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December 15, 2025 68 mins

Today on The Breakfast Club, T.I. On Comedic Therapy, Mt. Rushmore Of Southern Hip Hop, Community, New Comedy Special. Listen For More!

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Episode Transcript

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Speaker 1 (00:00):
Won't wake you up.

Speaker 2 (00:02):
Wake up programming your alarm to power one O five
point one on iHeartRadio.

Speaker 3 (00:07):
Good morning everybody, It's d J n V. Just Hilarrys Charlamagne,
the guy. We are the breakfast club. Law La Ross
is here, Nyla is here.

Speaker 1 (00:15):
We got a special guest in the building, the legendary
t I P. What's having? What's handing? Man? You just
came in here and said you wouldn't be working if you.

Speaker 4 (00:22):
Had no no, no, no no no. If I lived a
handle job, I can handle job. Man, ain't nowhere in
the hell? Man this to quit your job with her?
Man you walk outside? But man, hell now, god, no business.

Speaker 5 (00:32):
You would grew up in New York. You wouldn't have
been a d boy.

Speaker 1 (00:35):
I wouldn't.

Speaker 6 (00:36):
Yes, you know what I'm saying. I would have been
a seasonal tramp. You know what I'm saying, Yeah, a.

Speaker 1 (00:49):
Brother house everything.

Speaker 4 (00:50):
I'm cooling, man, I'm cool, and I can't. If you notice,
I came up here by myself this time, Yes, you did.
I came by myself this time. Last time we had
a bit of a Remember, we had a bit of
a kerfuffle. You know what I'm saying I came up
here do.

Speaker 5 (01:02):
Lo that wasn't fall though, and you and you bought
everybody you know, no.

Speaker 1 (01:06):
Peacemaker, my brother's man.

Speaker 4 (01:08):
Then two of the most loyal and the most masterful
at their craft. Uh So they're very They're both very
passionate about what they do. Vote, vote, very uh, stand
up and respectable. And you know what I'm saying, sometime
man lines crossed.

Speaker 2 (01:24):
You know, I don't think Drow is getting the credit
he deserved for the year that he's had.

Speaker 5 (01:28):
Like there's been a resurgence even on social media, people
like man Young.

Speaker 4 (01:33):
Yeah, yeah, yeah, yeah, it's sober. Drou is a different
it's a different monster. And uh and he's definitely man.
He had a resurgence and turned their life around and
and and had has a discipline about himself. Now that's
much different than before, you know what I mean. But uh,
and yeah, you're you're right here having a phenomenal year.
He tore it down on that on that metro Boom project,

(01:55):
you did, uh you know, he and I also you know,
had a a very time on on the t.

Speaker 1 (02:03):
M A A project. Uh So, you know what I'm saying.

Speaker 4 (02:06):
We got the PSC project coming man, we're gonna we're
gonna put that at New Year's Eve? Oh yeah, do
you know what we're doing? A gangster grill with Drama's
gonna drop on New Year's Okay, we drop it with
the ball you hear me?

Speaker 1 (02:19):
Yeah?

Speaker 3 (02:20):
Now I do gotta ask and said, y'all thought about rapping?
What you gotta ask about one of your partners?

Speaker 1 (02:25):
Nov Oh yeah, yea yea yea yah. Yeah, we're talking. Yeah, yeah,
I talked about kars One.

Speaker 4 (02:32):
I spoke to that, I spoke to Now. I spoke
to Now, I spoke to that. I told him he
can't do I said, man, you can't do that, bro,
you can't do that. That's that's that's egregiously unfair. You
know what I'm saying, Break it down? Why and he
and he and he said, he said.

Speaker 1 (02:46):
I don't care about that. You know what I'm saying.
I said, man, now, but you can't do that. And
I just keep saying it.

Speaker 4 (02:54):
And you know, we're gonna have a We're actually gonna
do it expeditiously about it, because I think he need
to be like walk through like historically why it matters
so much?

Speaker 1 (03:03):
You know what I'm saying. Yeah, I mean that's fine.

Speaker 4 (03:08):
I mean that's fine, but that but but that still
doesn't it doesn't take away or justify the blatant dist
regard or you know, the predecessors. Uh and uh, especially
like the guard them. See, man, you know what I'm saying,
Like even like you know people, Man, do you understand

(03:28):
this is where it started?

Speaker 1 (03:30):
He's like, Man, I don't care where it started. I
came about what I like. But that's fine. You can
have is on what he likes. That's cool.

Speaker 3 (03:39):
But he just got to remember where they started from,
where jay Z got his from, where these people.

Speaker 4 (03:43):
I think what we what we fail to realize is
in the age of Internet, people are just not careful
with what they say anymore. You know what I'm saying,
People say, what the hell ever comes to mind? And uh,
I think that's something that people of our generation just
got to get used to.

Speaker 7 (04:00):
I was talking about that on the Big Bank interview. Okay,
the Internet, and he actually brought you up. He said
that during your era, y'all didn't have to really deal
with the internet trying to tell people who y'all were
and just like saying crazy things.

Speaker 8 (04:10):
So it's a little different for people now.

Speaker 4 (04:12):
See, it wasn't the Internet. We had you know, Wendy
Will Charlamagne and you know what I'm saying, telling us,
you know what I'm saying, we had We had our
set of challenges, you know, our share of you know,
I share.

Speaker 1 (04:23):
Of obstacles to overcome. Uh.

Speaker 4 (04:25):
It's just it's just like the success of that. People
seeing how successful you can become doing that, it made
itybody said, yeah, I'm gonna do that to i'm'a taking
a step further.

Speaker 1 (04:37):
I say, I say this, you know what I mean, And.

Speaker 4 (04:41):
They just they didn't forget about all all the all
the people stopped getting hit in the face.

Speaker 1 (04:47):
You see what I'm saying, Like people stopped getting h
in the face, Like.

Speaker 5 (04:50):
You you can't hit him where you wanted him to
hit him at.

Speaker 4 (04:53):
Man, you catch people everywhere. Man, you know what I'm saying.
We all sharing this big ball of dirt together. You
never know where you catch somebody.

Speaker 1 (04:59):
Man, You're like, oh, Dad, go shout it right there.
You know what I mean.

Speaker 4 (05:04):
You know I think that, and I think that's okay.
I think we should normalize getting hit in the face.

Speaker 1 (05:08):
Again, because I'm not shooting you know what I mean,
don't shooting, no, killing them just about.

Speaker 5 (05:13):
Because that's when I respect your mouth.

Speaker 2 (05:14):
I respected more when a person says whatever they want
to say to the person.

Speaker 5 (05:18):
And if the person gets hitting the face, they're still
staying on.

Speaker 4 (05:21):
With that, right because you get hitting the face and
you still saying you.

Speaker 1 (05:28):
Still I don't care. I don't care. That's you hit hard.

Speaker 5 (05:31):
But still, how do you you're here for comedy?

Speaker 1 (05:39):
Right?

Speaker 5 (05:39):
No?

Speaker 4 (05:40):
No, no, no, I'm actually here coming man, man, Let enough,
I'm here because my daughter said she wanted to eat
in New York restaurants.

Speaker 1 (05:45):
Oh wow, so here we are. You know, that's when
you know you got money for the weekend. I don't
know where you want to go. I'm just here, dog.
You know what I'm saying.

Speaker 5 (05:58):
You came with the weekend to eat?

Speaker 1 (06:00):
Yeah, the niggas.

Speaker 5 (06:01):
It was like I was here for a comediest right here,
and now.

Speaker 4 (06:05):
I got a special coming out. I got a special
coming out man on Christmas Eve. Man, It's called cheaping
the therapist. So while I'm up here, you know what
I'm saying. I got to handle my business too, But yeah,
so cheaping the therapy, everybody, man, you can get that.

Speaker 1 (06:17):
On a tip. Ain't fundy dot come.

Speaker 4 (06:19):
You know, just log on to tip ain't fundy do
come and uh, you know what I'm saying. For for
the nominal fee of six ninety nine, you'll be able
to watch my comedy, specially while you're at home get
rapping gifts, getting tied to the kids, complaining about how
much money you didn't have to spend, but you did.

Speaker 1 (06:36):
You know what I'm saying. You know, it's just entertain yourself. Man.

Speaker 4 (06:38):
Now, all of the comedians who hate to see me
in comedy and who don't like I gave. I created
a community for you all, a community where the haters
can kind of gave me. You can you can all
get together and talk about how funny I'm not.

Speaker 1 (06:53):
You know what I'm saying, Tip ain't funny dot com?

Speaker 2 (06:57):
What made you go that route to the site again,
Tip ain't funny dot com?

Speaker 5 (07:04):
That's why that.

Speaker 7 (07:04):
Yeah, work on my fl Maybe it's blacking it because
we in here sometimes are our fire.

Speaker 1 (07:13):
I have I have a.

Speaker 5 (07:13):
White camera for me.

Speaker 1 (07:16):
I got a white man which we have a web
the website.

Speaker 5 (07:19):
Yes, you're it's right there. Tip Parents Cheaping and Therapy
com in December between four to two thousands.

Speaker 1 (07:23):
Thank you, Thank you.

Speaker 5 (07:24):
Broke computer tip eight funny dot com.

Speaker 8 (07:27):
What are you talking about in the special?

Speaker 1 (07:28):
What am I talking? Man?

Speaker 4 (07:30):
A few different things. Man, I'm definitely talking about you know, marriage,
you know, you know my my experiences with my wife. Uh,
definitely talking about being a father.

Speaker 1 (07:42):
Run by your white first talk about this? So did
she here when she got there? Absolutely absolutely that. You know,
well why would I do? Why would I go and
do that? But I don't know if you want that
smoke later on what you want? You run things by
your wife? If I want to talk about it, Yeah,
you do. Yeah, you do the nicest thing.

Speaker 9 (07:59):
I think what you mean, not the nicest because he
got in trouble back in the day for not running something.

Speaker 1 (08:05):
He got hitting his face. You see how the point
getting hit in the face.

Speaker 5 (08:13):
He hit the way I got got hit because he
got hit the way.

Speaker 1 (08:17):
It was like, what you did? She hit you in
the she hit you in the wallet? H your head.

Speaker 3 (08:26):
Talked about it in book you might talk about No, no,
you know I stepped outside the marriage.

Speaker 1 (08:31):
Uh yeah, that's how I'm going. That's what I'm saying.

Speaker 7 (08:33):
And then you got on air called her the whole story.

Speaker 1 (08:37):
So yeah, listen, come on, is going through I stepped in, Yeah, and.

Speaker 5 (08:41):
I was hurt.

Speaker 1 (08:42):
And your brother over there Charlamagne was like, you hurt,
you should call her live on the radio and apologize.

Speaker 3 (08:47):
And I was at my lowest moment, and I thought
my brother was picking me up, so I did it.

Speaker 5 (08:52):
I didn't really know what was going on.

Speaker 4 (08:53):
Now, you understand that, you understand thinking ratings. That man
was thinking like, yeah, you know what.

Speaker 1 (09:04):
Live there.

Speaker 3 (09:07):
I didn't have nothing to say, you know, but sorry,
So I'm trying to just say words. Charlowman behind me.

Speaker 1 (09:11):
Like, oh you got this broke?

Speaker 4 (09:13):
Yeah, yeah, just like a friend, like a friend, like
a friend. But your friends mean you no good man.
You are there for your friend entertainment.

Speaker 1 (09:24):
You know what I'm saying.

Speaker 4 (09:24):
They give you advice and you know if it goes well, okay,
But I want to be entertained by now.

Speaker 2 (09:30):
I didn't really know what was going on. I don't
know the extent to what was going on. You alive,
I really didn't.

Speaker 8 (09:40):
His feelings and something going on.

Speaker 1 (09:41):
He turned red.

Speaker 8 (09:42):
He turned.

Speaker 7 (09:45):
Like he will cry at the drop of a dime,
in touch with his emotions.

Speaker 5 (09:50):
It was a license you you've never given.

Speaker 1 (09:54):
Like you like.

Speaker 4 (09:57):
Yeah, man, you know what I'm saying. I'm uh, I'm
I'm sich Ford and dog standing on the inside. You
know what I'm saying on the inside. Yeah, but nah,
but but but cheaper than therapy is the special tip
ain't fun at dot come man comes out man December
twenty four. But you could pre order right now. I
think I got like three pre orders so far. Yes,

(10:18):
I get the count, I have the back the dashboard,
so I got by three unsold by three so far.

Speaker 5 (10:23):
What made you want to go that rout?

Speaker 2 (10:25):
Because I'm sure you could have sold it to a
stream or somebody if you wanted to.

Speaker 4 (10:28):
I ain't got time to wait on people, man, got
time to wait on people. I want to do what
I want to do, and I want to do it.
It just too me said I would like rules and restrictions, regulations,
you know what I mean? How that bureaucracy, policy and
procedure and all that. Man, hell man, you know what
I mean? You want to see it?

Speaker 1 (10:42):
There go?

Speaker 2 (10:43):
Now what point did you realize comedy wasn't just a
side quest for you but something you wanted to take seriously?

Speaker 3 (10:49):
Yeah, we gotta say we got to drop a bomb
for him, because at one time they didn't think you
were gonna go this far with comedy. They thought it
was gonna be like a little hobby that you did
for a couple of months and then get out of it.
But yeah, I gotta thank the haters for that, because
I I honestly would.

Speaker 1 (11:01):
Not have taking it so seriously.

Speaker 4 (11:03):
You know what I'm saying that people weren't telling me
how much they didn't want me to do it.

Speaker 1 (11:06):
You know what I'm saying.

Speaker 4 (11:07):
I'm real, I'm real hard headed, stucking my way like that,
you know what I'm saying. It's kind of like it
kind of it put me in the mind of the
King of the South moment, you know what I mean.
You know, when I came out, I was saying King
of the South, and you know, it was just something
I said in the rhyme, you know what I'm saying.
I was really just popping it. And you know, people
out up and on, huh, you can't, you can't, you
can't the hell I can't, you know, And then it
just became something that that that it grew on me

(11:31):
and and and you know, I felt the need to
defend my right to to portray it and also to
justify my reason for saying it right. And that's the
same way I felt I felt with comedy.

Speaker 2 (11:45):
That was Another conversation that came up recently was on
on Manny and Juveniles podcast with DC.

Speaker 5 (11:50):
I think it was DC Chico. I don't know Calls
was there, but it.

Speaker 2 (11:53):
Was the Mount Rushmore or the South Uh huh, what
about it?

Speaker 5 (11:58):
I don't think you can have it without you being
on that.

Speaker 1 (12:00):
I appreciate that, man, I really do. Man. You see,
prison has taught me some things, you know what I'm saying.

Speaker 4 (12:07):
It just taught me that it's just so many more
important things than just stuff about other people's opinion. And
I'm happy to just even be here, be alive, be free,
let alone, be successful and still relevant and still having
your name mentioned amongst the greats.

Speaker 1 (12:24):
Brouh. But that that that that ship just ain't important
to me.

Speaker 5 (12:27):
Would you ever? Would you put it together? Somebody say
your tr who's your Rushmore down?

Speaker 1 (12:34):
I don't nah, I mean, man, I probably would, But.

Speaker 4 (12:39):
Like for public consumption, all I'm doing to create controversy.

Speaker 1 (12:43):
If I if I wanted to do it just to
create some rains, I could say something.

Speaker 4 (12:46):
I probably say somebody that wouldn't nobody want to hear,
So then I create more engagement and you know, yeah.

Speaker 5 (12:53):
All Face and t I gotta be on that for
me though.

Speaker 4 (12:56):
Yeah, Scarface is all around, you know, top five to me,
you know what I'm saying.

Speaker 1 (13:00):
And Outcast yeah three thousand as well.

Speaker 2 (13:03):
That's where it get difficult when you start talking about
the groups because they definitely, Yeah.

Speaker 1 (13:07):
I think Outcare. I think outcasts should occupy one spot,
I think so, you know what I'm saying.

Speaker 4 (13:13):
I think Outcast. I feel the same about Goodie Mob.
You know what I'm saying. I feel like they and
Wu Tang you know what I'm saying, and Mob Deep
you know what I mean. I feel like the groups,
the iconic groups, they should occupy one spot.

Speaker 1 (13:26):
You dig know what I'm saying.

Speaker 4 (13:27):
But I uh, I just I think that it's so
many dope individuals that came at in the in the
era that that you know that we grew up in
uh and so.

Speaker 1 (13:41):
Many dope individuals is coming at now. So do you
mix the two?

Speaker 7 (13:46):
And it's like how you talk about it too, like
how you talk about it too, because like Gucci g Z,
people will argue, like do you put both of those.

Speaker 8 (13:55):
But it's like different conversations of like.

Speaker 1 (13:57):
Who can't say you don't get them?

Speaker 5 (14:01):
You know when you have the Mount Rushmore.

Speaker 2 (14:02):
To me, it's the person who laid the foundation for
whatever it is you do when you talk about trap music.

Speaker 8 (14:08):
Yes, and on a Mount Rushmore.

Speaker 1 (14:12):
I didn't say that. See how you see how she did? Yeah?

Speaker 4 (14:17):
Yeah, that would that, that would that. That was that investigator.
So you say you was out there, you say what time?
You say, you say who you say? You say Charlamagne
with you?

Speaker 1 (14:29):
What you say you had a bag? And what what?
What was in the bag?

Speaker 4 (14:32):
Nah?

Speaker 1 (14:32):
For real though, But now I ain't say that.

Speaker 4 (14:34):
What I said was he said that, Uh you don't
get Gucci and Jesus with that too?

Speaker 1 (14:39):
I think you you still got them.

Speaker 4 (14:41):
I don't know if it would have been as kind
of consolidated and you know what I'm saying, and if
it would have been received the same thing. You feel
what I'm saying. Uh, but you still get them and
they still could. They had their own story. They story
didn't come from me. They story came from them. I
think the way the rest of the world outside of
Ice it received their story, you know, became a little

(15:03):
more acceptable because it had already been a door that
was open.

Speaker 5 (15:08):
You did a big dog dope boys in the trap man.

Speaker 1 (15:11):
I appreciate it. I appreciate it. See. I try to
keep away from being self contuitous. You know what I'm saying.
I try to You know what I'm saying.

Speaker 4 (15:17):
I mean because as big as trap music here right now,
you know what I'm saying, I didn't do that by myself.

Speaker 1 (15:22):
You know what I'm saying.

Speaker 4 (15:23):
It's songs that I probably wouldn't have never made. You did,
And and it's other people that have stories and have
tastes in their beat selection, in their cadences, you know,
in their uh, their their their collaborations with other artists
that has pushed trap mused. That's taking it from where
I where I brought it to and expanded it and

(15:44):
you know, and diversified it, and so it has evolved
to a place right now where I couldn't imagined it being.

Speaker 1 (15:51):
So I can't take credit for the whole thing.

Speaker 4 (15:53):
I just I'm just happy that I was able to
plan a seed for something that grew to be what
it is today.

Speaker 2 (15:58):
You laid the foundation when it comes to comedy, right
A lot of people chase it for validation.

Speaker 5 (16:04):
What were you chasing when you first stepped on therapy?

Speaker 1 (16:08):
M Yeah, therapy, man.

Speaker 4 (16:10):
You know what I'm saying, I was going through I
was going through some I was going through some a
I don't not just a difficult time, but a time
that I wasn't used to.

Speaker 1 (16:18):
You know what I'm saying.

Speaker 4 (16:19):
I was being like, I don't have things said about
me that I never imagine having said in public about
me before.

Speaker 1 (16:28):
And people were like, really like serious.

Speaker 4 (16:30):
About it, you know what I'm saying, And that was
something I you know that that weighed on me.

Speaker 2 (16:35):
You know what I'm saying for a while. You know,
you get no apology. Nobody ever says, you know what.

Speaker 4 (16:40):
I don't want them. I don't want them. I don't
want them. I mean, they keep the same energy, keep
on pushing, you know what I mean.

Speaker 1 (16:46):
Cool.

Speaker 4 (16:47):
You know that's a great way to exit my life.
I love it, you know what I mean. I need
to make room for the new.

Speaker 3 (16:53):
And it was the most difficult part about it, right,
It's the most difficult part not seeing those individuals, hearing
friends and family talk about it, or your kids.

Speaker 1 (17:01):
What was the most difficult time I think the most.

Speaker 4 (17:03):
I think the most difficult part about it was, you know,
I've experienced tragedy, I guess for the more part on
my own, you know what I'm saying, Like, well, I
had to go through it by myself, and when you're
going through somebody yourself, you know, of course it's difficult,
the uh the lonely part of being by yourself, but
it's also uh easier because you only have to worry

(17:26):
about what you do with how you feel and what
you think and what you.

Speaker 1 (17:29):
Know what I'm saying.

Speaker 4 (17:30):
So experiencing it as a family was different for me.

Speaker 1 (17:36):
You feel me because that's the kind of thing that
I always felt like, you know, I bear the brunt
of all that for them.

Speaker 4 (17:42):
You feel me, So, you know what I'm saying, that
was that was the difficult part. But I think outside
of that, bro it was just man like you know,
I've I've I poured a lot of myself, my time,
el for energy, attention, uh into into present myself as
a man of respect, you know what I'm saying, as

(18:02):
a provider, protector, as a you know what I'm saying,
as someone who can be held in high regard in
the community, UH.

Speaker 1 (18:11):
As a certain type of person.

Speaker 4 (18:13):
And so for that to be like like yeah, yeah, yeah,
fuck all that what we say.

Speaker 1 (18:17):
You know what I'm saying, I'm like, oh man, for real, yo,
that's wild.

Speaker 4 (18:21):
So you know, and then I had to remind myself that,
you know, it's more important things out there than other
people's opinions.

Speaker 1 (18:29):
You know, my truth would.

Speaker 4 (18:30):
Never would never, uh step down so their fantasy can live.

Speaker 1 (18:35):
Absolutely, you know what I mean. So but but but
comedy helped me, you know what I'm saying.

Speaker 4 (18:41):
Take it a lot less serious and kept me from
controlling on the internet.

Speaker 2 (18:47):
How humbling was to walk into comedy as a beginner,
Like you probably ain't.

Speaker 4 (18:51):
Felt like that's that you put out your To be
honest with you, I'm very arrogant.

Speaker 7 (18:55):
Uh.

Speaker 1 (18:57):
I never felt humble by any means, you know what
I'm saying.

Speaker 4 (19:00):
Because every day, if they laugh, if they don't laugh,
I have a good day, have a bad day, I
still walk out, I still get in my car, go home,
and I wake up till you know what I'm saying.
So I always had and that confidence, see that is
something that a lot of comedians don't have, you know
what I'm saying.

Speaker 1 (19:16):
And I tell them. Man, it's even a change. You know.

Speaker 4 (19:20):
You go out there and you know what I'm saying,
You have no problem being funny. You know automatically how
to be funny. Your issue is making them care about
your story. Okay, Well me, I go out there, they
automatically care about my story.

Speaker 1 (19:36):
I just have to figure out how to be funny.
So we both have challenges. You know what I'm saying.
Don't look at me because my challenges are different from yours.
Just do the best with what you do. Let me
do the best what I do, and mind your motherfucking business.
You know what I'm saying. I feel like you know
what I'm saying. We kick it like that. Nobody had
no problem. So they ever boxed you out? Because what
that means box me out? You said comedians hated on you.

Speaker 4 (19:58):
Have they ever boxed you out where they Well, no,
I hated on you in a way that you couldn't perform.

Speaker 1 (20:03):
They didn't hate on me. See know what I'm saying.

Speaker 4 (20:05):
They see very little of what other people do have
anything to do with you. They didn't hate on me,
They just hate us. You feel I'm saying I was
at the topic of their hate at the time.

Speaker 1 (20:16):
You know what I'm saying. I'm sure they hated on
somebody else before you hear me.

Speaker 4 (20:19):
They were just they're just some haters and that's cool
because we need though, because if one for them, I
wouldn't be putt out my special on the Simpler twenty.

Speaker 1 (20:26):
Four pre order right now?

Speaker 4 (20:28):
Yeah, go ahead, make funny and it works Lauren, by
the way, but it don't work for me.

Speaker 8 (20:33):
But I saw it. Well, we have comedians.

Speaker 1 (20:36):
What kind of computer you got up on that? What
is this? Is this a mass It's definitely not as
this is not a math?

Speaker 8 (20:43):
Did not type it right?

Speaker 4 (20:44):
But but no, now I'm asking you, is this there
wasn't no government issues?

Speaker 1 (20:48):
Heard?

Speaker 8 (20:49):
Why would I have a government issue?

Speaker 1 (20:51):
Man? Because it won't work for you, work for everybody?

Speaker 7 (20:55):
I don't know, but I saw it though. I was
just trying to look at it to be able to
talk about it. And computer, I got you.

Speaker 5 (21:00):
She just wanted you to come close to her. Man.

Speaker 4 (21:02):
No, man, Yeah, yeah, they messed that up.

Speaker 1 (21:12):
Who sent you?

Speaker 5 (21:14):
Oh?

Speaker 1 (21:15):
You who? They're saying, Okay, I see.

Speaker 5 (21:18):
Okay, it don't work. It don't work.

Speaker 1 (21:24):
Your question? What was your question?

Speaker 7 (21:25):
I was going to ask him about the boxing out
by comedians because a lot of times when comedians come
up here and they be saying like behind the scenes, other.

Speaker 8 (21:31):
Comedians will do things like so venues not to book.

Speaker 4 (21:34):
Them, or can't nobody tell nobody that about me? Like
for real, I don't think you know what I'm saying either,
you book you know. I Actually the opposite happened to me. Okay,
when I first started doing Cabinet. I started on January twelve,
twenty twenty two, and I was doing it very consistently,
weekend week at and so you know, reps.

Speaker 1 (21:57):
Is what bills your your your comedic ability.

Speaker 4 (22:03):
You know, your your instincts and reflexes and whatnot, and
it takes time to build a right So let me see,
January twelfth is when I started, and I was really
just happy to go in and just be let people,
you know, happy to be happy to allow me to
do time on stage. I wasn't even expecting to get paid,

(22:27):
you know what I mean. I'll say by March. By March,
let's call it March to twenty something. I got a
call and an invitation to come to a show in Brooklyn.
They said they were gonna pay me thirty thousand dollars
for fifteen minutes.

Speaker 1 (22:46):
You know. Now, now, mind you, I'm used to getting
paid a lot more, but it's for a lot longer
time on stage.

Speaker 4 (22:53):
Thirty thousand for fifteen is pretty commensurate with the amount
of time spent for what I do in my day.
Joe I was like, oh, I'm off to a fantastic start.
So I go and uh they booked me. It was
rip rip ripped Michaels. Yeah, right on, right on. Yeah,
he set me up. He booked me to come to Brooklyn, Uh,

(23:15):
to the Barclays to do comedy on the show where
you had money Bag. Yo, look Kim other rappers. So
they say, yeah, here come t I and I come
out there, and then I'm.

Speaker 1 (23:23):
Sure they was respecting music.

Speaker 4 (23:25):
And here I am telling jokes man, they booed the
ship at me.

Speaker 1 (23:29):
You hear what I'm saying. You hear me?

Speaker 5 (23:32):
DJ?

Speaker 1 (23:33):
Yeah? You sure were? Was you? Damn sure? We? I
forgot about that.

Speaker 4 (23:36):
So then we had to we we had to say
we we we we saved the day, because you know,
we we we started a record and.

Speaker 3 (23:44):
I was like, T I came up to one of
my records and I played one and he said stop
that ship invY.

Speaker 4 (23:51):
Ain't no question I wish I would you disrespectful, ungreatful bastards.
I'm out of here, nah man, But you know what
I'm saying. But so they did the opposite for me.
They say, Okay, he thinks, he thinks, okay, book them,
go ahead, go ahead, book them.

Speaker 1 (24:07):
Give them the thirty thousand. It'll be worth it. Yeah,
yea yeah yeah so that but no, but but but
I don't think.

Speaker 4 (24:13):
I don't know if he did that on perfect but
if he did, that was funny here very well played.

Speaker 5 (24:17):
What hurt more bombing on stage?

Speaker 4 (24:21):
First of all, the man, you you're masterful at this man.

Speaker 1 (24:28):
That man is a real wizard.

Speaker 8 (24:31):
Isn't that bombing? No comedians bombing?

Speaker 1 (24:34):
Well, no, no, no no.

Speaker 4 (24:35):
If they start throwing ship at you and you have
to leave, like you know.

Speaker 1 (24:40):
What I'm saying, it's a different quarterback, You get different.

Speaker 8 (24:45):
An't nobody do nothing that you know?

Speaker 4 (24:46):
But but hear me, hear me. Well, I've actually had
things thrown at me on stage.

Speaker 1 (24:50):
Yeah before yeah, no, I'm talking world of bottles and stuff.
He was performing rapping, Yeah, I had we had to
jump off from starts. You know what I mean, you know,
put in my early in my early.

Speaker 7 (25:03):
Day comedy club where you can like just walk down
and see the person.

Speaker 4 (25:09):
You don't understand how miserable in life people are. People
don't care nothing about you know. But anyway, that's not
the point. The point is, uh, that was actually the fact.
My favorite show, my favorite show because it put it
put it made me show up and on my toe.

Speaker 1 (25:25):
I had to think.

Speaker 4 (25:26):
Because you know, a show where everything goes great, you
already know what you're gonna say. You already have you
know what I mean, You got your bit, So you
go out there and you know what I'm saying, you
do your bit. But a show what things happened that
you didn't expect to happen. It sharpens you and bring
something else out of you that you that you.

Speaker 1 (25:44):
You didn't even know you were capable of.

Speaker 5 (25:46):
It made you realize you I still had a lot
to learn.

Speaker 1 (25:48):
Bit. It made me realize I was better than I was.
You see what I'm saying. It made me realize I
was better than I wore.

Speaker 4 (25:54):
But I put it like this, I became a better
comedian after that show. That show made me better and
that's why it's my favorite show.

Speaker 5 (26:05):
So when it comes to comedy, how do you decide
which criticism?

Speaker 4 (26:07):
But those booze, those were premeditated boozs. You see what
I'm saying, because you know, you think it was all
set up.

Speaker 1 (26:14):
I think that was.

Speaker 4 (26:14):
Premeditated boo I think so I think so something like that,
you know what I mean, something like that. So I'm like, welcome,
welcome to comedy, little nigga.

Speaker 1 (26:21):
You know what I'm saying. So ship like that. That
was so that was the first. So so Rip does
a comedy and artists performing. That's his thing.

Speaker 3 (26:31):
He does comedy with artists performing. Tip was on it,
so people assumed Tip was gonna be rapping, right, So
the first song what you know about that comes on
is Tip walks out, crowd goes crazy.

Speaker 1 (26:44):
Tip says, I stops.

Speaker 5 (26:48):
He started to do comedy, you know.

Speaker 1 (26:54):
What, commed to do that. They're like what and then
he starts telling jokes.

Speaker 5 (26:58):
So now it was like.

Speaker 3 (26:59):
The quarter early walk back, play this.

Speaker 1 (27:04):
I played the record.

Speaker 3 (27:04):
They start get hyper again because now they thinking about performing.
Then he said, you nasty, ignorant motherfuckers. I thought I
was really gonna perform. You get whatever basket. They started laughing.
He closed out his five minutes walks out.

Speaker 1 (27:14):
He caught the crowd back.

Speaker 5 (27:15):
So it wasn't a bombay, it.

Speaker 3 (27:17):
Wasn't okay okay, but that's what respect they show the move.

Speaker 1 (27:23):
It's okay, no, but it's okay.

Speaker 4 (27:25):
And then another thing that I learned, because because like
you know, one thing about you know, New York City,
Like you know what I'm saying, people catch your own fast.
So when the one couple, people start booing, and it
just started crescendoing around from the back up to the front,
and you know, it was to the point I looked

(27:45):
at I see tamikause she's down there booing too.

Speaker 1 (27:46):
I said, hey, man, what the hell it rod with you? Bro?
You can't with me? Wife?

Speaker 10 (27:49):
Yeah, I got out in the moment.

Speaker 1 (28:03):
Nah. But but.

Speaker 4 (28:06):
And then another thing, so people said that, They said that,
They said that, you know, usually when people get booed,
a lot of people they stopped doing comedy because of that.
They can't take that, you know what I mean a
lot of people. And then uh they said that. I
knew you were serious because the very next day I
got back on stage and got a stand innovation.

Speaker 1 (28:26):
Wow.

Speaker 4 (28:26):
The very next day, uh uh we was we was
in Atlanta.

Speaker 1 (28:31):
We was in Atlanta.

Speaker 4 (28:32):
Uh.

Speaker 1 (28:33):
I think it was a show with d C.

Speaker 4 (28:34):
Young Fly. I think Mike else or somebody. But anyway,
I got I got back on stage.

Speaker 1 (28:38):
Uh did did? Did another five minutes, the same five minutes.

Speaker 4 (28:41):
The same jokes that got booed for up here. I
got a stand innovation for you know what I'm saying
on that show. So I understood that, you know what
I'm saying? That was just it was. It was a
learning curve for me, and I accepted.

Speaker 5 (28:51):
So how do you decide which criticism is useful in
which is just noisy?

Speaker 1 (28:54):
What means something? What matters to me? You know what
I'm saying.

Speaker 4 (28:57):
It's like if I if I, if I don't mind,
it don't matter.

Speaker 3 (29:04):
I wanted to ask. So next year is the twentieth
anniversary of ATL and.

Speaker 1 (29:08):
The twentieth anniversary it came.

Speaker 4 (29:10):
Did you ever expect atl to be as big for
our coachure as it is? I will honestly say I
had no expectations. Really, I ain't had no expectation. I
went into it with an open masth.

Speaker 1 (29:27):
I was it was.

Speaker 4 (29:29):
It was a skill set that I wanted to developed,
and it was something that I always wanted to do,
and the opportunity when it presented itself to me, it
just made me feel like I.

Speaker 1 (29:44):
Was on my way, you know what I'm saying. So
that's all.

Speaker 4 (29:46):
That's all I was thinking about. I'm on my way there,
you know.

Speaker 1 (29:49):
What I mean.

Speaker 4 (29:53):
But the fact that it has the following that it
has and people are so committed to the characters, you
know what I'm saying, Like it's people are very they
like people are glued to the televisions, man.

Speaker 1 (30:08):
And that's what I've learned. Like, Okay, So I've had
different kinds.

Speaker 4 (30:12):
Of fame, you know what I'm saying. Like I've had
like the underground hip hop fame. I had the mainstream
superstar fame. I've had the uh all day.

Speaker 1 (30:22):
On seeing in fame, you know what I'm saying.

Speaker 4 (30:25):
Reality show, Yeah, I've had, But see that that TV fame,
like when the movie fame, Like okay, he in a
movie with Nzay.

Speaker 1 (30:31):
I've had all that kind of thing, but.

Speaker 4 (30:33):
That TV show fame when they sitting in their house
watching you on a consistent basis every Tuesday Thursday, whenever
your show come on at this time while they eating
and they looking and they do that week after week
after week, at the month of the month, at the
month after year after year after year.

Speaker 1 (30:50):
That's a different kind of thing.

Speaker 5 (30:52):
That is different the number one album.

Speaker 1 (30:55):
Yes, yes, yes, yes, I promise you to God.

Speaker 4 (30:59):
You catch one of them housewives walking through their port
and the person with the number one now and walk
through their port.

Speaker 1 (31:04):
People gonna flock to the house wife.

Speaker 4 (31:06):
They're gonna flock to the love and hip hop, They're
gonna flock to the baddies or whatever whatever. They watching
it consistently. It's tattooed on their nine. You feel me
that song, You're gonna listen to it in the card
you get out.

Speaker 1 (31:19):
You know what I'm saying. You're gonna listen to why
You're cleaning up then you lead out? You know what
I mean?

Speaker 4 (31:23):
That that that that TV fame bruh is different, you
know what I mean? And And that showed me just
how much people are committed. Because if I if it
wase more, if these are characters, this is make believe people.

Speaker 1 (31:36):
People walk up to me. Why you get that girl
her chain back? Man, listen, listen, bro come on man.

Speaker 5 (31:43):
They we're talking about a sequel for the longest.

Speaker 4 (31:45):
Yeah, you know, hey, man, I mean at what I
ain't even gonna say nothing.

Speaker 1 (31:50):
Now, I ain't gonna say none though, you know what
I mean. You just just sit back and see what.

Speaker 8 (31:54):
Happened, because it was supposed to be happening at that
one point, right hear me?

Speaker 1 (31:56):
When I said I'm gonna say another you went to
Charlamagne school. You don't know, man, I haven't been interrogated,
but they're gonna get me like that with you.

Speaker 3 (32:08):
I wasn't to know though, even when you did that
movie back then, did you say maybe I shouldn't do
the movie right, because at the time you was traple.

Speaker 1 (32:15):
You was hard core. I was punching your face.

Speaker 4 (32:18):
That didn't never that never that that that I guess
because that softened you up.

Speaker 1 (32:22):
A little bit. No, it didn't know, it did not that.

Speaker 9 (32:26):
That's not true either. That's it wasn't.

Speaker 1 (32:39):
It came out in six The movie was filmed four
o five.

Speaker 5 (32:43):
Okay.

Speaker 1 (32:43):
I was just getting out of jail actually at.

Speaker 5 (32:46):
The time, because that was the year King came out.

Speaker 1 (32:48):
King did come out the same week. Yeah, how did
it help?

Speaker 7 (32:51):
Because you were just getting all at the time, So
how did it help as you were trying to like
how did we help the movie? You said the movie
came out in two thousand and six, Right, the movie
did come.

Speaker 1 (32:58):
Out in two thousand and six.

Speaker 4 (32:58):
What I'm talking about, I was just out of jail
in two thousand and four, when no, two thousand and five,
uh into two thousand and four, two thousand five, when
the when the movie was being filmed, that was just
getting out of jail. So and it didn't really help
me at all because I was already on fire. So
when I got out of jail and draw urban legend,

(33:19):
that was it was already up there, you know what
I mean. Those that's like, bring them out. You don't
know me, you know what I'm saying. Those, So it
wasn't really I ain't need no help, you know what
I mean.

Speaker 1 (33:32):
But it did. It did challenge me as an artist.
It challenged me.

Speaker 4 (33:36):
I never considered not doing the movie because of the character.

Speaker 1 (33:40):
Or any of that. Being south or nothing. Those types
of things don't crawl my mind.

Speaker 4 (33:44):
But I will say there was a time where I
was like, Man, I'm too rich for this.

Speaker 1 (33:50):
I got too money for this.

Speaker 4 (33:51):
I had Jed got like a ten million dollar chick
from Leo, and Jed had got like a sem million
out of a check from like wan A chop Or.
And I hadn't even cast the chicks. I ain't had
no time to spend no money and do nothing. I
had a roll rush.

Speaker 1 (34:07):
So I pulled up first, their thirst, their shoe.

Speaker 4 (34:10):
I pulled up forty five minutes, you know, maybe I
and had late uh blowing smoke out the sun roof
of my brand new Phantom that I was driving.

Speaker 1 (34:21):
By the way, I wasn't being sure Furt.

Speaker 2 (34:23):
And you remember when you was talked about phantoms up
here and nobody knew what it was.

Speaker 1 (34:26):
Uh, I remember.

Speaker 5 (34:27):
That it was what you said. I forgot you. You
said somebody family.

Speaker 4 (34:31):
There were two familys in this There were two familms
in the city, big boys and mine.

Speaker 1 (34:34):
He had a burger the one I had a black one.

Speaker 8 (34:37):
And you making eighty five thousand dollars from that movie
right at yeah.

Speaker 4 (34:41):
Yeah, And they trying to tell me what to do
when the show up whenning them, are you serious? And
so I did consider me let me get him eighty
five thousand dollars bet so I could live my life.
But Chris Robinson set me down and he was like,
because they were finn five, me and he was like, yeah.
They were like, man, let's get this kid out of here.
But he was like, hey, man, listen, I know you

(35:02):
don't really need this as much, but I'm a first
time director as a black director. Lauren's the first time
act as a as a black actress.

Speaker 1 (35:11):
Uh.

Speaker 4 (35:12):
You have Evan Ross, He's the first time like all
these people and and all this opportunity is kind of
hinging upon your commitment to this.

Speaker 1 (35:23):
So if if you go down, we go down. I
was like, but damn gonna put it like that, man,
you know what I mean? So you know what I'm saying.
Chris Robinson, Charlie mac.

Speaker 4 (35:33):
Brian shared like they all kind of you know, had
an intervention moment and you know what I'm saying, Like,
all right, man, so you know that's that That is
the time I consider not doing the movie, but I'm
happy I did.

Speaker 5 (35:47):
I do want to say in the story history of
t I Street Lord oh Man two.

Speaker 2 (35:51):
Thousand and six, Yeah, Tim, you were still out there
like like because the culmination.

Speaker 5 (35:57):
Was buying the guns and O seven see.

Speaker 9 (36:00):
How you're from bringing back up old snow.

Speaker 4 (36:04):
It's okay because you know, therapy has you know, allowed me.

Speaker 1 (36:08):
But reflection.

Speaker 4 (36:09):
It's reflection reflection. I mean, man, I think that in life. Man,
when we when we find in our way, you know,
we gotta do it. We gotta do wrong to know
to know how to do right, you fear me. But
when you're doing wrong, you just you just accept the
listeners to come with it, except the listens to come
with it, and then you understand what path you don't

(36:29):
want to go down.

Speaker 2 (36:31):
That's why, that's why you need a movie, because people
really don't know your story, like.

Speaker 5 (36:34):
They don't know.

Speaker 4 (36:35):
I kind of like it that way though in a
hurdle you've been through, I kind of like it that way.
But I'm working on a book too, though I'm working
on a book as well. Yeah, but I like it
that way that they don't know all everything. See, when
people learn everything it is to know about, you ain't
nothing else to come back for.

Speaker 5 (36:51):
You got a different type of story, man, I feel you.

Speaker 1 (36:53):
Man.

Speaker 4 (36:54):
The reason is different is because it's ever it's it's
ever green, it's ever changing, it's still it's still more
fing into whatever it will be one day.

Speaker 1 (37:02):
So I think that's the reason.

Speaker 2 (37:03):
The difference I was arguing with what was we arguing
about with because you know, I always say t I
need a versus just so people can be reminded. It
was because I don't I think there's a generation that
either forgets or doesn't realize how big t I.

Speaker 7 (37:21):
The rapper was Marco plus yeah, he said, was the
king of the South. And you know, Charlae goes off
about I.

Speaker 4 (37:33):
Wish, I wish, thank you, thank you, but I wish
I care. I'd be trying to make myself care and
I can't. Man, I just know it's so many more
important things. Bro, I don't care.

Speaker 1 (37:43):
Man, what I did is done. You hear me, It
done for anybody.

Speaker 8 (37:47):
Movie On that part, I said, well, then just do
the movie.

Speaker 4 (37:49):
On that part, oh, I'm not I'm not objected to
the movie or anything. I'm just saying I don't really
apply no energy into trying to remind people anything about me.

Speaker 5 (37:58):
No, you have to.

Speaker 7 (37:59):
We have to, because in the beginning of their argument
it was like he was standing on his business about
your cole in the conversation.

Speaker 8 (38:06):
By the end he was like, well, you know what,
I am from Atlanta and this and that.

Speaker 5 (38:12):
Atlanta and a rapper and don't know how history I was.

Speaker 8 (38:16):
But also his age as well too at the same time.

Speaker 5 (38:19):
Man, but he said you were his favoriterapp which didn't
make no sense to me. Was one of my favorite rabbers.

Speaker 4 (38:23):
Okay, so but but so people probably they as they
consume j CO probably is what he has been consuming
the most as of recent So you know what I'm saying,
that's what what what you are consuming presently is what's
going to have the most impact on your decisions, on
your opinions.

Speaker 1 (38:43):
So that probably what that is. It ain't you know, both,
it ain't got to be wrong, you know.

Speaker 4 (38:47):
If that's if that's who the King of the South
feel to him and enjoyed that kingdom.

Speaker 2 (38:52):
But even levels of celebrity, right, number one movie and
number one album at the same goddamn time.

Speaker 5 (38:58):
I mean, come on, man, that's different.

Speaker 1 (39:01):
God has been good to me, you know what I'm saying.
God has been good to me, man.

Speaker 4 (39:07):
And I want to you know, I want to go
back to the reality shore you talking about how fad
times I say one more thing, I'm still cold as
a motherfucker on the mic, and I still but and
and to be out of with you. I'm just because
I don't want to. I don't I don't want to
negate any of these facts. Can't nobody fuck with me.

Speaker 1 (39:22):
I just let you know that.

Speaker 4 (39:23):
Now you understand, go in the booth for anybody walk
out with the better verse I go to, I go
ahead to head with Droe. So I go as anybody,
I don't give that. Who you got, bring them on.
They can't fuck with me live performance, can't fuck with
me hit for hit. You just can't fuck with me,
you know what I mean? That might be somebody that
certain people like better. That's your opinion, okay, but bottom line,

(39:46):
can't fuck with me. And anybody think I'm anybody who thinks,
you know what I'm saying that that that what I'm
saying is some bullshit. Line me up with whoever you got.
I don't give a damn wood is. I don't help
the bear. I don't give who it is. Man, I

(40:08):
don't care ring.

Speaker 1 (40:12):
Let me say what y'all niggas can't tie my shoes.
I just gonna say that.

Speaker 4 (40:16):
But yeah, I'm saying man like, I'm humble out you know,
and uh, God bless everybody, but you can't fuck with me.

Speaker 2 (40:24):
You can't even God Clubs Introspective Records features.

Speaker 1 (40:32):
I appreciate that thank you and humility.

Speaker 4 (40:37):
I've learned that, you know, being home, it's gonna take
you way farther than being arrogant.

Speaker 1 (40:43):
But let the facts be known that it can't nobody
fuck with me.

Speaker 3 (40:47):
I want to go back to you're talking about the
reality show and how big that was. Do you ever
regret having your family on it because people judge them
differently without seeing them, because they see you first, whether
it's your sons that's doing.

Speaker 1 (41:00):
Music, your daughters just doing music, Like, do you ever
regret that part of it? I don't have I don't
have no regrets. You know what I'm saying. I don't
have no regrets.

Speaker 4 (41:07):
I think that I have the most elaborate photo album
as a father.

Speaker 1 (41:13):
That anyone could have. You know what I'm saying.

Speaker 4 (41:15):
I could go back instead of putting out a photo album,
I can look at season three of Family Hustle and
see King, you know, with her braces, you know what
I'm saying, see Major, you know, like like as a
little bitty.

Speaker 1 (41:30):
Man, a little bitty mini man, you.

Speaker 4 (41:32):
Know all of and see Neat Neat before she knew
how to folk, she was driving, Like I could I
could go back and relive some very very like just
some special moments in my family's life. So even by
that alone, it's substantial and it's worthwhile to me.

Speaker 2 (41:55):
Yeah, man, when all your titles fade to rapp up
mogul comedian, you want your name to represent.

Speaker 4 (42:02):
My family and my children, my grandchildren, like all the
rest of this. Man, this is this is business. You
feel what I'm saying. Get wrapped up in no business?

Speaker 1 (42:12):
You know what I mean?

Speaker 4 (42:12):
This is business. Whatever we're doing is good, is only
as good as long as the money lasts.

Speaker 1 (42:18):
You feel me? If they stop paying you right now?
What you care about coming in here? No? Exactly you exactly?

Speaker 5 (42:28):
I got microphones.

Speaker 1 (42:31):
That's how I feel like.

Speaker 4 (42:33):
I don't care about none of this ship for real,
don't I don't really care, man, I don't care nothing
about it. Uh, it's something I feel like. It's something
that I I love it because it's been so good
to me. But present day, this is not the focus
of my life because I can direct my time, effort,

(42:54):
energy and attention in other areas and make as much
or more money. And what's more important than me? And
like you know, family and children, grandchildren now and you
know building, uh, platforms and stuff for them, so they
can go on and be great and follow their dreams

(43:15):
and do what they love.

Speaker 1 (43:16):
Like for me. I done, did, man? I did? Man?
You know I don't need to be more famous. I'm alright.
How does it feel be a grandfather? You said that twice?
How's that feel? I love it? Right? Said? Something? Gets
back home and you're done. I mean, man, they can stay.
I don't care.

Speaker 4 (43:31):
They don't bother me, they can stay. I like you
know the bad ones. You know what I'm saying, the
one don't nobody else won't like because that remind me
of me.

Speaker 1 (43:39):
You know what I'm saying. I like the bad one.
Like everybody, I don't want to deal with them. Man,
come on, bring them to me. You know what I mean?
I wear they little lass at. You know you ain't
mad to me. I know you can't be bad to me.
Come on, let's add at it. You know. Uh.

Speaker 4 (43:53):
But but you know there's a there's a bond that
is created when you find cause when when kids be bad,
they know, don't nobody want to be bothered with them.
They can feel it. They know because I knew it.
They know I with the kid they were like, nah,
I ain't taking him, But I was bad, so I understood.
But the people who did take the time out and

(44:17):
like kind of showed me.

Speaker 1 (44:18):
Because the kids ain't nothing wrong with the kid.

Speaker 4 (44:20):
The problem here the adults expecting the kid to know
the right thing to do before they being told.

Speaker 1 (44:26):
You know what I mean. They trying, They trying it,
and they pulled a track.

Speaker 4 (44:30):
But when when when when a child sees somebody that
is willing to invest the kind of time, attention and
instruction in there, it creates a bond.

Speaker 1 (44:39):
And you know what I'm saying, That's that's what I appreciate.

Speaker 2 (44:42):
And nobody acknowledges how Kings seemed to turn the corner
like King when he was.

Speaker 5 (44:46):
A while and everybody had so much to say. But
now that he seemed to.

Speaker 8 (44:52):
Him he's funny as hell.

Speaker 4 (44:54):
Yeah, yeah, man, kid here for it's a lot that kay.
People don't know about him, you know what I'm saying.
And and he man, he's extremely talented. He has a
huge heart, and he cares a lot. That's the thing
I have, Man, he cares so much. How do you
care so much about stuff?

Speaker 1 (45:11):
I don't care, you know what I mean? And he
as a father, he's a great dad. You know what
I'm saying. He made me feel like I didn't spend
enough time with my kids. You know what I'm saying.
But I think that he's young. Bro.

Speaker 4 (45:29):
If I think about where I was when I was
his age, when he was running around and you know,
enjoying his youth. You can spend your youth however you
want to. And that's how he chose to spend his
and that's his prerogative, you know what I'm saying. But
you shouldn't like critique too much too soon. And because
everybody got everything now all over you know, the Internet

(45:54):
for all to observe and give opinions on man, let
the man grow up, you know what I mean.

Speaker 1 (46:00):
And you know he growing up and he's gonna be
all right, he's straight.

Speaker 7 (46:04):
Would you ever do because now that you control your
own content, like what you're doing with your special would
you never put together something family wise with your family
again that you control when you're gonna put it? Because
y'all clips that y'all post is like it's such a
even a moment with your daughter and the Grinch yeah caption,
It's like it makes us feel like the reality show
that you guys have but we only get it in clips.

Speaker 1 (46:23):
Now that's well, you know what, good.

Speaker 4 (46:28):
Nah man, if I did do it, that's the only
way of to get done something that we control, something
that we you know what I'm saying, that belongs to us.

Speaker 1 (46:36):
But that's not outside the realm of possibilities.

Speaker 4 (46:40):
Uh.

Speaker 1 (46:41):
The money, you know, he is the I guess the.

Speaker 4 (46:47):
Curator of those clips, the money, Like I guess Schlick
directs those clips because he has a vision, He sees things.
He kind of I guess, studies the algorithm, you.

Speaker 1 (46:59):
Know what I mean. I don't know what to hear.
That mean?

Speaker 4 (47:04):
That's all the money the minder say, hey, man, we
need to do we need to do something. Come to
the house at three o'clock on Monday. Everybody, it's all right, cool,
you know what I mean.

Speaker 1 (47:14):
So everybody pulled up like what's up? You do this?

Speaker 4 (47:16):
You do this, you do this, you do this, and
then you know, it was just a very small piece
of my time, my day.

Speaker 1 (47:22):
I was out of there about three forty five three.
I was like, man, this is all right, you know
what I mean?

Speaker 4 (47:27):
And that uh and that, but that's his vision, bro.
And the whole family just kind of fell in line
with his vision. Even the stuff with him and King,
that's like, man, the mind, I say, Man, if King
ja listen to me, I say, Bro, you hear big
brother man like Jake, go talk to him, Go tell
him no, Man, you need to tell him no.

Speaker 1 (47:45):
I mean, Daddy, why I need to tell him? I like,
because can't get the money.

Speaker 4 (47:50):
Have a very strange I ain't gonna say strange, but
it's a different dynamic because when they were young, right
when they were youthful, like let's say, when King was six,
the money with ten like, they were the one that
got the more whoopings in the house. They were the
bad ones, you know what I mean. They were the
ones who they go outside.

Speaker 1 (48:11):
Even though he said, don't go outside.

Speaker 4 (48:13):
You know what I'm saying, Let's go do this even
though we know we ain't supposed to. It was them
two together, right then all of a sudden, the money
grew up and Jay kind of got like grow like, man,
I ain't got time for that.

Speaker 1 (48:26):
And now King like.

Speaker 4 (48:28):
You know what I'm saying, and King still was still
on that, and so they have a different And I
told that to the mind. I say, bro, y'all used
to get whoopings together. Bro y'all like co defenders in
a way. And now you just donet that get turned
your life around, gave it to God, and then forgot
about your partner for real. And he said, bruh, I
never thought about it like that. And so he went

(48:49):
to it, brother, and they talked.

Speaker 1 (48:51):
I don't know what they talked about. I don't know how.

Speaker 4 (48:53):
You know how it turned out. But they threw hands.
Not this time, but early on they three hands.

Speaker 1 (48:58):
You stopped. I went there. They both were calling me,
you know what I'm saying, be cause King was up.

Speaker 4 (49:07):
They were when King was like at the peak of
his own one right, and they might have like, man,
he is not tough, and he thank you. I'm gonna
show him he ain't tough as he think you. I
I'm gonna show him. Ain't nobody gonna do nobody. I'm
gonna do somebody. And I'm not used to hearing the
money talking and so uh and you know, you might

(49:30):
show up to the studio and King and King she
stood on Benny, you know what I'm saying, and they
and they threw hands and they and but afterwards they
had a mutual respect. Man to be honest with you,
if the little brother fighting a big brother, there is.

Speaker 1 (49:46):
No one lose for real, you know what I'm saying.

Speaker 4 (49:51):
I think that the winner was that they both learned
something about each other that caused them to deal with
each other different.

Speaker 1 (50:00):
But this particular moment, I was like, man, Kyle, you
bother to talk to her.

Speaker 4 (50:03):
So he talked to her, and King started listening to
the money and they started doing content together, and you know,
and here we are.

Speaker 2 (50:11):
I've got a couple more questions. It's a holiday season, right,
and everybody know you got that bad so.

Speaker 1 (50:15):
I know that's what we need. The powers. You like that,
you know what I'm saying.

Speaker 2 (50:26):
You've been getting it for a long time when people
reach out to you, right, so I know you got
to be selective. There's a story I always hear about
you that I think is an amazing story. But I
just wonder what made you do it? When Michael Vick
reached out to you, and he reached out to you,
and they said, he just he just you know, you
called him just to check in.

Speaker 1 (50:43):
Nah, he was just getting out that day, so I
would hear I hear him. You know what I'm saying.
See what was up with him.

Speaker 4 (50:53):
And the part of the story there's more interesting with
with with what they don't realize here that with the
day I would turning myself in. Yeah, I would turning
myself in that day. Uh and so yeah, I you know,
he was coming out, I was going in, so I
you know, I was hitting him just to see what
was up, how he was doing.

Speaker 1 (51:13):
And this is funny.

Speaker 4 (51:16):
It's a it's a comedian in the Jiha Mafia that
he had his name fat Man des it funny here.

Speaker 1 (51:23):
But he got a joke like, you know what I'm saying,
just say.

Speaker 4 (51:25):
Hello, don't ask people how they're doing, because somebody gonna
tell you how they're doing. Right.

Speaker 1 (51:31):
So I learned that that day. So you know what
I'm saying. So I called, I say, man, what's something,
How you doing? How you doing?

Speaker 4 (51:36):
He say, man, matter of fact, Man, I'm Jay getting that. Man,
I'm you know, I'm I'm I'm down bad. You know
what I'm saying. I could use some you know. Well,
he ain't ask for nothing. He was just saying how
his situation was, you know, financially stressful. And uh, so
I was like, and I just happy to have been
even though I was turning myself in. I was I

(51:57):
was at a point where coming off paper trail and
you know, I I was having it and I was like, man,
you know what, bro SENDI year in stretchers and you
know you're wiring and stretches.

Speaker 1 (52:11):
He told you that. I don't know.

Speaker 5 (52:13):
I saw it online.

Speaker 1 (52:15):
Numbers are not important, you know what I'm saying. The
gestures God nah.

Speaker 4 (52:22):
Man, But yeah, yeah, yeah, uh I think that was
It was something like that. I thought I thought it
was fifty. But if it was Sidney five, so weird?

Speaker 5 (52:30):
What made you do it?

Speaker 7 (52:30):
Just?

Speaker 1 (52:31):
I just come.

Speaker 4 (52:32):
Man, A lot of time when I'm going through stuff,
I take my mind off of what I'm going through
by trying to help somebody else, you know what I'm saying.
So yeah, but but but but Vic man, Vic was
we were tight like.

Speaker 1 (52:44):
You know what I'm saying. We we we were running
the city. And I tell you he was you know
what I mean? It was.

Speaker 4 (52:50):
I were cool with the the hoighted quarterback in the NFL,
like we were partners, you know what I mean. He
come to my house, I go to his house like
we were really homeboy, We'll go out together.

Speaker 1 (53:01):
Ain't got you know?

Speaker 4 (53:02):
Do stuff he wasn't suposed to be doing while we
were playing ball together, you know what I'm saying. And
so so when he went through that, I was I
just felt bad to.

Speaker 1 (53:10):
See him going through it. And then I started going
through it. So you know what I'm saying.

Speaker 4 (53:16):
When when when when I spoke to him, I just
we was happy he were coming home, and you know,
I just wanted to help.

Speaker 3 (53:23):
But see I got I got six kids, man, one
in college. You do very expensive man, it is that's me.
How I'm doing.

Speaker 1 (53:31):
How you doing. I'm not doing that great man, You're
not help you out with what some advice? I got
great advice. And see that why I feel like.

Speaker 4 (53:41):
And you know what we should stop. We should stop
talking about how much money people got. You should be
illegal to say how much money somebody has online and
like publicly stated.

Speaker 1 (53:52):
You know what I mean, it's not saying you just
got to check from.

Speaker 5 (53:56):
Up up out.

Speaker 1 (53:57):
See what I'm saying. That's what That's what it should be.
It should be. It should be done differently, you know
what I'm saying.

Speaker 4 (54:07):
You could say that something was one, you could say
that you know it said that what.

Speaker 1 (54:12):
They stopped right now, what they stopped. What they should
start publicizing is bills. They should start publicizing the bills.

Speaker 4 (54:21):
But you know it's nobody tell nothing about because every
airtime you look at somebody who got more money, and
you just remember they got more biles.

Speaker 1 (54:29):
Than you as well.

Speaker 5 (54:30):
But even when you do great things like.

Speaker 2 (54:33):
Yeah, west Side one hundred and forty three unit complex
providing how for low income families and homeless youth.

Speaker 5 (54:40):
That's a big deal. You gotta have a check to
even make that happen.

Speaker 1 (54:43):
That's right.

Speaker 4 (54:43):
I mean, you know, it's a blessing to be able,
you know what I mean. And I'm a vessel, you.

Speaker 1 (54:49):
Know what I mean. Everything that you see happening for me,
uh is happening through me. You know what I'm saying.

Speaker 4 (54:56):
I'm a I'm an instrument that God is using for
his purpose, and I'm happy to be here to do so.
It's not just because of me because I'm so talented,
because I'm so good looking, because I'm so.

Speaker 1 (55:09):
Cool, this, that, and the other.

Speaker 4 (55:10):
It's God guarded the reason because I tried to fuck
this shit up a long time ago. I promise you
I did, Like you know what I mean, if it
was just on me and my talent, I would have
been out of here a long time ago. It's truly
God's work and I'm just happy to be here to
be able to do god work. And Trotter is just
one of the things that you know, even before in Troter,

(55:32):
we you know, new finishes, when we built over a
hundred houses in the community, before it was gentrification, before
they were talking about that, we were building houses.

Speaker 1 (55:43):
You know, I built the crackhouse.

Speaker 4 (55:45):
I bought a crackhouse, a house I sold crack in,
bought it, renovated it, kicked the junkies out, and put
a family in it.

Speaker 1 (55:54):
You know what I'm saying.

Speaker 4 (55:55):
And I did well. You know, six months later it
was back a crackout. But that's not to hear no that,
you know, that's when I learned to make a significant impact.

Speaker 1 (56:05):
You got to kind of you.

Speaker 4 (56:07):
Know, I guess value, you need more value doing it
one at a time.

Speaker 1 (56:12):
I wouldn't.

Speaker 4 (56:13):
I wasn't getting the ground covered that I wanted to.
So and try to a hundred and is it forty
three hundred forty three three, Okay, but then it's a
it's a it's a certain percentage one hundred percent affordable
housing and in Atlanta. You know what I'm saying, it's
hard to find affordable housing in the city.

Speaker 1 (56:33):
So you know what I'm saying.

Speaker 4 (56:34):
That was twenty five or reserve for a twenty five
reserve for homeless youth at I don't want to say
at Rich. Let's say at Promise. It's an at Promise
center on the West Side. You know, it's like a
kind of like an updated Boys and Girl Club.

Speaker 1 (56:49):
You know what I'm saying.

Speaker 4 (56:50):
We put a studio in there for the kids who
want to record. They teach skills and trades and stuff
like that, help them with homework.

Speaker 1 (56:56):
So it's dope.

Speaker 4 (56:57):
But yeah, so those are reserved for at Promo home
homeless youth. Uh and and I'm proud of that.

Speaker 1 (57:03):
Now. One thing I will say, since something here on
the radio.

Speaker 4 (57:06):
Uh, we got twelve thousand square feet of retail and it's.

Speaker 1 (57:10):
A food desert over there.

Speaker 4 (57:11):
I'm trying to get a supermarket. I need a grocery
store pharmacy to come and partner with us and and
service the community because there is no fresh produce, fresh fruit,
you know what I mean, even if it's a farmer market,
we need food over there.

Speaker 1 (57:27):
Could ain't no ain't nowhere to eat, you know.

Speaker 4 (57:29):
What I mean, except for you know, chicken wing, French
fries and hamburgers and stuff.

Speaker 1 (57:34):
So and then for the elder live for the old people.

Speaker 4 (57:37):
They got to get too far out the community to
to feel their prescription. So we need pharmacy and a
and a supermarket. So anybody out there listening who want to,
who want to partner, There ain't gonna be much money
in it, now, you know what I'm saying. So understand
that this ain't a money play, but it will be
some phenomenal pr you know what I mean. People will
just like they commended me, they will be commending you,

(57:58):
you know what I mean. So let's put you know,
let's put passion over profit right here, and you know,
let's collaborate anybody.

Speaker 2 (58:05):
But this is so interesting because this is the type
of stuff you've been doing for so long, like you
you know, you mentioned New Finish right, and I remember
seeing you on I think it might have been Diary
on MTV backing one of them shows, and you showed
how you was building these homes, and then of course
you said it in New Finishing, loan will make me
dumb rich.

Speaker 5 (58:24):
Maybe it was motivation. So I was wrong.

Speaker 1 (58:26):
I thought it would make me dumb rich. But see
the housing, the market crash. Oh you see what I'm saying.

Speaker 4 (58:31):
Before I could really cash out on it, the market crash, man,
that would go I'm fighting the case right then, and
so I needed that little money.

Speaker 2 (58:39):
But nobody talks about that type of stuff when it
comes to the rappers. They always want to talk about
the games, ship and the street shit and no on
they talk about drugs all day, like, no, you ain't
listening to the music.

Speaker 1 (58:46):
Well, I think you know what I'm saying, man, we do.

Speaker 4 (58:50):
We do spend a lot of time talking about the
things that we spent a lot of time doing, you
know what I mean. Uh, But there are other things
that are just important to get mentioned that are overlooked.

Speaker 5 (59:00):
Speaking apartments, don't you got the departments on to it?

Speaker 4 (59:03):
Yeah, departments is on Tube and now everybody, man, go
go see go see the apartments on tube, you know
what I mean. We're proud to be on that with
with the rest of our independent writers, directors and creators,
you know what I mean. So, yeah, go see the apartment. Man.

Speaker 1 (59:18):
The funny thing you're gonna watch today?

Speaker 5 (59:19):
And you started back up expeditiously, consistent with it this time.

Speaker 1 (59:24):
I was consistent with the last time. With no money.
Y'all start paying people, right, you know what I'm saying.
Then you lay out right after I.

Speaker 4 (59:36):
Said, Man, man, fuck the ship that when they signed
twenty million, said man, oh so you didn't like me,
That's what it was. It was me, Yeah, man, Expeditionally
every Tuesday. Man also independent. You know what I'm saying.
You just go uh to wherever you listen to your
podcast and I'd be somewhere at the bottom of the list,

(59:57):
you know what I mean.

Speaker 2 (59:58):
No, I was gonna meeting up today and some white
folks brought up Expeditiously.

Speaker 5 (01:00:03):
Do you know that was one of the biggest podcasts
in the world at one point.

Speaker 1 (01:00:05):
Yeah.

Speaker 7 (01:00:06):
I was talking to somebody this morning who was like, yeah,
Expeditionally comes back, and I said, it's back.

Speaker 4 (01:00:11):
Yeah, yeah, yeah, every tude and man, uh proud of
the conversations we've been having. Just did Ambassador Young the
two parts on Ambassador Young uh.

Speaker 1 (01:00:22):
And you know he he man.

Speaker 4 (01:00:23):
He shared so much game on like the civil rights
movement and just talked about you know, our leaders in
a way that ain't nobody really really spoke about him before,
like candidly, you know what I mean, from a personal perspective,
just had We just wrapped episode with with uh mayor

(01:00:44):
Mayor Andre Dickens. You know what I'm saying again candidly,
like I don't. I don't think when people come to
my show, like we just sitting and had a conversation.
We just talked, opened up with AI got got shot
in the can on the.

Speaker 1 (01:00:57):
Way he got uh did a uh.

Speaker 4 (01:01:00):
Adult interview with Dallas Austin. You know what I'm saying,
some game, oh DJ, you know what I mean?

Speaker 8 (01:01:08):
Yeah that was dope.

Speaker 1 (01:01:10):
Yeah, yeah, man did it? Did a did an episode
with with the Click.

Speaker 4 (01:01:13):
So yeah, man, you know what I'm saying, I'm doing it.
I'm doing it and uh so, so we go.

Speaker 1 (01:01:17):
See what happened. We're gonna see what happened. Now you
love Tell on white folks, man, get on white. Vote
my number.

Speaker 2 (01:01:23):
I just put us on the email number.

Speaker 5 (01:01:28):
I did.

Speaker 1 (01:01:29):
I text my number.

Speaker 5 (01:01:30):
Okay, don't worry about it.

Speaker 1 (01:01:31):
So now you you know you love mixtape DJs? You
love DJs? I do? I do? You got a record
that's coming out soon? Can we have it? Can I
have it?

Speaker 5 (01:01:42):
You were for the record.

Speaker 3 (01:01:44):
I know you want to say that he ain't say
nothing about the record yet, big mouth.

Speaker 2 (01:01:47):
I was gonna say you and Forrell, I think it's
some of the most underrated chemistry and hip hop history
between Fora and but.

Speaker 4 (01:01:53):
Hell yeah, man, I'm proud of you know, for real
with the first the first like you know, like top
chart topping producer that decided to work with me. I'm
serious one and uh you know, and since then, we've
had so many records like she a freak though, you

(01:02:15):
know what I mean, Like it's just so many records
that we've had, but get we ain't never yeah that what.

Speaker 11 (01:02:21):
They record, man, Nah, but that was I was happy
to be there.

Speaker 1 (01:02:34):
I was happy to be there. We had a good time. Uh.

Speaker 4 (01:02:37):
But but we've never had a single though. Out of
all the records that did, we never had a single.

Speaker 1 (01:02:42):
And you know.

Speaker 5 (01:02:44):
That was your first serious Yeah, you know what I'm saying.

Speaker 1 (01:02:48):
I'm talking about like a hit, A hit, Okay, I'm
talking about it hit.

Speaker 4 (01:02:52):
We had bops. We got plenty of bops. I'm talking
about like you know what I'm saying with all of
the success that I had, you know, for for real,
to not. You know what I mean In that conversation
in them hits, you know what I'm saying, I think
we need to fix that, Jason.

Speaker 2 (01:03:06):
He also gave you one of the most powerful cold
signs that I think put you in another stratosphere. I
forgot which gangster Grill was, but he said that you
were like the jay Z of the South. He was
on he was on, it was an interlude and he
was talking about you. He said he was like the
jay Z jay Z the South. And I think, just
like when you called yourself the King of the South,
that made people listen to you with a different air.

Speaker 1 (01:03:27):
I appreciate that, man, I mean for real, always been
my brother.

Speaker 4 (01:03:30):
But it's certain people in this game that when I
go in the studio with you already know something coming
out dangerous. For reals, one Tump is the other, Swiss
Beats is another.

Speaker 1 (01:03:41):
Jazzy Faye is another. You know what I'm saying. It's
just certain.

Speaker 4 (01:03:44):
People, man, It finish another. It's just certain people. When
I just blaze is another. Certain people when I walk
in with them, brother, you just know it gonna be stupid.

Speaker 1 (01:03:55):
So let's introduce the record right now.

Speaker 4 (01:03:56):
Hold on one last thing, that we can introduce it
coversation it called let.

Speaker 1 (01:04:04):
I can't wait.

Speaker 4 (01:04:05):
I can't wait to play it for you man, for
everybody else. It's coming on it coming January twenty third. Bro,
We're gonna put it out. But you know what I'm saying,
I will be uh giving you know what I'm saying,
previews through DJ's. You know, I just want to make
sure that when the DJ have it, it's on the
DSP so once they hear it from the DJ, they
can go somewhere. Yeah, so I actually get because I

(01:04:25):
need all the little numbers and counts that I can get.

Speaker 2 (01:04:27):
You know what I'm saying, You do have a very
dope record. I'm talking to you with just Blade.

Speaker 1 (01:04:33):
Yeah.

Speaker 5 (01:04:33):
Is that a disrecords?

Speaker 4 (01:04:36):
It was just it was it was it was an
attention record. I was shock jacket, you know what I'm saying.
I just wanted the conversation to start. Yeah, it wasn't
no differ record. I would really just you know, uh
like when I say stuff like it's only five rappers.

Speaker 1 (01:04:51):
Out Atlanta who busting and I'm one of them.

Speaker 4 (01:04:53):
The other folk you know who you are, But if
you gotta think twice, Like it was just like you
know it.

Speaker 1 (01:04:58):
It was a mind fuck.

Speaker 12 (01:04:59):
When you talking about that's my nigga, I said, whoever,
I wasn't well, that wasn't no dis I mean I
just said that that's President Carlor like he was the President.

Speaker 5 (01:05:10):
Wayne.

Speaker 1 (01:05:11):
No, no, no, no.

Speaker 4 (01:05:11):
No President Carter because he was the president. President, but
president because it's it's a it's a President Carter. That
was once the president of the United States. Hear me,
he was the president of death.

Speaker 1 (01:05:24):
Jam at the time. It wasn't no diss. Lil Wayne.

Speaker 4 (01:05:27):
You gotta think, man, you got the layers, but you
didn't mention that that's a quadruple untundra.

Speaker 5 (01:05:34):
That's just an old hip hop lord that I was thinking.

Speaker 4 (01:05:36):
No, man, Wayne, I'm a Hot Boys fan. First off,
I used to cut crack and listen. I'm that I
used to cut cookies and crack into dimes and dubs
listening to the Hot Boys, BG, Big Timers and Lil Wayne.

Speaker 1 (01:05:55):
So I ain't man.

Speaker 4 (01:05:57):
I got a lot of love and respect for all
all those nigga could nigga if if nigga I was
on my bicycle selling dope to your music, you feel me.
So that's a different level of respect.

Speaker 1 (01:06:09):
I ain't you know what I mean?

Speaker 4 (01:06:10):
Even though I know you know what I'm saying, we're
in a competitive state. I can't negate the fact that
I used to listen to your ship before I became
who I am.

Speaker 1 (01:06:18):
You know what I mean?

Speaker 8 (01:06:19):
That's why you want to talk about the Wayne to
Ya versus.

Speaker 1 (01:06:22):
No, I ain't. Nobody can't fuck with me? Did you
hear what I said?

Speaker 4 (01:06:25):
But I mean I say that as respectfully as I can.

Speaker 1 (01:06:29):
It ain't that I'm avoiding it.

Speaker 4 (01:06:30):
It's just like if you start trying to if you
start trying to just compare yourself with splitting hairs, with
who's better with this, and the that I'm gonna just
cover it all. Can't nobody fuck with me? But I'm
on a positive you know what I mean. I'm on
my positive.

Speaker 5 (01:06:45):
Ship, So that would be phenomenal.

Speaker 8 (01:06:46):
I would Wayne.

Speaker 1 (01:06:48):
I would love to do a versions with Wayne. I was.
I think they say him and him and whole finna
do it.

Speaker 5 (01:06:53):
I don't think that's real.

Speaker 1 (01:06:54):
I heard that. I think timber timberland.

Speaker 5 (01:06:55):
And never want to see that.

Speaker 1 (01:06:56):
I and Jase and I will be dope. Yeah, gotta
be five. Yeah. I love to do one. I love
to do a version with Wayne. Wayne.

Speaker 4 (01:07:04):
You know, he he dope, he dope, he dope. The
doperst you know what I mean, the dopers beside me.

Speaker 5 (01:07:09):
Yep.

Speaker 2 (01:07:10):
But put it all on tip that Draft Kings fan duel.

Speaker 4 (01:07:15):
Hey man, I'm putting it on. I got a Wayne
record too, Man and me and me and me and
Tune we.

Speaker 1 (01:07:21):
Got a record together as well.

Speaker 4 (01:07:23):
And Tune did a record with Buddy Red Yeah, tune
the tune hit.

Speaker 1 (01:07:27):
Me, Tune hit me.

Speaker 4 (01:07:29):
I'm like, hey, hey man, let me get and give me.
I need to get with your son. I'm thinking he
was talking about to mine. I'm like, who you say, man,
your son Man? You know, the one, the one with
the GetUp.

Speaker 1 (01:07:41):
I said, oh ship. So yeah, he did a record
with Buddy Red. Man and that's love. You feel me?
You know, to hit me one thing, you hit me
and and.

Speaker 4 (01:07:52):
We collaborate together. But you hit me and you're talking
about collaborating with my child. Excuse me, I shouldn't say that.
He like that with my with my with my son, man, my,
you know what I mean, my first born son. And
you know, and he ain't even at a point in
his career right now where he got the numbers that
would justify right and.

Speaker 1 (01:08:13):
Wayne J did it yet out of sheer love, you
know what I mean. So that's that's hard. That's hard.
I appreciate that. Well, ladies and gentlemen, T I P.
Don't forget.

Speaker 3 (01:08:23):
Cheaper than Therapy comes out on the twenty fourth comedy
special We Appreciate You.

Speaker 4 (01:08:27):
Brother, Hey departments on tb uh PSC, Still in the Street,
DJ Dramma, Gangster Grill, New Year's Eve uh, and you
got the record with Me and Pharreal coming January twenty third,
Kill the King Album, Kill the King Album gonna be
coming and coming. When I say, when I tell you,

(01:08:47):
just stay tuned. The Breakfast club is t IP.

Speaker 1 (01:08:52):
Every day a

Speaker 2 (01:08:53):
Weak click your ass up the breakfast clubs, y'all,

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