
And you caught the eye of Noel Gallagher before he
was all angry.

Speaker 3 (16:32):
Is there a line about the hard rock cafe in
this There is not, There is not.

Speaker 4 (16:36):
Hey, I'm just scanning. Terrible restaurant, terrible restaurant.

Speaker 7 (16:39):
No, he take me to a place where nobody where
nobody goes.

Speaker 4 (16:44):
Well, a lot of people go there.

Speaker 5 (16:45):
They're just yes, he didn't want but he wants me
taken to a place where nobody goes.

Speaker 3 (16:51):
Take me to a.

Speaker 5 (16:52):
Place where everybody goes, where they have merch hanging on
the wall.

Speaker 4 (16:56):
I love eating my chips under a Michael Jackson picture, Sally.

Speaker 3 (17:01):
That is a magnificent reminiscence.

Speaker 5 (17:04):
By the way he is an impartial witness to your life.
Your husband, Matt, what does he make of that?

Speaker 3 (17:15):
Well?

Speaker 7 (17:15):
He he laughed at me.

Speaker 5 (17:27):
I love people who think things like that. Do you
that they've played a big role.

Speaker 4 (17:32):
A song written about me? Everyone?

Speaker 3 (17:34):
Does?

Speaker 5 (17:35):
I know?

Speaker 3 (17:36):
Okay? All right? Do they? Because let me tell you this?

Speaker 5 (17:38):
Yes, So Peter, before we live together, he lived with
a girlfriend of ours and her boyfriend, a guy called
kin And who he loved, who was in a band,
an Australian band called Augie March, who had.

Speaker 4 (17:50):
A right what was a's big song?

Speaker 3 (17:53):
One crowded hour? And for one crowded hour it's the.

Speaker 4 (17:58):
Greatest on a TV showing some big episode what was
I can't remember?

Speaker 5 (18:04):
Well, so she's nodding as though she knows. Oh no,
now she's got a tippy chap. She got caught out
pretending to listen but thinking about something else. I know her, so, well,
what were you thinking?

Speaker 3 (18:13):
What were you thinking about?

Speaker 4 (18:14):
What's on your mind?

Speaker 3 (18:17):
I knew you were not. We don't work care how
day on the back up? How dare you anyway?

Speaker 5 (18:25):
So keenan So when Peter was living with him, and
Peter lived with them, and while I was pregnant because
remember I lived with my girlfriend Nish before we got married.

Speaker 8 (18:34):
Yeah, I'm so sorry.

Speaker 3 (18:44):
She was the opening.

Speaker 4 (18:46):
Chapters of your stories to light a quite the read. Well,
there is a point at which I figured it out. Yes,
and I figured it out. What's happening? What is that
you tell in all stories?

Speaker 3 (19:00):
Yeah?

Speaker 4 (19:01):
As much information that you think we need to give
you when we tell the story. So you cover your
boxes and you answer all the questions that no one's asked.

Speaker 3 (19:10):
Because I'm a writer.

Speaker 5 (19:11):
Now are you anyway? Keenan said he was writing some
music and I said, could you write a song about me?

Speaker 3 (19:23):
And he went on, maybe or whatever. He was always
a bit. He was always very quiet, Keenan, but intriguingly quiet.

Speaker 4 (19:30):
I would jump in here and say, as a singer songwriter,
someone saying that to him would be the equivalent of
when someone says, to stand up write a joke about me.
You should have. You should don't steal that for your show.
When they say something funny to you.

Speaker 3 (19:43):
Well, he didn't have. They say nasty world view? He said,
why not? Maybe I will.

Speaker 5 (19:50):
So then for the next like six weeks, every time
I saw him, I didn't.

Speaker 4 (19:55):
It must have got quite a he was working on
the Cake song.

Speaker 5 (19:57):
I kept saying to him, how's my song going, How's
my song going? That helps said is a man a
few words, and then one day he said, guess what.

Speaker 3 (20:05):
I finished the song and I went, oh, my goodness,
I love this. My goodness. I said, what's it called?
And he said, shut Up Kate.

Speaker 4 (20:18):
I love that's all, Devas, that's all so devastated.

Speaker 3 (20:24):
Even then, a part of me was like, so, like, yeah,
can I hear it? Devas? I must have been annoying.

Speaker 4 (20:32):
You, annoyed Augie March.

Speaker 5 (20:34):
I annoyed a part of Augie March, but I never
even annoyed Glean, the other part of Augie March.

Speaker 3 (20:40):
I can say that quite confident.

Speaker 4 (20:42):
Shut Up Kate never made it to an album.

Speaker 3 (20:44):
Shut Up Kate, no one's ever heard.

Speaker 4 (20:45):
Not released. It's a B side, but you know what.

Speaker 3 (20:47):
I reckon, there'd be a huge crowd sing along.

Speaker 4 (20:51):
I would never sing a song called shut Up Kate.

Speaker 3 (20:53):
You did seem to enjoy that.

Speaker 4 (20:56):
I did something humiliating. One of the first people I
thought of when it happened was Kate the pod. I
need to tell you all, it's up there with the
most embarrassing thing anyone can do and trying.

Speaker 5 (21:08):
To buy you know what, I think about it all
the time, You buying somewhat dirty, old vagrant shirt.

Speaker 4 (21:13):
When I put on a shirt at Maya the other
way belonged to someone else.

Speaker 3 (21:17):
Yes, and that they'd left hanging on the hook. That's that.

Speaker 4 (21:21):
We've got a lot of message.

Speaker 3 (21:22):
I think about that a lot.

Speaker 4 (21:23):
It was gross. That wasn't embarrassing. That was just mortifying
and shocking. Yeah.

Speaker 3 (21:28):
I think that's also embarrassed.

Speaker 5 (21:29):
But this is more embarrassing because you put it on
and you're admiring yourself in it.

Speaker 4 (21:33):
I really liked it. Shut up.

Speaker 3 (21:35):
Kate really enjoyed.

Speaker 5 (21:42):
Oh now, look she threw it back as though she's
been to see color a practor. I didn't even know
that your head could make that joyful motion.

Speaker 4 (21:52):
So when i'm when I feel that there's nerves in
the room or a bit of awkwardness, I've always done this,
I try a little bit too hot to Oh, yes,
that's what I'm looking for. Deflate yes, the situation. Yeah,
you know, try and take control a bit.

Speaker 5 (22:07):
I find that a lovely quality. That's nice because a
lot of people don't.

Speaker 4 (22:11):
I take it on.

Speaker 3 (22:12):
Yeah, A lot of people are just like add to
the awkwardness.

Speaker 4 (22:15):
No, I have to take it on. I feel like
sometimes in a social setting, I can sense when people
are running out of a story and you've got to
jump in soon at the table.

Speaker 3 (22:25):
I do that constantly on this pot shut up and
it doesn't.

Speaker 4 (22:31):
Maybe I would think that if your story has ever ended.
So I'm at the doctors.

Speaker 3 (22:38):
You're at the doctor. You're always at the I'm.

Speaker 5 (22:40):
Actually not, You're always. I remember when I told you
were a hypochondriact.

Speaker 4 (22:46):
I'm not a hyperchondriact. You know why I'm not a hyperchondriact.
But I'll tell you why you not another word?

Speaker 3 (22:52):
Go on?

Speaker 4 (22:52):
You say it, No, you say you say it again.

Speaker 5 (22:56):
Hi, I'm just going to say this to you. Yeap,
it doesn't end in the tea hypochondriac.

Speaker 3 (23:02):
Yeah that tea.

Speaker 4 (23:03):
I would have said tea.

Speaker 5 (23:04):
Yeah you did say tea. That's what pricked up my critical.
There is a there's no tea in hypochondriac, but there
isn't critical.

Speaker 4 (23:14):
And in shut up dat heams of tas and shut
up gates.

Speaker 3 (23:19):
So many too many g shut up cage. It was,
you're at the doctor. What for that can This one was.

Speaker 4 (23:28):
The one with ECG. That's the heart one, right, What
get a heart thing for? Because I'm a hundred years old,
I'm getting it.

Speaker 3 (23:38):
You've got for work?

Speaker 4 (23:40):
Yeah?

Speaker 5 (23:41):
Was it for work or was it just for your No,
don't say that just to throw me off your back. Okay,
Well you often have to do it before you do
a TV job.

Speaker 4 (23:51):
It was an ECG because finding out if I've got
this heart thing that heaps of people in my family
have in their older years. True story, Are you making
this harm though?

Speaker 3 (24:01):
Do you think that you've wanted onto the set of
what I lie to you?

Speaker 4 (24:05):
That's a true thing, right, it's a true thing. But
but even if it's not. But even if I have,
it doesn't affect me to like in my sixties, because
I want to know. And some people in the family,
the men don't want to know.

Speaker 3 (24:16):
Don't I want to know? I don't want to know.

Speaker 4 (24:18):
And a pill and then you're done. Pill just takes
care of it anyway.

Speaker 3 (24:22):
What a euthanasia pill?

Speaker 4 (24:23):
That's it done?

Speaker 3 (24:24):
Bye bye, thirsty. Sorry, I can't give you a drink,
do you know?

Speaker 4 (24:28):
That's what happens so in ECG, folks, if you've never
had one, before. They've just got to put a couple
of things on your body to read your heart. Ye
little like on your shoulders, on your chest and on
your ankles.

Speaker 3 (24:39):
They always look like they're very randomly placed.

Speaker 4 (24:42):
I thought so too. AnyWho, I thought this is going
to get awkward. Just take control of the situation, Nate,
be brave.

Speaker 3 (24:49):
What do you mean at the doctors you had to
take control of the situation.

Speaker 4 (24:55):
This is how my brain works.

Speaker 3 (24:56):
What have you got? What it goes here?

Speaker 4 (25:00):
I've got this mate, that glove on. Excuse me, I'm
married to one of you. I've got that.

Speaker 3 (25:12):
Okay she she.

Speaker 4 (25:15):
Turns around, and so you know Nate's going to take control.
He's going to make everyone feel more comfortable. I kicked
off my shoes, dropped.

Speaker 3 (25:22):
The pants, jumped on the bed right.

Speaker 4 (25:25):
And she turns around and goes, oh, no, no, you.

Speaker 3 (25:28):
Don't have to take your pet Okay.

Speaker 4 (25:35):
I took my pants off and I didn't have to.
I took my pants off, didn't I didn't lift. I
took them, couldn't wait, and they weren't even like neatly folded.

Speaker 5 (25:51):
Drop was your haste to climb half naked onto the.

Speaker 3 (25:55):
Beach and to get on the bed.

Speaker 4 (25:57):
I had to go up two steps.

Speaker 3 (25:58):
How are you going to? Oh you are have to
go up?

Speaker 4 (26:00):
But do you understand how many steps I had to do? Wrong?

Speaker 6 (26:04):
Here?

Speaker 4 (26:04):
Shoes off, socks on? She could leave my socks on,
pants off, didn't even fold the pants or because I
wanted to do it.

Speaker 3 (26:09):
So you clicked out of them and zipped out of them.
Gust it up up the steps? Ready.

Speaker 5 (26:19):
My favorite thing is that when she turned around, now
she could have helped you. So you know you're you're motivated,
motivated by your desire to make things to put everyone
at ease. I don't know why you think your naked posteria.

Speaker 3 (26:34):
Would do that.

Speaker 4 (26:35):
It wasn't naked naked.

Speaker 3 (26:38):
Close enough your thread beer boxes. For some reason you
hit boxes?

Speaker 4 (26:43):
What was that?

Speaker 3 (26:44):
What do you wear knit? Box?

Speaker 6 (26:46):
Knit?

Speaker 3 (26:46):
What does that mean? Like stretcheap? You know when cotton boxes?

Speaker 4 (26:51):
Do you I wear? I think it's a hybrids, Like
they're not boxes, they're not breathe but they're not like
they're not like bedo shape. They're like halfway between ones.
What are they called? Yeah, boxes tighter than boxes, briefs
but bit longer pants.

Speaker 5 (27:13):
Questions She made that sound, which she turned around. Yeah,
that was you know what, that was passive aggressive.

Speaker 4 (27:20):
In her defense, she just turned around to like put
some gloves on. And she turns back around and here
I am legs a kimber and my legs are very pale.

Speaker 3 (27:29):
In her offense, quite long in her offense.

Speaker 5 (27:36):
Who doesn't tell a patient exactly what they need to
leave on and take off when they're about to have
a medical procedure involving you bed with a surgical sleep,
thank you? And two steps.

Speaker 4 (27:50):
Up and she said this, okay, I put no, that
is what they think pants off. She said, we put
you know, a couple in you shoulder blades up on
your chest and her words were a couple on your legs.

Speaker 3 (28:06):
Well, that's one hundred percent pants off, thank you.

Speaker 5 (28:08):
It was it was ankles, ankles, Okay, she's done on
the ankles.

Speaker 3 (28:14):
She wanted to see me, She wanted to hear all.

Speaker 5 (28:17):
She does this to everybody when they come in, depending
on their physique.

Speaker 3 (28:22):
There's some people because you know, they're on a very tight.

Speaker 4 (28:26):
And then spin around and she canned down from ten.

Speaker 3 (28:30):
Well, okay, you know what it is.

Speaker 5 (28:32):
They don't have time to waste no time in between
filling out all.

Speaker 3 (28:36):
Those forms.

Speaker 5 (28:39):
Busy trying to delete all the vaccine adverse side effects
emails they're receiving. Right, that takes a lot of time
to ignore the mounting, mounting tsunami of adverse effects coming
at them, and ignoring that not.

Speaker 4 (28:56):
One of the effects of the vaccine wasn't uncalled for nudity.

Speaker 5 (29:00):
Okay, she picks people that she does that too, and
it's people who are nimbly gonna step out of their trousers.

Speaker 4 (29:07):
So sorry, sorry, back down the steps, I go, pants
back on, doing.

Speaker 5 (29:11):
The john before she did the thing, of course, yeah, okay,
I'm not going to then lie there with them out.

Speaker 4 (29:24):
That makes it worse for her to go, oh, you
don't have to take your pants off, and I go,
oh well.

Speaker 9 (29:31):
And just stay there and then sitting in issue yeah,
oh well your leg I imagine you with your ankles crossed,
like in the days of you know, when they showed that.

Speaker 4 (29:41):
Like when he sketched her in the Titanic.

Speaker 5 (29:44):
Yes, did she say, let me e c gu like
one of my French girls.

Speaker 4 (29:49):
That's what she says. I knew that she was so
pants back on, back up. All she did was attached
to my ankles humiliating.

Speaker 3 (29:59):
Did you say to her or did you just leave
it there? You left it there?

Speaker 5 (30:02):
You didn't sign, of course you did you say, I
don't know if you studied anatomy at yours in your
seven years of medical juition.

Speaker 4 (30:12):
Seven years.

Speaker 3 (30:13):
But this is not leg this is ankle.

Speaker 4 (30:16):
I didn't say any of that.

Speaker 3 (30:17):
Did you help her? She needs help?

Speaker 4 (30:19):
I just cracked some gags. I said, you know the classics,
you know, took my pants off. Didn't need to do.
What is this? Backstaged? A comedy gig?

Speaker 3 (30:26):
You say, a little buy me a bunch of red roses.

Speaker 4 (30:28):
First? She'd even get that joke. It was a good
joke by me. AnyWho, I'm going to die, have a hardtack.

Speaker 3 (30:35):
What were the results? Oh that's a bad sign. What what.

Speaker 5 (30:42):
Direct?

Speaker 4 (30:44):
It's a bad sign? Pants on in this studio?

Speaker 3 (30:53):
All right? You know I love a conspiracy theory.

Speaker 4 (30:56):
Yes, mate, Well last week kim Kay he's with you
now on the moon landing.

Speaker 3 (31:01):
Goodness, the moon land You've got Kim.

Speaker 4 (31:03):
Kay with you? How does that make? Oh? She failed
her bar?

Speaker 3 (31:06):
Oh did she fail?

Speaker 4 (31:07):
Failed?

Speaker 3 (31:07):
It said? I saw the headline somewhere.

Speaker 4 (31:09):
She failed kim k California something apparently it is the
hardest one to pass in America. Is the one that
the California Christina. I bet she came out and she
blamed chat GPT have not been good enough. She actually
did all right, she said that, Can I say these
for real?

Speaker 5 (31:28):
She's had, she's done the whole course, and she's only
been attached to another lawyer.

Speaker 3 (31:36):
I don't think it's the hardest to pass.

Speaker 4 (31:39):
I think it's pretty hard for her.

Speaker 3 (31:41):
Oh for her, for her and me, well, she's got
a lot of calls on her time. Question.

Speaker 4 (31:46):
Yes, I think this would shock anyone at this when
he's the last time you actually sat down for a test,
I think you lay down for I think all of
us would fail just because of the concentration factor and
something going for longer than fifteen minutes without a phone breaks.

Speaker 3 (32:05):
So my husband, as you know, studied for the last.

Speaker 4 (32:09):
Two years to become a teacher.

Speaker 5 (32:11):
And I'm so impressed. He finished last Friday. He's got
his Masters of Education. What's on that, kim kay, whatever
he chooses to do with it, I am very full
of respect for the fact that he has done.

Speaker 3 (32:28):
Exactly what you said is I had most of it down.

Speaker 5 (32:31):
Exams, sit down, exams like sixteen thousand word papers, four
thousand word papers, an amazing feat of endurance.

Speaker 4 (32:43):
Did you hear about those Queensland students that studied the
wrong book?

Speaker 3 (32:47):
Oh year?

Speaker 4 (32:48):
Because mine can? I say? What a dream for them
to go?

Speaker 5 (32:52):
Now they'll just be waved on through. Yes, But however,
who's the education minister?

Speaker 3 (32:58):
You're bra, my bra? We should get him?

Speaker 4 (33:04):
Haven't you only get our brothers on when they up?

Speaker 3 (33:08):
When does your brother doesn't?

Speaker 4 (33:10):
That's what the annoying thing is.

Speaker 3 (33:12):
So I don't think my brother's responsible for this sorting
it out.

Speaker 4 (33:16):
I don't think politicians choose the.

Speaker 3 (33:18):
No, they don't.

Speaker 5 (33:19):
But how funny that suddenly people are sending me messages
going your brother's all over the news. Normally we don't
hear much of Queensland politics, even if we're in Queensband.

Speaker 4 (33:29):
I would say that Weirdly, our brothers and our brothers
and ask kind of do the same thing, but in
very different ways. Your brother's a politician and my brothers
a pr man public relations, and I kind of feel
it's kind of all connected. I find politician really close.

Speaker 3 (33:47):
To corporate, they're very corporate.

Speaker 4 (33:49):
But no, but I find politician very close to anyone
in media. I think it's very similar. Podcast hosts, politician.

Speaker 3 (33:56):
A lot of them do that.

Speaker 5 (33:59):
But but Pitians are much more like corporate people. You think, Yeah,
and that's what they all do, and that's why they
look after each other.

Speaker 3 (34:06):
Get the get the cooker ound. You don't know? Enrage me?

Speaker 4 (34:10):
Do you get into it? You do?

Speaker 3 (34:11):
The politician, we don't.

Speaker 6 (34:12):
Don't.

Speaker 4 (34:14):
Really, No, i'd pay to watch. Have you ever seen
them kick off?

Speaker 1 (34:17):
No?

Speaker 3 (34:18):
You get along? Not about politics?

Speaker 4 (34:21):
No, not about politics.

Speaker 3 (34:22):
There's been lots of other family.

Speaker 4 (34:24):
Yeah, these po's I met more like, yeah, not a lot. Okay, Yeah.

Speaker 5 (34:30):
The silver punch bowl that was a shocker. I can't
even right, all right, but let me just say this.
When my mother, my mother was on sale of the
Sentry a quiz show two times or three times, love
this twice.

Speaker 3 (34:44):
Well, you know mums like me. She knows it all, but.

Speaker 5 (34:48):
She can buzz in run and she won a silver
punch bowl on one of her one of the thick
prizes that she won. Was it this massive solid silver
punch bowl ma by some artists with like sixteen cups
that hang off hooks or something around the edge. And
when we were in Melbourne doing her eightieth birthday party.

(35:10):
That we were doing everything. Bear in mind working four children, busy, busy,
busy people, and so we were organizing everything for her birthday.
My brother and sister in law and the three kids
were coming down and I said, can you bring the
punch bowl? Like you can just put it in a suitcase,

(35:31):
bring it down so we can have it on the day.

Speaker 3 (35:34):
I know the ending.

Speaker 4 (35:36):
No punch bowl, no punch bowl, no punch bowl, no.

Speaker 3 (35:41):
No punch You're not only that, but along the way, like.

Speaker 4 (35:45):
You just live under your lip like I've never seen
you do, like a oh yeah, really, because we did.

Speaker 3 (35:53):
So much work for this party. Literally all they had
to do was get on a plane and didn't do it.
We had a string quartete, we had Why did you want? Ah?
Now I need a backup?

Speaker 5 (36:06):
Okay, but what I like for a change, I'm not
annoyed at my mother.

Speaker 3 (36:19):
So you know I love oh that.

Speaker 4 (36:22):
The answer to that could be so many games. You
love a big bag, you love fosseking, you love going
on holidays, you love avoiding writing your book. I love
a jeez popcorn.

Speaker 3 (36:33):
I love a conspiracy.

Speaker 4 (36:34):
You do love a conspiracy theory, like the way you
don't say theory.

Speaker 5 (36:40):
Well, as we know, the difference between a conspiracy theory
and the truth is time.

Speaker 3 (36:44):
Yeah, not even that much charged.

Speaker 4 (36:47):
He's not wrong.

Speaker 3 (36:48):
Yeah, tell me something you've had.

Speaker 5 (36:49):
Your mind changed about with you No, with conspiracy theories.

Speaker 4 (36:53):
Ummm, well no, I told you because of you. I
went from a hard no to a maybe. With the
moon landing, oh yeah, because it wasn't and the space
fact about all the planets fitting in between the moon,
I don't fly.

Speaker 3 (37:08):
That's true though, Okay, that's it. Teflon, what's the tefton one?
You were?

Speaker 4 (37:13):
You got rid of Teflon conspiracy science?

Speaker 5 (37:18):
No, for years it was treated as but people were
considered whack jobs if they didn't want to use Teflon.

Speaker 3 (37:24):
You forget how do how the world works? It's like
you forget more.

Speaker 4 (37:35):
Yeah, it was n oh fine, lame Brook was thirty
five years old.

Speaker 3 (37:41):
And what happened?

Speaker 4 (37:43):
Oh she said, don't you as Teflon Fellas was bound
at the stage.

Speaker 3 (37:47):
Yes, thank you.

Speaker 5 (37:49):
Can I just say, very good ad if you see
an ad for is that sure ad? Where she says
take me back to the eighties.

Speaker 3 (37:59):
She's on the extent.

Speaker 5 (38:00):
They go, this is the sixteen eight ers and she's
on the steak and some woman yells at she's a witch.

Speaker 3 (38:04):
It's a very good ads good ard. I don't know
why that came to mind.

Speaker 5 (38:08):
I think I watched when you watch Free to Air,
You're like, I've forgotten a bad ads. Most of them
are so terrible ads that they don't.

Speaker 4 (38:16):
Ads aren't funny anymore, And I don't understand why, because.

Speaker 3 (38:20):
I don't want to spend money on them.

Speaker 4 (38:22):
As used to be funny and they were always very good.

Speaker 5 (38:26):
And then there was a terrible phace where everyone tried
to make every ad funny and it's like, you're selling funerals.
I think you should just back off with the comedy,
but they just could.

Speaker 3 (38:36):
White Lady, every beer ad had to be funny, remember that?

Speaker 5 (38:46):
And then yeah, gambling payday lenders. It's almost like the perverse,
more perverse the product, the funnier they sort of have
to make it, which makes sense for the white lady funerals.

Speaker 4 (38:58):
We were talking about.

Speaker 5 (39:00):
I think my dad was buried by white ladies. They
were really nice.

Speaker 4 (39:04):
Oh that's nice.

Speaker 3 (39:06):
Yeah, how do you know that?

Speaker 4 (39:10):
I watched It was during COVID watch.

Speaker 3 (39:14):
And it was white ladies.

Speaker 4 (39:16):
It was their logos of the hat. Isn't it the
funeral hat? Isn't it?

Speaker 3 (39:21):
Is it? What funeral hat?

Speaker 4 (39:23):
It's like a lady wearing a funeral hat, a big white.

Speaker 3 (39:26):
Funeral hat.

Speaker 4 (39:27):
That's the logo.

Speaker 5 (39:28):
They didn't wear it for dad's funeral, motherfuckers, it was
ours was actually a mother and a daughter. Well, I
mean a father and a daughter.

Speaker 4 (39:35):
Well you find the people that work. They don't have
to wear the hat from the logo.

Speaker 5 (39:39):
They called white lady. And also I want a white lady.

Speaker 3 (39:45):
Live up to your name. I'm going to Kentucky Fried Chicken.
I'm not getting roast peak, you know. Yeah, anyway, what
was I telling you?

Speaker 4 (39:56):
I don't know.

Speaker 5 (40:00):
So my husband the other night, you know, just randomly
has certain things that I don't even know how he
heard about this.

Speaker 3 (40:08):
We're late to the party on this.

Speaker 2 (40:09):
I know.

Speaker 5 (40:10):
In fact, a Buckwhett mentioned this some while ago in
a text from mum.

Speaker 3 (40:15):
And it's about this little dash ANDed.

Speaker 4 (40:17):
Oh yes, the dog that was on an island for
six months.

Speaker 5 (40:21):
Kangaroo Island, oh Lovo over a year and a half.

Speaker 4 (40:26):
Okay, offending for itself, Okay, surviving alone.

Speaker 3 (40:31):
It went.

Speaker 5 (40:31):
So we were watching Australian Story did a story on
it the other night. My husband, I don't know why
he goes I'm looking for this story about this sausage Jock.

Speaker 3 (40:40):
I don't know why. I don't ask questions. I just
sit with him. That's my lot in life, to sit
with him, to encourage.

Speaker 4 (40:47):
Him very quickly. Yes, controversial take here. Not interested in
a hot dog? The stretching hot dogs?

Speaker 5 (40:54):
Oh well, normally bad personalities. They're very happy because also
I think that they're often in discomfort because they're like
a stretch limousine.

Speaker 3 (41:04):
It's like something they end up with them in half.
They will breed that, you know they breed.

Speaker 4 (41:08):
But how do you breed a long dog, know, with
short legs and two people? Just you grab that end,
I'll grab you know.

Speaker 3 (41:16):
Like a stretch limousine.

Speaker 5 (41:17):
You know it's stretchly missine is literally a car that
they've soared in half and put two other cars in
and welded it back together.

Speaker 4 (41:26):
Can I say something that I think one of the
reasons the world might not be as happy as it
should be people have lost the thrill of going somewhere in.

Speaker 3 (41:33):
A limo stretch limo.

Speaker 4 (41:35):
When I was what, Yes, fifteen, getting in a limo
was one of the most exciting things that ever and
did ever happen to you in your life? You know what,
you're not only not only in the limo, even if
one just went past in the street.

Speaker 3 (41:51):
Yeah, saved. And do you know what now? As a culture,
where are they? But we've become so what have we become?

Speaker 4 (42:01):
Small? Cynical economics so cynical ruined it. No, no, no,
the Harmer Limom stretch ruined it for everyone.

Speaker 3 (42:10):
Don't pretend you were thrilled the first time you saw that.

Speaker 4 (42:13):
Pink and Gray. I love the working and over. We're
in it every.

Speaker 3 (42:17):
Sing I did.

Speaker 5 (42:18):
When we went on our gang Land tour with Roberts.

Speaker 4 (42:24):
Your stretch, your limousine would come to your house because
it was a year ten formal, and everyone that lived
in your street would get out and watch from their driveway.
Come on down, but have a photo to have a look.
What's happened?

Speaker 6 (42:40):
Guys?

Speaker 3 (42:40):
Know, people traveling around, how.

Speaker 4 (42:43):
They're getting to their year ten formals.

Speaker 5 (42:44):
I think they're still are some limits they're around, but
it doesn't have the anyway. You make a very a
very pertinent point that I will take up the next time.

Speaker 3 (42:56):
I'm in Federal Parliament.

Speaker 4 (42:58):
So there your.

Speaker 3 (42:59):
Brother, I've done my brother connections.

Speaker 5 (43:01):
Jesus how it works. Okay, So we're watching this show
and it's about this lovely couple. I think they're from Newcastle.
They went to have a young couple. They go to
have a holiday on Kangaroo Island and they take their
little doggie dashn't Jackie?

Speaker 3 (43:21):
Was its Valerie? That's he right, Valerie like the song
good name, very good name. And while they go down to.

Speaker 5 (43:28):
The beach to do a spot of fishing, and they
set Valerie up in a little, you know, hutch for
a dog. And then some woman comes down and says, oh,
your dog's got out of the hutch. And that last
the last sighting of her was her running up some
massive sand dune and into a paddock.

Speaker 6 (43:50):
Right.

Speaker 5 (43:51):
All of that is really strange because their little legs
are probably so little. Anyway, then they did not see that.
After five days had to leave heartbroken. They looked at
the dog every day.

Speaker 4 (44:03):
I would never have left, by the way, find the
dog wouldn't have left still be living there, moved into
the island would have been like castaway tom.

Speaker 3 (44:12):
Oh my goodness, No, you'd be living in the lighthouse nuts.

Speaker 4 (44:16):
My dog used to be here, yes, and.

Speaker 5 (44:19):
Shining the torch every night while you drunkenly seeing Valerie. Anyway,
Then after five months or six months, a farmer takes
a photo of this paddock, this bear sort of it
looked like maybe hey had been mown on it, like

(44:39):
stubbly grass, brown paddock, And.

Speaker 3 (44:43):
In the middle of it is a little black dot
and it's Valerie. Valerie is still.

Speaker 4 (44:48):
Alive, hanging out.

Speaker 3 (44:54):
They can't believe that their dogs alive, so that it
sounds either, can you, Okay, I can believe that she's
a lot Huh.

Speaker 5 (45:02):
What I can't believe is fast forward another thirteen months,
So over a year and a half they set up
this other wild wilderness group. Very suss on them, very
suss on them.

Speaker 4 (45:18):
Grow up.

Speaker 3 (45:19):
Yeah, have a listen.

Speaker 4 (45:22):
We were blown away by just how good a condition
she was in.

Speaker 5 (45:26):
She had packed on one point achilo as a muscle,
beautiful white pearly teeth, just a picture of health.

Speaker 4 (45:34):
So then the conspiracy started.

Speaker 6 (45:37):
Yes, I have absolutely no doubt that somebody unknown fed
this dog.

Speaker 3 (45:42):
For I agree, well, of course, that.

Speaker 6 (45:45):
Little dog could not have come out looking so good.
So shiny without somebody providing it with a bit of love,
care and attention.

Speaker 3 (45:53):
I can't.

Speaker 5 (45:55):
That was the only admission that they made in the
whole story hour of my life watching elaborate thing to
try and lure her. To get her back there, they
set up cameras to film her. They set up a
big cage, but they had to leave the door open and.

Speaker 4 (46:14):
A farmer was feeding her the whole time.

Speaker 5 (46:16):
The owner from Newcastle. The girl went for a run
to sweat up a T shirt that she then put
in the mail to send to them so her scent
would be all over. That her boyfriend hung a pair
of his underpants disgusting over a fence posted.

Speaker 4 (46:35):
Before asked, well the doctor turned around to it.

Speaker 5 (46:39):
Oh, anyway, these people believe and expect us.

Speaker 3 (46:45):
To believe that a dashed.

Speaker 5 (46:50):
A dashed fended for itself on Kangaroo Island, an island
that famously doesn't even have any foxes, so it can't
be feasting on the keel of something that a fox
is killed.

Speaker 4 (47:04):
What also, the fox would probably eat it, as it
does look like I don't think so.

Speaker 5 (47:08):
And then the bit that really got me was this
fool I'm gonna say fool, a kind hearted fool, but
nonetheless a fool, saying she'd put on one point eight
kilograms of muscle. Oh yes, starving creatures always put on
one point on a tiny.

Speaker 4 (47:29):
Little It's like when men go to prison. Yeah, and
they work out every day and they come out all
ripped muscles and Jesus.

Speaker 5 (47:36):
World War II documentary is horrendous things about people having
to build changy railways.

Speaker 3 (47:41):
Oh yes, they put on one point eight kilo. What
is your conspiracy? Someone was feeding the dog.

Speaker 4 (47:52):
That was the longest walk.

Speaker 3 (47:53):
Well, but don't you think someone was feeding the dog?

Speaker 4 (47:57):
Sure, yes, of course.

Speaker 5 (47:58):
The point of the apes, it's not just a parrot
some bullshit.

Speaker 3 (48:07):
Don't fund the ABC fund the live up to their.

Speaker 5 (48:13):
Charter, which is to seek the person who was harboring
the dog and feeding the dogs.

Speaker 4 (48:19):
That's the story, real story.

Speaker 5 (48:22):
I want to hear about how nervous they got when
news people turned up, and how guilty they felt when
they occasionally.

Speaker 4 (48:29):
The dog was in the basement the whole time.

Speaker 5 (48:31):
The story went round the world, around the world, the Miracle.

Speaker 3 (48:36):
Of Valerie and someone on Kangaroo Island.

Speaker 5 (48:39):
Someone was putting out bowls of kibble for that fat Valerie.

Speaker 3 (48:46):
They to.

Speaker 4 (48:49):
One gallery gallery and Valerie rhyme.

Speaker 3 (48:59):
Of course I said it to my husband like straight away,
I'm like what when I.

Speaker 4 (49:04):
Realized, I'm like, you would be the worst person in
the world to watch a documentary with.

Speaker 5 (49:09):
Hang on, And I said to him, one point, ain't kilos?

Speaker 3 (49:16):
Can you rewind? Did they just say that.

Speaker 4 (49:19):
Like a dash that's also hardly any weight a sausage.

Speaker 3 (49:23):
On a sausage that's an enormous amount of weight. They're tiny. Okay,
well you're crazy, all right, I can't be bothered.

Speaker 5 (49:32):
Wah my husband anyway, and Peter goes, all, well, it
was running around a lot and it would have covered
a lot of.

Speaker 4 (49:39):
Ground, sticking up, sticking up for the ABC. But he's
also so moon landing teacher. He really sucks indoctrinating in doctrinated.
That's what he is. Kool aid from WHOA what a
text from mum? Adult is that Adele? It's from Adele

(50:05):
as in the format of the page confuses me sometimes.

Speaker 3 (50:08):
Passive No, no, no, not on you.

Speaker 5 (50:10):
You don't like the photocopy and you're doing at the library.

Speaker 4 (50:16):
It smells like clueser mate, that was on me.

Speaker 5 (50:19):
If you like are you still showing a copying at
the library this afternoon?

Speaker 3 (50:23):
But she's got a new library, you know, do you?

Speaker 5 (50:25):
When I drove her home the other day, we drove
past the library, big beautiful library, and I said, oh,
is this your library? And she goes, no, I've swapped
to another one that's closer to her.

Speaker 3 (50:34):
It's smaller.

Speaker 4 (50:35):
It's like me with cafes. I don't tell them when
I swap.

Speaker 3 (50:38):
Aren't you going? How's your local going?

Speaker 4 (50:40):
I still go.

Speaker 3 (50:40):
It's the best cost every day, every day.

Speaker 4 (50:43):
We are there at eight oh one every morning.

Speaker 3 (50:45):
And they don't open till eight. They're probably irritated.

Speaker 4 (50:48):
Mate. Actually, Cody and I had the chat yesterday when
we looked at the bank thing went.

Speaker 3 (50:54):
Make your own coffee.

Speaker 4 (50:55):
We are spending so much money.

Speaker 5 (50:57):
Yes, we bought three coffee this morning.

Speaker 4 (51:01):
When you live next door to with coffee this morning
would have been seventeen bucks.

Speaker 3 (51:04):
Yes, seventeen dollars something.

Speaker 4 (51:06):
Yeah, yeah, that's crazy when you live next door to
a cafe. This is the this is the dangerous part.
You do the afternoon one as well, sometimes, or by
sometimes I mean probably three or four days a week.
So we're doing the double now. It's not good. No,
you cannot live.

Speaker 3 (51:22):
You know it's good for them.

Speaker 4 (51:24):
The cafe, well, hello, lovely people though love love.

Speaker 3 (51:27):
The cafe people. Do you buy food there?

Speaker 4 (51:30):
Sometimes it's intense food like it's a big they're big. Yes,
you know those Melbourne cafes are.

Speaker 3 (51:36):
Really give overboard with the food so much. Need to
pull it back a little bit, just a little bit.
Do you know what I mean? When I want to
quard a freeter.

Speaker 5 (51:44):
I don't need every ingredient, including halloomy known to man
put in it.

Speaker 3 (51:49):
I didn't need.

Speaker 5 (51:50):
I want it so many garnishes and whatever, eight types
of relation.

Speaker 3 (51:54):
Just pair it back a bit and I like my corn?

Speaker 4 (51:57):
Who is it for? You know? I don't work there, am.

Speaker 3 (52:02):
This is a podcasts.

Speaker 4 (52:06):
I hate to be the car behind you in the
drive through. Do you edit any of your Maca's orders?

Speaker 3 (52:16):
What do you mean?

Speaker 4 (52:16):
You know? People edit, they get they get without the things.

Speaker 3 (52:20):
I don't really do that.

Speaker 5 (52:22):
I don't really do, although sometimes I'll ask for something
on the side.

Speaker 4 (52:27):
Sure, But people that edit Maca's meals, I've never heard
of one that has improved what is already there?

Speaker 3 (52:32):
What do they what? People?

Speaker 4 (52:34):
They say, oh, you got to get the chicken. But
what you do is you take out the sauce.

Speaker 3 (52:37):
Yes, and ask for the source from a big.

Speaker 4 (52:41):
My gosh, none of that.

Speaker 3 (52:43):
I used to love, and I haven't had a long time.

Speaker 4 (52:47):
I'm gonna say I get I get a little fish
vibes from both of you.

Speaker 3 (52:52):
I have not literally not had.

Speaker 4 (52:53):
And I know you both dabbled once or twice when
you were younger, maybe, but I have never put a
McDonald's feel it of fish in my mouth. And I'm
not in.

Speaker 3 (53:04):
Trouble made an oyster, never will would if I'm going to.

Speaker 4 (53:11):
A couple of couple times.

Speaker 3 (53:13):
But he didn't like.

Speaker 4 (53:14):
In single digits single digits. Not for me, It's fine,
I not for you.

Speaker 3 (53:19):
We know what.

Speaker 4 (53:20):
Some people like olives, other people say not for me.
It's the same.

Speaker 3 (53:26):
It's not the same. Why not, because an olive is
not like a vagina.

Speaker 4 (53:35):
Tags are above, Adele, just letting you know. Bob passed
out at church today. They got the ambulance to him
and had him checked over with Ryan's help. Tony refused
to go to the hospital, so they let him go
home as he promised to go to his doc tomorrow.
Would have spoke to him and he sounded fine. Reckons
he did it to get out of putting money in
the collection from someone passed out at church. Huge gap,

(54:02):
someone's happening at church.

Speaker 5 (54:04):
The congregation. It's in everyone's up in a barn. They
are speaking about that for weeks, truly.

Speaker 4 (54:10):
Also the boomer in the story refusing to go to
the hospital.

Speaker 3 (54:14):
Even though the ambulance has been called.

Speaker 4 (54:16):
I'm fine, mate, don't worry about me. She's all good
to put his pants back.

Speaker 3 (54:21):
On, turned around, the priest turned around.

Speaker 4 (54:25):
He wouldn't have said all. Everyone would have been there,
everyone trying to help him, and I also love.

Speaker 3 (54:32):
And a lot of them, which would have been cute.
Would have needed a.

Speaker 4 (54:34):
Classic, a classic mum touch. In the stories when they
tell you the joke, someone else said during.

Speaker 3 (54:39):
The stories, yes, and then your dad said, do you
know what? You know?

Speaker 5 (54:43):
What I take away from that, it's so right. Mothers
are beautiful attributors.

Speaker 4 (54:48):
They do. They don't steal. The comedians GPT.

Speaker 3 (54:52):
Yes or some comedians we know that's true.

Speaker 4 (54:55):
No name to be mentioned here.

Speaker 3 (54:58):
Who are you thinking of?

Speaker 7 (54:59):
Who aren't he?

Speaker 3 (55:00):
Jos Buck Pelican Lane.

Speaker 7 (55:09):
Yay.

Speaker 5 (55:10):
The Buckup podcast is hosted by me Kate Langbrook and
him Nath Valvo.

Speaker 3 (55:15):
It's produced by the.

Speaker 5 (55:16):
Brilliant Sasha French Audio and sound by the magnificent.

Speaker 3 (55:23):
Yack Lawrence you might call him Jack. And Dom Evans,
Oh we're lucky.