The Breakfast Club BEST OF( Kevin Hart, Andrew Schultz, Donnell Rawlings Interviews)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Wake up the program your alarm to power one O
five point one on iHeartRadio not more in Usa yo.

Speaker 2 (00:10):
Yo yo yo yo yo yo yo yo yo yo
yo yo yo yo yo yo yo yo yo yo
yo yo yo.

Speaker 3 (00:15):
What's up?

Speaker 4 (00:15):
Just Larry's Charlamagne the God. It's Monday, that's right.

Speaker 5 (00:20):
And it's all about comedians like Kevin Hard Andrew and
Donell wrongs Man.

Speaker 4 (00:25):
We had a great conversations with all of them last year.

Speaker 6 (00:28):
I don't even know.

Speaker 1 (00:29):
I feel like Kevin came to the Breakfast Club a
couple of times last year. And Donelle that's right, tripping
time when they pull up.

Speaker 4 (00:37):
That's right. When I say, when Donnelle comes, somebody always cries.
It's either him or us, one of us. I was
talking to Donnell a couple of days ago, and he
was crying on my phone about something. I don't even
remember what it was, because you're not Donell the type
person to call you and be venting, and you just
put the phone on speaker and walk away and do
something else. They come back and he still grind.

Speaker 1 (00:56):
Somebody can call me when Donnell on the phone, and
I can click over and don't even tell him I'm
clicking over.

Speaker 4 (01:00):
I just click over talk and come back, and he'll
still be talking. Jesus, what kind of frind of you?
You don't listen to what he's saying.

Speaker 1 (01:06):
Some of it, but I get the gist of it down.
That is a repeater. He repeats itself over and over,
so you can't repeat itself. I get there. I know
what the context of the conversation is. Then I just
come back and be like, that's crazy.

Speaker 4 (01:18):
That's crazy. Damn, damn for real. Let's get into those interviews.
It don't go anywhere. It's the breakfast Club. Good morning, Ray, right, Ray.

Speaker 7 (01:27):
Yo, Charlae?

Speaker 8 (01:28):
Man, yay?

Speaker 7 (01:29):
What up are we lying?

Speaker 4 (01:30):
This is your time to get it off your chest.

Speaker 9 (01:32):
I got an indoor pool.

Speaker 4 (01:35):
We want to hear from you on the breakfast Club.

Speaker 7 (01:36):
Get on the phone right now.

Speaker 8 (01:38):
He'll tell you what it is.

Speaker 9 (01:39):
We lie.

Speaker 4 (01:40):
Hello, who's this?

Speaker 10 (01:41):
Hello?

Speaker 3 (01:42):
Hey? What's up? Yeah?

Speaker 4 (01:45):
Who's this?

Speaker 9 (01:50):
What's uping? Mike?

Speaker 4 (01:51):
What something? Mike?

Speaker 10 (01:52):
Oh my god boy?

Speaker 4 (01:56):
What's uping? Man? Yes, sir?

Speaker 6 (01:58):
How are you?

Speaker 3 (01:58):
Mary? I'm a huge fan, just hilarious. I love you.

Speaker 8 (02:04):
You don't know.

Speaker 11 (02:08):
Wait?

Speaker 4 (02:08):
What was that? Nothing? Nothing?

Speaker 10 (02:12):
But now I'm just a big fan and I just
wanted to get my mom a shout out, well seeing
proud of me, and because I just moved to Arizona,
just started my blue life, and I hope I'm making
how proud of everybody else there in Chicago, Indiana.

Speaker 4 (02:26):
What's your mom name?

Speaker 10 (02:28):
Brenda Campbell?

Speaker 4 (02:29):
Brenda Campbell? I know her?

Speaker 9 (02:31):
You know, No he doesn't.

Speaker 1 (02:36):
No big b no big b oh Man.

Speaker 3 (02:41):
But y'all very inspiring.

Speaker 10 (02:43):
I'm thinking about starting my new podcast. So but I
appreciate y'all everything that y'all do every morning, even though
man is a little overboard with the gayness, but you
know that's my boy.

Speaker 4 (02:54):
That's your boy.

Speaker 6 (02:55):
Boy.

Speaker 4 (02:55):
All right, you have a good one. Man, y'all need
me so bad? Use you? Hello? Who's this?

Speaker 6 (03:03):
Yeah?

Speaker 10 (03:03):
Good morning?

Speaker 4 (03:04):
This is your boy, Prince, Prince?

Speaker 9 (03:05):
What up?

Speaker 11 (03:05):
Bro?

Speaker 4 (03:05):
Get off your chest?

Speaker 8 (03:07):
Ain't up?

Speaker 4 (03:07):
Man?

Speaker 3 (03:08):
Good morning?

Speaker 8 (03:08):
Breakfast club Family, Charlamagne, Chess, DJ empty Yeah, man, I
kind of question for you, Envy.

Speaker 3 (03:16):
Yes, sir, your trip to China.

Speaker 8 (03:19):
You said it's very clean over there, right.

Speaker 4 (03:21):
It was very clean. Absolutely, I've heard different.

Speaker 8 (03:24):
And I was like, is is he sure he's not
talking about Japan? Because I know Japan is very clean.

Speaker 5 (03:29):
Sir, I went to Maca, China, Yo, I could you
go see two basketball games in the DJ It was
very clean, sir, It wasn't Japan.

Speaker 6 (03:38):
China is a big place like you might like there
might be parts of China.

Speaker 5 (03:42):
That landed in Hong Kong and drove to Maca, China,
which was about a thirty five to forty minute drive.
And when I was walking through the city, which I
did because you know, Ben's had me walking around checking
out the actual city, the country.

Speaker 6 (03:53):
Ben's look eight feet all over there by the way.

Speaker 5 (03:57):
No, you understand, they were running up to her taking
pictures because they thought she was a theat like transportation.
I'm surprised Chinese people don't.

Speaker 4 (04:02):
Try to ride her feet.

Speaker 9 (04:05):
That's actually really good one.

Speaker 5 (04:06):
That's crazy though, But China, which is like the Vegas
of China where they have all the casinos, is actually
bigger than Vegas and it's crazy.

Speaker 4 (04:15):
But no, that was very clean, sir.

Speaker 8 (04:17):
But well, that's that's cool because the Japanese people, I
heard that very particular. They like everything in the in
the right place. You know, it's got to just be perfect.
And China, I know it's it's a little different.

Speaker 4 (04:28):
But yeah, I've been playing too, but this was my
first time in China.

Speaker 5 (04:31):
They're both pretty clean, but China was was definitely like
I couldn't even find a cigarette butt on the floor,
like it was that they had people walking around with
like a.

Speaker 6 (04:38):
Cigarette looking for on the floor. You a nasty, You're
freaking because people smoking.

Speaker 4 (04:46):
When you like, when you walk, you see the cigarette.

Speaker 9 (04:48):
But on you little power ranging cigarette.

Speaker 4 (04:52):
But goodbye, sir.

Speaker 3 (04:53):
You know what, man, I'm glad.

Speaker 8 (04:55):
Hey, hey, real quick, I just want to say I'm
on my way to work and uh I'm fifteen minutes late,
like jessin Charlomagne.

Speaker 4 (05:03):
Okay, thanks well, like I says, damn boy, he.

Speaker 6 (05:08):
Said, no, damn, I don't know what are you talking about?

Speaker 5 (05:11):
Get it off your chest eight hundred and five eight
five one oh five one. If you need to vent
phone lines wide openness to breakfast club in the morning.

Speaker 4 (05:18):
I'm telling what's doing on all of you. If this
is your time to get it off your chest, whether
you're mad or blessed.

Speaker 9 (05:26):
Eight hundred five eight five one.

Speaker 4 (05:28):
We want to hear from you on the breakfast clubs.

Speaker 9 (05:31):
Hello, who's this hey?

Speaker 3 (05:33):
It's Tiny Games from h Andrews and South Carolina.

Speaker 6 (05:36):
He said, for what's up, Tony?

Speaker 4 (05:38):
Get it off your chest? Tony?

Speaker 11 (05:39):
Yeah, all right, anyway, I want to I went back
and I watched the Dave Dash interview you guys had,
and he made a comment about how gossip is something
females do and stuff like that to Charlemagne is a sultan.
So I want to ask Jess hilarious and if Lauren
is there telling me to her opinion as well, like
what do y'all think about that life? Do y'all think
that's messed up that men associate gossip of being negative

(06:03):
and that it's only something that women do when we
all know that dudes like pillow talk and dirty back
and stuff like that too.

Speaker 7 (06:10):
I don't think gossip is only for women. I mean
that depends on what you're doing, you know what I'm saying.
But I don't everybody tell each other's business, everybody, you know,
whether you do it online, whether you do it in
the privacy of your home with your friends, in the group,
chat with you guys, whatever.

Speaker 9 (06:24):
I don't really think it's it's a feminine trait.

Speaker 4 (06:26):
It's whatever.

Speaker 7 (06:27):
You got something to talk about, You got somebody to
talk about it too, Go ahead, don't matter to me.

Speaker 11 (06:32):
And a shout out to you Charlomagne, I appreciate your podcast,
what a billion it is.

Speaker 3 (06:37):
It's good. And shout out to you DJM befall you
doing the studio community and stuff like that. You guys
take care of Thank you.

Speaker 1 (06:43):
Why do men act like we don't gossip and everybody
loves some good gys, Yes, everybody loves some little dimit
of team man.

Speaker 4 (06:50):
Hello, what's up you have?

Speaker 10 (06:56):
Jeff?

Speaker 9 (06:57):
What's that? Baby?

Speaker 3 (06:58):
I'm doing a good with us?

Speaker 6 (07:00):
He says, you clean that booty blood off your sneakers yet, dang, you.

Speaker 3 (07:04):
Know what crazy? I'm actually going into thirdery today.

Speaker 4 (07:07):
Man.

Speaker 3 (07:08):
Cut to spend it in my hands? I can't. Yeah,
like you know, little prayers to put your fleet later.

Speaker 6 (07:14):
Somebody did what did you say?

Speaker 11 (07:16):
That cut me?

Speaker 3 (07:20):
He cut into my hand, He cut my They gotta
go on to repair my tendon.

Speaker 4 (07:24):
Okay, okay, okay.

Speaker 9 (07:25):
I bet you will never hang with that friend again.

Speaker 3 (07:27):
Lord, I mean it wasn't reheard literally her fault. I
can't really like you know, put it on her, on
her protected her.

Speaker 6 (07:35):
I hope the doctor don't got to go too deep
in your tendon.

Speaker 10 (07:37):
Man.

Speaker 4 (07:37):
Wow, hey, man.

Speaker 3 (07:40):
I hope I hope not either. They got going to
repair this busted.

Speaker 4 (07:43):
Yes, Jesus.

Speaker 9 (07:48):
Is crazy, Yes sir, yes, sir, you know.

Speaker 3 (07:51):
I mean little prayers for your boy man.

Speaker 6 (07:53):
Yes, sir, try alright, try.

Speaker 4 (08:02):
Get it off your chest.

Speaker 5 (08:03):
Eight hundred five eight five one oh five one if
you need to vent, phone lines wide openness to Breakfast Club.

Speaker 4 (08:08):
Good morning morning.

Speaker 5 (08:09):
Everybody is dj Envy Jess hilarious, Chelamaine the guy. We
are the Breakfast Club Law the Rosa is here and
we got a special guest in the building. Hello everybody,
Andrew Shows, Ladies and.

Speaker 4 (08:20):
Gentlemen, welcome. How's it going? How you feeling?

Speaker 2 (08:23):
I feel good, man, So I want I want to man,
you had all of us thinking that that poor girl's
family died.

Speaker 4 (08:28):
The Portia Williams was terrifying.

Speaker 2 (08:32):
Man, He's looking at this note and then I see
her looking at the note, and then I'm like, damn,
somebody died.

Speaker 4 (08:37):
And the only thing I'm thinking is is she gonna
stop the interview?

Speaker 9 (08:40):
You know what I mean?

Speaker 2 (08:41):
Like, there's this moment where you're like, does she care
so much about fame? She's like, well, they're already dead.
They ain't gonna be bored.

Speaker 4 (08:49):
Death.

Speaker 12 (08:50):
She started to get teary eye and the way she
looked at her sister, I thought somebody died too.

Speaker 13 (08:54):
And I'm like, yeah, all I was thinking, is weird
getting exclusive?

Speaker 4 (08:57):
But she works than me. I just want to get a.

Speaker 14 (09:04):
Major right here.

Speaker 6 (09:06):
You know, it's funny.

Speaker 1 (09:06):
When Schultz walked in, Shouts looked at that couch and
he was like, Yo, that's the whole couch, big thing.

Speaker 2 (09:11):
I didn't know the sessions now the couches, the I mean,
I remember we were on Brilliant Idiots when we first
saw that, and uh, yo, oh my god.

Speaker 4 (09:21):
And Sel said, uh so, why is she called a lyft?
She should you know? She why why didn't she call
a why does she call a fork lift?

Speaker 9 (09:30):
And uh she looked.

Speaker 4 (09:36):
And then she came on.

Speaker 2 (09:37):
It was really funny, Like I was watching the episode
and she's quite endearing. She's just like really really endearing voice.

Speaker 4 (09:43):
But when you guys moved.

Speaker 2 (09:44):
The couch up and I walked in, I was like, oh,
that's the famous couch. And I didn't know that there
are three pieces semi circle out, so you know, we
pulled the whole thing up. Yeah, she filled that thing
out there's no way she's making into Honda Civic, Like.

Speaker 13 (09:58):
There's no way she said she could get the cruiser.

Speaker 4 (10:01):
Yeah, I don't know. Yeah, maybe God bless her. I
wanted to know.

Speaker 5 (10:06):
You know, with this day and age with comedy, right,
we've recently seen Damian Wayne say he's not going back
out on the road because they will cancel you for everything.
But you are somebody that don't give a f what
you say, what people think, and why is that?

Speaker 4 (10:18):
Yeah, I don't know, that's a good that's a good.

Speaker 8 (10:20):
Uh.

Speaker 4 (10:21):
I don't know why.

Speaker 2 (10:21):
I don't really care. But I think that the days
of canceling or done like I think, I think it's changed.
I think they kind of like pendulum is swung, and
I think people kind of have a sense of humor
now or they feel like less effective and there's their
ability to cancel.

Speaker 1 (10:34):
I think you don't care because you threw what could
have been a hail Mary, or could have been a
well coordinated play. It turned out to be a well quarter. Yeah,
because when Hollywood there was a period. I remember this vividly,
the one time Andrew comes in the studio. And Andrew
was saying how his agent told him that Hollywood does
not want white straight.

Speaker 4 (10:54):
No, they tried to gave me white straight male. So
they they gave you. They gave me every.

Speaker 12 (11:00):
Day with me, they know they gave me.

Speaker 2 (11:04):
And they made my character gay. I remember the guy who,
uh it was his show. He put me in the show,
Paul Riser. Remember Paul Riser. He I mean he was
making a million dollars an episode on his show on
sitcom back in the day, and we were doing the show.

Speaker 4 (11:18):
I think it ended up on Hulu.

Speaker 2 (11:20):
He called me, He's like, listen, man, you know there's
a lot of white people on the show. Who took
place in the seventies. It was about the Johnny Carson Show.
He's like two weeks before you start feeling. He's like, hey, man,
we gotta make a character gay.

Speaker 4 (11:31):
So I was he was like how. I was like,
how gay? And he's uh his.

Speaker 2 (11:35):
I was like, why do we have to make it gay.
He's like, it's just a lot of white people on
the shows. We got to find a way to mix
it up. They made one guy crippled.

Speaker 6 (11:42):
That was the most hilarious.

Speaker 2 (11:44):
Don't know, but it was like they couldn't make us
all gay. So like one guy gotta be crippled. And
I was like, why don't you ask?

Speaker 9 (11:52):
I better be lipping around this, but.

Speaker 4 (11:55):
So and that's.

Speaker 14 (11:58):
Both here, guys, that's the question.

Speaker 2 (12:10):
So so yeah, so they made it was crazy, like
I had to change one of the script.

Speaker 4 (12:14):
It was to one of the guys. It got too gay.
They wanted to kiss.

Speaker 2 (12:18):
They wanted me the game now like they had so
they had like his one script.

Speaker 4 (12:24):
I got it on the day.

Speaker 2 (12:25):
They're like, yea, it'd be really funny if you were
like walking into this room there's three guys behind you.

Speaker 4 (12:29):
And I was like, man, let me tell you what's not.

Speaker 9 (12:33):
Y'all taking this dyas too far?

Speaker 4 (12:35):
I want you to get the train.

Speaker 2 (12:37):
It was and it was like in the seventies or
like it was like aides you know what, Like there
was no protection for that.

Speaker 4 (12:44):
And now we got three different guys followed me into
a bedroom. So that was in the script when I
was in the script and I was like, I ain't
doing that. I was would do that, So what did
you do?

Speaker 2 (12:52):
There's a scene where apparently like my hands are on
the wall and then like that was the Johnny Yeah, yeah, yeah,
but nothing. I don't do anything but the audience is
gay for thinking about it.

Speaker 9 (13:05):
Y'all my hands on the wall.

Speaker 1 (13:09):
But all I was simply saying was there was a
point where Andrew was like, look, I'm gonna go out
on my own terms, you know what I'm saying. So
if everybody's going this way, I'm gonna make the kind
of comedy I want to make.

Speaker 4 (13:19):
And if it works, it works.

Speaker 6 (13:20):
If it doesn't, it doesn't.

Speaker 4 (13:22):
But it ended up working. I did.

Speaker 2 (13:23):
My thing was like I saw a lot of people
kind of watering down there for what the TV networks
were putting on. I got empathy for the people that
work at the networks too, Like you got a kid
who's in private school, you want to build a pool
at your house or whatever. You're not trying to lose
your job because I want to make some crazy joke.
So but it felt water down, and I didn't want
to change the comedy. So I was like, where can
I put out the comedy? And honestly, like having the

(13:44):
pod with Charlottage and we're putting out like brilliant idiot
stuff and we're saying crazy jokes and like people really
seem to like it. And I was like, I think
there's an appetite for this online. I saw your Guys success,
Like just seeing your Guys show kill it on YouTube,
it just kind of reminded me like people are concer
assuming stuff on YouTube. They're consuming high quality content long form.

(14:04):
What if we just started putting a stand up out there?
And I think knowing that there was this place for
it made me feel way more confident. I didn't really
care if it was like on a network. I just
wanted to do the comedy I want to do.

Speaker 4 (14:14):
And you pissed a lot of people off. And you
ever got threatened? Yeah, I think Diddy.

Speaker 5 (14:22):
But when I was asking have you got threatened to
a point where you was like, I got to.

Speaker 4 (14:25):
Chill out because you don't know anybody anyhow. Yeah, I
got punched on stage. I used to get thrown at me.

Speaker 9 (14:31):
Fight uh not I mean box.

Speaker 2 (14:34):
Yeah, I used to box like I wasn't like but
I'm not like some like trying to fight everybody, tough
guy at all, but box and yeah, there you go,
that's right.

Speaker 10 (14:42):
Yeah.

Speaker 2 (14:42):
Yeah, if we're organized and we're in a ring, I'll
probably you up in the street.

Speaker 4 (14:46):
I'm like, I don't really want to go.

Speaker 2 (14:48):
Do that, but yeah, yeah, I used to go through
through that kind of stuff all the time. But I
just wasn't really funny enough back then. That's the way,
you know, like you have the ideas, you just don't
got the skills to execute it. It's not silly enough yet.
And then eventually I think you could hell up the
skills and then you can say even wilder jokes but
in a way where people find it kind of funny.

Speaker 12 (15:04):
And you talked about the censorship era being good for
comedy because it's set like certain boundaries like what not to.

Speaker 4 (15:09):
Yeah, it got to be naughty.

Speaker 12 (15:10):
Yeah, But so having those boundaries and then you you
look back at your old tape, you weren't as funny,
so you had to develop so you have like there's
a whole system behind you of like like you sit
and watch your highlight tapes and you use all of that.

Speaker 3 (15:21):
Yeah.

Speaker 4 (15:21):
I also think censorship, like in a weird way.

Speaker 2 (15:23):
I don't believe in censorship, but the fact that it
exists makes you have to be sharper.

Speaker 4 (15:29):
We're in the era if you could say anything right now.

Speaker 2 (15:31):
And comedy will probably get a little bit more like
an absurdist and a reverend because you could say anything,
so there's nothing that's like two edgy.

Speaker 4 (15:38):
Does that make sense?

Speaker 10 (15:39):
Yea.

Speaker 2 (15:39):
So now comedy usually gets like a little like weird
and out there, you know, like remember I remember Zach Alafanakis.

Speaker 4 (15:46):
Remember him?

Speaker 15 (15:46):
Yeah to first Yeah, yeah, yeah know, Zach's great, Like
that type of comedy where it's not like here's a
political take, but it's more like he's a character and
it's a little weird.

Speaker 2 (15:57):
That type of comedy gets popular when you could say anything,
and then when censorship comes back, usually the guys like
a Chris Rock I mean, just these like historic figures.

Speaker 1 (16:05):
But that's why I think well crafted just that's why
The Life Special is actually special, because well crafted jokes
have to make a comeback now because we live in
the world where everybody just says, any old watch, but.

Speaker 4 (16:17):
What's what's the joke?

Speaker 6 (16:18):
How are you packaging?

Speaker 4 (16:20):
You know what I mean?

Speaker 2 (16:20):
Yes, yeah, And people will give you that liberty like
if if it's good, if the joke is good, they'll
let you rock with it, even if they don't like
the topic or even the opinion. They you know, they're
they're like, okay, I know what you're trying to say. Also,
the Life one is just like so personal and it's
so vulnerable. I think I get a little leeway with
the other.

Speaker 13 (16:38):
I had to watch it twice.

Speaker 12 (16:40):
No, I don't like celebrate it, but okay, So the
first time I watched it, maybe because it was so personal,
like I was like, okay, where's the fun Like I
wasn't laughing at everything, but it was.

Speaker 13 (16:50):
Because I was trying to follow the story. And I'm like, wait,
like low key you like that was that had to
be tough for you?

Speaker 12 (16:55):
Yeah, And then I went back again and I watched
it and it was funny and I was like, okay,
but I'm like, I don't know why I had I've
never had to do that. I brought that up because
I'm wondering, like, is there is that on purpose?

Speaker 2 (17:05):
Well, there's a there's an interesting thing that like, So
the beginning of the special, I say we had the
baby specifically for that reason is that I felt like
the audience would be too concerned and destroy So if
you paid attention to the beginning, you might have felt better.

Speaker 12 (17:20):
Well, I did hear that in the beginning, and I
watched you a brilliant idiot, So I thought you had
the baby. But I think it is it felt so
heavy because you don't necessarily hear men. And you talked
about this in the special, talking about, okay, we couldn't
have the baby because it was my fault, like you
know what I mean, Like, and I'm like he's laughing
and joking, but like as a man that probably it
probably still strokes your ego a little bit when you
talk about.

Speaker 4 (17:39):
Honestly know, like it's it's weird.

Speaker 2 (17:41):
At first, I dealt with it right, like, so my sperm,
my sperm doesn't swim.

Speaker 4 (17:45):
That's like the issue that I talk.

Speaker 13 (17:46):
And then I heard the joke that Tailor dropped.

Speaker 2 (17:48):
To what Taylor killed me? She said yeah, because we
I beat her in a race. And then I was
saying something to her. She was like, yeah, I run
fast in your sperm.

Speaker 6 (17:56):
It was bad and nobody knew it. We knew at
the time what he would do with people.

Speaker 13 (18:02):
Yeah, yes, I remember.

Speaker 4 (18:04):
So it was like over there.

Speaker 2 (18:06):
Oh no, it was brutal, but the joke was fantastic,
Like you got to keep it in so uh yeah.
So it's like when when I thought it was my
wife's fault, which is what every guy thinks that's going
through fertility, is I felt uncomfortable talking about on stage
because that's like her very deep personal business and a
lot of women feel incredibly insecure right about that, Right,
it makes him feel less of a woman, et cetera. Right,

(18:27):
once I found out it was my fault, immediately after that,
I actually want to like beat the system. I was like, no,
I think I could do it anyway. Like I got
like really competitive. And then every time that we would
try my and it didn't work, my wife would like cry,
and I felt like it was really selfish if we
just didn't go through this other process. Second we went
with the other process, I felt really comfortable talking about

(18:49):
it on stage. Like actually, once I found out it
was me, I felt comfortable talking about the stage because
it wasn't like my wife's issue and I'm like exposing
her like deep dark secret. And when I started talking
about on stage, man, the amount of people that would
like come up to me and send me these dms,
like these beautiful things about like what they're going through
and I actually IVF and like eventually having kids, and
like when you talk to IVF couples, you are or

(19:12):
are talking to the people that face the reality they
might never bring life into this world, and then by
the grace of God, we're able to see this thing
that they've cherished and maybe we're trying to make for years.

Speaker 4 (19:24):
So you have the most gratitude for your child.

Speaker 5 (19:27):
It's a tight knit community, like most people don't necessarily realize.
You know, I got six kids, so the first fall
big them out. God, we were trying to have the
fifth one and we couldn't get pregnant, so we tried IVF.
Oh really, we tried IVF. Pay for it because insurance
didn't cover it. That's expensive. As to the point when
when we had the powerhouse concerts up pay I would
have to give my wife the shot because you have

(19:47):
to give her a shot at a certainty.

Speaker 2 (19:49):
You gotta make it. It's like a cocktail. Yes, like
I have to make it at home. They're giving you syringes.

Speaker 4 (19:54):
So in the middle of the concert, I'm in the
back doing the shot, this, that, and the other.

Speaker 5 (19:57):
And it still didn't work. So it was like we
took it as well. Maybe God said four is enough,
but at.

Speaker 6 (20:01):
Least you had four. Imagine the ones that have zero.
But it just got one.

Speaker 4 (20:05):
It happened, happened bro naturally, which was the craziest thing.

Speaker 2 (20:08):
Yeah, sometimes it's the stress, Like I know, the most
it's the dumbest thing. And you guys probably I mean,
you know about this just because all the mental health
stuff you do. But like the way that your brain
can play tricks on your body that you got you
put so much pressure on, like having a kid, and
your body reacts negatively like that. Like there's a lot
of people who try IVF it works, and then the
next kid they have naturally and it's just your body

(20:29):
goes all right, this kid time, Like now you're not
so stressed.

Speaker 4 (20:32):
You got one, and that might be it.

Speaker 2 (20:33):
You guys went all right, you know, if we're supposed
to have four, that's what we're supposed to have.

Speaker 4 (20:37):
Forget it and then you stop trying and immediately.

Speaker 5 (20:40):
Bang, I'm glad you spoke about it because so many
people dealing with it, Like we talked about in the
book that when you do it, so many people hit you.

Speaker 4 (20:45):
You'd be surprised and shot. It's the last.

Speaker 2 (20:47):
Taboo thing, and people are feel so insecure about it
because you don't want your partner to be embarrassed. So
like I'm telling you, it was easier that it was
me if it was my wife's ovaries. I don't think
i'd ever talk about it right because it could be
humiliating for women. For dudes, yes, it's humillion for me,
but like as a comedian, I think I'm a little
like I find the joy in that humiliation. Yeah, it's
just it's easy for me to deal with. But I'll

(21:09):
tell you after after talking about and seeing all the
other people going through it, it's like, yeah, that's why. Honestly,
when we had Trump on, there was like three things
that I want to ask him, and one of them
I wanted him to say publicly that he would he
would protect IVF.

Speaker 4 (21:20):
So let's talk about that. How did you meet Trump?
How did you get like? How are you to get this?
They reached out and they were like, uh, do you
want to have them on?

Speaker 2 (21:28):
And we're like yeah, we want to do in the
studio and then they were like, we can't do it
in the studio. Like you know, Seanman knows. It's like
it's a you guarantee the assassination. It's like windows everywhere.

Speaker 9 (21:39):
It's like I don't even know why we were trying.

Speaker 4 (21:42):
Like you walk right out the elevator, it's windows everywhere.

Speaker 2 (21:45):
It just bet but uh but right, like you know,
I hope that doesn't happen, but you know, but we
were really pushing for that.

Speaker 4 (21:52):
And then and then when we did the pod, Yeah,
I like spoke.

Speaker 2 (21:55):
To his kid for a while before and I spoke
to Dana White, which one Junior okay, J And I
was like, yeah, just tell me some stories, and like
I just kind of wanted to the party.

Speaker 13 (22:04):
You talked about the party, Oh yeah.

Speaker 4 (22:06):
So he told me about that one.

Speaker 2 (22:07):
He told me that Yeah, yeah, there's a part I
didn't say on the interview, but uh, because I said
he just went up to the roof and kicked everybody out.

Speaker 4 (22:13):
But like what Junior told me is he was in
his underwear.

Speaker 2 (22:16):
So like just imagine and imagine Trump Trump the underwear Junior.

Speaker 12 (22:22):
For the people who haven't seen the interview, Schultz in
the group they talk about Donald Trump Junior had like
a huge party. Yeah, and then they had a throwdbody
out because Trump found out about the party.

Speaker 4 (22:32):
Oh yeah, he wasn't supposed to be back.

Speaker 13 (22:33):
Yeah, he was supposed to be back.

Speaker 12 (22:34):
It was kind of something on like a movie my
dad comes home, but he like never mentions it.

Speaker 3 (22:39):
Yea.

Speaker 12 (22:39):
So Trump Junior is like almost like it didn't happen exactly. Know,
he was at his underwear, so that party got real crazy.

Speaker 2 (22:45):
Yeah, that was the first time he addressed it in
like forty years or something like that.

Speaker 4 (22:48):
He never addressed it with his kid.

Speaker 1 (22:50):
You know, there's a guy in this room, a young
black male who said he watched Trump on flagrant.

Speaker 4 (22:54):
He goes, Yo, that flaggerant interview is gonna get Trump elected.
That guy that you're talking about, he's been magging for
a while. He was waiting for that moment.

Speaker 13 (23:06):
I felt the same way.

Speaker 12 (23:07):
That was the first time I looked at him as
like a person. I was like, why am I like?
I was like, oh god, he's a granddad. He cares
about his kids. Like but it was like y'all made him.
He was having a good time.

Speaker 5 (23:18):
That and the commercial where another young black guy in
this room did a commercial that Trump he was and
played over.

Speaker 4 (23:26):
I met that who made that commercial over and over again.
You know what he said, Yeah.

Speaker 2 (23:31):
He was like, hey, thanks, Charlotte Mane really helped us out.

Speaker 10 (23:38):
I mean that.

Speaker 4 (23:38):
Commercial was unbelievable. It's really crazy that the election was
decided in this room. Right now, we don't get enough credit.

Speaker 12 (23:50):
But do you get that response from people thought like, yo,
I'll humanized somebody that like we low key. Even even
when he got shot, I felt like people were like, oh,
we don't want that to happen.

Speaker 2 (23:58):
But so what I say to people, and I have
like a way more humble take than I think most like.
I don't think that we had any impact on the election.
I don't think that any of the podcasts like I
think that America. I think what America had decided is
a lot of America weren't voting for Trump. They were
rejecting the current administration.

Speaker 4 (24:15):
They just didn't like what was happening.

Speaker 2 (24:17):
And I think the way that the current administration was campaigning,
they're basically kind of saying, Hey, everything's good, We're gonna
kind of keep doing this. I think a lot of
Americans were like, I don't really feel like it's good,
so I'm.

Speaker 4 (24:27):
Gonna go for anything but this.

Speaker 2 (24:29):
But I think the idea of Trump is always he's
a populist, So if you vote for him, it means
you love him and you're obsessed with him and your
maggot till you die. Where I think a lot of
it is really just rejection in the same way that
when people voted for Biden.

Speaker 4 (24:42):
They ain't really vote for Biden. They voted against the
chaos of Trump. Now, what do you think about everything
Trump is doing?

Speaker 3 (24:49):
Now?

Speaker 4 (24:49):
Well, what specifically? There's a whole lot. I mean, there's
so many orders. Joe Rogan, I think it was Megan Kelly.
But yeah, I love the uh yeah, the Gol of America.

Speaker 2 (25:00):
I mean, it's North America, Central America, South America. Why
we call it the Gulf of Mexico. It should feel
like the Gulf of America. It's not the Gulf of
North America. It's just the Gulf of America. But again,
what I like is just like I like saying audacious.
I'm an American, like Americans in general, like in our DNA,
where like we like risk takers and we like people
who are brave. And I think that's like the tricky

(25:22):
thing for Democrats right now. And keep in mind, I'm
like a lifelong Democrat. I grew up in an arts family.
Both my parents were dance teachers. Like I live in
New York City my whole life. So what I need
is some energy on the democraticside. We talk about this
all the time is I need some like talk. I
need some bodacious talk. And I think the thing that
really Americans care about right now is that things are expensive.

(25:43):
And I think Democrats need their build the wall and
whatever that is, it has to happen to what people
are struggling with right now.

Speaker 4 (25:50):
So if they first have to build a team, well exactly.

Speaker 2 (25:54):
But you know, it could just be one outsider, like
like I think it's dollar eggs, like eggs or a dollar.

Speaker 4 (25:58):
I think you just start saying like that.

Speaker 2 (26:00):
It doesn't matter if you don't know how to do it,
but you start saying something is going to resonate with people, and.

Speaker 4 (26:04):
That's the only way.

Speaker 2 (26:04):
And I think that if they make it a class issue,
they win this election pretty easily come the next election.
But they're afraid to do that because a lot of
them are in the pockets of the billionaire class in
the corporations. So they make it about identity politics. They
it's all these people that go to like Harvard and
Yale that like pretend to give up about you guys.
They don't actually give up about you guys, but they
get patted on the back for pretending to do it.

(26:24):
And now they're in this situation where the rest of
America is like, I can't afford eggs, so I can't
really care about the bathroom. Like I don't give about
who goes in the bathroom because I needed buy eggs.
Until I can buy eggs, I don't worry about the bathroom.
So you got to start addressing people where their problems are.

Speaker 4 (26:37):
You liked having a Crockett though. I love that girl, but.

Speaker 2 (26:39):
Like, that's the type of language that I want to start.
I want I want people to start using like when
she said you're putin's hoe. I don't agree with that
sentiment actually at night, but I like the energy. Because
what people like about Trump, despite him being like a
billionaire who got money from his dad, right, he doesn't
talk like them.

Speaker 4 (27:00):
He talks like me and you.

Speaker 2 (27:01):
The Indian journalist is asking him a question, dibble dabble,
dibble dabble, and then all of a sudden, dibble dabble, dibble.

Speaker 4 (27:08):
Dabble, and then he goes, I don't know what the
hell that guy just said.

Speaker 2 (27:12):
That to me is the most relatable thing I've ever
seen in my entire life.

Speaker 4 (27:16):
I go, Yeah, that's what I would have said. That's
what he would have said. That's what you would have
said if we were just hanging around on the corner talking.

Speaker 5 (27:22):
I want to ask too, because you're talking about walking
the line, you walk a dope line because you have
white fan base and black fan base.

Speaker 4 (27:30):
Is that difficult for you? Well, I said, your jokes
go everywhere with you.

Speaker 2 (27:34):
I got the most diverse audience in comedy. It's not
even close. Like it's just like you come to my show.
It looks like the un So it's like in my experience,
in my life, I'm a pretty curious guy. So like,
if I find out something about your culture, where you're from, whatever,
I like talking about it, and I'm going to make
jokes about just because that's my way of communicating the world.
What I found is is like when you make fun
of people based on things that they're proud of or

(27:55):
they haven't realized about themselves, they don't feel offended. They
feel kind of seen, they feel noticed, and they appreciate it.
So all these different groups would start coming out to shows,
you know, and I was like, oh, this is really cool.
And when you ever, whenever it comes out to the show,
we all kind of submit to this idea, like everybody's
gonna be made fun of.

Speaker 4 (28:11):
We all gonna laugh at each other. We're gonna laugh
at ourselves and it's a cool, little beautiful thing.

Speaker 2 (28:14):
So to me, it's never been like like black people
found out about me before white people, like I'm doing
brilliantaires with him, like Guy Code. To be honest, black
people were on way before white people. I mean, eventually
towards the end seasons the Guy Code, I think it
like just crossed over. But early on MTV two was
more like hip hop related. Yeah, and then I think Rogan,
I think white people started to find me, and then
like you know, Indians found me. Obviously I do the

(28:37):
pot with Akas, but also some stand up clips that
would go viral out there Albanians when we've seen me
from some clip and like all these different groups would
come out. Yes, it's my favorite thing of looking out
in the audience. But I used to go to comedy
clubs when I was on tour and the the owners
would be like, because it would be all black people
for the weekend, they would think I was like Gary
Owen or something like that.

Speaker 9 (28:54):
They were going on.

Speaker 4 (28:57):
Yeah, I never called you like, man, what's the secret? Man?
How do you get white people to I do also
want to ask, do you still want to make love
to Kendrick Lamon? I mean, like, honestly, it's hard to
say no to that.

Speaker 7 (29:15):
You find him at Jack Yeah, man, did you see
him and the clean jean?

Speaker 2 (29:20):
When I saw those jeans, I was like, boom, boom, you.

Speaker 6 (29:24):
Gotta stop put it out. Stop ask.

Speaker 4 (29:30):
That was a joke.

Speaker 2 (29:31):
But somebody that raises him so fast, I'm just saying,
he's little, Like I hate.

Speaker 4 (29:36):
Having to explain jokes.

Speaker 2 (29:38):
He's eighty baby, So why is he telling he's gonna
kill my friends? The biggest thing about this whole that
nobody I don't even cared that he said that about
like me. Not saying jokes like that to me is
like a million people said, not say jokes. The next
line where he goes into the m words that Koon
and the Edwards being groomed, slide on both of them.

Speaker 4 (29:56):
What a slide mean to y'all?

Speaker 13 (29:57):
Take you out?

Speaker 12 (29:57):
But that's because I ain't no explaining he amy, you
say kill my friends.

Speaker 4 (30:02):
Everything after that is fine. You took it there if
you say kill my friends.

Speaker 2 (30:07):
Because a lot of people thought that was Charlemagne and
alex Media. So if you go the next line, you
tell your fans to kill my friends.

Speaker 1 (30:14):
You getting made love to listen. I appreciate my friends
trying to stick up for me, but I don't think
he was talking about I don't think about.

Speaker 4 (30:21):
But how am I supposed to know about Gary Owes?
That's that's a good point. We don't know moment.

Speaker 12 (30:35):
We know exactly what he was talking about because I heard,
and I knew exactly what.

Speaker 4 (30:38):
I think it was. I didn't think it was me.
I was like, why are we talking about me?

Speaker 1 (30:41):
Because of the and all the last Yeah, maybe you're
talking about Matt.

Speaker 2 (30:49):
Kept saying he was talking about me, and I was like, wait,
if he's talking about me, and is he telling people
to kill my friends?

Speaker 4 (30:54):
Well, I gotta do something about this.

Speaker 6 (30:55):
I got to do something.

Speaker 4 (30:57):
I gotta do something, Like I'm not a tough guy.

Speaker 2 (31:00):
You know, I'm a certified lover boy.

Speaker 6 (31:05):
It's lucid Kendrick.

Speaker 1 (31:06):
Because Kendrick does what he wants to do and he
gets rewarded for it, like you can do that.

Speaker 4 (31:10):
This whole thing got blown out of purport.

Speaker 2 (31:11):
Like honestly, I think he's like obviously a prolific rapper,
and I have a lot of respect for anybody that.

Speaker 4 (31:17):
Puts something out for judgment.

Speaker 2 (31:19):
I think there are a lot of people who, like,
they just make reaction content, so they don't really know
what it's like to like create a piece of art
and put it out there in the world and let
the world judge it. To deal with that, that takes balls,
and I admire people that have balls.

Speaker 6 (31:35):
Trump's trans executive or what he do his executive.

Speaker 4 (31:38):
He got rid of trans, he got rid of trans
what women.

Speaker 9 (31:41):
They're not around anymore. But that is how it is.

Speaker 4 (31:47):
Isn't that how it is?

Speaker 13 (31:48):
Every day sun shine but the sun still come up.

Speaker 4 (31:50):
Well, here's the thing. I think there are trans people. No,
there are, but yeah, just recognize him. Yeah, but that
he's allowed to, like, you can't force me to reckon.

Speaker 1 (32:00):
He's allowed to not believe. But that don't mean that
it's not true. Was watching squid Game?

Speaker 4 (32:05):
If they didn't have the numbers, I don't know if
I'm recognizing.

Speaker 2 (32:08):
What, you know, what if they didn't number them, I
don't know if I'm recognizing everyone.

Speaker 9 (32:15):
I don't know. I don't really know what I'm saying
right now.

Speaker 4 (32:20):
Listen, let me apologize before an Asian rapper comes from me.
Jen I'm sorry, hits me up all get what.

Speaker 13 (32:30):
You mean by the numbers?

Speaker 8 (32:31):
Now?

Speaker 6 (32:32):
Oh god, ever watched comedy to watch?

Speaker 9 (32:38):
The life is out.

Speaker 4 (32:39):
Right now, right now. It's Andrew Schultz. It's the Breakfast Club.
Good morning morning.

Speaker 5 (32:44):
Everybody's tej Envy, Jesse, Larry Charlamage the guy.

Speaker 4 (32:47):
We are the breakfast Club. We got a special guest.

Speaker 6 (32:50):
In the building who refuses to stop. Ladies and gentlemen.

Speaker 4 (32:52):
Kevin Hart fuck back. He just won't sit down. How youself?

Speaker 7 (33:01):
Life is great, no complaints. Man here to talk about more,
which means great is happening, still moving, still tracking, still working,
still doing the same thing, but bigger. Talk to us
about this new two part documentary you've got.

Speaker 9 (33:16):
Congratulations to Jamie fox Man.

Speaker 7 (33:19):
This is a Jamie fox idea that he came to
me with at heartbeat. And you know, it was a
concept about being one of the call sheet and the
good and bad of it.

Speaker 4 (33:30):
Right.

Speaker 7 (33:30):
He's like, you know a lot of people experience it,
but it doesn't do the.

Speaker 9 (33:34):
Same for everyone, you know.

Speaker 7 (33:36):
And whether it's the ego, whether it's the money, whether
it's the idea of the money, whether it's the thought
of my career is now about to be and it
doesn't become like there's so many different concepts attached to it.
I thought it was a great idea, man, you know,
Fox is a brilliant mind, and I said, to make
it real, like we got to go out and you know,
of course happened to all our relationships. So it started

(33:58):
off is just the idea for men, Like we were
heavy on the men's side, and then we were like, yo,
it's dope with it if you have it to where
you know there's a male version. And then we go
and we tap into a female version as well and
really just expand the conversation of success or lack thereof.
And it's, uh, it's dope to hear all these people
talk about it. So I think people are gonna be

(34:18):
blown away by hearing the good and the bad.

Speaker 9 (34:21):
Like everybody doesn't with the concept.

Speaker 1 (34:23):
Of it, you know, will being a number one on
the cause everybody doesn't put it.

Speaker 6 (34:26):
When did you become number one on the cast sheet?
And what does it mean to be there?

Speaker 9 (34:29):
I've been number than for a while. Like I love it,
I love it, like I don't.

Speaker 4 (34:36):
I don't want to make it very clear.

Speaker 9 (34:37):
I love it now.

Speaker 4 (34:38):
You never left the road. Why is the road so
important to you?

Speaker 9 (34:40):
Because you control it, you own it.

Speaker 4 (34:42):
There's no small venues.

Speaker 9 (34:43):
You do big venues, like nothing better than stand up Coming.

Speaker 7 (34:46):
There's no job better than the job of live entertainment,
live audience, your fans, your connection, your relationship. It doesn't
die if you treated like a plant and you forever
water it the plan and is never gonna die, right like,
so if it can grow and you have good seasons,
bad seasons, it's always going to be there and those

(35:07):
fans are just gonna ride with you forever. So I'm
very adamant or staying true to stand up Coming. Nothing
takes the place to stand up Coming. I don't give
what I'm doing the level that I'm doing at. I
will go and do comedy clubs. I will come to
New York for months on the time and just do
a run of pop ups. That's my muse, that's my
stress reliever.

Speaker 5 (35:24):
So if you had Damon Wayne and say that he
would never do stand up anymore because he was like, people.

Speaker 4 (35:28):
Are too sensitive, people are stupid.

Speaker 5 (35:30):
Well yeah, it's basically you know, he says anything, people
get offended too fast, and it's like it's just not
worth the distress.

Speaker 4 (35:36):
I understand.

Speaker 7 (35:37):
I don't see it the same way because I don't
have that level of given. I don't want to do
the thing that I love to do because I'm caring
so much about what everybody else is thinking about what
I'm doing, Like, I don't I think he meant that
on you know how the wayne's used to be like
they no limit, like you talk about anything. But now
that since the new trend is being offended and a
lot of people are just you know, it is what

(35:58):
it is though communities. I mean, Dame is Dame. Dame
is a legend.

Speaker 9 (36:03):
Like if Dame wanted to go on stage and around,
Dame can do what he wants when he wants. The
idea of people being upset or triggered.

Speaker 7 (36:11):
If you're thinking about that, like then you're you're going
down a crazy spiral. I'm not doing comedy and thinking
about the thought of what you think about what I'm saying.
I have the things I want to talk about. I
know the direction I want to go in. I'm not
here to offend. I'm not here to aggravate or piss
people off. I'm here to do my craft.

Speaker 5 (36:27):
Have you apologized yet to Delaware State University for what
you don't?

Speaker 4 (36:33):
Let it go? Come on, she didn't. I thought I
was trying to university just a bunch of.

Speaker 6 (36:58):
Sean Jackson said, you were sorry.

Speaker 9 (37:00):
Huh.

Speaker 7 (37:03):
I mean, first of all, it is all right, but
it's like smart people there too.

Speaker 9 (37:09):
We mean we're talking about that little state knows I
have no ill will towards them. I love you, guys,
but it was a funny.

Speaker 7 (37:14):
Bit you guys animated show out little Yes, talks about
your life growing up?

Speaker 9 (37:23):
Yes? What made you want to do that animation style?
You know?

Speaker 4 (37:26):
Crazy?

Speaker 9 (37:26):
This has been a This is a crazy development, man.

Speaker 7 (37:28):
This is I want to say, like seven to eight
years in the making before we could actually like do
it properly. Shouts out to Scott Mills over there at
BT man for understanding like my world of want and
allowing me to.

Speaker 9 (37:41):
Do it the way I wanted to do it.

Speaker 7 (37:42):
You know, it's in a doubt animation and I wanted to
like flip the story of the conversation attached to the hood, right,
Like everybody talks about the Hood from one point of view.
You know, the hood is the hood, and people like
the hood is bad, yeah, like, and I think that
there's a there's a positive side to it. You know,
there's a role that everybody play the hood, especially when
it comes to kids, families, Like everybody's a part of

(38:04):
the village. Everybody's raising everybody's child, everybody is aware, everybody's
in the know, everybody's trying their best to service and
need a good and even bad it is happening, you
know when people find out, there is an energy attached
to trying to solve it and make it better. And
this is a way of just flipping the conversation on
the hood upside down. So it's about me, my upbringing,
being in the hood, but having such a high level

(38:25):
of love for the hood, for my family and for
all the people around.

Speaker 4 (38:28):
It, and just Solarius is in it keeping away from
breakfast club.

Speaker 9 (38:33):
Just don't listen to that.

Speaker 4 (38:34):
I don't.

Speaker 9 (38:35):
I don't. I want to make something very clear.

Speaker 7 (38:37):
When people say like kah, thank you for giving people
a job, people earn them like, I'm not giving thank
you anything. I'm not out like, hey here, just here's
a gift, Like that's just that's her team, that's people
working and saying, hey, this is a good thing to
possibly put just up for it process. I mean, you
could say no, but when people are talented and earning
things on their own, it's happening the way it's supposed

(38:59):
to be. I'm not in the space of know of
everything and I'm hand picking people and doing like that
would mean that I'm I mean the time in the
day to do that and do it and do it
and do it.

Speaker 9 (39:09):
Then that means that people around me aren't doing what
they're supposed to do.

Speaker 7 (39:12):
So it's your job to like properly package and put
people in places to make these projects good, and it's
my job to see it. At the end stage, we're going, Wow,
this is a great cast. These are great person have
great roles.

Speaker 9 (39:23):
I like this. I like this configuration. But justice earning it.

Speaker 6 (39:27):
And you know, you do take the time to pour
into the next generation.

Speaker 1 (39:30):
You know, drewski was up here and Drewskie said that
you gave him and Cays and not a bunch of
movies to watch.

Speaker 4 (39:36):
Yeah.

Speaker 1 (39:36):
I told them to get you stuid, whatever your stupid
ass is doing right now, watch these movies.

Speaker 4 (39:39):
Yeah, and prepare for the next level.

Speaker 9 (39:41):
That's I like what the younger generation is doing.

Speaker 7 (39:45):
It's crazy I'm saying it like I'm I'm really am
a part of like a time of old forty five
Damn well doesn't look it definitely, you know that older
generation of like how we approach the business, how we

(40:05):
approach the craft right like. And I think it's dopest
to see this new generation navigate differently, like the comedians
of today did not go and work at it the
same way that we did.

Speaker 4 (40:16):
Like they're they're.

Speaker 7 (40:17):
Breaking new ground, finding ways to be the personalities first
and then get to the stage after. And the way
they're engaging with their audience and the way the audience
is responding to them.

Speaker 9 (40:27):
I think it's dopest in being a fan of it.

Speaker 7 (40:29):
I feel like it's my job now to figure out
ways to like grab this personnel when it where I can,
and you know, try to.

Speaker 9 (40:35):
Push them forward. With Kai and Drewski, Kai is such
a monster man.

Speaker 7 (40:39):
I told him, I said, look, man, I want to
show you guys ways to like give your audience more
and ways to do more. So I came up with,
like with some dope ass ideas concepts for us to
rock in together, but stay true to the space of
what they're doing.

Speaker 9 (40:53):
So Drewski.

Speaker 4 (40:54):
I know.

Speaker 7 (40:54):
He came and he was like, telling you guys about
the movie. I don't want tell y'all what it is,
but it's a big it's a big idea that we're
working now. But I was like, to do it. You
guys got to educate yourself on things in this space.
So it wasn't homework. I was like, understand production, Understand
how movies are made, Understand the.

Speaker 9 (41:09):
Look and feel. I want you to be a part
of the.

Speaker 7 (41:11):
Process so you can understand the process. And after you
do this with me, go do it yourself. Go do
it and figure out ways to you know, do it
with the other people that you're around. Juicy said, you
actually set them up in that stream with that little kid,
he said, he said, it was you that actually said
this is that.

Speaker 4 (41:27):
That's that's what you start said, you started follow your Leadue.

Speaker 7 (41:33):
First of all, what you need to understand is where
the cameras are at all times. What I said, the
juice key was in his here. I said something in
his ere Okay, nobody really knows what I said. He
knows what I said. And then he took the liberty
of going and saying very harsh things by the way things.
It shouldn't be senor walk right out like you said.
I mean, I don't want to be around that. I've

(41:53):
seen a lot of people getting fights. I've seen what
it's about to happen. I go, I shouldn't be here, right,
I should be here. They're about to start shooting. By
the way, he's got the gun.

Speaker 9 (42:03):
I see it.

Speaker 4 (42:03):
I'm gonna leave right now.

Speaker 7 (42:05):
So I just exited the room because I think I
think at the time, I had to go to the
vathroom actually, and then a lot of stuff from what
I was told.

Speaker 9 (42:12):
From when I was told, the kids started crying and
stuff like that.

Speaker 4 (42:15):
He wasn't even around.

Speaker 7 (42:16):
I came back, and I was like, what's going on?
Right at that time, I'm the adult in the room
trying to calm down, right, like, hey man, what's happening?
And I think all the cameras caught me saying that,
which is good for me legally, So I was never attached.

Speaker 1 (42:29):
Drewkie said he felt like he could make those jokes
because he's fat and y'all were teasing him all day
about being fat.

Speaker 9 (42:34):
Key first of all, calling people fat, that's aggressive.

Speaker 4 (42:39):
When you saw the big thinking of you, I just
want to.

Speaker 9 (42:46):
Know what I'm saying.

Speaker 14 (42:52):
Juicy Bige a little bigger.

Speaker 9 (42:54):
Right, because he had problems breathing when he walks up
the steps.

Speaker 7 (42:57):
Yeah, of course, but but you know that little kid.
I think it was on his way to a healthy lifestyle.
You got to support that, right, the little kid because
he was talking. I think the little kid was talking
about exercising and stuff, which is good and I'm always
glad to just be on the positive side of conversation.

Speaker 9 (43:11):
That's what I'm about, you know, a beacon of light.
Joy Kevin, at.

Speaker 7 (43:16):
The level of success that you are being an actor,
do you still have to audition for roles or absolutely not?

Speaker 4 (43:23):
Okay, what are you talking to him?

Speaker 9 (43:26):
He has said that he does.

Speaker 4 (43:28):
I think mar said he had to he pitches. He
still got to pitch projects.

Speaker 7 (43:32):
That yeah, that makes sense if he's pitching things, man,
I am I really pitching things. I think I'm pitching
ideas to my team. I'm more in the business of
creating the things that I think best service my want
in my direction and the business like when you think
about the dramas, you think about all the things that
I've done as serious like that's been me so true.

Speaker 4 (43:52):
Story.

Speaker 7 (43:52):
I was like, I want to I want to kill
somebody on camera. I think it'd be dope, and I
want to found a guy that created Narcos and I
was like, yo, it'll be dope. Was if we can
collab and talk. But we developed it and then I
was like, Okay, this is great. Let's go and take
this out Like that's developing it and then going to
sell it fight Night. That was me Will Packer will
tell me you had the right and not saying hey.

Speaker 4 (44:13):
To do it.

Speaker 7 (44:14):
This can be dope, but let's do it this way
and put the right people in it. So like the
creative side of from start to finish is where I'm
playing at now. But like auditioning, I'm not really auditioning.
I think people if they have a project, they're like, oh,
Kevin would be good for this, and I'm getting those
calls he we want you to do and then I
got a decision.

Speaker 9 (44:31):
Of if I want to do it or not.

Speaker 7 (44:32):
Like fans is the upside. That's still one of my
favorite movies. You and Brian Cranston.

Speaker 9 (44:37):
They already saw you for that role.

Speaker 7 (44:39):
They said, we want to do the remake and we
see you and Brian Cranston doing this, are you interested?
And absolutely and Nicole Kipman I was like absolutely, hands down,
but it's it's it's coming out and having an ask
not to say that I wouldn't audition, you would up
trying to clean up. Was trying to because I don't

(44:59):
love that cameras there. I just wanted to look in
and make it just look like I'm willing to do right.

Speaker 1 (45:05):
What about like social media BACKLASD because everybody, for whatever reason,
was highly upset when you hosted a NBA All Star Weekend.

Speaker 4 (45:11):
There was a section of the internet that was acting
like they.

Speaker 7 (45:14):
Were you know, you know, what energy do you give
that I'm a partner to the NBA, Like I understand
what that means. I'm I'm not coming on to beat
Kevin Harten have funny moments to the NBA. The NBA
has been a servicing aid to my career for over
fifteen years. Like you go back and you'll look at
how much I've been on NBA T and T and

(45:36):
All Star Weekends, Celebrity weekends, all these events like this
You're not looking at. It's it's almost host adjacent, right,
Like the personalities that we lean on because We're familiar
with family and we know how they work.

Speaker 4 (45:49):
That's what that is.

Speaker 7 (45:50):
So the All Star I'm not going to the All
Star Game to trying to create a big moment for me.
I'm there because the energy of the All Star Game
comes with Chuck, Ernie Kenney, myself, Like we've been doing
this for years, like just talking and playing with one another,
bantering on camera. That's not an easy thing to do.
They make it look easy, they make it look great.
That's not an easy.

Speaker 9 (46:10):
Thing between you and shak Yes, that's very easy.

Speaker 7 (46:13):
It's not an easy thing to do. Like that chemistry,
that rapport. It comes from like having a real understanding
for how TV works. So you can't just throw new
things in there because it gets weird. People don't understand
the times, people't understand the cuts, how much time you
got to go cut back to the game. They're trying
to do so much new, they're trying to discover it.
So why they're trying to figure it out. Here's personality
that we can lean on, so at least we don't

(46:34):
have dead space or dull moments on camera.

Speaker 9 (46:36):
That's what that is.

Speaker 7 (46:37):
So when you understand the technicality behind it, then you
you understand my involvement.

Speaker 9 (46:41):
I don't. I don't feed into another like I know
why I'm here partnership.

Speaker 1 (46:45):
Do you ever tell Shaq to like really back up
off you cause you be kind of sexually assaulting you
in a little.

Speaker 7 (46:49):
Bit shame only one time with Shack has done some
crazy where I was uncomfortable whole thing that's on the
internet that.

Speaker 4 (47:01):
They that wasn't scripted.

Speaker 9 (47:03):
I wasn't scripted.

Speaker 7 (47:04):
It was a moment, but honestly, be really, I couldn't
do nothing about it. They gotta cut, you know.

Speaker 4 (47:15):
Before just before I put a little size on not
to say I could do something to shock, but I didn't.

Speaker 9 (47:20):
You know, it was a very frail version of me.

Speaker 7 (47:22):
And you know it was this is when Shaq was
like when they were like just talking about Shaq being
a cop, and he really was a cop. To be funniest,
Shack pulled me over on real Hollywood, and you know,
like Shaq is like basically about the arrestment.

Speaker 9 (47:35):
You know, everybody can't improv want you don't even have
to say this.

Speaker 4 (47:45):
We're not even to discussing people who haven't seen it.
A great show.

Speaker 7 (47:48):
It's a great show, but it's alle but we're not
gonna do is naked. It seem like something that work.

Speaker 9 (47:53):
So but he what he did was.

Speaker 7 (47:55):
He grabbed me when I got out the car, and
he just tried to get a little physical right. It
was like you but it's like like everybody doesn't improve
the same.

Speaker 9 (48:03):
Comedy.

Speaker 4 (48:04):
Comedy is an art.

Speaker 7 (48:05):
Like you ever see comedians when they try to like imprivate,
some of them go too far or they don't know
when to stop.

Speaker 4 (48:10):
He's like, hey man, we got it in the scene,
like you can't go over there, like oh yeah, well
your mama And you're like, well, you can't bring up moms, touse,
we don't know who our moms are in the scene.

Speaker 1 (48:19):
It's like I just say hashtag call through the week.
Hey yo, nah shock you strayed, violated Kevin Hart. You
literally took that man in the pound town.

Speaker 7 (48:29):
This is this is what you're doing. That's actually that's
actually nuts.

Speaker 4 (48:34):
That's nuts. That's why he grabbed me.

Speaker 7 (48:37):
He grabbed me, throws me over the over the carr
and he and he he starts humping me.

Speaker 9 (48:42):
So I'm like I remember.

Speaker 6 (48:44):
Turned around over.

Speaker 7 (48:48):
His face and said, you letna tell you how let
me tell you what I can tell Charlott Mayne Charla
Mayne is perfect.

Speaker 9 (48:54):
Is a nasty man. That's like, in this brief time,
I just.

Speaker 7 (48:57):
Found out a lot about him by the way he
starts describing stuff, very.

Speaker 9 (49:00):
Graphic, nasty man. I just told you.

Speaker 4 (49:02):
Just driving with you, he.

Speaker 9 (49:04):
Grabbed me and he throws me over the car. He's like,
you don't know what. He starts talking me.

Speaker 7 (49:09):
I remember Ralph about rest of the episode. I remember
I looked at Ralph. I'm like, hey, did y'all did
job pages.

Speaker 4 (49:17):
Something happened and they.

Speaker 7 (49:19):
Was like, uh, they were like all right, Uh, nobody
wants to say shock.

Speaker 9 (49:23):
They was like, all right, we got it, so that's something.
Let's just move on. We just we just moved about, laughter, noddressed,
just like every just shut up.

Speaker 6 (49:36):
I'm trying to get you again off.

Speaker 9 (49:37):
We just shut up.

Speaker 6 (49:39):
Did you get triggered a little bit?

Speaker 4 (49:40):
I saw you.

Speaker 6 (49:40):
He was creeping up.

Speaker 7 (49:42):
That's a very young I'm older and I'm in a
much more controlling state in my in my life, right,
you know, I would say something, you know, don't do that.
You gotta stop it, right, like anfirm stop that right.
But in that moment, that was shocked. That's my that's
my shout out to the big dummy himself.

Speaker 6 (50:04):
I want to go back to number one on the
call sheet because Sterling K.

Speaker 1 (50:06):
Brown did an interview with He said that people wanted
to put him number one in the call sheets, but
he was superstitious about it because he'd been successful enough
not being number one, so he was okay with being
number two.

Speaker 4 (50:16):
What do you think of that?

Speaker 9 (50:18):
I don't. I don't mind that.

Speaker 7 (50:19):
You know what I mean as somebody that's been there,
When when you're there and you've you've experienced whatever the
conversation attached to it is, it's not the same level
of important, right, Like it's it's not important. I was
joking around earlier about the idea of number one of
the call sheet, but it's not that important to me.

Speaker 9 (50:34):
I don't. I don't give it.

Speaker 7 (50:35):
I don't care about top billing. I don't need my
name to be first. I don't need my name to
be the biggest when they first put the movie or
the TV show out. Like if that's more important to you,
I'm like, all right, let him get it.

Speaker 4 (50:47):
So when you in the rock do a move, who's
number one on the call?

Speaker 9 (50:51):
I let him get it. But he's DJ's an APPA.

Speaker 4 (50:55):
Let him get it.

Speaker 9 (50:56):
Joking DJ, by the way, he trumps me every time.
What do you mean, it's not even a conversation. I
don't even bring it up.

Speaker 4 (51:03):
You number one on this right?

Speaker 6 (51:05):
What is the box office numbers?

Speaker 1 (51:07):
Like?

Speaker 4 (51:07):
How do they?

Speaker 7 (51:08):
I think he deserves to be number one when we
do the project. He's a international superstar. Not to say
that I don't have international success, but I don't think
that we're equal in that regard. I think that his
movies have performed and done crazy business internationally, and when
we do the projects that we want to appeal to

(51:29):
the world, you should be first. I'm coming in and
I'm on that train with you. I'm adding value to it,
but I'm not bumped by you being first. We put
an amazing cast together to help us get those audiences
when we do, but don't I don't feel any type
way about that.

Speaker 9 (51:44):
I think he deserves it and he should have it.

Speaker 1 (51:47):
Congratulations too, man, you got It was announced that Heartbeat
is it working with the Paces. Yes, Heartbeat it to
be the official cultural curator to provide in the team
in and live experiences for fans in the Indianapolis Corus.

Speaker 4 (51:57):
Yes, first of all, what does that look like?

Speaker 7 (51:59):
It's a opportunity for our company, right, Like you're our
company is a creative engine for any resource that allows
us to be right Like, we are a business, So
our business thrives when we can implement ourselves in places
to create or elevate a brand, a company, an entity,

(52:20):
and activation, whether it be live entertainment, storytelling, et cetera.
Indiana with the Pacers and the Fever have an attraction coming.

Speaker 9 (52:29):
I think they have an all star coming up.

Speaker 7 (52:31):
But it's more about they're like, look, we're looking for
ways to expand and elevate what we've done. They spend
a lot of money on a new facility, they have
a team that's thriving, a younger team Fever or thriving
with star power, etc. So they're like, how do we elevate?
How can we better tell our story? And I'm like,
that's what we do. I'm looking to be a better

(52:53):
partner for the NBA. How do we better tell stories
for your brand? How do we better promote and market you?
How can we amplify or activate differently? Like these are
words in the business that companies despinately want to hear
the potential.

Speaker 1 (53:07):
Part of will Heartbeat call Mike Epps to do? Absolutely,
He's gonna call you to do something absolutely.

Speaker 9 (53:13):
I mean, me and Mike's relationship now is good.

Speaker 7 (53:17):
We're ten times, but it took a long time to
get to where we are now. But I'm I'm happy
at the road of like dumb because it got us
to a place of real grown man and we're not
We're not doing the dumb like tweets.

Speaker 9 (53:33):
No more like Mike call me, I'm calling you. And
we we talked.

Speaker 7 (53:36):
So you know when I did, Mike was the first
one we got on the phone. We had a conversation,
and me and Mike are are very much on.

Speaker 9 (53:43):
The same page.

Speaker 7 (53:44):
And I think, you know a lot of the disconnects
from assumption. That's the realization that came about. But I
have no it will no beat towards anybody, Damn sure,
not Mike. And you know right now the priority between
me and Mike are figuring out the thing that we're
going to do together. And you know, I told Mike
like it's a it's a real thing, like we haven't

(54:05):
done it because of this disconnecting our relationship. We've never
been on screen together. We did Real Husbands together in
the beginning. Mike did an episode and that's the only
time where we've ever jousted on camera. And I was like,
at this point in our career, like we're not nobody
but ourselves, so you know, how do we make it work?
And he's like, yeah, keV, like how do we make
it work? And it's a it's a mutual understanding. And

(54:27):
I think now having that as a priority, his fans
will be happy. My fans, I think will be happy,
and I think it'd be dope for the culture when
we do it.

Speaker 4 (54:34):
Yeah, where is that version of Hall of Knights for
this era?

Speaker 7 (54:37):
It's hard, it's hard to happen because the idea of
it being just one is what people can't let go of.
Me Like, that doesn't have to be just one star.
But Hall of Knights wasn't just one star.

Speaker 9 (54:50):
That's why I worked. That's why I worked.

Speaker 7 (54:52):
Richard didn't give about Eddie eddit didn't give about Richard
the two biggest comedians minus the boy.

Speaker 9 (54:58):
The only person that was missing.

Speaker 7 (55:00):
I should have been in that Cosby in some degree
right a showing of him. But they have Red Fox
Robert Harris, Like if you go on. You look at
the names del Rees like you.

Speaker 9 (55:10):
You look at the names and the people in Harlem Mats.

Speaker 7 (55:13):
You looked at a conglomerate cast of hard hitting comics
of color.

Speaker 9 (55:18):
We don't have that today.

Speaker 7 (55:20):
And even when it comes to like the younger comics, man,
it's been a few of like DC young Fly has
countless scripts that he has and he's trying to get
all of us like in this generation. But egos and
and what's she gonna be getting and who's gonna be
the main character? I ain't working with her or how
he you know what I mean. So the problem with
the with the younger generation of comics, man made money

(55:43):
so fast, good money, not a little money.

Speaker 9 (55:46):
They made money so fast. So it's definitely the idea
of doing that. For that I'm over here agatting.

Speaker 7 (55:52):
It's like the idea, come here, I mean, just just
just made money, still making money, right, Like understands that
road money, that road money is a different type of money.
These comics or new comics influencers turn com I'm making
real money.

Speaker 9 (56:08):
So until you get to a point.

Speaker 7 (56:10):
Where you understand the money isn't going to drive your
next stage of success. If your next stage of success
or want for success is attached to IP projects. Whatever
you cannot do it by yourself, you gotta tap in.
That's what people are afraid to do, and they're afraid
to do it, especially in our culture because we feel
like there can only be one and that younger mindset

(56:33):
in this business today is a cash driven mind. The
money will come, I'm telling you, the money will come.
The ideas don't. Relationships and partnerships don't.

Speaker 9 (56:43):
That's the difference.

Speaker 4 (56:47):
Appreciate your cash, little keV.

Speaker 9 (56:50):
I'm excited about it.

Speaker 7 (56:51):
Adult Animation BT plus ones getting shots out to BT
shouts out to my amazing.

Speaker 9 (56:55):
Team and heartbeat man.

Speaker 7 (56:57):
This is a piece of IP that I worked on
for a long time and to have it finally come
to light as dope, as as funny as it's raw,
it's edgy.

Speaker 9 (57:05):
It's the true testament to my mom and dad who
aren't here.

Speaker 7 (57:07):
So r I p to the hearts upstairs and maybe
down you know my dad, They say he could be.

Speaker 4 (57:13):
I don't know, so uh you know, just in the middle.
My dad.

Speaker 7 (57:19):
Shouts out the pops wherever you are, Yeah, I know,
I don't know what side uh this is?

Speaker 10 (57:24):
You don't want.

Speaker 9 (57:25):
I don't want to assume it. I don't want to.
I don't say.

Speaker 7 (57:28):
If God ever closed the door, my dad might have
been on the outside.

Speaker 3 (57:33):
Uh.

Speaker 7 (57:33):
But it's a testament to them. So I can't with
you guys enjoy BT plus watch it lock it in.
No one of them call, she shout out the fox,
lock it in.

Speaker 9 (57:39):
I'm done.

Speaker 4 (57:40):
It's the Breakfast Club. It's Kevin, watch out. Don't So
if you ever feel I need to be a dog
man with the heat?

Speaker 9 (57:48):
Did she getting any please?

Speaker 4 (57:50):
Don't?

Speaker 9 (57:51):
I had become donkey of the.

Speaker 6 (57:53):
Day, the Breakfast club.

Speaker 4 (57:58):
Man donkey.

Speaker 6 (57:59):
Today dog Day goes to a fifty five year old
Georgia woman named Cheryl Cole.

Speaker 3 (58:03):
Now.

Speaker 1 (58:03):
Cheryl was convicted Monday of murder and aggravated assault in
the death of her.

Speaker 4 (58:08):
Husband, yep Old.

Speaker 1 (58:09):
Cheryl was sentenced to life in prison without the possibility
of parole after she smoked her husband. Okay, her husband
name is Luther Luke Coded the third and he was
shot and killed after his wife drank four or five
angry orchard hardsiders.

Speaker 4 (58:25):
I never heard of that brand until this morning.

Speaker 1 (58:27):
Not a good way to get introduced, because I don't
really drink like that anymore. But when I do, it
will never be angry orchard hardsider. Now, Cheryl told the
police she was just trying to protect herself.

Speaker 6 (58:37):
Told the police she thought her.

Speaker 1 (58:38):
Husband was an intruder, and claimed she didn't realize she
shot her husband until he reportedly said, Cheryl, you shot me. Well,
that story was a lie. Would you like to know
what happened for real? Okay, let me read you the headline.
Everybody pay attention. Woman shot husband dead after he wanted
to add new rules to their open marriage. I repeat,

(59:00):
the woman shot husband dead after he wanted to add
new rules to their open marriage. Now that's the headline.
And I know when you heard that headline, you immediately
blamed the man. You immediately think, look at him being greedy,
already got an open marriage but wanted more. No, it
was actually her. The investigators discovered that they was having
issues in their marriage.

Speaker 4 (59:20):
Okay.

Speaker 1 (59:20):
A series of text messages they discovered showed the couple.

Speaker 6 (59:23):
Beefing over their open marriage.

Speaker 1 (59:25):
Cheryl Cole asked her husband for permission to see another
man later that week. That's respectful in an open marriage.
I would just assume those are the rules. We can
see other people, but just let me know what's going on.
Let's just be honest with each other. But then the
husband asked her that she also planned to see a
second man the same day, to which the wife replied lol.

(59:51):
The victim, Luther to Luke Cole, who is now dead,
reportedly said her response turned his stomach. Of course it did. Okay,
I mean, I know we I had an open marriage,
but you don't have to be a whole horror about it. Okay,
I mean how much? But Gina's do you have to give? Okay,
I'm still your husband, so I need a piece? Okay,
you got another dude who getting a piece, and now
you're handing out slices to someone else.

Speaker 4 (01:00:14):
But there's no pot left for me.

Speaker 1 (01:00:16):
Okay, you're just out here acting like your Pom pom
is bottomless, like men can enjoy unlimited refills of that
fifty five year old snatch. Not to mention, Okay, no
one woman should have all those UTIs. Yes, multiple sexual
partners can increase the risk of developing urinary track infections,
and you're just out here bringing that cloudy and foul
smelling urine in the house. Yes, your husband has every

(01:00:39):
right to feel sick this stomach. Okay, I know we
got an open marriage, but don't run out now. Okay,
how many people are you gonna let travel through our
love tunnel? By the way, this is the plot of
many a TWA movie. Okay, let me tell you something.
For anyone who wants to engage in having their marriage open,
are slightly ajar watch a TWI movie first. Okay, they
on to be all right fine? In early two thousands,

(01:01:01):
viewing and all the TWA movies explored the consequences of
a married couple's decision to engage in a threesome, and
there was always some dangerous or not ass complication that
would happen. Envy, you told me that your favorite episode
was when the college student turned into a male prostitute
and you fell in love with another male escort, And
you said that episode really made you think what did
it make you think about it?

Speaker 4 (01:01:21):
Lies say that I've never seen that, guys. Lies.

Speaker 1 (01:01:26):
The moral of the story is, when you married, just
leave Pandora's box and your marriage closed. What's the point
of being married if you're gonna leave your marriage open
at all times like a waffle house. Okay, Cheryl says
she suggested they in their open marriage because it was
causing issues, you think, but he reportedly wanted to keep
it going with more ground rules. Yes, a two penis minimum, okay,

(01:01:50):
mine and your little boyfriend okay, but now you want
us to be the locks and.

Speaker 4 (01:01:53):
Bringing a third member.

Speaker 1 (01:01:54):
Your vagina will not be a group project as long
as we're married, ma'am. And then the police report says
that Luke they got even more upset when he found
out his wife was talking about their.

Speaker 4 (01:02:03):
Issues with a friend.

Speaker 1 (01:02:04):
My god, we already got an open marriage, and you're
telling the world how that pum pum is on a
world tour. She claims she shot her husband himself to fit.
She reportedly said he came storming into the room and
tried dragging her out of bed, and when he left
the room, she grabbed a gun fired a warning shot,
which she said made him angry, before pulling the trigger
the second time. She says she was just trying to

(01:02:25):
hit the wall behind the TV so it would scare
him off and make him leave, but she actually shot
and killed him. He's dead now, okay, All because she
was out there sharing her lady bitch like a buffet
at Golden corral. And by the way, even though buffets
are labeled all you can eat, they will impose restrictions
if your eating behavior is deemed excessive or disruptive to

(01:02:46):
other customers. Cheryl, your excessive sexual behavior was disruptive to
your husband, Okay, it was accessive, all right, he said something,
and now he's dead and you were doing life behind boss.
Let me be the first to tell you, okay, or
maybe the second after the judge you deserve.

Speaker 4 (01:03:02):
Please give Cheryl Cole the biggest he huh.

Speaker 9 (01:03:09):
Yeah, that's crazy.

Speaker 1 (01:03:12):
I'm saying you shot him and killed him all because.

Speaker 6 (01:03:15):
He just simply didn't want you to be out there
with two guys.

Speaker 7 (01:03:19):
Dad to come from somewhere else. It sounds a little deeper,
you wouldn't like. Come on, we already have an open marriage.

Speaker 9 (01:03:24):
Okay. Now I changed the rules and you shoot and
kill me.

Speaker 4 (01:03:27):
Because you're being greedy. You're running out, running out.

Speaker 7 (01:03:30):
I know, greed is evil and that can lead to
a lot of different crazy consequences and even murder, but
come on, this had to.

Speaker 9 (01:03:37):
Be deeply rooted in other problems that they were having.

Speaker 4 (01:03:39):
Pame you want to play a game, Yeah, let's play
play game.

Speaker 6 (01:03:43):
Let's play a game up.

Speaker 4 (01:03:44):
Guess what.

Speaker 16 (01:03:48):
All right?

Speaker 1 (01:03:48):
Cheryl Cole was convicted of murder and aggravated the soult
in the depth of her husband. She shot her husband
because he wanted to change rules in their open marriage.

Speaker 6 (01:03:57):
DJ Dy Yes, but.

Speaker 5 (01:04:02):
It's a tough one. But it's not tough right. Why
Cheryl and Luther feel like black names? But this situation
seems white?

Speaker 4 (01:04:09):
I'm going white?

Speaker 6 (01:04:13):
Okay, okay, just hilarious.

Speaker 1 (01:04:15):
Cheryl Cole was convicted Monday of murder and activated assaultan
the death of her husband.

Speaker 4 (01:04:19):
She shot him because he wanted to change.

Speaker 6 (01:04:22):
The rules of their open marriage. And please pay.

Speaker 1 (01:04:25):
Attention to the fact that I said she drank four
or five angry orchard hard ciders a wow, just hilarious.

Speaker 4 (01:04:31):
Yes, what racious?

Speaker 7 (01:04:33):
Angry or white all over it? Now, Luther might be black,
Luther might have been black. It could have been a
biracial answer racial marriage.

Speaker 5 (01:04:43):
Right, Cheryl's white all the way.

Speaker 1 (01:04:48):
I don't think that Luther was white all the way,
white all the way. DJ Envy and Jesse Hilarius, you
both are absolutely correct.

Speaker 6 (01:04:58):
Cheryl Cohen Luther are absolutely.

Speaker 4 (01:04:59):
Cart Okay, the right white right. January Sixtims Direction White
all right.

Speaker 9 (01:05:08):
Oh my goodness, it hazard hit.

Speaker 5 (01:05:13):
Looking at the girl with the days j Envy just hilarious.
Charlamagni gud we are the Breakfast Club. We got a
special guest in the belt.

Speaker 1 (01:05:22):
One of the most slept on comedians generations, gentlemen, one
of the most slept on comedians of our generation.

Speaker 6 (01:05:30):
Don L.

Speaker 4 (01:05:30):
Rowlin? Agree, Donelle? What's up? How you feeling? How you feeling?
I'm feeling good. I feel like I just got this
product and it works, wonders. It's supposed to remove negative energy, positility.
It's a Polanto spray and it works wonderus for people that.
But how are you feeling?

Speaker 14 (01:05:49):
Man?

Speaker 4 (01:05:49):
How's your son?

Speaker 5 (01:05:50):
I've seen you on the river. I've seen you really
enjoying life. Man that it's horrible.

Speaker 4 (01:05:55):
Really yeah, and this got even worse than you recommended
a thing therapist for me to go see.

Speaker 6 (01:06:01):
Oh yeah, you started going to you started going to therapy.

Speaker 4 (01:06:04):
Ye, and uh he gave me horrible advice. What was
a It was a situation me dealing with like baby
mama drama. Okay, And I say, sometime I get to
a point where I'm just frustrated. I don't know what
to do. And then he said, what would you do
and what would you do if you were doing a
comedy show right and you wasn't the audience wasn't engaged, whatever,
what would you do? I said, well, I've had that

(01:06:24):
situation where I had to fall back, regroup, speak a
little slower, you know what I'm saying, it start all over.
And he said, why don't you do that in your relationship?
And I tried that and it still didn't work. So
thank you for giving me the worst therapists in the
world to therapist.

Speaker 13 (01:06:41):
I'm not saying you tried it, why didn't it work?

Speaker 4 (01:06:44):
It just it just it just didn't work. I think
we I don't know, it just didn't work.

Speaker 13 (01:06:47):
I saw you post your son's birthday though only seemed
like y'all.

Speaker 4 (01:06:50):
But that's the son that's not the mother of his
child with her.

Speaker 13 (01:06:53):
So I figured all the coke pank and stuff was.

Speaker 4 (01:06:55):
Going well, it is going well. It's a tough thing,
I tell you, for anybody to do the co parents,
it is tough, especially when you you still may have
some emotions of all whatever.

Speaker 9 (01:07:05):
But I will say this, I dated.

Speaker 4 (01:07:06):
This, No, it's okay, open up. Can we can we
have rules. Can we have rules of engagement? What do
you mean like you're gonna have to raise your hand,
You're gonna have to do something different, all right? The
way you communicate, I don't really like it. And I
was trying to explain. I dated this girl some years ago, right,
and she got separate. She was separate her parents divorce

(01:07:29):
when she was young. Right. And I also I used
to always see he said.

Speaker 5 (01:07:33):
Raise his hand when you have a question.

Speaker 4 (01:07:35):
But still you gotta let me finish. You have to
let me finish. It's just about the mother of your
child or another one. It's about what I wanted to
be about. Okay, okay, yes, let just ask all hairs together, guys.
So I used to see, Uh, the woman I used
to date, her parents were still together. They would do Thanksgiving,
they would do dinners and do all this type of stuff.

(01:07:56):
And I used to say, they must be smashing, no
way that they're that connected to each other. But as
I got older or had this situation in my life,
I was like, Noah, they were just trying to give
or create the best family situation as a co parent
that could do. So that's what I do, and I
imply it in my life, and we do do a
good job. You know, So you don't have emotions, is

(01:08:18):
what his question was. No, I don't. I mean I
would like you. I don't think she still likes me.
But what has emotions? Because you said this emotion is
said that that's what you said.

Speaker 9 (01:08:29):
You said it can be he said, it can be.

Speaker 4 (01:08:30):
Hard when thank you, thank you for the clarity. You
still have emotions. She still has emotions. Nobody has emotions.
We are raised in a beautiful uh, young man. And
I mean this one thing I say about my co
parents situation. A lot of times when mom and dad
are not together like that, it's it's separate. It's like
my mother, my father, you know what I'm saying. But
my son, whenever he talks, he speaks to speaks on

(01:08:53):
us as a family, live as parents. It's not like
one of my mother house or my father house. So
we're doing a good job with that. And also and
this beautifulkid. Do you regret anything anything?

Speaker 5 (01:09:02):
But do you regret anything in that situation relationship because
you said before that you.

Speaker 4 (01:09:07):
Were the one that messed it up. Correct. I didn't
say I was want to mess it up. I can
see that we can see you being the one that
mess it up. What were you saying?

Speaker 7 (01:09:13):
So when you go on stage, do you talk about
you know, your past relationship or your co parents in
relationship with your son's mother on stage?

Speaker 9 (01:09:21):
Oh yeah, has she ever heard about that?

Speaker 4 (01:09:23):
Oh yeah? Does she like it?

Speaker 9 (01:09:25):
No?

Speaker 4 (01:09:28):
No, it was I'm gonna tell you, she knows me.
My life is gonna go on stage, right, Yeah, she
understands that. But sometimes when people get in your head,
you know what I'm saying, Like what she throws the
funny jokes. One of her girls come, huh, I don't
believe he did that, and he gasedlight and all that stuff.
We had that situation. But you know, I mean, you
dated a comedian. That's what's gonna be. My life is
gonna be on stage. But I'm always I never would
do or say anything to put her in a bad

(01:09:49):
light or anything, because at the end of the day,
she gave me the biggest gift for my life. So
I'm forever grateful for that. And I even say, you know,
it's a certain it's a certain amount for someone to
have your kid, it's a certain amount of love I
think you're gonna always have. Is that does that mean
getting back together or rekilling anything. It doesn't. But I
gues it's a certain amount of love and respect I
always have. The next question, did you ever.

Speaker 5 (01:10:08):
Ask, like how it affects her when you go on
stage and talking about it, because that could bring trauma?

Speaker 9 (01:10:12):
Did you ever like, I don't know, No, I don't,
I don't.

Speaker 4 (01:10:15):
I can't. Man if I said you care, so if
I care, but I don't care because.

Speaker 13 (01:10:22):
That didn't come out of therapy.

Speaker 6 (01:10:23):
That was that was disgusting. That do you think that
calling yourself?

Speaker 4 (01:10:28):
And my brother said that games don't really like you
the way you think they do. When you said that,
you know that's what he said. When you said, he
said get over yourself.

Speaker 1 (01:10:34):
When you said dating a narcissist, speaking of not being
able to get over yourself. When you talk about dating
a narciss do you think that's triggering for the mother
of your child.

Speaker 4 (01:10:41):
I didn't say that, so you don't know who the
narcissist is. You clearly how you know that's mean because
of what you just said, because she didn't sign up
for that part of it. All right, what we're gonna
do is we're gonna have to slow down, all right,
There is just too much going on right there. All right,
we're gonna slow down.

Speaker 1 (01:10:56):
So so either way it's triggering because whether or not
she had to date you, the narcis this or you're
calling her a narciss that is gas like.

Speaker 4 (01:11:02):
It's up to this, up to the interpretation of who thinks.
I don't know who the arcial thing is. I don't
know what the narcissist really is. All I know every
time I use it, it come up in my algorithms.
The minute we argue about something, it's always if the
narcissist woman would do this. I don't know what the
narcissist is. I just think it's it's a word that

(01:11:23):
you use to sell books and make more money on
the side. Question from her, because she and you just talk,
you are the narcissists. Yes, you've always been raw and unfiltered.

Speaker 1 (01:11:39):
As being too real ever cost you opportunities in this
industry and in your personal life.

Speaker 4 (01:11:42):
A great question has been no, because I am who
I am. I don't act like on anybody else. And
then with me, it's what you don't like the version
of you. I don't really care about what people like.
If I'm presenting myself the best way I can, and
I'm putting it out there like I want to. I
can't care about people like I can't let the can't left.
I can't let people control what I'm doing on stage

(01:12:04):
or off stage. Yes, yeah, do you think you know
you're so quiet? I'm just.

Speaker 13 (01:12:10):
Yes, you know, I'm just in here observing. I just
you know, it's been a while observing observing.

Speaker 4 (01:12:15):
What do you see? What is observing or observe?

Speaker 12 (01:12:21):
I think keeps having a hard time tracking because you know,
as he gets up there to.

Speaker 4 (01:12:25):
People, what is get up? What does get up there
means up on the chair?

Speaker 9 (01:12:29):
You said down that.

Speaker 4 (01:12:30):
Okay, what question do you think that? You know? You
lost your edge now that you change you play pickleball?

Speaker 9 (01:12:36):
Lost?

Speaker 4 (01:12:37):
Do white things gives you do white? You was riding
bikes with biker shorts on, so you did that for
you know, shoes going to your things.

Speaker 9 (01:12:49):
We were doing that.

Speaker 4 (01:12:52):
You know, the shoes that you put inside the pen,
the bike shoes. I lost a little bit. That's as
you put that in the garage. You got your photo
of you probably got a sponsorship for that. Was like, okay,
on to the next That's what you did, sir.

Speaker 5 (01:13:06):
We were thinking about you earlier, thinking about something that
Charlamagne and I were talking about that you know, since
we got to this age is very enjoyable.

Speaker 4 (01:13:15):
Have you ever thought about getting a bedet? No? Why,
I just don't. No, that's not my thing. That's the gateway.
That's a gateway to that's a gateway to your lifestyle.
That's what it is. You wouldn't be who you are
right now if you didn't for your first boudet. I'm

(01:13:39):
not here for all.

Speaker 6 (01:13:39):
Okay, have you ever been have you ever been gave
for aet?

Speaker 4 (01:13:44):
Oh?

Speaker 8 (01:13:45):
You give?

Speaker 10 (01:13:46):
No?

Speaker 4 (01:13:46):
I'm sorry, this unfortunate. It's not a thing for it's
not a just right here. It's because I've had and
there's nothing no slight on the ladies in here. But
I've had a history with these guys for so many.

Speaker 13 (01:13:58):
Yes, and you came up with gifts for them too.

Speaker 4 (01:14:02):
What is this?

Speaker 9 (01:14:03):
What is that?

Speaker 6 (01:14:03):
It's a gift?

Speaker 8 (01:14:05):
Oh?

Speaker 4 (01:14:07):
Oh, get a close up, Get a close up, Yo,
get a close up a gay force one look, get
it close up?

Speaker 6 (01:14:16):
You got No.

Speaker 4 (01:14:19):
It's my greatest moments.

Speaker 12 (01:14:24):
That is sorry, I appreciate gay Force now understand what
me and just don't have then depend.

Speaker 4 (01:14:30):
That time I do apologize. Pink the pink shoe. L Yeah,
I got Evans out of Baltimore, sign of Baltimore. Thoughtful gift,
but look at it.

Speaker 9 (01:14:40):
But no, it's not.

Speaker 4 (01:14:41):
It wasn't supposed to be thoughtful, supposed to I just
wanted try to see the memories my birthday, and I'm
going to have them. I'm gonna wear them this weekend.

Speaker 6 (01:14:49):
These aren't even the same pictures on both of them.

Speaker 4 (01:14:52):
That's crazy, This is amazing, this is very thought Thank
you for thinking.

Speaker 9 (01:14:57):
I thought I saw Diddy on that side of it.

Speaker 4 (01:15:00):
I wouldn't.

Speaker 6 (01:15:02):
Didn't even be on his because he sat between Didny's legs.

Speaker 9 (01:15:04):
I didn't sit between I slipped.

Speaker 4 (01:15:10):
Of what oil. No I was. I'm not gonna I'm
not gonna revisit that. That's all my life. I'm not
gonna die. I thought that was hilarious. That was Yes,
I'm gonna always be insulting to you guys.

Speaker 9 (01:15:24):
I love it.

Speaker 7 (01:15:24):
Actually, don't know how frustrating is it right when people
are not taking you serious because you're a comedian.

Speaker 4 (01:15:33):
It's interesting because I really for what we do. I
don't really want people to take me serious. I want
them to find me to be funny. You know what
I'm saying. People take you to that. That's not your question,
that's not that's not true.

Speaker 1 (01:15:51):
You like to be taken serious that you actually get
very frustrated when people don't take you as serious as.

Speaker 9 (01:15:56):
What makes you think?

Speaker 4 (01:15:57):
I get frustrated because you told me that, King, Remember
when you told me that.

Speaker 1 (01:16:01):
Rememb when you yelled at me over the phone and
I didn't realize that you were playing. I thought we
were playing, and then you were like, no, you don't
ever take me serious.

Speaker 9 (01:16:07):
And that's that.

Speaker 4 (01:16:08):
That's a horrible impression.

Speaker 9 (01:16:13):
Like every other.

Speaker 4 (01:16:15):
No, it's a It's a gift and a curse if
you want to say, you know, because it's times you
want people to understand that you're serious. But at the
end of the day, as a comedian, I don't want
people to take me that serious. I want people to,
you know, think of funny and laugh at laugh at
the jokes.

Speaker 7 (01:16:29):
Yeah, but in times when you are really serious, you know,
like when we were talking about your dad, you know, and.

Speaker 4 (01:16:35):
How you're trying you're trying to trigger something I'm not.
I just want I just said the timing. Sometimes and
there's times that I have moments and I was having
a moment that went viral, and you laughed and you laughed,
and I thought that was very insensitive. What we laugh at?

Speaker 5 (01:16:55):
What's what's the biggest childhood trauma that you want to know?

Speaker 4 (01:16:59):
Yes, sir, I.

Speaker 3 (01:17:00):
Don't even know.

Speaker 4 (01:17:00):
I can say this and y'all gonna laugh, and we're
not gonna laugh at you. I promise you, we're not
gonna laugh. When I grew up and I remember, I
was trying to explain a part of my life, and

(01:17:20):
I think that was very insensitive.

Speaker 1 (01:17:23):
That's only because we laughed before you got to the
part about your uncle.

Speaker 4 (01:17:26):
What about it was? It was about my dad? Was
his dad? That's uncle who died his dad.

Speaker 6 (01:17:32):
That was the part about that.

Speaker 10 (01:17:32):
I know.

Speaker 6 (01:17:33):
I thought he laughed about your dad passing away another time.

Speaker 4 (01:17:35):
But the other part, when you were talking about being
grown up, I said, when I grew up, I was
trying to go back to a story of my childhood
thought and it was relating to the relationship that I
had with my son. And then when I was doing that,
that's when y'all left. But I you know that, Uh,
I've gotten past that. You know, brother, spend a lot
of time with y'a more than you? Who's your uncle?

(01:17:57):
First of all, my brother, who happened to be a
part of the letter community, said that the gays don't
like what is trade?

Speaker 13 (01:18:07):
Trade?

Speaker 9 (01:18:10):
Trade.

Speaker 13 (01:18:10):
He comes off as like not but but he said,
but he.

Speaker 4 (01:18:13):
Said, He said, you are not trade.

Speaker 9 (01:18:19):
Doctor.

Speaker 4 (01:18:19):
He said, you're not trade, and nobody is checking for you.

Speaker 1 (01:18:24):
Trade is a masculine, potentially straight identifying man who engages
in same sex activity for various benefits like money, our companionship.
So what I've been told is that I'm not trade.
I'm actually a butch queen.

Speaker 9 (01:18:35):
Oh wow, he sounds very trading.

Speaker 1 (01:18:43):
Does he think that since I'm not trade, does he
think I'm a butch queen?

Speaker 4 (01:18:47):
I don't think you think. He said, but queen. That's
like a double negative. So my brother decided to text
me back and this is what he said, because I
need to have an understanding in his voice, this was
he said, Okay, nobody in the black LBGT community things
he's trade, all right? Trade would never have his eyebrows.

(01:19:10):
And when was he elected the spokesperson for black people?
I must have missed that meeting.

Speaker 6 (01:19:16):
He's still my boy.

Speaker 4 (01:19:17):
But he's still my boy. But queen though, call him a.

Speaker 9 (01:19:23):
But queen.

Speaker 4 (01:19:25):
Hello? Whatever, So I have Charlamagne here. He had a
question for you, Chuck. Okay, so you don't consider me trade?

Speaker 6 (01:19:35):
No, no, come on?

Speaker 4 (01:19:37):
What about what about a butch queen? Absolutely?

Speaker 9 (01:19:41):
Oh say absolutely?

Speaker 4 (01:19:44):
But what is what is a what is a butcher queen?
What's ther kids? Who called Charlamagne the Waians? I don't
know what down?

Speaker 6 (01:19:54):
That would be a bear?

Speaker 4 (01:19:55):
Right?

Speaker 9 (01:19:57):
What a bear? If he want to be something.

Speaker 4 (01:20:00):
A fragle maggot? Just explain o he he said? What
is he?

Speaker 8 (01:20:05):
I don't I don't really don't want to put the
light skinned people.

Speaker 4 (01:20:10):
Also a whole different it's a whole different category because
of your complexion. This rules, what are the rules?

Speaker 3 (01:20:18):
I've given them to you.

Speaker 4 (01:20:19):
Okay, I'm here to listen.

Speaker 9 (01:20:21):
What else you wanted?

Speaker 7 (01:20:21):
You?

Speaker 4 (01:20:22):
Just ask me?

Speaker 9 (01:20:22):
What would Charlamagne would not be trayed but but queen.

Speaker 5 (01:20:25):
Absolutely, Charlemagne on top of bottom, I'm a power top clearly.

Speaker 9 (01:20:36):
Would be me.

Speaker 6 (01:20:36):
I can see that.

Speaker 4 (01:20:37):
I can see me being flexible.

Speaker 6 (01:20:40):
Could you leave your.

Speaker 7 (01:20:40):
Brother, Alona, tell the last thing, last things his brother,
I mean, tell your brother that he loves doing tricks
on the budet.

Speaker 9 (01:20:48):
What is that, oh.

Speaker 4 (01:20:50):
Charter man loves doing tricks on the budet. What is
that being prepared? Being well prepared? And I told him,
I told him, I told him that was getway the gateway,
but the getway the gateway. But thank you for giving
me a little bit more acknowledge on who this mother

(01:21:10):
really is than you any time. Take it all right,
take it easy.

Speaker 1 (01:21:15):
I was just just walked my attention a comment that
somebody posted you were on kill Tony. I was yesterday
with Rob Snyder. He went back, okay, nice, and somebody
and I went back.

Speaker 9 (01:21:26):
They all made up, everything made up. We know.

Speaker 4 (01:21:30):
I never had an issue with kill Tony. It was
really bad for you on there. At one point it
wasn't bad. It was you got booed and what are
you talking about? I didn't get booed on kill Tony.
Got roast battles, y'all gotta get y'all. You walked off
with kill Tony.

Speaker 9 (01:21:50):
Negative situation was I didn't say I.

Speaker 4 (01:21:55):
Had a got thet y'all. Please stop.

Speaker 6 (01:21:57):
You walked off because the guy was killing you so bad.

Speaker 4 (01:22:00):
I did. What happened?

Speaker 3 (01:22:02):
You already move that time.

Speaker 4 (01:22:04):
I'm sorry what happened. I didn't come here to come
to the mic.

Speaker 13 (01:22:08):
He crashed out.

Speaker 3 (01:22:09):
What happened?

Speaker 9 (01:22:10):
Okay, so.

Speaker 4 (01:22:12):
What why did you did?

Speaker 5 (01:22:21):
If you need help, I just don't.

Speaker 16 (01:22:24):
I just don't want to come on here and act
like I love you so much. He's a great representation.

Speaker 4 (01:22:29):
You need help.

Speaker 6 (01:22:30):
And not last night, but the time before when he walked.

Speaker 16 (01:22:33):
Off, well, he has a tendency to crash out, and
so at that point was.

Speaker 9 (01:22:41):
At the point he was already gone. He was already gone.
Look at me and jests okay, he was already gone,
and he walked up.

Speaker 1 (01:22:48):
Happened at the last one, the last tape, because there's
a really negative comments that I'm about to read.

Speaker 9 (01:22:53):
Killed this last night. Yeah, he killed it, killed it.
There was there was nothing wrong with it.

Speaker 1 (01:22:58):
There's a comment that says done l rawling. His brand
of comedy is so bad to me, like watching a
train wreck. Charlemagne is gonna have a field day tomorrow.

Speaker 9 (01:23:05):
Daesus, wow, jesus.

Speaker 4 (01:23:07):
But see, those are your type of people. They're negative,
they're negative you They're they're negative. Those are your type.
You love that nothing to do. You went through everything,
you went through, everything showed me this and then all I.

Speaker 12 (01:23:21):
Did was your name and it was top of the
I didn't, I was, I was, I type your name
it on X and it just was like probably like
top three tweets.

Speaker 5 (01:23:33):
At least he didn't get booed. Hedn't get booed again.
That's that's the moment stage. Okay, I don't like him them, Okay.

Speaker 4 (01:23:41):
The thing is, I did kill Tony some years ago, yes,
five years ago actually, and I was on that stage
for two and a half hours and I had something
to do, and I told Tony, I'm not going to
be here forever and a half hours A long time.
It's a very very long time.

Speaker 9 (01:23:56):
Yeah.

Speaker 4 (01:23:57):
A sushi date. I just didn't have a sushi date.
It was one of those sushi spots where it takes
a year to get a reservation. They sit six or
eight people. It's not like going to Sushi Sombo, Sushi
stop like to go. It was one of it. I
don't even know the name of it. It's a speakeasy joint.
I wish I would feel bad that it's it's one
of the best places in Austin, Texas. I had to go.

(01:24:18):
And what happened was they did a video where they
showed me having going at with this comic. If you
look at the video, you'll see it's one shot one comedian,
it's another shot. So they edit you explained the last time.

Speaker 1 (01:24:31):
You know, if you're explaining, you're losing. I just want
you to know that if you're I know that it does.

Speaker 4 (01:24:38):
This comment right here says what do you say?

Speaker 1 (01:24:40):
It says somebody named allegedly Drew. I don't know who
that is. You have to check mark because you were hilarious.
But Donnelle Rawlings is the worst guest I've ever seen.
Stereotypes are so real.

Speaker 4 (01:24:48):
That's what you said, er but that But the thing
is that base and I will say Tony has created
a platform for people to get on that's one of
the biggest YouTube shows whatever. But the people that watch that,
they just like they just they are a lot of them.
I say seventy five percent of people their troths. They
live for moments like that. They live to try to
get on your skin, and they do every time there's
a troll.

Speaker 13 (01:25:08):
Will never get on your nurse. So it does, you said.

Speaker 4 (01:25:10):
Sometimes, but I'm getting better. Do you want to hug
ignore it?

Speaker 10 (01:25:13):
No?

Speaker 4 (01:25:13):
I don't want to hug.

Speaker 9 (01:25:17):
Well, I love you.

Speaker 4 (01:25:18):
I don't know what I want.

Speaker 7 (01:25:20):
You have shows a distress factory Friday, Saturday and Sunday.

Speaker 9 (01:25:26):
Six shows.

Speaker 4 (01:25:27):
It's two shows Friday, two shows Saturday, and one show
on some I do well in that club. I'm pretty
sure it will sell out out there. Before you became
a don't even have to talk about Okay, well that's
Gary always because y'all, I don't.

Speaker 12 (01:25:38):
Give a rappers now came out?

Speaker 10 (01:25:41):
Yo?

Speaker 9 (01:25:41):
What y'all?

Speaker 10 (01:25:45):
So what?

Speaker 9 (01:25:50):
You sell your tickets away?

Speaker 4 (01:25:52):
You sell your tickets, and I will sell my tickets away.

Speaker 9 (01:25:54):
I sell my tickets.

Speaker 4 (01:25:56):
The next question, like the new fashion forward? My fashion
never been. You don't want to need a stylist. Do
you ever look at the pictures at you?

Speaker 6 (01:26:04):
Look at I like the fashion forward?

Speaker 4 (01:26:07):
Done that. We appreciate you.

Speaker 1 (01:26:10):
Yes, you dress like August feed a boyfriend.

Speaker 4 (01:26:14):
At the bottom, the fact that you have all these
gay references just ready anything gay. You got a whole
speech about that top bottom. You don't even say pause
and Paul situations, sir. That's how free you are with yourself.
You would just let it go and you will. You
will only know what on pause or pause?

Speaker 1 (01:26:34):
Do you think comedians are afraid to joke? About sexuality
because they're scared of how people will label them.

Speaker 4 (01:26:38):
I'm pretty yeah, one thousand percent. They are scared to
talk about That's why you in touch with yourself. That's
why when people call you and it's me it's fruity
tooty or booty bandits, which I'll do, it don't affect
you because you in touch with your sexuality, booty tooty, rudeo,
whatever it is.

Speaker 1 (01:26:54):
Do you think black men in comedy get boxed into
certain stereotypes about masculinity and sexuality more than others?

Speaker 9 (01:27:00):
One hundred I believe.

Speaker 4 (01:27:03):
But I also believe that you know that people's way
of thinking have evolved. You know what I'm saying, Like,
you know, black men period are just, for the most part,
naturally homophobic, but now we live not true. Don't generalize
all black men like that.

Speaker 1 (01:27:20):
You just gave me props for being in touch with
my sexuality, so don't label all black men as being homophobic.

Speaker 4 (01:27:27):
You're not a regular, So you're He does his eyebrows. No,
I don't, Yes, you definitely do.

Speaker 12 (01:27:35):
You know what, I don't believe that you just naturally
wake up.

Speaker 4 (01:27:39):
Don't get mad at me because you gotta feel your
other than every morning. Wow.

Speaker 9 (01:27:42):
But I just think I just think the way people.

Speaker 4 (01:27:46):
Think it's totally different. Now at some point you gotta
be like, who gives it?

Speaker 3 (01:27:51):
You?

Speaker 4 (01:27:51):
Just keep it moving.

Speaker 1 (01:27:52):
What's the wide is this assumption people have ever made
about you and your sexuality and how did you handle it.

Speaker 4 (01:27:57):
I've never had no wild, uh situ witions about my
sex reality. That's a lie. Somebody told you, somebody thought
you gave before. I don't know who that could be.

Speaker 1 (01:28:12):
At this stage in your career, do you feel like
you've gotten everything you deserve or are you still fighting
for your flowers.

Speaker 4 (01:28:17):
I'm not fighting for my flowers, because whatever flowers is
going to happen, it's already it's already laid it's already
laid out. I'm not fighting for anything. I'm not. I'm
not fighting for any more fame or any of that.
I just like the path that I'm on. I like
the fact that I've been doing it over thirty some years.
I still can pull an audience. I'm still funny. You

(01:28:38):
got some people that come and go. I'm still still
standing and I'm I'm still one of the you know,
dopest comics out there there you are. Yeah, nobody really
gave somebody.

Speaker 5 (01:28:48):
Well, we appreciate you too, donw thank you for us
this morning. That's my guy and I don't even mentioned
them one time because because we didn't.

Speaker 4 (01:28:58):
We he said, we know what we did. These beautiful
sneakers that you gave us, we're gonna appreciate there.

Speaker 9 (01:29:13):
So this is crazy.

Speaker 4 (01:29:15):
Look that's behind like this. Look at this one crazy.

Speaker 13 (01:29:20):
Oh my, you got your daughters on there. That's cute.

Speaker 4 (01:29:23):
That's not my daughters. That's me and Charlamagne.

Speaker 9 (01:29:28):
Breakfast.

Speaker 5 (01:29:29):
It's down down, rollings, ladies, gentlemen, it's time to get
it out of your charlman.

Speaker 4 (01:29:32):
You got a positive note.

Speaker 1 (01:29:33):
I do positive notice simply this learning how to leave
people alone and go on with your life is a
needed skill.

Speaker 4 (01:29:38):
Master it for the sake of your own dignity and
peace of mind. Have a great day. Breakfast club.

Speaker 9 (01:29:43):
You don't finish for y'all.

Speaker 4 (01:29:44):
Done up, Wake you up, Wake up, program your alarm.

Speaker 6 (01:29:50):
The power one oh five point one on iHeartRadio.

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