The breakfast Club Best Of Episode(Tiffany Haddish, Tank Interview, Rhapsody Interview, Do Men Get Jealous of Sex Toys Topic)

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Episode Transcript

Speaker 1 (00:00):
Listen to you every single day.

Speaker 2 (00:04):
Breakfast club, God, Damny, the breakfast club.

Speaker 3 (00:06):
What that ass up on a breakfast club?

Speaker 2 (00:10):
Brady. They can't say breakfast club without the refless club.

Speaker 3 (00:14):
You're like this rare air.

Speaker 4 (00:17):
She got platforms and partners all over the place. Because
your man is so high, people want to be invested
with the breakfast block. I don't think white people know
how popular you guys are. DJ Envy just hilarious, Charlemagne
the God.

Speaker 2 (00:31):
You guys really are like the hip hop early morning,
late night talk. Y'all know what you'all talking about.

Speaker 5 (00:39):
From today?

Speaker 2 (00:40):
Is it your time to get it off your chest?

Speaker 6 (00:42):
Wait up, whether you're mad or blessed, time to get
up and get something.

Speaker 4 (00:47):
Call up now eight hundred and five eighty five one
O five one. We want to hear from you on
the breakfast club.

Speaker 7 (00:52):
Hello.

Speaker 2 (00:52):
Who's this?

Speaker 8 (00:54):
It's Jonathan?

Speaker 2 (00:55):
Jonathan?

Speaker 3 (00:55):
What up?

Speaker 2 (00:55):
Get it off your chest? Bro?

Speaker 5 (00:57):
I just call and tell you just hilarious and they
n be. I appreciate what y'all do. Y'all keep me
rolling out here in the morning, Tony's cause all right, that's.

Speaker 2 (01:06):
What it is. We appreciate your service. Wait, do you
toe cars?

Speaker 9 (01:09):
As far as you deliver them or you you pick
up cars with people that didn't pay their bill or tickets.

Speaker 10 (01:14):
I'm repossession agent, damn it.

Speaker 3 (01:16):
Okay, well, I appreciate that. We keep you going to
do that.

Speaker 9 (01:21):
Now, if somebody's out there while you repossess them, you
give them a little shot or little chance and say
get out of here or you taking it.

Speaker 5 (01:26):
I'll give them a chance to try to get the
stuff out of trying to call they finance company working
out before I take it. You know, sometimes you gotta
work with the people. Is you never know what they're going.

Speaker 11 (01:34):
I ain't go front and it's a TV show on
I can't remember what channel, but.

Speaker 3 (01:38):
Oh my god, yeah, I know what you're talking about.

Speaker 9 (01:40):
But that is so interesting to see them. I think
it's in Baltimore, Philly. It's one of those areas. And
then people be fighting, y'all.

Speaker 2 (01:47):
Miami.

Speaker 9 (01:47):
In Miami, they be fighting y'all. They be swinging at y'all,
throwing stuff at y'all. See somebody pull out a gun
on one of y'all. You can say something, Miami.

Speaker 3 (01:53):
Don't be trying to say that's bottom on us.

Speaker 5 (01:55):
Oh yeah, someone just got shot down in Florida, m Florida.

Speaker 2 (02:02):
Damnit man eight O three? What's happening? All right, we'll
be safe out there. Hea. Hey, Felicia, good morning, get
it off your chest?

Speaker 12 (02:14):
Hey, good morning.

Speaker 6 (02:15):
How you doing me?

Speaker 12 (02:18):
I'm good, thank you.

Speaker 10 (02:19):
Well.

Speaker 12 (02:19):
I was actually just calling because there's a lot of
dads out here that actually take care of their kids,
and I just feel like you should be acknowledged for that.
And I want to because there's being out here to
actually take care of their kids. And then I would
like to sell my raggedy ass baby daddy under the
bus because he don't take care of our dad.

Speaker 3 (02:37):
That's right.

Speaker 2 (02:37):
Salute your raggedy ass baby daddy.

Speaker 7 (02:39):
Man.

Speaker 2 (02:39):
You know what I'm saying. I don't know what the
reasoning is when not taking care.

Speaker 12 (02:42):
Of Give him a donkey for me, please.

Speaker 11 (02:45):
I need to hear both sides, stop and shout all
the dads out there doing the right thing, taking care
of their kids and doing what they're supposed to be doing.

Speaker 2 (02:51):
Salute all the dads.

Speaker 7 (02:53):
Definitely, you, mam.

Speaker 11 (02:55):
I need to hear both sides because he might call
up here and say that right, my raggedy ass baby
mama talks thembut I ain't doing nothing for my children.

Speaker 2 (03:03):
Hello, who's this?

Speaker 10 (03:04):
This is franky, But look I was calling Look check
this out. So I just bought a car. I don't
know what my look, kid is with car. In the
last ten years, I had nine cars. I done bought
a car twelve days ago. I wake up this morning,
it won't even start.

Speaker 11 (03:16):
Oh wow, yeah, well, maybe you should go to a
dealership that offers a warranty.

Speaker 2 (03:20):
My last here, Well you should have a warranty on
it then, right, yeah, yeah, no.

Speaker 10 (03:25):
I gotta wait fromim. I gotta wait from it open up,
and I'm gonna take it right back to him, because like, look,
you know I paid for what I paid for twelve days.
That's not adding up.

Speaker 2 (03:33):
Well yeah, but you should get Usually get it from
a dealership. They'll give you warranty.

Speaker 11 (03:37):
If there's an issue or problem, they'll give you a
loan until they fix it.

Speaker 10 (03:41):
Oh yeah, most definitely. I've been on it all morning.
I'm just you know, like.

Speaker 8 (03:44):
Waiting to wake up.

Speaker 10 (03:45):
But hey, look I can't wait to see y'all next month.
Ess hilarious. I'm so proud of you. Ain't about to
do anything. I actually once you've been on here, I
start from going back watching your movies and all that
stuff like that. You can't do anything. I'm very proudly
congratulations on the baby.

Speaker 3 (03:58):
I appreciate you, babe. Stay away from them lemons.

Speaker 10 (04:04):
All right, I'll be good.

Speaker 11 (04:07):
Hello.

Speaker 2 (04:08):
Who's this?

Speaker 7 (04:09):
DJ Envy? Just Hilarry and Charlotte.

Speaker 10 (04:11):
Made the dog Good morning.

Speaker 2 (04:14):
Forever?

Speaker 7 (04:15):
Man, I go hey, listen, man. You know I'll be
trying to call you know how that go? You know
how gonna stop? Listen, man, I just want to say
congratulations to you, justs on the pregnancy and receiving that
third spot as well deserved. And I also just want
to say, May God continue to bless your families, the
whole Breakfast Clumb family staff up there with great health

(04:36):
and much success. You know what I mean. But listen,
it's bar time, baby. Check it out, I said, listen,
taking time, just the outline, See what I got in place,
protecting my spaece through paragraph easy to day ten. Oh
g them bars fifty. They remember me taking time off
the slot. They call me contemporary. Take cover. Just got

(05:00):
a test, a type of simulation in your head these shots.
Then let examine the transportation. Why not the game is
the need of something that's threaded right. Too many water
down on that yo string and that puppet light from
sitting low, pull up slow, they claim in the next
to bloke, So I show him bookies, the vest and
how it's supposed to go on the bright lights.

Speaker 10 (05:18):
I'm the best.

Speaker 7 (05:19):
They ain't got nothing for me and knockdown shoot a
big shot. The visions of Rob Harley switching up on them.
The ninety's been real good to me, So for twenty
four I wrecked for gg and kolbe respectfully are Rob.

Speaker 13 (05:32):
P it's so g.

Speaker 2 (05:35):
I that balls? You got some balls?

Speaker 10 (05:37):
Jesse?

Speaker 2 (05:38):
You got some balls this morning?

Speaker 3 (05:39):
Just no, I'm good you go, oh you go ahead.

Speaker 11 (05:43):
I got some in a minute all one two one
two one two one two on O g Rob. Early
this morning, Charlemagne invited mad people to his d Now
it was a line outside.

Speaker 2 (05:55):
But that ain't gonna beat.

Speaker 3 (05:56):
Me, because Virginia, that's why when you were tell you.

Speaker 11 (06:01):
Hold up wait a minute, like I'm meek s w V,
I'll make you weak. Don't like me. You can kiss
my cheeks. That's all I got.

Speaker 2 (06:11):
Yes, cars, all right.

Speaker 7 (06:20):
Y'all have a good week, and I appreciate y'all y'all love.

Speaker 9 (06:23):
Brother, alright, get it off your chest eight hundred five
eight five one oh five one.

Speaker 2 (06:27):
If you need event, let's discuss this the breakfast slug.
Good morning, the breakfast club.

Speaker 4 (06:34):
Wait, this is your time to get it off your chest.
Eight hundred five eight five one o five one. We
want to hear from you on the breakfast club.

Speaker 2 (06:43):
Hello, who's this? What's up?

Speaker 8 (06:45):
Y'all?

Speaker 5 (06:46):
What's up?

Speaker 2 (06:47):
What's up?

Speaker 12 (06:48):
Draft?

Speaker 8 (06:48):
Yeah? What's up?

Speaker 7 (06:49):
Draft?

Speaker 10 (06:49):
Are you doing?

Speaker 2 (06:50):
Baby?

Speaker 3 (06:51):
Good morning?

Speaker 8 (06:52):
Sure?

Speaker 2 (06:53):
Drave? What up?

Speaker 8 (06:54):
Says?

Speaker 11 (06:54):
I see you still be lying under people comments? You
still delusion on hunh? You still delusion on hunh?

Speaker 8 (07:00):
Happened?

Speaker 7 (07:00):
Stop hating on my girl?

Speaker 10 (07:02):
To leave my girl toe alone.

Speaker 8 (07:04):
I'm talking.

Speaker 2 (07:04):
I ain't talking about I'm talking about you Lyons, still
about Jake Cole.

Speaker 13 (07:09):
Oh, you don't need to stop lying talking about this though,
jay Hole.

Speaker 10 (07:13):
It's still the top rapper, top three, number one, true three,
not number two.

Speaker 2 (07:19):
That's not true. Who I've been telling you is the
leading way. Who have I've been telling you is the
leader of the new school for this generation for forever.

Speaker 8 (07:26):
Huh.

Speaker 10 (07:26):
Sorry, let me tell you talking strong, I'm not distressing me.

Speaker 13 (07:28):
I'm not distressing those straight men today, just say it, okay, man,
shout out to that gay hold, you know, showing song.

Speaker 7 (07:37):
For letting us know it's still gay.

Speaker 13 (07:38):
You know, it's still black music mane and I'm black
and I'm gay and I do music, So celebrating.

Speaker 2 (07:43):
Me, okay, trap, okay, yes.

Speaker 13 (07:46):
All right, and I'll say you missed it. You wasn't
here last week, but I called in and I was
denouncing some gaye and DJ MBS sixteen nine gay no more?

Speaker 8 (07:55):
I denounced him, did Gaze?

Speaker 2 (07:57):
And why why are you always on Stone? Like I know.

Speaker 10 (08:02):
I'm announcing him too.

Speaker 8 (08:04):
You're not getting no more.

Speaker 10 (08:04):
We kick you out the l DBC community.

Speaker 2 (08:06):
Damn. All right, Well if that's and be hung up
on your travel, I want you to know that yes
he did. He ain't learned nothing from yesterday with mister
Kirk Travis.

Speaker 11 (08:17):
Okay, so with Sewan Stone, come on a Sean, Oh god,
here's you go.

Speaker 8 (08:23):
Do this man? Good morning a trash.

Speaker 14 (08:25):
Hey, listen, draft, I love that you represented for the Gates.

Speaker 8 (08:28):
Okay, I'm gonna represent for the straight team.

Speaker 14 (08:31):
Okay, Well, hey, try where you're going, Hey, trave where
you're going to be at the breakfast again I'm gonna
come up there and meet you. Man.

Speaker 2 (08:40):
You want to get his kid, Sean, want to get.

Speaker 10 (08:43):
His You gotta be.

Speaker 2 (08:51):
Damn why you gotta call me?

Speaker 7 (08:54):
What you are?

Speaker 8 (08:55):
All right? All right?

Speaker 10 (08:56):
Goodbye?

Speaker 8 (08:57):
Traft.

Speaker 11 (08:57):
I'm trying to think Traves mounted you out, Sean? He
talked to you crazy. What I'm showing all around your Wow?

Speaker 8 (09:05):
You know why? You know why he talked to me
like that because I don't really care that he's here,
you know what I mean. But he's very disrespectful. I
don't be disrespecting him. And you want to meet him, right?

Speaker 2 (09:19):
But what's up?

Speaker 8 (09:20):
Traft?

Speaker 2 (09:21):
Your nickname for him and his phone and your phone
is a young oxtail? Is that true?

Speaker 8 (09:27):
I'm not even in his phone. What are you talking about?
But what up?

Speaker 2 (09:30):
Sewing chest?

Speaker 8 (09:32):
Hey, listen man, shout out to all the fathers out there,
and happy Father's Day. Man. We don't get a lot
of recognition out here.

Speaker 2 (09:38):
Father's Day already passed.

Speaker 7 (09:39):
And day, yeah, every day his Father's Day, boy, and
Mother's Day?

Speaker 8 (09:46):
Can I quote? Can I quote something shoul man? Uh?

Speaker 14 (09:51):
It says a real father never deprived his child from
being a part of his life. And a real father
is like a farmer that take care of all his
seeds with the same affection and intention for a positive brow.

Speaker 8 (10:06):
Okay, you could.

Speaker 2 (10:07):
Have wrapped that.

Speaker 8 (10:07):
That was written by Ryan.

Speaker 2 (10:09):
Huh, you could have wrapped that or something.

Speaker 8 (10:10):
Bro.

Speaker 2 (10:11):
There was no rhythm that.

Speaker 8 (10:13):
Oh my goodness, Charlotte man, go check out the poetry online. Okay, yes, sir,
you're always shooting me down, brother.

Speaker 2 (10:19):
Have a good well travels always.

Speaker 7 (10:22):
Charlotmade always shooting me down.

Speaker 2 (10:23):
Brother, I always shooting you up.

Speaker 8 (10:25):
You know what I mean?

Speaker 2 (10:26):
Which way you all right?

Speaker 8 (10:27):
Man?

Speaker 2 (10:28):
Leave show have a hard time. I say he loved it.
Where you excivent hits the poke.

Speaker 11 (10:32):
Gas get it off your chest eight hundred and five
five one oh five one if you need to be
hit this up now.

Speaker 2 (10:39):
It's the Breakfast Logan Wing, the Breakfast Club.

Speaker 11 (10:44):
Want everybody is dj En v Jesse, Larry Charlamage the guy.

Speaker 2 (10:48):
We are the Breakfast Club. We got a special guest
in the balance. Indeed, the brother tank some tank way here. Man,
look at young and young every time we see you.

Speaker 4 (10:58):
Yeah, that's I use a good exfoliant. You know what
I'm saying.

Speaker 2 (11:02):
Routine in the morning, you gotta face routine in the morning.

Speaker 4 (11:04):
Well, I use my my wife's you know, beauty tools
and stuff. You know what I'm saying, Xena Foster beauty,
get over there, Gotta get you, gotta get you. Yeah,
I get you right. But that's about it, you know
what I'm saying.

Speaker 2 (11:16):
A little dove there you go.

Speaker 4 (11:17):
You know what I'm saying. I keep it clean.

Speaker 2 (11:19):
Take always happy. Every time you see take happen.

Speaker 9 (11:21):
Okay, wherever you see taking, if it's a club, if
it's out in the street.

Speaker 4 (11:25):
Halfy mo listen, she's apparently been listening to my music.
So I feel good about that.

Speaker 2 (11:33):
Take. Just somebody been in there.

Speaker 4 (11:37):
And didn't get out. Ain't funny.

Speaker 11 (11:43):
You know what I'm saying.

Speaker 4 (11:45):
This is serious, that's really awesome. I'm really happy for you.

Speaker 11 (11:51):
Do you make your movie, I mean, you make your
music for those those moments?

Speaker 4 (11:55):
Yeah, yeah, that's I mean that was kind of a
point in the beginning. You know, like everything we do
is for the attention of a woman, or women for
that matter, depending on how you plan it, you know
what I'm saying. So for me musically, like I want
to be connected to as many of those moments as
humanly possible. I want to be responsible for bringing life

(12:18):
into the universe.

Speaker 2 (12:19):
Have people.

Speaker 4 (12:22):
The club I've met the kids, Yeah, no, I was
born because I've met I'm that old now you know
what I'm saying to where I've met the children the
offspring of my music. So I'm really proud of that.

Speaker 9 (12:37):
Absolutely, I see it feels like R and B, especially
the nineties two thousands, R and B has picked up
a lot more.

Speaker 2 (12:44):
Have you noticed that as well?

Speaker 4 (12:45):
Absolutely, the feeling I was right, it's the feeling of
it is what's back people want to and it's what's
crazy is that. Of course, I give credit to the
women for keeping R and B in the main extreame
conversation right. They have been kicking ass and taking names, right,
But I gotta give some credit to hip hop, to

(13:08):
the sampling of.

Speaker 2 (13:09):
All of this old R and.

Speaker 4 (13:12):
B that they've been bringing back to the forefront and
making people take a deep dive into what those samples
are and rediscovering the original feelings and now desiring those things.
Give me some examples. I was just listening to Doja Cat.

Speaker 2 (13:27):
Those just did it. She just had record with the
Troop record.

Speaker 4 (13:31):
I mean, originally Michael Jackson five. But I remember the
first time you heard true shout out to Little Steve
and and like Chucky Booker and them like that type
of production. We don't even do that no more. So
you have to actually outsource it by going to the crates,
you know what I'm saying, and bringing that feeling back

(13:53):
and they don't know why it's connecting. We know because
we were there, but it's it's something about that frequent see.
It just makes you feel good, like.

Speaker 3 (14:04):
Like your first you did it with yourself, with your
own music. You recreated I deserve and was it? No,
it was you recreated.

Speaker 4 (14:13):
I did a well one of my own I deserve.
I was like, let me sample it for somebody else
sample it because they're gonna take all the money.

Speaker 3 (14:20):
And then I know it was a Brian McKnight one
that you did, Chris Brown.

Speaker 4 (14:25):
It was Brian originally Michelle and Degcello. Okay, you know
what I'm saying. So there there was that, and I
was like, you know what, I might as well get
in on this too, because we rarely do that. And
I was like, let me just tap into some old
and of course Brian me and I, you know, one
of my inspirations growing up and Michelle and deg Cello
is absolutely one of my favorites. So I just had
to get some of that.

Speaker 2 (14:44):
I'm going to ask you man, that was one of
my quarters I have for you. Is R and B
music a sound or a feeling?

Speaker 4 (14:50):
It's both. It's both because it's like the feeling is
express through the sounds, you know what I mean? Like
you like think about like Davante, like how was he
feeling when he made that when they were making joicy music?

Speaker 8 (15:08):
Like what was he on?

Speaker 4 (15:10):
You know what I'm saying. When when Casey says, take
my money, Jesus Christ, my house and house in my car.
You let him work, let him work. You gotta you
gotta mean that in order for it to resonate, like

(15:31):
like yes, you can take my money, my house in
my car for one hit of you.

Speaker 2 (15:36):
I mean them to this day, to this day. I
mean now, but you don't hear that now out of
that soul and that feeling. That a slick way of
telling somebody, I'll give you the world.

Speaker 4 (15:47):
Yeah yeah, but we moved into this, you know kind
of you know, simp and all of these things. When
it comes to taking care of women, I just think
then men are just they've they've been programmed to not
be vulnerable. You know what I'm saying, They've been programmed
to not to not cater. I don't know who started that.

(16:11):
You know what I'm saying. It ain't pimping, It ain't player.
You know what I'm saying, because all the pemps and
the players I grew up watching taking care that they women.

Speaker 2 (16:19):
But when did it end? Like what era did it end?

Speaker 9 (16:21):
Because even early trade songs was was singing his ass
off to the women, expressing his love.

Speaker 11 (16:27):
I think when the RB singers started wanting to be rappers,
and when a lot of these RnB singers probably started
having sex with directors.

Speaker 4 (16:35):
I don't even know what that means.

Speaker 11 (16:37):
But not saying that, not saying that a man can't
make songs about another man and it'll still be a
love song, just saying I think that they started loving
on each other so much that they really.

Speaker 2 (16:45):
Was on some f the women stuff. Yeah, and I
think I could have seen face like the no. But
I also think that, you.

Speaker 4 (16:51):
Know, you know, with with the with the wanting to
be with hip hop's emergence, right, it became this really
cool thing that was taking over everything, the airwaves and radio,
the clubs and all of that. And so as R
and B artists getting left behind, we're trying to figure
out how to compete and stay relevant. And so you

(17:12):
and the club and you, you know, you're decently hot artist,
but none of your songs are being played in here.
And all the songs are about bottles, and they're about cars,
and they're about money, and it's about it's not about women,
it's about and so it's like, and I got to
incorporate some of this into my music if I'm going
to survive in this new landscape. And so as we

(17:36):
took that turn, or as R and B took that
turn and never found its balance, I think it's the
DJ fault.

Speaker 11 (17:42):
And I tell you why, because there used to be
a time when we was growing up in the clubs,
there would be a moment where the slow songs played. Yeah, absolutely,
but regardless, y'all don't turn down there everybody be on
too much drugs.

Speaker 2 (17:53):
Well yeah, I mean there was a time, and usually
it was at the end of the party. But now
it comes back. Now I have a set in the
middle of my part way.

Speaker 11 (18:00):
I play R and B music in this and that's
usually the biggest part of it because people are singing,
they feel that that how it felt to be during
that time.

Speaker 2 (18:08):
We got more with take when we come back, don't move.
It's to Breakfast Club. Good Morning, the Breakfast Club Morning.

Speaker 11 (18:15):
Everybody's j En Vy, Jess, Larry Charlamage the guy we
are the Breakfast Club and tanks in the building, Jess.

Speaker 3 (18:22):
What about to go on to with another og? Carl Thomas.

Speaker 2 (18:25):
Carl Thomas one of the greatest R and B albums
of all time, not even close.

Speaker 4 (18:31):
And people I've seen people ask me, you know, people
ask me why you know, why you choose Carl Thomas,
why you choose Carry Hilson. I'm like, you don't hear it.

Speaker 11 (18:40):
Emotion is literally one of the greatest RMB albums. Like
you don't you don't top the bottom love making music,
you know.

Speaker 4 (18:45):
What I'm saying. Like when we down at them do
ops with My Girl are down and down in uh
in Miami, and then Carl Thomas records come on. It's
a thing, absolutely really happens. Play some of them Carry
Hilson Records Like things happen.

Speaker 3 (18:58):
Yeah.

Speaker 4 (18:58):
I was like, first of all, I want to go
into my friends, I want to go toward people I like,
but then too, I want to I want to be
out there. It's an R and B money tour. I
want the catalog to be expensive, with some expensive catalogs,
you know, carry got Hot one hundreds. Carl Thomas has
timeless R and B.

Speaker 3 (19:15):
Parties today right now with Summer Raine. They played that
at the top, in the middle of the party at
the end like they what And I grabbed him like
I don't care where I'm at, no karaoke even playing.

Speaker 4 (19:27):
Let me give me a little come on, you gotta
pay for that Charlamagne has given us. He's blessed us with.

Speaker 3 (19:34):
His storming Come on outside when she keeps me home.
That's my song.

Speaker 2 (19:42):
That was.

Speaker 11 (19:49):
My wife and college rocking with car Time Carl Thomas
emotional and Joe my name is Joe.

Speaker 4 (19:58):
I gotta I gotta do a tour with Joe too. Yeah, man,
touring a song.

Speaker 2 (20:01):
I love that.

Speaker 4 (20:02):
People have been wanting that for quite some time. You
know what I'm saying, I get you. You know, Joe
likes to hide until it's time. You know what I'm saying, Like, well,
you know I'll be I'll be out playboy. You know
what I'm saying I'm a pop out of.

Speaker 2 (20:14):
You mentioned everybody with TGD. I ain't no boy, no
tire reason genuine.

Speaker 11 (20:19):
Yeah, but you was in the studio where I saw
you in the studio working on My Beautiful Pain.

Speaker 4 (20:25):
Yeah, I think you know, I think we we're at
a great place, man, We're at a great place where
I think now we all everybody collectively sees the value
in what we are, in what we created. And it's again,
it's this resurgence of just that feeling of R and B.

(20:48):
So you got you got two guys from the nineties
who got classicalogs. You got me coming in from the
two thousands, who came came up under these guys, and
and people are hungry and thirsty for that. And so
you're going to see You're going to see some T
G T you know. Fortunately, thank god, you're gonna get

(21:09):
that album. I don't know if we have an album,
but we do have we do have a couple of
moments that we're that we're lining up that are going
to be very special. So that's all. That's all I
can really really say about that.

Speaker 11 (21:22):
And I saw you the other night, man, I forgot
I don't know where y'all was at but Flavor Flav
was singing.

Speaker 2 (21:27):
He was what was so I forgot what he was singing?

Speaker 4 (21:29):
Was it we were honoring, they were honoring. I don't
want to get this wrong to be I don't remember
be there. I can't, I don't. I don't want to
mess up the name of the organization. Seana hit me.
It was like, we're honoring Jimmy jam and Terry Lewis,
and we need you to do what you do. And
I was like, cool, I mean you say Jimmy Jam
and Terry Lewis.

Speaker 2 (21:49):
I'm in I don't.

Speaker 4 (21:50):
I don't care what it is. And so we're honoring them,
and and and baby Face is there, and you know,
I don't want to pressure baby Face to sing, but
he's there, and I'm like, Babyface, if you want to sing,
you can, you don't have to. And they started playing
one of his songs and we were singing in faces
like na, na, let me let me handle that. He

(22:11):
started singing. Just Flavor Flav just came out of nowhere
and just started and just started singing.

Speaker 2 (22:15):
You look surprised that you could hold an oak.

Speaker 4 (22:17):
No, if that wasn't surprise, It was just like they
think about it.

Speaker 2 (22:21):
Like, why did you take the mic from Babyface to
give it a flavor?

Speaker 4 (22:25):
My thing is, Babyface is singing all right, and Flavor
flav has the gall and audacity to take the micro
to run up and started singing against the baby Face.

Speaker 2 (22:43):
Why didn't you stop it? That's why the game need referees.

Speaker 11 (22:45):
You supposed to stop that, right then you're big enough
to stopping polls at that moment.

Speaker 4 (22:51):
Right, it only goes one way. It only looks like
disrespect in front of that many people. You know what
I'm saying, Like to now, it's now, it's flavor Flake.
He is flavor Flake. Let's not discredit him.

Speaker 1 (23:05):
He is who he is.

Speaker 4 (23:07):
And then I run up on him saying baby Face singing,
hold on right now, hold on, hold on, baby facing away.
Baby Face has to fight that battle. Listen, and don't
think that baby Face felt the way. He wouldn't have
handled it, Babyfaces, Listen. The songs are nice and soft

(23:30):
and meek. Baby Face is not. He's a nice guy,
but he's nobody sucker. I promise you if he felt
the way, and he would have and I was kind
of following his lead, the baby Face would have looked
like he wasn't feeling it. Then we would have handled
that way, but he was. It was all in good fun.

Speaker 2 (23:49):
R and B money. The vault is out, vault say
it again. The vault is out right now, and we
appreciate you for joining.

Speaker 4 (23:55):
Twenty six Yes, right, yeah, that's what's out right now
right now? Okay, are you gonna what do you? What
are you gonna do with this music?

Speaker 2 (24:03):
You already know what I'm doing.

Speaker 3 (24:04):
I got I can't ain't too much I can do
right now because I can't get pregnant twice and one.

Speaker 2 (24:09):
You know how far along are you?

Speaker 3 (24:11):
Five months?

Speaker 1 (24:12):
I'm gonna be six five months? Yeah, that's a good time.

Speaker 3 (24:15):
Yeah, I'm still I'm still money, still having.

Speaker 2 (24:21):
I'm still moving a head.

Speaker 8 (24:23):
Believe. Let me tell you something.

Speaker 4 (24:25):
My wife is ragnant.

Speaker 2 (24:26):
Some of the best, the best time, some of the best. Crazy.

Speaker 4 (24:35):
It's something extra in there.

Speaker 2 (24:37):
It is. Can I swim in your ocean?

Speaker 10 (24:42):
That's right?

Speaker 3 (24:43):
I know that people put on money. It's a skip.

Speaker 4 (24:48):
It's like an ointment, all right, taut right now, it's
take It's the practice club.

Speaker 2 (24:55):
Good morning morning. Everybody is d j en Vy just hilarious.

Speaker 11 (24:58):
Charlamagne the Guy we all the breakfast club now if
you're just joining us.

Speaker 2 (25:02):
I was talking to Jess in the other room.

Speaker 11 (25:04):
Me and my wife do this podcast called the Casey
Crew Podcast, and on the last episode, I was talking
about how I felt when she was telling me about
the rolls, the sex toy.

Speaker 2 (25:14):
Me and my wife talk about everything. One night went
bad and she was telling me.

Speaker 11 (25:16):
She was like, look, one of my friends recommended this
rose and when I tried it, she was like, yo,
she said, it got to the point I had to stop.
It was going so my body was shaking, my fingernails
was shaky. She was like it was something I never seen,
like an out of body experience, and I felt a
way damn Like. I was like, word, I no doubt,
I'm going to sleep and she was like, Dad, you
ain't even ask me no questions. I said, I want
to ask them.

Speaker 2 (25:35):
I mean you gave me all info. Yeah, I'm getting
so I kind of turned over and went to sleep,
and damn you turned it back to it. I definitely
turned my back. I definitely turned my back.

Speaker 11 (25:44):
So we had a discussion and I was like, yo,
I feel a little way like I felt insecure and
kind of jealous of the rose.

Speaker 9 (25:50):
So you know, the question is eight hundred and five
eight five one oh five one. Do people feel the
same way, like like I did, Like I even took
the batteries out.

Speaker 3 (25:57):
Jesus, that is crazy. Now Chris has hidden my toys
like he hides them because he'll get in the bed,
want to be in the bed.

Speaker 1 (26:07):
It won't be behind it. You know what I'm saying,
the toys you got in the bed?

Speaker 3 (26:11):
All right, Listen, my dad and I are grown together.
So he understands I'm pregnant right now and nothing nothing
more than that dad to see.

Speaker 1 (26:22):
So no, he's a truck driver.

Speaker 3 (26:24):
He's gone most of the time.

Speaker 2 (26:25):
And yeah, so he just hides them.

Speaker 3 (26:28):
Yes, he's like, yo, you know I was going to
be home, like you can't put him up, like you
know what I'm saying.

Speaker 2 (26:33):
So Solamon, you use him with your wife. First of all,
don't don't worry about what me and my wife do.

Speaker 11 (26:39):
But I will tell you sensitive light skin individuals out there,
you sensitive light skin.

Speaker 2 (26:44):
Yes, he is a.

Speaker 11 (26:47):
Sex toys or tools and you know, same way you
need a wrench and a screwdriver and a hammer to
get things done around the house. It's the same with
sex toys, look at him as tools. Will get you
a little work belt, you know what I'm saying, a
little Batman utility belt.

Speaker 2 (27:00):
Have you satisfy your pro two on it?

Speaker 11 (27:01):
Have your g spot, tongue vibrated, you know what I'm saying,
have your rolls, have your cardless wan vibe okay, and
get the work.

Speaker 1 (27:07):
I know that's get the damn basically describe his nights.

Speaker 2 (27:13):
I know that the work. What's wrong with you?

Speaker 8 (27:15):
All man?

Speaker 2 (27:16):
Insecure?

Speaker 11 (27:16):
A toys hiding battery like she don't got three backups?
He come in there, Leonard, the landscape, build her.

Speaker 15 (27:28):
Melvin, good morning, good morning. How you're doing?

Speaker 2 (27:31):
That's going on? What's what's your thoughts? Melbourn.

Speaker 15 (27:33):
I wouldn't say I'm secure, but I do get upset
when she might promise me something of the day and
I found that to use her road, but then she'd
be good for the.

Speaker 8 (27:43):
For the night.

Speaker 15 (27:43):
You know what I mean.

Speaker 3 (27:44):
Oh yeah, that's crazy.

Speaker 2 (27:46):
So you get upset.

Speaker 15 (27:47):
Yeah, I get upset because I'm like, you promised me
one thing, then you use you know what I'm saying,
your jon't promises?

Speaker 2 (27:55):
Okay, thank you, Melvin. I'm with him on that jazz.
Good morning, jazz.

Speaker 10 (27:59):
What's up, y'all? What's up?

Speaker 2 (28:02):
What's your thoughts? Morning?

Speaker 15 (28:04):
My thought it says, yes, me get the chore as
far as you're using the roads. I had the same
issue with an ex boyfriend of mine and the current
voice of mine. But I just decided not to use
the roads, just to not get it.

Speaker 13 (28:18):
So they wait.

Speaker 10 (28:20):
Ify. I see why you brought the topic up, because
they nick to do what y'all from yo.

Speaker 15 (28:28):
Woman, You y'all take each other all the time back then, you.

Speaker 4 (28:33):
Know what I think?

Speaker 10 (28:33):
I wonder.

Speaker 11 (28:34):
I wonder if men are getting jealous or if they
feel more so like the brother who just called Phil,
like once a woman does it, she don't want them anymore.

Speaker 2 (28:43):
She doesn't you know, got her fization.

Speaker 3 (28:46):
Is already for fell like that, it's already. You know
what I'm saying.

Speaker 2 (28:48):
I wanted them more disappointed that they didn't get some
as opposed to being jealous.

Speaker 1 (28:53):
Video yo, video, Oh yo?

Speaker 15 (28:56):
What's up?

Speaker 3 (28:57):
Man?

Speaker 8 (28:57):
All right?

Speaker 10 (28:58):
So I'm listening to you, right, do it?

Speaker 15 (29:01):
I think you kind of looking at the wrong I
think instead of resistant a road.

Speaker 10 (29:05):
You gotta look at it as part of the part
of the team, you know. Y'ah, y'all, that's right. You
gotta incorporate you to the whole situation.

Speaker 15 (29:14):
Don't work out for your problem.

Speaker 11 (29:16):
It's a tool, bro, it's a tool. Look at it
like it's a tool. Like you can't when you're around
the house. There's certain things you know, like when your
toilet called up?

Speaker 2 (29:24):
What do you grab? You need a tool. Look at
these things as tools. Man, you're looking at it all wrong.
It's a tool, bro.

Speaker 8 (29:33):
Pops.

Speaker 11 (29:33):
What you say, just Alaris pops his head got come
to the mic. O G oh god, Michael, Ladies and gentlemen,
this is just Alarics poppy. He's spending the day with that.

Speaker 6 (29:45):
Why would you because he's O GV what's happening.

Speaker 2 (29:52):
He's America.

Speaker 6 (29:53):
What I feel is, uh, I would be upset for
a while, but then I think it frees up time
for Sports Center. I never really watched the whole thing,
but I think that the rose asked to the element
is you can get to watch the front half and
the back half.

Speaker 2 (30:07):
Because it gets things done so good. Yeah okay, okay,
I feel you're saying. I never look at it like that.
Oh yeah. Sometimes you can just get more dumpy yourself
you know I got you bowling.

Speaker 3 (30:16):
Yeah, so you'll be tired more so like you just
like you tired. You know, sex all the time.

Speaker 6 (30:20):
So it's like you you you appreciate the rules, like
maybe I can go first and let the rose finish up.

Speaker 2 (30:28):
Versa.

Speaker 8 (30:28):
You know, I just.

Speaker 2 (30:32):
I think you should always let let the roads open
up for you, though, because.

Speaker 11 (30:35):
Then you ensure she gets hurts. So if you get
in there, you know that, and it don't take one.

Speaker 3 (30:41):
That's the problem. The rose takes care of all the rolls.
We were tired after the rose. It's like, all right,
so we know you never let the rules open up.
You let the ruse headline. Okay, okay, okay, the guy
opens up, and then you're doing a lot.

Speaker 9 (30:55):
I know, I know, fie O five one if you're
just joining us. I was about me and my wife's podcast.
We have a podcast called the Caacy Crew podcast. We
were talking about one night. She was telling me about
the roles that one of her friends recommended to her.
She got it and she was like, the rolls was
this and that, and it made me feel the way
like it made me feel the way where I hit
the battle.

Speaker 2 (31:13):
I just want one story and I just want one
of you actually satisfying your wife, just one past. I
need to start listening. Listen to the stories that you'll
be presenting.

Speaker 8 (31:25):
Don't you.

Speaker 11 (31:30):
Listen to them, because that's normal since you've been working here,
have you heard one?

Speaker 2 (31:39):
I got six and sex stories?

Speaker 8 (31:40):
All right?

Speaker 2 (31:41):
That no success?

Speaker 3 (31:43):
Yeah, don't play them?

Speaker 1 (31:45):
Kids came out to deal.

Speaker 2 (31:46):
That's right, success story.

Speaker 8 (31:48):
Hello?

Speaker 2 (31:48):
Hello, who's this y'all?

Speaker 10 (31:50):
What up?

Speaker 2 (31:53):
Talk to us?

Speaker 8 (31:54):
Rio?

Speaker 2 (31:54):
Man?

Speaker 10 (31:55):
Look and bro, look, tell you you can't beat the machine. Bro.

Speaker 8 (31:58):
You gotta join it.

Speaker 10 (32:00):
You gotta join it, Bro, you can't. You can't beat
it here already. We gotta deal with it.

Speaker 2 (32:04):
It's like AI. You ain't gonna be able to fight it.

Speaker 8 (32:07):
Better learn to use it, man.

Speaker 10 (32:09):
You gotta use it all her. Don't don't let her
use it on her stuff. You got to use it
on her. And you add to a little thing to it.
I'm telling you, bro, she can use it all she
want to, but she ain't gonna get this in in
sancty like you.

Speaker 8 (32:19):
Use it on it.

Speaker 10 (32:19):
You feel me.

Speaker 11 (32:20):
And I'm glad you said that, my brother, because that's
why I keep saying it's a tool. When you when
you and that thing together are working is one. Now
you're really doing something, but see that.

Speaker 3 (32:32):
No, you ain't really doing nothing but hurt none. You're
trying to kill the cat basically because what the rose
is designed to do, it's everything all in one already.
So you even use the rods to get you excited,
but don't go go all the way in. Let the
man finish, or you let the man and you ain't done.
And then you use the roads because you you only

(32:52):
you know your body. You know your body more than
the man. That thing is powered up, especially when especially
your joy the batteries is, you know, doing other.

Speaker 2 (33:00):
Things while the roses working. You can be kissing on her.

Speaker 1 (33:02):
Neck, yes like that.

Speaker 3 (33:03):
Yeah, but if it's too much construction going on down there,
it will it will get destroyed.

Speaker 2 (33:09):
So you gotta thing you handle the rest.

Speaker 3 (33:11):
Because it's like seventeen modes and and then this, you
know it's and then the cycles.

Speaker 1 (33:19):
So you don't want to beat it up like.

Speaker 2 (33:21):
You'd be like dang and then be running seventeen.

Speaker 4 (33:26):
Like this.

Speaker 3 (33:27):
Yeah, but the power in that thing is crazy, so no,
just let her do it and then you yeah, like
you said, you kiss on her neck, get on the mood.

Speaker 1 (33:35):
Talk to it because Roses can't talk roses roses, so
you have to talk to him.

Speaker 9 (33:39):
But you know, you know what I feel disgusted about
the fact that you know what I have in my
mind Charlomagne walking around his bedroom, but ass nigga with
a utility.

Speaker 2 (33:49):
On one side, rolls on one side three thousand. It
ain't no plugs in the back like that. Just you
know what discussed me, The fact that ain't orgasm in
ten years?

Speaker 11 (34:00):
Okay told us that. Now you're telling us that she's
using a sex toy and you mad about that. Why
won't you let her be happy?

Speaker 5 (34:07):
Okay?

Speaker 11 (34:10):
You know what discussed me. You don't have one success story,
a million of you don't have one all the success stories, man, million,
I'm tired of you doing this. I'm laying yourself down.

Speaker 3 (34:22):
On this craw.

Speaker 16 (34:26):
Brother for years.

Speaker 2 (34:28):
Million enough last year when.

Speaker 11 (34:30):
When Real Love came out two years ago, I ain't
make my wife all gas mainteen years, I'm hiding my
wife batteries.

Speaker 2 (34:37):
The die, you take the caps.

Speaker 8 (34:39):
You doing this, you do what everybody.

Speaker 2 (34:43):
You go crazy? This is crazy to me.

Speaker 11 (34:45):
Your utility about that? I am because you know what
I want you to do. I want you to get
some get back. I act like it's your vibrator. Put
a little brown on the end of it. Make her jealous.

Speaker 2 (34:54):
Back in.

Speaker 4 (35:00):
Breakfast club, everybody.

Speaker 9 (35:04):
Is DJ n V Jess hilarious, Cholamine the guy. We
are the breakfast club. You got a special guest in
the building, A good sister. Tiffany Hadish is back.

Speaker 2 (35:11):
Welcome, he's booting.

Speaker 1 (35:13):
Yeah, I'm feeling fantastic. How are you feeling?

Speaker 2 (35:16):
God bless black and.

Speaker 1 (35:19):
I feel good.

Speaker 8 (35:20):
There you go.

Speaker 2 (35:20):
Yeah, new book. I curse you with Joy. Talk to
me about it.

Speaker 17 (35:24):
But you know it's funny. Everybody's called it, I curse
you with joy, but I call it it's at the
top of the page. If you look at the front
page and say, Tiffany Hattish, I curt you with joy?

Speaker 8 (35:33):
Got you?

Speaker 1 (35:34):
Yeah, I need to say that, But you can say
I cut you with joy.

Speaker 2 (35:37):
You've been saying that since I've known you. You always
do that, like curse people with joy.

Speaker 1 (35:41):
Yeah, because there's a lot of unhappy people.

Speaker 17 (35:44):
And I mean, if you look at the Internet, you
can see it's a lot of like it's a lot
of hate and anger and sadness out there. And I could,
like you know, combat that with the same thing, or
I could say, you know what, I cut you with
some joy, because you obviously are not happy. So I'm
sharing some stories this book. It's a series of essays,
if you will. And then I'm sharing some dark things

(36:06):
about my existence and how I find the bright side
of it.

Speaker 9 (36:10):
You know what got you to the point to write
the book? Was it a particular comment, was it something
that somebody said, or you just was all of the above?

Speaker 14 (36:17):
No.

Speaker 17 (36:17):
I had always wanted to do that because the first book,
Tiffany hottis the Last Black Unicorn. That first one I
had edited down when I had took a lot of
stuff out because it was too long. I don't like
super long, but I don't like them too long personally.

Speaker 1 (36:31):
If I'm not gonna read it, why would I expect
somebody else to read it?

Speaker 8 (36:34):
Right?

Speaker 17 (36:35):
So I took a lot out. So on this next book,
I curse you with joy. All the stuff that I
had took out the first book I put in this
book plus more of the journey of being this you know,
shot out of a cannon star, I guess you would say.
And it's been it's been an interesting journey. You guys
have known me since the beginning of the journey. You

(36:55):
guys have seen the whole ups and downs and all
of that. I'm like, this is the craziest roller coaster.
And nobody gives you a manual on how to be famous.
Nobody gives you a manual on how to handle certain things.

Speaker 1 (37:07):
And you have to figure that. You got to figure
it out, and it's it is hard. It is very hard,
but I'm having fun doing it.

Speaker 2 (37:13):
What was the most difficult part, you said you figured
it out.

Speaker 17 (37:15):
The most difficult part was not rolling up on somebody
and whipping the ass. Because I'm from the nineteen hundred
and we will show up to your mama house and
beat your ass. That's what it's like, the good old days.
You know, Oh you're talking, Okay, I'm gonna come over
there and beat you up.

Speaker 4 (37:30):
You know.

Speaker 3 (37:30):
When of my period come on and I got some time,
I will call people. I will make a phone call.

Speaker 9 (37:35):
That you were Actually I guess you found an app
that you could actually find out where these people live
or find a number.

Speaker 1 (37:42):
Yeah, yeah, you can find you can find people.

Speaker 2 (37:44):
You know.

Speaker 17 (37:44):
I used to be married to a private investigator, so
I know how to get in your business.

Speaker 1 (37:47):
If I want to.

Speaker 17 (37:48):
And so when the lady in the red dress show up,
I become a little evil and I'll be having time.
Sometimes sometimes I have time. So then I decided to
take that time to invest in it. People that like
to talk, and I'll just put your business out there,
not like docs you or nothing like that, but you
know I'll call you or I'll make comments on your

(38:09):
page and you won't know it's me, but i'll make
comments about you know, police recordsitions.

Speaker 2 (38:14):
So when you call theseros, you calls in, this is
Tiffany Hattis. Yeah.

Speaker 17 (38:18):
Yeah, I'll be like, is this blah blah blah and
they'd be like, yep, I'd be like this Tiffany Hatish.

Speaker 1 (38:22):
They'd be like what nah what, No, No, this is
Tiffany Hattis.

Speaker 17 (38:27):
I said, first of all, I want to say I
know you loved me because you spent three hours making
a video.

Speaker 1 (38:33):
The video was three hours, so I know you spent at.

Speaker 17 (38:36):
Least six editing it and all of that, like searching
for pictures and finally like thank you, I appreciate you,
or you know, I see your whole YouTube pages about me.
So I just wanted to say thank you, and I
wanted to let you know that I'm about to monetize
your videos because you know, you use something my content there,
so I'm gonna need to get paid too, And they'd

(38:58):
be like you crazy, ain't nobody this is you and no, no, no,
no no no, I'm not crazy. I'm not crazy.

Speaker 1 (39:03):
I have endometriosis. And so I'll tell you I'm using it.

Speaker 3 (39:07):
Yeah, I'm using it.

Speaker 17 (39:09):
I'm using the energy towards something positive. So I just
wanted to let you know how I know you let me.

Speaker 3 (39:17):
Therapeutic for you don't like in any way.

Speaker 1 (39:19):
I don't know.

Speaker 17 (39:19):
I've been therapy so long, I don't know. I don't
know if it was therapeutic. I felt like it was
more so informative for others, like it was my way
of sharing. For others, some parts are a little cathartic
or whatever, but for me, it was more so I
want people to know they're not the only person going
through what they're going through, like and just because somebody's
famous doesn't mean they're not a regular human being, and that.

Speaker 1 (39:42):
There's not like bad days.

Speaker 17 (39:44):
There's sometimes it's more bad days than good, especially like
I don't know, dealing with the Greek losing my grandma
really kind of just threw me for a loop. I
feel like my soul was like, look, we're gonna have
we don't have too many losses at this point, so
we're gonna have to sit down and deal with it.
And if you don't sit down and deal with it,
I'm I'm a ma. You do things, that's gonna have
to make you sit down and deal with it.

Speaker 2 (40:03):
So was the Daddy issues chapter hard.

Speaker 17 (40:05):
That was the hardest one. That was the hard That
was the hardest one because I realized, like, man, is
it's hard not having a dad. And then like when
I met my dad, it was like I was a
little girl all over again, and like I remember everything
about him, you know, even though I was three years

(40:26):
old the last time I saw him.

Speaker 1 (40:27):
I remember how he smelled, I remember what he sound like.

Speaker 17 (40:30):
Just hearing his voice, my whole soul lit up, like
nobody sound like my daddy. Nobody could be my daddy.

Speaker 5 (40:36):
And so.

Speaker 17 (40:38):
But there was years I was trying to find my dad, like,
you know, through other men and through whatever I was
doing stupid.

Speaker 4 (40:45):
I was done.

Speaker 17 (40:45):
And it's a lot of us out here like that.
But you can you can pull past all that and
grow and be successful.

Speaker 2 (40:51):
You about to make me cry? Is it true? Women
really look for that? And men like do they look
like look for somebody that's like their daddy.

Speaker 18 (40:57):
I don't know.

Speaker 1 (40:58):
I don't know what other women looking for. I know
what I'm I was looking for it. I was looking
for it.

Speaker 17 (41:01):
I was looking for like safety. I wanted to feel safe.
I wanted to feel like no fear. For so many
years growing up, it.

Speaker 1 (41:12):
Was like every day was scary, you know, to be
scared every day.

Speaker 17 (41:17):
So then to decide like I'm not gonna be scared
no more, and I'm gonna find somebody that's gonna do
this with me and protect me and love on me
and hold me, like take care of me and kiss
on me and tell me I'm doing good. But it's
hard to find. Also, I'm a little difficult. I'm sweet
though a little difficult. I want to do what I

(41:39):
want to do because I never that's part of I think,
not growing up with the fathers. Like I know how
to take orders and I know how to get things done.
If you ask me to do something, I'm gonna get
it done for you, but I'm gonna do it on
my time. When I feel like it. And if a
man's like I need you to call me when you
leave out of there. I want you to be here
at this time whatever if you not, if I'm not
getting a paycheck, I'm gonna show up when I feel

(41:59):
like it. I'm gonna be at your house when I
feel like coming to your house. You know That's I
think that's been the biggest issue, is like I don't
want to feel like I got an answer to this man.

Speaker 3 (42:08):
So you've never had that type of relationship yet where
you would be like, Okay, I'm gonna let this man lead,
Like no one has ever shown you that they that.

Speaker 17 (42:16):
I let men lead all the time. I let them lead.
But that don't mean I'm gonna follow all the way.
I'm gonna saying like this is not going I don't
feel safe. This don't feel safe. I'm not gonna be
like you know what I'm saying, Like I need to
feel safe. I need to feel like this is where

(42:37):
I'm gonna be Like spiritually, I need to feel safe, emotionally,
I need to feel safe, physically, I need to feel safe, financially,
I need to feel safe and I and I don't
need to.

Speaker 1 (42:46):
Be feeling like I'm being used.

Speaker 17 (42:47):
If I feel any type of way, I'm being used
or manipulated in some kind of way.

Speaker 4 (42:52):
Uh what like?

Speaker 8 (42:53):
No?

Speaker 17 (42:53):
And if you're using me, tell me you using me
so I could use you to like, Oh, I can
help you use me better. I'm here to be used.
We are here to be used for some purpose something right.
But tell me what you're using me for and I
might help you get it done better. Don't don't sneak it.
Don't do it sneakily like think I'm stupid because I'm not.

Speaker 1 (43:11):
I might be. I might be setting you up to
give it.

Speaker 2 (43:14):
Use me, don't misuse me.

Speaker 1 (43:15):
Yeah, use me, don't abuse me.

Speaker 9 (43:18):
We got more with Tiffany Hattish when we come back,
don't move. It's the Breakfast Club.

Speaker 11 (43:21):
Good morning, wanting everybody your cej N V, Jesse Lari
Charlamage the God. We are the Breakfast Club. We're still
kicking it with Tiffany Hattish. Now it says you haven't
been drinking in seven months?

Speaker 1 (43:31):
Has it been seven months?

Speaker 8 (43:32):
No?

Speaker 17 (43:32):
No, no, no, I haven't had sex since October. That's
seven months. Oh that I said, drank since November twenty.
When was the twenty third, Thanksgiving twenty third.

Speaker 2 (43:44):
Yeah, yeah, how was it affecting your comedy?

Speaker 9 (43:46):
You know sometimes when you look at comedians or even
rappers actors, sometimes that's that's what they use because they
used to it.

Speaker 2 (43:52):
They drink and they do a show. So the fact
that you haven't drink it doesn't make your show. Is
it easier? Is it more difficult? Are you seeing clear room?

Speaker 17 (43:59):
I see everything clear for sure. But I didn't really
drink before shows. I will probably drink during, like while
I'm on stage. I'm gonna have a drink while I'm
on stage. But like before, No, I didn't smoke, no
weed before, none of that, not before the show. But
maybe by the second or third show at the night.
I'm proud I probably need it because I started drinking

(44:19):
on the first show. But I notice now like by
the but if there's more than two shows in the night,
by the end of that second show, I'm sleepy.

Speaker 1 (44:27):
I'm so tired. I'm so sleepy.

Speaker 17 (44:29):
I just want to go to bed, like I want
to go to bed at ten o'clock, nine thirty, and
you know, but comedy happens at night. And then I've
been getting up super early in the morning working out,
so I make sure I get my afternoon nap. If
I'm getting on nap in the afternoon, I'm pretty much
the rest of the evening. But I feel like my
comedy is I've been listening to it because I record
every set. I've been recording every set for the last
like five years through my phones and my recording devices.

(44:53):
And I was listening to like before my grandma died,
how much joy was in my voice, and then like
after my Grandma died, like I don't know, I'm about
to like maybe when Jesus died. It was before Jesus death, see, yeah,
before Grandma.

Speaker 1 (45:12):
I don't know, but yeah, bg ag Yeah.

Speaker 17 (45:15):
Anyways, I just noticed there's a big difference in like
people like, oh, you're saying you look good, you feel good,
like your energy is good. And I do feel good
and I am happy for the most part. But I
feel like this is huge grief hanging over me. Like
I just feel like grief.

Speaker 3 (45:30):
Do you write on that?

Speaker 13 (45:31):
Yeah?

Speaker 1 (45:32):
I write on that.

Speaker 17 (45:33):
Yeah, I talk I talk about it on stage, like
deal with my grief. Like some days it'd be so heavy.
I'm like, oh, I gotta do something for Granny today,
and I'll put a picture of her up in the backyard.
I put on some music and I do rhythmic dance
from gymnastics and with ribbons and stuff, and I dance
around in my backyard.

Speaker 1 (45:50):
I hope nobody ever sees. It's just for my grandma.

Speaker 2 (45:54):
To god, we do you think you more focused alcohol?

Speaker 1 (45:57):
No, because I wasn't. I was drinking.

Speaker 2 (46:00):
It wasn't getting okay, you think about something now.

Speaker 1 (46:09):
I just had a flash my head and I'm just like,
mediums my face.

Speaker 3 (46:17):
Stop smoking.

Speaker 1 (46:20):
Now I'm back smoking weed. I started smoking after my
court date.

Speaker 8 (46:25):
Me.

Speaker 1 (46:26):
I'm not I'm not gonna drink no more.

Speaker 17 (46:28):
I probably will never drink alcohol again until like I'm
engaged to get married, just so he could see like
my full crazy yeah, like there's like no restriction.

Speaker 1 (46:39):
I feel like though I have more restrictions. I was
like I was way too nice.

Speaker 17 (46:44):
I feel like when I would be drinking, I'd be
way too nice, way too accommodating, probably way too loud
because alcohol make you death. And I think I'm a
little meaner now I'm quick to tell people no. Now, yeah, boundaries,
I feel like boundaries mean no, it can't be. I
know I'm protecting it. I'm protecting it.

Speaker 2 (47:05):
Had a conversation since she was on a club station.

Speaker 17 (47:07):
No, we have not had no conversation. We barely ever
had a conversation ever. I've you know, tried to talk
to her here and there or whatever, but no, we
haven't had no conversation. I slid on her DM since
she got.

Speaker 2 (47:18):
My number, if she checked, Oh you just sent her
your number.

Speaker 17 (47:21):
I sit to a statement, Yeah, and here's my number
two and here's my number. If you want to talk
about it, what.

Speaker 2 (47:28):
Do you think? What do you think of that?

Speaker 11 (47:29):
The whole state of black comedy since the top of
the year, It's like, since kat Wims did that interview,
it feels like everybody just been kind of at each other.

Speaker 2 (47:35):
Like it's almost like you go to club just to
get that other comedians.

Speaker 1 (47:39):
Yeah, I don't know about that.

Speaker 17 (47:41):
Godfrey didn't go at other time, Brell didn't go at
other comedians just a little bit, just a little bit.

Speaker 3 (47:48):
I don't know.

Speaker 17 (47:49):
I feel like that's something we do in the club,
Like if you got some beef with somebody, you like
tell them to they face. I mean, I know I
have I've definitely gone up to people in their face
and said I don't like you or what you did
was stuff.

Speaker 1 (48:01):
I ain't feeling that, Like I haven't had.

Speaker 17 (48:03):
To do it too often because there's not too many
people that like really get on my nerves like that.

Speaker 1 (48:08):
Just a few people.

Speaker 17 (48:10):
I mean, that's comedy, like you're supposed to. It's a
little challenge. But I don't know about doing it in
front of the world like that. I don't know about
all that.

Speaker 9 (48:18):
It was a bunch this weekend, I think a Netflix brunch. Yeah,
I was dead, like everybody that was beefing with each
other were all in the same room.

Speaker 1 (48:26):
Yeah, but you know what was crazy. You know what
was crazy.

Speaker 17 (48:29):
We was outside, Okay, so we wasn't in the same room.
We was outside and everybody was there, and Kat was
there and he was looking very interesting. He was looking
very interested, very shiny, and it was super cool, and
he's talking to everybody, moving around, moving around the room
and stuff, talking to everybody. And then as soon as
Kevin got there, nobody could find Kat. I don't know

(48:51):
where Kat went. But then he did perform live, but
it was like one.

Speaker 2 (48:56):
In the afternoon.

Speaker 1 (48:57):
Yeah, the brunch started at.

Speaker 17 (48:58):
Twelve and then and then Kevin got there, like one
one point thirty and then CAV was gone, did you
speak the cat?

Speaker 2 (49:05):
No?

Speaker 1 (49:07):
No, I smiled and waved you cursed him with joy.
He looked at me.

Speaker 17 (49:11):
I don't think he recognized me because I had a
wig onso. I don't think he realized it was me.
That's what I'm telling myself. Or he just was like,
I ain't right now talk crazy too.

Speaker 11 (49:21):
But that's fine though. Yeah, everybody put their boundaries up.
I rather y'all not speak than see each other in
public and be crascinating.

Speaker 1 (49:28):
I wouldn't. First of all, I love me some cat.
Me and cat ain't got no beef.

Speaker 17 (49:31):
I mean, he do like saying my name, and I
think it's because my name garnishes clicks for some reason,
especially if you say like one negative thing around my name.

Speaker 1 (49:39):
Everybody's clicking on like, oh what she do?

Speaker 4 (49:41):
Now? What you do? Now?

Speaker 1 (49:41):
What you do now?

Speaker 17 (49:42):
So like, and I think he knows that he's a genius,
so he's like, Okay, what's gonna get me the clicks?
What's gonna get there? You know, she's just randomly say
my name and don't say something else, just to they
adish and live aftery and then let me tell you
about this Kenny. He's like, he's like, I'm the one

(50:03):
that put her on she was in school dance with me.
And I'm like, I never said that you that you
didn't put me on it that you did. But Nick
Cannon did put me in school dance for that road,
not Cat Williams.

Speaker 1 (50:14):
But we did kill that together.

Speaker 17 (50:16):
Like we did that together and that was awesome, and
it's like a viral moment online and I love kat.
I sent him a script and he's like, we got
we gotta work on that, writing on that script. Okay,
let's work on Like who do you want to write?
Like whatever, Like, let's make it happen, Let's make a movie.

Speaker 8 (50:29):
Like.

Speaker 2 (50:30):
I love him.

Speaker 1 (50:30):
I think he's super talented.

Speaker 2 (50:32):
It is strange when people try you do get on
my mother nerves.

Speaker 1 (50:34):
Sometimes.

Speaker 2 (50:35):
It is strange when people act like you didn't you
didn't come come up, come up like everybody else like
you was in the comedy clubs, you busted your ass,
you did all that.

Speaker 17 (50:43):
Yeah, I mean, can't put me out, can't put me
out the club Tollywood Parkersino. I was underage and he
was doing the Hollywood Parkasino every week and I was
too young to be in there and he put me
out like you ain't got nobody, you can't be in here,
and like you put me out there.

Speaker 1 (50:58):
Finally I got an eye.

Speaker 17 (51:00):
You know, I was old enough and uh he let
me perform and then he commenced to roast to me
for like probably twenty minutes after I got off stage,
and I felt so proud.

Speaker 1 (51:09):
I was like, God, William is this talking about?

Speaker 17 (51:11):
He was roasting me back then? He roasted me, and
I'm like, do you remember this? He's like, not too
many I remember this. I showed him a picture. He
was like, oh, that was your skinny app So I
felt honored.

Speaker 10 (51:26):
You know.

Speaker 17 (51:26):
It's funny because some people don't even like I remember them,
but they don't remember me. They like, no, we just
met today. I'm like, no, we met back in two
thousand and one at this place and they're like no.
And then I show him a picture and they're like, oh,
you were calling me, but now you're nice.

Speaker 1 (51:42):
So I cool.

Speaker 2 (51:43):
We got more with Tiffany hats when we come back.

Speaker 9 (51:45):
It's the Breakfast Club the morning wan did everybody get
on the Breakfast Club? We're still kicking it with Tiffany Hattish.
Uh huh uh a lot going on, Drake, Kendrick, what
you got to ask what goes to the court.

Speaker 17 (52:05):
I'm a Jewish business woman and I'm about what's entertaining.
And if I'm going with the entertainment factor of it all,
Kendrick is killing that ass. Like I am, very entertained.
He got all the good punchlines. Drake got good punchlines
and all that too. And I just want to give
Drake you doing a good job. I'm proud of you because.

Speaker 1 (52:23):
You know he's sensitive. He went off on me before.

Speaker 10 (52:25):
He said.

Speaker 1 (52:28):
No, not in my DMS, in my face. He told me,
he told me I didn't like that. That hurt my feelings.

Speaker 5 (52:36):
What is that?

Speaker 17 (52:37):
I'm sorry, I will talk I will not talk about
that no more. Although I did tell you I was
gonna talk about that, and he said it hurt his feelings,
and I said, okay, I'm sorry.

Speaker 2 (52:47):
What did you talk about him?

Speaker 1 (52:48):
I talked about how his daddy.

Speaker 17 (52:49):
I told him I wasn't gonna talk about it no more,
but I'm gonna talk about him his daddy. His dad
be trying to Yeah, his daddy be trying to holler.
He don't like that, I said, I much rather be
your baby mama than your step mama.

Speaker 3 (53:00):
Ain't like that hurt his feelings.

Speaker 2 (53:02):
That hurt his feeling That's kind of like playing hating
on your daddy though a little bit right, like why
you caught blocking your daddy if your daddy trying to
holler while you mad.

Speaker 1 (53:09):
I don't want to like it. I like his dad,
but not like that.

Speaker 2 (53:14):
His feelings.

Speaker 1 (53:16):
Because I talked about it on stage. I talked about it.

Speaker 3 (53:21):
There was a lot of commodating to you that then
since you talked about it on stage and it got
back to him, it's like his daddy's interesting.

Speaker 14 (53:28):
But no, the.

Speaker 1 (53:30):
No any interesting.

Speaker 14 (53:33):
No.

Speaker 17 (53:33):
I see him at different events and stuff in different
like he'd be at Jewish stuff and all that. His
daddy be around, Like I don't know if you're looking
for his next Jewish back mama, what, but he ben
be outside.

Speaker 1 (53:42):
He'd be outside. So but as far as the beef goes, uh,
the rap battle, I'm loving it. I'm here for it.
I think I'm so proud of Kendrick.

Speaker 17 (53:52):
I'm so proud of him, Like, uh, he's killing it
and he's like in the lap just bringing it in
the punchlines. They like he's killing it. I'm proud of him,
and I'm proud of Drake too. He has an airplane.

Speaker 1 (54:06):
An airplane.

Speaker 17 (54:08):
Now, I think it's a little they're getting a little
they going a little blow the belt, but they're going
yeah it's deep, Yeah, but it's it's like a real.

Speaker 1 (54:19):
Rat batter a little you know what I'm saying. Like
we did it at a safe Man.

Speaker 3 (54:23):
Yeah, they had one of these in a long time. Yeah,
a real good one.

Speaker 8 (54:27):
Yeah.

Speaker 1 (54:27):
I feel like I'm back on the school bus.

Speaker 2 (54:29):
What happened at Where was you at the outside Joke appearance?

Speaker 8 (54:33):
Yeah?

Speaker 17 (54:33):
So I was at the Netflix is not a joke. Netflix,
not a joke. I was at the show outside Netflix.

Speaker 2 (54:42):
Went on a rent, I went on att Yeah, I.

Speaker 17 (54:44):
Went off because people were saying, you know, they were
saying what they were saying, and they was like, you
got to support the colleges, and I'm like, I don't
want to. I don't want to support people tearing up
a school. I don't think that's the way to go
about it. If you really want to, if you want
stuff like this to stop happening, if you're protesting the
genocide that's going on and you want that to stop, happening.

(55:05):
I think there's some better ways to go about making
it stop happening. Blocking people from going to class is
not going to be the thing. I don't think that's
gonna be the thing, because that's what the I mean,
that's what the Nazis did. They blocked the Jews, they
blocked the Jehovah witnesses. They killed a lot of people.
They didn't just kill Jews. They was killing everybody that
was not like them, so like, and they were blocking

(55:27):
them from getting their education, blocking them for being able
to have a living.

Speaker 1 (55:31):
They were hurting them.

Speaker 17 (55:33):
And so like to me, if you really want to
be changed, you want to make change, you really want
to be effective, you really want this to stop, then
start learning, get yourself educated, and get in there and
change the laws, change how become, get in NATO or whatever,
the international or whatever. You got to be on Senate,
all that, Like, change the laws, change how we move.

(55:55):
That's what I would do. That's what if you really
wanted to change, like, be effective in get involved in government.

Speaker 2 (56:02):
To protest. You disagree with how they protest.

Speaker 17 (56:04):
How they protesting is not don't I don't agree with
how they're protesting. Yeah, protests yes, protests. Yes, if you
think that's gonna make it change. Yeah, if you think
it's gonna make a difference, you it's gonna make people
pay attention. Yeah, But the way y'all going about it,
I don't think this is right. I don't think you're
spray paying the library is gonna really make anything change.
I know niggas been spray paying the library for years

(56:25):
and they just shut the library down. That's all they did. Like,
so no, I don't think that's the way to go
about it. I think the way to go about it
is to get into legislation, to show up to your
congressman's office, show up to your senator's office, show up,
sit outside they office, and protest. Put the pressure on them.
Doing it at the schools ain't putting no pressure on them.

(56:46):
They're just like, oh, they up there at the school
cutting up whatever. Like and we like, as a twenty
something year old, like do you invigorate it, teenager?

Speaker 13 (56:54):
Yet?

Speaker 17 (56:55):
Like that's protests, it's been happening every decade. It's always
had and women was out there burning their bras. But
y'all out here angry about you know what's going on
over there in Gayza and it's genocide. When they're about
to make pass laws over our bodies, women's bodies.

Speaker 1 (57:11):
We ain't gonna be able to have no choice in
what we doing, like overturn.

Speaker 17 (57:16):
Yeah, like hello, we need to be paying attention to
distraction is real, Like, you're not gonna it's gonna be
Handmad's tail out here when you start really read reading
all the legislative read everything like it's about to be
Handmad's tail out here. You're about to be like it's
gonna be crazy, Like you voluntarily want to be pregnant. Yeah,
that's a voluntary thing, Like, but there's gonna be situations

(57:38):
where it's gonna be involuntary, Like I mean, if you
read the legislations and I'm not I might not be
articulating it's the best, but I'm concerned. I'm concerned for
our future and I'm concerned when our youth are all
their knowledges coming from TikTok and Instagram and they not
really like doing the real research and really reading. They

(57:58):
just taking some some bloggers word for it. It's like, no,
go look this up. Go to the go look up
these legislations. Like there's no doubt there's there is a
genocide happening, There's no doubt about that. But like, that's
not the only one that's happening right now. So if
we're gonna be protesting genocide, if we against genocide, we
need to be against all the genocides now, just the

(58:19):
lighter genocide, all the like, the black, the the everybody, everybody.

Speaker 1 (58:26):
We're not it. Don't need to just be from the
river to this.

Speaker 17 (58:28):
You need to be like, uh, recycle these cell phones
and stop can killing the Congolesese like, but don't get
me start. I'm sorry, Okay, anyways, I curse you with Joyce.
It's out today. Get it audio or a physical book
hard copy at any local bookstore. The audio version is
off the chain because I'm definitely bringing it and some

(58:49):
of my music is.

Speaker 1 (58:51):
On there, and I'm really excited about the music that's
coming for you. So yeah, all right, well.

Speaker 2 (58:56):
There you have it.

Speaker 9 (58:57):
The book is out right now, make sure you pick
it up. It's the Breakfast Club the Tiffany hadis It's
time for it's a reed.

Speaker 1 (59:03):
But you're so good at charlamage.

Speaker 4 (59:06):
He wants charlomade.

Speaker 19 (59:09):
Yeah, Solomame, who do you given?

Speaker 10 (59:11):
Dusk?

Speaker 3 (59:11):
The other day?

Speaker 11 (59:11):
Sooner well sexy red Donkey to Day goes to a
Catholic priest named Lawrence Kozak. Lawrence is accused of stealing
booty from a church in Pennsylvania. And I let the
record show when I say this Catholic priest stole booty,
I'm not talking about little kids.

Speaker 2 (59:25):
I'm talking money.

Speaker 11 (59:26):
Yes, this man stole more than forty grand and expenses
over three years, and some of the money was used
to buy cell phone games, cell phone video games. You know,
I'm a stern believer that it's not a stereotype if
it's true, and this story is not going to do
anything to defy the stereotype that Catholic priests are pedophiles
and child abusers, especially when we die more into why

(59:47):
this particular Catholic priest was stealing money.

Speaker 2 (59:50):
Let's go to wr L for the report.

Speaker 20 (59:51):
Police, a Pennsylvania Catholic priest is accused of stealing parish
funds to play games like Candy Crush. Lawrence Kozak is
charged with theft and related crimes. Authorities say he rocked
up tens of thousands of dollars and expenses over three
years and used some of that cash to play cell
phone games like Pokemon Go. The archdiocese has placed Kozak

(01:00:12):
on administrative leave.

Speaker 11 (01:00:14):
These poor people, man, they come to the Catholic Church,
you know, given tithes and offers, given tithes and offerings,
typic tithes and offerings. Okay, giving they ten percent to
the Lord. And here go to pastor stealing money because
he wants to play Wizard of Our Slots and Candy
Crush sogin Cash Frenzy and Mario Kart or in Pokemon Go.
I hate to be, you know, the one to break

(01:00:36):
the news to you, but this man, this man might
have been buying that fast man. Okay, There's just no
way that the Catholic priest steals forty thousands from the church,
and a large part of it is going to these
apps that are largely aimed at kids.

Speaker 2 (01:00:47):
Now, I'm not one of these people who buys into
every stereotype. I know that there has a lot of
prejudice against the Catholic Church because there are some people
who believe that Catholic priests everywhere are pedophiles and child
of musers.

Speaker 11 (01:00:57):
We know that this is not the case. Every every
Catholic priests is not the same. So If I say,
what's the difference between Woody from toy Story and a
priest and someone replies, only one of them goes limp
when a child walks in walks in the room.

Speaker 2 (01:01:12):
That does not apply to all priests. Okay, do you understand,
but it could apply to Lawrence Kozak.

Speaker 11 (01:01:16):
I don't want to get distracted though this man used
the church's money that he stole over forty thousand dollars
on apps. The thing that bothers me the most about
this is that you are taking advantage of people's need
to believe. Taking advantage of a person's you need to believe,
that's also a form of abuse.

Speaker 4 (01:01:33):
All right.

Speaker 2 (01:01:34):
These people are sowing a seed.

Speaker 11 (01:01:35):
They are showing gratitude for all that God has given
and want to return to God a portion of what
they have received. And a lot of people do this
hoping that they will also come back to them because
they need it. People say, when you tie, it brings
you closer to God. So you taking advantage of people's
need to believe they're hard earned money that they could
be spending on food, medical bills, housing, childcare. But you

(01:01:56):
taking these folks, you know money can buy candy crushing
Pokemon Go, Pokemon Go.

Speaker 2 (01:02:06):
I think you got all these apps because you want
the poker kid.

Speaker 11 (01:02:08):
But I don't want to reinforce stereotypes, because all Catholic
priest should not be judged by the bad actions of
a few. Like if I ask what's the difference between
acne and a Catholic priest? If someone responds, acne doesn't
come on a boy's face until he's thirteen or so,
I'm not asking that in reference to all Catholic priests.

Speaker 2 (01:02:23):
That just wouldn't be right.

Speaker 11 (01:02:24):
Now, Let's just say Lawrence wasn't reinforcing negative stereotypes of
Catholic priests, and he was one of the many people
who are addicted to these cell phone apps. I truly
believe game purchases is an epidemics big as crack or opioids.
They get you hooked by giving you something free, but
the catch is they make you wait like every hour
to refresh. But then they'll offer you a quicker way

(01:02:45):
to get whatever you know, whatever you need replenished, you
just gotta pay. Monopoly Go gives you ten dice every hour,
or you can get one hundred dice for.

Speaker 2 (01:02:53):
Nine to ninety nine, which one are you gonna ultimately
choose if you want to play Monopoly?

Speaker 14 (01:02:57):
Go?

Speaker 11 (01:02:58):
It's kind of like man, remember back, and it still
might happen now, Like when the new iPhone comes out
and then they ask you if you want an update
on your old phone, and then when you update it,
it don't quite work.

Speaker 2 (01:03:08):
The same that just happened to me. You see what
I'm saying. My long clock will not work. Now you
see what I'm saying. So now you forced to go
buy your new phone. Yeah, that's how they get you.

Speaker 11 (01:03:17):
Speaking of getting you, I just really want people to
understand that I am not on this radio saying all
Catholic priests abuse kids. I'm just saying it's suspicious that
this guy was using the church's money to have all
these apps for kids on his phone. If I ask
Kendrick Lamar, why do Catholic priests like playing the violin?
And Kendrick replies, because they get the finger a minor.

(01:03:37):
That a minor that has nothing to do with all
Catholic priests.

Speaker 2 (01:03:40):
Okay. Now. Father Kozoles was arrested on April.

Speaker 11 (01:03:43):
Twenty fifth and face his felony theft charges, and he
earned that Father Kozak have you ever wondered why Catholic
priests called himselves father because it's too suspicious for kids
to call him daddy. But that has nothing to do
with all of them, just some Please let remy ma
give Lawrence Kozak the biggest he haw he.

Speaker 2 (01:04:05):
Haw he ha, you stupid mother? Are you dumb?

Speaker 4 (01:04:10):
M m m mmmm.

Speaker 3 (01:04:13):
Well mm hmm, that's.

Speaker 4 (01:04:19):
Ok.

Speaker 3 (01:04:20):
I don't know what his words like Charlemagne or the priest.

Speaker 2 (01:04:24):
I didn't do anything. I'm just telling the story.

Speaker 3 (01:04:26):
No, I'm not talking about reference to the keys. I'm
talking about the way that you just slaughtered a lot
of other precesses.

Speaker 2 (01:04:33):
No precess something I said, I said some preciss is
the word I didn't say. I didn't say all I said.

Speaker 3 (01:04:40):
So I know the last little bit. I'm not listening
to this gonna be like, oh uh.

Speaker 11 (01:04:44):
Uh, well, don't apply, let it fly. Okay, Yes, I said,
don't fit.

Speaker 4 (01:04:52):
You must have quit.

Speaker 2 (01:04:54):
Huh all right, thank you for that.

Speaker 4 (01:04:58):
The Breakfast Club.

Speaker 8 (01:05:02):
It's j M. V.

Speaker 9 (01:05:03):
Jes Hilariy Schela mean the guy we are the Breakfast Club.
Now that it's sitting in on this interview, we got
a special guest in the building.

Speaker 11 (01:05:09):
We got the greatest lyricists in the world whose name
is not Kendrick Lamar new album, Please Don't Cry?

Speaker 2 (01:05:18):
How are You Anxiety?

Speaker 11 (01:05:21):
Okay, we gotta get into it first before we started
talking about job on Kendrick and Drinke.

Speaker 2 (01:05:25):
Come on, bro, Kendrick, easy call.

Speaker 19 (01:05:27):
It's so easy. I could do my eyes closed.

Speaker 11 (01:05:30):
Kendrick, what what causes an MC to win a rap battle?
Because you're an m c MC, So what causes the
MC to win a rap battle?

Speaker 21 (01:05:39):
You gotta have strategy, right, I tell people it's like
the art of war. You got to know who you're
going against. And for this case in particular, the type
of person that Kendrick is, you know he's strategic.

Speaker 19 (01:05:49):
Like if he goes quiet, you should know that he's cooking.
But you gotta have the right beats.

Speaker 21 (01:05:54):
You know, your bar has got to be up. Your
performance is a thing. Like I think all of those
things matter. And the thing that I like that he
did he gave you.

Speaker 19 (01:06:04):
He cooked that boy so many different ways, Like I.

Speaker 21 (01:06:07):
Said, he baked them, me stir fried them, that grilled
them like he marinated a little bit, like he gave
you stories, He gave you a banger.

Speaker 19 (01:06:14):
He gave you the classic hip hop bar joint.

Speaker 4 (01:06:17):
It is.

Speaker 19 (01:06:18):
However you want it, I got it for you. And
you know anything, Drake.

Speaker 21 (01:06:22):
Said, he came back and was like he just didn't
have rooms. It's like when you're boxing somebody on you
can't get your arms nothing.

Speaker 2 (01:06:29):
Yeah. The reason I'm glad we started the conversation like
this because I'm trying to set the stage for how
Dope Rhapsody is for those who still don't know. Like
your peers, the mcs MC's hold you in high regard.
That's why they do these type of records with you.

Speaker 19 (01:06:45):
Yeah, and everybody says it's like you bring the best
out of them. I'm just you really do you know?
It's a beautiful, healthy competition.

Speaker 18 (01:06:53):
I think your features that are on all your projects,
from Layla's Wisdom down to this latest one, from like
a Black Thought to what Eric Could I Do? To
working with Hip Boy, It's like the quality is just different.
You know, when you tap into an album like this.

Speaker 21 (01:07:08):
It's you know, when I'm creating this about the music,
Like the music is the biggest ego in the room,
and I think when you approach it from that point
of view, everybody's gonna bring it best, you know, it
makes it fun and exciting, even on Complexion like you
going there, like y'all, I gotta I gotta meet they level,
even with the Wayne joint on the album I wrote my.

Speaker 19 (01:07:27):
Versal, Yo, I wrote my vers that one.

Speaker 18 (01:07:29):
I feel like for a hip hop purists, that's the
best one on there.

Speaker 19 (01:07:32):
I love that record I did.

Speaker 21 (01:07:35):
And I'm not afraid to say that at all, like
first time I ever did that. But I sent it
to him first, and I was just approaching it like
I was trying to grow and like I don't have
to be so lyrical. I want to do something that's
easier for people to learn, but it's not dumb down,
Like it's still me, but it's.

Speaker 3 (01:07:50):
Not like just more relaxed.

Speaker 8 (01:07:52):
Yeah.

Speaker 21 (01:07:52):
When I got his verse back, I was like, nah,
I gotta I gotta match his level of raw, Like
I gotta match it.

Speaker 19 (01:08:01):
So I was like, nah, I can't. I can't get
the people that.

Speaker 3 (01:08:04):
What do you say when you rewrote it?

Speaker 19 (01:08:06):
He said, I just sent it back to him.

Speaker 21 (01:08:07):
I was like, I rewrote it. I said, I took
your flow and I just put my words to it.
I just want to let you know what you think
send me fire amojis.

Speaker 2 (01:08:14):
And stuff.

Speaker 11 (01:08:16):
The wild think about this projects called Please Don't Cry. Yeah,
what ironically throughout the album, all you're doing is giving
us stuff to cry about.

Speaker 2 (01:08:24):
Like what is that about?

Speaker 8 (01:08:25):
That?

Speaker 2 (01:08:26):
That's the point.

Speaker 19 (01:08:28):
It was like the title got a realer.

Speaker 21 (01:08:29):
Man, it's about like I was never one to show
my emotion in public, or you know, we grow up
maybe men, especially what you're crying about. But it's really
about allowing yourself to be human. Why you should cry,
all the reasons you should cry. Don't cry just because
you're sad. Cry because it's something so funny you laugh
until you cry, or you so in love, you know,

(01:08:50):
like are you joyful or you angry? Like I cry
when i'm mad because if I don't, I'm gonna say
something or do something that I'm gonna regret. So I'm
gonna just let it come out tears, Like allow yourself
to just be human. I don't think we do that enough,
especially in a day with social media. It's perfection, perfection
in your face all day, like the highlight reel. But

(01:09:10):
where's the raw stuff? So you got to remind people
like you human?

Speaker 2 (01:09:14):
But you're giving people feelings absolutely.

Speaker 11 (01:09:17):
I know.

Speaker 18 (01:09:18):
On the first single that you released for the album Asteroid,
you talked about how you almost wanted to step.

Speaker 3 (01:09:23):
Away from this completely.

Speaker 19 (01:09:25):
It was a thought, Yeah that broke my heart. Yeah,
why it was.

Speaker 21 (01:09:29):
I was just at a place like I was just
seeing the music business and everything that was in front
of me. I was like, yo, I feel like I'm
getting tired, Like there's no place for me, you know
what I'm saying, Like I don't know.

Speaker 19 (01:09:40):
If people care.

Speaker 21 (01:09:41):
And it's like I could do music by myself, Like
I don't even have to play this game. I want
to get into the film world anyway. But I love
it too much. I got too much purpose in it.
I have to be the example. I want to be
the example. Rather I get to be the example. So
you know, but it was a real thought, like man,
what does it look like in this space?

Speaker 19 (01:10:01):
You know? And you know hip hop likes to aid
you out. I was, you know, as a woman.

Speaker 21 (01:10:05):
It was just so many things going through my head
and it's just like, yo, let me just pause and
just really sit with it.

Speaker 3 (01:10:11):
So what helped you get over that part of it?
Because I can imagine you don't feel that way now,
you bet not.

Speaker 21 (01:10:16):
You gotta you have to unplug from the matrix, right,
And you look at it and you're like, I feel
this way because I'm trying to validate myself through all
these other things that everybody like, yo, why don't why
aren't you know? Why don't I get this award? Or
why I'm not in this space or these same spaces
as other people? And you figure out like, yo, whatever

(01:10:38):
space is for me is for me.

Speaker 19 (01:10:40):
And that's what it was like. I had to validate
myself and I look for anybody else and any other
these false measurements to do it. You know, it's like,
what are you in it for? I was like, damn,
I'd just really like to connect with people and make
music to inspire people.

Speaker 8 (01:10:56):
So do that.

Speaker 19 (01:10:56):
Anything else is a blessing.

Speaker 14 (01:10:58):
Yeah.

Speaker 2 (01:10:58):
So you think we can take off and wrap without
a male cold sign because.

Speaker 19 (01:11:04):
I think, you know, we have so many resources. If
you make great music.

Speaker 21 (01:11:07):
One thing Nfe always told me it might take you longer,
but people can't deny it. So it's kind of like
either down for the marathon or not. That's everybody like, man, woman,
it don't matter if the music good is somebody gonna
find it eventually I think you can, like, but you
gotta you gotta make great music and still be on
your brand and in.

Speaker 19 (01:11:25):
Marketing and you know, all the little things. But I
do think it's possible.

Speaker 2 (01:11:29):
Because I always think about how dope it would have
been if, like the way a Drake embraces a sexually
red Kendrick would embrace you in that way. I just
think I think that goes a long way. Sometimes, Yeah,
no it does.

Speaker 19 (01:11:41):
And he hass you know, Complexion was an all ali
big alley for me and.

Speaker 3 (01:11:47):
Then a lot I mean, to be honest, a lot
of embracing from like you know, older generations. I notice
a lot of people like to embrace people that can't
touch them, you get what I'm saying, Like they will
embrace people that they no cannot touch them, Yeah, beat
them lyrically, can't even I'm yeah, you're popularity, You've got
the big platform right now. What they want to be like,

(01:12:09):
you're playing and so what you you know, money, drugs all, alright, cool,
So I'm gonna take you under my wing, you know
what I'm saying, just to keep me in the game.

Speaker 19 (01:12:17):
And ye keep my name out there attached. But yeah,
that's a real thing.

Speaker 1 (01:12:21):
That's crazy.

Speaker 2 (01:12:22):
How did this album?

Speaker 11 (01:12:23):
Because I've heard you say that this album has brought
you the most peace you've ever seen.

Speaker 2 (01:12:26):
How does the album this raw and vulnerable bring you peace?

Speaker 19 (01:12:30):
It brings me peace because it's the most me I've
ever been.

Speaker 21 (01:12:34):
I'm I'm so fearless now again like I'm I'm neo,
like unplugged from the matrix and living my reality. So
that's like everybody's been asking me how you feel, how
you feel like the album's about to come out, and
I tell them myself, I'm at peace because I have
no expectations.

Speaker 19 (01:12:50):
I'm not thinking about I need to do this amount
of numbers, like, yo, what's good? If do we need
to do this?

Speaker 21 (01:12:56):
I'm just like people like it or they don't. Yeah,
I made an album that I was happy with and
I shared things that I wanted to share that with
For me, like so many albums, I would shine a
light on the world, and this one was like I
need to shine light on me and so to be
able to like because I'm so private and I protect
myself in that way and I held so much and
I feel lighter because you know, I'm I'm so confident

(01:13:20):
and again I'm not afraid to just share. I was
afraid before because I was afraid of judgment, what people
would think, like, you're not perfect, You're not always the
good girl. You have disappointed yourself.

Speaker 19 (01:13:31):
And some people. But it's like, it's okay, we all
do at some point.

Speaker 2 (01:13:35):
We got more with rhaps City. When we come back,
don't move. It's to Breakfast Club.

Speaker 11 (01:13:38):
Good morning warning, everybody's ej nd Jesse, Larry Shallaman the god.

Speaker 2 (01:13:42):
We are the breakfast Club. Naala is hanging with us
this morning and we're still kicking it with Rhapsody, Nihla.

Speaker 18 (01:13:47):
So what pushed you to the point of wanting to
live you know, like this much in your truth and
be this transparent.

Speaker 19 (01:13:55):
I wanted to grow.

Speaker 21 (01:13:56):
I had gotten out a relationship when I started this project,
and healing from that, you know, therapy, you realize it's
never about the person, it's about you. So once you
start to sit and ask yourself these questions trying to
figure out how to heal from the relationship, the relationship
is over with. It's just like, oh, what are the
mirrors in front of me? What are the things about

(01:14:18):
me that make me feel incomplete?

Speaker 19 (01:14:21):
Or all the things? Why do I act like this
when this happens. So it was like an onion. I
was just peeling back, pelling back, peeling.

Speaker 2 (01:14:28):
Back, and I was just like crying every time.

Speaker 3 (01:14:33):
Year was crazy.

Speaker 21 (01:14:35):
Yeah, a lot of solitude, a lot of tears, a
lot of praying, and I have a beautiful village. So
my homegirls would tell me, like, yo, you your next
phase is you gotta let people see you the human party.
You gotta be vulnerable. And so I love a good challenge.
It was hard, uncomfortable, it was not fun, but the

(01:14:57):
other side is so beautiful. So it's like the you
really got to let yourself sit in the fire and burn.
And some days I was like, man, am I gonna
feel like this forever?

Speaker 2 (01:15:06):
But now I was going to ask, like which specific
experience led to, like the journey of self exploration and
self acceptance. So it was a breakup. It's like my
life album.

Speaker 16 (01:15:17):
Yeah, yeah, it's a lot of my life, all pieces
of it.

Speaker 21 (01:15:29):
Their relationship was dope, though, like I learned a lot
in a relationship about even how to begin this journey.

Speaker 8 (01:15:37):
You know.

Speaker 19 (01:15:37):
They was back to back relationship. So I got out
of the long one, had a little time, and got
in another one.

Speaker 2 (01:15:43):
But the second one was just a rebound.

Speaker 8 (01:15:45):
No really.

Speaker 21 (01:15:51):
You I mean, yes, that happened, but that wasn't my
my experience. It was the one the relationship that impacted
me the most. I wouldn't have become the person I
am now without that relationship.

Speaker 19 (01:16:02):
So they gave me like the starter pack tools you know,
to figure out.

Speaker 21 (01:16:06):
They say, you people come into your life for a reason,
season or lifetime, and there was definitely reason in this.

Speaker 19 (01:16:13):
I think it could be multiple things. But once it
was like now you're on your own, you by yourself.
I was like, oh, I gotta do the work work, you.

Speaker 2 (01:16:20):
Know yo, I'm please don't cry.

Speaker 11 (01:16:22):
You got a song about dementia, yeah, which is something
that impacts so many of us, like we all have
a loved one that suffering from dementia.

Speaker 2 (01:16:29):
I had dementia. Like what made you want to speak.

Speaker 21 (01:16:31):
On that cause it was such a big part of
my life when that time. My aunt, who's my mom's sister,
oldest sister, helped raise me. So just like all my
aunt's like my second mom's. So when she got diagnosed,
it hit me like, yo, my grandmother had it. But
to sit with somebody and see it progress is just
a big part of my life and it affects me

(01:16:52):
so emotionally, and it was just like I want to
talk about it, and because I do know so many
people that go through it, I was just everything I
was feeling.

Speaker 19 (01:17:01):
I was just putting on paper. Yeah, you know, and
I think people need that. That's just what it was.

Speaker 8 (01:17:07):
Like.

Speaker 19 (01:17:07):
I think about how all the time.

Speaker 21 (01:17:09):
You know, every time I go home, that's the first
place I go sometimes before I stop with my mom.

Speaker 19 (01:17:14):
And this last time I went, I was there for
like four hours.

Speaker 21 (01:17:17):
We was talking, laughing. I think the last hour, somebody
came in the house and they was like, you know.

Speaker 4 (01:17:23):
Who that is?

Speaker 2 (01:17:23):
She was like, I don't know.

Speaker 19 (01:17:25):
I was like, damn, yeah, yeah, it's tough.

Speaker 21 (01:17:28):
It's tough, and you know, I think about my cousins
who's at her kids. So it's just like, you know,
a story that I wanted to share, Like, if you
want to know me, this is what I go with,
this is what I go through.

Speaker 19 (01:17:38):
When I'm with my family.

Speaker 2 (01:17:41):
Your grandma got to make trade.

Speaker 4 (01:17:42):
Yeah.

Speaker 3 (01:17:43):
Yeah, And that's why I say that definitely hurts out
that to relate to that that it does hurt.

Speaker 21 (01:17:48):
There's a hard, hard disease and go through like the
mind goes and the memory.

Speaker 19 (01:17:54):
Yeah, you know, but same thing. My family's the same way.

Speaker 21 (01:17:57):
Like I remember the first time, like she was really
doing things where I could really see it because I
can always see it before. But I remember the day
and my other aunt came over and we were just
talking about it. She just said she bust out laughing,
you know, like talking to pictures or whatever. I like,
I was in my feelings. She started laughing. She's like, girl,
we got laugh to keep from crying.

Speaker 19 (01:18:16):
And that just changed me.

Speaker 21 (01:18:17):
Like so it's beautiful to see, like how the family
takes care of her and we just whatever she on
that day, we just all a part of it.

Speaker 3 (01:18:26):
Yeah, you know what I'm saying.

Speaker 19 (01:18:27):
That's good and it makes.

Speaker 21 (01:18:29):
It a little easier, but yeah, it's it's tough, is
it true? Your credits and notihilating with helping you magast
finishing it.

Speaker 2 (01:18:40):
She's sing.

Speaker 19 (01:18:42):
Not Lathan can sing, like yeah yeah.

Speaker 21 (01:18:45):
And when I worked we worked on the movie on
a come Up in twenty twenty one, and she brought
me on to help with the.

Speaker 19 (01:18:52):
Music and coach the actor.

Speaker 21 (01:18:55):
But I got to see how much of a music fan,
especially hip hop, she was like i'd send her demos
and stuff. She tell me about the beat and what
she liked, and I was like, you know what you're
talking about. You know, we talked about music a lot.
But she was a big part of the healing process
for one, right, you.

Speaker 19 (01:19:11):
Know, healing goals and phases. So she had put me.

Speaker 21 (01:19:14):
Onto this course it's called how to Beemagnetic dot com
or whatever. And I did the course and it was
so instrumental, like meditation, like she helped.

Speaker 19 (01:19:25):
Me get through over the hump.

Speaker 2 (01:19:26):
Yeah.

Speaker 21 (01:19:27):
So we was in New York at a premiere and
she was always asking about the album because you know,
we talked about pretty much everything, and she was like,
you're not finished with it yet, just like everybody on
the edit that I was like, I'm still not fitished.

Speaker 19 (01:19:40):
She was like, what's taking so long. I was like,
I don't know. I said, I feel like it's too gray,
like I see music and color. Sometimes.

Speaker 21 (01:19:48):
I said, I don't know, I think it's too gray.
It might be too sad, like I'm just overthinking it.
I could do that sometimes, And so she was like,
play me some songs. So I played her like three
or four songs and she was like, it's not too sad.
It's exactly what people need. Finished the album, and because
she said that, I was like, okay, and I finished

(01:20:08):
the album. Other than I probably would still be recording
right now.

Speaker 19 (01:20:11):
I believe it.

Speaker 3 (01:20:12):
I believe that you.

Speaker 18 (01:20:17):
I do love having Felicia on the project.

Speaker 2 (01:20:21):
I thought that was full name. Yes, okay, I knew
what I was talking about.

Speaker 18 (01:20:32):
You have Felicia Rashad Narrate and I love on the intro.
The only way out is in. You even know who
you are. I'm like, this project really takes you on
a ride. But but how did you connect with her?

Speaker 21 (01:20:44):
It was a lot easier than I thought. I think big,
I'm gonna always go big, and I'm like all they
can say is no.

Speaker 19 (01:20:50):
So I was just prepared.

Speaker 21 (01:20:51):
I was telling my manager. I was like, if she doesn't,
we can't get hurt. And this person, this person, this person.

Speaker 1 (01:20:56):
Back up.

Speaker 21 (01:20:57):
My manager got information on her manager and they just
she sent her a request and at first they were like,
we want to hear some music. And I was busy
at the time, but before I could even send it,
it meant two days.

Speaker 2 (01:21:09):
When they went by, she was I'm too busy.

Speaker 19 (01:21:14):
No I didn't, no, no, no, you, that's not what happened.
I was to get you know, the song.

Speaker 21 (01:21:22):
I'm trying to figure out what exactly to send it
because the album went all the way done.

Speaker 19 (01:21:26):
So I was like, you know, I was moving around,
so it was maybe two days later.

Speaker 21 (01:21:32):
I was traveling, but I think like they asked for
the music, and then I think the next day she
was just like yes, you know, I don't know if
they google, I don't know what happened.

Speaker 19 (01:21:45):
But I was like, my mouth was on the floor.
I was like what And so I wrote out the
parts and sent them to her and she recorded it
and she's so.

Speaker 21 (01:21:54):
Good, like I just I wrote out my part in
her part and she did it on a voice memo
in our hotel.

Speaker 19 (01:22:02):
But she's she's just so good, like you hear it.
But I chose her for that, you know, for the
very reason.

Speaker 21 (01:22:09):
Or what she represents to the black community to us.
I was watching The Matrix and I was so intrigued
by the relationship of Neo and the Oracle. You know,
it was like that was the journey I was on
and how she got it him. So when we were
in the studio and I was with Black Odyssey in Austin, Texas.
They helped executive produce the album with s one. They

(01:22:31):
were like, how you gonna put pieces together? Not?

Speaker 19 (01:22:34):
And that's what I thought of, And she was the
only voice.

Speaker 3 (01:22:36):
That I heard.

Speaker 9 (01:22:37):
How we got more with rhaps City when we come back,
don't move. It's to breakfast club. Good morning, the breakfast club.

Speaker 2 (01:22:44):
When we are the breakfast club. We have now with
us this morning and we're still kicking it with rhaps City.
Tell me, I tell you tweeted no such thing as
female hip hop.

Speaker 19 (01:22:52):
Yeah, I don't like that.

Speaker 2 (01:22:54):
What is that elaborate on that little Yeah, it's.

Speaker 19 (01:22:57):
It's just hip hop.

Speaker 21 (01:22:58):
Like somebody they try to re boto me, like there
are women who make songs specifically for women. That's called
an audience, sir, audiences women. But what she does is
hip hop. Like you, when you label something, labels are
just there to separate us. So if you labeling it
female hip hop and you putting it in a category

(01:23:20):
with this is just for females, and you looking at
it a certain way, it's like, no, they do hip hop,
they rap, but their audience may be mostly women, you know,
And I just hate the separation and labels. It's already
hard for us. It's just another form of sexism too. Yeah,
I don't make female hip hop. I rap for everybody.

(01:23:41):
You get it or you don't. And you know my
fan base shows that got men, women, older people, younger people.
It's just that's what it is.

Speaker 19 (01:23:49):
So it's like, we're not about to do that, and
I'm gonna advocate for it.

Speaker 2 (01:23:53):
What problems you to the dress, questions about your sexuality?
Under stand tall records because it.

Speaker 21 (01:23:58):
Would be conversations throughout the years of my career, and
so it was like things that I internalized to like
the way that I dress or whatever. People assume things
about you or because you have you don't know who
I've been a relationship. I'm private, so they just assume
who you are. So it's just like, let me just
address it head on. Then you know you hear it

(01:24:19):
from me.

Speaker 2 (01:24:20):
He said. Judgment saw me. They wondering if I'm gona
eat the Kochie fan all because I choose the style
and sneakers and some baggy pants used to make me
Aggie want to black out like the Aggie fans.

Speaker 8 (01:24:28):
I heard.

Speaker 3 (01:24:29):
Of course you did, you, of course you did.

Speaker 2 (01:24:34):
That's what I'm yo.

Speaker 21 (01:24:35):
I'll be like it's like if you dress like this,
oh you do not like men because you're not catering
to men what we think or what we think men
want to be catered to. And now the conversation I'll
be seeing men having it like yo, we miss having
some imagination about it.

Speaker 2 (01:24:50):
Do you hear me?

Speaker 3 (01:24:51):
That's why I'm like, Yo, Y're gonna show us everything.
Listen to the man if all with these new you know,
newer brand. If women are trying to upheal the men
all the time, listen to them. They don't always want
to get online and misplaced belly buttons and all that.

Speaker 1 (01:25:09):
They don't want to see it all the time, like rather.

Speaker 3 (01:25:13):
Not even see the stomach.

Speaker 2 (01:25:19):
Showing three for cloth, never showing your stuff off.

Speaker 19 (01:25:22):
Like yo, you fly hell, I'm gonna affirm that to you.

Speaker 21 (01:25:29):
And yeah, and it's not even just in music, like
I hear women in the business they say like I
sometimes I cover up just so I can go in
the meeting.

Speaker 19 (01:25:37):
We can have a straight on meeting. I ain't about
to do that, but yeah, it's just like everything is
a full display, like you know, I like to I
like to have you guessing, like you know, the days
we do want to pop out.

Speaker 16 (01:25:51):
And be like damnamn, Like yeah, let that reaction.

Speaker 21 (01:25:56):
And it's not comfortable. I like to be comfortable and
just be real with you. Yeah, them he'lls hurt my feet. Yeah,
very excited about your packaging.

Speaker 3 (01:26:04):
Your promotion is crazy. You always got a creative way
to appeal to your fans, Like when she does Past
the Us and she we always have your music. She
always says a song like show tell us, like little.

Speaker 2 (01:26:15):
Creative ways that you be like like that one time.

Speaker 3 (01:26:20):
Yeah, like a T shirt Like, yeah, the T shirt.
I'm like, Okay, that's creative.

Speaker 2 (01:26:24):
That's dope.

Speaker 3 (01:26:25):
That's how you really know who you're connected to as well,
like your fans are really loyal to you.

Speaker 21 (01:26:29):
It's one of my favorite things about putting out an album,
Like the music is of course, but then it's like,
all right, that part is fun, Like how we gonna
roll this out with this one.

Speaker 19 (01:26:39):
I watched the movie Air. I don't know if you've
seen it.

Speaker 3 (01:26:42):
No, it's it's about Yeah, I'm sorry.

Speaker 21 (01:26:47):
I was so inspired by the branding and marketing of it,
and it was just like, it ain't about the shoe,
It's about the person wearing the shoe. I was like,
I called the team. I was like, I want to
roll this out like a Nike ad for a shoe,
but with the album, how we gonna do that? And
you know, we really wanted again, like I was in
the place of like free, like I'm not worried about
Billboard or nothing like that. It's just like, let's just

(01:27:09):
focus on the fan base. So you know, we just
made them a part of it, and we just told
the story from that way, just being organic and the
ideas we was just flowing. My mind worked like that.
I can't explain it, but yeah, I'm glad people are.

Speaker 3 (01:27:26):
I can see that.

Speaker 16 (01:27:27):
Thank you.

Speaker 2 (01:27:28):
And I just noticed this. We each each other, that's
your label.

Speaker 19 (01:27:31):
Yes, I wasn't ready to announce it.

Speaker 2 (01:27:41):
Each other Jack Nation.

Speaker 3 (01:27:42):
I'm like, oh yeah, yeah, but it's okay. It's okay.

Speaker 19 (01:27:54):
I could still have my moment when that time comes.

Speaker 21 (01:27:57):
But yes, I started this is my last album on
Jammling Records, and that's my family forever. But it got
to a point where I felt like, you know, I've
learned so much. I feel like I reached the ceiling.
And it's like you leave the nest many times over life,
you know, you get eighteen, leave the home, you leave
the nest, and I feel like you do it many
times over.

Speaker 19 (01:28:17):
So you know, I told going Knife, I was like,
I think it's time for me, you know, to try
this on my own.

Speaker 21 (01:28:23):
So I have a business partner, Andre Mego, who's also
an artist, and our first artist that we signed together
is Nico Brim Yeah.

Speaker 18 (01:28:31):
Nico love it.

Speaker 19 (01:28:34):
Yeah, So I'm excited to introduce that more to the world.

Speaker 18 (01:28:39):
That's why he got his own interlude on the project.

Speaker 19 (01:28:42):
Why he has project Yeah.

Speaker 2 (01:28:45):
Well, big ceo rap, you know what I mean. It's
a pleasure.

Speaker 21 (01:28:49):
Thank you for your time as always you thank you
all for making space for me. Thank you for always
saying my name yr like.

Speaker 2 (01:28:54):
I appreciate the love absolutely.

Speaker 11 (01:28:57):
Please don't cry. It's out right now and it's rahaps
to the y'all. It's the breakfast club.

Speaker 2 (01:29:03):
You're like into the breakfast club, pointing everybody.

Speaker 11 (01:29:06):
It's j n V Jess hilarious. Charlomagne the God, we
are the breakfast Club. It's time to get up out
of here. Yes, Charlomagne, you got a positive note. The
positive note is this man. You are responsible for your life.
You can't keep blaming somebody else for your dysfunction.

Speaker 2 (01:29:19):
Breakfast club bitch

Speaker 1 (01:29:20):
Is you don't finish for y'all dunks,