Episode Transcript
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Speaker 1 (00:04):
The Will and Woody podcast.
Speaker 2 (00:07):
I had no idea this was a thing, but apparently
women will regularly talk with each other about what their
dream man looks like.
Speaker 1 (00:25):
I just didn't know that was a thing.
Speaker 2 (00:27):
So they were just like that if they've got a
road trip or something, it's just like, turn the radio off,
let's talk traits of our dream men. And they just
throw back and forth, like what the dream man has
to have, whether it's like a looks thing or a
personality thing. To prove my point, Juniorfuser ab, what does
your dreamman look like?
Speaker 1 (00:45):
What are they like?
Speaker 2 (00:46):
Okay?
Speaker 3 (00:47):
I wrote a bit of a list because I did
speak about this on the weekend in the car trip.
Speaker 1 (00:51):
But booms, but you do it.
Speaker 3 (00:52):
You do it so works out can handle himself at
a party. But then like, we'll still come checking on
me every now and again. It's confident and sexy.
Speaker 1 (01:04):
I don't know where you're going to find that guy,
by the way, like.
Speaker 2 (01:07):
That dearly over six foot Okay, just throw that one
in there as well.
Speaker 4 (01:11):
I'm curious being the right guy now, he's like trying
to thread the eye of a needle, impossible, Like confident
but not arrogant. Oh, knows his later party, but it
comes and checks on me. Yeah, fit but not obsessed
with being fit. Yeah, you just can't. There's just no
works out. But I don't want to know he works out.
I just want to like see that the results of
working out, But like, where did you put in the time?
(01:33):
It's impossible, has a good time, but isn't selfish about
his hobbies.
Speaker 5 (01:36):
Yeah, yeah, yeah, yeah, yeah, it's just everything comes with
the cave.
Speaker 1 (01:39):
He extroverted but not too loud.
Speaker 2 (01:41):
Yeah, extroverted but listens extraverted but oh my god, you're laughing.
That's on your list? Is that on your list? Are
you serious? But so listen, I'm curious. Thirteen one oh
six y five is our number. Yeah, describe your modern
day dream man.
Speaker 1 (01:58):
Okay, what's he got? What of the traits he's got
going on?
Speaker 2 (02:02):
There is a reason we're talking about it, more so
than just hearing what producer Ana Lisa's dream man is
so Dakota Johnson has she's just broken up with Chris
Martin actually of coldplay of Yellow.
Speaker 1 (02:16):
An unconscious uncaupling, don't think so?
Speaker 2 (02:19):
Oh sorry, maybe because obviously he famously had.
Speaker 4 (02:23):
A conscious conscious The conscious money went to the unconscious one.
Speaker 2 (02:26):
I don't know if he's calling this one an unconscious.
Speaker 5 (02:28):
As he passed out when they broke out.
Speaker 1 (02:30):
I think he was with it.
Speaker 2 (02:32):
But anyway, she was doing some press for a new
movie that she's in called The Materialists, where interstantly she's
playing a matchmaker, so all about finding and the interviewer
here asked her a question about her dream man.
Speaker 3 (02:47):
If you were to ever engage with the real life matchmaker,
what would be one non negotiable for you? Like, not
an asshole?
Speaker 1 (02:58):
I think that's a bar. We can, yeah, but not
an asshole, but has to have a bit of edge
about him. That's a bit, isn't it? Because nice guy's boring?
Am I right? Analyse? You're taking calls all right? Thirteen
one oh sixty five is the number.
Speaker 2 (03:13):
I'm just curious. Describe your modern day dream man? What
is it for you?
Speaker 5 (03:18):
It's an impossible fit, I reckon.
Speaker 2 (03:20):
I think it impossible. And again, it's gonna be hard
for us to hear will because right now we're not
sounding like the dream man.
Speaker 1 (03:26):
It's okay, No, it's okay. We'll trying to get I.
Speaker 4 (03:29):
I just think it's impossible right now to be a
dream guy that's back in the day, hot arrogant tick.
Speaker 2 (03:44):
And I think, I mean what I'm finding out the
bar is too high. It's just this, this this imaginary
dream man out there who needs to be like somehow
on both ends of all scales. So as an example,
be extroverted and confident at parties, but also quiet and listened.
Speaker 1 (04:04):
To when I have to talk.
Speaker 5 (04:05):
It's like, yeah, that's right, You've.
Speaker 1 (04:07):
Got to pick a side there.
Speaker 5 (04:08):
Nice to have a drink with, but doesn't like drinking
too much.
Speaker 2 (04:11):
Has heaps of mates, but then isn't so busy with
his mates at all times.
Speaker 5 (04:16):
That's right, you know, loves music, doesn't play it too loud.
Speaker 4 (04:20):
Brilliant, brilliant Mary on thirty Present, but also thinks about
the future.
Speaker 5 (04:26):
Yeah, you just can't great, there's no winning, no one does.
Speaker 1 (04:30):
There's a deep existential thinker. But then can laugh at it.
Speaker 5 (04:32):
Has a bit of fun, has been fun every now.
Speaker 2 (04:35):
Mary goes to the gym, is fit, you know, and ripped,
but loves the pizza with.
Speaker 1 (04:39):
Me on a Friday. Sorry, Mary, obviously we're because we're
not the dream man. But what's your wrong? We're wrong?
What's your dream man?
Speaker 2 (04:50):
Mary?
Speaker 6 (04:51):
Man?
Speaker 7 (04:52):
Is someone who has compassion, who's understanding. He considers my
feelings as well. But most are handsome too. But most
of all, he's gotta smell, miss, he's got to wear
after shave.
Speaker 1 (05:07):
Yeah, yummy, smell yummy.
Speaker 6 (05:11):
Yeah.
Speaker 1 (05:12):
Is there an argument for too much after shave? Mary?
Speaker 6 (05:15):
No?
Speaker 1 (05:15):
Never really so.
Speaker 2 (05:17):
Even you know when someone's wearing so much after shave
that they stay around in the room even after they've left.
Speaker 7 (05:22):
No, you like that sometimes someone who's wearing aster shave
and then I can smell it on my clothes, you.
Speaker 1 (05:27):
Say, someone.
Speaker 2 (05:29):
Yeah, yeah, but you're like a like a sniffer dog
at the airport going through a nightclub.
Speaker 1 (05:38):
I was just shaking. I was just shaking.
Speaker 5 (05:41):
Call Mary, Jesus.
Speaker 1 (05:44):
Sorry, let's go to Stella here.
Speaker 2 (05:48):
Yeah, was aggressive, but Stella, it's a jungle out there,
wilder the single world. Stella, what's your dream man? Describe
him to us?
Speaker 8 (05:57):
I hope you have a notes sad for this. It
is the nation between an Australia, an Italian and a French.
Speaker 1 (06:04):
Oh, they've got to be a bit of the three.
Speaker 7 (06:07):
Correct.
Speaker 9 (06:08):
Yes, Australians are loving and caring Italians. They can then
cook a meal and smell knife and French are driven
and a little bit arrogant at times. But it's okay.
Speaker 2 (06:21):
So and are you are you confident that you're going
to find a man out there with all of those characteristics.
Speaker 9 (06:28):
I already got it.
Speaker 2 (06:29):
Oh, well done, good job. Let's go to let's go
to Elizabeth. Here is Elizabeth talk.
Speaker 1 (06:43):
We're good. Yeah.
Speaker 9 (06:44):
So I'm I'm married and when I was on the
dating scene, but I just like, give some women of life.
I think they're doing it wrong. You have to start
with your prairies, like they have to have a job
your Yeah, because then they've got to work, you know,
so that's always important. I also thought, you know, like
a car and a driver's license, because you don't want
to be driving someone around. You want to be chaffed.
Speaker 1 (07:06):
Sorry, So the bar was very low for your husband.
It was practically employed. And do you have a driver?
Speaker 5 (07:11):
If it was a taxi driver, she's got two for
one straight away.
Speaker 2 (07:15):
We're about to make lots and lots of money.
Speaker 1 (07:25):
Wow.
Speaker 2 (07:27):
I told you yesterday on the radio show Will that
I was doing some cleaning of my in laws garage.
Found something that is going to make us a lot
of money.
Speaker 1 (07:39):
Purple Felt Box, have a look at that gold squares
on it as well. This is legit.
Speaker 5 (07:46):
It's got a couple of coats of arms.
Speaker 1 (07:47):
It says strictly limited edition.
Speaker 2 (07:49):
These are the coats of arms of the Prints of Wales. Wow,
so I've got a bit of a bit of royal
gear here in this box.
Speaker 1 (07:59):
This is the official ceremonial wine that was created to
celebrate the engagement WOW of Prince Charle and Lady Diana.
Speaker 10 (08:12):
Wow, swimming in cash will now naturally, Naturally, you were
cynical of the fact that I'm sitting on an absolute
treasure chest of money. Here the official wine of the
now king and his former wife, Princess Diana, one of
the most popular princesses ever.
Speaker 1 (08:32):
But people, the people suggest strictly limited edition.
Speaker 4 (08:36):
Oh it's fine, It's fine now, Jesus she is.
Speaker 2 (08:43):
To silence your cynicism, I have got a professional in
this field from Davis and White Fine Wine merchants. We
have got Darren Davis here.
Speaker 4 (08:54):
Hello, Darren, coming on the show. I appreciate you take
the call for So we've got lots of actual, invaluable
wine to evaluate.
Speaker 11 (09:03):
So not a problem at all. This sounds this sounds important.
Speaker 2 (09:06):
Of utmost important Darren, how much money is this strictly
limited edition wine worth?
Speaker 11 (09:13):
Well, to start with, it's a fortified wine, which is
what we used to call port in Australia, so it's
still drinking.
Speaker 1 (09:20):
Well, there you go, it'll still drink bang. Tick.
Speaker 11 (09:24):
It was released to nineteen seventy nine vintage, so it's
a proper port. So there's another big tick for you.
Speaker 1 (09:30):
That's right. I'm just reading the back of the bottle.
Speaker 4 (09:32):
There.
Speaker 1 (09:32):
You're exactly right, Darren, that's a nineteen seventy nine vintage Port.
Very good.
Speaker 11 (09:37):
So in the late nineteen seventies and early eighties, there
was a big boom in collectible ports, so there were
horse racing ports that were prime Minister series ports, the
cricket team ports that are all highly collectible, and people
spent a lot of money on them.
Speaker 1 (09:54):
I bet they did. I bet they did, wow, Sdarren.
Speaker 11 (09:56):
And because they were so expensive back in the day,
everyone too afraid to open them. So that's why there's
still a lot of these old collectible ports arounds because
they were very very expensive.
Speaker 1 (10:09):
Very special, very expensive, very special.
Speaker 11 (10:11):
Go on, there, you're sitting on something pretty special, okay,
go on. But even though it is still drinkable. Nobody
is really drinking collectible ports anymore. Their value has dropped
to the floor and you're probably sitting on about twenty
bucks there.
Speaker 1 (10:28):
I need a second opinion.
Speaker 2 (10:32):
I feel not interested. There's no way it's twenty bugs, Derek, A.
Speaker 11 (10:43):
Lot of there's a lot of expense in packaging there.
But you can't drink packaging boys.
Speaker 1 (10:48):
Yeah, you can work. You simply can't have it on
a bookshelf, Darren. You can have it on a mantlepiece.
Speaker 11 (10:56):
And that's exactly what these bottles are. They're just little
display models that you can put in the man cave
and tell stories about your friendship with Charles and dying.
Speaker 2 (11:05):
Yeah, well, well, I'm sure that there would be a
superior demand for people to put them in a place
of recognition within their house.
Speaker 1 (11:14):
For me, it's still worth far more than twenty bucks down.
I fully appreciate the wine in the bottle is actually
worth twenty dollars.
Speaker 4 (11:19):
Well, and what he came in here selling to me
like this is what they were drinking at the actual engagement.
Speaker 11 (11:24):
It was something that we did in Australia that was
a great excuse to have a port in honor of
these engagement. But cash must say they are hideous labels.
Speaker 5 (11:34):
Yeah they are, Yeah, he doubled down.
Speaker 1 (11:37):
They are great pictures, Oh yeah, because.
Speaker 4 (11:40):
There is a drawing of Dina on one and a
drawing of Charles on the other. Is that just some
pencil push that they've got at wolf Blast to do that? Like,
that's not an official portrait, is it?
Speaker 7 (11:48):
No?
Speaker 11 (11:48):
It looks like a character.
Speaker 1 (11:49):
It does a bit, But I'm looking at it. I'm
looking at it with a whole new light.
Speaker 11 (11:54):
All of a sudden, Darren, Well, I think the price
has gone down in nineteen.
Speaker 5 (11:58):
There enough showing cracking cracky.
Speaker 2 (12:04):
No, No, we shouldn't crack one because here's what I
want to do. Appreciate your time, Darren. But the people
out there thirteen one oh sixty five.
Speaker 1 (12:10):
Is then using the show to auction them. I know that, I.
Speaker 5 (12:15):
Know that look in your eye.
Speaker 1 (12:16):
Thirty one oh sixty five. I need to get these
off my hand.
Speaker 5 (12:18):
No I need No, I haven't got a desk anymore
to tough Times.
Speaker 2 (12:25):
Thirteen one oh sixty five is the number who would
like to put in an offer waste of time, Harry, Harry,
Princess Diana. It's official, it's not official. It's an unofficial
official thirty one oh six.
Speaker 1 (12:41):
Five Addison Ray up next.
Speaker 5 (12:42):
I do not want to be wasting too much time
on this.
Speaker 2 (12:44):
Could ask her if you want, you might be a
Princess Diana fan. I've never seen one before. Will have
you no, but exactly right.
Speaker 1 (12:51):
They're rare as I think it's a light. It's that
you can't find anywhere if you missed it.
Speaker 4 (12:55):
Darren the wine evaluate the professional wine evaluator, just said
it was worth twenty bucks.
Speaker 2 (12:59):
I think he said it was around twenty dollars, but
he did say he was a bit of a tight ass.
Speaker 1 (13:05):
So right now we are doing a live wine auction
as well.
Speaker 4 (13:11):
Yeah, okay, is the wine good, by the way, because
you did just drop it in the studio strictly limited edition?
Speaker 5 (13:16):
Oh my god, I fell out of the mark.
Speaker 1 (13:18):
It's fine, it's fine now, Jesus, she is what are
you doing? You chopping me down here? Well, I this
is an auction.
Speaker 2 (13:25):
You're the guy who stands next to the real estate
agent and just goes like, whoo, give me me that
all right, So we're going to take some bids.
Speaker 1 (13:34):
Now give me it all. Dave, Dave, my friend is
today you're lucky day, Dave.
Speaker 3 (13:44):
Well, I hope.
Speaker 2 (13:45):
So you would like to make an offer for the
official wedding wine of King Charles and Princess Dan.
Speaker 1 (13:52):
Yes, mate, go on, what's your offer?
Speaker 9 (13:54):
Twenty five?
Speaker 2 (13:56):
Okay, okay, we're already above twenty couple downs.
Speaker 1 (14:00):
That's good, Da, that's good Dave. So, Dave, why why
do you want the wine?
Speaker 6 (14:03):
Dave?
Speaker 1 (14:03):
I'm interested?
Speaker 12 (14:05):
I don't I just.
Speaker 11 (14:12):
Yeah, I'm just going to drink it.
Speaker 1 (14:15):
Yeah, awesome, you want to day? Okay, all right, twenty
five bucks. Dave just wants to drink it.
Speaker 5 (14:20):
Let's go wine.
Speaker 1 (14:21):
By the way, it's like a port. Beautiful, suggest that
it'll be. It'll be beautifully aged right now. The perfect
time to drink a port is sixty years later.
Speaker 2 (14:28):
Well, let's go to Brad. Now, Brad, you've got to
beat twenty five bucks, my friend. What would you like
to offer?
Speaker 11 (14:36):
I'll offer you twenty seven?
Speaker 1 (14:39):
There, come on, we're going up by five here at least.
Can you take me to thirty I'll give you.
Speaker 8 (14:43):
I'll give you thirty.
Speaker 1 (14:43):
Okay, are you're out? Yeah? Fifteen? H that's right?
Speaker 2 (14:47):
Is two bottles of wine? Good math, Brad is thirty
as high as you'll go, Brad.
Speaker 8 (14:52):
Oh, well, I might be able to wiggle a little
bit more.
Speaker 1 (14:55):
Okay, wiggle for me, Brad. Got a way for someone
away from another bid? No, we don't have a bidding.
That's why.
Speaker 5 (15:03):
That's why it's bidding.
Speaker 2 (15:03):
I've got it on good authority. The Cassandra's going to
blow you out of the water. So why don't we
blow Cassandra before she makes an offer? Would you take
me to forty Bread?
Speaker 11 (15:11):
I'm a call on your bluff.
Speaker 1 (15:13):
Damn it, Bread. We're going to Cassandra. Then, Cassandra go,
how are you Cassandra? Wait?
Speaker 5 (15:22):
Is this three poo?
Speaker 1 (15:22):
Cassandra?
Speaker 3 (15:24):
I'd love to give it to mom because she's loved
anything in the royals.
Speaker 6 (15:27):
I was going to say ten to look throughout fifty
dollars for fifty fifty.
Speaker 2 (15:31):
Now we're singing, okay, fifty bucks, Brad, back, Brad, it's
back at you, Brad.
Speaker 1 (15:36):
We're at fifty, Brad.
Speaker 6 (15:38):
I go sixty.
Speaker 1 (15:41):
Cassandra's back at you, Cassandra, and sixty sixty take it.
I'll take sixty two, Brad back to you.
Speaker 8 (15:50):
To be honest, I only really wanted to pay twenty
five so she can have it.
Speaker 6 (15:53):
For sixty two Are you.
Speaker 1 (15:54):
Sure, Brad? This last last chance going on.
Speaker 8 (15:57):
I'm just helping to bring it up for you.
Speaker 2 (15:59):
No, you're good man, Okay, good work by Cassandra. For
sixty two dollars?
Speaker 8 (16:07):
Do I.
Speaker 6 (16:09):
Can seat?
Speaker 1 (16:11):
Do you want?
Speaker 5 (16:12):
Do you want to sell it to?
Speaker 1 (16:14):
Well Jesus? Quick sidebar?
Speaker 2 (16:15):
Sorry, Cassandra, somehow put you need not listen to this, Cassandra,
I don't think we can put you on hold, quick
sidebar with my co agent.
Speaker 1 (16:25):
What are you talking about?
Speaker 2 (16:26):
Maybe we've got sixty two bucks, Darren see it itself
for twenty we've made three times that.
Speaker 1 (16:32):
Yeah, I know, but like I mean, this is our first,
this is our first toe in the water. Yeah, we
might be able to raise the value of it somehow.
Speaker 2 (16:38):
What if we lose, Cassandra, Because I'm like, I'm gonna
be honest with you, will sixty two bucks is pretty good.
Speaker 4 (16:42):
It's not even yours. I mean, anything's good. You stole
it from your parents in law's garage, exactly.
Speaker 1 (16:47):
It's three sixty dollars. It's sixty two dollars of profit,
which I'm pretty happy with.
Speaker 4 (16:51):
But like, I mean, like if if there's sixty dollars
from here. I'm sure there's other interest out there. We
can make it more enticing to people. How ah, we
haven't we gonna do something on socials. We can do
something fun with it on the socials. I mean you
can do you can do a nerd should with the
Oh yeah, exel something like that. I mean otherwise, I mean,
if you're happy with sixty.
Speaker 1 (17:10):
Two, Cassandra, all right, did you hear all of that.
You're up to speed? Then can we can I put
that off? Can I can? I? Can we pencil that
offer in and I'll get back to you in twenty
four hours?
Speaker 2 (17:26):
Oh?
Speaker 9 (17:27):
Okay, too easy.
Speaker 8 (17:29):
She loves anything with the royal, so she probably even
throw another pendolars in there.
Speaker 11 (17:32):
To be honest.
Speaker 2 (17:33):
Well, can we can we just can we just call
it even at seventy for the No, can we just
lock in seventy cass sixty two?
Speaker 11 (17:41):
Pencil?
Speaker 5 (17:42):
Yeah, because pencil pencil?
Speaker 1 (17:44):
Okay, sixty five in good faith?
Speaker 12 (17:46):
No?
Speaker 1 (17:46):
No, penciled into sixty five in good faith. We'll get
we'll get in touch tomorrow. Cassandra.
Speaker 5 (17:55):
Okay, okay, we can give a way to increase the
value of the wine.
Speaker 1 (17:58):
That's yeah, I like that right? We gets libs in
here all the time you get someone to sign it
for you. Oh here, we right, why don't we get
a royal in.
Speaker 5 (18:07):
I think that's harder than you think.
Speaker 4 (18:13):
Guys seen erupting in Los Angeles downtown Los Angeles if
you missed the audio before, there are a bunch of
people that gathered downtown Los Angeles outside the Metropolitan Detention
Center to oppose the immigration laws that Trump is imposing.
And look, just to give you an idea and why
this is affecting Australia so much, Lauren Tomarci, who was
covering the event four Channel nine, was shot by a
(18:34):
rubber bullet by the LAPD. Have a listen to this
if you haven't already, the.
Speaker 12 (18:39):
LAPD moving in on horseback, firing rubber bullets and protesters
moving them on through the heart of lat.
Speaker 2 (18:57):
You haven't seen that footage as well, Like she's okay,
by the way, really want to stress that she is okay.
But if you see the footage, naturally, when I first
saw the headline, it was like, oh, so she's been
caught in the crossfire.
Speaker 1 (19:06):
It's a horrible accident. Yeah, it's not. You see someone
behind her aim and shoot her in the.
Speaker 4 (19:13):
League yeah, and there's a lot of people are saying
online you know, that's a person who's got a camera
on them, clearly reporting for the news.
Speaker 1 (19:19):
I mean, the reporter should be immune to imagine what
they're doing to everybody else.
Speaker 4 (19:21):
There's footage of protest is getting stamped by the LAPD
on horseback.
Speaker 1 (19:26):
So look.
Speaker 4 (19:26):
Miley Hogan from seven News, their USA correspondent, joins us
right now on Will and Woody.
Speaker 1 (19:31):
Miley, I saw you on TV with a helmet seconds ago.
Are you okay? Yes?
Speaker 8 (19:37):
Yeah, Look I am okay. We do where a ppe
when we feel it's appropriate, and we just try to
assess the situation as much as we can and hope
that our training will kick in and we can keep
as safe as possible. Look, I will say sometimes things
happen when you're on the field, when you're reporting on
stories like Viswan, sometimes things do happen, and unfortunate for Lauren,
(20:01):
that was an awful, distressing situation. And I think we've
all seen the footage and we can see what happened there.
I don't think there's much she could have done really
to avoid that.
Speaker 1 (20:09):
Is it scary though, my because I mean, is what
he just pointed out.
Speaker 4 (20:12):
I mean, yeah, there's not much that you might have
done if you recording the crossfire shore, we'd all kind
of look at that and go, that was hectic. But
as you said, we've all said the footage she clearly
takes aim at her and shoots her. Is this This
is a different sort of conflict that we're seeing here.
I mean, for anyone who's seen the Alice Gallen movie
Civil War, there's a lot of that about this for
(20:32):
me right now, and I'm just you know, if the
press are getting targeted, how close is this to unfolding
into something a bit more hectic?
Speaker 5 (20:39):
Do you think?
Speaker 6 (20:42):
Well?
Speaker 8 (20:42):
I think as a journalist, you never want to see
the press getting targeted. It's important for journalists to be
able to be close up to these situations so we
can get a good understanding of what's actually happening on
the ground and then report it back. So the last
thing you want to do or see journalists being intimidated
or frightened from doing their job. We want to be
(21:04):
able to be in there and get it done. It's
so important. I do believe that there'll be an investigation
into what happened to my friend in the wonderful port
Lauren to Marsy, so hopefully we'll get to Marsters there.
I haven't experienced that myself on the ground, so I
will say, I mean, there's been times where rubber boots
has been definitely shot in the direction of where we
(21:28):
may be, or we'll see them getting shot at protesters.
Is it is always a bit hectic, to say the
least on the ground at times?
Speaker 2 (21:37):
Hey, Molly, is this one of those situations where obviously
everything we're seeing on TV and through media, it looks
really hectic? To be honest, it kind of looks like
the kind of thing where there's no way I would
feel safe going to Los Angeles right now, Like if
I had a holiday book for tomorrow, I would be
canceling that trip one hundred percent. Is it actually that
hectic or are there just sort of small portions of
(21:59):
la where it is really scary.
Speaker 8 (22:02):
If you've ever been to Los Angeles, you'll understand it's
a city that is falling. It's absolutely massive, and these
protests are concentrated in the downtown area. It really is
concentrated to i'd say a four block radius in the
downtown area. If you were coming as a tourist. I
wouldn't be recommending going down to downtown Los Angeles at
(22:23):
this time, but you could go across to Santa Monica, Venice,
West Hollywood and you'd be a thriving Los Angeles getting
on with their life. This really is concentrated in the
downtown area.
Speaker 5 (22:35):
Are you afraid though?
Speaker 1 (22:36):
Because I mean Miley.
Speaker 4 (22:38):
The last time the National Guard was sent out it
was in nineteen sixty five to try and aid protesters
in a silent protest. And you know, the governor of
California has said, you know, well, first of all, Trump
has endorsed his arrest, and then he's come out and said,
come and arrest me, big guy. And now Trump has
said literally used the words big ironically.
Speaker 5 (23:00):
How American is that?
Speaker 4 (23:02):
And then's and now I know that Trump is sending
over hundreds, if not thousands of Marines and more National Guards.
So whilst this is concentrated and sure in a downtown area,
surely there's a part of you that feels as if
you know, this is potentially the spark that kicks off
a powder keg of violence.
Speaker 8 (23:25):
I think it will be interesting to see what does
happen when the Marines arriving downtown Los Angeles. To be
very honest with you, it hasn't been very It hasn't
been made clear what the Marines will be doing when
they get here. There's been no clear communication to the media,
to the public. Are they going to be on the streets.
We're going to see marine marine on the streets doing
(23:47):
crowd control. These are soldiers that have been trained to
fight foreign wars. Are we going to see people with
that level of training dealing with their own citizens who
are protesting. I mean, that would be an extraordinary exhalation,
and it would be an extraordinary show of force. And
how far Donald Trump is willing to go to use
(24:08):
the military to intimidate American citizens and also to control
these It really would be an extraordinary escalation. If the
Marines were on the streets here, it'll be fascinating and
very unprecedented to watch.
Speaker 4 (24:24):
Really well, he said they're going over there to restore order,
is what he said. And you know, as Newsom has said,
the governor of California, that they shouldn't be deployed, They
shouldn't be deploying American soldiers on American soil, facing their
own countrymen to fulfill the deranged fantasy of a dictatorial president,
(24:46):
which I think is really what this is, which I mean,
this scares me, Miley.
Speaker 1 (24:52):
I don't think i've ever particularly in America.
Speaker 5 (24:55):
I mean, we see this in Europe. We see we see.
Speaker 4 (24:57):
Presidents and autocrats deploying the military to to put down
rebellions and coups all over the world, and that is
often the beginning of the end. So the fact that
the president of the United States is doing this in
his own country, in Los Angeles, that scares me. And
I just yeah, the fact they're shooting the press, that's
I hope you're doing all right.
Speaker 8 (25:16):
I'm yeah, thank you, thank you. I mean, it is
definitely an interesting time to be a journalist in the
United States.
Speaker 5 (25:25):
Yeah right, Okay, good luck, Miley.
Speaker 2 (25:29):
It's midnight in LA right now, so hopefully you can
get some sleep safely, and we're just hoping here that
it calms down.
Speaker 3 (25:38):
Yeah.
Speaker 4 (25:38):
Absolutely, thank you, Thank you so much, Thanks so much
for joining us. Miley Hogan their seven years USA correspondent,
keeping surested of what is going on in Los Angeles.
That scary stuff. Look, it might be controlled, it seems
like it is in downtown LA. But like he's just
there's I know there's more protest planned for across the
country in the next coming days. So America showing on
paper now that you know, ideologically it has been the
(26:01):
most polarizing, cut or polarized country in the world. We
saw that the elections, and now we might actually be
seeing that.
Speaker 2 (26:08):
Yeah.
Speaker 1 (26:08):
As I said in flesh, which is just really scary thought.
I reckon, we've got cash to you away. Can you
hear it?
Speaker 4 (26:18):
One hundred dollars of can if you can tell the
difference between sounds soft and can be just by the
sound of the can opening.
Speaker 1 (26:30):
And you just keep going until you get one wrong.
So technically there's there's no cap, like, it's just you
can win x amount of money the amount of money.
Speaker 5 (26:43):
No cap is something the kids say these days.
Speaker 2 (26:45):
And I'm deliberately doing that to sound youthful.
Speaker 4 (26:49):
It does work both ways, though, because he's saying no exaggeration, right, well,
absolutely no.
Speaker 5 (26:53):
You're saying no monetary cap.
Speaker 1 (26:55):
Yeah, well, I'm saying both. Listen, there's no caps here.
Speaker 2 (26:59):
What I will tell you, though, Melissa, is that our
producer An Elyse, in her haste to bring the cans
in here, has informed me that she has shaken these
cans up. So it's going to be pretty exciting for
everyone as I crack can number one.
Speaker 6 (27:11):
Melissa, soda saft drink one hundred.
Speaker 4 (27:22):
Bucks, Melissa, steady, that didn't that didn't sprayl over me
because I tapped them on the top. I went over
there and I tapped all the cans on the top.
I've sworn by that my whole lifewards tapped the can
on the top.
Speaker 5 (27:35):
Lad in the science, great science.
Speaker 1 (27:38):
Here is can too for two hundred bucks. Be a
hundred bucks?
Speaker 6 (27:50):
Is good?
Speaker 1 (27:50):
Melissa, one hundred bucks. That is all yours, No worries.
Speaker 2 (27:54):
That was a soft drink again, Unfortunately, let's go to
Dannielle here.
Speaker 4 (27:58):
Can I just say before we go to danniel Well,
I know that you trust me like a brother, but yeah,
I just told you that, like I didn't know guaranteed
that tapping the can and the head would stop the
can exploding, and yet you still opened it directly into
the microphone. Yeah, these are expensive microphones and you have
brought down a server by pouring water on it with
(28:20):
bo Ryan before.
Speaker 1 (28:21):
Was there a part of you that thought that maybe
that was a bad idea.
Speaker 2 (28:23):
No, it's funnily, and I just didn't think about it.
I was more worried about getting coke on myself. Finally enough,
Danny Elly, if a text listen, I really, I do,
I do?
Speaker 8 (28:35):
I do?
Speaker 1 (28:35):
Take care, Danny l can number one. It's worth a
hundred bucks. The mics are working. Here we go.
Speaker 5 (28:49):
It's a beer. We can't even get you off the mark.
I can't even get you off the mark.
Speaker 1 (28:54):
Its crisp beer. Yeah, that was a Chris beer that
tasted all that sounded every bit of beer it did.
It really did.
Speaker 2 (29:02):
Storry to rubbing and dannyell. Uh, Joey, here you Joey,
Hey on outstanding Joey. You want to win some cash.
Here's ken one.
Speaker 1 (29:16):
That's soft drink, Joey, it is, Joey. It's a hundred bucks.
Speaker 5 (29:21):
I thought I thought all money. It was a beer,
did you really?
Speaker 4 (29:25):
Yeah?
Speaker 1 (29:25):
You can see it.
Speaker 5 (29:27):
That's true, Joey.
Speaker 1 (29:29):
He can't do.
Speaker 6 (29:36):
Oh that one. There was a beer.
Speaker 1 (29:39):
Sorry, Joey, Joey, one hundred bucks. Under backs ain't bad, Joey,
how her backs ain't bad? Good cheers, cheers, mate, joe Joey.
Not great players today, but still people walking away with
a hundred bucks. Well, not bad ones.
Speaker 5 (29:58):
I'm more can you here hundred bucks again?
Speaker 4 (30:01):
Deli Soft runs down of the can opening right now
that we are close to the show finishing's got just
enough time to find out whether gen Z all the
millennials are more out of touch.
Speaker 1 (30:12):
Junior producer analyts in the studio for Battle of the Gem.
Speaker 2 (30:17):
Alone, it's will and woodiest of them. We throw pop
culture phenomens at our junior producer analyse.
Speaker 1 (30:31):
Uh well, I think we should kick things off.
Speaker 11 (30:35):
This is.
Speaker 1 (30:37):
Age. I respect your eldest. I mean, by the way, analysts,
you're born in the year two thousand. That's right, yeah,
two thousand.
Speaker 5 (30:46):
Why are the American accents American accents?
Speaker 2 (30:49):
Yeah? Sorry, that's just me.
Speaker 1 (30:52):
It's not it's not.
Speaker 2 (30:55):
Slip.
Speaker 3 (30:56):
I'm bilingual, but.
Speaker 5 (31:00):
I'm due lingo.
Speaker 1 (31:03):
That's the app though generations do. We'd go to classes
in person anyway. Wow, here we go. This is just
something that everyone listening will one hundred percent be across.
You should be across.
Speaker 2 (31:18):
Yes, here it is actually first tame just a little
warm up. Name name two video rental stores A.
Speaker 3 (31:25):
Video Easy and my local and tu car.
Speaker 1 (31:30):
Come on.
Speaker 3 (31:32):
Video Easy Video start No video Starsn't stop video easy.
Speaker 1 (31:38):
Block bluster there you go blocks just block bustar, All right,
now you should know this.
Speaker 5 (31:44):
Well, so what if you went to on rent a
video or a DVD?
Speaker 1 (31:49):
What were the two or a Blu Ray?
Speaker 5 (31:53):
What were the two?
Speaker 1 (31:55):
You didn't.
Speaker 5 (31:57):
I shouldn't have given you that. Do you know what
a Blu Ray?
Speaker 3 (32:00):
Yeah, it's a DVD?
Speaker 1 (32:01):
What were the.
Speaker 5 (32:05):
Real didn't bespoke Blu ray player?
Speaker 11 (32:09):
It was a line?
Speaker 1 (32:11):
Okay?
Speaker 4 (32:11):
What were the two rental categories you got at a
video easy? At a video easy and or blockbusters as
you called it.
Speaker 3 (32:24):
Yes, So I feel like you'd walk into the store
and there was two sides. There was kids and adults.
Speaker 1 (32:31):
I'm not talking genre. I'm not talking genre actions or.
Speaker 4 (32:40):
There's two types of rental or videos because rental categories
specifically rental.
Speaker 1 (32:46):
Category d v D, Blu Ray rental category. So it
was either it was classed play.
Speaker 3 (32:59):
The price, well it was sorry night three night, four
night week you can have it for that period of time.
Speaker 1 (33:08):
No, there was two categories.
Speaker 5 (33:09):
There's two categories.
Speaker 3 (33:11):
Overnight there you go, there you go, and depending on
the store, three or one.
Speaker 2 (33:19):
Week overnight and then the rest were weekly. Wow, you
get five weeklies for ten unbelievable.
Speaker 1 (33:32):
Oh wow, no, I know that was my question. How
much do you think your new release was for an overnight?
Speaker 10 (33:38):
Hmm?
Speaker 3 (33:39):
This is a good one because again it just varies
between them film I think, I mean, what was the local?
The local? I would say, Now, God, I don't know.
I think I would have it was like we get
a five dollar movie and then get like a you know,
micflurry on the way home. So because they were around
(34:00):
the same price, what was a mick flurry in the
five dollar movie?
Speaker 5 (34:05):
The five dollar movie and the Mick Flurry were the
same price?
Speaker 3 (34:08):
Yes, five bucks, five bucks?
Speaker 5 (34:11):
No, pretty close, You're pretty close.
Speaker 1 (34:13):
You bad, But it was across the board. It was
seven dollars, seven dollars for newby overnight.
Speaker 3 (34:19):
But okay, wait, I have a question though, is the newbie?
So what if it was an oldie but for one night?
Speaker 2 (34:25):
No, that't wor like that you could take it back
a day later, but they'd say you can, you can
have it for six more days.
Speaker 3 (34:30):
Yeah, but so you got a newbie movie like release,
new release. Excuse me all the oldies out there, that's
what a newbie means. So you have like say, barbies
just come out Yeah, yeah, seven dollars. Yes, now Barbie
is now old, is it still seven dollars No, because it.
Speaker 5 (34:49):
Gets moved to the weeklies.
Speaker 1 (34:50):
Yeah, it'd be like a buck. Oh so you get
it for a week yeah, yeah, that's the bit mate,