The animals’ revenge

• Monkey business
• Kate’s anxiety
• Meghan is back
• Dawson or Pacey
• Text from mum

@thebuckuppodcast

@katelangbroek

@nathvalvo 

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Episode Transcript

Speaker 1 (00:02):
Imagine, if you will, that you are in a place
of great beauty. Some teenage boys walk past you, they
yell out, they bitch tits. The world you see is
a place of paradox of beauty and cruelty. It will

(00:26):
cut you off at the knees then gift.

Speaker 2 (00:28):
You a pair of easies.

Speaker 1 (00:31):
And that, my friends, is why you always always need.

Speaker 3 (00:38):
A buck up.

Speaker 2 (00:40):
Bye bye bye bye bye bye. Up and sit down,
up and sit down.

Speaker 3 (00:47):
Gens and the outs.

Speaker 2 (00:49):
Around and around. You never know what's coming up when
you listen to Zibaka.

Speaker 3 (00:57):
That was really good. That was really good. That was excellent. Actually,
I'm so happy Improv the improv queen not only the
best interviewer in the country.

Speaker 2 (01:08):
Wow, how many? How many jewels do I have in
my crown?

Speaker 3 (01:14):
Nate Valvo, Kate Laine Brook, Welcome to is a bucker? Okay, Yeah,
different vibe this week?

Speaker 2 (01:21):
Yeah, you are a great comedian. Make me laugh.

Speaker 3 (01:26):
Hello to our German buckheads, known for their sense of humor.
Do you know why?

Speaker 2 (01:30):
Yeah? The Germans shocking?

Speaker 3 (01:32):
No, I actually like the dead pan.

Speaker 2 (01:33):
Do you think it's dead pan?

Speaker 3 (01:35):
Yeah, it's funny, like the.

Speaker 2 (01:40):
German humor. Is there a famous German comedian.

Speaker 3 (01:44):
Not one that does English as in speaks English, so
I wouldn't know. I'm sure there's German speaking comedian.

Speaker 2 (01:50):
Tell me that some German humor that you like.

Speaker 3 (01:52):
Yeah, I'm just saying, very dead pan, welcome to the
buck up, folks, And what who's that lurking in the corner?

Speaker 2 (02:03):
Her people, of course, renowned for their sense of humor.

Speaker 3 (02:09):
The small people. Yes, the ongoing h are you again?
Five foot one?

Speaker 2 (02:14):
The New Zealanders five ft two is the biggest joke they'
ever perpetrated, is that they come to this country pretending
that they're one day going to go home your.

Speaker 3 (02:23):
Fridge from their Christine Land that I learned on this
pod has no dangerous animals. None. Now she's here.

Speaker 2 (02:32):
Yeah, that's all right.

Speaker 3 (02:33):
You're the same height as Kylie.

Speaker 2 (02:34):
By the way, Oh really, that's a perfect height. By
the way, I find that very feminine.

Speaker 3 (02:41):
Pocket rock to be little, it's very feminine. Was there
a point in your life, Stash where you didn't like
being short?

Speaker 4 (02:46):
Now I've always liked being short.

Speaker 3 (02:48):
Yeah.

Speaker 4 (02:48):
It's someone to reach out for something on a high shlvel.

Speaker 3 (02:52):
I think do you think short people are underestimated?

Speaker 2 (02:55):
Oh? Yeah, Okay, sure, you know what my mum says.
I've said this to you before. I forget when there's
a tall woman and a short woman, the short woman's boss.
And it's so true. And short women have got a
lot of punching in them, a lot of zest, a
lot of.

Speaker 3 (03:11):
And how do we feel about the short kings listening
the men? How are we going?

Speaker 2 (03:14):
I know so much about the psychology of a short man,
but I imagine they're similar.

Speaker 3 (03:18):
A lot of real estate agents, the short kings. Throwing
that out there.

Speaker 2 (03:22):
Yeah, they're people. You know what I think. I think
they're good at paperwork. They're people. They've got bustle and
hustle and they get stuff done.

Speaker 3 (03:30):
There we go.

Speaker 2 (03:30):
In fact, the little people of the world. Lift them up.

Speaker 3 (03:38):
Give a bike up to the lollipop girls.

Speaker 2 (03:40):
So by the way, by the way, I took my
number three to see Sirk to slay.

Speaker 3 (03:47):
Okay, right as noise.

Speaker 2 (03:50):
Yeah, it's going around the country.

Speaker 3 (03:52):
Just knows. And there's so many of them.

Speaker 2 (03:54):
Oh, there's so many stories. Now, this is one with words.
You know, they don't normally do words. It sounds like
a piece of scott words. It has got a few
a lot of words. But you know, they're such amazing performers.
But the one thing you will notice about circus performers
are going to say most of them are short.

Speaker 3 (04:13):
They need to be most of them should be thrown around.

Speaker 2 (04:15):
Yeah, and also the low center of gravity means they
can do these amazing things. So Sasha's ex boyfriend saying.

Speaker 3 (04:26):
Does the circus still do that thing? I don't want
to yuck yarm here As a creative person, I don't
want to yuck ye, but here I go.

Speaker 2 (04:35):
This is like no disrespect, disrespect. Yeah, don't take this personally,
but I think.

Speaker 3 (04:40):
You kill yourself. Yeah, I've never been. Oh no, I'm
going to offend the circus, folks, Let's move on.

Speaker 2 (04:47):
Don't offend the circus fight like.

Speaker 3 (04:49):
All of that. I'm just never that keen on the
one where the one which the two men and one
gets on the other one's head with his head and
they stand on each other.

Speaker 2 (04:59):
So there's one act in a circus that you don't like.
There's one act? Do you know what I do? Think?

Speaker 3 (05:07):
But I just said I like the circus except for that.

Speaker 2 (05:09):
I don't know.

Speaker 3 (05:10):
Animals, what do you mean?

Speaker 2 (05:11):
No? No animals? However, I would like to live in
the sweetest, simpler time.

Speaker 3 (05:16):
When there was an elephants being, when.

Speaker 2 (05:18):
People didn't know that that they just thought it was entertaining.
True that how lovely to watch a man put his
head in a linesmouth and like to go that was amazing.
It was a hole and not be like that guard
animal croll true, which is legit. We don't want animal crawls.

Speaker 3 (05:34):
There's a whole generation of people that got to watch
a bear ride.

Speaker 2 (05:38):
A back, a uni cycle or a tricycle. And more
than that, what a time they would see a man
come at three tigers holding nothing but a three legged
stool made of wood. He'd come at them and then
sometimes and this must be what you want, sometimes they
wouldn't like it. No, yeah, the tigers wouldn't like it.

(06:02):
The tigers would go, you know what, mate, I'm done
with this shit? How does get down? And then the
tigers would all and this man would be holding nothing
but a flimsy stool like a hard Heidi would have
milked goats on that stool up in the mountains of Switzerland.
Very well. Strange story.

Speaker 3 (06:23):
By the way, By the way, what happened to you
changed my mind? Bring back animals to the circus.

Speaker 2 (06:28):
Back animals animal.

Speaker 3 (06:31):
When I'm parking the car, I want to see the
cages at.

Speaker 2 (06:34):
The bar or however, however, bring back a circus and
call it the animals ravine. Oh, who wouldn't buy tickets
to that?

Speaker 3 (06:50):
And you get to vote on who the person they
send in is.

Speaker 2 (06:54):
Just the general people, whoever's worked with them for twenty years.
When you see the big elephant with a bag, your
old gray pants on, and you go, oh, no, that's
her skin. That's her when you see her, and she's
been so beautiful and kind, and children are giving her
peanuts and fairy floss and whatever. But when she sees
the trainer.

Speaker 3 (07:14):
And they never forget, They never forget, never forget, and
they mourn each other so sad.

Speaker 2 (07:21):
They're beautiful animals. That's why they should never be mistreated
in circles. And their trainers about to learn that lesson.
He's about to learn a lesson he never gonna forget.

Speaker 3 (07:33):
I'd pay that, I'd pay money for that. Yeah, you're right,
the animals revene, bring it back.

Speaker 2 (07:40):
What were the monkeys and a monkey? This is the
days which we never enjoyed by the a a monkey
a monkey, a naked monkey. What would you a monkey?
By making a monkey live in the city you're giving
You're making.

Speaker 3 (07:55):
A monkey out of the monkey. I heard of the
zoo with my nieces and nephews, and I go to
the monkey enclosure and the monkeys aren't wearing those little
tassel hats. I'm furious. Put a hat on your monkey.

Speaker 2 (08:06):
The monkey wants a fez, and the monkey wants a waistcoat,
and maybe the monkey even wants like a fob watch.
Always the monkey wants, do what the up? And I'll
tell you something else. While they're on the subject, he
knows zoos always do this. They go, oh, the elephants

(08:26):
had a baby, we're going to her the public clue
and everyone can suggest your name, and then they wait,
make them give them an African name or whatever, like
a Mustaf means the king of the Sablona or the blah.
I'm like, why the elephants born in Australia. That elephant
could be called Wayne? What are you saying?

Speaker 3 (08:47):
Wayne?

Speaker 2 (08:48):
What are you saying? An animal is born and you
couldn't carrying anything less Mustafa? Then taking that elephant and
making it live in an enclosure and selling tickets to
see it. So drop the pretense people that you care about,
that you care about the bloodline, the cultural iconography of

(09:12):
your animals. You don't call them wine, call them Bruce,
had Day, call them Shahs and buzz. Just don't call
them late for dinner, oh.

Speaker 3 (09:25):
God, being pro animal torture.

Speaker 5 (09:27):
But were circus short people? Yeah, short people, short people,
We love you, ironically, we all stand on your shoulders.

Speaker 3 (09:40):
I do get gels for short people on flights when
I see you little, I don't know that.

Speaker 2 (09:45):
When I see your little legs and cuddling yourself.

Speaker 3 (09:50):
Let's measure, they're a measuring tape. No, but I.

Speaker 2 (09:53):
Knowed sash As when we would always get on planes
together and often until she started going out with them,
very success full boyfriend. We'd be heading to different parts
of the plane, let's face.

Speaker 3 (10:05):
I remember, and then tried to check your luggage.

Speaker 2 (10:09):
That was appropriate, not bad because she's so tiny, so diminutive.

Speaker 3 (10:14):
Well, you're saying the point I was just making.

Speaker 2 (10:16):
Yeah, I know, but you were saying it in a
different way, as though you're not.

Speaker 3 (10:19):
I don't identify as a tall person. No, I told
you last week. I asked, like a very insecure shrinking
short seventy five year old.

Speaker 2 (10:30):
When you say I see their little legs dangling, I
find that patron.

Speaker 3 (10:33):
I see Sash when I see in her little waistcoat
with a heart.

Speaker 2 (10:39):
With her fears, with peanuts. She got a little fog watch,
little fog watch, little yunis hard.

Speaker 3 (10:45):
You think, just like the bears in the circus. One day,
Sash's going to turn on you in the arena of
a podcast, in the arena of life, and she's going
to go you and she'll.

Speaker 2 (10:56):
Chare me can imagine, and I'll have nothing. I like
that bab boon was.

Speaker 3 (11:05):
Sixty minutes special about you?

Speaker 2 (11:07):
Was it a baboon?

Speaker 3 (11:08):
I think it was. It's not funny, Yes it is.

Speaker 2 (11:12):
That's fine, it's natural justice. Seriously, if you like, how
much do we have to protect people from their own ediocy? Like,
there's enough things in life that will trip us up
to go out of your way to get a whole
bab boon to live in your house, put nappies on it,
and think that that's going to end happily. And it's
drinking alcohol.

Speaker 3 (11:33):
My eggs listening.

Speaker 2 (11:35):
It's waking up with a hangover one day and your
toast I don't wish it for her. I think about.

Speaker 3 (11:40):
Terror monkeys the entire episode.

Speaker 2 (11:45):
Do you know what I talk about all the time?

Speaker 3 (11:46):
Monkeys invests?

Speaker 2 (11:47):
No, I had to tell my children the story of
that monkey. That that that Peter, the guy who took
the selfie of the monkey in the forest. He set
up a camera, this amazing wildlife photographer, and it's spent
six months going into the forest. I'm going to say,
somewhere in Malaysia, borne eo or something.

Speaker 3 (12:07):
What are you avoiding?

Speaker 2 (12:09):
Well, he loved nature photography, so he set up a
camera and kind of stood waited there for five days
or whatever, and the monkeys kind of got used to him.
They came out, they started playing with equipment, and one
monkey took a selfie of itself. He put a clicker
on it. It's one of the most iconic photographs ever. So, Peter,

(12:29):
you know that. You know that, you know that? Do
you know the scandal behind that? Unbelievable No?

Speaker 3 (12:38):
No, how do you have a cooker on a monkey?

Speaker 2 (12:41):
I love this cooker on a monkey.

Speaker 3 (12:43):
You should cook her off, Yeah, cook it out.

Speaker 2 (12:46):
No, it's an expose. Peter. The organization that's supposedly against
cruelty to animals.

Speaker 3 (12:50):
So I think he meant petersbor No no p E
T E R.

Speaker 2 (12:55):
Yeah, sorry, I should have made that clear. So they
sued the photographer, claiming that the rights to the photo
belonged to the monkey, and that guy, who had spent
years of his life had to put that photo in
the public domain. Where are we going to put it?
Sage show correct.

Speaker 3 (13:19):
They should have gone to court because then they could
have put a cute suit on the monkey. Did the
monkey go?

Speaker 2 (13:24):
No, the monkey didn't have a suit. The monkey didn't
leave its country of origin. How terrible is that to
destroy a man's the greatest photograph ever.

Speaker 3 (13:34):
So for us, for people taking note on this app
we are pro torture, we are anti Peter p DA
and give that man to money. This photographer, yes exactly,
a man who brought one of the most beautiful photos
ever to us. Reminds me of that infamous BBC documentary
crew who have a rule where don't get involved. Oh yes,
don't get involved from the dish.

Speaker 2 (13:56):
They all have that the entry makers supposed to it.
But why did you send that BBC one day?

Speaker 3 (14:02):
I haven't finished my story.

Speaker 2 (14:03):
Okay, yeah, you said that BBC crew who have a rule,
don't get involved.

Speaker 3 (14:08):
So they all have the rule.

Speaker 6 (14:11):
All right, all right, alright, a real monkey, do you
want your little I'm gonna Sayara, I think somewhere snowy
and a penguin, I think a baby penguin was in trouble.

Speaker 3 (14:24):
Something really bad was going to happen, and they broke
the rule to save the penguin. Okay, and everyone liked it.
They didn't get in trouble, that's all the story was
trying to bring it back up. It's a buck up
and penguins are already wearing suits.

Speaker 2 (14:46):
That's the What did that do? And what? What was it?
A scandal that they helped.

Speaker 3 (14:53):
Just very well known that they got involved when you're
not supposed to. But everyone, no one was angry, right.

Speaker 4 (14:59):
They riscued Emperor penguin chicks by digging a ramp out
of an ice ravine dry so the chicks could be
sad somewhere.

Speaker 3 (15:08):
Love chicks, yeah, love chicks.

Speaker 2 (15:10):
And also they're in at dark in Antarctica. They haven't
seen chicks for quite some time. They're like, they'll do
what I.

Speaker 4 (15:20):
Like.

Speaker 2 (15:21):
Who doesn't love to see chicks coming down a ramp?

Speaker 3 (15:24):
Yeah?

Speaker 2 (15:24):
Man stone cold chicks.

Speaker 3 (15:26):
What makes us very happy, yes, is when we get
messages from people that are not in Australia. We love
our Wazzi buckeats, Oh yes, buckhead, True Willow, True Willow
sounds made up.

Speaker 2 (15:38):
Maybe I love that name. That's it. That's an anime name.

Speaker 3 (15:42):
Sometimes when you hear a name that's so good, you
just can't help but think true tea, ah you True Willow.
It's a great name.

Speaker 2 (15:53):
Yeah, I love that.

Speaker 3 (15:54):
You know what that is? That is a famous person's name, Yes.

Speaker 2 (15:57):
It is, you know what it's that and also not
just from n Era, but from that's like Charmed Era,
so late ninety stunning.

Speaker 3 (16:06):
You know what happened to? No one's seen her in
thirty five years, No, and then there's shocking pics of
her leaving somewhere in our way.

Speaker 2 (16:13):
She's a rehab sceener rehab. But then someone filmmaker is
going to come along rediscover her, and her career will never.

Speaker 3 (16:20):
Be huge and they're going to get involved and they shouldn't.

Speaker 2 (16:23):
I think True Willow has been caught shoplifting.

Speaker 3 (16:25):
Uh huh.

Speaker 2 (16:25):
Yeah, she's really had a.

Speaker 3 (16:27):
Just and the headline would say, you won't believe what
True Willow looks like now clear.

Speaker 2 (16:33):
Yeah, and then True Willow, thirty years later, goes to
the same plastic surgeon that Weaver of magic, the creator
of dreams. Yep, you know.

Speaker 3 (16:45):
The new one is the rack who Emma Stone. Apparently
they reckon.

Speaker 2 (16:52):
She needs to get done. This is what you do. Whatever,
silly question anyway, tell me True will like so, True
Willow's back better than ever, better than ever, and you
know why she's better than ever?

Speaker 3 (17:05):
I think True Willows. Is it a boy or woman? Oh,
a woman's a woman, of course, true. Hey, I don't
see gender in names.

Speaker 2 (17:14):
Really, don't you? Doctor? Absolutely?

Speaker 3 (17:17):
Absolutely, he's my son, Nancy, So True True Willow.

Speaker 2 (17:24):
You know why True Willow is so great. She knows
how it is to have had everything and to have
lost her. I need to be given back to her again.
The whole world's on board with True Willow.

Speaker 3 (17:35):
And you would definitely speak to True Willow on the
No Filter podcast.

Speaker 2 (17:39):
Oh, I would one hundred percent if she could fit
me in.

Speaker 3 (17:43):
With what was busy busy schedule.

Speaker 2 (17:45):
She's never been more in demand since she came back
into Quentin Tarantino.

Speaker 3 (17:49):
Film True True Bikers.

Speaker 2 (17:53):
Hello, True Willow. I like bikers, love buckers, love buckers.

Speaker 3 (17:57):
We are driving from Hardleberg to Munich. It's so weird
that you did your accents at the start of the air. Yeah,
because I begins, which I didn't even know this.

Speaker 2 (18:07):
Yeah. How far is it from Heidelberg to Munik? Yeah?

Speaker 3 (18:12):
How far is well? When I first art reading this sentence,
you thought of Berg. That's a long drive, true Willow.

Speaker 2 (18:19):
That's not when people say I'm cycling around the world.

Speaker 3 (18:24):
Oh what happens when they get on with that?

Speaker 2 (18:26):
From the fairies and stuff? Are they do? They have
to sit on a stationary bike.

Speaker 3 (18:30):
True Willow. Riots We're in beautiful Barbaria, cacking ow dacks,
Bavaria packing their dacks. You know where?

Speaker 2 (18:37):
What originated in Bavaria? I think the black forest cake?
What oh yeah, the greatous of all cakes. If you
get a good one.

Speaker 3 (18:50):
But if you get love about the what's the icing
on that?

Speaker 2 (18:56):
Yeah, it's ripped cream.

Speaker 3 (18:57):
I don't know if I love Yeah.

Speaker 2 (18:58):
But sometimes it's mock cream and a mock cream that's
a chaise.

Speaker 3 (19:04):
Let's go back to talking about monkeys. This is a
ridiculous episode.

Speaker 2 (19:12):
Bavarian fact about Bavaria.

Speaker 3 (19:14):
Well, hang on, there I'm bringing it back to true
back head.

Speaker 2 (19:18):
In the way. We're all going on this trip together.

Speaker 3 (19:20):
Okay, want me to give you but I don't know
anything that they wear in Bavaria? Oh yes, you know? Yeah, yeah, yeah.

Speaker 2 (19:27):
What about we'll say what it is?

Speaker 3 (19:38):
Shush, shush, shush, shush. You hacking our ducks and you guys, yes,
what this app hanging out hacking our ducks at you
guys listening to the podcast Love It p s. We
got engaged in Paris last week.

Speaker 2 (19:57):
Oh my goodness.

Speaker 3 (20:00):
To who true too?

Speaker 2 (20:03):
True to whom true too?

Speaker 3 (20:08):
She got engaged to her ex co star and they've
been reunited.

Speaker 2 (20:12):
Yes, do you know what my dream is to marry
true No for Katie Holmes, Oh yeah, to get together
with Pacey.

Speaker 3 (20:20):
Okay, that's just I just have it as a low
level speaking of people that are aging extremely well and
a man that is secretly getting very good work done.
And you can't really tell Pacey spreading work done. He
looks very good.

Speaker 2 (20:37):
He's stunning.

Speaker 3 (20:38):
He looks the same.

Speaker 2 (20:39):
Do you know I never understood why anyone would have
gone for Dawson over Pacey. I just never understood that.

Speaker 3 (20:48):
That But like that, that's a personality type you and
I would always go for the other one. There's no but.

Speaker 2 (20:54):
Also handsome.

Speaker 3 (20:58):
Vibe. It's a vibe, it's the whole pcy.

Speaker 2 (21:01):
Totally pace every yeah, Pacy.

Speaker 3 (21:03):
Every single show does this, don't they. Every single show
has the woman decide between like the safe one or
like the rebellions.

Speaker 2 (21:14):
You either Harry Potter or Ron Weasley. I don't think
no one's no, one's.

Speaker 3 (21:18):
Like, really that's the decision.

Speaker 2 (21:20):
No, no, That's what I'm saying. So not every show
does that. So everyone's obviously going to go Harry.

Speaker 3 (21:25):
Potter because it's it's a book for ten year old,
so it's a weird thing for you to bring up.

Speaker 2 (21:31):
The Creek was a show for ten year old, was
ten teenagers, teenagers, teenagers.

Speaker 3 (21:37):
So you're still watching?

Speaker 2 (21:39):
I love it, I really loved it.

Speaker 3 (21:41):
You know, shocking those shows? How long the episodes are.
It's forty five minutes every week.

Speaker 2 (21:47):
Get amazing for twenty four weeks. And you're right, they didn't.
We did. They didn't do that thing where they just
do ten episodes white loafing style and then make us
wait for a whole year eight How did they do that?

Speaker 3 (22:02):
Wild stuff? What are we talking about this.

Speaker 2 (22:04):
Casey anxiety, your anxiety.

Speaker 4 (22:10):
For a minute.

Speaker 2 (22:19):
Two things. My husband's away so on landing a bit. Yeah,
my husband's away. Well, because you're making me reflect. So
my husband's away Monday to Friday. He's doing his country
placement regional teaching. He's actually loved it, great, loved it.

(22:41):
Antidote to the city schools, beautiful country country kids.

Speaker 3 (22:46):
The loud school in my street.

Speaker 2 (22:49):
Prime, that's primary. He's at high school. So high school
is just so different. Enjoy those little noisy elk the screams. Yeah,
just enjoy it because it's after a while.

Speaker 3 (22:59):
I won about kids in the last week or two
now living in a street the same as a primary school.
A horror scream from a child in a horror movie
is no different to a joy scream at recess.

Speaker 2 (23:14):
Yep, you can't tell the difference.

Speaker 3 (23:15):
Who's to know?

Speaker 2 (23:16):
Yes, yeah, you can't tell.

Speaker 3 (23:18):
The playing Tiggy or is this the opening of a
true crime documentary?

Speaker 2 (23:22):
Yes?

Speaker 3 (23:22):
How did you know this? Parents?

Speaker 2 (23:24):
Yeah? No, you just year. After a while, you get
to know the nuance.

Speaker 3 (23:27):
Okay, although you know what, I've.

Speaker 2 (23:29):
Never been on board with Sash, and I don't know
about you. You know how people go the language of babies.

Speaker 3 (23:35):
The cry has mean different things.

Speaker 2 (23:36):
I could never could you close close the door, close
the door too time one over the door and what
I would do. What I would do was just put
the boob in the mouth.

Speaker 3 (23:53):
Shut them up. Yeah, just whatever was going on, be
back to talking about bete.

Speaker 2 (23:57):
Yes we are, yes, we are joke about And sometimes
he would be crying for no apparent reasons. Different crists, Yeah,
I recognize those anyway. So he's been away and I
have You know, sometimes in life you meet yourself hm
mm hmm, and you don't like what you see, you

(24:19):
don't like what you come to know about.

Speaker 3 (24:21):
This is why I need to put sounds and music
on all the time, because any yourself, think of myself.

Speaker 2 (24:29):
Okay, so you know Cody was away for a long
time and he is now. Wew do you how do
you get out of bed in the morning, because quite frankly,
I'm just a couple of mini cans of coke away
from shitting in the bed, and I've got four kids
who rely on mere I've got a whole enterprise that

(24:51):
has to keep going to get up early. I've got
to get they still can't be relied upon two of
them to get themselves up.

Speaker 3 (24:58):
What you're making is you have no one to hold
you to account. Yes, and you don't know what your
system is. Yes, it's not someone holding you to account.

Speaker 2 (25:08):
Yes. And twenty two years being married to someone who's
I've got his eyes on me all the time.

Speaker 3 (25:15):
I honestly think, and I really mean this with respect,
I think you're probably still tired from breakfast radio. That
is one of the most insane jobs any human can do.

Speaker 2 (25:26):
No valvo last night. So he left last night to
go back to the country, and a girlfriend of mine
came over. We had a sauna and I was like,
I'm so tired. I'm going to go to bed really
early tonight. In fact, I'll have a nap now and
then I'll go to bed really early tonight. And you
know what I did. I found the remote control. By

(25:47):
the way, did you find your Apple?

Speaker 3 (25:48):
No?

Speaker 2 (25:49):
But no, not yet where I found his? I found Peter's.
I turned on the TV. I watched a terrible movie,
and then I ate an entire block of Nestles coconut
rough chocolate. It was a family block and I just
was eating it in bed. The only thing I did
was go downstairs to make myself a cup of tea

(26:10):
because I was all gagged up from the chocolate.

Speaker 3 (26:12):
Nesley the best.

Speaker 2 (26:14):
It's a limited relief.

Speaker 3 (26:15):
What did you call it?

Speaker 2 (26:16):
Nestles or Nesley? Okay, Nesley anyway, it's so stunning. And
then I went, oh, I'm not quite satisfied.

Speaker 3 (26:26):
Well, I can tell you why.

Speaker 2 (26:27):
I remembered that Artie had given me a bag of
treats for my birthday, and a couple of them was
still in the cupboard with all the shoes because at
the time he brought me a jumbo bag of salt
and vinegar pea crisps, and I went, I'm not gonna
eat those.

Speaker 3 (26:44):
Well, guess what I reckon you did?

Speaker 2 (26:47):
It was terrible, Valveo. It was so terrible. Then I
chewed all my nail polish off. I got myself and
I was spitting it out. I was spitting it out
in the bed. It was really I had a.

Speaker 3 (26:57):
Decide, I'm with you here. There is no better feeling.
When you're lying in bed and you remember something good
in the bestroom.

Speaker 2 (27:07):
You're like, I've still.

Speaker 3 (27:08):
Got that out.

Speaker 2 (27:09):
You go, but you don't understand. I didn't want to
leave my room. I had four people out there waiting
for me. At one point a YARNI knocked on the
door and goes, mom, is there anything for dinner? And
I'm like, no, terrible And yet if my pitiful husband
was that, he's so of service. I really let myself down.

(27:34):
But I'm on an anxiety jack, oh dear. So you
know we've established I'm no good on my own.

Speaker 3 (27:42):
I'm picking up on that.

Speaker 2 (27:43):
So next week I'm going overseas on my own. I'm
going to Italy.

Speaker 3 (27:51):
Tell tell our buckheads why.

Speaker 2 (27:54):
I've got to write my novel. I've got to write
my novel. So I actually leave.

Speaker 3 (28:00):
Very safe country but valveo.

Speaker 2 (28:03):
I literally don't have anywhere to stay in Milan when
I arrive.

Speaker 3 (28:09):
Why not?

Speaker 2 (28:09):
I don't know how to book something, and my husband's
away and I don't And then I'm going to Pullia,
where my novel is set, and I don't have anywhere
to stay.

Speaker 3 (28:21):
But you change that by booking.

Speaker 2 (28:23):
Well, I don't know how to. You don't know how
to book a hotel a hotel, I don't know how to.

Speaker 3 (28:28):
This is shocking.

Speaker 2 (28:28):
Yeah, I know, this is what I mean.

Speaker 3 (28:30):
Australia's Interview. Yeah, I don't know how to book.

Speaker 2 (28:34):
I think I've done it once before, but every time
I click the dates, they boing around.

Speaker 3 (28:39):
I'm going to say one thing to you, and I really.

Speaker 2 (28:41):
Mean this travel agent.

Speaker 3 (28:42):
No, no, well is it nineteen eighty eight? I sort
of thing the other day that was like, do not
use Christian new name and shame. There's probably heaps of
booking dot com scams going around.

Speaker 2 (28:54):
Oh no, that's my only hope I've got.

Speaker 3 (28:55):
Apparently there's heaps. That's my really booking booking dot Com.
That's all I use. Kate, Well, what are you going
to do?

Speaker 2 (29:02):
And you a really good.

Speaker 3 (29:03):
Point, because now I'm like, do I look up the
hotel on the internet and go to the actual hotel
and clickbook?

Speaker 2 (29:11):
Okay, so here's my point.

Speaker 3 (29:13):
I've swung around.

Speaker 6 (29:15):
You.

Speaker 2 (29:17):
But also I'm like, what's going to happen? I told
my girlfriend Alice, and she said when she heard I
was flying to the other side of the world on
my own, she said, I'm going to have my phone
on twenty four to seven. They're all my friends who
know me know what. This is an insane, insaneking for me. Kate.

Speaker 3 (29:36):
I have been at the airport with you.

Speaker 2 (29:38):
Yes, I am fully aware what the how am I
going to get to don't know on the side of
the world. This my husband, but he's coming over after
ten days, okay, and the plan is no, my plan
is that I will be picking him up from the
airport in Okay. So all of that.

Speaker 3 (29:58):
But the last time you drive car in Italy you
crushed it.

Speaker 2 (30:01):
Yeah, but that's all right, everyone crashed. I know that
was in France. That was when I told.

Speaker 3 (30:09):
You, so you're fantasy. Let's go to the good part. Okay,
you're going to open your laptop, Yes, on a balcony
looking over the ocean, to write your romance. No, yes,
you haven't finished all started.

Speaker 2 (30:22):
No, no state started. I don't give him the friendly
thing he got you that.

Speaker 3 (30:28):
No, Sasha, best tax right off in the history of showbiz.
You to Italy to write about.

Speaker 2 (30:34):
Italy, of course, but I don't have anywhere to stay.
But I tried somewhere it was booked out and then
I was so defeated I didn't try. I took it
the book.

Speaker 3 (30:46):
Title One Woman Tries to Take Italy and came home.

Speaker 2 (30:49):
I've got it. So, but I've also done a lot
of stuff on my own.

Speaker 3 (30:53):
And you can speak far more Italian than I thought
you could.

Speaker 2 (30:56):
Yes, yes I can. But I'm also like a child
that too. In many ways, I'm like a child.

Speaker 4 (31:03):
An't I can't even we're talking about today about you
getting I said, what I get the train from Milan
to bar don't be getting a rental car. And then
I was just like, there is no possible way you
can do that.

Speaker 2 (31:13):
No, I've done it before, but I missed that. I
got on the wrong train. I missed the train. I
missed the train, by.

Speaker 3 (31:23):
The way, not to myself. Never do the amazing race
with you?

Speaker 2 (31:26):
Oh no, never. That's why people say, oh, that would
be so much fun. No, not for me either, we'd
go out. I just I have I have some skills
in life, but that life admin is not one of them.
And also literally, in twenty two years since I've had
four children and a husband, I have never I'm never

(31:50):
on my own.

Speaker 3 (31:51):
It's true. I dream or you are at a moment
in bed in your room.

Speaker 2 (31:55):
Yeah, but only when I shut the door and lock
them out. You know. I'm never on my own. Ever
go to a cafe on my own. I never go
to a restaurant on my own. I think once I
had a fight with Peter. I went to the movies
on my own. It was great. You're buying the ticket.

Speaker 3 (32:10):
And when you're alone, you're working into stakes. People say
to me, off, but you go. You get to go
away a lot. But I am working.

Speaker 2 (32:15):
Yeah, I'm working, and there's always someone meeting me or
expecting me or whatever.

Speaker 3 (32:19):
That's good.

Speaker 2 (32:19):
I've never just gone somewhere someone meets you anyway. I'm
so filled with anxiety about it.

Speaker 3 (32:25):
It's a good thing, push through, But how do I
I believe in you?

Speaker 2 (32:29):
It's true.

Speaker 3 (32:29):
I would just pay someone. You're right, go to a
travel agent and check out everything, and TikTok everything.

Speaker 2 (32:36):
TikTok everything, the disaster along the way, because you know,
I can't use my TikTok account.

Speaker 3 (32:43):
I'm your main character's name in the book, CALLI Kelly.
And who's the Who's the hunky you?

Speaker 2 (32:49):
Alessandra? Alessandra see like.

Speaker 3 (32:54):
The lady Gaga.

Speaker 2 (32:57):
Ald Imagine if I have a romance.

Speaker 3 (33:02):
And in Kate's new novel, what's at the end of
the show.

Speaker 2 (33:10):
I've got. I'm so worked up about it. I can't
tell you. I'm a woman. I have many accomplishments. This
is not one of them. It's good for me to be.

Speaker 3 (33:19):
How do your book? How do your book? Book?

Speaker 2 (33:23):
Guys? By telling me the words full of scams and
how will I know them? And then I'll arrive because
I arrive at like ten o'clock at night.

Speaker 3 (33:35):
For Fosseky and my phone will have gone flat.

Speaker 2 (33:39):
My phone will have lost it. I've got no like
international data.

Speaker 3 (33:44):
I don't want you to be anxious. I want you
to enjoy the buck.

Speaker 2 (33:47):
I'm so consumed by it. And I'm also in awe
of how people move through.

Speaker 3 (33:51):
The world, how they go to accommodation, how do they
do it? I believe in you.

Speaker 2 (33:57):
What do you believe?

Speaker 3 (33:58):
I believe in you? I believe you. Know I've been
my co host booking a Colm and having the time
of her life in Italy.

Speaker 2 (34:05):
Thank you, my darling. Well so do I? I know
that something fabulous is going to happen after many terrible things.

Speaker 3 (34:15):
So let's talk about children, shall we? The ability Lainbrook?

Speaker 2 (34:20):
Yes, you know.

Speaker 3 (34:21):
Maybe not having kids of my own, you don't get this.
So when it does come, and it comes often from
the niece, nieces and nephews, the kids of the kids
just know what to say to get to you.

Speaker 2 (34:35):
Oh, yes, buttons.

Speaker 3 (34:36):
How do they know?

Speaker 2 (34:37):
How do they know it? Because they're all instinct?

Speaker 3 (34:40):
How do they know? Buttons? Because the ages that these
adorable children are not At any given moment they can
turn around.

Speaker 2 (34:50):
Yeah, I think they must see the truth of people
really clearly. It's like how you feel so shamed by
baby when it looks directly into your soul.

Speaker 3 (35:02):
It's like that's it doesn't smile.

Speaker 2 (35:04):
Oh dear, Yeah, you shamed because you're like this baby
sees the truth of me, the worthless. There's shriveled. There's shriveled,
desiccated husk that I'm trying to pass off as a
soul in this world.

Speaker 3 (35:18):
And hello to our new mum's listening. We're belcom Remy
and Ray down from the Sunshine Coast Cody's lot, hanging
out on the weekend doing some fun stuff and we're
trying to put together this thing. It's a light thing,
or to connect the light like fairy lights. But you
put this paper around it.

Speaker 2 (35:37):
Was it like an exercise for kids or you were
making them build a part of your house.

Speaker 3 (35:41):
We're doing it together.

Speaker 2 (35:42):
Yeah, for our house, Yeah, for your house. Slave labor.

Speaker 3 (35:46):
We needed those little hands fingers.

Speaker 2 (35:49):
To get in there, just like the factory in which
they were made.

Speaker 3 (35:54):
Remy kicks off quite well with this thing, getting the
thing up around the light. I was really struggling with it. Yeah,
she says this to me without without even thinking pay
attention to what she says. And what did you just
say to me?

Speaker 2 (36:07):
That's why that's why you're a comedian not an engineer.

Speaker 3 (36:12):
Oh, we're trying to do this thing and I can't
do it. I don't know what this is why you're
a comedian and not an engineer.

Speaker 2 (36:20):
Yes, so true, so true. Girl. Yeah, I thought Remy
was a boy's name. I mean, I know it's both,
but I've only ever known boy Remy. I love that
name name. Is it a French name?

Speaker 3 (36:38):
Sure, it's a Sunshine Coast name. Remy says that. I thought, well,
that's a burn.

Speaker 2 (36:44):
What did you say?

Speaker 3 (36:45):
It's not going to get much worse than that. And
then Ray kicks in the six year old with what
she thinks a bundon of my names.

Speaker 2 (36:52):
Who is Ray a girl.

Speaker 3 (36:55):
Comedian not an engineer.

Speaker 2 (36:57):
I'm terrible there, hair, Yeah.

Speaker 3 (37:05):
That's ever said to me?

Speaker 2 (37:07):
Oh, no to say to you? Oh that's cut into
the quie of terrible hair is terrible because.

Speaker 3 (37:17):
They know my bud.

Speaker 2 (37:18):
Yes, but you've got great hair. Have you are insecure
at your.

Speaker 3 (37:24):
I have you over at my house. I have the
fun time of making you put things together for my hair.

Speaker 2 (37:31):
What traits did you have for them?

Speaker 3 (37:32):
What treats? Yeah? Yeah we had? Did you have tella?

Speaker 2 (37:37):
Did you have frozen things in the freezer? Did you
have like zooper dupers.

Speaker 3 (37:42):
Or hello Shivorne if you're listening, Yeah, lovely sister and
quite a healthy family. They don't have quite a healthy household.

Speaker 2 (37:51):
The bohen you're at your uncle's that.

Speaker 3 (37:55):
Enough? Give it to them with them in their mouth
on a spoon, like No, it's like at Natalla dessert
with the pizza.

Speaker 2 (38:03):
Oh okay.

Speaker 3 (38:04):
The questions you ask make any story I tell so boring.
So I come in here sometimes think God, this is
a pretty good piece of content, and then Kate goes,
how did you feed them? The tella?

Speaker 2 (38:19):
Well? In what form?

Speaker 3 (38:20):
Food? Food? Is how my stories end? Because investigators, Kate
strolls on in but what food did you eat? What
did you have on the toes? What did you order
from uber? Eat?

Speaker 2 (38:35):
The thought do you have for lunch? The third of
you entertaining children and feeding them. Is that that's like
a that's a sitcom. That's a sitcom.

Speaker 3 (38:49):
I am absolutely fine with children. We have a lovely
time and get along great and I'm having the time
of my life because we're on each other's level.

Speaker 2 (38:56):
And them back then, because this is a thing. When
a child got to you.

Speaker 3 (39:01):
I got my phone out and made them repeat it
for content, of.

Speaker 2 (39:04):
Course, but did any part of you because when you
really feel the burn of a child, this is really terrible.
You want to retaliate when they really get you, and
they do, and the classic one is I don't love you.
They'll say to you. They'll say it when they're little
and they're angry at you. I don't love you. And
once I said I don't love you either. Now do

(39:27):
you know what? It was a terrible thing to say,
But I don't regret. Just I've been pushed and pushed.

Speaker 3 (39:40):
And do you think they are going to talk about
that in therapy?

Speaker 2 (39:44):
Yes, because this is the fact kids they have zero
me to myriad of.

Speaker 3 (39:51):
Well, tone is everything.

Speaker 2 (39:53):
If you went.

Speaker 3 (39:55):
Up and went well, I hate you, that's fine. But
if you were like if you went down invoicement oh.

Speaker 2 (40:01):
I can't remember what my tone was. But if they
said to me I don't love you, I don't love
you either, Oh my goodness. Well that ended the argument.
But I'm like, how come you can say it to
me but I can't say it to.

Speaker 3 (40:11):
You your children and you're an adult.

Speaker 2 (40:13):
Yeah, but what what? So you've got bad hair? Terrible
hell terrible hair.

Speaker 3 (40:21):
And ten minutes later we did Aladdin the Musical the
three of us.

Speaker 2 (40:25):
Oh yeah, did you?

Speaker 3 (40:28):
We all played all the part I play.

Speaker 2 (40:31):
Yeah. I knew that you would take that.

Speaker 3 (40:34):
The monkey, the month, so much monkey. In this episode
we are technical name Ray No no. The in Aladdin Jasmine, Yeah.

Speaker 2 (40:44):
Jasmine, Jasmine. Who got to be Jasmine? Oh no, you
played Jazzmine?

Speaker 3 (40:49):
No no, no, no, no, we actually didn't do any Jazmine.

Speaker 2 (40:52):
I'm going to be both those roles. Girls. Actually, you
know what is a really good role for you? You two
just sit there and watch me, and you know what,
I'm going to give a prize for the loudest cup.
Someone's going to get an extra.

Speaker 3 (41:06):
Spoon of the teller because we haven't cleaned up any
of the boxers.

Speaker 2 (41:11):
It was. The sun set was amazing, incredible, like I
eat it.

Speaker 3 (41:15):
There's actually video, so I will put it on the install.

Speaker 2 (41:17):
Oh I don't think why not that you were in costume.

Speaker 3 (41:21):
That was handmade from butcher's paper.

Speaker 2 (41:23):
Yes, yes, yes, yes, yes, yes, I love it. I
have to tell you something.

Speaker 3 (41:28):
Did you.

Speaker 2 (41:33):
Bad? Bet bet bet bet bad? Oh? My goodness? I
know you thought.

Speaker 3 (41:43):
When I leave the studio for five minutes and come
back and you're giggling, I know what that means.

Speaker 2 (41:48):
What we're talking about.

Speaker 3 (41:49):
It means there's a clip of someone that you love
to talk about.

Speaker 2 (41:52):
Who is that?

Speaker 3 (41:54):
Megan?

Speaker 2 (41:54):
Yes, Meghan Markle? But we've gone for weeks second series
of as Eva? No, we love Meghan? Why is her?
Why are her products called Love Meghan? No? Her products
are called as Eva, but a show is called Love Meghan.

(42:16):
Why wouldn't she called?

Speaker 3 (42:17):
Thrilling questions? It's been on everyone's mind, to be fair.

Speaker 2 (42:21):
What's wrong with you? Why don't you enjoy Meghan Markle?

Speaker 3 (42:26):
I don't know. I don't know why I want to?

Speaker 2 (42:29):
You don't want to? You? Really? You're so Ritchen, so much.

Speaker 3 (42:32):
More into and i'ld happily talk about every week. Okay,
bring on the Princess Die chat. She's yeah, that's interesting
to go because she was interesting. Do you think she's.

Speaker 2 (42:45):
More She was more interesting in the Mega Markle?

Speaker 3 (42:47):
Come on, Mega Markle?

Speaker 2 (42:50):
Are you seriously Meghan Markle?

Speaker 3 (42:53):
I don't find her interesting at all, but not even
in a fun way. But what because I find her
very so regular that it's boring.

Speaker 2 (43:01):
She's not regular, She's strange from her family. She married
into the most influential royal family in the world. She
has turned them all on their heads, all on their heads.

Speaker 3 (43:17):
She was an actress to kill the queen.

Speaker 2 (43:20):
Well you know she disrespects me.

Speaker 3 (43:23):
Book me up.

Speaker 2 (43:24):
No, we do know. We know who was killed in
the royal family.

Speaker 3 (43:28):
Well, that's why she's more interesting to.

Speaker 2 (43:29):
Me, that's true. Do you believe that she was?

Speaker 3 (43:34):
Just say, yes, it's up there, one of the ones
I could almost be swung to. Yeah, well I told
you that in the Moon one.

Speaker 2 (43:42):
Are you not swung to the Moon?

Speaker 3 (43:43):
Can I tell something about the Moon that made me think? Quick?
This is so yeah, this is when do we really
late on the Moon? When I heard this fact, do
you know you can fit every single planet in the
Solar System in between Earth and the Moon? Did you

(44:07):
know that? Hearing that that has made me rick of
that has made me realize how far away the moon is.
And now I'm with you that maybe it didn't. I
thought you'd happy about this.

Speaker 2 (44:21):
Fad.

Speaker 3 (44:25):
I thought you'd be happy with that.

Speaker 2 (44:33):
Have you seen what?

Speaker 3 (44:34):
So you're not interested in.

Speaker 2 (44:37):
Whatever it takes to get you, whatever it gets to
get you to open your eyes a lot of space
to wake up. I'm happy for you. And also, you
know what, I'll tell you this. Part of the reason
that I don't believe in the moon landing is it's
so much more fun to not believe it to believe it.

(44:58):
Not believing it is so fun.

Speaker 3 (45:00):
You've nailed it for me. Oh my god, hold my
hand when I tell you this. This is what I
don't want to know. Actually I want to y when
I know. I think I just worked it out. I
don't find Megan fun. Yeah, No, she's not fun.

Speaker 2 (45:14):
That's why I'm like, she's fun. No, that's what's intriguing
about Okay, It's very rare that you meet someone that
is totally not fun. Yeah, she thinks she's fun, she
thinks she's she sees all these things about herself, right,
the fun thinks yes, laugh a minute, and writing her

(45:35):
punny thing a riot, like what was the bread pun?
Was it in this episode? It's bread time? No what
thanks to me?

Speaker 3 (45:42):
The Queen is bread.

Speaker 2 (45:44):
It's time to be well bred or something ad Anyway,
so she's done. It's very hard to watch this series.
She's a series, yes, but she has you know how
water finds a level. So Meghan's found people kind of

(46:05):
like for like to come on her show, and one
of them is Chrissy Tagan. Big cloud over Chrissy Tagan
for me. She's got some strange incidences.

Speaker 3 (46:16):
In her sassy online.

Speaker 2 (46:18):
Too sassy too sassy as it's turned out in the past,
just really weird. Good question. Married to John Lee before that,
some cooking model sort of thing. Yeah. Well, you know
what she talks to Meghan about when they were both
deal or no deal girls?

Speaker 3 (46:33):
Oh hello, yeah, briefcase girls.

Speaker 2 (46:35):
Yeah, they were both briefcase girls.

Speaker 3 (46:37):
In the wig, they talk.

Speaker 2 (46:39):
About someone had they had to peel their eyelashes off.
Chrissy Tagan tells his story and the head of makeup
would be standing there with a plastic ziplock bag open
and they'd all have to drop their eyelashes in them.
And Chrissy Teagan was like, why do't we have to
put this on again tomorrow? Anyway? So they were so
Meghan opens up about that fun Chrisy Tagan does this

(47:03):
thing that is really strange. So you know, there's a
whole thing at the moment where people are like, I'm
a bad mom. You know, you know the people love
to go I'm a bad mom, blah blah blah, right
like me not feeding my kids, telling them but all
the time, or telling them you don't love them. People
love to do it. But Chrissy Tagan does this thing.
It's so weird. She turns up at the cottage, the

(47:24):
rented cottage. She's got John Legend with her. He walks
her in the superstars and then he goes out to
the other room. You don't see him. I don't know,
I know, he just walks her in and she likes
she does this strange thing.

Speaker 3 (47:41):
That name one John Legend song. Can't it's not weird? People?
Ah got one?

Speaker 2 (47:47):
What is it?

Speaker 3 (47:47):
All of all of me?

Speaker 2 (47:49):
Oh yeah, that's a love song anyway, very strange. A
lot of rumors about them as a couple, rumorsh murmur
not real still no, no, not that they're not real,
but strange some of her tweets in the past that
she's now all raised, very strange tweets anyway, So she
does this thing. They've got four kids, you know, and

(48:10):
one of them was via surrogate in the same year
as the natural one was born, I think, and they
lost one at one point. But you know, there's a
thing about messing with the birth order of children that
you're not supposed to do it. Not that this matters.

(48:30):
What they do is their business or whatever. But so
she's got four kids, I've got four kids. She does
his thing. Megan suggests that she come over and they
do something with press flowers with the birth the birth
month of their children. Like I said, not fun, but
fun to watch. But Chrissy Teagan does his sing flower
that is so disingenuous where she pretends that she doesn't

(48:57):
know the birth date. Well, either it's disingenuous or she's
actually a mother that doesn't know the birthday of one
of her children. You be the judge.

Speaker 4 (49:07):
We have this beautiful garden we planted out here, and
I know you love flowers, so I thought we might
do our own project and make a little press jewelry.

Speaker 2 (49:14):
But we'll make them with the flowers of our kids'
birth month. So cute. Yeah, I have to look up
what the kids are. We both have May and June
birthdays for the kids. Yeah, I had to get a
tattoo of their birthdays because I don't remember. Sweet. Yeah,
so April fourteenth May? Wait, is that sixteen or eighteen?
On a eighteen? Oh that's John John, is it right?

Speaker 3 (49:38):
Or no?

Speaker 2 (49:38):
Who's this Miles's May May sixteen? There we go. It's
just yeah, yeah, it's a little blurry. She's literally reading
her own tattoo on the inside of her wrist.

Speaker 3 (49:54):
I still can't right, then goes.

Speaker 2 (49:56):
I can't remember, poor Miles. She says it again light
in the episode, I don't know what's going on with
little mam.

Speaker 3 (50:02):
My hot tape. What she's lying?

Speaker 2 (50:05):
Yeah, of course she's trying to be cute. It's cute.
Remember in the nineties, there was this type of girl,
manic dreams girl or whatever it was called who she
is or a pick me? She's being a pickny.

Speaker 3 (50:18):
She's the girl that would go missing inverted commas at
house parties.

Speaker 2 (50:22):
Yeah, right, and.

Speaker 3 (50:24):
Where'd she go?

Speaker 2 (50:25):
And you'd have to walk around the yard. She's crying, crying,
she ruins the party for you, You end up comforting her,
and then she goes off with the guy that you
liked all along. Sure, yeah, anyway, wow, how but isn't.

Speaker 3 (50:39):
It want to talk about something else?

Speaker 2 (50:41):
But is that amazing? Like just the insight into someone?
And that she goes, I can't read it, I can't
I can't remember it, and Megan goes, sweet, that's not sweet.
You're a woman that you can't remember the birthdate of
your children.

Speaker 3 (50:57):
Two women who have never met before sound the first
time they've ever met.

Speaker 2 (51:01):
Because they did deal or no deal together.

Speaker 3 (51:03):
Yeah, but come on maybe sure and one was nineteen
negative to her and.

Speaker 2 (51:08):
Then like a year later you were so famous. She's
really it? Really? Is she really? Regiustered?

Speaker 3 (51:18):
Not anyway, I'm in trees. Yeah, I can tell trees watching.
I love it, hate watching. No, I'm bucked because that's
for mum. Not like that one shed that was good?

Speaker 2 (51:36):
Oh thank you, that was good, thank you, thank you,
kind sir. Perhaps one d I'll be lunch to talk
a little bit of began to get live.

Speaker 3 (51:43):
I'll bring it no matter what I bring, and you'll
ask me how I hate what I hate?

Speaker 2 (51:47):
I want some all please a little bit of Meghan
by your literally good grape shoes, if you would. Here's
my begging bowl. Can you put a little bit of
Meghan in there for me?

Speaker 3 (52:00):
Oh my god, what are you drunk?

Speaker 2 (52:04):
It's my anxiety about.

Speaker 3 (52:05):
You are acting like the girl that would go missing
at the party.

Speaker 2 (52:08):
Please forgive me if you don't hold anything against me.
And I apologize to our buck wits, and I have
to say I remind you of our money back guarantee.
We are not doing it for this app you no
bigger They'll feel better at the end of it. Because
this is st This is because this is a touch
and go recording. You did twenty five minutes on monkeys.

(52:30):
I love that. It was fun. Text from mom oh
text a text mom.

Speaker 3 (52:37):
Oh, this is good? This is.

Speaker 2 (52:41):
This is like.

Speaker 3 (52:43):
Art. This should be framed and have school groups come
through and have a look at it, have a photo
with it.

Speaker 2 (52:50):
Could this be definition of mother? This is it?

Speaker 3 (52:53):
I can I've got to get my mum voice ready. Okay,
who's it? From? Bim bucket, Bim love you buckhead beats
a cool name, Bim sure for what.

Speaker 2 (53:07):
Our German callers buckers buckers buckers Bem Buckers.

Speaker 3 (53:16):
Okay, sorry, I had to get my head around the
first word. There. It is her mum talking about another
through me. Okay, alright, this is the mum talking. Mum's
old Fred Jean, who used to make those funny slash
lovely cards with paintings of dogs, went into a care
home and ate a lot of cake. She expanded into
size twenty two T shirts. Then her toe fell off
and she flushed it down the toilet. It's a test

(53:40):
from my goodness, one for the history book. Oh that's incredible,
the way size twenty T shirts T shirts, not clothes
T shirts. We've got a medical condition. Yeah, a to's
fallen off. Nothing gets a boomer more excited. Sh it

(54:00):
down the Yeah, something falling off.

Speaker 2 (54:02):
The medical so history, but personal history, of.

Speaker 3 (54:05):
Course, and like the more internal the organ that's gone.
They've got finger, then a bit of an ear. They
direct me. They are smashing those.

Speaker 2 (54:15):
They love something that in a horror movie would elicit screams.
They love to deliver it in a very matter of
fact way.

Speaker 3 (54:24):
Absolutely don't they. We should do a text from Mum
where we just recap scenes from horror movies.

Speaker 2 (54:28):
Oh yes, and they just text remind it.

Speaker 3 (54:31):
Would be like, you know, Jean would stabbed to death
in her kitchen. On the phone last night, screamed too.
I love that, bim. That's one of my favorites. All timer.

Speaker 2 (54:43):
You can send us, Oh Sash, do you think anyone
would send us any problems? Oh?

Speaker 3 (54:48):
Yes, I put a problem this that.

Speaker 2 (54:52):
Say that.

Speaker 3 (54:53):
That's a bit of comedy.

Speaker 2 (54:55):
Can you say that to me who's already struggling with
what I have to do?

Speaker 3 (54:59):
I think you need more anxiety.

Speaker 2 (55:02):
I don't like it because they I normally have a
buckup and now you've read too many times. It's horrible hair.

Speaker 3 (55:15):
I love you?

Speaker 2 (55:16):
How about that? I love you?

Speaker 3 (55:18):
All right?

Speaker 2 (55:20):
What's worth? The buck Up podcast is hosted by me
Kate lane Brook and him Nathan Valvo. It's produced by
the brilliant Sasha French. Audio and sound by the magnificent
Yack Lawrence you might call him Jack and Dom Evans.
Oh we're lucky.