Bollywood Supervillain

• Woody Is James Bond
• Can You Hear It?
• Where Did You Watch The Footy?
• Guy Montgomery
• Listeners Scratching Our Backs
• Toastie Press Lights

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Episode Transcript

Speaker 1 (00:04):
The Will and Woody Podcast. Hey you, good afternoon, everyone,
Welcome to the podcast.

Speaker 2 (00:15):
That might not be the afternoon when they're listening to this.

Speaker 1 (00:17):
Will Yes, but we've been over that it might be.
We've been over that it might be, and I realized that,
you know this is that I mean, that's the nature
of a podcast, right. It's on demand audio, you know,
if we want to get technical with it, it's ok.

Speaker 2 (00:31):
You're trying to cover your tracks of just doing auto.

Speaker 1 (00:33):
I'm just explaining to everyone that I realized you could
listen to this is that the only time you're going
to turn your mike on, because you're at two and
you've got a max of three, it's.

Speaker 3 (00:41):
To correct you. Every time he wants to correct, he's done.

Speaker 1 (00:44):
He's done to so use your last one wisely, Choose wisely.

Speaker 4 (00:47):
I'm sorry. I do have one comment to make on that. Yeah,
unlikely that people are listening in the afternoon.

Speaker 1 (00:53):
I think, all right, well that's up to you.

Speaker 3 (00:55):
You're probably either.

Speaker 1 (00:56):
Not going to have the same time chat that we
have last time, because we've about it for a long time.

Speaker 3 (01:01):
I can't remember, got some feedback on it. We speaking
of feedback, I was speaking to an avid listener of
our podcast.

Speaker 4 (01:10):
You found him, you, well, not hard to find. He's
in my family. It's my dad.

Speaker 3 (01:17):
And so he's obviously a big fan of the Daily.

Speaker 1 (01:19):
Podcast, as in what was the daily Podcast?

Speaker 4 (01:23):
Well, he'd loved to catch up on the boys through
the Daily Pod, especially when he was on the show.
So dad was on our live radio show a couple
of days ago, and naturally he wants to hear himself
and he was he can't find and he thought he
was losing his marbles. He was like, I used to

(01:44):
be able to access the podcast. I cannot find my
bit anywhere.

Speaker 3 (01:49):
And then he was worried, like did you did you
remove it?

Speaker 4 (01:52):
Like why can't I find anymore? Explained to him, we
do a weekly.

Speaker 1 (01:55):
Podcast now and I mean, this is just the best
skier of the week. Did you explain that. No, he's
heard it now. He's listening to this, you bet your
bottom dollar, probably in the afternoon as well, if that
isnything else to do. But he might also he's got hope.
He's like, well, obviously it put my bit in his
best of weekly?

Speaker 5 (02:14):
Was it in this week? Was it was it over
this last week? When your dad's on the show, a lot.

Speaker 1 (02:18):
Obviously he is he was on two days ago.

Speaker 5 (02:20):
Okay, well he'll I mean he'll find out in due course.

Speaker 1 (02:22):
Over the course of this over this course is a podcast,
whether or not he used in it. Yes, absolutely, So
hang in there, Dad, you might pop up, who knows.

Speaker 5 (02:29):
I don't think you need to tell your dad to
hang in.

Speaker 3 (02:32):
He consumes all of our stuff. He's a big fan.

Speaker 5 (02:34):
He's a big fan.

Speaker 4 (02:36):
But I do think it's an interesting, you know, thing
to bring up because people like my father might be
a little bit thrown by the weekly podcast that we do.

Speaker 3 (02:45):
Now.

Speaker 4 (02:45):
M'd be pretty interested to hear what you think about it,
the weekly pod, I reckon.

Speaker 1 (02:52):
Well, yeah, I mean it will be weekly for a
little while. Guys like we are we're going to try
this out. But obviously it's different in this and that
we're throwing two bits from the week. Yes, so you
get in this like two tone.

Speaker 3 (03:07):
Sort of vibe.

Speaker 1 (03:07):
It's like you're getting holiday Dad, and then you're getting
coming home from work Dad, which ones which I think
coming home from work Dad is kind of the this
vibe right now, like I'm exhausted.

Speaker 5 (03:18):
We're often quite chill.

Speaker 1 (03:20):
Things can get a bit loose yep, you know. But
in the radio show, we're obviously throwing to those bits
that have happened during the week while we're when we're
on that's holiday Dad. Yeah, gotcha, high energy, you know. Yeah,
he's up at six. He's holiday Dad. Is not up
at six, my friend.

Speaker 3 (03:38):
You really don't know about your My holiday dad was
up at six.

Speaker 4 (03:41):
Oh sorry, I'm thinking when you say holiday dad, I'm
thinking of myself. Next, I am now a dad. All right,
you're thinking of your own father. Yeah, oh, my holiday
dad for me.

Speaker 3 (03:51):
Eleven.

Speaker 1 (03:52):
Maybe I've totally cooked this. Then it's a bad analogy.
Forget weird my father's traction. Man, Let's go back to
two tones. There's two there's two podcast us, which is.

Speaker 5 (04:06):
Which is us now?

Speaker 4 (04:07):
And then we're throwing to bits when we're live on radio,
which naturally is going to be a bit higher energy.

Speaker 3 (04:14):
That's right, and a good question to ask. I think
is that a bit jarring?

Speaker 1 (04:17):
It's like insurgery doctor versus bedside doctor. Now, I think
I've done pretty well there one which insurgery doctor quite intense,
upbeat energy. Bedside doctor that's up A look at your chart?

Speaker 5 (04:31):
How are you doing there?

Speaker 1 (04:33):
Right?

Speaker 5 (04:34):
Come on?

Speaker 1 (04:34):
Yeap, closer, maybe you haven't nailed it. Closer, definitely closer.
There's a there's a clear distinction there.

Speaker 5 (04:39):
Thank you.

Speaker 1 (04:42):
So the question for you guys is do you want
We don't know. We're just trying this out and this
is this is the thing. You guys are listening to
this and we're doing it, and we kind of want
to know what you think. Are you enjoying more of
the insert dur the gotta be alogy, Okay? Are you

(05:03):
enduring more of the radio bits like do you want
to hear us more of the stuff from the radio
during the week, or are you enjoying this bedside chat
chill chat.

Speaker 3 (05:12):
Yes, it's a good question to ask, Yeah, because we
can bedside chat until for a very long time and
we will.

Speaker 1 (05:18):
And as you can hear, we've gone through holiday, Dad's
gone through afternoon listening, We've gone through surgery and bedside
chat like it's.

Speaker 3 (05:26):
It's very easy for us, yes, like breathing.

Speaker 1 (05:28):
So I think we're going to put a link under
the podcast so you can you can let us know
what stuff you're preferring more and it'd be good. Is
an ongoing thing, you know, it's not a dictatorship. But
I'm going to sit here and be like, this is
how it must be. I mean, obviously has to be
the two of us. The show's willing wood. Don't change
the personnel that great. Okay, Well, I think that's pretty

(05:50):
much all the admin.

Speaker 3 (05:52):
Oh I had.

Speaker 1 (05:53):
I had one more thing for you before we before
we get into the hot gear. You and I stayed
at a hotel in Sydney.

Speaker 4 (06:01):
Yes, are you deliberately not saying the name of the
hotel because I remember it.

Speaker 1 (06:06):
You can say the name of the hotel if you're
Changra La. We stayed at the Shangra La.

Speaker 4 (06:10):
If you don't mind, If you don't mind, here, isn't
a business trip?

Speaker 3 (06:13):
Is anyway? The changre La stead at the show. I'm
just at the Shangra La.

Speaker 5 (06:18):
We're at the Shangri La.

Speaker 3 (06:20):
Bring my Uber to the Changra La. I'm on four
thirteen of the chang.

Speaker 1 (06:26):
It sounds like a like a villain in like a
Bollywood film. It does Shangri La near the changre La.

Speaker 3 (06:32):
Yeah, none, at the Changra La.

Speaker 6 (06:34):
He was murdered.

Speaker 7 (06:35):
Shangri La, changre La.

Speaker 5 (06:38):
Anyway, the Changra La Kila.

Speaker 1 (06:43):
I was I got to my room and there was
a bottle of champagne in my room, bottle of verve.

Speaker 3 (06:47):
I know where you're going with this. That's come on, mate.

Speaker 4 (06:49):
There's some there's conversations that you and I have where
I feel like I am free of judgment and I'm
in a safe space. And I keep falling into that
trap because it's clearly not a safe space because you
keep bringing this stuff to a public platform.

Speaker 5 (07:03):
There are some things that are safe.

Speaker 3 (07:05):
This is one of them.

Speaker 1 (07:06):
So I got to the room at the Shangri La
and and I had a bottle of verve in my room,
and I was like, jeez, that looks really nice.

Speaker 3 (07:18):
Sorry, quick one real quick.

Speaker 1 (07:20):
Yeah, in a nice bucket with a cloth over it.
It looked fancy. I'll show I'll show Tom so that
you guys can all get a bit of a note.

Speaker 4 (07:27):
Yeah, lovely, guys, really quickly jump in. It's just a
very small side bar. You booked the rooms for the
business trip, and then we're walking to the lift and
you went, oh, I wouldn't believe it. I got an
upgrade and I was like, sounds a little bit like
you booked the room. It just gave the presidential suite

(07:49):
and then made it seem like, oh, you won't believe it.
I specifically got a random upgrade, so I a mean,
I am in the pen house.

Speaker 5 (07:56):
No, no, I just got it, and I just got an.

Speaker 3 (07:58):
Upgrade, which is really nice. I'll put that down back
to the champagne.

Speaker 1 (08:02):
You know, well, you wouldn't know either because you have.

Speaker 5 (08:05):
Access to a disaccount.

Speaker 1 (08:07):
You get I could be I could be running a
seriously a money laundering ring right under your nose and
you would.

Speaker 3 (08:14):
Have no And you were like, so I've got breakfast,
you don't. I also have a car park.

Speaker 1 (08:21):
And I also had a bottle of Verve clickoat in
my room with a note on it. Anyway, it said,
dear will, welcome to the Shangri La, Sydney, wishing you
a most memorable stay. Thank you Carla at reception desk Okay,
Shangri La. Yeah, I got that. I was like, that's

(08:41):
really nice. I'm not really sure what I've done to
deserve that, but beautiful. Maybe because I booked the presidential scree. Anyway,
ten minutes later I get this message from you, which
is a photo of exactly the same thing, but instead
of saying mister McMahon says, Hi, mister whitelaw with the
same card, and then now I'm mean I need you

(09:02):
to jog my memory about a story because I think
you've been burned before and that's why you thought what
had had had had happened happened. So I get this
note from her saying this, you get exactly the same note, Okay,
I naturally just assume it's a courteous note, me too,
and story over.

Speaker 5 (09:23):
You.

Speaker 3 (09:25):
You're right under.

Speaker 5 (09:29):
You read underneath it? Did you get this too? Or
is color a reception being a bit flirt?

Speaker 1 (09:42):
Did you hear that? Prevent? What do you want to.

Speaker 8 (09:49):
Now? You?

Speaker 2 (09:51):
I have nothing to say, you idiots.

Speaker 4 (09:52):
Yeah, I think this is one of my first like
just old dad like awkward moments. But you think you've
still got it, like it's it's one of my first
like still got it? Oh god, guys, come on, I'm married.
Because it was such a fleeting stop at the shangle
in my head. Carla had had finished her shift and

(10:13):
come up to my room and knocked on the door
and being it's like my fings weirdly in my life,
it's like I'm James Bond in my life.

Speaker 3 (10:21):
She'd come and knocked on the door.

Speaker 5 (10:23):
James Bond taking a ship never happened.

Speaker 4 (10:27):
And she knocked on the door, realized I wasn't there,
and was like, ah, bugger, I'll just leave the champagne anyway.

Speaker 3 (10:34):
That's that's that's what that's what happened. I'm deluded, but
that's what happened.

Speaker 5 (10:38):
So she went to your room to give you. James Bond, I.

Speaker 4 (10:41):
Would have had to say, oh, well, so I'm so
sorry if I've given you the wrong idea.

Speaker 3 (10:44):
I'm getting more.

Speaker 5 (10:44):
What was your reaction?

Speaker 3 (10:45):
Because I haven't been married in November, I had.

Speaker 1 (10:48):
The same woman checked me in no different. Maybe I
was hilarious, accident, I was accident.

Speaker 5 (10:57):
I was brilliant in.

Speaker 3 (11:00):
I think what was I wearing? Oh I was wearing
a shirt? Okay maybe yeah, I don't know.

Speaker 1 (11:04):
But yeah, that that deluded. That was I think what
we really need to do is get in touch with
the Shangri La and after color and see if she
actually did have anything with it. Sounds like it sounds
like like, for example, if you're driving in a car
and a woman lets you in, it sounds like you
might yeah she's that as someone hitting on you.

Speaker 3 (11:22):
Yeah, I thought that.

Speaker 4 (11:25):
I mean like, okay, all right, God you can't see
my ring from the car, but out the window.

Speaker 3 (11:29):
I mean he.

Speaker 1 (11:30):
Actually, you actually have got a bit of you had
a bit of a habit of doing this when you
were single. When Sam's sister was here, Kiki, I remember
they caught up kick and what he would spoken for
like ten minutes, we got along very well.

Speaker 5 (11:41):
What he turned around and was like, well, there's clear
a connection there.

Speaker 1 (11:43):
And I was like, literally spoken over ten minutes. She's
been in a relationship for thirteen years.

Speaker 5 (11:51):
He was like, well, there's such an.

Speaker 1 (11:54):
Unstoppable connection there. I hate to be the home record,
but it's clearly happening. And I was like, by the way,
when I told sim that, I told Kiki that as well.

Speaker 5 (12:04):
That they both cried with laughter.

Speaker 3 (12:07):
And that's often the reaction.

Speaker 4 (12:08):
That's often the It's amazing that I don't know how
many times I can experience this and realize I was wrong,
but I still I keep doing this.

Speaker 3 (12:14):
This is optimism, just return. I want to stayed alone
at a hotel. It was one of them.

Speaker 4 (12:19):
It's like an echo retreat kind of hotelly kind of thing,
and I was staying by myself and I wasn't really
leaving my room that much, and I wasn't having any
interaction with any human being. I've just sent one of
those holidays and I had all these like microwave meals
and tin food in my room, So I wasn't even
going to the like the restaurants or anything.

Speaker 3 (12:38):
I was really keeping to myself.

Speaker 1 (12:39):
And because you didn't want to spend any money.

Speaker 3 (12:42):
I bit of that, and also I didn't want to
talk twenty one.

Speaker 4 (12:44):
Unbeknownst to me, apparently the entire staff of the retreat
was like, what is the.

Speaker 1 (12:49):
Deal with this guy who's he's doomsday prepper with his room?

Speaker 3 (12:54):
Has anyone seen him?

Speaker 4 (12:55):
Like I remember, like there's been a sighting of him,
but like he's not doing anything interacting with anyone.

Speaker 1 (13:01):
So it's always like a bit of a red flag,
like what what's he doing here?

Speaker 3 (13:05):
Yeah, and I think I've booked ten days big time.

Speaker 5 (13:09):
Yeah.

Speaker 4 (13:09):
Well, I think they're all throwing around things like I
think he's a monk and he's doing like a a
thing like he's off.

Speaker 3 (13:16):
I don't think I think of that.

Speaker 1 (13:20):
Nine of the guesses would have been furiously masturbating in
his room, but the other one might have been. I
think he's doing meditation.

Speaker 4 (13:28):
The reason I know this is because it got to
a point where one of the women who was working
at the retreat came like got me, Like, oh my god,
I've like.

Speaker 3 (13:39):
And it was like, hey, we're.

Speaker 5 (13:40):
All Tasmanian Tiger.

Speaker 4 (13:42):
By the way, we're all having staff drinks like you
should you should come, like you know, why don't you
come and join it?

Speaker 1 (13:49):
Almost like a like a line help, like the olive branch,
totally like a pity a total pity invite anyway of
what we've been talking about in my head.

Speaker 4 (14:00):
Remember I'm James Bond and I was like, God, I
can't I can't go anywhere.

Speaker 3 (14:04):
I'm trying to have this song on holiday by myself.
Oh yeah, buy me to start drinking. I was even
going to be there.

Speaker 5 (14:19):
Good stuff. All right, Well look the show that's going.
I'm going to get into the best things of the
week right now.

Speaker 1 (14:25):
We're a guy called Shane who look, if you don't
know Ken, you hear it, Kenny do the difference between
beer and soft drink just by the sound of the
canning Shane. The current record is Hell by a guy
called Gary Barlow. He's the lead singer of Take That.
That's a mouthful to get out. Gary Barlow the lead
singer of Take That.

Speaker 5 (14:40):
So it annoys.

Speaker 3 (14:41):
Usually have to play a song as well because.

Speaker 1 (14:43):
I have to play the take that song that everyone knows.
I mean Robbi Williams was in Take That's obviously knows it.
But to take that song, Tom, if you haven't loaded there,
he doesn't.

Speaker 2 (14:54):
I deleted it off the button bar I was sick
of I was sick of playing it.

Speaker 1 (14:59):
But I have we can do an a cappellare we shimat?

Speaker 3 (15:08):
Yeah, he's the record holder. He was in this studio and.

Speaker 4 (15:10):
He did break the record, broke Joe Jonas's record and
got seven in a row and.

Speaker 1 (15:14):
Joe Jonas holding the record. Fine, everyone knows who's who
Joe Jonas is. When Gary Barlow breaks it, I mean
that lovely guy Gary got along with him famously, and
in the UK is a big deal, but in Australia
having to qualify the famous person that holds the record
is really annoying. So we've all been hanging out for
someone to break that record of seven.

Speaker 5 (15:31):
Cans in a row.

Speaker 1 (15:33):
And last Friday a guy called Shane called the show
and did.

Speaker 4 (15:37):
This right, here we go, Shane, can one.

Speaker 8 (15:41):
That is a softering gentleman.

Speaker 5 (15:43):
Yes, it is shame, shamee.

Speaker 1 (15:45):
That is definitely a beer. Yes, shame, that is a beer.

Speaker 3 (15:51):
Yes shame bright Oh Shane, here's.

Speaker 8 (15:53):
Can for that is a soldering Yes.

Speaker 9 (15:59):
That is another soft drink.

Speaker 3 (16:01):
Sh here's can six. Here we go.

Speaker 1 (16:04):
Come on, that is a beer. Sho can is a
rare shade.

Speaker 7 (16:12):
You're in rare as.

Speaker 1 (16:15):
That is another beer. Oh my shiner, you've got.

Speaker 4 (16:21):
So at that point we made the call to say
to Shane, hey, can you are you free on Monday?

Speaker 3 (16:29):
And there's a good reason why. You had Missy Higgins
who was standing in the.

Speaker 4 (16:33):
Like literally outside the studio, and you know she's obviously
got a pretty tight schedule.

Speaker 3 (16:36):
Lovely person. But we were like, I don't think we
can make Missy just sit and wait and listen to
a guy I guess can can drink all.

Speaker 1 (16:44):
We want to come across as like cool, new as
guys that are into music exactly, not commercial radio dickheads
that are opening cans one at a time to get
people to listen.

Speaker 4 (16:53):
So not so we said a shame mate, free on
Monday on Monday, Let's build this up, you know, like
go away, go and train, listen to more cans, We'll
see you on Monday kind of thing.

Speaker 3 (17:03):
So that happened.

Speaker 4 (17:04):
Shane was like, I'm free boys awesome Monday, So that
was agreed to. The Other thing, which is important to note,
is that he did also tell us that he looked
a lot like Robbie Williams. At this point, this is
on the phone, so we have no idea if he
actually does look like Robbie Williams. But we did find
out that he not only like cracked a lot of

(17:25):
cans over the weekend to train to get the record
for the Monday, but he also gave himself a haircut,
got faked.

Speaker 10 (17:37):
Got fake tattoos, bought bought a complete wardrobe, like he
bought a whole new Anthin to look to look more
like Robbie Williams.

Speaker 3 (17:48):
Apparently, don't forget the haircut. Yes, yeah, his daughter's boyfriend
gave him, gave him We're in a necklace.

Speaker 4 (17:58):
We didn't know that, but again, we liked the idea
that we wanted the moment on air to happen when
he you know, when we saw him for the first time,
so we were blindfolded in the studio and we're like,
you know, is he actually going to look like Robby Williams.
And I think let's take you now to the moment
this is on air on Monday. He's in the studio
and blindfolds are on. Yeah, yeah, and see him for
the first time.

Speaker 1 (18:18):
What you're hearing is when we our blindfolds come off,
what we see, as you just describe words, is the
Robbie Williams haircut, the fake scorpion tattoos on his lapel,
and then he's wearing this gas man pink shirt, which
was clearly the bit he was most proud of. And
I didn't understand that. But when we took the blind
miles off, he like pulled knowingly, was subtly at the

(18:44):
shirt to be like, you better believe it.

Speaker 3 (18:47):
I've got the shirt.

Speaker 5 (18:49):
Boys angels brought me here.

Speaker 1 (18:53):
No sorry, that's guy's question anyway one that he is
not bad. Wow, he's got and.

Speaker 8 (19:10):
You've got the tats, you've got the tattoos, you look like,
thank you, thank you. I'm gonna put the accident for you.
Robbie Williams. Nice to make you, would you would you
like obviously your wife like she because you look like
Robbie Williams.

Speaker 3 (19:30):
But when you were mate, you actually feel like Williams.
You have Robbie Williams eyes. Would you have people mistaking
you for Robbie Williams?

Speaker 8 (19:39):
Yeah, I did. We were in Hamilton Island once and
apparently an A station Robbie Williams were hanging out Hamilton
Island and my wife looked like Anna Station at the time.

Speaker 1 (19:48):
You're kidding at the time. What happened to her?

Speaker 11 (19:51):
She looks better now. That is the first te genuinely
look like Bobby Williams.

Speaker 5 (20:04):
Can eight?

Speaker 1 (20:05):
I mean Woody currently showing me both cans to help
me choose with him which can to go for?

Speaker 5 (20:11):
This is eight?

Speaker 1 (20:11):
Shaane.

Speaker 3 (20:12):
This is a big deal.

Speaker 1 (20:13):
This has been a very big deal for us for
a very long time. I'm gonna be honest with you,
and everyone's listening right now. You would do us all
the favor if I had to no longer say that
the world record was held by Gary Barlow from take
that like if it was Mickey Mouse, or like Madonna
or a single you know, let you know the person
when you say the name celebrity. Totally fine, but I
am sick of saying Gary Barlow.

Speaker 5 (20:34):
From Take That.

Speaker 1 (20:36):
I want it to be Shane from Nary Warren.

Speaker 5 (20:38):
I want it to be you.

Speaker 1 (20:39):
I'm all for it.

Speaker 7 (20:40):
Let's do it, Okay, don't screw the crack.

Speaker 8 (20:54):
Oh god, that is a soft drink.

Speaker 3 (21:04):
Gentleman, we've had forty minutes of We built it up
for forty minutes. You can take your blonde. You had
eighteen on the woodlot.

Speaker 4 (21:26):
No, no, tell us who the record holder is?

Speaker 3 (21:30):
Again, mate, you love doing it us.

Speaker 1 (21:37):
We wanted you to win so bad, no, I know.

Speaker 5 (21:42):
Quite extraordinary, amazing, absolutely amazing.

Speaker 1 (21:44):
It's not very often you get forty minutes to build
up for a three second fail.

Speaker 4 (21:47):
But that made it so really happened, made it so good.
Now will something also happened straight after that? So so
we go to a song. It's big laughter, great bit.
Get him right around, Shane, just like because quite you know,
he came into the studio, which from Liz, which is
forty five minutes away. He's made a big effort to

(22:08):
come in. So we're getting right around. Hugs, handshakes.

Speaker 3 (22:12):
Now you I'm not sure if you went for a hug.
I'm a hugger.

Speaker 4 (22:15):
You I think just went with the hand, shook his hand,
and then and then what did you do well?

Speaker 3 (22:20):
While he was still standing there, I.

Speaker 1 (22:21):
Just like to stop by saying that it's been a
very it hasn't been a very nice winter in terms
of illnesses for my family, and we've all been really sick.

Speaker 5 (22:30):
Now you know that. You know that, don't you dare?

Speaker 1 (22:33):
And you got and I as a result, I sit
in here with a bottle of hand sanitizing next to me,
and I would hand sanitize five times a show, like
it's number one way to stop the spread of infection
is by sanitizing your hand. So it wouldn't have mattered
if he was the fucking Queen, I would have done
what I did afterwards, And I just want to point

(22:53):
that out. The unfortunate thing was that it has become
so routine for me that I've forgotten that I've forgotten that.

Speaker 3 (23:05):
You should keep it.

Speaker 1 (23:06):
I forgotten that it might be mildly offensive.

Speaker 3 (23:08):
To mildly mildly offensive to.

Speaker 1 (23:11):
Shake someone's hand and then immediately sanitize afterwards, which is
which is what I did.

Speaker 3 (23:15):
Five second turnaround, with three seconds it was on the way.

Speaker 5 (23:18):
I was like, it's been brilliant.

Speaker 1 (23:20):
Tug his hand turned on a dime, double squirt, double pump,
hands up full surgical wash.

Speaker 5 (23:27):
He watched me.

Speaker 1 (23:29):
He was a major away from unbelievable.

Speaker 3 (23:31):
I couldn't believe it.

Speaker 4 (23:32):
He's come all this way in given us his great
bit and then you as soon as you touch it,
we go better wash myself.

Speaker 3 (23:37):
Anyway, let's go to add shall we tell you?

Speaker 4 (23:39):
Guys got an ad when I think we should give
him an Yeah, guys, the.

Speaker 3 (23:45):
Chat, but the product is selling.

Speaker 4 (23:48):
Here we go, will I was telling you earlier this
week on the radio show that I.

Speaker 5 (24:01):
Had hit on by someone at reception.

Speaker 4 (24:03):
No, that was earlier in the podcast, nearly five minutes ago.
I was telling you days ago that I had a
romantic weekend booked.

Speaker 3 (24:15):
With my beautiful fiance Mim for her birthday.

Speaker 4 (24:19):
But it was a bit of an error. Well that
was just a potential issue with that weekend. But yeah,
here's me explaining it to you. What event did they
try and watch the footy at? Usually on the phone.
And the reason I'm asking that is because together with
my partner, a beautiful romantic getaway has been booked for

(24:42):
her for a birthday.

Speaker 1 (24:44):
Beautiful keywords has been booked. That's because you can't say
I booked because you didn't. She booked her own birthday
weekend away because she knows you as grew up.

Speaker 3 (24:52):
Now, that's just knowing your partner's love.

Speaker 8 (24:55):
That's love.

Speaker 4 (24:56):
So look and I play a role there, stuff up, Nobe.
She likes that, I mean, she likes that, caring for all.

Speaker 1 (25:03):
Right, let's go to yeah, no, that that probably is true. Actually,
let's go to Ashley on the one six five. I
think there is definitely truth in that. Ashley, this was
your friend.

Speaker 9 (25:12):
Hello, Yes, my friend watched The Rabbit O's semifinal at
my wedding. And there's so I found out because when
we've gotta have professional photos back, there's photos of her
hiding her phone behind the centerpieces.

Speaker 3 (25:32):
Are you saying ceremony? She was watching it during the ceremony.

Speaker 9 (25:35):
Yeah, like my reception.

Speaker 5 (25:39):
I've watched I've watched a footy game of a reception.

Speaker 1 (25:44):
Actually, follow up question, dumple all offense having to organize
your own birthday weekend, not my.

Speaker 9 (25:49):
Own birthday weekend?

Speaker 1 (25:50):
No?

Speaker 9 (25:50):
Yeah, yeah, I think.

Speaker 3 (25:52):
So you think dumb people. We're getting married in November.

Speaker 4 (25:55):
It's Caprice, Hi, Caprice Hi.

Speaker 3 (26:00):
Interesting, this is the story about your ex. Oh my God, damn,
your ex tried to watch the footy somewhere where he
shouldn't have.

Speaker 12 (26:07):
Yeah, in the delivery room, No.

Speaker 3 (26:10):
Way, No, are you?

Speaker 5 (26:11):
How early on were you?

Speaker 1 (26:13):
Like I was watching a bit of TV early on.

Speaker 13 (26:15):
We had about twenty minutes before I went for a
C section, and at that point I was like, watch
this for what?

Speaker 12 (26:22):
I don't care?

Speaker 14 (26:23):
Shit?

Speaker 8 (26:24):
Was that?

Speaker 3 (26:24):
Was that the reason you broke up with him? Can
I say?

Speaker 5 (26:26):
Because is his is it his baby?

Speaker 15 (26:29):
Is?

Speaker 3 (26:29):
Ba hey?

Speaker 5 (26:30):
I'm sorry it's his baby?

Speaker 6 (26:32):
Though?

Speaker 5 (26:32):
Yeah? Yeah, I cannot Okay.

Speaker 1 (26:34):
And twenty minutes does the kid know that?

Speaker 15 (26:38):
Not yet?

Speaker 12 (26:38):
She's only one.

Speaker 4 (26:41):
Little little rabbit oz obviously what she's cooled. Thanks for
going cabreeze, And I think it's probably good that you've
broken up with him.

Speaker 3 (26:47):
It's Abril.

Speaker 4 (26:48):
While you have one as a blank, you have one
job there, and that is to give them your attention focused.
If I took my phone out and started watching the
foota during I would have lost a hand.

Speaker 3 (26:59):
I would have lost.

Speaker 5 (27:00):
Yeah, and I would have do as I said.

Speaker 1 (27:02):
Though early on though, fine, we had a very quick
as was like you were in there to one hundred
very time. But yeah, yeah, no, we had ages, So
there was a bit of like chill out, you know,
try and relax, actually.

Speaker 5 (27:13):
Get the oxytocin going.

Speaker 3 (27:15):
But he could be a good thing.

Speaker 5 (27:15):
But he was a good thing.

Speaker 3 (27:16):
I was going to April here.

Speaker 1 (27:18):
I've also watched foot in the room.

Speaker 3 (27:21):
What happened with you? Your partner tried to watch the
footy somewhere?

Speaker 12 (27:24):
No, well, it was my mum and dad were getting married,
and it's sixty three years ago on this coming Sunday,
and my mom was walking down the aisle with her
dad and so it's my pop. He had his transisor
radio because Balmaine was playing in the Grand Final. As
he walked down the aisle, he had to transit the

(27:45):
radio in his suit pocket and his ear piece up
into his ear like with the cord thing.

Speaker 16 (27:49):
You could see it.

Speaker 15 (27:50):
How wild is that he.

Speaker 1 (27:51):
Brought his life good banks the call April. I mean,
I know we're joking about a boll but I had
a similar one with the ceremony thing recently last year,
very similar thing. Guy in the ceremony and you know
he did that horrific thing where he had he had
the volume on full. Yeah, the bridal party walked past, Yeah,
and it was the middle of the NBA playoffs.

Speaker 5 (28:14):
So you just heard like Lebron.

Speaker 1 (28:15):
Go to the room as as they walked fast and
everyone heard it was crazy. Riley's called one six five. Riley,
this was your girlfriend who was watching sport in the
place you shouldn't.

Speaker 13 (28:27):
Yeah, it was my.

Speaker 6 (28:28):
Mother in law's birthday and they went to the strip
club and Paramatta is a favorite team and she couldn't
miss that. So she was sitting there watching the footy
while all the strippers are up taking the clothes off.

Speaker 1 (28:39):
Some shit, isn't it? The Paramatta eels yeah in more
ways than one, Guy Montgomery, I think the best act
at all the comedy festivals last year joins Us got
a brand new show on the ABC And last time, Guy,
we completely stitched you up because you have the same

(29:01):
name as another very famous Kiwik committee.

Speaker 3 (29:04):
I tell you what, you're a great guest.

Speaker 4 (29:05):
When you get nominated for the most Outstanding Show at
the Comedy Festival last year.

Speaker 17 (29:10):
I will almost have to start again because I didn't
get nominated last year.

Speaker 3 (29:14):
You did?

Speaker 5 (29:15):
No, Okay, well let's move on, shall we. Okay, let's
we can talk about it if you like.

Speaker 3 (29:20):
Oh no, I mean, I don't feel it aw cool.
I just figured this is a pre recall.

Speaker 17 (29:23):
Why don't we just stop and start again, you know,
then us saying something crazy?

Speaker 5 (29:27):
Why were we talking about your day job?

Speaker 1 (29:29):
Because I know since you there's nineteen, you've been hosting
New Zealand today, which is awesome.

Speaker 18 (29:35):
It's a bit I'm trapped inside of a bit really good?

Speaker 19 (29:43):
So good?

Speaker 3 (29:45):
So is your guard currently up?

Speaker 17 (29:47):
Guy?

Speaker 8 (29:48):
No?

Speaker 17 (29:49):
I no, if anything, listening back to that moment relaxes me.
I'm cool under pressure.

Speaker 1 (29:56):
So I went in saw your stand up show when
you're in Melbourne, speaking of you being all under pressure.
I had a very good laugh at a story you
were telling about getting stage fright at a large.

Speaker 17 (30:08):
And the urinal.

Speaker 1 (30:11):
Yeah, yeah, yeah, I think is this common?

Speaker 3 (30:17):
Is this common for you guys?

Speaker 17 (30:19):
No, more or less common than it is for anyone else.
I'd like to think that. I'd say, you know, you
become more associated with something if you publicly talk about it.
But I'd say everyone who's stood up at a urinal,
who's listening to the show right now, you know, got
the pants pedal going on full us out.

Speaker 18 (30:38):
You still can't get it going. You know, you think
it's when you're at.

Speaker 17 (30:41):
The urinal and you can't get it going, and the
guy's next to you're wrapping up. You're thinking, if these
guys go, I'm in big trouble because if I get
two new fellows on either side and they catch a
peripheral gland to this dry little flag blowing in the wind,
you know that's a crisis situation.

Speaker 3 (30:58):
So when you wrap up, do you do you do?

Speaker 1 (31:00):
Like?

Speaker 3 (31:01):
Do you do you do a fake shake? I don't
even know who.

Speaker 17 (31:03):
I'm performing for. I do a little shake as though
something's happened. I wash my hands, which I think is
just intoqate whether or not any pisons come out.

Speaker 3 (31:12):
Yet you've still touched it. You've still touched it.

Speaker 17 (31:15):
There was a line of thinking about this though, and
I'm not I always wash your hands, but like, is
there a cleaner body that's been untouched the rest of
the day.

Speaker 5 (31:24):
Yeah, it's a good question.

Speaker 3 (31:26):
Is a really good point.

Speaker 4 (31:27):
Yeah, it's a good So when we wash our hands
after doing a number one, and by the way, I
also want to make it very clear that I always
wash my hands, But when we do wash our hands
after a number one, what is the funk we're trying
to get.

Speaker 3 (31:38):
Off our hand.

Speaker 1 (31:39):
I think it's just the idea that somebody else is
touching your penis. Effectively, it's a respect thing for them.

Speaker 17 (31:44):
Oh okay, yeah, I think I've been doing it wrong.
I use the sinks to scrub the penis because the hands,
of course, the douty.

Speaker 18 (31:53):
I'm just figuring this out now, and.

Speaker 1 (31:55):
No wonder you're getting strange looks.

Speaker 18 (32:00):
The water's flying in the sink. I feel a lot
more confident stuff.

Speaker 3 (32:05):
And you're judging people. Sorry, man, you're gonna wash there.

Speaker 1 (32:14):
There is actually a factor, some facts of supported. I
remember watching q I one at one point, and I
reckon the fact was around the fact that a toilet
seat had like a thousandth of the bacteria that a
dishcloth had, Like I wipe my daughter's face with the
dish cloths versatile.

Speaker 17 (32:30):
I don't know there's anyone in the world who's washing
their dishcloths enough. I'm probably putting them on like a
weekly you know, a weekly laundry cycle with other bits
and bobs around the houses.

Speaker 1 (32:39):
It cannot be enough, it's not there's no way I'd
be lucky to be Once a week for me is impressive,
I reckon.

Speaker 5 (32:46):
I almost get to the point where I throw it out.
It gets so rank.

Speaker 1 (32:49):
It gets a smell, it's unrecoverable.

Speaker 18 (32:52):
It's pretty rude to fire something for working too hard.

Speaker 1 (32:55):
Right, that's such a good job age.

Speaker 18 (33:01):
What do you mean, No one's done more for this
than me.

Speaker 3 (33:06):
Absolutely, sul.

Speaker 5 (33:08):
He's a legacy employee at that stage.

Speaker 1 (33:14):
Tenure, good for culture, spiritual leader of the kitchen.

Speaker 4 (33:20):
That'd be lost without him. We should talk about Guy
Montgomery's Guy mont Spelling Me by It is an amazing,
amazing TV show because it also includes smelling the word
that you're trying to spell. This from the New Zealand
version of the show of Justine Smith trying to spell

(33:42):
what she was smelling y e A S t yeast is.

Speaker 3 (33:47):
Not how you spell for cashier.

Speaker 1 (33:49):
I'm so sorry.

Speaker 17 (33:51):
I'd like to spell something else starting with it, but
that would be homophobic.

Speaker 18 (34:01):
I will say I was pretty happy with that comy.

Speaker 17 (34:05):
Sometimes most of the days you're just at work, you know,
not I mean, it's an incredible job, but like you're
punching in and out and you think I did a
good job, and then occasionally just you see it's you know,
it's been in a flow state. You see the window
of opportunity, you jump through it and you think I
got one out there.

Speaker 1 (34:22):
That was nice, It was good. You'd be happy to
know that the airlock here really lit up and that
I can never three or four times now.

Speaker 5 (34:30):
So vindications still good. It's still hot.

Speaker 1 (34:35):
Gay Montgomery's Guy mont spelling Bee continues tomorrow night eight
point thirty, ABC TV, or you can binge all the
episodes on ABC I View. I don't want to take
you keep taking you back to your stand up show,
but I just there were so many questions I had afterwards.
I've been trying to explain to your issue with time,
which you spoke about for about fifteen minutes at the

(34:57):
start of the comedy show, like I wasn't s or
whether you'd started or not, because I was like, she's.

Speaker 5 (35:03):
Got to drop this time thing.

Speaker 1 (35:05):
Can you just try and like paraphrase, and I know
this must be hard what your issue with time was
at the start of the show.

Speaker 17 (35:12):
There's no issue. It's just and to me feel what
you saw, you sort of you're seeing through. It's a
trick I like to use, and I'm sure a lot
of other comedians do, where it's sort of a run
of false starts where you're amos. It's almost a hangover
from when you're starting, when you're steering down the bowl
of heaven to go for an hour, and you.

Speaker 3 (35:29):
Think that's a long time.

Speaker 17 (35:31):
It's too long really to hold anyone, and so you'd
stack these little jokes or these little false starts at
the top so that all of a sudden, when you're
ten minutes in, you say, I'm going to start the
show now. Yeah, you're sort of tricking yourself in the
audience where you know you've just given them ten minutes
a show, but because you haven't described it as part
of the show.

Speaker 4 (35:51):
Yeah, as an audience member, you're also like, oh my god,
the show hasn't even started, and this is hilarious. Yeah, exactly,
a great feeling as an audience man as well.

Speaker 17 (36:00):
But often what happens at the start, especially when you're
in the middle of a longer run of doing the show,
is you are trying to generate moments for you to
be alive in the room. So you know, you you
wind up getting your show to a point not where
it's all wrote, but we're eighty five tonight, it's identically
every night, and so you need to kind of craft,
these opportunities where you put that, you put their energy

(36:23):
of every you know, like it's what makes it live.
It's watching a show and watching like a dore for similarly.

Speaker 1 (36:32):
Is that right?

Speaker 3 (36:32):
I thought it was fac SIMI I thought it was
fac simile shortened facts.

Speaker 17 (36:37):
I thought it's a lovely one.

Speaker 5 (36:38):
I also thought it was a fact that. I also
thought it was a fake.

Speaker 3 (36:41):
What is a fact simile?

Speaker 5 (36:43):
I'm not sure.

Speaker 17 (36:43):
It's like a it's like a light serve, a copy
of something. It's like an authentic version of it, which
is I think the trip you can fall into if
you're performing the same show over and over again, you know,
an audience might not get a live experience of the show.
They might instead get to see a comedian remembering something
they've done times before. So interesting, and so you're trying

(37:06):
to create moments where you are in the room with
them so that it's it's for you as much as
it is there, like this is this is happening now,
this isn't just.

Speaker 1 (37:18):
That's fascinating, so that it's not metronomic every time you
go back into it.

Speaker 5 (37:24):
Yeah, that's really awesome.

Speaker 17 (37:26):
And so up the top, what you're seeing is some
of that would have been you know, I would have
segued into material. A lot of it at the top
is just genuinely you're just trying to jolt yourself alive
so that everything is it feels precarious.

Speaker 3 (37:38):
Cool man, Yeah, that feels it feels ballsy to me.

Speaker 1 (37:43):
Guy, to like start your show with the moment where
you need to be on your toes, Like in my head,
I'm going get some punches in that you guarantee will work,
a couple of wins, get some confident and then get
on your toes. But you just start off and go,
you know what, I'm going to put myself straight in
the deep end.

Speaker 18 (38:00):
No, I'm not going out there and stinking it up
straight away.

Speaker 1 (38:03):
It didn't feel lazy. I was halfway through it and
I was like, at any point there to my partners,
I was like, this guy, trust me, he's awesome. He
was really funny on the show ten minutes and I
was like, he's fucking bombed.

Speaker 5 (38:16):
And we had no joking.

Speaker 1 (38:18):
Guy. It was very It was I mean, that was
the genius of it. It was so fucking funny. But
it felt as if it was still like it felt
as if it was very much improted.

Speaker 17 (38:28):
I suppose also under the banner of time, you know,
which is the domestic concept that we all look by.

Speaker 5 (38:39):
Guy, thank you, congratsing end of the show, mate.

Speaker 1 (38:42):
It was awesome, It really was great, and he thanks
congrats on the new TV show.

Speaker 5 (38:47):
It sounds like it's going really well.

Speaker 15 (38:48):
Bro.

Speaker 18 (38:49):
People, I'm not gonna lie. They like it and it
makes me feel good.

Speaker 17 (38:56):
Also, I'm actually doing I'm touring my stand up show
a little bit around September.

Speaker 1 (39:00):
You come back.

Speaker 3 (39:02):
I can't get enough.

Speaker 1 (39:03):
All right, where should we buy tickets?

Speaker 17 (39:07):
Guy Montgomery, dot co dot in z.

Speaker 5 (39:09):
It's confusing.

Speaker 17 (39:10):
Someone else got that dot com.

Speaker 1 (39:13):
They got that sweet got dot com action? Did they?

Speaker 17 (39:16):
But I'm coming to Adelaide, Nurry Warren, you know, Okay,
I'm coming to Gold Coast, Canberra, all.

Speaker 1 (39:23):
Right, so do what I can. All the hotspots, yeah.

Speaker 17 (39:26):
Yeah, I looked at a sort of a forecast of
cultural hotspots in the coming time.

Speaker 18 (39:32):
Melbourne's not on the map.

Speaker 10 (39:35):
You've got some sort of sausage festival in Narry Warren
which is huge and you'll be there for it.

Speaker 5 (39:42):
It's down to the tulip the tulip picking.

Speaker 4 (39:47):
Go and see him though, Seriously, if you haven't seen him,
So the guy Montgomery dot co dot.

Speaker 1 (39:52):
Nze to go and get your tickets for I'd probably
just google guy.

Speaker 5 (39:57):
It seems a little bit to you.

Speaker 18 (39:58):
Figure it out that way.

Speaker 17 (39:59):
Yeah, yeah, don't don't tie your fingers out punching it
dot co dot in sid Lord knows those six keys
are the stickiest ones on the board.

Speaker 1 (40:08):
Pull your hid and will honestly save it, save your punches,
That's what I say. You never you never know when
you're gonna need that little bit.

Speaker 5 (40:17):
You might need.

Speaker 1 (40:17):
Flip if you had to go and flip someone off
on the way home and you just you're just like no,
I had to just google. Oh guy, get out of here.
Good to see you, man, so good to see you.
Good luck with your show. You guys appreciate it. I'll
see you both when I see you.

Speaker 3 (40:41):
Will, all right.

Speaker 1 (40:43):
Yeah, I feel we're really making tracks. By the way,
like you've got to be over halfway now in the pods.

Speaker 4 (40:48):
Don't make it seem like it's an effort to get
to halfway. Like you're enjoying yourself. I'd like to think
it's not like you.

Speaker 3 (40:54):
Run a marathon. It's like, okay, hey, guys, only twenty.

Speaker 1 (40:56):
Two k's I've made a good tendine it though, haven't
we Well kind of time we're like, look, hey, I
it does also have made it sounded a little bit
like it's a chore for you guys as well, Like
I think, well done. If you've made it to this point,
like an endurance event.

Speaker 5 (41:09):
You've made to this point, you've proved yourself a true fan.

Speaker 1 (41:12):
You must be bored, you must have nothing on your life.
If you're still with us, well done, you made it here.

Speaker 4 (41:17):
And if you are still here, we've got some good
stuff for you right now, because plenty of good stuff. Well,
we're trying to organize an end of year celebration for well,
firstly ourselves but also our team. Yes, we like to
really responsibly rip it apart at the end of the
year to celebrate all the hard work, et cetera. But
I think we're just at a point where it's like,

(41:38):
you know, does the company pay for that? You know,
that's that's that's something that we would never bring up
with our bosses. But thankfully we've been toying with it
for a long time.

Speaker 5 (41:49):
We've never quite out of the confidence.

Speaker 4 (41:51):
We've got a whole bunch of listeners though you enjoy
our show and I'm more than happy to help us
out in a time of need. So we've got one
of our listeners, Maria, who is one, by the way.

Speaker 1 (42:01):
Who is completely insane to call the woman. I don't
want to give you the context, but we were in
her house the other day and she had a light
and she had a Michael Jackson doll brilliant still in
the package in the packaging Unbeloved Collector's edition. She also
had a fart jar in her toilet, still.

Speaker 3 (42:16):
Ow two bucks.

Speaker 4 (42:18):
Anyway, we got her to call our big boss dB, yes,
masquerading as an assistant to our manager, just to seek
out some treats for us at the end of the year.

Speaker 3 (42:31):
And I think it went pretty well.

Speaker 15 (42:35):
Hello, yeah, Hi, this is Maria. I'm just a personal
assistant for Mark Clements. How are you today?

Speaker 19 (42:43):
Good Maria? How are you?

Speaker 15 (42:45):
Who sided to disturb you?

Speaker 18 (42:46):
Now?

Speaker 15 (42:47):
This is very important. I'm just going through my list
of things that need to be done now. One of
the main things that I need to discuss with you
today is Will and Woody. I need to is that okay, oh,
thank you, thank you? Now about having a day off now,
hopefully this is not a big stretch. I know it's
far down the track, but they're hoping to get the

(43:09):
twenty second of November off, which is the last Friday
of the year. They particularly want that day to have
a you know, a big send off. I'm thinking here,
maybe a cruise, a boat cruise, something, you know, music
DJ what have you one? I long the err or
you know Potinia or something like that. So what do
you think?

Speaker 14 (43:31):
Is this like for a team event that they're thinking,
not for something or yeah, it's not.

Speaker 15 (43:35):
A Christmas party for the boys and the gang. Now
I've got to ask do you have a budget set?
If not, and I sorry to intervene, I wouldn't mind
going the extra mile if you can't do the boat company,
I'm thinking maybe at a function room, possibly private function
at the casino, one of their you know, one of
their lavish rooms, you know set up. Yeah, what do

(43:56):
you think? So it at me?

Speaker 14 (43:58):
Well, I mean, I mean I've done it a couple
of years where they've done their own private thing. I'll
be honest, Mary, I actually I was going to talk
to the boys this year about not doing that because
there is like a full full station staff event which
you know, it would be good to have them there
like with all the rest of the team members, rather

(44:21):
than just making it kind of exclusive to the Will
and Woody Show, if you.

Speaker 17 (44:24):
Know what I mean.

Speaker 15 (44:26):
Yeah, I know, but the boys work hard and you know,
and making people laugh and a good company, good value.

Speaker 8 (44:33):
You know.

Speaker 15 (44:33):
I'm sure you can just scratch the money tree at
the backyard and blow a couple of you know, solids
their way with a special event, you know, a boat company,
or even like huge hampers. You know, I give the
boys a huge hampers of cheese, bees and whatnot, you.

Speaker 19 (44:52):
Know, I mean a hamper.

Speaker 14 (44:53):
We usually do gifts for all the teams, so like
things like a small hamper, etc.

Speaker 15 (44:59):
I know, but this year here from a bigger hamper,
you know, thinking of something a little bit bigger, maybe
something a little bit more extravagant for the boys, because
it's been a good year and they've worked hard, and
I'm looking at their records and the things that they've
done for the year, and I could say it's pretty impressive.
I think that they deserve a bigger you know. I'm
not trying to you know, cause anything here, but I'm
just looking after the boys. Yeah, so what do you say?

Speaker 14 (45:22):
Look, leave it with me, as I say, I would
really like the boys to be involved in.

Speaker 1 (45:26):
The whole hampers for the boys get around this.

Speaker 14 (45:34):
And I'm like, whoever is at the other end he's talking,
just will not let me have a word.

Speaker 12 (45:43):
Gate.

Speaker 13 (45:45):
You wouldn't shut up, And.

Speaker 1 (45:49):
I know.

Speaker 15 (45:50):
I'm so sorry. Boys, it's the it's the Greek in me.

Speaker 3 (45:54):
I think he secured. It's a bigger hamper though, Maria.

Speaker 1 (45:57):
So well done done, Thank you dB. We washed Maria's
Jack Russell for how earlier today?

Speaker 14 (46:03):
Oh right, and that was the payback, was it?

Speaker 5 (46:06):
Yes? That was the bit.

Speaker 1 (46:10):
That's an example of a great client bit we've done.
That's brought in a bit more cash.

Speaker 5 (46:14):
So right, I love it, love it.

Speaker 3 (46:15):
We could put that to the Christmas party, That's what
I was thinking.

Speaker 19 (46:18):
Yep, yeah, I have it. Okay, thanksful, all right, you're
on the final straight.

Speaker 3 (46:34):
I can't believe you're still here.

Speaker 4 (46:36):
This is I imagine this is like when you climb
Everest and when you get to the death zone, which
is what it's called because you are slowly dying. When
you get to that final bit, Yep, you're in the
death zone. If you if you get past the second
ad break, you're slowly dying.

Speaker 3 (46:50):
He must be slowly and we reserve.

Speaker 1 (46:52):
This is where we reserve the worst year as well.

Speaker 5 (46:54):
So like you know, if you make it, they're the
last bit.

Speaker 3 (46:58):
You think you're getting a reward, but you're not.

Speaker 1 (47:01):
No, this movie keep it behind the scenes gear, which
is you know, we put that in the death zone
because like, if you made the death zone, you need
a little bit of a cookie.

Speaker 3 (47:07):
Yes, give you that.

Speaker 1 (47:08):
Very shortly carrying on with the hottest gear of the week, though,
I mean I want to give a little bit of
context to this one woulds because I think it's important.
On a Friday, we've got this segment called Freedom Friday. Now,
freedom Friday is a contractually bound segment, right, we have
to do Freedom Friday. It's in our contracts. And that's

(47:30):
because every week you and I pitched thousands of ideas literally,
and the producers have to filter them out and then
put them into.

Speaker 5 (47:37):
A two hour radio show.

Speaker 4 (47:38):
I quickly go outside for something because I don't know
if you have this arrangement with our fearless leader, Captain
poop Pants, but often, well, what's been happening in the
past is he writes back to all my emails and goes,
this is a good idea, repitch.

Speaker 5 (47:50):
It, or this is why I don't get that.

Speaker 3 (47:53):
Oh you don't get that.

Speaker 5 (47:53):
No, he just lets me. He just lets me.

Speaker 1 (47:55):
He leaves me out in the cold. That's something I
have discussed. You're like, oh, hang on now, poop beet, what.

Speaker 6 (48:00):
I send you an email yesterday?

Speaker 1 (48:05):
Yes, my case indpoint, he sent me one email saying
he liked my ideas.

Speaker 3 (48:10):
Okay, well this is this.

Speaker 1 (48:11):
Is Sometimes he just sends me a photo back of
his penish, just like this is what I think of them.
It's disgusting, right, I tell you, I'm trying to pitch
ideas here. And you know I'm throwing up my best gear.

Speaker 3 (48:25):
Jesus Christ, I'm throwing out my best gear. It must
be good.

Speaker 1 (48:30):
Well it doesn't be good, yeah, or other such things.
You know that he thinks a ten amount to the
ideas I've sent. Take a photo a piece of shit
on the sidewalk and be like, that's what I thought
of them.

Speaker 4 (48:41):
Yeah, Well, anyway, reason I bring it up, And this
is particularly interesting given that you've got an email yesterday,
poop pants, I don't reckon I've received one of these
emails for a week.

Speaker 3 (48:49):
What's going on there? I've been busy, clearly not you're
sending dick pics to him.

Speaker 4 (48:53):
If you've got time to get at a good the
good light and the good angle to send your penis
to him, then time to at least send me a
doodle big or what's going on?

Speaker 18 (49:04):
Do you want to do the email?

Speaker 6 (49:05):
Now?

Speaker 18 (49:05):
You can do it over the podcast if you.

Speaker 4 (49:06):
Like, which I had some bad days this week. Just
bring up one, bring up, just bring up one. But
maybe you felt you didn't want to respond to.

Speaker 1 (49:17):
Yeah, okay, there was one where you wanted to give
your dad CPR.

Speaker 3 (49:21):
That's good.

Speaker 4 (49:22):
No, that's good for a number of reasons. Now, wait,
that that is alive. I'm not even going to explain that,
because that's that's a live. That was a good one.

Speaker 5 (49:29):
Okay, all right, well that was a good one. Then
that says a lot.

Speaker 1 (49:34):
But the point is we pitch a lot of ideas
and poop pans, and Tommy and LJ and analyse. They
go through them and they tell us, you know that,
like these are the ones that are going to fit
in within the two hours and the radio show and
without saying as much. The rest is shit and it's offensive.
So we've got this little signem where we get to
pitch whatever we want. Now, I pitched this idea.

Speaker 5 (49:54):
I've been pitching.

Speaker 1 (49:54):
I've been pitching it for three weeks and it was
around the lights on jaffle Maker.

Speaker 3 (50:00):
Yeah. Again, when you say it like that, it isn't
sounding good. You go like, ah, God.

Speaker 1 (50:04):
But it's their job because like when I write the email,
I have the headline which is like lights on jaffle
Makers obviously bolded, emboldened, and then I'll have a few
dot points explaining why it's a good bit. Anyway, none
of these haughty tawty pricks thought it was good. The
only person that did was our audio producer Mark, who's
clearly the smartest person in the room, and he was like,
I think it's good.

Speaker 5 (50:23):
Anyway.

Speaker 1 (50:23):
These guys have been knocking it back for ages. We
finally got to put it on the air on Freedom Friday.
Because they can't touch the ideas for Freedom Friday, We're
gonna we get a cart blanche to put whatever one
on the radio in that segment. So we ended up
putting it on the air. It absolutely exploded.

Speaker 5 (50:43):
There are two lights on a jaffle maker.

Speaker 1 (50:45):
Yeah, okay, when the green light goes on, does that
mean that the hot plate is ready to cook the
jaffle or does it mean that the jaffle has been cooked?

Speaker 3 (50:55):
Yeah, let's got to deal. Let's see. Let's see what
your reckons you're it? Is it dual?

Speaker 15 (51:00):
Yes, it's still How old are you?

Speaker 1 (51:03):
Do?

Speaker 3 (51:03):
You got some strong opinions on this?

Speaker 9 (51:07):
Deal?

Speaker 1 (51:08):
First of all, this is obviously a shit hot topic.

Speaker 5 (51:09):
What do you think?

Speaker 12 (51:11):
Well, the green means that it's ready and hot enough
to cook, and the red means that it's stopped cooking.

Speaker 1 (51:17):
It stopped cooking, like it's done. Oh hang on, So no,
I see Tom was in here saying that the lights
don't have any indication as to whether or not the
jaffle's done or not. But deal, you're suggesting that once
you put that jaffle in there and you close the lid,
when the red light goes on, that baby is cooked.

Speaker 5 (51:37):
Yes, I agree with that. I think that she's right.

Speaker 1 (51:41):
It might be different Jaffl machines here, But my Jaffl machine.

Speaker 3 (51:45):
You've got it's red. Have you got I think it's
a George Foreman. It's red.

Speaker 5 (51:49):
You've got a George foreman jaffl Lardie.

Speaker 3 (51:51):
Duh, it's red and then it goes green.

Speaker 1 (51:54):
I think when the hot plate's ready, and then it's
it's a red light and a green light that's on.

Speaker 3 (51:59):
And then when I put my chaffelin yeah and close it,
all of a sudden the lights go off.

Speaker 5 (52:03):
Both lights go off or just no, just the green
goes off.

Speaker 1 (52:06):
Okay, maybe just the green goes off, which is what deals.

Speaker 3 (52:10):
Maybe she's not saying a red light goes on.

Speaker 1 (52:13):
Would think, I think we need a story arc.

Speaker 5 (52:15):
I think we had two weeks on this.

Speaker 1 (52:16):
I think that's what we're all thinking. Tagan's called.

Speaker 13 (52:19):
I don't think the jaffle maker is smart enough to
tell you whether it's ready.

Speaker 5 (52:23):
Okay, so that's what That's what Tom said.

Speaker 13 (52:25):
The lights determine that the hot plate is ready to
actually cooking sandy. Yeah, you to decide if you want
it super hot, a super crispy, and super brown. The
machine can't tell you. He doesn't know whether you want
to really chose it one. But Tigan, when we're confusing,
many confusing because there's two lights like.

Speaker 1 (52:44):
The green and red or on. And then I put
my jaffeline and then one light goes off. What that's
what is that signifying?

Speaker 13 (52:49):
It's telling you that it's heating up again, because now
you've put something on the hot plate that's taken the
heat away from the hot plate to hang on.

Speaker 1 (52:55):
Which one, but which one is telling us that it's
heating up again because the red one the red ones.
Can I just say, whoever's at Jaffele headquarters, whichever dickhead
put a green and red light the two opposing light
colors in anyone else's zitgeist on a machine and had
them going at the same time to signify something should
be fired immediately.

Speaker 3 (53:16):
Definitely.

Speaker 1 (53:17):
This is I think we need someone on from George
Foreman or from Brevel.

Speaker 3 (53:20):
Let's get George.

Speaker 1 (53:21):
I'm gonna say, get the big get the big guys
for George Master Foreman.

Speaker 4 (53:26):
So and it's funny how the newer models haven't updated
it as well. Even the newer models have a green
and red light, they haven't just it.

Speaker 3 (53:31):
Let's go, I've got a brand new bel Sue works
at bing Lee.

Speaker 1 (53:35):
Who is bing Lee? They make they make jaffles, They
make Jaffls, so they sell Jeffls that you were talking
about being a Lee the bowler Brett.

Speaker 3 (53:44):
Sue fifty two. What do the lights mean?

Speaker 1 (53:46):
You?

Speaker 3 (53:47):
You must have explained this to someone while you were
working at Bingley.

Speaker 16 (53:50):
So the real answer is when the light is green,
it's ready to put in. However, when you do put
the item in, it does call it down. So once
you put the item in, it will turn off and
it will go green when it's ready again.

Speaker 1 (54:05):
Well what's ready again though, like when it's hot enough again,
or when the sandwich is ready, when it's.

Speaker 16 (54:10):
Hot enough again, But when the sandwich is ready, So.

Speaker 5 (54:16):
No, I can't have that.

Speaker 1 (54:18):
So you're telling me it goes green when the plate's ready.

Speaker 5 (54:23):
I think we all agree on that. I think, is it?

Speaker 15 (54:25):
Yes?

Speaker 1 (54:25):
First of all, why was it red before?

Speaker 7 (54:28):
Then?

Speaker 1 (54:28):
Like, just get rid of the red?

Speaker 3 (54:30):
You know that the machine is on but not hot enough.

Speaker 1 (54:33):
That's fair enough, okay, all right, well Jesus which asides quickly?

Speaker 3 (54:36):
No, no, this is where I start.

Speaker 5 (54:38):
Okay, okay, So the green comes on.

Speaker 1 (54:40):
It tells you that the plate is ready to cook.
All right, you open it up, you put your jacklin
because the plate's cooled down again. Now here's the bit.
Here's here's the bit on behalf of everyone in Australia
when the light goes green again, we're back to my
base question. Does that mean that the plate is hot enough?
Or does it now mean that the sandwich is done?

Speaker 16 (55:01):
That means that both of them are done.

Speaker 5 (55:04):
And I'm sorry, I can't have that. You've got too, Bob.
Each way, we're gonna have to hang it over the
next week.

Speaker 1 (55:09):
I'm sorry, it's got two weeks.

Speaker 3 (55:10):
Manufacturer.

Speaker 1 (55:11):
Let's get Brevel on board.

Speaker 3 (55:12):
Obviously, go to the manufacturer. We have to, because clearly.

Speaker 1 (55:16):
She they're sixes and sevens. We've just had a call
from the horse's mouth.

Speaker 3 (55:21):
Yeah, people are being lead. I don't even know what's
going on.

Speaker 1 (55:24):
To be honest, being lead doesn't sound like a reputable
chapel maker. But all right, guys, now you're this far
on the death zone.

Speaker 5 (55:39):
By the way, if you are.

Speaker 1 (55:40):
At Brevel, hit us up, because I reckon there's a
product there that we could make.

Speaker 3 (55:44):
With you with a different light system, just a better
light system. It should be one light anyway.

Speaker 1 (55:49):
Yeah, well it should at least not be green, which
is the light that we all associate with something telling
you to keep going.

Speaker 3 (55:55):
No green ready, I think is good?

Speaker 5 (55:57):
No disagree.

Speaker 3 (55:58):
I think it should be like green good.

Speaker 5 (55:59):
Go oh, I know that doesn't make sense, but.

Speaker 1 (56:02):
Any read but the red obviously there is not better
at the same time sometimes yeah, anyway.

Speaker 2 (56:09):
And before we go, so you know the podcast feedback form.

Speaker 5 (56:13):
Is live beautiful.

Speaker 1 (56:15):
Well, I mean, and if you're in the death sign,
then we know you're committed.

Speaker 2 (56:18):
There's five questions, but you only need to answer one.

Speaker 3 (56:21):
Okay, there's only.

Speaker 5 (56:22):
One require What are the five questions?

Speaker 2 (56:24):
Tell us your name if you want question mine? Question two,
which is required, what do you think about the new podcast?

Speaker 3 (56:31):
Yeah?

Speaker 5 (56:32):
Open ended like textbox?

Speaker 3 (56:33):
Yeah.

Speaker 2 (56:34):
Question three do you prefer more radio bits or more
chat around the bits?

Speaker 5 (56:37):
Chill chat?

Speaker 2 (56:38):
And that's a that's a multiple choice, so you can
either select radio bits, podcast bits or it's the perfect mix.

Speaker 3 (56:43):
Okay, I love.

Speaker 2 (56:44):
Question four is would you change anything else?

Speaker 7 (56:46):
Great?

Speaker 2 (56:47):
And question five is do you have a message.

Speaker 3 (56:48):
For the boys?

Speaker 5 (56:49):
It seems like a lot of work, but I'm okay
with it.

Speaker 2 (56:51):
But you only need to put well, you have to
answer one question, which is tell us what you like?

Speaker 1 (56:55):
Can we put one more question there? What do you
think Revel should change their lighting system too? On jaff
formakers just gone?

Speaker 2 (57:03):
Do you want me to put that?

Speaker 3 (57:04):
I think it's one of those situations.

Speaker 1 (57:05):
We go, yeah, mate, sure, absolutely, okay, all right, it'll
be in the link in underneath the podcast. Great, well,
that's the fourth time you turn your mic on you.
You were at a clean three and you've infringed.

Speaker 5 (57:19):
That was good though, thank you or what he.

Speaker 3 (57:23):
I wasn't talking to you, but way to take the compliment.

Speaker 5 (57:26):
You know, I'm good at that.

Speaker 1 (57:27):
Now, final bit, you are in the dead sign, so
you get a bit behind the scenes. Get Now, there's
something happens foing about woods. But I just noticed it
the other day. Obviously, when you work in radio or
any any audible medium, or in media in general, you
hear yourself talk a lot, and you hear yourself laugh
a lot. Just comes along with the cherichy, Right, I
think something is creeping into my laugh and I don't and.

Speaker 5 (57:49):
I I don't like it. And it came up.

Speaker 1 (57:53):
We had Sean mccauliff on the show during the week
We Love Sean, Love Sean.

Speaker 7 (57:58):
Yeah.

Speaker 1 (57:58):
An Ales actually asked him. She buzzed in while he
was doing the interview because we're lazy. She was in
with this question about when he was working with Lisa
Kudrow on a title a td TV show.

Speaker 14 (58:10):
I'm just curious.

Speaker 20 (58:10):
Did you get Lisa's number?

Speaker 1 (58:13):
I did, We've corresponded.

Speaker 17 (58:17):
The photo, in fact that it's been shared was the
one that she had arranged.

Speaker 5 (58:22):
She took that nice.

Speaker 3 (58:24):
What do you correspond about Sean?

Speaker 18 (58:26):
So far?

Speaker 1 (58:27):
Only the only that photo?

Speaker 18 (58:32):
I said, I said, thank you, very gracious.

Speaker 3 (58:36):
I love Sean funny bit.

Speaker 5 (58:38):
Did you hear my laugh at the end.

Speaker 8 (58:40):
There.

Speaker 15 (58:42):
Was again.

Speaker 3 (58:44):
A bit of chain sorry about it.

Speaker 1 (58:48):
All of a sudden I realized, and it was a
shocking realization that happened so quickly.

Speaker 5 (58:53):
I started laughing like Peter Griffin, you did a bit.

Speaker 20 (58:56):
Go Oh my god, you have you're watching a lot
of family.

Speaker 3 (59:08):
What happened?

Speaker 1 (59:09):
That good?

Speaker 3 (59:14):
It's exactly the same.

Speaker 13 (59:18):
I said.

Speaker 18 (59:19):
I said, thank you.

Speaker 3 (59:23):
That's a perfect swamp.

Speaker 16 (59:25):
You're doing it.

Speaker 3 (59:26):
You're doing it. Oh my god, No, you can't help that.

Speaker 5 (59:36):
All right, we're gonna get out of here.

Speaker 3 (59:38):
On that note, fill in the questionnaire if you want.

Speaker 2 (59:40):
There's a beautiful animated background of a lotus pond.

Speaker 3 (59:43):
That's nice.

Speaker 5 (59:45):
At the end of the day, you're in the dead
zone of the podcast. I know you care about.

Speaker 3 (59:47):
One of you is going to get a girl as well,
one of you will get a grill voucher. No, we
don't have anymore. Pick it up. Yeah, I give them all.

Speaker 5 (59:56):
Yes, great from our hearts.

Speaker 3 (59:58):
You will pick that randomly.