FULL SHOW: Cardi B Pregnant with Stefon Diggs’ Baby, Dame Dash Not Revolt Chairman + Marlon Wayans Interview

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, it's the world's most dangerous morning to show the
Breakfast Club. I go by the name of Charlamage and
God hit the Yeo's Red yo yo yo yo yo yo.

Speaker 2 (00:06):
Yo yo yo yo yo yo yo yo yo yo
yo yo yo yo yo yo yo yo yo yo
yo yo yo yo yo yo yo yo yo yo
yo Yo.

Speaker 3 (00:13):
Yeah, I can't throw myself and out of you. But
guess what day it is?

Speaker 4 (00:16):
Guess what day it is?

Speaker 3 (00:22):
Yes, indeed, man, I guess I'm the only one here
at the moment. He's on vacation, all right. He's gonna
be gone for a couple of days. And he's gonna
be gone for a couple of days.

Speaker 1 (00:30):
I have no idea what justice Lauren should be coming
in here at any moment, but we have an amazing
show for you today. Marlon Walliams will be joining us
this morning. Marlon Walliams has a new movie coming out
this Friday. It's actually a Jordan Peel film called Him.
It is a sports hard movie. So he'll be joining
us to talk to us about that. And who knows me.

(00:51):
I don't know what Lauren got playing for the latest. Man,
We're just gonna have an amazing show a Teslin figure
will be up next with Front Page News, which will
be about thirty seconds.

Speaker 3 (00:59):
So what's the song we're about to play, right, Chris Brown?

Speaker 1 (01:02):
Play Chris Brown for thirty seconds, and then we're gonna
come back and talk to test. It's the World's Most
Dangerous Morning short of Breakfast Club, and it's time for
Front Page Nos.

Speaker 5 (01:10):
Good morning, Charlemagne. I'm glad to join you in the
coffin this morning.

Speaker 1 (01:14):
It's the Black Mothership. Don't ever get it fed Uphip.
Good morning, Tesler, figure out, how are you good?

Speaker 6 (01:20):
Good morning, I'm doing well, Charlemagne. To God, let me
get straight into it. I know we need to talk
about a lot well. Yesterday, Tyler Robinson, the man accused
of murdering Charlie Kirk, appeared briefly before judge by video
from jail. Let's take a listen to the formal charges.

Speaker 7 (01:35):
Tyler Robinson is charged with aggravated murder, felony, discharge of
a firearm, two counts of obstruction of justice, two counts
of witness tampering, and committing a crime in the presence
of a child. Authority say their evidence includes text messages
between Robinson and his roommate.

Speaker 8 (01:54):
Roommate, you are the man who did it, right, Robinson?
I am, I am, I'm sorry.

Speaker 3 (02:01):
Roommate.

Speaker 8 (02:02):
Why Robinson? Why did I do it?

Speaker 3 (02:05):
Roommate?

Speaker 8 (02:06):
Yeah, Robinson, I had enough of his hatred. Some hate
can't be negotiated out.

Speaker 9 (02:14):
Now.

Speaker 6 (02:14):
The FBI said that Robinson used the chat app discord
to tell at least twenty friends that he shot Kirk,
So the FBI is questioning those individuals. And speaking of
questioning Charlemagne, Democrats brought FBI Director Cash Matael before Congress
yesterday to question him about his inconsistencies during the investigation,
and Senator Corey Booker basically reminded Patel that he too

(02:37):
might be fired.

Speaker 5 (02:37):
Let's listen to what he had to say.

Speaker 10 (02:39):
Donald Trump has shown us in his first term and
in this term, he is not.

Speaker 3 (02:43):
Loyal to people like you.

Speaker 11 (02:45):
He will cut you loose because maybe the last time
I have a hearing with you, because I don't think
you're long.

Speaker 3 (02:52):
What they mad about? What they med at Cash Mattel about?
What was that?

Speaker 6 (02:56):
Yeah, well they mad at him because he had the inconsistencies.
Remember he's said, first we got the guy, you know,
we got him in custody, and then he went back
and said they didn't have him in custody, and then
today I'm gonna bring you more of that tomorrow. Today
they're going to get into ask him more questions about
the f SCEN files. So they're going to ask him
a ton of different things. It's not just focused on
Charlie Kirk as f Sein Fowls is Charlie Kirk. Also

(03:17):
of the resources they've been diverting to, you know, a
lot of the ice, you know, ice ice, and a
lot of sudden that they're spending on that.

Speaker 5 (03:27):
So they're going to question on a number of different things.
And so we'll be talking about that.

Speaker 6 (03:31):
If we got a couple of seconds, I do want
to talk about a couple of things Charlemagne that we
did not know about Tyler Robinson.

Speaker 5 (03:36):
His DNA was found on the trigger of the rifle.

Speaker 6 (03:40):
The prosecutor said that he wrote in the text that
he spent more than a week on planning to kill Kirk.
Prosecutors also said that he has not revealed a clear
motive at this time, so they still have not landed
on a motive. But again, like you heard in the clip,
they said he's had enough of his hate.

Speaker 1 (03:56):
I tell you one thing else about Tyler Robinson. I
don't care what they tell you. You ain't got no rights. Okay,
everything they telling you in court right now about right
the council and write the remains silent and right to
a publican speedy jury trial. No no, no, they already
picked and choose what they gonna do to you, you
fried bro.

Speaker 6 (04:15):
Yeah, it's gonna be interesting to see all twenty people
that will see if they'll be getting in and cut
cooperating with the FBI as well. But at seven o'clock,
I want to tell you about the LA Police Department.

Speaker 5 (04:29):
They're released a.

Speaker 6 (04:30):
Report on how many projectiles were fired during the gym protests.
And I want to tell you about the youngest neuroscience
student in history.

Speaker 5 (04:40):
So I see you as seven.

Speaker 3 (04:41):
All right, Thank you, Tess.

Speaker 1 (04:42):
Next up, get it off your chest one hundred and
five eighty five, one oh five to one. If you
want to call up here and tell us why you're blessed,
you can do that. If you want to call up
here and get something off your chest that's that's bothering you,
you can do that too. It's the world's most dangerous
morning show to Breakfast Club, the Breakfast Club.

Speaker 12 (05:00):
Wake up, wake up, this is your time to get
it off your chest. And man of Black, we want
to hear from you on the Breakfast Blast.

Speaker 3 (05:12):
Good morning. Who's in?

Speaker 10 (05:13):
What's going on?

Speaker 3 (05:13):
So?

Speaker 13 (05:13):
Oh man, she should be for the BX.

Speaker 3 (05:15):
Whatever, Jimmy from the BX. Get it off your chest.

Speaker 1 (05:17):
You know all the craziest people in America come from
the Bronx and all the Florida You do know that, right,
That's right?

Speaker 11 (05:21):
And I got the family forward to Hector and Jennifer Zarry.

Speaker 3 (05:25):
Lord, have mercy.

Speaker 11 (05:25):
I just want to say, hey, look, I want to
give you a shadow yesterday for the interview with Dave.
You held your home. You're respectable, and I think Damid's
just ringing the desperation. Damn, he's trying to stay, you know,
reveling like Yo, my man is over.

Speaker 13 (05:38):
You say you don't talk about Jimmy, keep bringing up
Jay Zame's interviews, and I just you know, then he
trying to come at ll O cool Bay because.

Speaker 11 (05:46):
I see how little Bronco reported saying every bole said
that he's not a chairman.

Speaker 14 (05:49):
Bro They was on my body yesterday.

Speaker 4 (05:52):
Yes they was.

Speaker 13 (05:53):
But you know, I just you know, your little journalism
that finally was since CMZ and I'm you know, I'm
gonna go with you.

Speaker 11 (05:58):
You say he's at the chair. You don't believe that?

Speaker 1 (06:01):
Thank you, I mean Revolt said he's not the chairman.
But we'll get into that during the latest thank you
for calling my brother. We said first, yes, sir Peace King, listen,
good morning, get it off your chance, brother.

Speaker 2 (06:15):
I see this, k come on with you think that
you want to chime in on that. To be honest,
game didn't have to deliver it like that. But you
guys are on a platform where you deliver a lot
of information to a fash a lot of people, and
I just hope more forward that got to just continue
to just educate people of all the things that we
need to be educated about.

Speaker 1 (06:34):
I think we do both, and I think we do
a fantastic job of doing both. And I've always told
y'all with a perfect balance of righteousness and ratchet. You know,
because last week alone, you had diverse voices like Meddi Hassan,
you had Ben Shapiro, you had Jasmine Crockett, But nobody,
even though those number, even though those due numbers, nobody
ever calls up here and y'all don't have the reaction
y'all do to the mess like Dame Dash yesterday.

Speaker 3 (06:55):
So who fault is that? Good morning? Who is yo?

Speaker 4 (06:58):
Good morning?

Speaker 10 (06:58):
Tarling man? I'm all from Illinois.

Speaker 15 (07:00):
Man, I just want to talk about that damn badge.

Speaker 3 (07:03):
And yesterday, Yes, sir, go ahead, brother, So the situation.

Speaker 15 (07:07):
I had a lot of respectful day, but that kind
of threw me off yesterday. And how you were trying
to like talk about you running from that fight and
all that. And I believe, like every mandy of a cult,
refusing to fight doesn't mean you're afraid.

Speaker 3 (07:19):
When it's now leading to fight.

Speaker 15 (07:20):
The only bother wan that's just stand down. And you
did the right thing. He got out that situation, and
you protect yourself, solf pursue the last day. So I'll
respect you, and I respect the breakfast well. So and
he came to y'all y'all didn't come your help.

Speaker 3 (07:34):
I appreciate it, brother, Yes, sir, thank you man, Thank
you for calling get it off your chests.

Speaker 1 (07:39):
One hundred and five eight five, one oh five to one.
Those aren't box by the way, those are real voices.
I just want you to know that. So hit us
up right now. If you want to get something of
your chest, or if you want to tell us why
you're blessed, if you just want to tell us why
you're upset, you can do that too.

Speaker 3 (07:53):
It's the breakfast club.

Speaker 16 (07:55):
The breakfast club.

Speaker 3 (08:00):
Damn what you're doing man calling you?

Speaker 12 (08:04):
This is your time to get it off your chest,
whether you're mad or blessed. Eight hundred five eight five
one o five one. We want to hear from you
on the breakfast clubs.

Speaker 3 (08:13):
Get it off your chest? Who's this?

Speaker 13 (08:14):
This is Rico from that town.

Speaker 1 (08:16):
Rico. We don't want you. How are you, sir? I'm
good man, I'm blessed, black and Holly favor man. Get
it off your chest.

Speaker 13 (08:24):
Hey, I just wanted to call about the Dame David's
interview from yesterday.

Speaker 3 (08:28):
Okay, talk to me.

Speaker 10 (08:30):
I thought I thought it was hilarious.

Speaker 3 (08:33):
I did too. I enjoyed it.

Speaker 10 (08:35):
When you go through life, you realize that some people
you just don't take serious, and damn Dash.

Speaker 11 (08:40):
Is one of the people.

Speaker 1 (08:42):
I don't disagree with you. I just don't disagree with you.
Thank you for calling brother. Good morning.

Speaker 3 (08:48):
Who's this going on?

Speaker 10 (08:49):
Man?

Speaker 17 (08:50):
Yeah?

Speaker 3 (08:50):
Three eight o three metro what's happening. Get it off
your chest, brother, I gotta put it out there. Okay,
talk to me.

Speaker 11 (08:58):
Hey man day, I really enjoyed that day interview.

Speaker 10 (09:00):
Yes, get the call there, but y'all heard y'all brown Man,
I'm I did.

Speaker 6 (09:07):
Especially you.

Speaker 9 (09:10):
Represent the sound man for the sounds, you know, but
I appreciate it.

Speaker 1 (09:17):
Yes, sir Jesus Christ. Everybody want to talk about Dame Dash.
Get it off your chests. Lose this Carl, please call her?

Speaker 16 (09:23):
Goodmorrow.

Speaker 3 (09:24):
How are you?

Speaker 10 (09:24):
Okay, I'm blessed and highly meditated.

Speaker 3 (09:27):
Ooh what you on? You want edible or something?

Speaker 4 (09:29):
A little bit of both? Okay, Okay, I don't discriminate.

Speaker 10 (09:33):
Okay, I want to get off my chest this Damon Dash.
Let's start with Damon Dash. Y'all put up with too
much of his stupidity. Never like Damon Dash. He has
not been relevant since Aliyah has passed away. Damon Dash
needs to stay in his lane because I make more
than him as a construction worker.

Speaker 3 (09:52):
Salute to all the construction workers out there. Y'all do
get paid.

Speaker 1 (09:55):
Y'all make a lot of money. I mean the world
does not even move without y'all.

Speaker 3 (09:58):
You hear me? Every single day I was going on
in the company in the world.

Speaker 10 (10:02):
I appreciate you putting some respect on my profession, but
let's get on. I want to really get off my chest.
Curselin guy that got killed.

Speaker 4 (10:10):
I do not.

Speaker 10 (10:11):
Promote somebody being murdered, but that was climb and knocking
on that man's door. You can't hate. I think, ain't
nothing gonna happen. These trunk supporters put by these flags,
these flag half masks because of this man that got killed.
That was his own doing. If he would shut his
mouth and staying his lane and know that this country

(10:34):
was built on the back of slaves and immigrants. I'm tired.
I'm tired to be stupid Republicans. I'm tired of it
because they seem they look at us. I had a
white person tell me yesterday, I need to stay in
my lane. I don't belong here.

Speaker 3 (10:49):
Belong well like as far as America.

Speaker 10 (10:51):
Is for, I live in Taylor, Michigan.

Speaker 3 (10:53):
Okay.

Speaker 10 (10:54):
I had a white person tell me yesterday, yeh by,
a white person tell me that I don't belong here.
Damn what I need to stay in my leg? I
tell him, I said his mama should have swallowed him.

Speaker 3 (11:06):
God damn.

Speaker 10 (11:08):
You know I do not roote. Hey, I do not
promote racism. I don't promote none of this, and I
will put somebody in their place when they are wrong.
And supporters need to know their days are going to end.
They need to stay in their lane and know the
Democrats playing with them.

Speaker 3 (11:30):
Well, I think the Democrats are definitely playing for playing
with them. I don't.

Speaker 1 (11:33):
I don't think the Democrats, you know, have the regime
to fight any of this stuff that's going on. But
I appreciate you standing up for yourself. Get it off
your chest and five one, five one.

Speaker 3 (11:43):
We do that every morning.

Speaker 18 (11:45):
Now, ll kool Bay, Yes, good morning. Yes, what you
got in the latest? Man, we got some Dame Dash?
Oh lord, yes, I mean I think this gonna put
a button on it. The CEO at Revolt sent an
email internally discussing Dame Dash and the chairman position or whatnot.
So we're gonna get into some things and some reactions to,
you know, celeb reactions to all of the interviews.

Speaker 4 (12:06):
That we did.

Speaker 1 (12:07):
Okay, we'll talk about it when we come back with
the latest. It's the Breakfast Club.

Speaker 16 (12:10):
The Breakfast Club, It's the.

Speaker 1 (12:15):
World's mos Dangerous Money Show, The Breakfast Club, Charlamagne to
God DJ Envy is off for the rest of the week.
Jess is running late she overslept, but l Cool beds heads.
Time for the Latest with Laura.

Speaker 3 (12:26):
Lauren becoming a straight fast she gets them somebody that
knows somebody detail.

Speaker 14 (12:33):
I'm a home girl that knows a little bit about everything.

Speaker 16 (12:35):
And she'd be having the latest on you. The Latest
with Lauren Lrose.

Speaker 1 (12:41):
Sometimes you have sometimes you have details, sometimes you have
a little bit of everything.

Speaker 16 (12:44):
It's the latest on the Breakfast Club.

Speaker 11 (12:47):
Talk to me.

Speaker 3 (12:48):
I know your phone was hot yesterday.

Speaker 18 (12:49):
Laurence Laos, Oh my god, yes, so yesterday after we
had our conversations here about Dame Dash and all the
things and the interview. I mean I said it on
the area that I had spoken to Well, you guys
had heard from Revolt. I had her from Revalt as well,
but at the time I couldn't say who I had
heard from. But then I was told by a publicist
that I spoke to, who actually leads their comms over

(13:11):
their communications, Like, Hey, can you please put on record
that you spoke to me. I want to make sure
that people know that Dame Dash is not the chairman
of Revolt.

Speaker 3 (13:19):
So I did that well for people were just catching up.
You should let them hear their claims that he made.

Speaker 14 (13:23):
Okay, yes do we I don't even know if we
have the do we have them? I have them, bring
them over. We cut them yesterday.

Speaker 18 (13:31):
But so basically with Dame Dash claim was that he
was the new chairman of Revolt. He also claimed that
he was going to be acquiring Revolt. That chairman position
will be a path to acquiring Revolt Network and then
he would also he was also saying that he was
previously in conversations with be T to acquire BT and

(13:51):
they were really Revolt was really upset about that because
internally it caused a lot of issues. Now when I
posted that, hey, I spoke to the lead publicises at
Revault who confirms him Dash, she's not the chairman.

Speaker 14 (14:01):
Oh baby, When I say all the guns came out.

Speaker 3 (14:04):
Didn't he threaten to sue me? What I had to
do with it?

Speaker 18 (14:06):
Yeah, he did threaten to sue you as well. He
actually said he said that you were up here making
false claims and that his attorneys were get involved.

Speaker 14 (14:14):
If you continue to do so.

Speaker 18 (14:15):
What false claims did I make I'm not because we
were talking about remember you said on air the Revolt thing,
he said, Charlottage, and I would advise you not to
make up phony stories without real names saying that anything
I said was not true, or we will have a
legal problem. Don't try to compromise my reputation. I have
prooved to support everything I say that will stand up
in any court.

Speaker 1 (14:34):
He said he was going to be the new chairman
of Revolt, and he said that he was going to
acquire Revolt, and Revolte reached out thus and told us
that wasn't true.

Speaker 3 (14:39):
How's that my fault?

Speaker 19 (14:40):
Yeah?

Speaker 14 (14:40):
And we have the Dame audio now too. You gotta
shit hear him say.

Speaker 20 (14:42):
Let's say listen, I'm now the chairman of Revolt right now,
and I also I have fiftyeens to be the chairman
of I got you. So I'm now the chairman of
Revolt with a pathway again, you see, because he wants
to trigger me, and I want you to acknowledge that.
So I'm now Cam's boss, the chairman of Revolt with
a pathway to acquisition. I've been trying to buy a
case this on deadline.

Speaker 3 (15:03):
Can you stop. Can you stop in the review me? Please?

Speaker 20 (15:06):
Deadline wasn't didn't make the announcement for this particular situation.

Speaker 3 (15:10):
They didn't want to.

Speaker 20 (15:11):
I had an announcement I was gonna make with BT,
but Paramount stepped in and they said do it later,
and they didn't want to be a part of this mess.

Speaker 3 (15:18):
It will be in something.

Speaker 20 (15:20):
You know, this gets played tomorrow, so the announcement will
be in the trades tomorrow. I've been trying to buy
Revolt and I also just did a twenty five episode
deal for my podcast for Boss's Take Losses, and I'm
putting on my content on Revolt Dope.

Speaker 3 (15:37):
I want the record the show too.

Speaker 1 (15:39):
I told him he doesn't deserve to be the chairman
because he told me I didn't deserve something early in
the interview, I forgot what it was, though, I Tolt.

Speaker 3 (15:44):
I was just imagine this that as.

Speaker 4 (15:45):
You does so well.

Speaker 18 (15:46):
The trade that he was talking about, or the news
announcement he was talking about, came via Vibe so vibed
in an article and it was like, you know, mind
you this is following me saying, Hey, the lead publishers
at Revolt is saying Dame Dash is not chairman off
for a month after any time, so Vibe to the article.
It was an announcement of him being a chairman at Revolt.
It said that it would be for a month term.
And then it had quotes from the CEO of Revolt,

(16:09):
or alleged quotes from the CEO of REVLT in all
these things, right, So all this is happening. And then
there is the Shade Room that obtains an exclusive email
that was sent internally at Revolt. Now this email is
from the Tavio Samuels, who is the CEO of Revolt Television,
and in the email he says, I know some of

(16:29):
you may have called Dame Dash's interview on the Breakfast
Club today. To set the record straight, Dame Dash is
a hip hop pioneer with a proven chat record as
a creator. Yes, we've been in conversations about potential partnerships,
things like licensing his shows and films for Revolt, but
there is no sign deal. He is not the chairman
of our company. There's no acquisition path on the table.

(16:50):
The quote from me and Vibe is completely fabricated. I
never said any of that. If anything major were to happen,
you'd hear it. Directly from me, and then they go
into some news that you know that is actually true,
that is actually happening from them, Like they just partnered
with Naomi Osaka on some sports women in sports content
they'll be doing, you know, just some of the positive
things that they wanted to highlight. But yeah, they had

(17:11):
to internally tell their team, hey, this is not true,
because the employees were like, what is happening right now?

Speaker 1 (17:15):
I told y'all yesterday that I thought he was cappin.
I also told y'all yesterday he was going to spend
all day explaining himself, and that's exactly what he did.

Speaker 3 (17:21):
Then something to say about this yesterday?

Speaker 18 (17:22):
Yes, so Cameron posted online and he more and so
was laughing at Dame Dash as well. Let's do you
only have Cameron with Adrian. Yeah, so Cameron was more
so laughing at Dame Dash.

Speaker 3 (17:36):
I saw him explain some stuff too.

Speaker 18 (17:38):
Okay, so we'll grab that as well. In the meantime.
You remember when he was here as well, he talked
about Claudia Jordan and he mentioned fifty cent. Fifty cent
also has something to say fifty cent. It wasn't a video,
but fifty cent posted on Instagram and he said, he said,
I don't know why Dame Dash is calling me a liar,
And basically because Dame Dash was saying that fifty hadn't

(18:00):
grab the rights to pay the full Claudia Jordan had
something to say because Dame Dash talked about the lawsuit
that she was involved in, because she was in the movie.

Speaker 14 (18:08):
Dear Frank, let's take a listen.

Speaker 21 (18:10):
Dame Dash once again has my name in his mouth
when he should be having polladant tight grip in his
mouth instead holding those cheap ass dangers in place, instead
of worrying about me, why do you keep trying to
bring me into your mess. You've been seen by everybody,
You've lost every single lawsuit, and you owe the government
all this money, yet you keep trying to bring me
into your bullshit on instead of dear Frank, you were
wildly inappropriate. You did not set that should have shut

(18:33):
it down. And what you did to me during the
one scene was I have not embarrassed yet because everybody
else has done that job for me and including yourself.
But if you want to keep running your mouth, then
I'm gonna tell my side. You say, pervert on set,
you were disgusting the things you did with that porn
tape and what you try to do to get me
ready for a scene with you while your shunt was
showing out of your chest and you thought you was hot,

(18:54):
you were not.

Speaker 4 (18:55):
You were shot mess.

Speaker 5 (18:56):
And yes, I understand. You see me everywhere.

Speaker 21 (18:58):
So and you're nowhere except pretending to own ranches that
you don't own and borrowing money from people, and you
see people that are just flourishing without you, and like
like you do with jay Z, you're just sitting there
and sell us of everybody else, counting everybody else's money.
So now you want to inclue me and your lawsuit bringing on?

Speaker 16 (19:14):
What is it?

Speaker 1 (19:14):
Shunt see murder? Tell me what, text me later and
tell me what to shunt it.

Speaker 14 (19:19):
I don't know.

Speaker 18 (19:19):
But in this also Dame had because remor you said
he was going to be trying to explain hisself. So
Damon posted some text between that he a ledger between
him and the Tabio Samuels, who was the CEO of Revolt,
and he's basically trying to show that there was an
ownership conversation of some sort. Now the text message conversation
they're talking about exclusivity of content. The tabo or whoever

(19:42):
this other person is is saying, we can align on
clips and other things from America News. So there's something,
but it can only live in one place. And then
Dame does acts in this text. He said, you know,
in addition to other things, also, is there still a
pathway to own?

Speaker 14 (19:55):
Now?

Speaker 18 (19:56):
The tabo texts back, but he also says after that,
but I'm cool with it if it's just for bosses
take losses to start, and then Dame says, not my
YouTube channel, not my YouTube channel, my network. The tabo
responds yes, and I'm with these folks, and then it's
cut off. Then there's an email where the tabo is
allegedly introducing Dame Dash to someone on an email thread.

Speaker 1 (20:18):
I got aheadache already. Yeah, So all I know is
Dame cass too much. What the internet thinks you but
you know what they're dressing. A couple of weeks ago,
Dame was sitting down on all the Dialogue being chatty patty,
and he said Cameron's premature public announcement of becoming president
of Rockefeller back in two thousand and two caused real
problems and created a real tension at Rockefeller back then.

(20:38):
But fast forward just two weeks later, and Dame was
on the radio making the same kind of premature announcement
mat matter back of not even premature.

Speaker 3 (20:44):
It wasn't even there's nothing to announce.

Speaker 18 (20:46):
I really didn't understand what happened there, Like, I didn't
believe that. I mean, I know when I post the
story that I do my du divilagist to find out
what really happened. But when I found out, I was like,
there's no way he does. I don't know, I was.
I was caught off guard, but you.

Speaker 3 (21:01):
Know, you can't believe somebody would just lie like that.

Speaker 18 (21:03):
Yeah, for the record, Dame called me a liar when
I when I mentioned that he was not the chairman
of Revolt, and then.

Speaker 3 (21:09):
The email from and then threatened to sue me.

Speaker 14 (21:12):
Yeah, and yeah, trying to throw other legal things.

Speaker 3 (21:15):
This is why you just gotta laugh at Dame.

Speaker 1 (21:17):
And I need somebody to make a Dame Dash versus
Dame Dash video with Dame is literally violating all his
own rules.

Speaker 3 (21:24):
Everything he tells others not to do, he does.

Speaker 14 (21:28):
God God bless him.

Speaker 3 (21:29):
God bless him. And I hope he wills. Yeah, I
really do. I really Hope, Dame dash Hills. Thank you
Lauren for the latest.

Speaker 14 (21:35):
You're welcome.

Speaker 1 (21:35):
Okay, coming up, we got Front Page dues with Teslin
figure Out and Marlon Wayms will be joining us this hour.
He's got a new movie out this Friday at Jordan
Peel Film actually called him, called him and we'll talk
to him all about It's the word'st dangerous.

Speaker 3 (21:48):
Morning to Show the Breakfast Club.

Speaker 16 (21:49):
You're checking out the Breakfast Club.

Speaker 1 (21:52):
Yes, Morning Show to Breakfast Club. Charlamagne to God, DJ
Nvy is off.

Speaker 3 (21:56):
I don't know where Jesse is. I thought just supposed
to be here, but I guess she's off too.

Speaker 1 (21:59):
But LLL fubs head Lauren LaRosa and it's time for
Front Page News.

Speaker 6 (22:03):
M absolutely good morning morning and Charlemagne and the Guide. Well,
let's talk a little bit about you know, the protests
were happening in California. You remember how that was going
on this summer where they actually released a report to
talk about how many of those projectiles, which is basically
those rubber bullets that were fired into the crowd. So
they released a state manded report of the la Police

(22:26):
Department talking about the use of force against the protesters
and they found out guys that over one thousand projectiles,
which again of those rubber bullets were released in one
single day in June. So they were definitely you know,
getting it in as far as those protesters were concerned. Now,
this was the immigration crackdown, when folks came out to

(22:47):
you know, support or to be anti immigration, and when
they deployed the National Guard. So we've been having those conversations.

Speaker 3 (22:54):
Guys.

Speaker 5 (22:54):
Remember the national Guard.

Speaker 6 (22:55):
We talked about it yesterday, the National Guard that's in Memphis.
How the National Guard will be going on Chicago next
This is the result of that. Now the issue is
in twenty twenty one, California restricted the rights restricted the
use of these type of rubber bullets and you know,
said that it should only be used in certain circumstances.
And they're looking for different ways to have crowd control.

(23:17):
So right now they are going through a conversation to
see if any of.

Speaker 5 (23:21):
Those rules have been violated.

Speaker 6 (23:25):
And we also have a nine year old boy. It's
been dark this week. I wanted to do something positive.
I want to tell you about the youngest NERO science
student in history. Let's take a listen to this wonderful story.

Speaker 22 (23:40):
Take a listen well, Academics has always been easy for
this nine year old freshman in college. On Monday, he
started off his week at Earth Scientist College.

Speaker 23 (23:48):
Evers those three a lot younger I been. I've been
watching anatomy videos and I was always fascinated when I
saw like the brain.

Speaker 22 (24:03):
In a classroom builled with eighteen to twenty year old
Aidan is working to make his dream come true as
a pediatric neurosurgeon.

Speaker 23 (24:10):
Boys and why I want to be a pediatric neurosurgeons
Mainly because well I like helping kids around my age.

Speaker 22 (24:19):
Three times a week, Aiden can be seen hitting the
books at Ersinus College. The other days he's taking virtual
classes at Reach Cyber Charter School.

Speaker 5 (24:26):
As a sophomore in high school.

Speaker 22 (24:28):
At just nine years old, Aidan Wilkins is the youngest
students in history at er Sinus College.

Speaker 3 (24:33):
What a genius?

Speaker 4 (24:34):
I know what a gus?

Speaker 5 (24:35):
Isn't it a qutes?

Speaker 11 (24:37):
Well?

Speaker 5 (24:38):
When I was two A lot younger? You know, he's
only nine.

Speaker 18 (24:41):
How do y'all know when y'all kids are gifted like that?
Like that that just happens from.

Speaker 3 (24:45):
I think all kids are gifted like that.

Speaker 1 (24:46):
I think what we end up doing is putting kids
in a box, right, Like we give kids things like
the ABC's and the one two threes, and we think
that's all they can handle. And the reason I noticed
that is because of how my daughters read. Like I'll
be sitting there, like last time, I'm sitting there watching
CNN and one of my daughters loves to come sit
by me and she'll be talking and as I'm listening
to what she's saying, she's reading the lower thirds, so

(25:07):
the ticket that's going down at the bottom, and she's six, you,
she's just reading the ticker.

Speaker 3 (25:11):
And I liked that.

Speaker 1 (25:12):
I was like, man, should I stop her because a
lot of this stuff is very dark about Charlie Kirk
and you know, Tyler Robinson.

Speaker 3 (25:18):
But I'm like, nah, because she's learning like you, so
let her cook.

Speaker 5 (25:21):
Yeah that's that's interesting.

Speaker 6 (25:22):
You said that because he actually was reading street signs
at two years old. So to answer your question, Lauren,
he was literally like before kids were even talking, he
was doing a lot of reading. So his mother I
did some additional digging and looked into the story. His
mother was like, yeah, you know, he's really gifted, and
started putting him, you know, into different programs. And I
want to ask you guys about that, because you know

(25:43):
sometimes this he's a sophomore in high school, and I
know you've probably heard conversation before with should you let
kids just stay on pace or should you go.

Speaker 5 (25:51):
Ahead and let them advance and not really.

Speaker 6 (25:54):
Have that traditional you know, traditional school, traditional.

Speaker 5 (25:58):
School with their age. What do you guys think about that?

Speaker 6 (26:00):
Do you think you know that that's cool to have him,
you know, be a sophomore than nine years old in
high school.

Speaker 18 (26:06):
I don't have a problem with yeah, because what else
do you do if he don't you waste his time
anywhere else?

Speaker 14 (26:10):
He learning under that?

Speaker 1 (26:12):
And I doubt he's actually going to the school. I'm
sure he's getting home home training.

Speaker 6 (26:16):
No, he's actually going to well, you know, he's at
a charter school, so high school, he's attend high school,
and so half of his day he's actually going to
the actual college to take these neuroscience classes. So he,
you know, does half his day at his regular charter
school and then half the day like actually in class
with these eighteen nineteen year olds.

Speaker 3 (26:34):
I don't have a problem with it.

Speaker 1 (26:35):
But I was also born in nineteen hundred and seventy eight,
and I grew up off duey houses, so I thought,
you know, fourteen year olds being doctors was a normal thing, right.

Speaker 5 (26:43):
Well, shout out to him.

Speaker 6 (26:44):
We needed some positive news, so shout out to him
this wonderful story.

Speaker 3 (26:47):
Shout out a little eight and keep it going absolutely.
Thank you Tess for Front Page News.

Speaker 1 (26:51):
And listen, man, please remember that Tesla figure O is
going to be on Abby Phillips Show on CNN tomorrow night,
and she's gonna be in studio with us tomorrow doing
Front Page News Live. But I am really looking forward
to seeing Taz on Abbey Phillips.

Speaker 3 (27:06):
They told you who you're gonna be on.

Speaker 4 (27:07):
With, they still ain't talking.

Speaker 6 (27:08):
You know, they only tell you the day of, and
you know a lot of people don't know that. A
lot of times we don't get our our talking points
until the day of. We don't know what the topic is,
we don't know who he's sitting next to. So it's
gonna be a big surprise. So thank you for putting
the pressure on.

Speaker 4 (27:22):
Brother.

Speaker 1 (27:22):
Well, if it's one thing I know about, test test,
stay ready, so she don't got to get ready. Okay,
M sixteen sniper, what you used to shooting on me.

Speaker 6 (27:30):
Sixty baby, twenty three pound weapon. Come on, I'm shooting
the M sixteen as well, but I was a sixtygether.

Speaker 3 (27:35):
I'm on now, all right? Tell them what to follow you, Ted, follow.

Speaker 6 (27:37):
Me on Instagram. Guys at Teslain figure Row, make sure
you tap in. I'm always you know, talking about different subjects.
And still the podcast with Black Effect podcast Network. Check
that out five years strong, so a lot of content
there as well.

Speaker 3 (27:50):
That's right.

Speaker 1 (27:51):
When we come back, Marlon Williams will be joining us.
He's got a new movie coming out this Friday. It's
actually a Jordan Peel film called Him. It is a
sports horror film and he'll be here to talk to
us all about it when we come back. It's the
world'st Dangerous Morning Show to Breakfast Club.

Speaker 16 (28:04):
The Breakfast Club.

Speaker 4 (28:08):
Morning.

Speaker 24 (28:08):
Everybody is DJ n V, Jess Hilarious, Charlamagne the gud
We are the Breakfast Club. La La Rose is here
as well, and we got a special guest in the buildings. Indeed,
Ladies and gentlemen, Marlon Wayne, what's happening?

Speaker 3 (28:20):
What's happens? Always home, Always Home? How did you feel?

Speaker 16 (28:23):
Man?

Speaker 3 (28:23):
I feel great? You know, I love that y'all got
the two ladies here. Y'all need the balance. Thank god
one wasn't enough.

Speaker 25 (28:31):
I felt bad for you you, I felt bad for her.
Oh my god, too much toxic masculinity going on, balls
on the table at all time.

Speaker 3 (28:45):
Well, listen, this is a big week for you. Yeah.
Him comes out on Friday. Yes, sir, Jordan Peel Monkey
Paul Production, Yes sir?

Speaker 1 (28:51):
What made you want to do a dark, psychological sports
uh horror movie?

Speaker 17 (28:56):
He called? And I said, yes, what you say no
to Jordan Peel this? People don't say no to Nah.
I'm good, Jordan, I'm good. I'm gonna do something. I'm
gonna go do a little man too. It's Jordan field Man.
Here's the thing that it was was great as one
of those roles I didn't have to audition for.

Speaker 3 (29:17):
They wanted me. They was just like, you're the guy.

Speaker 17 (29:21):
Him and the director justin Tipping two visionaries call you.

Speaker 16 (29:25):
You pick up the.

Speaker 3 (29:26):
Phone and you go, all right, bet, I'm gonna bring
my a game.

Speaker 17 (29:28):
And I got I think I put my best performance
in the best movie.

Speaker 3 (29:31):
How did that feel? When somebody sees something in you
that you may not see in yourself.

Speaker 17 (29:35):
I feel like an old slave, Like, I know you
ain't talking about me, you ain't.

Speaker 4 (29:41):
Talking about Sean.

Speaker 3 (29:46):
What you need me to do something? I couldn't believe it,
but it felt.

Speaker 17 (29:50):
It feels good, you know, because I'm so busy working
that I don't realize how much work I've done. I'm
so I got my head down, y'all know me be
on a grind, grind, grind. I don't really know the
effect that I've had, right until you have these moments
in your life when you look up and you go, wait,
I've been doing this for thirty five years and I

(30:11):
got this resume, like and it's crazy because there's like
you're one of one. I don't know anybody's like that
can has a.

Speaker 3 (30:18):
Skill level you got.

Speaker 17 (30:19):
At this point, there's probably three or four guys that
can do this and either they're dead crazy or they
ain't doing it no more. And I was just like boom,
But I think about it and they go. You get
to a point it's like, I don't want to audition
if y'all don't know my work by now. I have
played a junkie and requiem. I have played seven people
in sex tuplets. I played a little person a white woman.

(30:44):
I've done it all. A football player, a basketball player've
done it all. What do you do with the guy
can do everything? Let him do everything? So these are
my years, Well, I just do everything.

Speaker 24 (30:52):
How do you shut down though, because, like you say,
you do everything you do, especially I feel like every
other month you're always on the road, you always do movies, like, so,
how do you shut down and be like, I'm gonna
put the effort to do it this?

Speaker 17 (31:02):
Well, you do specials when you are special. God just
made special.

Speaker 3 (31:06):
No, because I work so much.

Speaker 17 (31:07):
So it's not like I don't need twenty years to
craft a stand up special right, because this is what
I do. I'm check my schedule, I'm on the road
every week and checkmlin Waynes dot com. I am on
the road every weekend. I'm about to do scary movie.
Guess what scary movie says. I'm on the road every
weekend because I'm preparing for something great.

Speaker 3 (31:26):
So I just do the work. So specials to me.

Speaker 17 (31:28):
I'm ready to spell my next one, and I already
know my next two after that.

Speaker 3 (31:32):
Because I write scripts. I got a writer in my
head at all times.

Speaker 17 (31:34):
It's just like you know, pitching me jokes that and
God and so I'm always working and so I don't
like to hold on the material. I think you let
it go. It's like a blank canvas. I just want
to paint, man, just give me the I just want
to paint. I just love it. I love what I do.

Speaker 9 (31:47):
Man.

Speaker 1 (31:47):
I was talking about you last week because somebody in
the room says, I saw Marlon Walliams on CASA not
scream and he was.

Speaker 4 (31:54):
He was.

Speaker 14 (31:55):
He was almost as funny.

Speaker 3 (32:00):
He was hot in here.

Speaker 4 (32:03):
She said, you'll just like seeing me.

Speaker 3 (32:08):
He's crazy time. She said, I was shocked he was funny.

Speaker 14 (32:12):
That's not what I said.

Speaker 3 (32:13):
Wow, not you lie.

Speaker 18 (32:15):
I said you got mad at me because I said
he was better than it was his stream because people
come on that stream and don't know how to interact
with the chat. And then even if they're great at
what they do, you had thirty five years.

Speaker 3 (32:29):
Experience experience too, and I get what you're saying.

Speaker 18 (32:33):
Space is different than what he does. So even though
you're great at what you do, I don't know if
you've seen another streams prior to you. They're great talent,
but they don't be knowing how to like lost it
in there you ate.

Speaker 17 (32:44):
That fifteen year old boy that lives inside of me
that I will never grow up. If you spend the
night at my house and I'm fifty three years old
and you got your mouth wide open, I'm gonna put
some garbage in your mouth. You gonna wake up with
makeup on your face. I hate yeah, and always I'm
a fart in your mouth. My son and his kid

(33:05):
and his friends be like, Dad, you got a chill?
Can you stop farting on my friend?

Speaker 1 (33:09):
I was like, I ain't five, no, but and I
think the key to that show.

Speaker 3 (33:19):
And even though all the streamers.

Speaker 17 (33:21):
Was like, bro, like you you that dude, They were
like you you ain't just movie funny, You ain't just
TV funny? Like you funny funny. I was like, bro,
I do this. This is what I do. I love
to do this. And they were all surprised, but I
was like, they like, how you get like that? I
was like, I live on the stage. I've been writing
movies since I was nineteen. I want to former on

(33:42):
tige school. I've been snapping, That's what I do. I
grew up in the projects. I roast people until you
punch me in the face. And I punched you back.
That's what I like to do. That's how I make
my friends. I make my friends. That's how we create
our boundaries. I talk about you, That's how we created
a friendship. You know what I'm saying. It's like, sometimes
you just gotta go at it. I'm a New York negro.
I'm never gonna not be the kid on the block

(34:03):
ready to snap.

Speaker 3 (34:04):
Would you, Reggie? He said, I'm glad. Yeah, he's trying
to say something, some slick stuff.

Speaker 17 (34:10):
Chest you want to get out of here, don't get
your ass in the incubator.

Speaker 24 (34:16):
Go and scary six, Scary movie six, because that's we're
working on it.

Speaker 16 (34:19):
Okay.

Speaker 3 (34:20):
So I love that little young brother. I love what
he's doing. Most of all, I love that he's stay
out of trouble. I love his whole crew.

Speaker 17 (34:28):
I really think like you can't be an old head
and not respect the youth when they coming up. I
sit there and go, hey, maybe I should start an
old stream for old people old heads.

Speaker 3 (34:39):
That would be a lot of fun. And just going
to figure out how to get on with me kids.
I got a two and a half yeld to work everything.
We're gonna figure out how to get on.

Speaker 4 (34:49):
Got you just coming back?

Speaker 3 (34:50):
Kids? Your daughter's you got daughters, you got four daughters.
Oh you Nick Cannon Jr. You you know same mama?
How many mamas?

Speaker 4 (35:02):
Yeah, that's good, that's good.

Speaker 3 (35:12):
Blast them all the way out.

Speaker 4 (35:13):
That's that's shop ship.

Speaker 3 (35:15):
I'm proud of you, black man. But yes, that's that
stream was it was just fun.

Speaker 17 (35:19):
I had so much fun. I think the key to
life is you just have fun. Everything I do, I
just have fun and I put one hundred and fifty
percent into it. I don't let no, I don't let
nothing go. I'm not too cool. I just want to
have fun.

Speaker 1 (35:33):
And that's always what I'm And it does feel like
you're constantly reintroducing yourself to a new audience because like
you said, she didn't know.

Speaker 14 (35:39):
That's not true, and they didn't know, right, So it's my.

Speaker 17 (35:43):
Kids friends didn't know. They all like, Yo, you were good.
I didn't know you was that funny. You didn't see
scary movie. You didn't see White Chicks, you ain't see
don't be a minute. You didn't see Mama Show.

Speaker 18 (35:52):
You gotta go watch some of them old heads when
they come on that stream. They're great, but it's not
that's what I get what you said.

Speaker 1 (35:59):
I know she was comparing athletes and like, no celebrities
different with comedians comedians.

Speaker 18 (36:06):
And Kevin Hart was great as well too. Yeah, but
I'm like, I don't know. I think because it made
me think, what if we had, like you know, the
in Living Color stream, Like what if those worlds collided today?

Speaker 14 (36:19):
What would we see? And how would the challenge.

Speaker 3 (36:21):
You're gonna see it. I'm gonna stop my strength. We're
gonna be touching soon people.

Speaker 17 (36:24):
The Wayne actually ain't on these Oh I can't get
my old brothers, then get that camera.

Speaker 3 (36:34):
My brothers wouldn't do it, but I would. I'm just
the troll like that.

Speaker 17 (36:37):
That that's what I love to do, you know, And
I think eventually that is exactly what I'm gonna do.
Here's so much so when I went on that show,
My My, My, I have a wonderful stylist Jason and Ron,
and these brothers try to put me some cool boots
and they were slippery. I was like, they had me
dressed with some cool d.

Speaker 3 (36:56):
Square pants and this swede jacket. I said no, I said,
why this is? You want to step up your lip?

Speaker 17 (37:02):
I said no, no, I'm going in with these young
negroes and they gonna be acting the fool.

Speaker 3 (37:08):
I don't want to be. I don't be sliding around.

Speaker 17 (37:10):
I don't want to feel like a gimme putting my
playing the snap on Rick Owens. I'm gonna wear some
going sneakers. I'm gonna go in there with the youth
and we gonna have fun. So whatever they was doing,
I was just like, Oh, you wanna dance.

Speaker 3 (37:23):
This morning? Our special guest is mister Marlon Wains.

Speaker 1 (37:26):
Peel film called Him.

Speaker 3 (37:29):
Now, when you talk about.

Speaker 1 (37:30):
The movie Him, was there something in Isaiah White that
challenged you, well, break.

Speaker 16 (37:34):
Down what him is it?

Speaker 3 (37:35):
For people that they haven't seen it yet?

Speaker 24 (37:37):
What is Him?

Speaker 3 (37:37):
About him?

Speaker 17 (37:38):
Is a basically it's a it's a psychological horror thriller
set in the world of football, and it's it's basically
like never meet your idols, you know, It's like, and
what are you willing to sacrifice for success? So a
young brother comes to the greatest quarterback whoever played basically
like a Tom Brady's camp, I play Isaiah White. He's

(37:58):
the greatest quarterback ever got eight eight rings. So he's
the goat. So a young man, he's about to retire
because he wants to be with his family, have a
kid and chill out.

Speaker 3 (38:07):
He did it.

Speaker 17 (38:08):
And so this other kid, this new kid, comes along,
and he comes to his camp, and he reminds him
of the great he used to be, and he's like,
I don't want to retire, I want to make your
life hell, I want to break you.

Speaker 3 (38:22):
And so it goes about psychologically just.

Speaker 17 (38:24):
Dismantling him in a horrific kind of way. And what
happens is it's the franchise basically is a representation for
and signing with, you know, like the devil, but it's
not the devil. And it's all about the choice, because
do you want to be And he tells them, don't
be me, be better than me. So all these spoils

(38:45):
are in there for all these athletes, for anybody, right,
there's always a sacrifice. Oh you want to get on,
what are you willing to do to get on? Because
at a point it's not worth your integrity. You never
lose your integrity. Don't be a part of the system.
If it's you have to lose your integrity, you buck
the system and you become the system. And that's what
I've done my whole career. So that's why I really

(39:05):
loved about the movie. There's something beautiful and positive for
young young people in our industry, whether whatever industry, whatever job,
it is that there's a great message in there.

Speaker 3 (39:15):
For nothing should be taken literally, is what you're saying.

Speaker 17 (39:17):
No, man, people people crazy. That blood in the eye,
you know they're doing devil worship. Marlin was sacrificing GLT.
It ain't none of that, man. It's like, look, get
off of That is a great movie. It's about good
versus evil man. At the end of the day, good
is gonna win. So you got to watch the movie,
and honestly, I think it's probably my favorite movie I've
been in. I think just dramatically, just visually, justin Tipping

(39:41):
did his thing. Tyreek Withers is great in the movie.
Julia Fox is great, all the supporting cast is great.
The soundtrack is great. When y'all see this movie, it's
not a movie you gonna see one time. It's a
movie you're gonna see like four or five, six times.

Speaker 3 (39:57):
Wow, what you think? I thought it was really good,
but it hit the thing. I think I and for me,
I think I gave my best performance.

Speaker 1 (40:04):
Yeah, you and the dude that played camera, and yeah,
carry the movie by fall. I had to watch it
the first time, I was like, what did I just watch?
When I watched it the second time, I understood a
lot more of it. Yeah, But then when you said
what you said just now, I'm like, oh, so that
wasn't supposed to be taken literally.

Speaker 17 (40:19):
No, okay, not literally, but but I really feel like
this this movie.

Speaker 3 (40:24):
You know, I'm just grateful because the director let me
off the chain.

Speaker 17 (40:29):
A lot of times directors try to cage you, and
you know, I'm a lion that I need a safari.

Speaker 3 (40:35):
I don't like to be caged.

Speaker 17 (40:36):
And sometimes that's good that your cage, because then it's
about working the intensity. But when you open up that
when you starve me for two weeks, and then you
open up that cage and it's someday and it's the
it's full of people and kids and you just sitting
there hungry and you're going, I'm gonna eat. And he
would just let me off the cage, let me off
the hinge, and just go go there, and he would

(40:59):
just we do two takes and he goes, that was great.
That was awesome. I said, you need something else. He goes,
n that was great, and he goes, let's do one more. So,
what do you want?

Speaker 3 (41:07):
What do you need?

Speaker 17 (41:08):
Do you need something specific? No, I'm good, he goes,
just do and my eyes were light up. He was
telling me, throw out the script and do your interpretation
of what you feel inside.

Speaker 3 (41:21):
As an artist.

Speaker 17 (41:22):
This is Miles Davis playing my funny Valentine. Throw out
the sheet music and you express what you want given
the instrument that you possess. And so a lot of
the stuff that we did in it that's unhinged. I
was able to just create on the fly, and I
know how to. I know how to improvise as the character.
And for a reason, I'm not trying to be funny.

(41:43):
I'm trying to break you, and breaking you means I
gotta humiliate you. Oh I'm gonna do that with my jokes.
And so there was a lot of just freedom in
that role. And I just feel like, you know, I
think the world finally gets to see Marlin.

Speaker 3 (41:56):
And I don't know why I thought he was stealing
people powers. Well, he wasn't stealing powers.

Speaker 17 (42:03):
He was he was taking blood of greats and infusing it,
and then he put that blood in him, you know,
because he's passing it on and not until you get
to that point where the two people gotta collide. Now
we're colliding good versus evil, and then you know you'll
see the movie.

Speaker 3 (42:20):
But man, I really it's a powerful movie.

Speaker 11 (42:23):
Man.

Speaker 24 (42:23):
As an actor, right, do you prefer direction where tell
me how you want this? Or do you prefer let
me be be an actor, let me be art.

Speaker 17 (42:30):
I prefer both because I know a director as a
producer and the writer, and you know director, I know
a director has a vision of how they.

Speaker 16 (42:40):
Want, how they see it.

Speaker 3 (42:41):
They're ready in the editing booth. So whatever you're doing,
they're ready in the editing booth. What do you need
If I do it take like more.

Speaker 17 (42:47):
Than four times, there's something specific that I'm not giving them,
Or the camera is messed up like this, out of focus,
you know, the dolly move. So I don't take that personally,
I know, But for me, I like a take where
you go do what you want, do what I want. Now,
Now you're gonna get something special. Now you get the comedian,
now you get the writer. That's been writing movies since

(43:07):
he was nineteen years old. Now you get the Marlin
that I have worked myself to be, and I can
improve and enhance any material.

Speaker 18 (43:18):
When you were shooting it, I always wondered when people
who work with Jordan peel like, because you have to
watch it so many different times, like Charloman said, when
you're actually in it, are you ever in real time
realizing that something might be interpreted one with like, Oh,
that's what this means versus it being different?

Speaker 14 (43:31):
Do when you first read the script?

Speaker 3 (43:33):
No, I mean I dig in. I do my work right.

Speaker 17 (43:36):
So before I get to set, I have a process,
Like I don't go show up and just learn my
lines in the trailer. No, no, no, no, you give me
a script. Marlin dives in. So I work with my
acting coach. I bring Leilan and Deron Thompson shout out,
and you know, you see my dramatic work, like right
now when I'm locked I be locked in right now.
So the work I do in stand up is the

(43:56):
same work I do when it comes to breaking down
the script. So before I get to set, not only
do I know the lines, but I know the story.
I know the obstacles. I know the objective in every scene,
there's an intention. What am I trying to get? And
then I'm prepared so when the director goes, all you
gotta do is touch me like this and change this
and get this and give me this emotion. And I

(44:18):
got it all prepared because I worked it the night
before the morning before. I work my body to get
my body into a certain way. Like I put on muscle.
I was twenty five pounds bigger than I am now
I lost the weight because I'm about to do shorty
and Scary movie six.

Speaker 3 (44:33):
And I don't want him being Buff's son. I think
that's weird. So would I say, taking Magic Johnson's blood? Wow?

Speaker 16 (44:40):
Wow? Wow?

Speaker 17 (44:41):
Well now he would? I ain't take magic blood. This
man Richard Richard, and he ever been. You better get
some blood too. When he where he's telling that he
on yachts and boats.

Speaker 3 (44:51):
I want that blood. This morning, our special guest is
mister Marlon Wains.

Speaker 1 (44:56):
Peel Film called him dj Envy White Chicks.

Speaker 3 (45:01):
I got to ask white chicks, right, hilarious? Right? I
think it was one of those movies.

Speaker 24 (45:04):
I don't think people caught at first, but then when
they caught it, they're like, this is one of the
funniest Would you ever do a sequel to it?

Speaker 16 (45:11):
I would.

Speaker 3 (45:12):
I'm waiting for technology. I'm ain't for AI.

Speaker 17 (45:13):
I don't want to sit and make up seven hours
again for set for sixty days, sitting in seven hours
of makeup and then working fourteen hours after that, which
means I'm sleeping.

Speaker 3 (45:21):
Two hours every day to do this movie.

Speaker 17 (45:24):
Nah Ai is coming, so I got to get in
the makeup two times and then the AI will do
the work. I'm down for that, But other than that,
I want to do Black Man in the movie where
I come in, I do five minutes to make up,
and I get out of the twelve dollars.

Speaker 3 (45:38):
He said.

Speaker 14 (45:39):
After White Chicks, they wanted you gone.

Speaker 26 (45:41):
What were some of the like did you ever face
me hardships or any challenges after that?

Speaker 17 (45:46):
Nobody's supposed to be famous this long, they especially if
you black. They know nobody that it's unheard of to
stay around that long. It's because you work, right, I
will say, this, Hollywood's great place, but they don't know
what to do with you, right, So the opportunities you get,
there's only a small margin that you're gonna get those

(46:07):
opportunities right, because before it gets to me, Will Smith
got that script, Eddie Murphy got that script, Jamie Fox
got that script. So you gotta wait for all these
people to turn it down. And I feel bad for
regular regular actors because then you gotta wait for after me.
Then after me, you gotta wait for Nick Cannon. Then
you gotta you know what I'm saying like that, that's
a long time to wait to act, maybe get a role.

(46:30):
But if you create the role and you put yourself
as the star, now I can cast other people in
my vision.

Speaker 3 (46:37):
So these are my best years.

Speaker 17 (46:39):
And I started as a farmer and an agriculture My
brother taught me farming and agriculture to be an agriculturist.

Speaker 3 (46:45):
Now I'm an industry. Industry.

Speaker 17 (46:47):
Industry, philanthropy and education is the three things that I'm
gonna work on in terms of building this brand.

Speaker 18 (46:54):
I just feel when I've been watching your interviews getting
ready for this, that there's a you have like a
feeling of like there's like happiness, but there's a an
arrival even though you've already been here.

Speaker 14 (47:01):
You said it took fifty three years to feel special
on CBS.

Speaker 3 (47:04):
Yeah, to get confident.

Speaker 18 (47:06):
But that's to me listening to you say that, it's
crazy because like you've always been Marlon Wayne's.

Speaker 3 (47:11):
I have, but there was a missing I said, I
don't run the tape.

Speaker 17 (47:18):
Yeah, okay, you know I trust you because you be
on your facts.

Speaker 18 (47:24):
Is when I watch your interviews, I feel, I don't know,
just feels different, like you feel like you've arrived.

Speaker 14 (47:29):
Now why what is the feeling.

Speaker 3 (47:31):
With this role? I've done the work.

Speaker 17 (47:33):
Life breaks you and rips you apart, and you survive
through that and you just go.

Speaker 3 (47:37):
Oh, I get it.

Speaker 17 (47:39):
I'm here and and you know, like I said, I
was always a happy, go lucky dude. Once I survived
the trauma and the pain that I went through, I'm
a better actor. I'm a better actor because I've been
through more. And now my comedy, I don't write about
pop culture. I write about what hurts me. That I
write from BLAEU. So when you see my stand up,

(48:01):
it's not just oh, he's telling silly jokes.

Speaker 11 (48:03):
Jo.

Speaker 17 (48:04):
He got a story, Yo, There's something that I learned
when I watch that it's coming from a special place.

Speaker 3 (48:09):
And when you can make your pain funny.

Speaker 17 (48:12):
That's when you start getting great. Richard Pryor took his pain.
He had a heart attack, and he said, you know
what's funny about having a heart attack, and he did
the most brilliant bit on having a heart attack. That's
where you for me, that's when I got confident, when
I started doing stand up and really looking at myself
as an artist and going, I want to be better
writing scripts ain't enough, Acting ain't enough.

Speaker 3 (48:35):
Producing is not enough.

Speaker 17 (48:36):
And then when I said I want to be a
superstar stand up, so now I can do it all.
Put me anywhere, let's go, let's rock, let's get it.

Speaker 24 (48:43):
That's crazy that she's talking about the I've arrived moment, right,
But we look at you from that from a long
time ago. Just look at the history that you've done.
You know, every time they said you couldn't you did
it over.

Speaker 3 (48:53):
They try to.

Speaker 24 (48:54):
Take your you know what you've done, and you said,
I you I don't need y'all.

Speaker 3 (48:58):
I'm gonna do it my own way.

Speaker 1 (49:00):
It's classes right, So you have to write down like
top five and living color sketches.

Speaker 3 (49:04):
I guarantee you miss the ugly man gonna be had
good instincts.

Speaker 24 (49:08):
It's weird that you're saying this is my you know,
I've arrived moment where we looked.

Speaker 3 (49:12):
At it so long.

Speaker 24 (49:13):
You feel like you don't get the necessary I don't
want to say respect, but the kudos that you deserve
because you are the funny guy.

Speaker 3 (49:19):
You are the cool guy you are.

Speaker 17 (49:21):
I mean, it's a lot, right, It's beyond being the
funny guy, the cool guy, I think you know, it's
also I'm the baby of legends.

Speaker 3 (49:29):
It's hard when you're the baby of legend.

Speaker 17 (49:31):
You got all these legendaries dudes doing legendary things, and
you were a part of that tribe. Oh that's keenan
damon little brother. And not to say that I want
to stand out. It takes time to know Marlin, right.
It took Michael Jackson a long time before he became Michael.
You know, he was tolt with his brothers toill he
was like thirty five, forty years old, and he was

(49:51):
like okay, then he bad and you know, off the
wall he's done little things, and then Thriller hits and
you go, oh, he's Michael. It takes time for you
to stand apart when you come from such a legacy,
and I never wanted to stand apart because I love WANs.
I die WANs, I breathe WANs, I live WANs And

(50:12):
for the past fifteen years, I've just been working on
Marlon so that when I come back to WANs, I
could be a better, stronger finger and that big and
that fist and do our best work. That's why Scary
Movie six this is big. This is bringing us all
back together. And now I got a completely different skill
set than I had when I did the first one.

(50:32):
So I can't wait till next summer June twelfth, in theaters,
Scary Movie six were coming with these laughs. Everybody need
these laughs. And I just feel like That's why I said,
I feel like I've arrived, because everything's moving in slow motion.

Speaker 16 (50:46):
I get it.

Speaker 3 (50:47):
It's the matrix.

Speaker 1 (50:48):
Also wanted the expectation of being a WANs It's kind
of like they just expect greatness from me.

Speaker 3 (50:52):
Also, it's just like whatever, yeah, but that goes with it.

Speaker 17 (50:56):
But yeah, I think about this, the things that I
haven't gotten yet that I don't yearn for it don't
I didn't. It's not that that makes my identity, but
I want them statues.

Speaker 3 (51:08):
I want that in me.

Speaker 17 (51:09):
I want that Oscar I want that Grammy for my
comedy album. I want that Tony for a Broadway player.
I want those things, and I'm gonna get those things.
And if I fall short and I don't get an ego,
if I got a guy, I'm happy.

Speaker 3 (51:22):
If I got an ah, I'm happy.

Speaker 17 (51:24):
But I know that I'm putting in the work, and
even after I get that to me, I still never
made it because you stay hungry as an artist. Look
at guys like Kobe sixty points on his last game.
He kept doing the work. It's about doing the work.
The Kobe that was in the league when he was nineteen,
he was dope then. But you see the Kobe at
thirty five when he was starting to win those rings consecutively.

Speaker 3 (51:47):
That's a different Kobe Bryan.

Speaker 17 (51:48):
Then after he left him and shaqbro had their dismantling
of that team, for him to go get another ring
or two more rings after that without Shaq, that's because
that man was an animal.

Speaker 3 (52:00):
Gotta be. I'm an animal.

Speaker 17 (52:01):
I'm in that gym, I'm working out, I'm working my instrument,
I'm on the stage. I am not going to fail
my moments, period.

Speaker 24 (52:09):
Clock it clock it.

Speaker 26 (52:14):
Speaking of Scaryhold, speaking of Scary Movie six.

Speaker 3 (52:18):
Yes, have y'all started filming.

Speaker 17 (52:20):
No, we start filming, Uh, I'm going to uh London
to promote him. And then I got a gig in
San Jose. And then October first we on the set
of in Living Color. So I mean of scary movie.
Said Scary Movie six. No, Scary Move six, Scary Move six.
So we start that. We got ann and uh Is back,

(52:42):
Anna Faris, Regina Hall. We're bringing everybody back. And man,
I'm telling you this movie script is funny and we're
gonna knock this.

Speaker 3 (52:49):
Out the park. No, no, I would you said, y'all
was doing something with brothers, like a show.

Speaker 17 (52:57):
I ain't announcing it yet, but you know, but we
we're investigating doing all this stuff.

Speaker 4 (53:04):
What watch?

Speaker 3 (53:05):
And then we did Scary Movie six.

Speaker 4 (53:07):
I am lion.

Speaker 18 (53:11):
Y'all held us down because I remember your publicist. She
was like, I'll make sure that she made sure we
have all the information. So whatever you're working on with
your brothers, yes, we would love to also be the
home where the world.

Speaker 3 (53:20):
Find I will let y'all know there you go. Marloweyen's ladies.

Speaker 1 (53:23):
Absolutely, man, make sure y'all see him this Friday is Friday.

Speaker 3 (53:26):
Scary Movie six next summer, Yes, sir, Scary Movie six
next summer. Make sure mallowayns dot com get your merch.

Speaker 17 (53:36):
I love y'all, man, and I want to thank you
guys for always supporting me and making this home and that, uh,
you know, y'all know me a long time, and you
know y'all see me do the work and I see
y'all do the work. And just know what our root
for y'all and every every step of the way. And
you know we ain't done. We all just beginning.

Speaker 24 (53:55):
So I just want to say one of the last
thing we appreciate you, Marlin is the one for people
out there listening that if you're going through something off,
there's a problem, he'll text you to check on you.
There's not too many people in the industry do that.
We see so many people come and go all the time,
but he will check on you.

Speaker 3 (54:07):
Yes, and appreciate it. Yes, I appreciate you. Marlon Wayans.
It's the Breakfast a morning.

Speaker 1 (54:11):
Yeah, it's the world most dangerous morning to show The
Breakfast Club, Charlamagne and God just hilarious. DJ Envy is off,
but ll cool bayis Head. Thank you to Marlon Walliams
man for pulling up. Make sure y'all go check out
him this Friday in theaters everywhere at Jordan Peel Film.

Speaker 26 (54:25):
That man is so passionate about his acting and everything
like that. He was up here like you've seen the
veins in his neck when he was explaining, you know,
how he does, how he improvised and stuff.

Speaker 3 (54:37):
So I love him. He's a talented human. Absolutely, It's
time for the Latest with Lauren. Lauren be coming straight fast.
She gets them from somebody that knows somebody detail.

Speaker 14 (54:48):
I'm a long girl that knows a little bit about everything.

Speaker 16 (54:51):
She'd be having the latest on you. The Latest with
Lauren la Rosa.

Speaker 1 (54:56):
Sometimes you have fact, sometimes you have details, sometimes you
have a little bit.

Speaker 3 (54:59):
Every towards the leading on.

Speaker 18 (55:01):
The breakfast clouds to me, alrighty, So wanted to explain
a little bit more about what went down behind the
scenes with Cameron and not even Cameron but Dame Dash
and Revolt TV is Cameron because.

Speaker 3 (55:14):
You know what, we're still talking about.

Speaker 18 (55:17):
This, Yeah, we have to now, we gotta get to
this when I hour is a big day. Dame Dash
is currently trending across Google because of the interview. So
we're gonna get this in because Cameron, actually this is
the button that we should have put on it last hour,
So apologies for not having and then we got it.
Now Cameron explains what actually went down between Cameron, Dame
Dash and Revolt and how we got here.

Speaker 14 (55:38):
Let's take a listen.

Speaker 3 (55:39):
I ain't know you'd be lying like this, bro.

Speaker 9 (55:41):
You know when, yeah, man, you don't pay attention to
a lot of the court Revolt last week.

Speaker 3 (55:47):
Let's say he wants to put his content.

Speaker 9 (55:48):
On a Revolt champl Revolt programming is booked up until
twenty twenty six. I have two more shows I could
do this year, and so when I found that out,
I called my man and Findy.

Speaker 3 (56:00):
I said, Yo, tough thing.

Speaker 9 (56:01):
I put his shows on my slot on a Revolt
because I have two more shows I can put on
Revolt if I can executive produce the shows when I
needed help, if he put his eyes he put my
albums out of Rockefeller, not let him the executive producer.

Speaker 3 (56:13):
I'm trying to do the same thing for you.

Speaker 16 (56:15):
A couple of dollars for you.

Speaker 3 (56:17):
I'm just the executive producer. Of the show.

Speaker 9 (56:18):
First, he tough fifty year. He's like, iwin' back no
matter of fact, I'm the Godfather. You can't executive produce
my shows.

Speaker 3 (56:24):
Da da da dah.

Speaker 9 (56:25):
How you the Godfather or anything? Your word don't count
no more. You don't got teeth, you have dentures. Your
word don't mean nothing. You fell off the Mount rushmore
Halem a long time ago. But we'll address it all
tomorrow and Friday. But don't say I ain't trying to
help out. You didn't want me executive produc your TV shows.
He could have walked it right in for you.

Speaker 3 (56:43):
That's sad man.

Speaker 1 (56:44):
Damn cares too much about what other people think, especially
in regards to his finances. He wants to be perceived
as a boss. So he just wanted to say he
was chairving a revolt so he can come off as
Cam's boss. Yeah that's calling it.

Speaker 14 (56:55):
Yeah, yeah, yes.

Speaker 18 (57:00):
Part one of what Cam is going to be dropping
a revolt it's at five pm tonight, is a reminder,
and in part two will drop on Friday. And Cam's
caption to that video was less place swhere to God.
Lying through your gums is treacherous, But I got you
tomorrow and Friday.

Speaker 1 (57:13):
You know what you're supposed to eat off this type
of content like this yesterday is what I call a
Thanksgiving turkey everybody, especially if Cam has every right to
because you know, I just don't know why Cam would,
I mean, why Dane would go to that extreme just
to come off as Cam's boss like and if that
wouldn't be fact checked.

Speaker 3 (57:32):
In real time, it's crazy. And he must think there's
a coffin for real, and nobody listens to.

Speaker 18 (57:38):
The definitely think you've been inside this room for fifteen years,
you'll know what's going on.

Speaker 14 (57:44):
He said.

Speaker 18 (57:45):
Thirty gonna be fifteen in the going to cluse bomb
for us, damn it. But he wanted to be thirty.
But y'all saw Claudia, Yes we did. We played it
last hour. But yeah, you thank you for sending me that.

Speaker 26 (57:57):
She You know, Claudia is gonna give it, give a
nigga the blues, she said, and she's not done yet.

Speaker 14 (58:03):
Oh gosh.

Speaker 26 (58:04):
The next time she in New York, she want to
stop past to clear some things up here. She wants
to wait, she said.

Speaker 14 (58:13):
He's like in Nebraska somewhere.

Speaker 1 (58:15):
Man.

Speaker 26 (58:15):
She had me since she saw it. Like, oh no,
he lied, he's playing around. She went on with the nigga.

Speaker 11 (58:22):
Well.

Speaker 18 (58:22):
In other news, I wanted to take some time to
also shout out Kim Cameron because on his on the
show that he does it is what it is with
him and Mace Uh. They have stat baby Treasure Wilson,
who is a journalist that works as like an anchor
a moderator on the show, and they had Adrian Browner
on the show and the they had to Kim had
to ask Adrian Browner to leave because that baby was uncomfortable.

Speaker 14 (58:46):
Let's take a listen to that. Let's take listen to
the first clip to.

Speaker 19 (58:49):
Look so good and perfectly Yeah, what you wi that?

Speaker 3 (58:58):
I love you.

Speaker 27 (59:01):
A guy.

Speaker 3 (59:01):
I'm sorry, I'm my bad, yoaf my bad.

Speaker 27 (59:05):
Hey stuck? Could you stop? Can you stop?

Speaker 9 (59:09):
Yo?

Speaker 11 (59:09):
Yo?

Speaker 9 (59:09):
Bro?

Speaker 28 (59:14):
I told you that that okay, we can move on
the footballer that listen to the football I guess I
answered the question about Floyd when I see when I
see you taking off some time as stop.

Speaker 3 (59:28):
Yeah, bro, I did not know you looked that good
in person.

Speaker 27 (59:32):
Yeah.

Speaker 14 (59:32):
Here clown.

Speaker 26 (59:33):
He's always like he's always making some woman feel uncomfortable.
Agrian brown is a certified clown.

Speaker 11 (59:38):
Yeah.

Speaker 14 (59:38):
They were trying to play it off.

Speaker 18 (59:39):
They were trying to keep going and do the show,
but it was it was a little difficult. Yeah, And
so eventually what happened was what you're about to say.

Speaker 3 (59:46):
I did say her boyfriend was there.

Speaker 18 (59:47):
To Yes, yeah he did. Friend was there as well too.
So eventually they had to Kim had to ask him
to leave us.

Speaker 3 (59:54):
Take listen to that, all right, Hey, we're gonna have
to ask you to go.

Speaker 9 (59:57):
I mean I have to. I'm gonna pay you for
your Uh, I appreciate.

Speaker 3 (01:00:01):
You, I love you. I'm not doing it again.

Speaker 9 (01:00:05):
Yeah, no, no, no, I can't. I asked you the first time.
I don't have no problems with you. I'm gonna play
you for your time. But you can't validate bro, I
told you that I'm not. I'm not. I told you
boyfriends you know. No, no, but I appreciate your tongue.

Speaker 14 (01:00:21):
Is he on something? He sounds very picked up?

Speaker 3 (01:00:25):
Jesus he does.

Speaker 1 (01:00:28):
Yeah, I'm respect if you gave him a warning once, right,
and yeah you continue and then she's uncomfortable yeah.

Speaker 14 (01:00:34):
Yeah, yeah, damn.

Speaker 26 (01:00:35):
And I also love her camera and stepped in, you know, indefendent,
his co host to, you know what I mean, whether
his boyfriend, whether her boyfriend was there or not.

Speaker 14 (01:00:43):
That's how you do that.

Speaker 18 (01:00:44):
Yeah, I think that that. When I watched it, I
was like, man, I was. I wanted to make sure
that I shouted him out for that, because a lot
of times in a situation, as women, you don't want
to be the person that says something because you feel like,
I don't want to mess up her vibe, be like, oh,
she's doing too much, so to have a man step
in it, it it changes.

Speaker 1 (01:01:01):
Yeah, but y'all should say something if y'all feel uncomfortable,
if you'll feel unomfortable in the moment, you should say
something because especially in the environments because a lot of
times a lot of things get mistaken.

Speaker 3 (01:01:09):
Is just entertainment, yeah, just content whatever.

Speaker 18 (01:01:13):
Felt like I don't want to though, because you don't
want to be the person.

Speaker 14 (01:01:16):
I promise you we should and.

Speaker 3 (01:01:18):
You know, we just need to go on Instagram.

Speaker 26 (01:01:24):
But yeah, absolutely, I felt very you know, I felt
like by a man before, yeah, you know, on sets
and stuff like that, and I haven't said anything cause
I didn't want to be the one to.

Speaker 14 (01:01:35):
Be like, you know, she goes, She goes, need to
you know what I mean?

Speaker 26 (01:01:40):
Yes, because they don't believe you off the rip so
a lot of times.

Speaker 18 (01:01:44):
Yeah, but that is it for the latest in this hour.
Next hour, we're going to talk about Beyonce's music and
how it's still on the run.

Speaker 1 (01:01:51):
Well, since you just said that, why don't we tell
him to come to the front of the congregation, Kelvin Evans.
Kelvin Evans should come to the front of the congregation.
We would to have a word with him about Beyonce's
hard drives.

Speaker 14 (01:02:04):
You about to find out and find out?

Speaker 3 (01:02:06):
Yes, it's the breakfast club.

Speaker 16 (01:02:08):
You're checking out the breakfast club.

Speaker 4 (01:02:11):
I heard don't ye.

Speaker 1 (01:02:14):
Time you get Yeah, you are, don't.

Speaker 3 (01:02:25):
Hung, I'm a fat and all that shit around your eye.
They want this man to dog.

Speaker 14 (01:02:29):
And youn't to make a judgment of who was going
to be on the Donkey of the day.

Speaker 3 (01:02:35):
They chose you. There's a breakfast club, bitch you Who's
donkey of the day today?

Speaker 1 (01:02:40):
Well, donkey today for Wednesday, September seventeenth, goes to a
man named Calvin Evans. Calvin is the most unlucky thief
in America. Why because when you're a thief. It's not
just about what you steal are the fact you stealing.
Sometimes it's about who you steal from. And Calvin picked
the wrong one to steal from, you, hear me? Okay, See,
Calvin was doing what has become a national pastime in

(01:03:01):
the city of Atlanta, and that's breaking in cars, all right,
dropping the clues.

Speaker 3 (01:03:04):
Bomb for Atlanta.

Speaker 1 (01:03:06):
Clue to everybody who listens to us on ninety six
point one to beat You know, were there every year for.

Speaker 3 (01:03:10):
The blackpec Podcast Festival.

Speaker 1 (01:03:11):
I was just there a couple weeks ago for invest
Fest two suit to arn Elesia. Every time I'm in Atlanta,
people feel the need to warn me that a vehicle
I'm in may get broken into.

Speaker 3 (01:03:21):
Okay, I forgot what part of town. It is. One
of the heads bank Buck, one of them.

Speaker 1 (01:03:25):
But when you're in Atlanta, they will tell you that
if you got a car, especially something relatively nice, they
will tell you that you might as well keep your
windows rolled down so they don't break the windows. Okay,
when someone breaks into your vehicle, that happened to you,
didn't ye?

Speaker 14 (01:03:37):
Yes, in Atlanta twice, yes, sir damn twice.

Speaker 3 (01:03:41):
In the same car.

Speaker 14 (01:03:43):
No a different car.

Speaker 1 (01:03:46):
Well, Calvin is one of those individuals who'll be breaking
into people's vehicles, and on July eight, twenty twenty five,
he broke into the wrong one and stole the wrong
thing from the wrong person. Let's go to Atlanta News
first furry Port Police.

Speaker 4 (01:03:56):
Atlanta Police said the man accused of stealing unreleased Beyonce
music is now in custody.

Speaker 29 (01:04:02):
That theft happened days before the SuperStar's first Cowboy Carter
concert at Mercedes Benz Stadium in July. And Lanta News first,
Yasmina Alston is live at the Fulton County Jail.

Speaker 14 (01:04:11):
So, Gasmina, what have you learned about this?

Speaker 29 (01:04:13):
I can tell you that police tell us Kelvin Evans
is still in this jail on a twenty thousand dollars
bond after he was taken into custody for his alleged involvement.
He is here facing a charge of entering an automobile
with intent to commit theft. That theft allegedly includes unreleased
Beyonce music that was on hard drives in.

Speaker 14 (01:04:32):
One of the several stolen bags.

Speaker 29 (01:04:34):
This reportedly happened in a crog Street parking garage where
Beyonce's choreographer and a dancer told investigators they parked their
rental car which was broken into.

Speaker 3 (01:04:43):
Police had a car.

Speaker 29 (01:04:44):
Description, which eventually led them to Evans at an apartment
complex on Hank Aaron Drive, where video showed him taking
the stolen bags out of the car. But in the end,
it was an unrelated incident call that led hateful police
to arresting Evans. On the Atlanta's charged.

Speaker 1 (01:05:01):
Kelvin, Kelvin, Kelvin, you must be in you must be
crazy in love with jail. Okay, trying to steal Beyonce's
hard drive is literally like trying to steal a beehive
full of bees?

Speaker 3 (01:05:12):
Okay? Would you even attempt to steal a beehive full
of bees? Number One, you was on parole. Okay.

Speaker 1 (01:05:18):
When you're on parole, you are supposed to maintain employment.
And guess what, if you had a job, you wouldn't
have to break into people's cars. So all you had
to do was follow the rules of your parole and
you wouldn't be in the situation you in now. But no,
instead of being free mingling with all the single ladies,
you back in jail and there is nobody to blame
but you. Okay, you should look in the mirror and say,

(01:05:39):
you know why I'm back in jail, me myself and.

Speaker 3 (01:05:42):
I that's all you got in Now.

Speaker 1 (01:05:44):
I'm sure vehicles get broken into in Atlanta all the time,
but it's not everyday vehicles get broken into, and the
hard drives would unreleased Beyonce music on them get stolen.
That right there immediately made you a different kind of suspect. See,
those hard drives would beyond say music. Those are irreplaceable. Okay,
every single law enforcement official in Atlanta got information when

(01:06:07):
they received that call, and when it came to that case,
every single law enforcement official in Atlanta had to go
check on it. You immediately made yourself the hottest car
thief in America. Okay, not to mention. Now that your
name is out there, you might as well delete all
your social media. Okay, you think that beehive is gonna
let you live. They gonna find you a Facebook, Instagram, tictac.

(01:06:29):
They're gonna have your baby pictures. They probably got your
grandma social Security number already. And when they post your
grandma looking crazy in her church hat, you don't have
anyone to blame but yourself. Because you shouldn't have been
breaking into people's vehicles to begin with. You really thought
you was gonna steal five jump drives containing watermark music,
some unreleased music footage, plans for Beyonce's show, future set lists,

(01:06:52):
and nobody was gonna ring to your lawn.

Speaker 3 (01:06:54):
Please give Kelvin Evans the sweet sounds of the Hamiltons.
Oh No, you are the.

Speaker 16 (01:07:09):
Ah the day.

Speaker 1 (01:07:15):
You know what makes it even crazy when he stole it?
On the day he stole it. It was a MacBook
Air laptop.

Speaker 3 (01:07:21):
It was pinging wherever he was at at the Hank
Aaron Drive Complex today. That theft. He just kept it,
He just kept it.

Speaker 14 (01:07:28):
You ate that with the song?

Speaker 26 (01:07:29):
Yeah, I was ready saying he listen, you can't have
a complem n. That's why Yo. I don't know why
I do it every time?

Speaker 14 (01:07:37):
Call him talls hen take that gosh. No, I mean.

Speaker 1 (01:07:45):
You know what I was thinking about something y'all said
a little while ago, right when y'all was talking about
the uh yes, right, what is.

Speaker 3 (01:07:52):
The proper protocol in that situation.

Speaker 1 (01:07:54):
When like when a woman is uncomfortable and doesn't say
she's uncomfortable and wants a man to intervene, like, what
is the proper way for a woman to say something?

Speaker 3 (01:08:01):
Souse? Both of y'all said, y'all having said things, Yeah,
hud the treasure say something. I was wondering, She played off.

Speaker 14 (01:08:10):
She was giggling, trying to get through her segment.

Speaker 26 (01:08:12):
And uncomfortable because after a while you seen like how
he kept going like and Cam try to ignore it
a little bit and yeah along with it. At a
point he cut Cam off to make advances of her, like, yeah,
it's uncomfortable, it's weird, you know.

Speaker 18 (01:08:27):
I think, I really think it's so if you're working
as Francis with us, if you're working as closely with us,
I think you got to kind of just know us
because now we're telling you like we don't ever want
to be the person like yo, I'm uncomfortable, especially like
you just don't know in the room what it turns into.

Speaker 14 (01:08:43):
So you just got to kind of know sometimes. But
I mean, I don't know.

Speaker 18 (01:08:47):
I would think just think if it was your daughter
or your sister, what point would you let something get
to without even knowing why? Like if she can't say anything,
what point would you let it get to before you
just asked her? Are you uncomfortable?

Speaker 19 (01:08:59):
Yeah?

Speaker 23 (01:08:59):
Yeah.

Speaker 1 (01:09:00):
The lines get blurred in situations like this because a
lot of things are entertainment, right, like everybody's making content, everybody,
everybody in on the gag.

Speaker 3 (01:09:07):
But you know, when you in the real.

Speaker 1 (01:09:08):
World, I think it's a little bit easier to recognize
what's on one of the lines.

Speaker 3 (01:09:12):
I want to talk to the ladies about this. One
hundred and five one oh five one, like when you're
in the city. Let's can we play the clip again.
Let's play the clip again if we have.

Speaker 19 (01:09:19):
It to look so good and persanct.

Speaker 3 (01:09:24):
Hey what you was that?

Speaker 30 (01:09:29):
I love you guy, I'm sorry, I'm my bad, yoaf
my bad?

Speaker 27 (01:09:36):
Hey stuck? Could you stop? Can you stop smell?

Speaker 11 (01:09:40):
Yo?

Speaker 3 (01:09:40):
Yo?

Speaker 28 (01:09:41):
Bro oh, I told you that move on the football.
That listen to the football.

Speaker 9 (01:09:51):
I guess answer the question about.

Speaker 1 (01:09:53):
Remember the Minutes of Society when Caine had the pistol whip,
Johncey wouldn't leave.

Speaker 3 (01:09:58):
Exactly hundred five big five five one.

Speaker 1 (01:10:02):
What is the proper protocol in that situation when when
a woman is uncomfortable and wants a man to intervene,
what was the proper way for that woman to know
even for a man, when do you know when they intervened,
Let's discuss it's the world's mos dangerous morning show the
Breakfast Club, The.

Speaker 16 (01:10:15):
Breakfast Club.

Speaker 3 (01:10:19):
Study.

Speaker 12 (01:10:22):
It's topic times called eight hundred and five eight five
one five one to join it to the discussion.

Speaker 3 (01:10:28):
With the breakfast Club.

Speaker 1 (01:10:30):
Yeah, it is the world's most dangerous more than to
show the Breakfast Club. CHARLAMAGNEA God, Jess Hilarius, DJ Envy
is off ll Kouba Lauren Leroe says here and we're
having a conversation.

Speaker 3 (01:10:40):
Y'all bought it up.

Speaker 1 (01:10:41):
Y'all were talking about what happened on it is what
it is with Cameron and Treasud Wilson and Adrian Brune.

Speaker 3 (01:10:45):
Can we played a clip to.

Speaker 19 (01:10:47):
Look so good in personaltiate that, Hey, what's your waste?

Speaker 23 (01:10:52):
That?

Speaker 30 (01:10:55):
I love you a guy? I'm sorry, that's my bad, y'all,
my bad?

Speaker 27 (01:11:02):
Hey Stack, could you stop? Can you stop?

Speaker 3 (01:11:06):
Yo?

Speaker 11 (01:11:06):
Yo?

Speaker 28 (01:11:07):
Bro oh, I told you that. Okay, we can move
on a football. That my god, that listen to the football.
I guess that answered the question about Floyd. When I
see when I see you taking.

Speaker 30 (01:11:22):
Off some time as moored by stop, I did not
know you looked that good in person, and it just.

Speaker 1 (01:11:30):
Got me to thinking, like what is the proper protocol
in that situation, Like when a woman is uncomfortable and
you know, want a man to intervene, Like, what is
the proper way for a woman to say something? Because
both of y'all said that, when y'all have been in
that situation, y'all haven't said something? And when does a
man know how the intervening Because seeing for Cam in
that situation, that's easy because the boyfriend was there, so
he's telling the dud yo, stop disprectinged bofriend started dispecting

(01:11:50):
treasure and Aby kept disrupting the show.

Speaker 3 (01:11:52):
Yeah, but that's an easy call.

Speaker 18 (01:11:54):
Yes, I will say there's been a time in here
where I was uncomfortable, and I'm not going to say
when because I want to. I don't want to put
the person that was here on blast because I don't
think they did. We're doing it intentionally. But I wasn't
comfortable and I text MV and was like hey, I
was like I think I text him was like what
the F? And he instantly knew what I meant. But
I shot the text because I wanted him to know,
just because I was quiet doesn't mean like I was okay,

(01:12:16):
and he moved the conversation along. It wasn't like they
weren't saying anything like soup. I don't want to get
into it, but I was uncomfortable and I texted I had.

Speaker 14 (01:12:28):
I didn't want to take nothing.

Speaker 18 (01:12:29):
Yeah, I mean I don't, but I had to text
MV and let him know. But I felt like he
felt it. But when I text him, it confirmed it
for him because he didn't. I think he didn't want to,
like he just didn't know whether he should say something
or like whatever. But they know the conversation around. You
were here, but you don't be paying attention sometimes and
certain stuff.

Speaker 3 (01:12:46):
I never heard nobody flirt with you.

Speaker 14 (01:12:49):
Don't turn this today.

Speaker 3 (01:12:51):
Don't do that.

Speaker 26 (01:12:52):
Don't do that because first of all.

Speaker 18 (01:12:58):
It was during the breakfast club, like, well I have to,
but I'm saying I said this to say. I took
the liberty to text Envy because I knew he would
instantly know because he pays attention to like it was
feelings and emotional very well, unlike you, And he instantly
knew what I meant.

Speaker 14 (01:13:18):
And he moved the conversation along so that it you know, yeah.

Speaker 3 (01:13:21):
Direct.

Speaker 26 (01:13:24):
I've never been I've been in that situation, but I
haven't been in a situation where a man was around
that I wanted to take charge for me, that I
wanted to step in and you know, kind of be like, yo, chill,
and it's very tricky.

Speaker 1 (01:13:36):
With you because you got mouth, you know what I'm saying,
and you ain't gonna bite your tongue anyway.

Speaker 3 (01:13:41):
I know, I can't see somebody making you uncomfortable.

Speaker 26 (01:13:44):
But it was a big ass set, you know what
I mean. It was like a big deal, and I
was like, damn, I don't want to mess this up.
I don't I don't want to mess this up. It
was like one of my biggest things that I've ever done,
biggest accolades for me, and I just didn't want to.

Speaker 14 (01:14:00):
I didn't want to. I didn't want to mess it.

Speaker 3 (01:14:02):
Up, y'all.

Speaker 26 (01:14:03):
And I didn't want it to be like, oh, she's
the reason that this issh went left like oh gosh
and then run. That time, it was a bunch of
you know, women doing that, coming out saying oh, this
person harassed me, this person, and then to the point
where a lot of women weren't even believed you know
what I'm saying, so it's like, nah, I'm already you know,

(01:14:24):
being canceled every other week. Niggas ain't gonna feel sorry.
Then can think I'm lying. I just didn't want to
be that person.

Speaker 3 (01:14:31):
I understand it happened.

Speaker 1 (01:14:33):
I'm I'm sad both of y'all got to go through that.
And like I said, it's very tricky in environments like
this because you don't know what's entertainment and what's all
the time.

Speaker 18 (01:14:41):
Like, I feel so bad for y'all because you have
to kind of deal with it.

Speaker 1 (01:14:45):
No, you don't, you don't, but I mean you just
don't know when a person is going along right with
the gag.

Speaker 14 (01:14:51):
I hear that you don't have to deal with it,
but you just don't know.

Speaker 3 (01:14:55):
You don't want to be you.

Speaker 18 (01:14:56):
Don't have to deal with You kind of do a
little bit. It is very weird nuanced to have to.

Speaker 1 (01:15:02):
And I've seen situations with a person the girl will
go along with it and be saying wild stuff back
to the guy, but then after later say he was uncomfortable,
but you was in here.

Speaker 18 (01:15:10):
Going exactly you got you got to move it along.
And I mean I wouldn't do that though, if I'm uncomfortable.
I'm gonna get quiet. You're not gonna go back.

Speaker 14 (01:15:17):
I'm not gonna go back. I'm uncomfortable.

Speaker 1 (01:15:19):
I get if I saw you get quiet, I know
something wrong that mouth beyond.

Speaker 14 (01:15:23):
Where I've got.

Speaker 3 (01:15:27):
Let's go, yeah, you know, let's go to the phones.
Good morning, who's this a right?

Speaker 4 (01:15:31):
Good morning?

Speaker 10 (01:15:31):
My name is Sarah, also know the apologians.

Speaker 3 (01:15:34):
Good morning, also known as what man Bye?

Speaker 10 (01:15:37):
I actually, when I looked at the video, I tryed
to thought that she liked what was going on. She
was laughing like crazy, and she slipping her hair.

Speaker 1 (01:15:47):
She was very But that's what I being uncomfortable. She
could be being uncomfortable.

Speaker 10 (01:15:51):
No, no, I think that as women, we need to
take accountability. When you're not comfortable, you need to say.
She should have said, hey, listen, my.

Speaker 4 (01:15:59):
Man is in the studio. I'm good.

Speaker 10 (01:16:01):
Thank you so much for the compliment. But let's carry on.
Why didn't she do that? She didn't stop, she didn't
do anything.

Speaker 3 (01:16:07):
Hold you forty one?

Speaker 1 (01:16:09):
She said, you're o g compared to you know, somebody
like treasures in her twenties. And I'm even listening to
just and Laurence talked this morning. They in the thirties,
and they're saying, it's not that easy, like you.

Speaker 4 (01:16:18):
Yeah, but who's.

Speaker 10 (01:16:19):
Supposed to teach them to understand that you can? You
are basically telling them, and you're giving him all the
signs to keep going. She was laughing, she was flirtatious,
she flipped her hair all the times, she was smiling
from ear to ear.

Speaker 14 (01:16:35):
I understand what she's saying.

Speaker 3 (01:16:37):
You agree with you. That's why I'll be staying out.

Speaker 1 (01:16:42):
I'm sitting here trying to come to the defence and
women here coming this one woman talking about No.

Speaker 3 (01:16:47):
God, I agree.

Speaker 14 (01:16:49):
God damn what it was?

Speaker 4 (01:16:52):
It was like.

Speaker 3 (01:16:55):
Hundred and five five one five one. Call up right now.

Speaker 1 (01:16:58):
Tell us what is the proper protocol in the situation
when a woman is uncomfortable and wants a man to intervene?
What is the proper way for a woman to say something?
And when does a man know how to intervene. It's
the world's most dangerous moning to show to breakfast club.

Speaker 16 (01:17:09):
The breakfast club.

Speaker 12 (01:17:18):
Let's say, if y'all talking about it, you know we
talking about it, It's.

Speaker 3 (01:17:25):
Called eight hundred five eight five one five one. To
join into the discussion with the breakfast Club.

Speaker 1 (01:17:30):
Yeah, it's the world's most dangerous morning show to Breakfast Club,
Charlamagne the God, just hilarious.

Speaker 3 (01:17:34):
DJ Envy is off today.

Speaker 1 (01:17:35):
Lauren Leros is and and we were talking about it
Is What It Is show and Adrian Bruno was on
It Is What It Is Show with Cameron and Treasure Wilson,
but they had Adrian brona on and uh, Cam had
to kick Adrian bron out of the studio.

Speaker 19 (01:17:48):
Let's listen to look so good in personally?

Speaker 27 (01:17:51):
Thank you appreciate that.

Speaker 30 (01:17:52):
Hey, what's your wish that? I love you? God, I'm sorry,
I'm my bad, y'all my bad?

Speaker 27 (01:18:04):
Hey stuck? Could you stop? Can you stop?

Speaker 16 (01:18:08):
Yo?

Speaker 11 (01:18:09):
Yo?

Speaker 28 (01:18:09):
Bro oh, I told you that. Okay, we can move
on a footballer that listens to the football.

Speaker 9 (01:18:19):
I guess that the question about Floyd when I see
when I see you taking off some time, that is
by stop.

Speaker 3 (01:18:28):
I did not know you look good in person.

Speaker 1 (01:18:32):
So it just got us to talking, like, you know,
what is the proper protocol in that situation when a
woman is uncomfortable and wants a man to inter being?
Because you know, Lauren and just both brought it to
my attention this morning that a lot of times women
just eat it.

Speaker 26 (01:18:43):
Yeah, And you know what, I do agree with something
you said earlier. I do think that you know, now
that we've been you know, women, I say we because
I'm a woman as well, Like we've been going through this,
so we see that it can be a problem, you know. Yeah,
definitely do speak up, you know, because you can't always
depend on a man to step in, especially if that

(01:19:04):
man ain't your man, you know what I mean. And then,
like you said, it can get very blurred in environments
like this or at work. You know, you never know,
you know, So I do think I do want to
encourage women to actually say something.

Speaker 14 (01:19:18):
Don't even worry.

Speaker 26 (01:19:19):
About how you're going Look, don't worry about if it
makes you uncomfortable. Yeah, don't smile, don't even try to
play it off and be phony. I don't even That's
not our job to do that. I disagree with the
last call of week. We shouldn't do that. It's not
a man's job to step in. Now, they should, you know,
if they see a woman's uncomfortable. But if you're the
one that's not comfortable, you got to say something to you, yea.

Speaker 3 (01:19:37):
And sometimes it takes something that as simple as you
don't talk to me like that.

Speaker 14 (01:19:40):
Yeah, it don't got to be.

Speaker 18 (01:19:42):
But see here's a nuance because sometimes it's not disrespectful
or it's not like overly, it's just like, hey, I'm
not comfortable like you doing it a little bit too much.
But it don't even got to be like a dish
like I didn't feel in that situation. I don't feel disrespected.
I was just like, this is awkward. I don't feel
like comfortable. Can we switch gears?

Speaker 9 (01:20:00):
Like?

Speaker 18 (01:20:00):
It's not always like that. Another thing, too, is sometimes
you don't want to put the men in your life
in a situation, so you don't say things about things
because you don't want them reacting in a way that
can lead to something like you just wanted to like
you just.

Speaker 3 (01:20:11):
Want to move on.

Speaker 26 (01:20:12):
Yeah, And in my situation, I actually did say something.
It's funny to show me, say you got mouth.

Speaker 3 (01:20:17):
I did.

Speaker 14 (01:20:17):
A nigga walked in my dressing room. I was getting dressed.
You know what I'm saying.

Speaker 26 (01:20:21):
It was drunk walked in and I'm like, if you
don't get the out of it, you know, I did bark,
but and it was like all right on my bed.

Speaker 14 (01:20:30):
But still that still wasn't okay. You know what I'm saying.

Speaker 3 (01:20:33):
It wasn't okay for him to walk in him to
do that.

Speaker 26 (01:20:37):
So yeah, I should have said something, but like then
I was like, no, this is my first big break,
like real, real big break instead instead of just being
okay with me barking back because he never tried nothing else.
But it was just like, damn it could have you know,
I felt like I handled myself, but I was supposed
to say something, you know, just in case he did

(01:20:57):
it again or whatever.

Speaker 14 (01:20:58):
So because he felt very powerful.

Speaker 18 (01:21:00):
And navigating the world as a woman is it's a
it's a dual sport.

Speaker 3 (01:21:05):
Definitely, let's go to the phones. Good morning, who's this.

Speaker 16 (01:21:08):
Big bee, big b what's sitting with it?

Speaker 3 (01:21:13):
Talk to me man as a man, like when do
you know? Uh?

Speaker 1 (01:21:15):
When they intervene in a situation where a woman is
uncomfortable and.

Speaker 31 (01:21:19):
You always gotta read that long but it's more or
less when you see her awkward, last, head down, not
making eye contact all that, like Mace seen me. He
tried to intervene and deflect the whole thing, and Buddy
came right back.

Speaker 16 (01:21:34):
He was really out of cam saw it not well
may he tried.

Speaker 31 (01:21:39):
To ask a young lady that was on the other screen,
is that a real background?

Speaker 3 (01:21:43):
You feel me?

Speaker 15 (01:21:45):
I'll cut that out.

Speaker 3 (01:21:46):
Okay, yeah, so you know what I mean.

Speaker 31 (01:21:48):
He called it, but then Mace, I mean caim he picked.

Speaker 15 (01:21:51):
Back up on it and he stopped it.

Speaker 13 (01:21:54):
But Adrian Runner, he's a clown.

Speaker 5 (01:21:56):
Absolutely, I agree.

Speaker 3 (01:21:58):
Well, thank you for calling brother. All right?

Speaker 1 (01:22:00):
Well yeah, if you if you, I feel like, you know,
women should say something. I understand you know why y'all
feel like y'all can't, but you should say something.

Speaker 14 (01:22:07):
I agree with you should hopefully definitely.

Speaker 3 (01:22:10):
I need to know. You gotta tell me who this
person was off the head.

Speaker 14 (01:22:12):
But it wasn't that like, don't make it a thing.

Speaker 3 (01:22:14):
I'm not gonna make it a thing. I just want
to know why would he think you cute? But that's
the whole other.

Speaker 26 (01:22:17):
I'm not good, But tell me because I think multiple
times and multiple I'm tired.

Speaker 4 (01:22:21):
I ain't see all that.

Speaker 14 (01:22:26):
I have fine, and when you be down playing.

Speaker 18 (01:22:30):
It, it'd be it'd be like it'd be like bro,
when they find when they see me in person, it'd
be like, go up, don't it like uckily, I'm off
the streets.

Speaker 14 (01:22:37):
Now, you know what I'm saying.

Speaker 18 (01:22:38):
But like Danger and Bruno, when they seem all my stuttering,
just stupid, you know, that's how they become on the street.

Speaker 3 (01:22:54):
She gets somebody that somebody.

Speaker 14 (01:22:57):
I'm at that knows a little bit about everything.

Speaker 16 (01:23:00):
She'd be having the latest on you, the latest with
Lauren la Rosa.

Speaker 1 (01:23:05):
Sometimes you have facts, sometimes you have details. Sometimes you
have a little bit of everything.

Speaker 16 (01:23:10):
On the breakfast clubs, talk to me.

Speaker 14 (01:23:13):
So Cardi B has confirmed she is pregnant.

Speaker 18 (01:23:16):
She is expecting a baby with Stephan Diggs. Yeah, she
revealed this news while sitting down with Gail King. Let's
take a listen to Carti.

Speaker 32 (01:23:24):
The latest rumor about you is that you are having
a baby, and I want to know what, if anything,
you want to share about that with the class.

Speaker 33 (01:23:33):
Well, well, yes i am. I'm having a baby with
my boyfriend Stefande.

Speaker 32 (01:23:38):
Congratulations, thank you. Congratulations. How are you feeling about that
and that this will be baby number four for you?

Speaker 27 (01:23:44):
Cardi?

Speaker 33 (01:23:44):
Congratulations, thank you. I'm actually very I'm excited, I'm happy.
I feel like I'm in a good space. I feel
very strong, I feel very powerful that I'm doing all
this work. But I'm doing all this work while I'm
creating a baby. Me and my man were very supportive
of each other. We're like in the same space in
our careers. I feel like we're really great and one

(01:24:06):
of the best at what we do, and me and
him think the same way. Like it's like, yeah, we're
one of the greatest, but we're never like comfortable dropping
the flue.

Speaker 3 (01:24:15):
Bonds for body. You know, we wanted to have a
healthy pregnancy.

Speaker 14 (01:24:18):
Yeah, congratu.

Speaker 18 (01:24:20):
Yes, now, yeah, this had been a rumor for some
time and I don't know, maybe she you just got
to the point where she was ready to finally talk
about it. But then she goes into talking about like,
you know, because you gotta tell parents, you got the
whole thing. She says, her parents don't even know yet.
Let's listen to that.

Speaker 33 (01:24:35):
I haven't even told my parents. No way, Cards, they
just be looking at me.

Speaker 14 (01:24:39):
Like CARDI wait, wait, wait, wait, wait, back up.

Speaker 3 (01:24:42):
Why haven't you told them?

Speaker 33 (01:24:44):
Because I'm scared of them.

Speaker 32 (01:24:47):
You're scared of your parents.

Speaker 3 (01:24:50):
Do they like Stephon? Do they like him? Yes?

Speaker 33 (01:24:52):
They like him?

Speaker 16 (01:24:53):
They like him.

Speaker 14 (01:24:53):
They do like him. They do like him.

Speaker 32 (01:24:55):
Something tells me they'll be happy for you because you
have children, he has children. Where you're thinking, you know,
the way we feel about each other, we both want
to have a child together.

Speaker 33 (01:25:03):
Yes, I mean you know, everybody kept telling me like
I should have fun, and we had a little bit
of too much fun. And now I'm here and yeah
we're very excited.

Speaker 3 (01:25:13):
Were both and you're both happy about it.

Speaker 14 (01:25:16):
Yes, but the parents.

Speaker 3 (01:25:17):
Already know, don't Dominican women dream of plantings or something?

Speaker 26 (01:25:19):
And when they plan that is you know, you're the
most prejudiced person.

Speaker 14 (01:25:25):
Yes, it is. What I'm saying, Grandma is just being generally.

Speaker 3 (01:25:31):
It's just fish.

Speaker 26 (01:25:32):
Yeah, that's the same when you dream of fish. Somebody
would they do that too? Yeahs not playing, I mean plantings.

Speaker 3 (01:25:40):
That's not true. It is even worse.

Speaker 14 (01:25:44):
Yes, what happened? When did anybody dream of any what?

Speaker 8 (01:25:48):
No?

Speaker 26 (01:25:53):
No, there was no tackles in a dreamscle You're a clown.

Speaker 14 (01:25:58):
You're a clown. But no, that's like the saying that
all black moms dreams.

Speaker 26 (01:26:02):
And look, the saying is just very your mom know
before you like, yeah, teller, your mother definitely probably know.
And then if I'm not gonna say, CARDI is close
with her mom, so yeah, you that as well.

Speaker 14 (01:26:11):
My mother knew.

Speaker 1 (01:26:12):
Yeah, Like, Cardi has really changed the mindset of women
in entertainment in regard to having kids.

Speaker 3 (01:26:19):
You know, there was a time was like, you can't
have kids have a career. Yeah, well Cardy like that.

Speaker 26 (01:26:24):
I'm popping the mind man every time, like it's like
a rollout for her baby. She remember she was performing
with She's able to do any and everything pregnant. Yeah,
so I think she makes it look good. She works
pregnant everything.

Speaker 14 (01:26:36):
Yep.

Speaker 18 (01:26:36):
And she talked about when she was pregnant with her
with culture, with her first daughter, that she was nervous
because she was in the midst of her career and
we're telling her like hold on, wait, what's happening. But
she proved the wrong and she's been able to continuously
stay Cardi b Whiley.

Speaker 3 (01:26:52):
Worked better. Not judge her because you don't judge it, Cannon,
you don't judge none of these people do.

Speaker 26 (01:26:59):
Judge Cannon hand, I'm not gonna judge Cardy, but yeah,
I judge both of them.

Speaker 3 (01:27:05):
Who did you revealwer that? On Who's That?

Speaker 14 (01:27:07):
CBS Mornings with Gail King?

Speaker 3 (01:27:08):
Oh, dropping the clues Box with Gail King. Yeah, absolutely.
You know Gail King loves Cardy by.

Speaker 26 (01:27:12):
The way, Yes, and then we're better ware better to
announce your pregnancy. I was about to say, I get it,
but Cardi, Gail King, Charlamagne King Charlamagne.

Speaker 1 (01:27:22):
First of all, you know the first time I met
Gail King, what was that?

Speaker 3 (01:27:26):
Uh, I'm gonna say what was I said? Was that
able to do in his house?

Speaker 9 (01:27:29):
Right?

Speaker 1 (01:27:29):
For her birthday? This is years ago, and this is
when Bo that Yellow had just came out. And at
some point in the party, Gail said to me, so,
what do we think of Cardi b And I was like, oh,
I love Cardi. You know what I'm saying, that's the homie.
And Gail just yelled out, I don't my god, yeah,
what did you?

Speaker 30 (01:27:46):
She was just like, okay, Gilt right.

Speaker 1 (01:27:52):
Little she had the ball, Yes, I.

Speaker 4 (01:27:57):
Don't have this right.

Speaker 18 (01:28:02):
Yes, well, yeah, Cardi was home and she revealed that news.
So yeah, shout out to the situations.

Speaker 14 (01:28:07):
To her and step on that's dope.

Speaker 3 (01:28:08):
Yeah, Bardy album will be out Friday.

Speaker 14 (01:28:11):
A drama.

Speaker 18 (01:28:12):
Yes, And she did say you know, now that we
know that the baby is coming, she said, now go
buy my album so I can buy pampers and diapers
and all that type of stuff.

Speaker 14 (01:28:20):
Go support my album A Mother for Now.

Speaker 5 (01:28:22):
That's right.

Speaker 1 (01:28:24):
We'll be seeing Barty this week coming up next to
the People's Choice Mixed. I don't know why NV does this.
He ain't been here all goddamn morning, but he's gonna
leave a mix.

Speaker 26 (01:28:31):
And I bet you he's talking on it because he
DJ's do Charlotte not here.

Speaker 3 (01:28:36):
And I bet you he's like one hundred five and
five five one call over. He request the song like
you haven't here a whole morning, idiot. It's the Breakfast Club.

Speaker 16 (01:28:45):
You're checking out. The Breakfast Club.

Speaker 1 (01:28:47):
Yes, sister, the world's more dangerous morning show, The Breakfast Club.
Charlamagnea God, Jess Hilarious. DJ Nvy is off, Lauren l
Rossa is hair.

Speaker 3 (01:28:54):
Jesse. Were you at this weekend? You gotta know.

Speaker 14 (01:28:56):
I'm gonna be in Mexico.

Speaker 3 (01:28:58):
I'm I'm just gonna go.

Speaker 17 (01:29:02):
Home.

Speaker 26 (01:29:04):
No, Yo, We're going on vacation for me and my kids. Vacation,
that's what we're going to the Yes, baby, y'all are Mexico.

Speaker 3 (01:29:20):
Seriously?

Speaker 15 (01:29:22):
I know?

Speaker 14 (01:29:24):
Yeah, like he was born and raised there. I'm talking man,
he's going crazy.

Speaker 26 (01:29:30):
Crazy but yeah, I will be on vacation, so yes,
I can't wait to go, just to relax and shout
out to Chase Styles s h A y E Styles
on Instagram. That baby came up from Philly and did
my knotlets braids, Matt, thank you. She this is the
second time she did it. She's the only one that
could grip a pixie. You know, I was just a

(01:29:51):
ball of mall. I was just ball of time and
the flat to girl.

Speaker 14 (01:29:54):
Yes, so shout out to that girl. Man, she came up.

Speaker 26 (01:29:57):
She's not a traveling stylist, but she travel for just
hilarious and I love that.

Speaker 14 (01:30:02):
Thank you, so.

Speaker 3 (01:30:03):
Sry, know what the hell is going on yesterday?

Speaker 1 (01:30:04):
You just started ripping your hairt and right after the
damn interview, and I was like, what you.

Speaker 26 (01:30:09):
Just started Like I had to get my head done, okay,
So yeah, you know, and I was supposed to leave
an Envy left, so I had to be here. So yeah,
but I'm happy I got my braids from my vacation
and I'll see me. I'm gonna be a couple, you know,
I'm gonna be a couple of Shade's tanner. But yeah,
I can't wait.

Speaker 3 (01:30:25):
It's time to get up out of here.

Speaker 1 (01:30:26):
But I do want to remind everybody that the fifth
Annual Mental Wealth Expowl, my fifth annual Mental Wealth Expow,
is happening Saturday October eleven from eleven am to four
pm at the Joel and Diane Bloom Wellness and Event Center.

Speaker 3 (01:30:39):
It is a day of mental health education and healing.

Speaker 1 (01:30:42):
Some of your some of the best mental health professionals
in the country, Debbie Brown, doctor Alfre Breeland Noble, doctor
j bar Dad Elliott Connie, doctor Rita Walker.

Speaker 3 (01:30:50):
Just to name a few. Jason Wilson, the good Brother
Jason Wilson will be there. And it's a free event.
New work.

Speaker 1 (01:30:56):
Okay, it's a free event. I wouldn't even do this
type of event if it wasn't free. Man, this is
off fifth year doing it, and it's always free. So
we'll see you Saturday, October eleventh from eleven am to
four pm. Now the positive notice simply this. You gotta
release self judgment. Okay, even the opinions you have about
yourself are not necessarily true. Therefore you don't need to
take whatever you hear in your own mind personally.

Speaker 3 (01:31:18):
Have a great day. Breakfast Club bites, y'alla finish for y'all.

Speaker 9 (01:31:22):
Done,

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Jess Hilarious

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