November 25, 2024 • 46 mins
- Maddy Can't Rhyme
- Salada Styles
- Joel At The ARIAs
- Darren Hayes
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
The Will M. Woody podcast.
Speaker 2 (00:10):
So Button push your Tom's last words to us before
we turn the microphones on was please keep this intraded
at ten minutes all.
Speaker 3 (00:16):
Less, yes, which I'm getting.
Speaker 4 (00:19):
I'm meaning really confused by this feedback because we got
interrupted last time, and then analyst came in last week
and was like, oh my god, guys, I loved the
fifteen minute Kevin Costner bit.
Speaker 3 (00:31):
So it's really hard for us. I think you and
I just need to figure out what we want to
do and just do that.
Speaker 2 (00:35):
What do you want to listen to people? Do you
want to keep this top bit tit? I want to
keep it, Lucy Goosey.
Speaker 4 (00:40):
I think we're just going to lean into whatever's feeling
good at the moment.
Speaker 3 (00:42):
What are you murmuring over there? Button? What's going on
over there? You've got you got some thoughts now?
Speaker 2 (00:46):
He said, someone just stole my package at home.
Speaker 3 (00:48):
He said you. He said, it's your name on the
show at the end is what he said.
Speaker 4 (00:51):
Oh okay, I mean I don't have anything particularly exciting
to talk to you about.
Speaker 3 (00:58):
So I was hope. So I was wanted me to
watch Gladiator too so we.
Speaker 2 (01:03):
Could talk about it. But I just I feel I
feel there's going to be a very one sided chat
if I start talking about Gladia.
Speaker 3 (01:09):
Allowed to talk about it?
Speaker 2 (01:10):
I have seen it, No, and I totally get that.
So I also have nothing specific to talk about today
because that was the thing that I was really wanting
to dive into.
Speaker 3 (01:19):
Yep. Yeah, I think we will talk a little bit
later on about the fact that.
Speaker 4 (01:27):
Junior producing analysts and Kate we're in Sydney with Joel
hypothetical Joel.
Speaker 2 (01:32):
Yes, yes, the night and there's a good reason. There's
a reason behind Analyses missing her flight.
Speaker 3 (01:38):
Yep. So she's going to be in here on very.
Speaker 4 (01:40):
Important job, and we're obviously going to have to talk
about the fact that they were clearly flirting.
Speaker 3 (01:44):
I heard it, you heard it.
Speaker 4 (01:46):
It was it got really awkward and really quickly weird going.
Speaker 2 (01:49):
On there because we said to him, we said, is
Analys looking at when we crossed him in the red carpet?
Is Analy's taking good care of you? And you know,
you know you just read awkwardness and it was like,
why did that get Maybe we rep.
Speaker 3 (02:00):
I think we might have to rEFInd that audio. Yeah,
that was flirt down.
Speaker 2 (02:05):
Yeah, because when we can all appreciate. So most people
listening to this would understand that Joel comes on this
show every Friday, on the on the live radio show
every Friday, and as hypotheticals, we all thought he was
and this is just because of the way it sounds.
We all thought he was a bit of a weedy,
ratty looking guy.
Speaker 3 (02:21):
Just sounds very ferrety. Yeah, like that was good.
Speaker 2 (02:24):
I think we landed on feriity is the way to
describe his voice anyway. Quite attractive, Yeah, like tats, yeah,
like real sex appeal. Yeah, X factor is getting thrown around.
Speaker 3 (02:34):
Yeah, it's got it.
Speaker 2 (02:34):
He's got a tear drop tattoo on his FA.
Speaker 4 (02:36):
Motor Blake McKenny, perfect facial starts adding up, perfect fare.
Speaker 2 (02:41):
And also his pant was quite tight.
Speaker 3 (02:44):
Yeah, crotchal region yeah, yeah.
Speaker 2 (02:48):
Which which you know, I'm just asking you this randomly.
Speaker 5 (02:50):
Ti.
Speaker 2 (02:50):
I'm not saying you get any expertise in the area,
but based on.
Speaker 3 (02:53):
The it looked good. Yeah, there's a bit of junk
in the trunk. It popped, looks good.
Speaker 2 (03:03):
It looked good, It looked good. So well done, Joel.
Speaker 3 (03:05):
Yeah, I mean I need an early answer from anily.
She's going to deny but.
Speaker 2 (03:09):
Yeah, I think I think an early question. I think
it's good to just keep.
Speaker 3 (03:13):
You flirted with Joel and all in the red carpet
here we go.
Speaker 1 (03:16):
No, not at all. We were really professional and he
has a girlfriend.
Speaker 2 (03:20):
Was he more attractive in person though than what you thought?
Speaker 6 (03:26):
He was like a very well kept man.
Speaker 3 (03:31):
He had a good look going on, the T shirt
tucked into the pants. It was a good look.
Speaker 1 (03:35):
He planned his feet, when he got new shoes, when
he got a haircut. He was really ready for it.
Speaker 2 (03:40):
How did he smell?
Speaker 3 (03:41):
That's good practical answer.
Speaker 1 (03:42):
I don't actually go smelling.
Speaker 3 (03:44):
Do you need me to cross references with Kate?
Speaker 1 (03:46):
Did you smell him?
Speaker 3 (03:47):
No, that's not what I'm cross referenced. I want to
hear that.
Speaker 2 (03:50):
I want to hear that.
Speaker 3 (03:50):
Did you smell Joel? Me?
Speaker 7 (03:54):
Yeah?
Speaker 6 (03:54):
Yeah, I don't think he really had a smell to you.
Speaker 5 (03:59):
Gonna smell bad?
Speaker 3 (04:00):
You think that he and Analytics were flirting, They weren't flooding.
I saw it. Okay, it flirt. Oh sure, man, no worries.
We're bringing in. We're going to bring you in. We're
going to bring you in here for a cross examination.
Speaker 1 (04:18):
That was flirting game.
Speaker 3 (04:21):
So what would you have done, no game.
Speaker 2 (04:23):
What would you have done? If you were flirting with Joel?
Speaker 6 (04:26):
I would have been like, oh my god, hand on
the shoulder or something like that, Oh my God, like you're.
Speaker 3 (04:33):
So amazonent Here we go?
Speaker 5 (04:35):
Was that?
Speaker 3 (04:36):
Here we go? So you took your finger off the
button the cave.
Speaker 1 (04:39):
When you saw him.
Speaker 2 (04:40):
Interesting, I hug everybody.
Speaker 1 (04:42):
When I see them.
Speaker 3 (04:43):
We're going to get the audio.
Speaker 4 (04:44):
We're going to get the audio later so we can
hear the flirt factor because it emanated down the front
an least just turned and eviscerated Kate on the spot
like she didn't melt like the wicked witch of the West.
Speaker 3 (04:59):
There. Wow, the acid that came from her mouth there,
and that means we've truth. We've the truth there.
Speaker 1 (05:07):
Do you know what she said to me?
Speaker 3 (05:09):
What angry?
Speaker 1 (05:10):
I love you, Kate? That's what she said.
Speaker 5 (05:12):
Yeah?
Speaker 3 (05:13):
Good, good one. Now they're pulling right now, they're drawing.
They're trying to close drawer ranks. They're trying to close ranks,
protect each other.
Speaker 2 (05:20):
Got been done.
Speaker 3 (05:20):
Yeah, Unfortunately unfortunately, shield We pried you.
Speaker 6 (05:24):
Open and shields up because if you're going to shot
fire me, I'll shot by you back.
Speaker 2 (05:29):
Oh now, I'm scared of that.
Speaker 3 (05:30):
I know you're not. Why are you what she got
on you?
Speaker 2 (05:33):
Babysitting in a couple.
Speaker 3 (05:35):
Of days, two year old girl, you're getting it to
produce your baby again.
Speaker 2 (05:39):
She enjoyed it.
Speaker 1 (05:40):
Might break the door again.
Speaker 2 (05:41):
Yeah, she has put her heads through my door once.
Speaker 3 (05:43):
So you just stop getting the producers.
Speaker 2 (05:46):
What are you saying? Producers? It's always analy She's my
go to thank you very welcome. What I gotta go
to an old lady's birthday? Okay, but so obviously I
want to keep saying the good books then, because she's
going to be in my house.
Speaker 3 (06:03):
Yeah, yeah, yeah, I really don't have anything else. That's great.
Let's get into the podcast. We don't have to force it.
Let's the podcast.
Speaker 2 (06:10):
Let's not force it.
Speaker 3 (06:10):
The only thing I was going to say, which I
think right now, yeah, yeah, this is this is very
relatable for everybody. Right now. I'm exhausted at the end
of November.
Speaker 2 (06:21):
Yeah, it feels like the silly season started.
Speaker 4 (06:23):
I don't know if anyone else is in that right now,
but the end of November is feeling momentous.
Speaker 2 (06:30):
I reckon, I cooked you by putting my wedding at
the start of November, and I think that shifted the
silly season. So what we're feeling now is usually what
you'd feel early jam where you're going that was, that
was a big December. I think I've shifted time.
Speaker 3 (06:44):
And I apologize, No you haven't.
Speaker 2 (06:46):
No, come with me, but that makes I do feel
that's a fact.
Speaker 3 (06:49):
You've definitely feel like strange. You've been at it strange.
Speaker 2 (06:54):
I've used the Rings of Power and I've doctor stranged you.
Speaker 3 (06:56):
I just yeah, I just feel like the rings of power.
Maybe you've got my show is wrong there he wears rings,
doesn't he like a time He's got a time use.
Speaker 2 (07:10):
He he's got a ring of bow.
Speaker 3 (07:12):
It's like a three finger ring.
Speaker 2 (07:13):
Yeah, that thing, That's what I was referring to. Anyway,
I do think I've doctor strange.
Speaker 3 (07:19):
You, though, And I.
Speaker 4 (07:21):
Think everyone's feeling this thuff because for me, everyone I
speak to is overwhelmed by this.
Speaker 3 (07:26):
Note you're on holidays in a week. That's not true
because it is No, it's not what have you got
on after the next week? I mean, like for this
why it's just like admitting that to people. It's literally
what do you do?
Speaker 2 (07:44):
You pretend you prefer I don't lie that like three.
Speaker 3 (07:47):
Days because are you joking?
Speaker 4 (07:49):
Like most of my friends are bankers, lawyers, or doctors,
and it comes into Christmas and I'm like, they're like,
I'm like when are you and they're like and they go,
they go, they go, I'm working all the way up
and I'm like, yeah, to when and they're like like
Christmas and I'm like yeah, but like you know, when
do you get off? But you know when you say
working all the way up, like you know obviously like
December fifteen, and then you don't get ten days or
(08:10):
something like like Christmas Eve, like I'll work Christmas Eve
and I'm like yeah, And then they're.
Speaker 3 (08:15):
Like when are you are? What am I going to say?
November twenty nine? Yeah, just tell the truth.
Speaker 2 (08:21):
I do have people asking four weeks before you people
say you're getting Christmas Eve off? And then it's funny
that people go to that because Christmas Eve, I think
is the big one.
Speaker 3 (08:29):
But you're going to get Christmas. You're going to get
the day off and yeah, that's that's hard for you
and I I will have already been Yeah. So anyway,
we get to Christmas.
Speaker 2 (08:38):
Eve and we're like, God, I'm sickhold.
Speaker 3 (08:39):
I am to be bored. People people, people, everyone gets it.
Speaker 4 (08:45):
Everyone gets energy at the end of December, and I'm like, guys,
I mean I'm in full mid holidays.
Speaker 3 (08:50):
For a drink, I'm on holiday. I'm like, oh I am,
I'm done.
Speaker 4 (08:52):
It's got in capital letters in the chat. This is
not relatable and that's why I flagged it. That's why
I flagged it. I actually did flag that, and then
we dived into it. I tried to get us out
of there.
Speaker 3 (09:03):
It came exhausting thing though. That's very relatable.
Speaker 4 (09:05):
But end of November, well, it's tough, man. It's tough
when you know, when you know you've got eight weeks off,
it's hard.
Speaker 3 (09:12):
Anyway.
Speaker 2 (09:14):
Yeah, there's trips to plan. You said to me in
the kitchen before. You're like, I'm really stressed and booking
my holiday.
Speaker 3 (09:18):
It's tough.
Speaker 2 (09:19):
Got to pack my bags anyway, four trips, trips, I
like getting out to get you, to get you the interview, sabbatical,
I'm going to move things along.
Speaker 3 (09:41):
That is that offensive?
Speaker 2 (09:42):
He's getting the same break.
Speaker 3 (09:43):
It's a bit annoying, is it.
Speaker 4 (09:45):
It's not offensive, just not really.
Speaker 2 (09:48):
Offensive.
Speaker 3 (09:49):
There was a biting tone to the don't take offence
a fence.
Speaker 2 (09:55):
Okay, I'm going to.
Speaker 3 (09:56):
Is in a bad mood. He's in denial about the
way that he's in a bad mood. It's been a.
Speaker 2 (09:59):
Lovely ah Jay, that's hard to roses and sunshine for mine?
Speaker 3 (10:04):
What do you think, Tom? Do you think you think? Poo?
He's in a lovely mood. I'm thinking we're bang on.
The tennis moved on and that was class in the podcast.
We also have that. We also have the.
Speaker 4 (10:15):
Audio of Analyse that we need to get to as
well later because Mark got that the flirt audiobody told
Flirt Factor five, I'll ask Mark, I'll ask Mark Mark.
Speaker 3 (10:28):
I think Mark can buzz in.
Speaker 2 (10:29):
I'm not sure if Mark's even listening to us, right.
Speaker 3 (10:31):
Can you talk to Mark for me? I don't know
when that happened? What what the Flirt Factor five?
Speaker 2 (10:39):
It happened during our first cross to the Red Carpet.
It was the first time we spoke to him and
he mentioned we said to him, but it was off Mike. No, No,
We said to him, how's analyses?
Speaker 3 (10:51):
We didn't record it though, did we?
Speaker 8 (10:52):
Yes? We did?
Speaker 3 (10:53):
Did? It's in there in Analyst? You cooked mate, we've
got your toast.
Speaker 2 (10:57):
It sounds seperal anyway by that saying. But while Mark
gets the audio, Well, I just this was a favorite
part of the week for mine because look, we explain
it more in the spot when we did in our
live radio show. But we stumbled into someone who literally.
Speaker 3 (11:14):
An analyt stifle this. I can tell her. She's out there,
she's she's putting water on the whole thing, an email.
Don't let her get to you saying this to everyone.
I could see her. She's barking orders.
Speaker 2 (11:25):
Oh she's glad.
Speaker 3 (11:27):
I told you. I told you. She's putting the water
on all of this. You look at it's making you
look worse. Analyts. I'm just letting you know it. Just
pointed to his watch. You should just put your should
just put your head down. Just let it happen.
Speaker 2 (11:38):
Ed's walking in.
Speaker 3 (11:39):
Ed's coming in. What's going on? Are you coming in?
Speaker 2 (11:42):
What's happened to you?
Speaker 3 (11:43):
Something's happened. I think we need to put it down, Analyts.
Speaker 2 (11:45):
I need me to put it down.
Speaker 3 (11:46):
Oh my god, Oh my god, I've got to walk
away from it.
Speaker 4 (11:49):
Oh my god, there is something that's happened. Oh she's
walking out, she's full of ship. Now I saw her smile.
Speaker 2 (11:56):
She's a good actress. She's a good actress. That's not
her best performance.
Speaker 3 (12:00):
All right, where was I favorite thing from this week?
Speaker 2 (12:04):
I think.
Speaker 3 (12:06):
Just let's just go h Maddie, Maddie, Maddie, Maddie called
the show the other day. I love Maddie.
Speaker 4 (12:11):
I love Maddie as well. She seems amazing, but she
can't rhyme. Give me a word that rhymes with happy?
Speaker 3 (12:16):
Larry, how long would it take you? No, that's not not.
Speaker 7 (12:21):
Lucky.
Speaker 3 (12:21):
Does also not run with happy? And she gave us
a lam.
Speaker 4 (12:26):
Yeah, we're going to call her right now. I'm going
to call her as day Jock. Here, Steve's am from
the House of Pain.
Speaker 5 (12:31):
Brilliant.
Speaker 3 (12:32):
He's giving away ten thousand dollars at a time. And
the game today is you just got a rhyme? Oh
this is going to be good?
Speaker 4 (12:40):
Hello?
Speaker 9 (12:40):
Is matter speaking?
Speaker 5 (12:41):
Oh?
Speaker 8 (12:42):
Yeah, Okody, Maddie, how's it going? It's Sae.
Speaker 9 (12:44):
I'm good, Thank you?
Speaker 4 (12:45):
How are you?
Speaker 3 (12:46):
Yeah?
Speaker 8 (12:46):
Good? I'm calling from kiss Hey. I've just got.
Speaker 10 (12:51):
I've got to have you on for a ten thousand
dollars win game. I saw that you called Will and
Woody the other day.
Speaker 8 (12:59):
Yes, yes, okay, would you be interested in playing night?
Have you got a second?
Speaker 9 (13:04):
Okay, okay, yeah, I can give it a guard.
Speaker 8 (13:08):
Thanks, Maddie. I'm just gonna check you on hold.
Speaker 2 (13:11):
Okay, thank you.
Speaker 3 (13:12):
I'm gone about it.
Speaker 8 (13:14):
Down down, yes, pig, she's in the fun house.
Speaker 10 (13:22):
I took my kids on the merry go round at
the circus the other day and I said to them, guys,
it's like you're in the circle.
Speaker 3 (13:28):
Ass.
Speaker 10 (13:29):
Now I'm in the pun house. Look at it's Steve
Zaye from the House of Paine. Turn up the volume,
turn up the game, and right now it's the ten
thousand dollars Just say a rhyme game. It's the ten
thousand dollars Jump dot Rive game. All right, So that's
(13:50):
pretty simple. I've got Madison here and I'm Madison. Hello him, Madison, how.
Speaker 8 (13:56):
Do you go with rhyming?
Speaker 7 (14:00):
Very good?
Speaker 10 (14:00):
Okay, Well, look what I'm gonna do. I'm gonna say
a word. You've got three seconds. Just give me a
rhyme for it, and you're win ten grand Oh my god. Okay,
here we go. Don't but don't have the time of beat.
Our first word is track three two.
Speaker 1 (14:16):
One rack.
Speaker 8 (14:27):
Did you say rack was track to right? The word
was track, Madison. I said, right, hey, Madison, let's go again.
Speaker 10 (14:35):
I like it.
Speaker 8 (14:36):
We're gonna do another one.
Speaker 11 (14:37):
Here we go.
Speaker 10 (14:39):
Okay, okay, you've got three seconds for ten thousand dollars, Maddie.
Speaker 8 (14:46):
Okay, chuck that thinking cap on.
Speaker 10 (14:49):
Okay, go go three seconds to rhyme with the word
stop three two one.
Speaker 8 (15:02):
I can't very well, Maddie, part does it rhyme with stop?
Speaker 3 (15:12):
Wait?
Speaker 9 (15:12):
What where did you say stop? With an S T
O P?
Speaker 10 (15:17):
Yeah?
Speaker 9 (15:19):
What rhymes are that?
Speaker 6 (15:20):
Stop?
Speaker 1 (15:20):
Spot?
Speaker 3 (15:22):
It's an almost rhyme. It's an almost that.
Speaker 9 (15:26):
Does rhyme technically on a technical technically.
Speaker 3 (15:30):
Definitely not Maddie. It's willing Woody here, Hilaria, are you?
We love you? Maddie?
Speaker 9 (15:40):
Love ring is not my thing?
Speaker 3 (15:46):
How long have you known that for mad How long
have you known that just rhymings.
Speaker 12 (15:50):
Is not for you?
Speaker 1 (15:51):
I think maybe just right now I've discobbing that.
Speaker 3 (16:11):
All right, So I come to my favorite part of
the week. Woods is the chat that kicked off in Freedom.
Speaker 4 (16:19):
Friday stumbled into it. I was just going to do
what's your favorite tribe biscuit? But then we started talking
about did.
Speaker 2 (16:24):
You write that down, because that's still good.
Speaker 3 (16:27):
I've been pitching it every day for the last week.
Just a shame that producers don't get after that because
that's good. That'll polarize people. But you did go for
this and it took no one antipipated it. Furner, we
started talking.
Speaker 4 (16:41):
About it's a lot of a lot of one that
was slapped down a few times.
Speaker 3 (16:46):
But I'm big on soladas at the moment you're back
into them. Yeah, I'm bigger. Last from the past, Yeah,
a little bit.
Speaker 4 (16:54):
Do you do you when you have a salada break
up all the squares and the topic rights itself?
Speaker 3 (16:59):
Do you break all the squares or do you just
chow down break up the squares? I'm not a psycho.
You chow down into a full square.
Speaker 2 (17:08):
I'm usually quite organic instructured, but I just chow down
on salata.
Speaker 3 (17:12):
I don't like the idea of being like being told
that I have to break it.
Speaker 2 (17:15):
Into squares, Like oh, I was telling you, that's just
that's you know, Slata is Salada's Like Salada doesn't.
Speaker 3 (17:22):
Tell you to snap it up. That's not in their brand.
But it's not in their brand.
Speaker 2 (17:24):
By giving me the imprints of the breakable lines. They're saying,
that's how we perforated. It's an option exactly.
Speaker 4 (17:29):
If they wanted you to eat the squares individually, they'd
package them as individual little squares.
Speaker 2 (17:34):
I find that they put it in a four because
they wanted they give you the choice.
Speaker 4 (17:38):
But what they're saying is, hey, common sense will prevail here,
and you're always thinking to break it up.
Speaker 2 (17:44):
No, and that's that's where I that's where Isaac. Most
people zig Isaac. I just chower right down. I think
that's what we have to do. I don't know where
you were going, but I think this is better. Thirty
six five with salatas, do you break them up into
individual squares?
Speaker 3 (17:57):
Or do you just chow down?
Speaker 8 (17:59):
Can I ask?
Speaker 3 (17:59):
Before? Obviously hate it, they hated it. They've had it
for a long time.
Speaker 4 (18:06):
Before we go to the calls, do you when you
said you chow down, are you like, like, I'm going
to accept a chow down if you're eating like cleanly
into a corner, but if you're eating over perforation on
a broad side.
Speaker 3 (18:20):
My first bite is my first bite is corner. I
will give you that, but my second because otherwise I'd
have to I'd be killing there. I'd be going the
cops and I'd lock myself up. Oh good.
Speaker 2 (18:29):
My first bite is corner. My second bite is square
over perforation. It doesn't matter which way I go, if
I go left or right, I'm biting.
Speaker 3 (18:37):
Light over the perf. Yeah, mate, the perth there for
a reason.
Speaker 2 (18:41):
I feel like a bad boy when I do it.
I'm like, the world doesn't want you to do this, Poddy,
but you will do it.
Speaker 3 (18:46):
You will do it, Okay.
Speaker 4 (18:48):
I think that's insanity, and I know the other there's
not going to be There's not going to be other perf.
Speaker 3 (18:54):
What are we going? These people?
Speaker 2 (18:56):
Agents of chaos, people who just into a salada without
breaking into individual squares. There'll be a group of us,
all right, come out from rocks.
Speaker 4 (19:05):
We're talking siladas. But you guys obviously caught up. There's
no other perforated dry biscuits there.
Speaker 2 (19:10):
The reason why I love chowing down with reckless abandon
is because you're breaking the rules. It's like salada, I like,
I see you. You want me to break it up
into four pieces. I love not doing what they want.
Speaker 5 (19:22):
Me to do.
Speaker 3 (19:23):
I get it, mate, And look, some men want to
watch the world burn.
Speaker 2 (19:25):
But but you know, I think one salada at a time.
Speaker 3 (19:29):
But I think let's got a Julie. I think there
were other people.
Speaker 2 (19:32):
Like me who just chow down on a slada and
don't break it into individual pieces.
Speaker 3 (19:36):
Julie, how do you eat your salada? It has to
be broken up?
Speaker 9 (19:39):
Can you imagine?
Speaker 10 (19:40):
I've tried it once where I've bitten into it for
my son.
Speaker 9 (19:43):
I had to then go nibbling on the Dotter line.
Speaker 3 (19:46):
It was just to just to rectify it, just to
rectify it. Not for everyone, Jeweli, It's not for everyone.
Speaker 4 (19:51):
I would have nibbled a line as well. They're jewels,
I reckon, you know hisself a spinal on these pillow
for that jewels.
Speaker 5 (19:58):
With you, I'm going to reward.
Speaker 3 (20:00):
You know, I'm in control of the water chairs. I'm
in control of the water chairs. Mate, they'll go to
the reasonable people. Alan, how do you eat your saladas?
My friend?
Speaker 5 (20:08):
I curwed down the square. Sorry, I trow down the
whole square.
Speaker 3 (20:12):
Hell yeah, and it feels good, doesn't it. It feels good.
Speaker 5 (20:17):
I've got big hands, so it's too hard to hold
the little tiny squares. But the only time I will
break it up if I'm putting back cheese and crackers
onto other people. Yeah, the whole square.
Speaker 3 (20:27):
Alan, How big are your hands, mate? Yeah?
Speaker 5 (20:30):
I don't normally find any one that's got bigger hands
in me, so wow, I got long fingers.
Speaker 2 (20:37):
That's like, which would be ridiculous holding those little square there,
sell me.
Speaker 3 (20:44):
You can't pincer a salada square because your hands are
too big. Who are you the BFG?
Speaker 5 (20:49):
Also, it's just you know, annoying having to skip on
grabbing a small little piece, So you need to have
one last longer to eat.
Speaker 8 (20:54):
Just chow down, Just put it, just put it down,
or you've got two heirs.
Speaker 4 (21:00):
Ellen, obviously you know you can't do it at all gorillamits.
But for most people, the most.
Speaker 3 (21:06):
People, you break it up.
Speaker 4 (21:07):
You keep the you keep the wady, the big chunk
in one hand, and then you've got your single in
the other. And that's It's just kind of like eating
most things, isn't it. You've got your bucket of chips
in one hand, you've got the other hand with the
chips you're about to eat.
Speaker 3 (21:20):
I mean that's how you eat food. It's like breaking
the chip into four pieces. Ridiculous. Let's go to.
Speaker 2 (21:25):
Kala here to check in your mouth.
Speaker 3 (21:27):
Bro, Kayla, how do you eat your salata? I think
you're starting.
Speaker 4 (21:30):
Is the only person that sided with you the old
banana bunch boy over there. There's no one else that's
on your team, I'm.
Speaker 3 (21:36):
Sure, Kayla. Showers down? Kayla? What do you do breaking
into squares or chower down?
Speaker 4 (21:41):
Yeah?
Speaker 9 (21:41):
Look, I'm gonna have to sit in the middle here.
And I do think that those lines in the salada
are an option, and I think the option is based
on what the contents of the salada are.
Speaker 3 (21:55):
Oh yeah, okay.
Speaker 9 (21:57):
If you've got a spread, you would break it up
into little flaws, absolutely no doubt about it. But if
you've got something like, I don't know, ham and cheese,
then you can't break it up into little faurs because
you can't goat through the ham, So then you have
to eat it whole.
Speaker 3 (22:11):
Interesting. Who's putting ham on a slider? I mean, I
know they put that on the box.
Speaker 2 (22:15):
I put ham on a slider.
Speaker 5 (22:16):
No, you.
Speaker 3 (22:17):
Don't tell me what i'd put on my salada. Sorry,
I'd put a cheese slice.
Speaker 4 (22:21):
That's what That's how they try. They try and advertise
it like a salad. Sandwich, you know in the box
where it looks like a burger, and you're like, right,
no one's eating them like that. But but no one's
doing that.
Speaker 2 (22:30):
You're just spreading it a spreading a big square of
cheese and maybe even some vegi might underneath.
Speaker 3 (22:35):
Okay, mate, mate, mate, make a little sandwich. Make sandwich.
What there's no there's no world like.
Speaker 4 (22:43):
Wow, It's just there's no world where you're putting a
big square of cheese on a salader.
Speaker 3 (22:49):
Like if you're a cheese lover, you don't look you're
an idiot. We've decided that.
Speaker 4 (22:52):
But for everyone else, if you you know, if you've
got cheese, what you want to do is you want
way more cheese to crack the ratio, right, So going
big hunks of cheese on individual squares, so there's more
cheese than crack up.
Speaker 3 (23:03):
Now that's just common sense. What about it?
Speaker 4 (23:24):
All?
Speaker 5 (23:24):
Right?
Speaker 3 (23:24):
Well, you have made it to the end of the podcast. Congratulations,
it's great to be here.
Speaker 4 (23:28):
I think we can all agree that we need to
snap off our Salada's analyse.
Speaker 3 (23:32):
You're up, You're up. The producers are going to bring
a bit this week.
Speaker 4 (23:36):
This week is going to be analyst talking about Joel
at the arias because she was at the areas of
them last night. I did have some audio to play here,
but I've been told that it has been struck from
the record, which makes you look awful, by the way.
Speaker 2 (23:48):
So we had audio, comes in here, you can't respond we.
Speaker 4 (23:51):
Had audio and it's been struck. So I think that
says everything. Did you know that the audio has.
Speaker 3 (23:59):
Gone the audio? We're banned from playing the audio?
Speaker 12 (24:03):
What was the audio?
Speaker 3 (24:08):
It was you flirting with.
Speaker 1 (24:10):
I didn't but that it doesn't exist.
Speaker 3 (24:14):
Oh yeah, well that's that's what we've been doesn't exist.
Speaker 2 (24:16):
Yeah, we were wrong. We were wrong. Turns out we
were I think I think we've shown our age a
little bit. We've misread the situation. But you were on
the red carpet with Joel, But tell us you were
a little bit late to the red carpet with Joel because.
Speaker 11 (24:29):
I well, first work trip, guys, and it went first
work Yeah, my first.
Speaker 1 (24:35):
State work trip I've only been to.
Speaker 2 (24:40):
And you were in charge. You were the captain.
Speaker 1 (24:42):
Yeah, I was in charge, in charge in the state,
was there, No? Yeah, but wasn't in charge.
Speaker 7 (24:49):
I was in charge?
Speaker 3 (24:50):
Okay, V Would you agree with.
Speaker 1 (24:51):
That I mean no, he I'm always in charge, that's
yeh no.
Speaker 2 (24:54):
And first question, kV, did you make your flight?
Speaker 1 (24:57):
I should?
Speaker 2 (24:58):
And what happened with you?
Speaker 1 (25:00):
So the cheer I'm on is just sinking down every
time I see it anyway, sorry.
Speaker 4 (25:08):
Getting smaller and smaller, uncomfortable, smaller and smaller, getting rides.
Speaker 3 (25:14):
He's going on.
Speaker 1 (25:14):
Okay, so I caught a plane this morning, yesterday.
Speaker 3 (25:22):
The thing definitely do that. We're not we're not mentioning that. Yeah.
Actually I thought it was just a bit of a joke,
but that's actually completely gone.
Speaker 5 (25:30):
They just turned down, mate.
Speaker 1 (25:31):
No, they just really studying.
Speaker 2 (25:34):
So I don't think I've ever seen you.
Speaker 6 (25:38):
It's not fine, Okay, sorry, okay, so yesterday, sorry, yes, okay,
so morning. I'll be first to admit, like will has
really bragged about going on flights and like rolling in
and essentially bought in the plane.
Speaker 2 (25:53):
He likes to wait until his name is called out
before going on the plane.
Speaker 3 (25:56):
He likes, I don't like waiting, so I just like
to roll straight on.
Speaker 4 (26:00):
I'm taking a bus, so I do not like sitting
around the airports as late as I possibly.
Speaker 2 (26:06):
Can, William McMahon. That's when will goes that's.
Speaker 4 (26:09):
Me if I hear that as I'm coming down the escalators,
perfect because I know they're waiting for me, the last
one of them playing.
Speaker 3 (26:16):
We'll get straight their.
Speaker 1 (26:17):
Yeah, well that's never happened to me. But yesterday, yesterday was.
Speaker 6 (26:20):
My first experience and my name was called three times.
So I decided to drive to the airport.
Speaker 5 (26:31):
I don't think that.
Speaker 3 (26:31):
I don't think you need to include all this backstory. Okay,
just go straight to security. I love it.
Speaker 8 (26:43):
I love it.
Speaker 3 (26:44):
We're all very critical of each other in this podcast.
Speaker 2 (26:47):
There needs to be a nice Yeah, anyone goes to
talk about anything in the moment.
Speaker 3 (26:52):
It's tough. It's tough.
Speaker 2 (26:54):
It is a tough critical audience.
Speaker 3 (26:56):
We're trying to get the best products possible.
Speaker 2 (26:58):
It's we're very John West at the moment, and it
is the fish that John West throws back that makes
John West the best.
Speaker 3 (27:03):
But this fish is good, so ab go on.
Speaker 6 (27:05):
Okay, So anyway, I'll shorten it. I went to the
airport and I went and Court drove and I had
to catch a bus, and I thought the bus was
gonna take seven minutes.
Speaker 3 (27:12):
You took a bus to the airport.
Speaker 1 (27:13):
Fifteen from Value car park because.
Speaker 2 (27:16):
Car, I've lost my carrying the Value car pack.
Speaker 3 (27:18):
Where's the Value car?
Speaker 2 (27:19):
Just like a bus ride away from.
Speaker 3 (27:20):
The airport the club car park.
Speaker 1 (27:23):
Yeah, it's like twelve dollars a.
Speaker 4 (27:25):
Day, okay, and you absolutely fine. You're a GUI producer,
would he You're a disgrace and Aleta's carry on.
Speaker 1 (27:30):
Okay.
Speaker 6 (27:30):
So I get to the airport finally, mind you, we
get to on the bus. When the driver stops at
terminal three and four for like ten minutes, I'm like, bro,
I need to catch a flight in ten minutes, no joke.
It was nine to twenty and I was sweating. I
was getting nervous. So he finally pulls up to terminal
four terminal one and I'm sprinting. I sprint in the
(27:51):
wrong direction firstly. Then I was like shit, ran up
the stairs, pushed in line. I was like, guys, sorry,
you need to move. I'm on this flight. I hear
my name called, go, go go. So I get through security.
I take my bag, I take off everything I need
and I put it in the scanner and it goes
through and the worst thing happens, it gets pulled to
the side.
Speaker 3 (28:09):
I'm like, oh no, it's always when you're light.
Speaker 6 (28:12):
Yeah, I'm looking at my watching Wayne still bit of time,
but I know there's not much in there, so it
should be fine. I jump from a jump in line.
There's a man in front of me. I'm like, sir,
so my plane's leaving now that's my name, Like, can
I please go? He's like yep, no worries you go.
So this guy gets my bag, you know, starts going
(28:32):
through it and he's like, there's a knife in your bag.
Speaker 4 (28:34):
And I was like.
Speaker 3 (28:37):
Knife, yeah, sorry, knife in your bag.
Speaker 6 (28:42):
So I had a butter knife in my bag because
I eat my lunch and then sometimes I like to
take them home.
Speaker 3 (28:47):
Don't tell anyone to work butter knife home because I
couldn't be.
Speaker 6 (28:50):
Bother taking it back to the kitchen at the end
of the day. And I didn't want to leave litter,
so I put it in my.
Speaker 2 (28:54):
Bag stealing knives room work. And secondly, you got done
at the security check by having that knife in your back.
Speaker 3 (29:01):
Yeah, perfect, And.
Speaker 6 (29:02):
So like you think they'd find it and I was like, no, dude,
take it. Like I also had nail scissors in there,
so they took them. And then they were trying to
find this knife, and they found the spoon, They found
my lip gloss, and they found like everything cutlery.
Speaker 3 (29:16):
Did you have your bag in the spoon?
Speaker 2 (29:19):
Chopsticks as well.
Speaker 1 (29:21):
I just didn't know where my fork was. But that's fine.
Speaker 3 (29:25):
So they took a knife, a spoon, and scissors out
of your bag.
Speaker 1 (29:28):
Yeah, well they kept I kept the spoon, but they
couldn't go When.
Speaker 3 (29:31):
You're going for like three hours, it wasn't you went
to Sydney.
Speaker 1 (29:34):
It was like six. Yeah, this was just my work bag.
It has so much You.
Speaker 2 (29:37):
Always have nail scissors in your work bag.
Speaker 1 (29:40):
No, I had. I actually took those from work as well.
Speaker 3 (29:43):
Oh my god, stealing from.
Speaker 1 (29:47):
The knife.
Speaker 6 (29:48):
Right, So they couldn't find this knife anywhere. So we
had to re scan my bag and it turns out
the knife was in the lining of my bag between
dog It was so dodge ye and he's like it's
in there. I'm like, bro, like, I need you to
empty my bag right now in front of me and
then cut that line in and get that get that
(30:10):
knife out.
Speaker 8 (30:12):
Right now.
Speaker 1 (30:14):
And if you don't get it out right now, I'm
going to miss my flight. Anyway.
Speaker 6 (30:17):
Nine point thirty one rolls in he finally decided to
pull out the Parisis to see if you can find
this knife, and Kate, our digital producer, message me and goes, yeah,
no flight shut f.
Speaker 1 (30:31):
Yeah, and so then I obviously had a big like.
Speaker 3 (30:34):
The chairman's flight as well, you got then I'm going
to meet my husband. Who are you finding? I was
with Quantas Yeah, miss, that's on.
Speaker 2 (30:46):
The company revealed that you stole.
Speaker 3 (30:51):
Them.
Speaker 1 (30:51):
The whole point well, I've got a free new flight,
so it was fine.
Speaker 3 (30:55):
It didn't customer cent it for free, no, but it
would have been like a four hundred free.
Speaker 1 (30:59):
I just said.
Speaker 6 (31:00):
I pulled the SOB story and I ran to the
counter and I was spit sweaty, and I was like
and the lady was so nice. Her name was Sharon.
Shouted out to you, Sharon. She was like right up,
and I was like, hello, I'm really sorry, Din'd you
have an next flight I need to get on. I
was insecurity in I had a button knife in my
in the liney of my bag, and I need to
(31:21):
get on the next flight because I gotta get there
for working please. And she's like, okay, we don't usually
do this, but I'll get you on the ten thirty
and she was a queen got me through.
Speaker 3 (31:32):
Thank you with the whole point of view.
Speaker 4 (31:34):
Parking in the in the car park was because you
wanted to save the company one hundred and fifty dollars, right.
Speaker 1 (31:39):
Yeah, well I didn't want to taxi a taxi. I
felt bad.
Speaker 2 (31:45):
That's very nice for thinking like that. Now let's go
to the Red carpet. If you don't mind, because you did,
Why don't we actually play the audio of Joel on
the Red carpet.
Speaker 1 (31:53):
Oh, we're so proud of him.
Speaker 2 (31:55):
He did such a good job, so good it was entertaining.
I think whether it was a train wreck or great questions,
it's somewhere in the middle. But here was Joel in
the red cabet.
Speaker 3 (32:05):
Boys, I'm on the red carpet with road here we go.
Would you rather have a nipple.
Speaker 12 (32:09):
Sized penis or straight in penis sized nipples?
Speaker 3 (32:14):
Nipples the size of penises.
Speaker 10 (32:16):
There's some fun to be had with that double propeller
balloon animals.
Speaker 7 (32:20):
I'd hire myself out for parties.
Speaker 12 (32:22):
Well and moody, I'm here with Julius Stone. Let's say
a good friend of yours has just died and they'd
left you two million but in order to get access,
you had to give all your Internet history.
Speaker 3 (32:32):
Would you do it?
Speaker 12 (32:33):
Ah?
Speaker 1 (32:33):
Yes, I feel like there'd be a couple of things.
Speaker 3 (32:35):
I'd be like, you know, it was a you know,
it was a phase.
Speaker 1 (32:38):
It was a phase.
Speaker 12 (32:40):
I don't know about you, but I'd like googled how
to spell words that I like, definitely should know how
to spell.
Speaker 6 (32:44):
I've definitely done that too, But I don't think you
should be ashamed of that.
Speaker 3 (32:47):
Have you ever googled the lyrics to your own songs? Yes,
plenty of times.
Speaker 1 (32:50):
Oh yeah, before before a tour.
Speaker 3 (32:52):
Sometimes I like, I can't remember for the life of me,
and there's a lot of googling our own lyrics.
Speaker 12 (32:58):
I'm here with lime Cordial for you, for whatever reason.
I'm part of your troupe now, and in my will,
I've managed to get Gordon Ramsey and he's going to
cook me, and I've organized for you guys to have
a little private sitting.
Speaker 3 (33:11):
Would you eat me? You look like you've got a
good fat too, muscle.
Speaker 2 (33:15):
Ratios worse reckon?
Speaker 3 (33:18):
Yeah, oh yeah, man, I reckon.
Speaker 8 (33:20):
Will you taste my forbidden fruit?
Speaker 3 (33:22):
Of course, the ribs look good. I'm a vegetarian, but
you know you look yummy. Thank you so much. Mere
with the wiggles.
Speaker 12 (33:29):
If I was your managing team and I said, no
more songs guys unless it's gangster rap and there's like
heavy swearing.
Speaker 3 (33:36):
Would you do it or would you?
Speaker 2 (33:37):
Would you give up the career?
Speaker 3 (33:39):
Oh, we'd give up the career?
Speaker 2 (33:40):
You reckon?
Speaker 12 (33:41):
Yeah? What if I could guarantee you you'd be successful
at it?
Speaker 3 (33:44):
Like you just you take off? No, I no, we
wouldn't do it.
Speaker 2 (33:47):
But there's ways of being gangster without swearing, and we
could still be gangster.
Speaker 3 (33:51):
We'll get everyone a gold toothed on. Can't care an
we got to play on Apple. This could work, This
could work on his fruit. He did a great job,
a great great job.
Speaker 2 (34:11):
Any behind the scenes from the day aneles and I'm
not alluding to anything obviously.
Speaker 1 (34:16):
What happened?
Speaker 6 (34:17):
We we got there, We rolled in. Joel just nailed it.
Took on feedback really well. He did get a name
wrong of.
Speaker 1 (34:26):
Someone at some stage. Couldn't tell you their name either
because there was a practice one. But he yeah, yeah,
you know, he did really well.
Speaker 3 (34:37):
What'd you say?
Speaker 7 (34:37):
He like?
Speaker 2 (34:38):
So he missed a few big names.
Speaker 1 (34:40):
There was a few names were missed.
Speaker 3 (34:41):
There were they?
Speaker 2 (34:42):
So were they quite deliberately trying to avoid him.
Speaker 11 (34:46):
Well, we did actually go up to a few people
and like to their publicist was like, hey, we're here,
and people thought we were Kyl and Jack like because
we were right next to them and they hadn't they
they they were there and we were here, and so
people would kind of roll in and think that we
were them, and so we got a few people because
of that.
Speaker 3 (35:05):
Oh nice.
Speaker 2 (35:06):
Well he doesn't have the same sway as Kyle and Jack.
Speaker 6 (35:10):
There's a few people go all right, you're speaking with
Colin Jack now mate, and then with me like Joe, Hey,
jo Hey, thanks, Well the money it's Joel.
Speaker 3 (35:18):
It was like a big walkies okay.
Speaker 1 (35:20):
The rest was all pretty smooth sailing. Yeah, it was
all very smooth sailing.
Speaker 6 (35:24):
The live Cordial boys hung around a bit afterwards to chat,
which was nice.
Speaker 3 (35:29):
Yeah, yeah, just like you right now.
Speaker 6 (35:31):
Thanks abouy that's the live feedback and I'm going to
go cry.
Speaker 2 (35:37):
You've got it twice.
Speaker 1 (35:38):
You got.
Speaker 5 (35:40):
Job.
Speaker 2 (35:40):
Thank you for coming out.
Speaker 3 (35:41):
Go work great story. Thank you, go work with Joel
as well.
Speaker 2 (35:46):
Thank you.
Speaker 1 (35:46):
That's very nice.
Speaker 2 (35:47):
Wow, she just hair flicked.
Speaker 8 (35:49):
That was that was so good.
Speaker 3 (35:51):
She's got she's got a lot of attitude at the moment.
Great to see your mate.
Speaker 2 (35:55):
You're still good to babysit Remy on perfect.
Speaker 3 (36:02):
See you next time. Do you want to finish the
podcast with Darren Hayes.
Speaker 2 (36:05):
Huhm, Darren Hayes. Oh, I just play play the interview.
Speaker 3 (36:11):
It's a great chat. Have a listen to the great men.
Great so nice here. It's so good to be here.
Speaker 7 (36:22):
And I love the fact that when when I walked in,
you both went so.
Speaker 3 (36:25):
Nice to finally meet you. And that's great, that's wild crazy,
I get it.
Speaker 7 (36:34):
But you are literally my favorite people in the radio.
And I did say that to several people who can
vouch for that.
Speaker 3 (36:41):
Thank you of course, because you're sensitive men that are
not afraid to cry.
Speaker 2 (36:46):
Thank you, thank you.
Speaker 3 (36:47):
So let's do jokes. You're because you're also a sensitive
man who's not afraid to cry and does jokes. I
love comedy. I mean the thing is is like I
just you know, I studied, Yeah you did improv. It
didn't for five years.
Speaker 7 (37:04):
And I did a book launch in Sydney last night
and then someone came up and I signed books for
three and a half hours after the event, right, you know,
I would never not, But someone came up and went,
didn't you.
Speaker 3 (37:19):
What happened to your comedy career? Remember? And I just went,
were you not entertained? Because I was hilarious on that stuff.
Speaker 2 (37:28):
And you did a very very famous improv school as well.
Speaker 7 (37:30):
Yeah, the Groundlings. Yeah, I was a step away from
auditioning for SNL. And the girl in my class, her
name is Chloe Fineman, she's in SNL now, won't return Michael,
I know, but.
Speaker 3 (37:46):
No, that's how far I got. I did get pretty fust.
Speaker 7 (37:48):
I think.
Speaker 4 (37:48):
I remember the first time I saw you sort of
outside of music was on Speaks and Specs, and you
were really funny because at that time, you know, there
was no YouTube to watch you on. It's not like
I had social media as a kid or even really
access to the internet. So like, I remember seeing you
on Spigs and Jacks and I couldn't believe that it
was you because it was so different to what you'r
(38:11):
the vibe or the tone that your music was portraying.
And all of a sudden there was this guy taking
the piece out of himself and everyone else on the panel.
Speaker 3 (38:18):
Yes, and I was thinking of everything here like, Wow,
Darren Hayes, I didn't that just didn't. No, I can
hang then, Darren.
Speaker 2 (38:30):
If you had a magic wand eighteen year old you
if you were told so, obviously, the music career takes off, yeah,
compared to a career doing comedy and on the stage
and let's say Saturday Night Live.
Speaker 8 (38:41):
Yeah.
Speaker 7 (38:42):
No, music, absolutely music, I mean I was. I always
knew that I would be a musician. I thought when
I was like five or six, that I.
Speaker 3 (38:49):
Was totally famous.
Speaker 7 (38:51):
I thought the whole world was a movie about me.
Let's get out some sad violins. Though not because I
was just this egotistic a little tear it because my
world was horror.
Speaker 3 (39:02):
It was a way of protecting yourself absolute.
Speaker 7 (39:05):
But I always related to something that comedians have, which
was this ability to turn tragedy into comedy. So Robin
Williams was somebody that I was obsessed with as a kid,
but I secretly knew that he was very sad. There
was a sadness behind his eyes. One of the first
popstars I loved was Michael Jackson, well before anyone knew
(39:26):
anything about him. I could see the sadness in his eyes.
Speaker 3 (39:29):
And I related to.
Speaker 4 (39:30):
Yeah, right, you know, given what I note about your
upbringing as well, I mean like you're someone like NSNL.
You're on a stage, ultimate affirmation, ultimate people, all you
want as a kid. Well, I was reading that you
sort of found yourself needing more therapy while you're reading
the book because he's sort of just unearthing all of
this stuff along the way, which is its inevitable. Yes,
(39:51):
everyone spends their whole life running away from where they
come from, so to go back.
Speaker 3 (39:55):
And dig that up is really courageous. So you should
be really proud of yourself that it was.
Speaker 7 (39:59):
Hard, And it's hard to segue from just how hilarious
I and sometimes you have been during this chat. But no,
it was hard because some stuff I had buried. And
there's a form of therapy called.
Speaker 3 (40:11):
E M d R yes movement displacement reprocessing process. I've
done that.
Speaker 7 (40:18):
It's really cool and for the casual listener, basically it's
just reprocessing a traumatic memory that you've actually never processed. Yeah,
And in writing the book, there were things that I
had blocked out and forgotten, and my big sister and
my mom helped to help me.
Speaker 3 (40:34):
Remember because you can't you can't remember the whole memory,
can you, or any of them?
Speaker 10 (40:38):
Yeah?
Speaker 7 (40:38):
Ah right, yeah, Okay, So there were things that I
witnessed that happened to my mom because.
Speaker 3 (40:43):
Your dad was an alcoholic.
Speaker 7 (40:45):
It was an alcoholic and extremely violent to you too,
to the whole fame, but mostly to my mom. And
some of the things that I saw, they were pre verbal,
so I didn't have language for it, but I had
witnessed it. And what happens when when you're traumatized is
if something is so just incomprehensible, the brain's incredible, it
(41:08):
just decides you're not going to process. I'll just I'll
just put this in a ZIP file.
Speaker 3 (41:16):
Yes, I'm just going to put that away.
Speaker 5 (41:19):
Yeah.
Speaker 7 (41:20):
But as I was writing, what was happening was my
brain was getting closer and closer to those unopened files,
and I was getting very, very sad.
Speaker 3 (41:28):
Enough, and so yeah, I got needed help to Yeah,
I got to process them and make peace with them.
Speaker 4 (41:33):
Part of the other relations I want to talk to
you about is is your late relationship with Daniel Jones
from Savage Garden.
Speaker 3 (41:39):
You guys as a music.
Speaker 4 (41:41):
Duo, was how I knew you before I knew you
obviously and I've seen you talk before about the fact
that people knew you, whether they had the CD or
you were also at this time of music when CDs.
Speaker 3 (41:52):
Was it so nostalgic for everyone? Yes, me too. Yeah,
it's wild, but for emotional Yeah. And then you have
this relationship with this guy. You make two records. They said,
twenty three million copies worldwide they.
Speaker 2 (42:05):
Put together with Daniel.
Speaker 3 (42:06):
Were you fransered an ad?
Speaker 7 (42:07):
He he was very clever, so he wrote an ad
in a paper that said that he was in a
band currently financed by a major publishing company LI but
it was good and I answered the ad and it
was essentially he and his brother and a couple of
session players, and eventually his brother very awkwardly got kicked
out and I became the singer.
Speaker 3 (42:26):
That relationship is not a friendly relationship. It was not
one that you look back on fondly.
Speaker 4 (42:29):
And it's one that he said multiple multiple times that
you were sort of the one that ended it. But
you've said recently that that wasn't the case at all.
Speaker 12 (42:36):
No.
Speaker 7 (42:37):
He yeah, he actually held a press conference and said
that I ended it, Yes, which.
Speaker 3 (42:41):
Is a lot how I remember it. I remember hearing yes, Yeah,
it would have been really years later.
Speaker 7 (42:45):
He now says, he admits now that he left right right,
and he probably admits this now.
Speaker 3 (42:52):
He left the band a week before the second album
came out because he's now a real estate agent. Is
that right?
Speaker 7 (42:58):
I don't care.
Speaker 3 (42:58):
I don't know how is that between the two. It's
not nastiness.
Speaker 7 (43:03):
It's that he was so unkind to me, both in
the band, the way the band ended, and the fact
that I suffered so much because of the fact that
he chose actively never to clarify those statements. He had
told everybody in Japan a week before the album was
(43:23):
being released, I'm leaving. I was devastated. We were all devastated,
but we loved him, and we just said, would you
consider maybe doing the world tour? And he reluctantly said yes,
And I said, let me do all the press and everything,
but please promise me at the end of it, you'll
tell everyone this is your idea, because I will be blamed.
Speaker 3 (43:42):
Oh my god.
Speaker 7 (43:45):
They said, we hear that Savage Garden broke up, and
he said, that's the first I've heard of it. That's
the one one freebie he gets from that. Now clarify it.
Speaker 3 (43:55):
Yeah, yeah, yeah, yeah, what's happened?
Speaker 7 (43:58):
And he held a press conference. The guy who was
so miserable that he had to leave the band because
he hated fame, held a press conference and he told
the world whatever.
Speaker 3 (44:09):
He told the world.
Speaker 7 (44:10):
And I suffered for probably five or six years.
Speaker 3 (44:15):
Oh my, Darren. Yeah, no, it was very, very uncomfortable.
Speaker 7 (44:19):
And yet I was a gentleman for many, many years,
and I respect fans and I know people don't ever
want a band to look like they're fighting.
Speaker 3 (44:27):
And it was incredibly difficult.
Speaker 7 (44:30):
And then just one day during interviews, he just started
casually saying, yeah, yeah, when I left the band, I
didn't want to do it anymore and whatever. And I
was just like, wow, this is just fact now that
you left the band.
Speaker 3 (44:43):
Wow you But you don't know that.
Speaker 7 (44:46):
Behind the scenes, I'm someone that's in contact with every
single person that I used to work with. He left
the music industry, he's chosen a different path whatever.
Speaker 3 (44:56):
Bless him, But that was not a healthy relationship. Yeah,
how did it work?
Speaker 2 (45:00):
And how are you so successful when clearly there was
some tension in the relationship between the two of you.
Speaker 7 (45:07):
We were both very ambitious, Yeah, so we were We
had an incredible songwriting chemistry, and I've never taken that
away from him.
Speaker 3 (45:14):
Interested, I would never have left that band. Interesting.
Speaker 7 (45:18):
It worked because we were successful and by the time
I realized I was in a band with somebody that
didn't really want to be there, didn't really want to
have a relationship with me.
Speaker 3 (45:29):
If what do you do?
Speaker 4 (45:31):
Yeah, it's interesting that you can have really good creative
chemistry with someone but dislike them.
Speaker 7 (45:38):
I can sense it between the two of you.
Speaker 4 (45:39):
Yeah, when the marks are off, my god, oh man, Darren,
I could ask you this. There's so many questions, but
I think they should probably go and read the book.
It's called Unlovable. You're gonna get a copy of all
good bookstores now, any books, any bookstore. It might be
a poor bookstore, be a bad book, be a good book.
(46:00):
It's so good to see you for the first time
in studio. I thought, it's so.
Speaker 3 (46:06):
Thanks for coming in. Congratulations, Thanks guys,
The Will M. Woody podcast.
Speaker 2 (00:10):
So Button push your Tom's last words to us before
we turn the microphones on was please keep this intraded
at ten minutes all.
Speaker 3 (00:16):
Less, yes, which I'm getting.
Speaker 4 (00:19):
I'm meaning really confused by this feedback because we got
interrupted last time, and then analyst came in last week
and was like, oh my god, guys, I loved the
fifteen minute Kevin Costner bit.
Speaker 3 (00:31):
So it's really hard for us. I think you and
I just need to figure out what we want to
do and just do that.
Speaker 2 (00:35):
What do you want to listen to people? Do you
want to keep this top bit tit? I want to
keep it, Lucy Goosey.
Speaker 4 (00:40):
I think we're just going to lean into whatever's feeling
good at the moment.
Speaker 3 (00:42):
What are you murmuring over there? Button? What's going on
over there? You've got you got some thoughts now?
Speaker 2 (00:46):
He said, someone just stole my package at home.
Speaker 3 (00:48):
He said you. He said, it's your name on the
show at the end is what he said.
Speaker 4 (00:51):
Oh okay, I mean I don't have anything particularly exciting
to talk to you about.
Speaker 3 (00:58):
So I was hope. So I was wanted me to
watch Gladiator too so we.
Speaker 2 (01:03):
Could talk about it. But I just I feel I
feel there's going to be a very one sided chat
if I start talking about Gladia.
Speaker 3 (01:09):
Allowed to talk about it?
Speaker 2 (01:10):
I have seen it, No, and I totally get that.
So I also have nothing specific to talk about today
because that was the thing that I was really wanting
to dive into.
Speaker 3 (01:19):
Yep. Yeah, I think we will talk a little bit
later on about the fact that.
Speaker 4 (01:27):
Junior producing analysts and Kate we're in Sydney with Joel
hypothetical Joel.
Speaker 2 (01:32):
Yes, yes, the night and there's a good reason. There's
a reason behind Analyses missing her flight.
Speaker 3 (01:38):
Yep. So she's going to be in here on very.
Speaker 4 (01:40):
Important job, and we're obviously going to have to talk
about the fact that they were clearly flirting.
Speaker 3 (01:44):
I heard it, you heard it.
Speaker 4 (01:46):
It was it got really awkward and really quickly weird going.
Speaker 2 (01:49):
On there because we said to him, we said, is
Analys looking at when we crossed him in the red carpet?
Is Analy's taking good care of you? And you know,
you know you just read awkwardness and it was like,
why did that get Maybe we rep.
Speaker 3 (02:00):
I think we might have to rEFInd that audio. Yeah,
that was flirt down.
Speaker 2 (02:05):
Yeah, because when we can all appreciate. So most people
listening to this would understand that Joel comes on this
show every Friday, on the on the live radio show
every Friday, and as hypotheticals, we all thought he was
and this is just because of the way it sounds.
We all thought he was a bit of a weedy,
ratty looking guy.
Speaker 3 (02:21):
Just sounds very ferrety. Yeah, like that was good.
Speaker 2 (02:24):
I think we landed on feriity is the way to
describe his voice anyway. Quite attractive, Yeah, like tats, yeah,
like real sex appeal. Yeah, X factor is getting thrown around.
Speaker 3 (02:34):
Yeah, it's got it.
Speaker 2 (02:34):
He's got a tear drop tattoo on his FA.
Speaker 4 (02:36):
Motor Blake McKenny, perfect facial starts adding up, perfect fare.
Speaker 2 (02:41):
And also his pant was quite tight.
Speaker 3 (02:44):
Yeah, crotchal region yeah, yeah.
Speaker 2 (02:48):
Which which you know, I'm just asking you this randomly.
Speaker 5 (02:50):
Ti.
Speaker 2 (02:50):
I'm not saying you get any expertise in the area,
but based on.
Speaker 3 (02:53):
The it looked good. Yeah, there's a bit of junk
in the trunk. It popped, looks good.
Speaker 2 (03:03):
It looked good, It looked good. So well done, Joel.
Speaker 3 (03:05):
Yeah, I mean I need an early answer from anily.
She's going to deny but.
Speaker 2 (03:09):
Yeah, I think I think an early question. I think
it's good to just keep.
Speaker 3 (03:13):
You flirted with Joel and all in the red carpet
here we go.
Speaker 1 (03:16):
No, not at all. We were really professional and he
has a girlfriend.
Speaker 2 (03:20):
Was he more attractive in person though than what you thought?
Speaker 6 (03:26):
He was like a very well kept man.
Speaker 3 (03:31):
He had a good look going on, the T shirt
tucked into the pants. It was a good look.
Speaker 1 (03:35):
He planned his feet, when he got new shoes, when
he got a haircut. He was really ready for it.
Speaker 2 (03:40):
How did he smell?
Speaker 3 (03:41):
That's good practical answer.
Speaker 1 (03:42):
I don't actually go smelling.
Speaker 3 (03:44):
Do you need me to cross references with Kate?
Speaker 1 (03:46):
Did you smell him?
Speaker 3 (03:47):
No, that's not what I'm cross referenced. I want to
hear that.
Speaker 2 (03:50):
I want to hear that.
Speaker 3 (03:50):
Did you smell Joel? Me?
Speaker 7 (03:54):
Yeah?
Speaker 6 (03:54):
Yeah, I don't think he really had a smell to you.
Speaker 5 (03:59):
Gonna smell bad?
Speaker 3 (04:00):
You think that he and Analytics were flirting, They weren't flooding.
I saw it. Okay, it flirt. Oh sure, man, no worries.
We're bringing in. We're going to bring you in. We're
going to bring you in here for a cross examination.
Speaker 1 (04:18):
That was flirting game.
Speaker 3 (04:21):
So what would you have done, no game.
Speaker 2 (04:23):
What would you have done? If you were flirting with Joel?
Speaker 6 (04:26):
I would have been like, oh my god, hand on
the shoulder or something like that, Oh my God, like you're.
Speaker 3 (04:33):
So amazonent Here we go?
Speaker 5 (04:35):
Was that?
Speaker 3 (04:36):
Here we go? So you took your finger off the
button the cave.
Speaker 1 (04:39):
When you saw him.
Speaker 2 (04:40):
Interesting, I hug everybody.
Speaker 1 (04:42):
When I see them.
Speaker 3 (04:43):
We're going to get the audio.
Speaker 4 (04:44):
We're going to get the audio later so we can
hear the flirt factor because it emanated down the front
an least just turned and eviscerated Kate on the spot
like she didn't melt like the wicked witch of the West.
Speaker 3 (04:59):
There. Wow, the acid that came from her mouth there,
and that means we've truth. We've the truth there.
Speaker 1 (05:07):
Do you know what she said to me?
Speaker 3 (05:09):
What angry?
Speaker 1 (05:10):
I love you, Kate? That's what she said.
Speaker 5 (05:12):
Yeah?
Speaker 3 (05:13):
Good, good one. Now they're pulling right now, they're drawing.
They're trying to close drawer ranks. They're trying to close ranks,
protect each other.
Speaker 2 (05:20):
Got been done.
Speaker 3 (05:20):
Yeah, Unfortunately unfortunately, shield We pried you.
Speaker 6 (05:24):
Open and shields up because if you're going to shot
fire me, I'll shot by you back.
Speaker 2 (05:29):
Oh now, I'm scared of that.
Speaker 3 (05:30):
I know you're not. Why are you what she got
on you?
Speaker 2 (05:33):
Babysitting in a couple.
Speaker 3 (05:35):
Of days, two year old girl, you're getting it to
produce your baby again.
Speaker 2 (05:39):
She enjoyed it.
Speaker 1 (05:40):
Might break the door again.
Speaker 2 (05:41):
Yeah, she has put her heads through my door once.
Speaker 3 (05:43):
So you just stop getting the producers.
Speaker 2 (05:46):
What are you saying? Producers? It's always analy She's my
go to thank you very welcome. What I gotta go
to an old lady's birthday? Okay, but so obviously I
want to keep saying the good books then, because she's
going to be in my house.
Speaker 3 (06:03):
Yeah, yeah, yeah, I really don't have anything else. That's great.
Let's get into the podcast. We don't have to force it.
Let's the podcast.
Speaker 2 (06:10):
Let's not force it.
Speaker 3 (06:10):
The only thing I was going to say, which I
think right now, yeah, yeah, this is this is very
relatable for everybody. Right now. I'm exhausted at the end
of November.
Speaker 2 (06:21):
Yeah, it feels like the silly season started.
Speaker 4 (06:23):
I don't know if anyone else is in that right now,
but the end of November is feeling momentous.
Speaker 2 (06:30):
I reckon, I cooked you by putting my wedding at
the start of November, and I think that shifted the
silly season. So what we're feeling now is usually what
you'd feel early jam where you're going that was, that
was a big December. I think I've shifted time.
Speaker 3 (06:44):
And I apologize, No you haven't.
Speaker 2 (06:46):
No, come with me, but that makes I do feel
that's a fact.
Speaker 3 (06:49):
You've definitely feel like strange. You've been at it strange.
Speaker 2 (06:54):
I've used the Rings of Power and I've doctor stranged you.
Speaker 3 (06:56):
I just yeah, I just feel like the rings of power.
Maybe you've got my show is wrong there he wears rings,
doesn't he like a time He's got a time use.
Speaker 2 (07:10):
He he's got a ring of bow.
Speaker 3 (07:12):
It's like a three finger ring.
Speaker 2 (07:13):
Yeah, that thing, That's what I was referring to. Anyway,
I do think I've doctor strange.
Speaker 3 (07:19):
You, though, And I.
Speaker 4 (07:21):
Think everyone's feeling this thuff because for me, everyone I
speak to is overwhelmed by this.
Speaker 3 (07:26):
Note you're on holidays in a week. That's not true
because it is No, it's not what have you got
on after the next week? I mean, like for this
why it's just like admitting that to people. It's literally
what do you do?
Speaker 2 (07:44):
You pretend you prefer I don't lie that like three.
Speaker 3 (07:47):
Days because are you joking?
Speaker 4 (07:49):
Like most of my friends are bankers, lawyers, or doctors,
and it comes into Christmas and I'm like, they're like,
I'm like when are you and they're like and they go,
they go, they go, I'm working all the way up
and I'm like, yeah, to when and they're like like
Christmas and I'm like yeah, but like you know, when
do you get off? But you know when you say
working all the way up, like you know obviously like
December fifteen, and then you don't get ten days or
(08:10):
something like like Christmas Eve, like I'll work Christmas Eve
and I'm like yeah, And then they're.
Speaker 3 (08:15):
Like when are you are? What am I going to say?
November twenty nine? Yeah, just tell the truth.
Speaker 2 (08:21):
I do have people asking four weeks before you people
say you're getting Christmas Eve off? And then it's funny
that people go to that because Christmas Eve, I think
is the big one.
Speaker 3 (08:29):
But you're going to get Christmas. You're going to get
the day off and yeah, that's that's hard for you
and I I will have already been Yeah. So anyway,
we get to Christmas.
Speaker 2 (08:38):
Eve and we're like, God, I'm sickhold.
Speaker 3 (08:39):
I am to be bored. People people, people, everyone gets it.
Speaker 4 (08:45):
Everyone gets energy at the end of December, and I'm like, guys,
I mean I'm in full mid holidays.
Speaker 3 (08:50):
For a drink, I'm on holiday. I'm like, oh I am,
I'm done.
Speaker 4 (08:52):
It's got in capital letters in the chat. This is
not relatable and that's why I flagged it. That's why
I flagged it. I actually did flag that, and then
we dived into it. I tried to get us out
of there.
Speaker 3 (09:03):
It came exhausting thing though. That's very relatable.
Speaker 4 (09:05):
But end of November, well, it's tough, man. It's tough
when you know, when you know you've got eight weeks off,
it's hard.
Speaker 3 (09:12):
Anyway.
Speaker 2 (09:14):
Yeah, there's trips to plan. You said to me in
the kitchen before. You're like, I'm really stressed and booking
my holiday.
Speaker 3 (09:18):
It's tough.
Speaker 2 (09:19):
Got to pack my bags anyway, four trips, trips, I
like getting out to get you, to get you the interview, sabbatical,
I'm going to move things along.
Speaker 3 (09:41):
That is that offensive?
Speaker 2 (09:42):
He's getting the same break.
Speaker 3 (09:43):
It's a bit annoying, is it.
Speaker 4 (09:45):
It's not offensive, just not really.
Speaker 2 (09:48):
Offensive.
Speaker 3 (09:49):
There was a biting tone to the don't take offence
a fence.
Speaker 2 (09:55):
Okay, I'm going to.
Speaker 3 (09:56):
Is in a bad mood. He's in denial about the
way that he's in a bad mood. It's been a.
Speaker 2 (09:59):
Lovely ah Jay, that's hard to roses and sunshine for mine?
Speaker 3 (10:04):
What do you think, Tom? Do you think you think? Poo?
He's in a lovely mood. I'm thinking we're bang on.
The tennis moved on and that was class in the podcast.
We also have that. We also have the.
Speaker 4 (10:15):
Audio of Analyse that we need to get to as
well later because Mark got that the flirt audiobody told
Flirt Factor five, I'll ask Mark, I'll ask Mark Mark.
Speaker 3 (10:28):
I think Mark can buzz in.
Speaker 2 (10:29):
I'm not sure if Mark's even listening to us, right.
Speaker 3 (10:31):
Can you talk to Mark for me? I don't know
when that happened? What what the Flirt Factor five?
Speaker 2 (10:39):
It happened during our first cross to the Red Carpet.
It was the first time we spoke to him and
he mentioned we said to him, but it was off Mike. No, No,
We said to him, how's analyses?
Speaker 3 (10:51):
We didn't record it though, did we?
Speaker 8 (10:52):
Yes? We did?
Speaker 3 (10:53):
Did? It's in there in Analyst? You cooked mate, we've
got your toast.
Speaker 2 (10:57):
It sounds seperal anyway by that saying. But while Mark
gets the audio, Well, I just this was a favorite
part of the week for mine because look, we explain
it more in the spot when we did in our
live radio show. But we stumbled into someone who literally.
Speaker 3 (11:14):
An analyt stifle this. I can tell her. She's out there,
she's she's putting water on the whole thing, an email.
Don't let her get to you saying this to everyone.
I could see her. She's barking orders.
Speaker 2 (11:25):
Oh she's glad.
Speaker 3 (11:27):
I told you. I told you. She's putting the water
on all of this. You look at it's making you
look worse. Analyts. I'm just letting you know it. Just
pointed to his watch. You should just put your should
just put your head down. Just let it happen.
Speaker 2 (11:38):
Ed's walking in.
Speaker 3 (11:39):
Ed's coming in. What's going on? Are you coming in?
Speaker 2 (11:42):
What's happened to you?
Speaker 3 (11:43):
Something's happened. I think we need to put it down, Analyts.
Speaker 2 (11:45):
I need me to put it down.
Speaker 3 (11:46):
Oh my god, Oh my god, I've got to walk
away from it.
Speaker 4 (11:49):
Oh my god, there is something that's happened. Oh she's
walking out, she's full of ship. Now I saw her smile.
Speaker 2 (11:56):
She's a good actress. She's a good actress. That's not
her best performance.
Speaker 3 (12:00):
All right, where was I favorite thing from this week?
Speaker 2 (12:04):
I think.
Speaker 3 (12:06):
Just let's just go h Maddie, Maddie, Maddie, Maddie called
the show the other day. I love Maddie.
Speaker 4 (12:11):
I love Maddie as well. She seems amazing, but she
can't rhyme. Give me a word that rhymes with happy?
Speaker 3 (12:16):
Larry, how long would it take you? No, that's not not.
Speaker 7 (12:21):
Lucky.
Speaker 3 (12:21):
Does also not run with happy? And she gave us
a lam.
Speaker 4 (12:26):
Yeah, we're going to call her right now. I'm going
to call her as day Jock. Here, Steve's am from
the House of Pain.
Speaker 5 (12:31):
Brilliant.
Speaker 3 (12:32):
He's giving away ten thousand dollars at a time. And
the game today is you just got a rhyme? Oh
this is going to be good?
Speaker 4 (12:40):
Hello?
Speaker 9 (12:40):
Is matter speaking?
Speaker 5 (12:41):
Oh?
Speaker 8 (12:42):
Yeah, Okody, Maddie, how's it going? It's Sae.
Speaker 9 (12:44):
I'm good, Thank you?
Speaker 4 (12:45):
How are you?
Speaker 3 (12:46):
Yeah?
Speaker 8 (12:46):
Good? I'm calling from kiss Hey. I've just got.
Speaker 10 (12:51):
I've got to have you on for a ten thousand
dollars win game. I saw that you called Will and
Woody the other day.
Speaker 8 (12:59):
Yes, yes, okay, would you be interested in playing night?
Have you got a second?
Speaker 9 (13:04):
Okay, okay, yeah, I can give it a guard.
Speaker 8 (13:08):
Thanks, Maddie. I'm just gonna check you on hold.
Speaker 2 (13:11):
Okay, thank you.
Speaker 3 (13:12):
I'm gone about it.
Speaker 8 (13:14):
Down down, yes, pig, she's in the fun house.
Speaker 10 (13:22):
I took my kids on the merry go round at
the circus the other day and I said to them, guys,
it's like you're in the circle.
Speaker 3 (13:28):
Ass.
Speaker 10 (13:29):
Now I'm in the pun house. Look at it's Steve
Zaye from the House of Paine. Turn up the volume,
turn up the game, and right now it's the ten
thousand dollars Just say a rhyme game. It's the ten
thousand dollars Jump dot Rive game. All right, So that's
(13:50):
pretty simple. I've got Madison here and I'm Madison. Hello him, Madison, how.
Speaker 8 (13:56):
Do you go with rhyming?
Speaker 7 (14:00):
Very good?
Speaker 10 (14:00):
Okay, Well, look what I'm gonna do. I'm gonna say
a word. You've got three seconds. Just give me a
rhyme for it, and you're win ten grand Oh my god. Okay,
here we go. Don't but don't have the time of beat.
Our first word is track three two.
Speaker 1 (14:16):
One rack.
Speaker 8 (14:27):
Did you say rack was track to right? The word
was track, Madison. I said, right, hey, Madison, let's go again.
Speaker 10 (14:35):
I like it.
Speaker 8 (14:36):
We're gonna do another one.
Speaker 11 (14:37):
Here we go.
Speaker 10 (14:39):
Okay, okay, you've got three seconds for ten thousand dollars, Maddie.
Speaker 8 (14:46):
Okay, chuck that thinking cap on.
Speaker 10 (14:49):
Okay, go go three seconds to rhyme with the word
stop three two one.
Speaker 8 (15:02):
I can't very well, Maddie, part does it rhyme with stop?
Speaker 3 (15:12):
Wait?
Speaker 9 (15:12):
What where did you say stop? With an S T
O P?
Speaker 10 (15:17):
Yeah?
Speaker 9 (15:19):
What rhymes are that?
Speaker 6 (15:20):
Stop?
Speaker 1 (15:20):
Spot?
Speaker 3 (15:22):
It's an almost rhyme. It's an almost that.
Speaker 9 (15:26):
Does rhyme technically on a technical technically.
Speaker 3 (15:30):
Definitely not Maddie. It's willing Woody here, Hilaria, are you?
We love you? Maddie?
Speaker 9 (15:40):
Love ring is not my thing?
Speaker 3 (15:46):
How long have you known that for mad How long
have you known that just rhymings.
Speaker 12 (15:50):
Is not for you?
Speaker 1 (15:51):
I think maybe just right now I've discobbing that.
Speaker 3 (16:11):
All right, So I come to my favorite part of
the week. Woods is the chat that kicked off in Freedom.
Speaker 4 (16:19):
Friday stumbled into it. I was just going to do
what's your favorite tribe biscuit? But then we started talking
about did.
Speaker 2 (16:24):
You write that down, because that's still good.
Speaker 3 (16:27):
I've been pitching it every day for the last week.
Just a shame that producers don't get after that because
that's good. That'll polarize people. But you did go for
this and it took no one antipipated it. Furner, we
started talking.
Speaker 4 (16:41):
About it's a lot of a lot of one that
was slapped down a few times.
Speaker 3 (16:46):
But I'm big on soladas at the moment you're back
into them. Yeah, I'm bigger. Last from the past, Yeah,
a little bit.
Speaker 4 (16:54):
Do you do you when you have a salada break
up all the squares and the topic rights itself?
Speaker 3 (16:59):
Do you break all the squares or do you just
chow down break up the squares? I'm not a psycho.
You chow down into a full square.
Speaker 2 (17:08):
I'm usually quite organic instructured, but I just chow down
on salata.
Speaker 3 (17:12):
I don't like the idea of being like being told
that I have to break it.
Speaker 2 (17:15):
Into squares, Like oh, I was telling you, that's just
that's you know, Slata is Salada's Like Salada doesn't.
Speaker 3 (17:22):
Tell you to snap it up. That's not in their brand.
But it's not in their brand.
Speaker 2 (17:24):
By giving me the imprints of the breakable lines. They're saying,
that's how we perforated. It's an option exactly.
Speaker 4 (17:29):
If they wanted you to eat the squares individually, they'd
package them as individual little squares.
Speaker 2 (17:34):
I find that they put it in a four because
they wanted they give you the choice.
Speaker 4 (17:38):
But what they're saying is, hey, common sense will prevail here,
and you're always thinking to break it up.
Speaker 2 (17:44):
No, and that's that's where I that's where Isaac. Most
people zig Isaac. I just chower right down. I think
that's what we have to do. I don't know where
you were going, but I think this is better. Thirty
six five with salatas, do you break them up into
individual squares?
Speaker 3 (17:57):
Or do you just chow down?
Speaker 8 (17:59):
Can I ask?
Speaker 3 (17:59):
Before? Obviously hate it, they hated it. They've had it
for a long time.
Speaker 4 (18:06):
Before we go to the calls, do you when you
said you chow down, are you like, like, I'm going
to accept a chow down if you're eating like cleanly
into a corner, but if you're eating over perforation on
a broad side.
Speaker 3 (18:20):
My first bite is my first bite is corner. I
will give you that, but my second because otherwise I'd
have to I'd be killing there. I'd be going the
cops and I'd lock myself up. Oh good.
Speaker 2 (18:29):
My first bite is corner. My second bite is square
over perforation. It doesn't matter which way I go, if
I go left or right, I'm biting.
Speaker 3 (18:37):
Light over the perf. Yeah, mate, the perth there for
a reason.
Speaker 2 (18:41):
I feel like a bad boy when I do it.
I'm like, the world doesn't want you to do this, Poddy,
but you will do it.
Speaker 3 (18:46):
You will do it, Okay.
Speaker 4 (18:48):
I think that's insanity, and I know the other there's
not going to be There's not going to be other perf.
Speaker 3 (18:54):
What are we going? These people?
Speaker 2 (18:56):
Agents of chaos, people who just into a salada without
breaking into individual squares. There'll be a group of us,
all right, come out from rocks.
Speaker 4 (19:05):
We're talking siladas. But you guys obviously caught up. There's
no other perforated dry biscuits there.
Speaker 2 (19:10):
The reason why I love chowing down with reckless abandon
is because you're breaking the rules. It's like salada, I like,
I see you. You want me to break it up
into four pieces. I love not doing what they want.
Speaker 5 (19:22):
Me to do.
Speaker 3 (19:23):
I get it, mate, And look, some men want to
watch the world burn.
Speaker 2 (19:25):
But but you know, I think one salada at a time.
Speaker 3 (19:29):
But I think let's got a Julie. I think there
were other people.
Speaker 2 (19:32):
Like me who just chow down on a slada and
don't break it into individual pieces.
Speaker 3 (19:36):
Julie, how do you eat your salada? It has to
be broken up?
Speaker 9 (19:39):
Can you imagine?
Speaker 10 (19:40):
I've tried it once where I've bitten into it for
my son.
Speaker 9 (19:43):
I had to then go nibbling on the Dotter line.
Speaker 3 (19:46):
It was just to just to rectify it, just to
rectify it. Not for everyone, Jeweli, It's not for everyone.
Speaker 4 (19:51):
I would have nibbled a line as well. They're jewels,
I reckon, you know hisself a spinal on these pillow
for that jewels.
Speaker 5 (19:58):
With you, I'm going to reward.
Speaker 3 (20:00):
You know, I'm in control of the water chairs. I'm
in control of the water chairs. Mate, they'll go to
the reasonable people. Alan, how do you eat your saladas?
My friend?
Speaker 5 (20:08):
I curwed down the square. Sorry, I trow down the
whole square.
Speaker 3 (20:12):
Hell yeah, and it feels good, doesn't it. It feels good.
Speaker 5 (20:17):
I've got big hands, so it's too hard to hold
the little tiny squares. But the only time I will
break it up if I'm putting back cheese and crackers
onto other people. Yeah, the whole square.
Speaker 3 (20:27):
Alan, How big are your hands, mate? Yeah?
Speaker 5 (20:30):
I don't normally find any one that's got bigger hands
in me, so wow, I got long fingers.
Speaker 2 (20:37):
That's like, which would be ridiculous holding those little square there,
sell me.
Speaker 3 (20:44):
You can't pincer a salada square because your hands are
too big. Who are you the BFG?
Speaker 5 (20:49):
Also, it's just you know, annoying having to skip on
grabbing a small little piece, So you need to have
one last longer to eat.
Speaker 8 (20:54):
Just chow down, Just put it, just put it down,
or you've got two heirs.
Speaker 4 (21:00):
Ellen, obviously you know you can't do it at all gorillamits.
But for most people, the most.
Speaker 3 (21:06):
People, you break it up.
Speaker 4 (21:07):
You keep the you keep the wady, the big chunk
in one hand, and then you've got your single in
the other. And that's It's just kind of like eating
most things, isn't it. You've got your bucket of chips
in one hand, you've got the other hand with the
chips you're about to eat.
Speaker 3 (21:20):
I mean that's how you eat food. It's like breaking
the chip into four pieces. Ridiculous. Let's go to.
Speaker 2 (21:25):
Kala here to check in your mouth.
Speaker 3 (21:27):
Bro, Kayla, how do you eat your salata? I think
you're starting.
Speaker 4 (21:30):
Is the only person that sided with you the old
banana bunch boy over there. There's no one else that's
on your team, I'm.
Speaker 3 (21:36):
Sure, Kayla. Showers down? Kayla? What do you do breaking
into squares or chower down?
Speaker 4 (21:41):
Yeah?
Speaker 9 (21:41):
Look, I'm gonna have to sit in the middle here.
And I do think that those lines in the salada
are an option, and I think the option is based
on what the contents of the salada are.
Speaker 3 (21:55):
Oh yeah, okay.
Speaker 9 (21:57):
If you've got a spread, you would break it up
into little flaws, absolutely no doubt about it. But if
you've got something like, I don't know, ham and cheese,
then you can't break it up into little faurs because
you can't goat through the ham, So then you have
to eat it whole.
Speaker 3 (22:11):
Interesting. Who's putting ham on a slider? I mean, I
know they put that on the box.
Speaker 2 (22:15):
I put ham on a slider.
Speaker 5 (22:16):
No, you.
Speaker 3 (22:17):
Don't tell me what i'd put on my salada. Sorry,
I'd put a cheese slice.
Speaker 4 (22:21):
That's what That's how they try. They try and advertise
it like a salad. Sandwich, you know in the box
where it looks like a burger, and you're like, right,
no one's eating them like that. But but no one's
doing that.
Speaker 2 (22:30):
You're just spreading it a spreading a big square of
cheese and maybe even some vegi might underneath.
Speaker 3 (22:35):
Okay, mate, mate, mate, make a little sandwich. Make sandwich.
What there's no there's no world like.
Speaker 4 (22:43):
Wow, It's just there's no world where you're putting a
big square of cheese on a salader.
Speaker 3 (22:49):
Like if you're a cheese lover, you don't look you're
an idiot. We've decided that.
Speaker 4 (22:52):
But for everyone else, if you you know, if you've
got cheese, what you want to do is you want
way more cheese to crack the ratio, right, So going
big hunks of cheese on individual squares, so there's more
cheese than crack up.
Speaker 3 (23:03):
Now that's just common sense. What about it?
Speaker 4 (23:24):
All?
Speaker 5 (23:24):
Right?
Speaker 3 (23:24):
Well, you have made it to the end of the podcast. Congratulations,
it's great to be here.
Speaker 4 (23:28):
I think we can all agree that we need to
snap off our Salada's analyse.
Speaker 3 (23:32):
You're up, You're up. The producers are going to bring
a bit this week.
Speaker 4 (23:36):
This week is going to be analyst talking about Joel
at the arias because she was at the areas of
them last night. I did have some audio to play here,
but I've been told that it has been struck from
the record, which makes you look awful, by the way.
Speaker 2 (23:48):
So we had audio, comes in here, you can't respond we.
Speaker 4 (23:51):
Had audio and it's been struck. So I think that
says everything. Did you know that the audio has.
Speaker 3 (23:59):
Gone the audio? We're banned from playing the audio?
Speaker 12 (24:03):
What was the audio?
Speaker 3 (24:08):
It was you flirting with.
Speaker 1 (24:10):
I didn't but that it doesn't exist.
Speaker 3 (24:14):
Oh yeah, well that's that's what we've been doesn't exist.
Speaker 2 (24:16):
Yeah, we were wrong. We were wrong. Turns out we
were I think I think we've shown our age a
little bit. We've misread the situation. But you were on
the red carpet with Joel, But tell us you were
a little bit late to the red carpet with Joel because.
Speaker 11 (24:29):
I well, first work trip, guys, and it went first
work Yeah, my first.
Speaker 1 (24:35):
State work trip I've only been to.
Speaker 2 (24:40):
And you were in charge. You were the captain.
Speaker 1 (24:42):
Yeah, I was in charge, in charge in the state,
was there, No? Yeah, but wasn't in charge.
Speaker 7 (24:49):
I was in charge?
Speaker 3 (24:50):
Okay, V Would you agree with.
Speaker 1 (24:51):
That I mean no, he I'm always in charge, that's
yeh no.
Speaker 2 (24:54):
And first question, kV, did you make your flight?
Speaker 1 (24:57):
I should?
Speaker 2 (24:58):
And what happened with you?
Speaker 1 (25:00):
So the cheer I'm on is just sinking down every
time I see it anyway, sorry.
Speaker 4 (25:08):
Getting smaller and smaller, uncomfortable, smaller and smaller, getting rides.
Speaker 3 (25:14):
He's going on.
Speaker 1 (25:14):
Okay, so I caught a plane this morning, yesterday.
Speaker 3 (25:22):
The thing definitely do that. We're not we're not mentioning that. Yeah.
Actually I thought it was just a bit of a joke,
but that's actually completely gone.
Speaker 5 (25:30):
They just turned down, mate.
Speaker 1 (25:31):
No, they just really studying.
Speaker 2 (25:34):
So I don't think I've ever seen you.
Speaker 6 (25:38):
It's not fine, Okay, sorry, okay, so yesterday, sorry, yes, okay,
so morning. I'll be first to admit, like will has
really bragged about going on flights and like rolling in
and essentially bought in the plane.
Speaker 2 (25:53):
He likes to wait until his name is called out
before going on the plane.
Speaker 3 (25:56):
He likes, I don't like waiting, so I just like
to roll straight on.
Speaker 4 (26:00):
I'm taking a bus, so I do not like sitting
around the airports as late as I possibly.
Speaker 2 (26:06):
Can, William McMahon. That's when will goes that's.
Speaker 4 (26:09):
Me if I hear that as I'm coming down the escalators,
perfect because I know they're waiting for me, the last
one of them playing.
Speaker 3 (26:16):
We'll get straight their.
Speaker 1 (26:17):
Yeah, well that's never happened to me. But yesterday, yesterday was.
Speaker 6 (26:20):
My first experience and my name was called three times.
So I decided to drive to the airport.
Speaker 5 (26:31):
I don't think that.
Speaker 3 (26:31):
I don't think you need to include all this backstory. Okay,
just go straight to security. I love it.
Speaker 8 (26:43):
I love it.
Speaker 3 (26:44):
We're all very critical of each other in this podcast.
Speaker 2 (26:47):
There needs to be a nice Yeah, anyone goes to
talk about anything in the moment.
Speaker 3 (26:52):
It's tough. It's tough.
Speaker 2 (26:54):
It is a tough critical audience.
Speaker 3 (26:56):
We're trying to get the best products possible.
Speaker 2 (26:58):
It's we're very John West at the moment, and it
is the fish that John West throws back that makes
John West the best.
Speaker 3 (27:03):
But this fish is good, so ab go on.
Speaker 6 (27:05):
Okay, So anyway, I'll shorten it. I went to the
airport and I went and Court drove and I had
to catch a bus, and I thought the bus was
gonna take seven minutes.
Speaker 3 (27:12):
You took a bus to the airport.
Speaker 1 (27:13):
Fifteen from Value car park because.
Speaker 2 (27:16):
Car, I've lost my carrying the Value car pack.
Speaker 3 (27:18):
Where's the Value car?
Speaker 2 (27:19):
Just like a bus ride away from.
Speaker 3 (27:20):
The airport the club car park.
Speaker 1 (27:23):
Yeah, it's like twelve dollars a.
Speaker 4 (27:25):
Day, okay, and you absolutely fine. You're a GUI producer,
would he You're a disgrace and Aleta's carry on.
Speaker 1 (27:30):
Okay.
Speaker 6 (27:30):
So I get to the airport finally, mind you, we
get to on the bus. When the driver stops at
terminal three and four for like ten minutes, I'm like, bro,
I need to catch a flight in ten minutes, no joke.
It was nine to twenty and I was sweating. I
was getting nervous. So he finally pulls up to terminal
four terminal one and I'm sprinting. I sprint in the
(27:51):
wrong direction firstly. Then I was like shit, ran up
the stairs, pushed in line. I was like, guys, sorry,
you need to move. I'm on this flight. I hear
my name called, go, go go. So I get through security.
I take my bag, I take off everything I need
and I put it in the scanner and it goes
through and the worst thing happens, it gets pulled to
the side.
Speaker 3 (28:09):
I'm like, oh no, it's always when you're light.
Speaker 6 (28:12):
Yeah, I'm looking at my watching Wayne still bit of time,
but I know there's not much in there, so it
should be fine. I jump from a jump in line.
There's a man in front of me. I'm like, sir,
so my plane's leaving now that's my name, Like, can
I please go? He's like yep, no worries you go.
So this guy gets my bag, you know, starts going
(28:32):
through it and he's like, there's a knife in your bag.
Speaker 4 (28:34):
And I was like.
Speaker 3 (28:37):
Knife, yeah, sorry, knife in your bag.
Speaker 6 (28:42):
So I had a butter knife in my bag because
I eat my lunch and then sometimes I like to
take them home.
Speaker 3 (28:47):
Don't tell anyone to work butter knife home because I
couldn't be.
Speaker 6 (28:50):
Bother taking it back to the kitchen at the end
of the day. And I didn't want to leave litter,
so I put it in my.
Speaker 2 (28:54):
Bag stealing knives room work. And secondly, you got done
at the security check by having that knife in your back.
Speaker 3 (29:01):
Yeah, perfect, And.
Speaker 6 (29:02):
So like you think they'd find it and I was like, no, dude,
take it. Like I also had nail scissors in there,
so they took them. And then they were trying to
find this knife, and they found the spoon, They found
my lip gloss, and they found like everything cutlery.
Speaker 3 (29:16):
Did you have your bag in the spoon?
Speaker 2 (29:19):
Chopsticks as well.
Speaker 1 (29:21):
I just didn't know where my fork was. But that's fine.
Speaker 3 (29:25):
So they took a knife, a spoon, and scissors out
of your bag.
Speaker 1 (29:28):
Yeah, well they kept I kept the spoon, but they
couldn't go When.
Speaker 3 (29:31):
You're going for like three hours, it wasn't you went
to Sydney.
Speaker 1 (29:34):
It was like six. Yeah, this was just my work bag.
It has so much You.
Speaker 2 (29:37):
Always have nail scissors in your work bag.
Speaker 1 (29:40):
No, I had. I actually took those from work as well.
Speaker 3 (29:43):
Oh my god, stealing from.
Speaker 1 (29:47):
The knife.
Speaker 6 (29:48):
Right, So they couldn't find this knife anywhere. So we
had to re scan my bag and it turns out
the knife was in the lining of my bag between
dog It was so dodge ye and he's like it's
in there. I'm like, bro, like, I need you to
empty my bag right now in front of me and
then cut that line in and get that get that
(30:10):
knife out.
Speaker 8 (30:12):
Right now.
Speaker 1 (30:14):
And if you don't get it out right now, I'm
going to miss my flight. Anyway.
Speaker 6 (30:17):
Nine point thirty one rolls in he finally decided to
pull out the Parisis to see if you can find
this knife, and Kate, our digital producer, message me and goes, yeah,
no flight shut f.
Speaker 1 (30:31):
Yeah, and so then I obviously had a big like.
Speaker 3 (30:34):
The chairman's flight as well, you got then I'm going
to meet my husband. Who are you finding? I was
with Quantas Yeah, miss, that's on.
Speaker 2 (30:46):
The company revealed that you stole.
Speaker 3 (30:51):
Them.
Speaker 1 (30:51):
The whole point well, I've got a free new flight,
so it was fine.
Speaker 3 (30:55):
It didn't customer cent it for free, no, but it
would have been like a four hundred free.
Speaker 1 (30:59):
I just said.
Speaker 6 (31:00):
I pulled the SOB story and I ran to the
counter and I was spit sweaty, and I was like
and the lady was so nice. Her name was Sharon.
Shouted out to you, Sharon. She was like right up,
and I was like, hello, I'm really sorry, Din'd you
have an next flight I need to get on. I
was insecurity in I had a button knife in my
in the liney of my bag, and I need to
(31:21):
get on the next flight because I gotta get there
for working please. And she's like, okay, we don't usually
do this, but I'll get you on the ten thirty
and she was a queen got me through.
Speaker 3 (31:32):
Thank you with the whole point of view.
Speaker 4 (31:34):
Parking in the in the car park was because you
wanted to save the company one hundred and fifty dollars, right.
Speaker 1 (31:39):
Yeah, well I didn't want to taxi a taxi. I
felt bad.
Speaker 2 (31:45):
That's very nice for thinking like that. Now let's go
to the Red carpet. If you don't mind, because you did,
Why don't we actually play the audio of Joel on
the Red carpet.
Speaker 1 (31:53):
Oh, we're so proud of him.
Speaker 2 (31:55):
He did such a good job, so good it was entertaining.
I think whether it was a train wreck or great questions,
it's somewhere in the middle. But here was Joel in
the red cabet.
Speaker 3 (32:05):
Boys, I'm on the red carpet with road here we go.
Would you rather have a nipple.
Speaker 12 (32:09):
Sized penis or straight in penis sized nipples?
Speaker 3 (32:14):
Nipples the size of penises.
Speaker 10 (32:16):
There's some fun to be had with that double propeller
balloon animals.
Speaker 7 (32:20):
I'd hire myself out for parties.
Speaker 12 (32:22):
Well and moody, I'm here with Julius Stone. Let's say
a good friend of yours has just died and they'd
left you two million but in order to get access,
you had to give all your Internet history.
Speaker 3 (32:32):
Would you do it?
Speaker 12 (32:33):
Ah?
Speaker 1 (32:33):
Yes, I feel like there'd be a couple of things.
Speaker 3 (32:35):
I'd be like, you know, it was a you know,
it was a phase.
Speaker 1 (32:38):
It was a phase.
Speaker 12 (32:40):
I don't know about you, but I'd like googled how
to spell words that I like, definitely should know how
to spell.
Speaker 6 (32:44):
I've definitely done that too, But I don't think you
should be ashamed of that.
Speaker 3 (32:47):
Have you ever googled the lyrics to your own songs? Yes,
plenty of times.
Speaker 1 (32:50):
Oh yeah, before before a tour.
Speaker 3 (32:52):
Sometimes I like, I can't remember for the life of me,
and there's a lot of googling our own lyrics.
Speaker 12 (32:58):
I'm here with lime Cordial for you, for whatever reason.
I'm part of your troupe now, and in my will,
I've managed to get Gordon Ramsey and he's going to
cook me, and I've organized for you guys to have
a little private sitting.
Speaker 3 (33:11):
Would you eat me? You look like you've got a
good fat too, muscle.
Speaker 2 (33:15):
Ratios worse reckon?
Speaker 3 (33:18):
Yeah, oh yeah, man, I reckon.
Speaker 8 (33:20):
Will you taste my forbidden fruit?
Speaker 3 (33:22):
Of course, the ribs look good. I'm a vegetarian, but
you know you look yummy. Thank you so much. Mere
with the wiggles.
Speaker 12 (33:29):
If I was your managing team and I said, no
more songs guys unless it's gangster rap and there's like
heavy swearing.
Speaker 3 (33:36):
Would you do it or would you?
Speaker 2 (33:37):
Would you give up the career?
Speaker 3 (33:39):
Oh, we'd give up the career?
Speaker 2 (33:40):
You reckon?
Speaker 12 (33:41):
Yeah? What if I could guarantee you you'd be successful
at it?
Speaker 3 (33:44):
Like you just you take off? No, I no, we
wouldn't do it.
Speaker 2 (33:47):
But there's ways of being gangster without swearing, and we
could still be gangster.
Speaker 3 (33:51):
We'll get everyone a gold toothed on. Can't care an
we got to play on Apple. This could work, This
could work on his fruit. He did a great job,
a great great job.
Speaker 2 (34:11):
Any behind the scenes from the day aneles and I'm
not alluding to anything obviously.
Speaker 1 (34:16):
What happened?
Speaker 6 (34:17):
We we got there, We rolled in. Joel just nailed it.
Took on feedback really well. He did get a name
wrong of.
Speaker 1 (34:26):
Someone at some stage. Couldn't tell you their name either
because there was a practice one. But he yeah, yeah,
you know, he did really well.
Speaker 3 (34:37):
What'd you say?
Speaker 7 (34:37):
He like?
Speaker 2 (34:38):
So he missed a few big names.
Speaker 1 (34:40):
There was a few names were missed.
Speaker 3 (34:41):
There were they?
Speaker 2 (34:42):
So were they quite deliberately trying to avoid him.
Speaker 11 (34:46):
Well, we did actually go up to a few people
and like to their publicist was like, hey, we're here,
and people thought we were Kyl and Jack like because
we were right next to them and they hadn't they
they they were there and we were here, and so
people would kind of roll in and think that we
were them, and so we got a few people because
of that.
Speaker 3 (35:05):
Oh nice.
Speaker 2 (35:06):
Well he doesn't have the same sway as Kyle and Jack.
Speaker 6 (35:10):
There's a few people go all right, you're speaking with
Colin Jack now mate, and then with me like Joe, Hey,
jo Hey, thanks, Well the money it's Joel.
Speaker 3 (35:18):
It was like a big walkies okay.
Speaker 1 (35:20):
The rest was all pretty smooth sailing. Yeah, it was
all very smooth sailing.
Speaker 6 (35:24):
The live Cordial boys hung around a bit afterwards to chat,
which was nice.
Speaker 3 (35:29):
Yeah, yeah, just like you right now.
Speaker 6 (35:31):
Thanks abouy that's the live feedback and I'm going to
go cry.
Speaker 2 (35:37):
You've got it twice.
Speaker 1 (35:38):
You got.
Speaker 5 (35:40):
Job.
Speaker 2 (35:40):
Thank you for coming out.
Speaker 3 (35:41):
Go work great story. Thank you, go work with Joel
as well.
Speaker 2 (35:46):
Thank you.
Speaker 1 (35:46):
That's very nice.
Speaker 2 (35:47):
Wow, she just hair flicked.
Speaker 8 (35:49):
That was that was so good.
Speaker 3 (35:51):
She's got she's got a lot of attitude at the moment.
Great to see your mate.
Speaker 2 (35:55):
You're still good to babysit Remy on perfect.
Speaker 3 (36:02):
See you next time. Do you want to finish the
podcast with Darren Hayes.
Speaker 2 (36:05):
Huhm, Darren Hayes. Oh, I just play play the interview.
Speaker 3 (36:11):
It's a great chat. Have a listen to the great men.
Great so nice here. It's so good to be here.
Speaker 7 (36:22):
And I love the fact that when when I walked in,
you both went so.
Speaker 3 (36:25):
Nice to finally meet you. And that's great, that's wild crazy,
I get it.
Speaker 7 (36:34):
But you are literally my favorite people in the radio.
And I did say that to several people who can
vouch for that.
Speaker 3 (36:41):
Thank you of course, because you're sensitive men that are
not afraid to cry.
Speaker 2 (36:46):
Thank you, thank you.
Speaker 3 (36:47):
So let's do jokes. You're because you're also a sensitive
man who's not afraid to cry and does jokes. I
love comedy. I mean the thing is is like I
just you know, I studied, Yeah you did improv. It
didn't for five years.
Speaker 7 (37:04):
And I did a book launch in Sydney last night
and then someone came up and I signed books for
three and a half hours after the event, right, you know,
I would never not, But someone came up and went,
didn't you.
Speaker 3 (37:19):
What happened to your comedy career? Remember? And I just went,
were you not entertained? Because I was hilarious on that stuff.
Speaker 2 (37:28):
And you did a very very famous improv school as well.
Speaker 7 (37:30):
Yeah, the Groundlings. Yeah, I was a step away from
auditioning for SNL. And the girl in my class, her
name is Chloe Fineman, she's in SNL now, won't return Michael,
I know, but.
Speaker 3 (37:46):
No, that's how far I got. I did get pretty fust.
Speaker 7 (37:48):
I think.
Speaker 4 (37:48):
I remember the first time I saw you sort of
outside of music was on Speaks and Specs, and you
were really funny because at that time, you know, there
was no YouTube to watch you on. It's not like
I had social media as a kid or even really
access to the internet. So like, I remember seeing you
on Spigs and Jacks and I couldn't believe that it
was you because it was so different to what you'r
(38:11):
the vibe or the tone that your music was portraying.
And all of a sudden there was this guy taking
the piece out of himself and everyone else on the panel.
Speaker 3 (38:18):
Yes, and I was thinking of everything here like, Wow,
Darren Hayes, I didn't that just didn't. No, I can
hang then, Darren.
Speaker 2 (38:30):
If you had a magic wand eighteen year old you
if you were told so, obviously, the music career takes off, yeah,
compared to a career doing comedy and on the stage
and let's say Saturday Night Live.
Speaker 8 (38:41):
Yeah.
Speaker 7 (38:42):
No, music, absolutely music, I mean I was. I always
knew that I would be a musician. I thought when
I was like five or six, that I.
Speaker 3 (38:49):
Was totally famous.
Speaker 7 (38:51):
I thought the whole world was a movie about me.
Let's get out some sad violins. Though not because I
was just this egotistic a little tear it because my
world was horror.
Speaker 3 (39:02):
It was a way of protecting yourself absolute.
Speaker 7 (39:05):
But I always related to something that comedians have, which
was this ability to turn tragedy into comedy. So Robin
Williams was somebody that I was obsessed with as a kid,
but I secretly knew that he was very sad. There
was a sadness behind his eyes. One of the first
popstars I loved was Michael Jackson, well before anyone knew
(39:26):
anything about him. I could see the sadness in his eyes.
Speaker 3 (39:29):
And I related to.
Speaker 4 (39:30):
Yeah, right, you know, given what I note about your
upbringing as well, I mean like you're someone like NSNL.
You're on a stage, ultimate affirmation, ultimate people, all you
want as a kid. Well, I was reading that you
sort of found yourself needing more therapy while you're reading
the book because he's sort of just unearthing all of
this stuff along the way, which is its inevitable. Yes,
(39:51):
everyone spends their whole life running away from where they
come from, so to go back.
Speaker 3 (39:55):
And dig that up is really courageous. So you should
be really proud of yourself that it was.
Speaker 7 (39:59):
Hard, And it's hard to segue from just how hilarious
I and sometimes you have been during this chat. But no,
it was hard because some stuff I had buried. And
there's a form of therapy called.
Speaker 3 (40:11):
E M d R yes movement displacement reprocessing process. I've
done that.
Speaker 7 (40:18):
It's really cool and for the casual listener, basically it's
just reprocessing a traumatic memory that you've actually never processed. Yeah,
And in writing the book, there were things that I
had blocked out and forgotten, and my big sister and
my mom helped to help me.
Speaker 3 (40:34):
Remember because you can't you can't remember the whole memory,
can you, or any of them?
Speaker 10 (40:38):
Yeah?
Speaker 7 (40:38):
Ah right, yeah, Okay, So there were things that I
witnessed that happened to my mom because.
Speaker 3 (40:43):
Your dad was an alcoholic.
Speaker 7 (40:45):
It was an alcoholic and extremely violent to you too,
to the whole fame, but mostly to my mom. And
some of the things that I saw, they were pre verbal,
so I didn't have language for it, but I had
witnessed it. And what happens when when you're traumatized is
if something is so just incomprehensible, the brain's incredible, it
(41:08):
just decides you're not going to process. I'll just I'll
just put this in a ZIP file.
Speaker 3 (41:16):
Yes, I'm just going to put that away.
Speaker 5 (41:19):
Yeah.
Speaker 7 (41:20):
But as I was writing, what was happening was my
brain was getting closer and closer to those unopened files,
and I was getting very, very sad.
Speaker 3 (41:28):
Enough, and so yeah, I got needed help to Yeah,
I got to process them and make peace with them.
Speaker 4 (41:33):
Part of the other relations I want to talk to
you about is is your late relationship with Daniel Jones
from Savage Garden.
Speaker 3 (41:39):
You guys as a music.
Speaker 4 (41:41):
Duo, was how I knew you before I knew you
obviously and I've seen you talk before about the fact
that people knew you, whether they had the CD or
you were also at this time of music when CDs.
Speaker 3 (41:52):
Was it so nostalgic for everyone? Yes, me too. Yeah,
it's wild, but for emotional Yeah. And then you have
this relationship with this guy. You make two records. They said,
twenty three million copies worldwide they.
Speaker 2 (42:05):
Put together with Daniel.
Speaker 3 (42:06):
Were you fransered an ad?
Speaker 7 (42:07):
He he was very clever, so he wrote an ad
in a paper that said that he was in a
band currently financed by a major publishing company LI but
it was good and I answered the ad and it
was essentially he and his brother and a couple of
session players, and eventually his brother very awkwardly got kicked
out and I became the singer.
Speaker 3 (42:26):
That relationship is not a friendly relationship. It was not
one that you look back on fondly.
Speaker 4 (42:29):
And it's one that he said multiple multiple times that
you were sort of the one that ended it. But
you've said recently that that wasn't the case at all.
Speaker 12 (42:36):
No.
Speaker 7 (42:37):
He yeah, he actually held a press conference and said
that I ended it, Yes, which.
Speaker 3 (42:41):
Is a lot how I remember it. I remember hearing yes, Yeah,
it would have been really years later.
Speaker 7 (42:45):
He now says, he admits now that he left right right,
and he probably admits this now.
Speaker 3 (42:52):
He left the band a week before the second album
came out because he's now a real estate agent. Is
that right?
Speaker 7 (42:58):
I don't care.
Speaker 3 (42:58):
I don't know how is that between the two. It's
not nastiness.
Speaker 7 (43:03):
It's that he was so unkind to me, both in
the band, the way the band ended, and the fact
that I suffered so much because of the fact that
he chose actively never to clarify those statements. He had
told everybody in Japan a week before the album was
(43:23):
being released, I'm leaving. I was devastated. We were all devastated,
but we loved him, and we just said, would you
consider maybe doing the world tour? And he reluctantly said yes,
And I said, let me do all the press and everything,
but please promise me at the end of it, you'll
tell everyone this is your idea, because I will be blamed.
Speaker 3 (43:42):
Oh my god.
Speaker 7 (43:45):
They said, we hear that Savage Garden broke up, and
he said, that's the first I've heard of it. That's
the one one freebie he gets from that. Now clarify it.
Speaker 3 (43:55):
Yeah, yeah, yeah, yeah, what's happened?
Speaker 7 (43:58):
And he held a press conference. The guy who was
so miserable that he had to leave the band because
he hated fame, held a press conference and he told
the world whatever.
Speaker 3 (44:09):
He told the world.
Speaker 7 (44:10):
And I suffered for probably five or six years.
Speaker 3 (44:15):
Oh my, Darren. Yeah, no, it was very, very uncomfortable.
Speaker 7 (44:19):
And yet I was a gentleman for many, many years,
and I respect fans and I know people don't ever
want a band to look like they're fighting.
Speaker 3 (44:27):
And it was incredibly difficult.
Speaker 7 (44:30):
And then just one day during interviews, he just started
casually saying, yeah, yeah, when I left the band, I
didn't want to do it anymore and whatever. And I
was just like, wow, this is just fact now that
you left the band.
Speaker 3 (44:43):
Wow you But you don't know that.
Speaker 7 (44:46):
Behind the scenes, I'm someone that's in contact with every
single person that I used to work with. He left
the music industry, he's chosen a different path whatever.
Speaker 3 (44:56):
Bless him, But that was not a healthy relationship. Yeah,
how did it work?
Speaker 2 (45:00):
And how are you so successful when clearly there was
some tension in the relationship between the two of you.
Speaker 7 (45:07):
We were both very ambitious, Yeah, so we were We
had an incredible songwriting chemistry, and I've never taken that
away from him.
Speaker 3 (45:14):
Interested, I would never have left that band. Interesting.
Speaker 7 (45:18):
It worked because we were successful and by the time
I realized I was in a band with somebody that
didn't really want to be there, didn't really want to
have a relationship with me.
Speaker 3 (45:29):
If what do you do?
Speaker 4 (45:31):
Yeah, it's interesting that you can have really good creative
chemistry with someone but dislike them.
Speaker 7 (45:38):
I can sense it between the two of you.
Speaker 4 (45:39):
Yeah, when the marks are off, my god, oh man, Darren,
I could ask you this. There's so many questions, but
I think they should probably go and read the book.
It's called Unlovable. You're gonna get a copy of all
good bookstores now, any books, any bookstore. It might be
a poor bookstore, be a bad book, be a good book.
(46:00):
It's so good to see you for the first time
in studio. I thought, it's so.
Speaker 3 (46:06):
Thanks for coming in. Congratulations, Thanks guys,
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