Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
God, roll with your baby. You wanna roll met even
with a real nigga. Baby, I got you show. They
would not show. They tell me it's the John.
Speaker 2 (00:20):
Tell me that Shorty got road. Tell me that you're
going now. Shorty will not go. Tell me that you're
coming now. Showdy will not row. Tell me that you go.
Chowdy will not go. Tell me that you're coming once.
You're always by my side. Don't leave what you're always
will be.
Speaker 1 (00:36):
Don't you never leave.
Speaker 2 (00:38):
Shorty will not roll. Tell me that you roll now,
show they will not go. Tell me that you're coming.
So when I leave, don't be mad at me told
you come with me. You could be mad. Heavy say
you want some cheese, don't even really like it.
Speaker 1 (00:51):
Don't you leave. You can lose your confidence. So baby,
please know what I mean.
Speaker 3 (00:55):
You got it.
Speaker 1 (00:56):
You so rolled with me.
Speaker 2 (00:57):
Now you know your Atmisphere for we eat you tube
up in here and we agree. Put him drink something
and Shorty will not roll. Tell me that you're going now.
Shorty will not go. Tell me that you're home now.
Shorty will not move.
Speaker 4 (01:11):
Tell me that you.
Speaker 2 (01:12):
Shorty will not go. Tell me that you're coming. I
want you always by my side. Don't need want you
always will be what you never need.
Speaker 1 (01:20):
Shady will not will. We'll tell me that you're rolling down,
Shorty will.
Speaker 5 (01:24):
Not go, tell me that you're coming.
Speaker 6 (01:26):
Okay.
Speaker 7 (01:49):
The best new music coming out of Chicago Woman Music
three sixty five.
Speaker 8 (02:23):
Oh you got a foster full of purple bruss got
must start a phone couple buck to turn it over.
Speaker 1 (02:45):
It must sleep. I'm making hand of chins.
Speaker 4 (02:48):
And wind up, wake up in the morning.
Speaker 1 (02:50):
Not gonna pay for.
Speaker 9 (02:52):
The day?
Speaker 1 (02:53):
He watch your number, pardress process, do your docile pay
your home much?
Speaker 6 (02:59):
I'm ball of noll the control.
Speaker 4 (03:01):
Ever new George on my body. Now we can roll.
Speaker 1 (03:06):
Jo said money because I got in.
Speaker 10 (03:11):
And they gonna find the one.
Speaker 1 (03:14):
Because I'm loving my life. Don't you try to infiltriat me.
That's my older and thighs. Now what you're doing? Sooking, drinking, popping, riding?
Speaker 10 (03:24):
Where are we going?
Speaker 1 (03:26):
I ain't decided got this money?
Speaker 11 (03:29):
Stay in clocking looking clotting one, smoking, drinking, popping, riding?
Speaker 1 (03:38):
Where are we going? I ain't decided got this money?
Speaker 9 (03:44):
Stay in clocking looking plotting one.
Speaker 1 (03:51):
Yes, it's got me shining bright dookie chin a round
my neck on you.
Speaker 11 (03:55):
See my mind, got the cookies popping, got the strips
trying up in there.
Speaker 1 (04:00):
They're down to the flock this money. Ain't sure I'm
taking no in my fifty for truck.
Speaker 5 (04:08):
Four by folk so they can't get with their head.
They go that inser my circle nine. No more depression,
ain't no stressing.
Speaker 11 (04:17):
I get in the starting for filing my lady Wiley,
where are we going through the version nine?
Speaker 12 (04:24):
Lord?
Speaker 5 (04:26):
Because they loving in my line.
Speaker 1 (04:28):
Don't you try to infiltray me.
Speaker 4 (04:30):
That's my only advice.
Speaker 1 (04:31):
Don't what your bird did? Drinking, popping, riding. Where are
we going? I ain't deciding what got this money?
Speaker 11 (04:41):
Stay in cocking looking riding with the smoking, drinking, popping riding.
Speaker 1 (04:51):
Where are we going? I ain't decided got this.
Speaker 13 (04:55):
Money steady clocking looking what they do.
Speaker 7 (05:06):
Too past New music coming out of Chicago on Music
three sixty five.
Speaker 10 (05:13):
Yeah, geez, that's too bad.
Speaker 4 (05:37):
But I guess you.
Speaker 5 (05:39):
Damn you gotta get this money, man, it's all I know.
Speaker 14 (05:42):
I gotta get it down of my man.
Speaker 1 (05:45):
It's out.
Speaker 5 (05:45):
I know right now I've been kicking those man, it's out.
I know. I gotta get it down, mother man, it's
all I know, is all I know, and all I know.
That's all I know.
Speaker 15 (05:59):
South I know and saying I know his son, I know,
and say no, say.
Speaker 16 (06:07):
No, I got it.
Speaker 5 (06:09):
Get this money, man, do what I want her.
Speaker 1 (06:13):
My shoes on it.
Speaker 17 (06:14):
Man, I swear he was a gonna ok this kid,
Jim the coon may moss as sony.
Speaker 5 (06:20):
She tried to come get into him and play sure
I cant in the number.
Speaker 10 (06:24):
Had a shoe ston shoes.
Speaker 17 (06:27):
I tell her this is you know, put them on
the list, put them on all the hot mom, and
that's what God.
Speaker 1 (06:34):
And I got a bother. I get a not in apartment.
Speaker 5 (06:39):
Don't get mistaged, don't get I be gonna my charge.
Speaker 17 (06:43):
I know that your flage tonight n by me and
I'm father. She coming daggy, but I'm out probably I'm
get the mask.
Speaker 15 (06:52):
She came in inside of it.
Speaker 17 (06:53):
And man, it's a phrase of pan. I might to
your lady. Mat a guy get paid for answer the
medicine game.
Speaker 1 (07:00):
You know.
Speaker 11 (07:00):
Yeah, I know, So I know.
Speaker 5 (07:04):
That when I get you old gotta get his money.
Speaker 1 (07:09):
Man.
Speaker 5 (07:10):
So I know I gotta get it that mother.
Speaker 1 (07:13):
Man.
Speaker 5 (07:13):
It's all I know.
Speaker 6 (07:14):
I know.
Speaker 5 (07:15):
Hey, I've been kicking those man, it's all. That's all.
I gotta get it that mother man, that's all I know.
That's all I know. The son know that all I
know God.
Speaker 10 (07:28):
That son know the selling know the sun nor s.
Speaker 5 (07:35):
The son. No, don't.
Speaker 3 (07:50):
Man, I know.
Speaker 1 (08:02):
Uh pressure pressure pressure, uh uh.
Speaker 3 (08:10):
Anything blow.
Speaker 1 (08:13):
I can't take this pressure.
Speaker 18 (08:14):
I wanna sex shu. I'm gonna sweat your a boy
out last side of my way. He's trying to impress
your I just wanna undress you and feel special to
know that I'm the only first night major.
Speaker 4 (08:26):
Road land playing player. Yeah you know that down't swimming
to the throw bag, superman.
Speaker 18 (08:31):
Like the house song and the draw, switch your blouse
so one shot, pold, get your flow song, house toes,
get your shower ton Hey, get your clow town, got
to buy me on the house phone hides hell's the household,
bocus hell do the household? When the time it's the
house cold? Got you sleeping in your house, closed house,
pants in your house, clothed house, keep your mouth closed
(08:51):
and the pressures up. A Brill's ain't your webbon smelling out?
Speaker 5 (08:54):
Though?
Speaker 18 (08:54):
I remember something, my brill playing player, how you feel? Really,
I'm just trying to build the hardest hell not to
feel von there with the hell Hollywood still a real
on the talk shows, on the Brady, you miss me,
keep it real. That's the press trash. Some got to
blow out the press pressure.
Speaker 1 (09:17):
Please show what you mean, bleave.
Speaker 18 (09:22):
I can't take this press sure.
Speaker 2 (09:24):
I want to set shut.
Speaker 18 (09:25):
I want to stretch your I blow up on your
phone trying to come text shut. I just want to
undress and feel special because I know that you got
to kind of make it one of the whole.
Speaker 5 (09:36):
Last last player.
Speaker 18 (09:37):
Yeah you know that bounce swim me to the throw
bag when your body like the house song? Ven, Now
get your bounce song slow most yet Wood, But can
the kids make your house song? Call Brady with your
blown song, or Mike, though you win the falcon, we
ain't breaking in the field. I'm just trying to keep
it pal. I don't know how to feel mince cold,
catch your chill. I'm like whoa with the all black.
(09:59):
You might getting robbed if you can't back. You need
to get it out the work. You need to get
some hard because can't you could get it in the South, really, really,
I'm about from Ray Childs with the lights out frying
chickens in the dark God Creek with the project, the
selling heat waved by my heart because I just want
to hit the studio. But everything I've been caught, that's
the press.
Speaker 19 (10:19):
Press hard.
Speaker 18 (10:23):
Because I'm back to blow out the press trash.
Speaker 4 (10:29):
Bleae, show what you mean? Bleae can't take this.
Speaker 16 (10:47):
Kay, I don't have no adjudgady. You don't call my attention.
(11:10):
Everything that I mentioned, I saw how it's gonna spend this.
Let me be too much to say one got me
mess o weak mid okay, and it's a journey your mission.
But you want my mom want. I'm thinking Brown, not win.
Speaker 1 (11:25):
Blaker, I mean a hundred times, want to sing it?
Speaker 16 (11:28):
Do something about you wanna sing it?
Speaker 9 (11:30):
I wish I could come leave her, but I know
you gotta mind.
Speaker 16 (11:34):
I'm just doing lit up then coming straight up out
the Batdo she come eye attention?
Speaker 9 (11:40):
She allot hot by sweaching about that you as a
kids is trying.
Speaker 1 (11:45):
To man for my messes. I don't have no adgenda.
I'm just hoping the name you.
Speaker 9 (11:49):
Feel on me.
Speaker 1 (11:50):
I don't have no end.
Speaker 20 (11:52):
I'm just hoping that you feeling.
Speaker 1 (11:54):
Me, you come my eye attention. I love hot by switching,
how I bet your ass? I can't trying to man
curn my messes. I'm just woman that you see me.
Speaker 5 (12:06):
Yeah, I'm just open that you feel me.
Speaker 21 (12:10):
I don't have no a gender.
Speaker 5 (12:12):
Anybody's rubbing while we're kissing. You want to take on
my inches back and forth. I'm on a mission, beautiful,
But what you're talking about.
Speaker 21 (12:20):
I don't want to spoil you with these wretches comprehends
what I'm looking for.
Speaker 1 (12:24):
We can escape the.
Speaker 5 (12:25):
Noise Pacific up and down on this rodeo.
Speaker 21 (12:28):
Please, girl, don't you tell me no names mentioned on
the radio. They fucking with everythings Ago. All I needed
was your body, baby, because you're driving me crazy. If
we can take it slowly up and down on this
roller coaster, girl, you know the motion, I'm gonna make
you blow my eye.
Speaker 1 (12:45):
Everybody switching, I just put yours kisses trying to man
cur my messes. I'm just wanting now you feel me.
I don't know, Jim. I'm just open that you feel me.
You come switch trying to make my masters.
Speaker 6 (13:06):
I don't have lord gender.
Speaker 1 (13:08):
I'm just only that you feel me. I don't have lord.
Speaker 9 (13:12):
I'm just feel me.
Speaker 10 (13:15):
I don't get no chender.
Speaker 9 (13:16):
I don't got no plan.
Speaker 3 (13:18):
I don't get no idn't want us think gonna a well.
Speaker 22 (13:21):
I'm gonna lie when when we done with this, when
you're done with me, when you give me up and
please requac this be and you and me.
Speaker 15 (13:30):
I ain't gonna tell nobody.
Speaker 1 (13:32):
You ain't gonna tell nobody that I be here and
nothing I know. And so when they tell me what
you want, I get what you need.
Speaker 9 (13:42):
And we ain't got you ain't got younger space.
Speaker 1 (13:46):
Please to do me and you, that's for sure.
Speaker 13 (13:52):
Maybe she come out head attention she lo how by
switching I love.
Speaker 16 (14:07):
Bet you as a kisses trying to make come my messes.
Speaker 9 (14:10):
I don't have no jump.
Speaker 4 (14:12):
I'm just over the now you feel me. I don't
have no adjenda.
Speaker 1 (14:16):
I'm just hoping that you feel me and you come
my head attention high.
Speaker 4 (14:21):
By switching that you as a casses trying to make
my messes.
Speaker 1 (14:26):
I don't have no adjenda. I'm just hoping that you
feel me.
Speaker 6 (14:30):
I don't have color jenda.
Speaker 1 (14:32):
I'm just hoping that you feel me.
Speaker 7 (14:43):
You passed new music coming out of Chicago Woman Music
three sixty five.
Speaker 6 (15:00):
Mmmm tell me what you want from me?
Speaker 22 (15:04):
Tell me if you're feeling me, you wanna show as
insonce with me? Oh yeah, pling no loving me at
y'are planing no saxon mans getting rail with me?
Speaker 3 (15:15):
So I wouldn't not do with so many.
Speaker 22 (15:18):
Things always god time. I ain't just be promised me
that you don't ways mind. I'm time for you, but
you're down from me. I'm wanting you, but you.
Speaker 1 (15:31):
Wanted me.
Speaker 3 (15:34):
By telling me wherever I say.
Speaker 1 (15:36):
Ain't got no.
Speaker 22 (15:37):
Time for gazee No he's his friends or they got
sent me a blessing. I ain't getting no time to
be wasting it.
Speaker 15 (15:47):
Ain't got no time to be chasing it.
Speaker 22 (15:51):
I don't wanna waste no time. I don't wanna waste
my time. I don't wanna waste your time. I don't
wanna waste your.
Speaker 3 (15:58):
Time nor time.
Speaker 1 (16:00):
No time.
Speaker 4 (16:07):
If all you're trying.
Speaker 3 (16:08):
To do is fun dasty.
Speaker 23 (16:12):
Man, if all you're trying to do is sexy man,
you don't have attentions on.
Speaker 4 (16:25):
I haven't men.
Speaker 15 (16:30):
If they're not trying to stay go.
Speaker 22 (16:39):
I ain't tryna waste no time. I ain't tryna waste
no time. No yeah, like nixt on mine ain't a
real one of heart to find.
Speaker 4 (16:47):
Let me know the promise.
Speaker 22 (16:49):
I'll be a prom if I give you what you want.
Speaker 15 (16:54):
Don't shut the cord is heavy, No, don't.
Speaker 4 (16:59):
Wanna know's been dead man.
Speaker 22 (17:02):
I don't want to start over again. Don't want to
get hurt again. I ain't trying to get sent up.
If you're not trying to cop them, get us. I
don't want to waste no time. I don't want to
waste my time. I don't want to waste your time
or time. I don't want to waste your time, no time,
no time.
Speaker 13 (17:23):
Time.
Speaker 1 (17:26):
I'm hurfoll you've been hurt too.
Speaker 22 (17:30):
I would you put on my from my hard but
you can tell the truth.
Speaker 4 (17:34):
I thought you was a real man. Man, man, man,
but you.
Speaker 22 (17:38):
Don't understand the definition of real.
Speaker 24 (17:43):
I'm person who assus the situation as it is always,
but better to do with.
Speaker 22 (17:50):
Just be honest, don start something you get finished finans.
Speaker 20 (17:59):
I don't want to waste all the time time. I
don't want to waste my time. I don't want to
waste your time. I don't want to waste her time.
Speaker 15 (18:14):
If I'm trying to do it's been nasty? Are you
trying to do is sex.
Speaker 22 (18:30):
It's okay you don't having suship in me.
Speaker 3 (18:38):
If you're not trying to say you.
Speaker 1 (18:40):
Go you really what you want? What you heard? It
really all and all you feeling me? I don't want.
Speaker 19 (19:09):
You are tuned in the music three six five right
here on intellectual radio dot com. We can be heard
on Heart radio in all your podcast stations.
Speaker 25 (19:18):
What you say one to beat, tune in fresh new music, sounds, h.
Speaker 1 (19:40):
Sounds, drap.
Speaker 13 (19:44):
I like this.
Speaker 3 (19:46):
When I like this, it's a nice beat. What's that
did jack cameraer? What'd you call that? Dance? You're doing sounds.
Speaker 19 (19:54):
Trapping and that's something we created. Got to be sixty
five music any place you can do it.
Speaker 26 (20:00):
Got three sixty five dances to go with the three
sixty five music. You can do the music three sixty five.
You need dances that you can do sitting down. You
gotta get up, getting the crowd.
Speaker 3 (20:12):
But do get up and dance. Get up and do
the dance. Don't stay in your seat, just jacking your body.
Jack your body on the dance.
Speaker 19 (20:19):
Hey, you know what the music three six five. If
you can do what you wanna do, you wanna stress
new music, do what.
Speaker 5 (20:23):
You wanna do.
Speaker 3 (20:25):
You gotta show that the fresh new music you enjoy it.
You gotta show him out. You like this, Get on
the dance when they sell, so they can tell this
is moving people. You see in your chair at the
joy We can't tell you gotta you need the energy.
Jack your body on the floor.
Speaker 19 (20:40):
If you want energy, all you have to do just
tune in the music. You bring the energy every single day.
Speaker 3 (20:47):
I thought you brought the.
Speaker 26 (20:47):
Music three sixty five music three sixty five with energy,
fresh new music. Y'all should see him. He jacking his
body over here. He's gonna be worn out before the
show is over. Say some of that energy.
Speaker 19 (21:03):
Hey, you know what, Hey, if I'm having a good time,
having a good time with me right here, the music
pacings five and we play fresh new.
Speaker 1 (21:13):
Work.
Speaker 14 (21:23):
Being pricist Southern Houston success and be getting Pricist Southern
Houston said, say you get the pricis Southern Houston success?
Forging Pricist Southern Houston said, say praise.
Speaker 4 (21:53):
Have my say in my life.
Speaker 1 (22:01):
One bird.
Speaker 27 (22:12):
Every situation. Now that I've been through, I can do it.
So it's just the bread no more, not as teasing racist,
but the blessed.
Speaker 19 (22:26):
Sea coming down.
Speaker 3 (22:29):
Don't see one city on the godless chase to a.
Speaker 1 (22:34):
Tails upset you have this wicked fans say.
Speaker 10 (22:38):
This that with the mast, but now you can't upset me.
Speaker 28 (22:41):
And the super seeing street over hating the same your
behnd your hand if you should for me, what the.
Speaker 29 (22:48):
Loud to the out till the kids turned away, turn
away with your sweas sname just down taking place.
Speaker 14 (22:58):
Racist Southern success and so we getting the precis Southern Houston,
said Sun getting the precist Southern Houston success.
Speaker 1 (23:14):
Time.
Speaker 14 (23:14):
People getting precist Southern Houston said Sun.
Speaker 11 (23:21):
Said, you can kids just on the black yet would
throw the deep blending with the best butcher sticking cowls.
Speaker 3 (23:26):
To me, Corn never been the same as Christ.
Speaker 1 (23:28):
Change the lives.
Speaker 16 (23:29):
She's the reason told.
Speaker 1 (23:31):
You we said we be in the skyline lind to
check out what.
Speaker 3 (23:34):
A telling check is happening to a whole new world.
Speaker 1 (23:37):
Naughty, I'm trying to.
Speaker 8 (23:39):
Take a standing southside every now let her know the
lines coming back as.
Speaker 9 (23:44):
Name, so.
Speaker 30 (23:49):
We don't have said in my life and friend, y'all
get from y'all fall on a time.
Speaker 5 (24:07):
I'm an edge room Texan. Play what click that tripper?
Speaker 6 (24:10):
Now?
Speaker 12 (24:10):
I keep Jenus on my mind like a Texan and
until the devil give me space to tensons take a
seeing now the only ghost.
Speaker 5 (24:18):
And my meds and the over goats on them.
Speaker 12 (24:20):
You can ask the moment, say when I would see
me behind whist minister at the homeless. But they're gonna
be a lot like the short in the gaming Norman saw,
but the drugs not picked up my word and start
throwing with like it's in the powerhood and telling not
the night club.
Speaker 5 (24:33):
Don't get it screwed up like a life boy.
Speaker 3 (24:36):
Just get a lord.
Speaker 14 (24:37):
Brained racist Southern Houston success. To get racist Southern Houston sense.
Wi the pracist Southern Houston success.
Speaker 20 (24:53):
Sound give me.
Speaker 14 (24:55):
Pracist Southern Houston sens.
Speaker 1 (24:58):
Praising with me.
Speaker 29 (25:00):
Pray when you told me you had us some saggia,
I told you all these things, and now waiting this,
(25:24):
I thought you were the one.
Speaker 4 (25:26):
For me, even got this Sammy ring.
Speaker 1 (25:29):
I can't believe if you really blame.
Speaker 20 (25:31):
Me all the times that they said you wasn't wasn't
just your friends and be you all giving you play?
Speaker 1 (25:40):
You play?
Speaker 15 (25:41):
You can sing man name, don't say mad name, don't
e blind.
Speaker 1 (25:46):
It's nice and dear rhyme didn't know about it all.
Speaker 4 (25:50):
It just turned your question night. Don't want paying the
back right, you know.
Speaker 20 (25:54):
I had the gold this time we do a scream.
Speaker 4 (25:57):
And shower and took back upon with everything that shot.
I just wanted her supply. Don't him my life.
Speaker 15 (26:07):
Goes a noise to the boy, it's crazy that know
that you're always.
Speaker 1 (26:12):
Digging know me, everything was crazy. He had the.
Speaker 4 (26:16):
Broken shadow pieces.
Speaker 15 (26:17):
You live my heart leading, and I think you know
the breeze him. My life doesn't noisy. Boy, it's crazy
that doll that.
Speaker 1 (26:28):
You're always digging to.
Speaker 15 (26:30):
Me, everything was crazy and the broken shatter pieces.
Speaker 1 (26:34):
You left my heart leading, and.
Speaker 4 (26:36):
I think it was a breeze. I was houding my
music and I'm not thought I have picture.
Speaker 1 (26:43):
But if there's a god been.
Speaker 4 (26:45):
Taking out right down in size, how you blaming here?
You ride down?
Speaker 1 (26:51):
You're right?
Speaker 20 (26:52):
It was another the same you persons lie not right?
Speaker 1 (27:01):
You know I haven't all this time Louis screaming shot.
Speaker 4 (27:07):
With everything that shine.
Speaker 1 (27:09):
I just wanted us up.
Speaker 15 (27:12):
Don't him mine, don't he is a nicety bud.
Speaker 29 (27:16):
It's crazy that I know that you always think everything
was crazy.
Speaker 4 (27:22):
Yeah, the broken shin of beess. You live my home man,
and I think you the best.
Speaker 19 (27:32):
What's happening one to be?
Speaker 1 (27:33):
How you feeling?
Speaker 3 (27:34):
I mean, well, oh, why do I always say that
when you talk with the bees?
Speaker 4 (27:37):
It makes me it's fine?
Speaker 13 (27:40):
You know what?
Speaker 19 (27:40):
Wonder that's a music through sixty five? And you know what,
it's Thanksgiving and I figure it's time to get some thanks.
Speaker 26 (27:47):
Oh I could give some thanks. That's a beautiful time.
In fact, Thanksgiving is a great time to give thanks.
So what do you give thanks for?
Speaker 1 (27:55):
I actually know what.
Speaker 19 (27:56):
Actually, since I've gotten older, I've had some health scared.
So you know what's just thankful you just to even
still be here because you know what, I can't say
what's gonna happen next year, the year after that. But
this year I'm here and I'm just thankful to be here.
And I'm also thankful that you're here as well, because
you had a health scare as well, So I'm thankful
that you are here as well.
Speaker 26 (28:13):
I'm very grateful and thankful to be here. I'm grateful
that my health is is where it is today. I'm
thankful that your health is fine. I'm thankful that you're
not funny walking right now. I don't know if anybody.
Speaker 19 (28:27):
Knows, but you know what, I am a professional funny walker.
So if you don't know what a funny walker is,
it's someone who they can walk funny when they want to.
It's like it's like, you know how people they imitate voices.
I can imitate walks, and that is a funny walker.
And I am a professional funny walker, you know what.
And you don't understand, I.
Speaker 3 (28:44):
Don't understand that's an art.
Speaker 19 (28:47):
Everybody can't funnywalk.
Speaker 13 (28:49):
You know.
Speaker 19 (28:49):
I can walk like Denzel I can walk like Michael Jordan.
I can walk like Michael Jackson. I can walk like
an ape.
Speaker 5 (28:56):
You know.
Speaker 19 (28:57):
I am a professional funny walker. And it takes years
and years and years and years of fighting, tuning and training.
Speaker 26 (29:02):
Oh okay, and to become a professional at it. What
defines being a professional funny walker someone.
Speaker 19 (29:08):
Who has perfected the art. And I have definitely perfected
the art of funny walker. There's no one that I
can't walk like. I'm a funny walker.
Speaker 3 (29:16):
Okay, let me see you walk like me?
Speaker 19 (29:18):
You don't. You gotta understand something to see funny walker's
only walk like people who walk funny. If you don't
walk funny. There's no there's no need to funny walk.
You know, you have some people who have funny walks.
You have some people who just walk normal. You're one
of the people who walk normal, So there's no imitating
your walk because you just have a normal walk. I
walk normally. You walk normal.
Speaker 3 (29:38):
Okay. When everyone walks.
Speaker 19 (29:40):
Funny, that's when you can imitate.
Speaker 26 (29:41):
They walk everyone out in music three sixty five land,
have you ever heard of funny walk?
Speaker 3 (29:46):
And let alone a professional one?
Speaker 26 (29:48):
To me, to be a professional means you get paid
to do it, or you have gotten paid at some
point in times.
Speaker 31 (29:53):
You ravel.
Speaker 19 (29:54):
You have a lot of professional actors that are not
working that don't get paid. You have a lot of
professional comedians who are their professional but the they're not working,
so they don't get paid. So you're not always getting
paid for your craft. That doesn't mean that you're not
a professional.
Speaker 26 (30:08):
What makes you professional just that you perfected the craft.
Who told you you perfected?
Speaker 19 (30:12):
If you don't do it for us, Oh, I've been
doing this for many years, so it's it's perfected. It's perfected.
You know it's perfected. Okay, you I am is it
on your resume US. As of today, I don't even
have a resume.
Speaker 3 (30:27):
Would you put it on your resume professional walker?
Speaker 19 (30:30):
If I was, if I was doing getting anything in
acting or entertainment, I would definitely put funny walker on
my my resume.
Speaker 26 (30:37):
Okay, now, I will tell you all, it's not always
funny to me because if you're walking with him and
he busts, he instantly turns to funny walking, and no
one knows that he's a professional funny walker.
Speaker 3 (30:52):
It doesn't always feel funny. It feels like, what are
you doing?
Speaker 19 (30:57):
Well, you know what? To the naked eye, yeah eye
ned an untrained eye. It may not seem it's funny,
but if you see people who are, if you actually
can recognize, you know, the ability of a funny walker,
then you know. Some people don't recognize good acting, some
people don't recognize good music. But you have to recognize
(31:17):
the abilities of a funny walker.
Speaker 26 (31:19):
Okay, So if there's other funny walkers out there, I'd
like to hear from you.
Speaker 3 (31:24):
Or he may be in a lane of his own
and really could make a lot of.
Speaker 26 (31:27):
Money because he's the only one who could imitate someone
else's walker the drop of a dime.
Speaker 19 (31:33):
I'm a funny walker from city to city. My name
is ERL. Winfrey. That's one to be And this is
music three sixty five. Y'all please please stay tuned. We've
got some more fresh new music coming.
Speaker 32 (31:44):
For you from Stay Sake, Holly Way to move into
the boy Wro.
Speaker 1 (31:57):
I can be with money.
Speaker 24 (32:01):
Be return is so great and so great and so
great see u stany so just what you take this
forever be.
Speaker 26 (32:14):
With her man.
Speaker 5 (32:18):
De saba not jeez please so me.
Speaker 33 (32:23):
Weave and can mob told time swear is started up
long for touch.
Speaker 4 (32:33):
M btt.
Speaker 1 (32:39):
Know where you are.
Speaker 20 (32:43):
No matter the ta's a mad trivel.
Speaker 1 (32:47):
You never prefer.
Speaker 15 (32:50):
Don't My dog is de love.
Speaker 3 (32:56):
Know where you are.
Speaker 5 (33:00):
Matter to tast.
Speaker 1 (33:03):
Go you never you do it for me?
Speaker 33 (33:11):
Don't really know why we got all this chemistry to
big contemplating, no kids down, no one.
Speaker 1 (33:20):
When I close my eyes, I see your face heaven.
Don't want to call your mouth vibe.
Speaker 4 (33:29):
Forever my vady.
Speaker 5 (33:33):
Oh see your man on me?
Speaker 27 (33:42):
I been waiting, no please, been waiting so many weep
and can bother your phone.
Speaker 3 (33:50):
I swear is starting.
Speaker 4 (33:52):
Dump the dogging.
Speaker 13 (33:53):
Bot that.
Speaker 10 (33:56):
Being dumb.
Speaker 1 (34:02):
Now like you want.
Speaker 4 (34:06):
The matter of the thing, i'd the crable.
Speaker 3 (34:10):
You never to fun my asty sad.
Speaker 5 (34:19):
I don't like you want now.
Speaker 10 (34:23):
No matter the game, it's a travel if you never co.
Speaker 34 (35:40):
How's a perfect say no no, your son will include
your given likely as want for y'all.
Speaker 35 (36:00):
Damn, we got a new hashtag Dante right rest in peace, man,
it's getting bad. This ship will happening in twenty twenty one.
Cop can tell the difference between the tailor and gone.
The black man life is gone because of them a stake.
Black lives don't matter because of the options.
Speaker 1 (36:15):
You may fuck that.
Speaker 35 (36:17):
We got a revolutionized hide of brand in March, and
this shit is getting hide enough fift enough. George Floyd
was the last straw color as an equals white cope
think he brother lost me neckt nine minutes sister fighter
go no, oh my k the cole plus taking a
job Now I can't even go to the store. They
get some seats killed Eden Skipper's question why camping and
it took a knee and the disrespect to a fellow
(36:39):
truth dang second to the Thesuriyo veteran.
Speaker 1 (36:42):
This what's for you?
Speaker 35 (36:44):
Si nor Well raight go get in Yeah, I know
(37:06):
putting a little shower on my brother's apologize.
Speaker 9 (37:09):
Let me tell you that I love you.
Speaker 35 (37:11):
I recognize this strifting your presence and being dark in America,
I knowing the pleasant want us to feel sorry for
everybody else. Just the nation off our back so they
can live off the wealth. Stop making you hate for
blacks hate they do. Ain't got a cure. I gotta
get my ass to be to get a peticule, trying
to look good.
Speaker 4 (37:27):
So I run Muhammad, that's your k in the hood.
Speaker 15 (37:29):
He still don't for black women.
Speaker 35 (37:31):
But don't misunderstood that bring with a simple no justice,
no peace, powerful warrior status. He a revolutionary to me
for my people, letting my freedom. I guess his blood
in these streets. See see he's fighting, bringing that he
need and he twisting and turning fabric in the fast.
Since you first done until week on Profel, you know that.
Speaker 15 (37:56):
Twenty one between a favor and the girl.
Speaker 31 (38:12):
Welcome back to music three sixty five.
Speaker 19 (38:29):
This is e dub and that's to love the incredible
why to b and this thanksgiving? Y'all own music three
sixty five and were planning some fresh new music. So
what's happening in wanting to.
Speaker 3 (38:40):
Be nothing's happening.
Speaker 26 (38:42):
I was thinking, you know what, I wonder if people
want to get to know E Dub a little bit better.
Speaker 3 (38:48):
I have some rapid fire questions.
Speaker 19 (38:49):
For you, rapid fire questions.
Speaker 3 (38:52):
What's your favorite month?
Speaker 19 (38:54):
August my birthday?
Speaker 3 (38:56):
He answered rapidly. Okay, if you can change your name
to anything, what would it be?
Speaker 19 (39:01):
Uh uh like the thing? I don't know, I just
came up.
Speaker 3 (39:08):
I really thought I knew what you say to that.
Speaker 13 (39:10):
You know what?
Speaker 19 (39:11):
I have an African name.
Speaker 3 (39:13):
It's right.
Speaker 19 (39:14):
I can't think of it offhand, though.
Speaker 3 (39:16):
That's not good if you can't think of your name
not off paying.
Speaker 19 (39:18):
I mean you said rapid five. I mean I got
a name, but I can't think of it. I can't.
It'll come to me. No, No, it's not no right,
So my I would change my name is I'm sorry
that wasn't rapid fire, but I would definitely be in
fact called.
Speaker 3 (39:38):
Me all right? What's your favorite dessert?
Speaker 19 (39:43):
Favorite dessert would be an ice cream? I love ice cream.
Ice Cream always makes it makes me happy, no matter
how sad you're some ice cream, it makes me happy,
no matter what they got. The new restaurant called Andy's.
I wouldn't really call it a custard custard or whatever.
It is a custom ice cream shot whatever. But that
place is always always boming. And it's amazing to me
how a place like that can be successful by selling
(40:07):
only ice cream. That's pretty incredible to me. It seems
like you have to sell some burgers or some French
fries or some meat or something. But to say all
just freaking ice creaming to be successful, and I have
all these franchises. To me, that's pretty incredible. Ice cream
has gotten that freaking popular.
Speaker 3 (40:21):
So you think it's incredible to have a dessert only
place ice cream?
Speaker 19 (40:26):
Yes, it's all your serve ice cream and the And
to be successful like that, yes, yes.
Speaker 3 (40:30):
What's your favorite breakfast?
Speaker 19 (40:32):
My favorite breaks would be I would say pancakes and waffles.
I love pancakes and waffles. And I got to have
some Aliga surf. Got to have Aliga. If it ain't
got Aliga, hey, it ain't got got.
Speaker 26 (40:41):
Is anybody else know Aliga or use that brand Aliga?
That that was a popular brand for my grandmother.
Speaker 19 (40:48):
No, it's raised on Aliga. And you know what, everything
else to me is just nasty. I don't know why.
I think it's just it's something about It's something about
you know when you're growing up, you know, if that's
all you eat is alligat, and then you grow up
and you know all that maple syrup and all that
all the butterword for all that stuff to me is
just straight up just nasty.
Speaker 3 (41:04):
I can't.
Speaker 19 (41:05):
I can't stomach it. Even if I try. It gots
to be aliga. I tried once. I tried. Some are
some old fashioned syrup ones, and that was that was okay.
But I got to have some more aliga. Aliga is
my life.
Speaker 3 (41:19):
There's probably people who have never had.
Speaker 19 (41:20):
Aligan, probably so I was raised on aliga.
Speaker 3 (41:24):
We always kept it in our house as well. But
for cooking purposes, well used to.
Speaker 19 (41:29):
I used to put aliga on everything.
Speaker 26 (41:31):
Really give me something out of the ordinary that you
would put aliga syrup on the hot dog?
Speaker 3 (41:38):
Oh, syrup and hot.
Speaker 19 (41:40):
Dogs a lot, just a little bit. Yeah, I love
to meet some aliga. Back in the day, I wouldn't
do that today though, I still I'm still I'm an
alegat man.
Speaker 3 (41:49):
Well, why I used to eat a syrup sandwich?
Speaker 19 (41:51):
I would Okay, Well, there you go.
Speaker 3 (41:53):
Syrup and a sandwich not on the meat.
Speaker 19 (41:55):
There you go, what else you got for me? Wanted
to be?
Speaker 26 (41:59):
That was the hungry after school days when I wanted
some quick deat out of school.
Speaker 3 (42:04):
What's your favorite store?
Speaker 19 (42:05):
My favorite store is any place that's a second hand shop.
I love good Will. I love good Will. I love
flea markets because you always go there and it's like
it's like you're searching for treasure. Are you're looking for
some fines that you know, You're looking for something that's
one of a kind, and looking for stuff ain't nobody
gonna have, and you can find treasures and all these
good Wills and flea markets I love. Matter of fact,
just about every single week, you're gonna find me at
(42:27):
the good Will a flea market. I love it. I
love searching for treasures. When I was in high school,
I used to borrow my clothes from like a second
hand shop, and people was one while real, what'd you
get that from?
Speaker 25 (42:36):
That is so sharp?
Speaker 9 (42:37):
Man?
Speaker 19 (42:37):
I ain't never like that before, And they did not
know I was getting all my stuff from the second
hand shop. But there was crazy nowadays the second hand shop.
But it used to be like a little something that
you know, people that know about you know what I'm saying.
You know, it was like a little hitting gym. But
now you go to the free second hand shop, now
they freaking be packed. And I think what's happening is
you have a lot of people nowadays they have stores
(42:57):
that actually buy some of their goods from second hand shops.
I really believe that. And some people have made a
fortune and they've made a business, made a business out
of shopping at second hand shops nowadays. I mean, I've
seen no videoshe people have gotten online where they've selled
I don't very I don't very very expensive that they
actually happen to find very very cheaply at good Will.
Speaker 26 (43:18):
Well, some people also find antiques, things that are worth
more than what people know. They don't know that they're
worth more, and they buy it and resell it for
the real value of it, exactly.
Speaker 19 (43:31):
I love me some good Will and I love some
second hand shops without or that I love. I love
to open up one one day eventually a second hand shop. Yeah,
that would be so cool.
Speaker 3 (43:44):
What's your favorite color?
Speaker 19 (43:46):
My favorite color would have to be I would say black,
black and the black and black black black, black black.
Speaker 3 (43:52):
Favorite animal, my favorite animal.
Speaker 9 (43:56):
You know what.
Speaker 19 (43:56):
Actually, I'm gonna tell you one thing about me. It
ain't no animal type, dude. So I don't like animals.
I don't like animals at all because I feel like,
you know, you're taking care of animals, like taking care
of a whole another adult. No animals, you know, I
want an animal. If I got an animal, it would
be animal that you don't have to take care of.
What name of animal that you don't have to take
care of?
Speaker 26 (44:13):
What animal is your favorite animal? If you went to
the zoo, you don't have to take care of them.
I'm talking about just playing a favorite animal, not as
a pet. I didn't ask your favorite pet.
Speaker 19 (44:24):
Well, if I choose one, If I choose one animal,
I would say it would have to be an octopus,
because because they're so mysterious, you know, and they're also
you know, been known to be so smart. I mean
you seen, you've seen, you know, octopuses open up jars,
and I've seen him. I saw one octopus he took
a camera from somebody and took a picture of the guy.
Speaker 13 (44:45):
You know.
Speaker 19 (44:46):
So octopuses are extremely intelligent. And I do believe in
my heart that octopuses are psychic. I read you. I
believe that they can read your mind.
Speaker 3 (44:55):
You believe that octopuses can read someone's mind?
Speaker 19 (44:58):
Yes, I do believe that, and I would.
Speaker 3 (45:01):
Say you don't believe that based on any knowledge. You
haven't had this happen to you.
Speaker 19 (45:06):
You know what I want to go back to. I
want to go back to my favorite color.
Speaker 26 (45:10):
Okay, my favorite color being black, black, all things black
and black black.
Speaker 19 (45:14):
So you know what, I want you to sit back
and check this out. You know why, because I love
me some black Okay, like.
Speaker 5 (45:27):
The Black album.
Speaker 10 (45:40):
But we ain't never come to.
Speaker 29 (45:46):
Know what I'm saying later for that old slave on
the Western So I'm saying the black I mean I
respected me.
Speaker 15 (45:55):
I see that we from your warm hence forth and
whatnot and spell black c l A.
Speaker 12 (46:03):
K l a's why you gotta have the wins seems
around man.
Speaker 5 (46:13):
A king man black the opposite of white man.
Speaker 16 (46:16):
Yeah, I'm saying, like a member of the.
Speaker 11 (46:18):
African community, I mean kind of great people trying to
triggers with piece slickery, trickery.
Speaker 10 (46:26):
Yeah, people connotations of that. You mean it's like black.
Speaker 36 (46:31):
Angry, oh black listen black kind of been love man
got black pup the mittle white guy.
Speaker 5 (46:43):
And started all that.
Speaker 19 (46:48):
I'm not sure if you saw a movie Bamboozle with
my Spike Lee, but this is one of the same. Neil, Yes,
you know incredible in the movie. It's because it was
never ever an actual song. It was just a song
that was just created for the movie Bam Boozle. It
was starting Damion ways. It was a Spikey film. It's
(47:09):
one of my favorite movies of all times. And when
you said black, it just buttered all back. Hey must
have been a white man who made it all whatever, whatever.
I love this song.
Speaker 3 (47:17):
Okay, back to back, Okay, that took you down.
Speaker 26 (47:24):
I had Bamboozle. I think I may must have seen it,
but I don't remember it at all.
Speaker 19 (47:29):
It's great gray film. It's one of the films I
can actually call a black film.
Speaker 3 (47:33):
Okay, what is your favorite movie genre?
Speaker 19 (47:38):
I love black films and independent films. But let me
just say this right here. I think people they're really
get confused with it comes the water. What is a
black film? Because when people say think black films, they
think because it has a black star, that makes it
a black film. But just because it has a black star,
does not make it a black film. There was a
(48:00):
movie called Irish Jam uh and they had it will
Start Eddie Griffin, and Eddie Griffin was the only black
person in the film. May Lawrence he did a film
called law I think it was called Black Knight, where
he was a knight who went back in the past,
and he's pretty much the only black person in the film.
That's not a black film. To me, a black film
is going to consist of several black stars. Prime example,
(48:23):
there's a film called law the Making of Dolomite, Eddie
Murphy's Stars of the Movie, and that is a black
film because you have several black people in the film.
I mean you have in that film. You have freaking
uh Eddie Murphy, you had Wesley Snipes, you had to
get from Key and Peel, you had to get Craig
(48:46):
Greig Robertson, you know, I mean you had you had
so many other people who were in that film. And uh,
I mean, so a film like that with cast like that.
It had freaking Snoop Dog, it had t i it
had runs n Siffons Jones, It's had Tasha Smith. You know,
it had Chris Rock, you know, I mean the list
(49:06):
goes on and on and on and on the movie Like,
that's mean, is what's considered a black film?
Speaker 3 (49:11):
Do we have many black films based on bad definition?
Speaker 19 (49:14):
I would actually have to say no. But I did
some research and I think maybe the two blackest films
ever made in history would be Eddie Murphy's Making the
Dolomite and also Eddie Murphy's Life. Because Eddie Murphy's movie Life,
he had several black stars in it as well. He
has Mary Lawrence, he had Bertie Mack, you know, the
(49:35):
guy from Baybay Kids. You know, he had a lot
of Robin Harrison, a lot of blacks in that film.
So to me, when you think of a black film,
don't think of just a black star, think of a
black cast. So a black cast is what makes a
black film, not a black star.
Speaker 3 (49:50):
So Tyler Perry would have black films, then.
Speaker 19 (49:53):
I would say because he has a pretty much a
large black cast.
Speaker 3 (49:57):
Cast, but not stars, but their main black cast.
Speaker 19 (50:00):
Whether you have if you have a a black film,
to me, should be defined as a film that has
a majority the majority of the cast is black, not
just because it has a black star. You know, it
should be the majority of the majority of the cast
is black. That to me would be considered a black film.
You know, people like I said, people get confused. It's
because my lan started it does not make it a
(50:21):
black film. No black film. How how large was the
black cast? That's what makes in my opinion, defines a
black film. And also what I hate is and when
it was when they take a black actor and use
him as the face of the picture, right, and then
you go watch the movie, then the knowr the blacks
in the film. I called those I called those black
(50:41):
exploitation films, but are actually exploiting that black actor. And
I just hate that black actors even allowed that to happen,
and it happens all the time.
Speaker 26 (50:52):
Interesting, I hmm, okay, So your favorite genre of movies
would be black films.
Speaker 19 (51:00):
Black films. But I want to say this also, I
think that I love independent films. I love films that
are made with no or low budget. I really like
that because, in my opinion, anybody can make a film
with one hundred million dollars. In my opinion, you can
find any person on the street and said, let's let
me give a hundred bill dollars out eve you make
a film. I think they can make a film. But
to me, the true genius come from someone who has
(51:23):
no means, no money or hardly any money and can
make a film. Like you take friends like a Jay
Davis right out of Chicago, No, no way. He's a
filmmaker and he started off with pretty much nothing, you know,
or anybody who has pretty much nothing, and to make
a film, to me, that's true genius. You take William
Pearce who did In My Family Barbecue and so many
other films. He started off with nothing, he made some
(51:43):
great films. So to me, to take nothing to make
something great, to me, that is true genius.
Speaker 26 (51:50):
J Davis also has made some of the fun some
funny movies too. If someone's looking for a comedy, he
has made some very funny ones. I'm sorry that I
can't think of the names of them offhand, but he's
also he also has funny ones out there too, but
that's a Google search away. So J Davis and you
would recommend movies by William Pearce. And these are independent filmmakers.
Speaker 19 (52:15):
And like I said, to people, people who made a
film but actually nothing, that to me, that's genius.
Speaker 26 (52:21):
Okay, So this is music three sixty five. You're also
known as Sabu and I'm wanting to be and.
Speaker 19 (52:30):
Hey, I do That's who I am. I do So
this is a music is five. We'll be back with
you the moment. Please enjoy the music, y'all.
Speaker 1 (52:50):
I might just take.
Speaker 5 (52:53):
I know, I know I might just take.
Speaker 4 (53:00):
She flicked me and know I'm.
Speaker 1 (53:04):
I got a tweaking on the floor.
Speaker 5 (53:06):
I'm brother, you know THEO.
Speaker 4 (53:10):
And know this doing swimming.
Speaker 3 (53:13):
I don't tell her that if I don't.
Speaker 5 (53:16):
My pockets getting but they overdose.
Speaker 11 (53:19):
Because zagon bands get bands, I get bands like they
balling a love about my mask?
Speaker 1 (53:25):
Yeah, because Zage bands, I get bads.
Speaker 5 (53:28):
I get bans like please know that on the man
hate us, I'm.
Speaker 4 (53:38):
Bum said that he gonna take my.
Speaker 10 (53:43):
You're gonna have a boy that's not.
Speaker 1 (53:45):
My I got mad.
Speaker 5 (53:49):
They say I'm kind of cocky butter.
Speaker 20 (53:51):
But I'm the mask ill but though some probat while
you sleep.
Speaker 5 (53:54):
Up the fast, she said, she love me, stop it.
Speaker 1 (53:57):
Do you know who I am?
Speaker 5 (54:00):
I noticed tail on my glove.
Speaker 1 (54:03):
I know I might just take it. She fo me.
She know I'm I got a tweaking on the floor.
Speaker 5 (54:13):
I'm probably yes, you know the boys though.
Speaker 30 (54:17):
I know.
Speaker 3 (54:19):
I don't follow her out over.
Speaker 11 (54:21):
If I don't, my pocket is getting my day over
those I'm gonna play.
Speaker 5 (54:27):
The thats.
Speaker 1 (54:31):
Me, Oh, yes you chose.
Speaker 4 (54:33):
I might hit it one more time at parkgo.
Speaker 3 (54:36):
I keep it real with shorty.
Speaker 1 (54:38):
Is you know that my line? She says, she on
a strong Tell me what you got to that doll?
Speaker 15 (54:47):
You ain't got no money.
Speaker 5 (54:49):
But I'm not the mother. I don't want to know
mother s.
Speaker 13 (54:54):
I can't.
Speaker 4 (54:57):
Hey, I'm not going to rema a lot of bikes, Like,
are you gonna her?
Speaker 1 (55:04):
You're gonna sh.
Speaker 12 (55:07):
Know?
Speaker 1 (55:07):
Then? Don't mind?
Speaker 9 (55:08):
You know?
Speaker 4 (55:10):
I know I might just take it, she me, she no,
I'm the he got a tweaken on the floor by.
Speaker 20 (55:20):
Yes, you know the play though I know thee Now,
I don't shollow her out.
Speaker 1 (55:28):
Everybody, don't.
Speaker 5 (55:30):
My buck is getting fat over these gre.
Speaker 37 (55:33):
Better go right, come in, not boss, she stay getting weping,
but she gonna know how to lay that pipe.
Speaker 1 (55:40):
You're bad off a right she come in? Not both sight,
she stay getting wee does I'm gonna spin it.
Speaker 6 (55:45):
I'm not the Daggers bands.
Speaker 5 (55:47):
I get bad as I get fast. They fall that
no long about my parents?
Speaker 4 (55:52):
Yeah, because I get banns, I get.
Speaker 6 (55:54):
Bads, I get bands.
Speaker 37 (55:55):
Yeah the man batter she goes nolay that part battle right,
she came side. Just stay away because I must have.
Speaker 1 (56:12):
Been that that one night.
Speaker 13 (56:15):
M h.
Speaker 5 (56:20):
M hm. And no no, no, no.
Speaker 28 (56:26):
No no, nobody gonna cycle grey sweet title.
Speaker 9 (56:33):
Maybe you made me feel good. Maybe you want to
live a.
Speaker 33 (56:36):
Survival and they maybe you want to put it in the.
Speaker 3 (56:40):
Bible, and they got me strong, long long.
Speaker 19 (56:43):
Time in divo.
Speaker 5 (56:45):
Girl.
Speaker 9 (56:45):
You have everything, girl, you everything I need. Baby, you
and me, you got me Eddie Murphy surety saying.
Speaker 1 (56:54):
And then good real good like Maganne.
Speaker 9 (56:58):
But I be't playing the games. No no, every time
that it rings and it does this.
Speaker 28 (57:18):
Little thing like a tn t out of marble.
Speaker 1 (57:22):
To t that you calling me, calling me, show you
what you're talking.
Speaker 28 (57:31):
I'm trying to put that look at the ticking and
make a body like a boss slicking the sticking to
try to get your just to visual up and get
no profits.
Speaker 1 (57:39):
Baby yo, go crazy. You the truth got me loose
and he's just like that.
Speaker 28 (57:46):
You just said to call on me, call me what
me just life with my name. Maybe I'm about to
put it in your body. Yes, d I'm about to
show you sing your eight seam.
Speaker 4 (57:55):
Make them feel you play just like the Cey, like.
Speaker 5 (57:58):
Z E P.
Speaker 1 (57:59):
Wonder rand is it? What does it mean?
Speaker 28 (58:01):
Either way, I'm gonna fan out. Should be told I
ain't really had the time now. Should be told you
really put my mind now? Should be told I'm a
play host mind now put it back in. Put an accent,
kicking move walking in Michael Jackson. Every day that you
move will be swagging like life. Like camera's got the accent.
Get you back in, Captain.
Speaker 7 (58:19):
No One see you next time on Music three sixty
(58:55):
five with Eat Dub and Want to Be
God, roll with your baby. You wanna roll met even
with a real nigga. Baby, I got you show. They
would not show. They tell me it's the John.
Speaker 2 (00:20):
Tell me that Shorty got road. Tell me that you're
going now. Shorty will not go. Tell me that you're
coming now. Showdy will not row. Tell me that you go.
Chowdy will not go. Tell me that you're coming once.
You're always by my side. Don't leave what you're always
will be.
Speaker 1 (00:36):
Don't you never leave.
Speaker 2 (00:38):
Shorty will not roll. Tell me that you roll now,
show they will not go. Tell me that you're coming.
So when I leave, don't be mad at me told
you come with me. You could be mad. Heavy say
you want some cheese, don't even really like it.
Speaker 1 (00:51):
Don't you leave. You can lose your confidence. So baby,
please know what I mean.
Speaker 3 (00:55):
You got it.
Speaker 1 (00:56):
You so rolled with me.
Speaker 2 (00:57):
Now you know your Atmisphere for we eat you tube
up in here and we agree. Put him drink something
and Shorty will not roll. Tell me that you're going now.
Shorty will not go. Tell me that you're home now.
Shorty will not move.
Speaker 4 (01:11):
Tell me that you.
Speaker 2 (01:12):
Shorty will not go. Tell me that you're coming. I
want you always by my side. Don't need want you
always will be what you never need.
Speaker 1 (01:20):
Shady will not will. We'll tell me that you're rolling down,
Shorty will.
Speaker 5 (01:24):
Not go, tell me that you're coming.
Speaker 6 (01:26):
Okay.
Speaker 7 (01:49):
The best new music coming out of Chicago Woman Music
three sixty five.
Speaker 8 (02:23):
Oh you got a foster full of purple bruss got
must start a phone couple buck to turn it over.
Speaker 1 (02:45):
It must sleep. I'm making hand of chins.
Speaker 4 (02:48):
And wind up, wake up in the morning.
Speaker 1 (02:50):
Not gonna pay for.
Speaker 9 (02:52):
The day?
Speaker 1 (02:53):
He watch your number, pardress process, do your docile pay
your home much?
Speaker 6 (02:59):
I'm ball of noll the control.
Speaker 4 (03:01):
Ever new George on my body. Now we can roll.
Speaker 1 (03:06):
Jo said money because I got in.
Speaker 10 (03:11):
And they gonna find the one.
Speaker 1 (03:14):
Because I'm loving my life. Don't you try to infiltriat me.
That's my older and thighs. Now what you're doing? Sooking, drinking, popping, riding?
Speaker 10 (03:24):
Where are we going?
Speaker 1 (03:26):
I ain't decided got this money?
Speaker 11 (03:29):
Stay in clocking looking clotting one, smoking, drinking, popping, riding?
Speaker 1 (03:38):
Where are we going? I ain't decided got this money?
Speaker 9 (03:44):
Stay in clocking looking plotting one.
Speaker 1 (03:51):
Yes, it's got me shining bright dookie chin a round
my neck on you.
Speaker 11 (03:55):
See my mind, got the cookies popping, got the strips
trying up in there.
Speaker 1 (04:00):
They're down to the flock this money. Ain't sure I'm
taking no in my fifty for truck.
Speaker 5 (04:08):
Four by folk so they can't get with their head.
They go that inser my circle nine. No more depression,
ain't no stressing.
Speaker 11 (04:17):
I get in the starting for filing my lady Wiley,
where are we going through the version nine?
Speaker 12 (04:24):
Lord?
Speaker 5 (04:26):
Because they loving in my line.
Speaker 1 (04:28):
Don't you try to infiltray me.
Speaker 4 (04:30):
That's my only advice.
Speaker 1 (04:31):
Don't what your bird did? Drinking, popping, riding. Where are
we going? I ain't deciding what got this money?
Speaker 11 (04:41):
Stay in cocking looking riding with the smoking, drinking, popping riding.
Speaker 1 (04:51):
Where are we going? I ain't decided got this.
Speaker 13 (04:55):
Money steady clocking looking what they do.
Speaker 7 (05:06):
Too past New music coming out of Chicago on Music
three sixty five.
Speaker 10 (05:13):
Yeah, geez, that's too bad.
Speaker 4 (05:37):
But I guess you.
Speaker 5 (05:39):
Damn you gotta get this money, man, it's all I know.
Speaker 14 (05:42):
I gotta get it down of my man.
Speaker 1 (05:45):
It's out.
Speaker 5 (05:45):
I know right now I've been kicking those man, it's out.
I know. I gotta get it down, mother man, it's
all I know, is all I know, and all I know.
That's all I know.
Speaker 15 (05:59):
South I know and saying I know his son, I know,
and say no, say.
Speaker 16 (06:07):
No, I got it.
Speaker 5 (06:09):
Get this money, man, do what I want her.
Speaker 1 (06:13):
My shoes on it.
Speaker 17 (06:14):
Man, I swear he was a gonna ok this kid,
Jim the coon may moss as sony.
Speaker 5 (06:20):
She tried to come get into him and play sure
I cant in the number.
Speaker 10 (06:24):
Had a shoe ston shoes.
Speaker 17 (06:27):
I tell her this is you know, put them on
the list, put them on all the hot mom, and
that's what God.
Speaker 1 (06:34):
And I got a bother. I get a not in apartment.
Speaker 5 (06:39):
Don't get mistaged, don't get I be gonna my charge.
Speaker 17 (06:43):
I know that your flage tonight n by me and
I'm father. She coming daggy, but I'm out probably I'm
get the mask.
Speaker 15 (06:52):
She came in inside of it.
Speaker 17 (06:53):
And man, it's a phrase of pan. I might to
your lady. Mat a guy get paid for answer the
medicine game.
Speaker 1 (07:00):
You know.
Speaker 11 (07:00):
Yeah, I know, So I know.
Speaker 5 (07:04):
That when I get you old gotta get his money.
Speaker 1 (07:09):
Man.
Speaker 5 (07:10):
So I know I gotta get it that mother.
Speaker 1 (07:13):
Man.
Speaker 5 (07:13):
It's all I know.
Speaker 6 (07:14):
I know.
Speaker 5 (07:15):
Hey, I've been kicking those man, it's all. That's all.
I gotta get it that mother man, that's all I know.
That's all I know. The son know that all I
know God.
Speaker 10 (07:28):
That son know the selling know the sun nor s.
Speaker 5 (07:35):
The son. No, don't.
Speaker 3 (07:50):
Man, I know.
Speaker 1 (08:02):
Uh pressure pressure pressure, uh uh.
Speaker 3 (08:10):
Anything blow.
Speaker 1 (08:13):
I can't take this pressure.
Speaker 18 (08:14):
I wanna sex shu. I'm gonna sweat your a boy
out last side of my way. He's trying to impress
your I just wanna undress you and feel special to
know that I'm the only first night major.
Speaker 4 (08:26):
Road land playing player. Yeah you know that down't swimming
to the throw bag, superman.
Speaker 18 (08:31):
Like the house song and the draw, switch your blouse
so one shot, pold, get your flow song, house toes,
get your shower ton Hey, get your clow town, got
to buy me on the house phone hides hell's the household,
bocus hell do the household? When the time it's the
house cold? Got you sleeping in your house, closed house,
pants in your house, clothed house, keep your mouth closed
(08:51):
and the pressures up. A Brill's ain't your webbon smelling out?
Speaker 5 (08:54):
Though?
Speaker 18 (08:54):
I remember something, my brill playing player, how you feel? Really,
I'm just trying to build the hardest hell not to
feel von there with the hell Hollywood still a real
on the talk shows, on the Brady, you miss me,
keep it real. That's the press trash. Some got to
blow out the press pressure.
Speaker 1 (09:17):
Please show what you mean, bleave.
Speaker 18 (09:22):
I can't take this press sure.
Speaker 2 (09:24):
I want to set shut.
Speaker 18 (09:25):
I want to stretch your I blow up on your
phone trying to come text shut. I just want to
undress and feel special because I know that you got
to kind of make it one of the whole.
Speaker 5 (09:36):
Last last player.
Speaker 18 (09:37):
Yeah you know that bounce swim me to the throw
bag when your body like the house song? Ven, Now
get your bounce song slow most yet Wood, But can
the kids make your house song? Call Brady with your
blown song, or Mike, though you win the falcon, we
ain't breaking in the field. I'm just trying to keep
it pal. I don't know how to feel mince cold,
catch your chill. I'm like whoa with the all black.
(09:59):
You might getting robbed if you can't back. You need
to get it out the work. You need to get
some hard because can't you could get it in the South, really, really,
I'm about from Ray Childs with the lights out frying
chickens in the dark God Creek with the project, the
selling heat waved by my heart because I just want
to hit the studio. But everything I've been caught, that's
the press.
Speaker 19 (10:19):
Press hard.
Speaker 18 (10:23):
Because I'm back to blow out the press trash.
Speaker 4 (10:29):
Bleae, show what you mean? Bleae can't take this.
Speaker 16 (10:47):
Kay, I don't have no adjudgady. You don't call my attention.
(11:10):
Everything that I mentioned, I saw how it's gonna spend this.
Let me be too much to say one got me
mess o weak mid okay, and it's a journey your mission.
But you want my mom want. I'm thinking Brown, not win.
Speaker 1 (11:25):
Blaker, I mean a hundred times, want to sing it?
Speaker 16 (11:28):
Do something about you wanna sing it?
Speaker 9 (11:30):
I wish I could come leave her, but I know
you gotta mind.
Speaker 16 (11:34):
I'm just doing lit up then coming straight up out
the Batdo she come eye attention?
Speaker 9 (11:40):
She allot hot by sweaching about that you as a
kids is trying.
Speaker 1 (11:45):
To man for my messes. I don't have no adgenda.
I'm just hoping the name you.
Speaker 9 (11:49):
Feel on me.
Speaker 1 (11:50):
I don't have no end.
Speaker 20 (11:52):
I'm just hoping that you feeling.
Speaker 1 (11:54):
Me, you come my eye attention. I love hot by switching,
how I bet your ass? I can't trying to man
curn my messes. I'm just woman that you see me.
Speaker 5 (12:06):
Yeah, I'm just open that you feel me.
Speaker 21 (12:10):
I don't have no a gender.
Speaker 5 (12:12):
Anybody's rubbing while we're kissing. You want to take on
my inches back and forth. I'm on a mission, beautiful,
But what you're talking about.
Speaker 21 (12:20):
I don't want to spoil you with these wretches comprehends
what I'm looking for.
Speaker 1 (12:24):
We can escape the.
Speaker 5 (12:25):
Noise Pacific up and down on this rodeo.
Speaker 21 (12:28):
Please, girl, don't you tell me no names mentioned on
the radio. They fucking with everythings Ago. All I needed
was your body, baby, because you're driving me crazy. If
we can take it slowly up and down on this
roller coaster, girl, you know the motion, I'm gonna make
you blow my eye.
Speaker 1 (12:45):
Everybody switching, I just put yours kisses trying to man
cur my messes. I'm just wanting now you feel me.
I don't know, Jim. I'm just open that you feel me.
You come switch trying to make my masters.
Speaker 6 (13:06):
I don't have lord gender.
Speaker 1 (13:08):
I'm just only that you feel me. I don't have lord.
Speaker 9 (13:12):
I'm just feel me.
Speaker 10 (13:15):
I don't get no chender.
Speaker 9 (13:16):
I don't got no plan.
Speaker 3 (13:18):
I don't get no idn't want us think gonna a well.
Speaker 22 (13:21):
I'm gonna lie when when we done with this, when
you're done with me, when you give me up and
please requac this be and you and me.
Speaker 15 (13:30):
I ain't gonna tell nobody.
Speaker 1 (13:32):
You ain't gonna tell nobody that I be here and
nothing I know. And so when they tell me what
you want, I get what you need.
Speaker 9 (13:42):
And we ain't got you ain't got younger space.
Speaker 1 (13:46):
Please to do me and you, that's for sure.
Speaker 13 (13:52):
Maybe she come out head attention she lo how by
switching I love.
Speaker 16 (14:07):
Bet you as a kisses trying to make come my messes.
Speaker 9 (14:10):
I don't have no jump.
Speaker 4 (14:12):
I'm just over the now you feel me. I don't
have no adjenda.
Speaker 1 (14:16):
I'm just hoping that you feel me and you come
my head attention high.
Speaker 4 (14:21):
By switching that you as a casses trying to make
my messes.
Speaker 1 (14:26):
I don't have no adjenda. I'm just hoping that you
feel me.
Speaker 6 (14:30):
I don't have color jenda.
Speaker 1 (14:32):
I'm just hoping that you feel me.
Speaker 7 (14:43):
You passed new music coming out of Chicago Woman Music
three sixty five.
Speaker 6 (15:00):
Mmmm tell me what you want from me?
Speaker 22 (15:04):
Tell me if you're feeling me, you wanna show as
insonce with me? Oh yeah, pling no loving me at
y'are planing no saxon mans getting rail with me?
Speaker 3 (15:15):
So I wouldn't not do with so many.
Speaker 22 (15:18):
Things always god time. I ain't just be promised me
that you don't ways mind. I'm time for you, but
you're down from me. I'm wanting you, but you.
Speaker 1 (15:31):
Wanted me.
Speaker 3 (15:34):
By telling me wherever I say.
Speaker 1 (15:36):
Ain't got no.
Speaker 22 (15:37):
Time for gazee No he's his friends or they got
sent me a blessing. I ain't getting no time to
be wasting it.
Speaker 15 (15:47):
Ain't got no time to be chasing it.
Speaker 22 (15:51):
I don't wanna waste no time. I don't wanna waste
my time. I don't wanna waste your time. I don't
wanna waste your.
Speaker 3 (15:58):
Time nor time.
Speaker 1 (16:00):
No time.
Speaker 4 (16:07):
If all you're trying.
Speaker 3 (16:08):
To do is fun dasty.
Speaker 23 (16:12):
Man, if all you're trying to do is sexy man,
you don't have attentions on.
Speaker 4 (16:25):
I haven't men.
Speaker 15 (16:30):
If they're not trying to stay go.
Speaker 22 (16:39):
I ain't tryna waste no time. I ain't tryna waste
no time. No yeah, like nixt on mine ain't a
real one of heart to find.
Speaker 4 (16:47):
Let me know the promise.
Speaker 22 (16:49):
I'll be a prom if I give you what you want.
Speaker 15 (16:54):
Don't shut the cord is heavy, No, don't.
Speaker 4 (16:59):
Wanna know's been dead man.
Speaker 22 (17:02):
I don't want to start over again. Don't want to
get hurt again. I ain't trying to get sent up.
If you're not trying to cop them, get us. I
don't want to waste no time. I don't want to
waste my time. I don't want to waste your time
or time. I don't want to waste your time, no time,
no time.
Speaker 13 (17:23):
Time.
Speaker 1 (17:26):
I'm hurfoll you've been hurt too.
Speaker 22 (17:30):
I would you put on my from my hard but
you can tell the truth.
Speaker 4 (17:34):
I thought you was a real man. Man, man, man,
but you.
Speaker 22 (17:38):
Don't understand the definition of real.
Speaker 24 (17:43):
I'm person who assus the situation as it is always,
but better to do with.
Speaker 22 (17:50):
Just be honest, don start something you get finished finans.
Speaker 20 (17:59):
I don't want to waste all the time time. I
don't want to waste my time. I don't want to
waste your time. I don't want to waste her time.
Speaker 15 (18:14):
If I'm trying to do it's been nasty? Are you
trying to do is sex.
Speaker 22 (18:30):
It's okay you don't having suship in me.
Speaker 3 (18:38):
If you're not trying to say you.
Speaker 1 (18:40):
Go you really what you want? What you heard? It
really all and all you feeling me? I don't want.
Speaker 19 (19:09):
You are tuned in the music three six five right
here on intellectual radio dot com. We can be heard
on Heart radio in all your podcast stations.
Speaker 25 (19:18):
What you say one to beat, tune in fresh new music, sounds, h.
Speaker 1 (19:40):
Sounds, drap.
Speaker 13 (19:44):
I like this.
Speaker 3 (19:46):
When I like this, it's a nice beat. What's that
did jack cameraer? What'd you call that? Dance? You're doing sounds.
Speaker 19 (19:54):
Trapping and that's something we created. Got to be sixty
five music any place you can do it.
Speaker 26 (20:00):
Got three sixty five dances to go with the three
sixty five music. You can do the music three sixty five.
You need dances that you can do sitting down. You
gotta get up, getting the crowd.
Speaker 3 (20:12):
But do get up and dance. Get up and do
the dance. Don't stay in your seat, just jacking your body.
Jack your body on the dance.
Speaker 19 (20:19):
Hey, you know what the music three six five. If
you can do what you wanna do, you wanna stress
new music, do what.
Speaker 5 (20:23):
You wanna do.
Speaker 3 (20:25):
You gotta show that the fresh new music you enjoy it.
You gotta show him out. You like this, Get on
the dance when they sell, so they can tell this
is moving people. You see in your chair at the
joy We can't tell you gotta you need the energy.
Jack your body on the floor.
Speaker 19 (20:40):
If you want energy, all you have to do just
tune in the music. You bring the energy every single day.
Speaker 3 (20:47):
I thought you brought the.
Speaker 26 (20:47):
Music three sixty five music three sixty five with energy,
fresh new music. Y'all should see him. He jacking his
body over here. He's gonna be worn out before the
show is over. Say some of that energy.
Speaker 19 (21:03):
Hey, you know what, Hey, if I'm having a good time,
having a good time with me right here, the music
pacings five and we play fresh new.
Speaker 1 (21:13):
Work.
Speaker 14 (21:23):
Being pricist Southern Houston success and be getting Pricist Southern
Houston said, say you get the pricis Southern Houston success?
Forging Pricist Southern Houston said, say praise.
Speaker 4 (21:53):
Have my say in my life.
Speaker 1 (22:01):
One bird.
Speaker 27 (22:12):
Every situation. Now that I've been through, I can do it.
So it's just the bread no more, not as teasing racist,
but the blessed.
Speaker 19 (22:26):
Sea coming down.
Speaker 3 (22:29):
Don't see one city on the godless chase to a.
Speaker 1 (22:34):
Tails upset you have this wicked fans say.
Speaker 10 (22:38):
This that with the mast, but now you can't upset me.
Speaker 28 (22:41):
And the super seeing street over hating the same your
behnd your hand if you should for me, what the.
Speaker 29 (22:48):
Loud to the out till the kids turned away, turn
away with your sweas sname just down taking place.
Speaker 14 (22:58):
Racist Southern success and so we getting the precis Southern Houston,
said Sun getting the precist Southern Houston success.
Speaker 1 (23:14):
Time.
Speaker 14 (23:14):
People getting precist Southern Houston said Sun.
Speaker 11 (23:21):
Said, you can kids just on the black yet would
throw the deep blending with the best butcher sticking cowls.
Speaker 3 (23:26):
To me, Corn never been the same as Christ.
Speaker 1 (23:28):
Change the lives.
Speaker 16 (23:29):
She's the reason told.
Speaker 1 (23:31):
You we said we be in the skyline lind to
check out what.
Speaker 3 (23:34):
A telling check is happening to a whole new world.
Speaker 1 (23:37):
Naughty, I'm trying to.
Speaker 8 (23:39):
Take a standing southside every now let her know the
lines coming back as.
Speaker 9 (23:44):
Name, so.
Speaker 30 (23:49):
We don't have said in my life and friend, y'all
get from y'all fall on a time.
Speaker 5 (24:07):
I'm an edge room Texan. Play what click that tripper?
Speaker 6 (24:10):
Now?
Speaker 12 (24:10):
I keep Jenus on my mind like a Texan and
until the devil give me space to tensons take a
seeing now the only ghost.
Speaker 5 (24:18):
And my meds and the over goats on them.
Speaker 12 (24:20):
You can ask the moment, say when I would see
me behind whist minister at the homeless. But they're gonna
be a lot like the short in the gaming Norman saw,
but the drugs not picked up my word and start
throwing with like it's in the powerhood and telling not
the night club.
Speaker 5 (24:33):
Don't get it screwed up like a life boy.
Speaker 3 (24:36):
Just get a lord.
Speaker 14 (24:37):
Brained racist Southern Houston success. To get racist Southern Houston sense.
Wi the pracist Southern Houston success.
Speaker 20 (24:53):
Sound give me.
Speaker 14 (24:55):
Pracist Southern Houston sens.
Speaker 1 (24:58):
Praising with me.
Speaker 29 (25:00):
Pray when you told me you had us some saggia,
I told you all these things, and now waiting this,
(25:24):
I thought you were the one.
Speaker 4 (25:26):
For me, even got this Sammy ring.
Speaker 1 (25:29):
I can't believe if you really blame.
Speaker 20 (25:31):
Me all the times that they said you wasn't wasn't
just your friends and be you all giving you play?
Speaker 1 (25:40):
You play?
Speaker 15 (25:41):
You can sing man name, don't say mad name, don't
e blind.
Speaker 1 (25:46):
It's nice and dear rhyme didn't know about it all.
Speaker 4 (25:50):
It just turned your question night. Don't want paying the
back right, you know.
Speaker 20 (25:54):
I had the gold this time we do a scream.
Speaker 4 (25:57):
And shower and took back upon with everything that shot.
I just wanted her supply. Don't him my life.
Speaker 15 (26:07):
Goes a noise to the boy, it's crazy that know
that you're always.
Speaker 1 (26:12):
Digging know me, everything was crazy. He had the.
Speaker 4 (26:16):
Broken shadow pieces.
Speaker 15 (26:17):
You live my heart leading, and I think you know
the breeze him. My life doesn't noisy. Boy, it's crazy
that doll that.
Speaker 1 (26:28):
You're always digging to.
Speaker 15 (26:30):
Me, everything was crazy and the broken shatter pieces.
Speaker 1 (26:34):
You left my heart leading, and.
Speaker 4 (26:36):
I think it was a breeze. I was houding my
music and I'm not thought I have picture.
Speaker 1 (26:43):
But if there's a god been.
Speaker 4 (26:45):
Taking out right down in size, how you blaming here?
You ride down?
Speaker 1 (26:51):
You're right?
Speaker 20 (26:52):
It was another the same you persons lie not right?
Speaker 1 (27:01):
You know I haven't all this time Louis screaming shot.
Speaker 4 (27:07):
With everything that shine.
Speaker 1 (27:09):
I just wanted us up.
Speaker 15 (27:12):
Don't him mine, don't he is a nicety bud.
Speaker 29 (27:16):
It's crazy that I know that you always think everything
was crazy.
Speaker 4 (27:22):
Yeah, the broken shin of beess. You live my home man,
and I think you the best.
Speaker 19 (27:32):
What's happening one to be?
Speaker 1 (27:33):
How you feeling?
Speaker 3 (27:34):
I mean, well, oh, why do I always say that
when you talk with the bees?
Speaker 4 (27:37):
It makes me it's fine?
Speaker 13 (27:40):
You know what?
Speaker 19 (27:40):
Wonder that's a music through sixty five? And you know what,
it's Thanksgiving and I figure it's time to get some thanks.
Speaker 26 (27:47):
Oh I could give some thanks. That's a beautiful time.
In fact, Thanksgiving is a great time to give thanks.
So what do you give thanks for?
Speaker 1 (27:55):
I actually know what.
Speaker 19 (27:56):
Actually, since I've gotten older, I've had some health scared.
So you know what's just thankful you just to even
still be here because you know what, I can't say
what's gonna happen next year, the year after that. But
this year I'm here and I'm just thankful to be here.
And I'm also thankful that you're here as well, because
you had a health scare as well, So I'm thankful
that you are here as well.
Speaker 26 (28:13):
I'm very grateful and thankful to be here. I'm grateful
that my health is is where it is today. I'm
thankful that your health is fine. I'm thankful that you're
not funny walking right now. I don't know if anybody.
Speaker 19 (28:27):
Knows, but you know what, I am a professional funny walker.
So if you don't know what a funny walker is,
it's someone who they can walk funny when they want to.
It's like it's like, you know how people they imitate voices.
I can imitate walks, and that is a funny walker.
And I am a professional funny walker, you know what.
And you don't understand, I.
Speaker 3 (28:44):
Don't understand that's an art.
Speaker 19 (28:47):
Everybody can't funnywalk.
Speaker 13 (28:49):
You know.
Speaker 19 (28:49):
I can walk like Denzel I can walk like Michael Jordan.
I can walk like Michael Jackson. I can walk like
an ape.
Speaker 5 (28:56):
You know.
Speaker 19 (28:57):
I am a professional funny walker. And it takes years
and years and years and years of fighting, tuning and training.
Speaker 26 (29:02):
Oh okay, and to become a professional at it. What
defines being a professional funny walker someone.
Speaker 19 (29:08):
Who has perfected the art. And I have definitely perfected
the art of funny walker. There's no one that I
can't walk like. I'm a funny walker.
Speaker 3 (29:16):
Okay, let me see you walk like me?
Speaker 19 (29:18):
You don't. You gotta understand something to see funny walker's
only walk like people who walk funny. If you don't
walk funny. There's no there's no need to funny walk.
You know, you have some people who have funny walks.
You have some people who just walk normal. You're one
of the people who walk normal, So there's no imitating
your walk because you just have a normal walk. I
walk normally. You walk normal.
Speaker 3 (29:38):
Okay. When everyone walks.
Speaker 19 (29:40):
Funny, that's when you can imitate.
Speaker 26 (29:41):
They walk everyone out in music three sixty five land,
have you ever heard of funny walk?
Speaker 3 (29:46):
And let alone a professional one?
Speaker 26 (29:48):
To me, to be a professional means you get paid
to do it, or you have gotten paid at some
point in times.
Speaker 31 (29:53):
You ravel.
Speaker 19 (29:54):
You have a lot of professional actors that are not
working that don't get paid. You have a lot of
professional comedians who are their professional but the they're not working,
so they don't get paid. So you're not always getting
paid for your craft. That doesn't mean that you're not
a professional.
Speaker 26 (30:08):
What makes you professional just that you perfected the craft.
Who told you you perfected?
Speaker 19 (30:12):
If you don't do it for us, Oh, I've been
doing this for many years, so it's it's perfected. It's perfected.
You know it's perfected. Okay, you I am is it
on your resume US. As of today, I don't even
have a resume.
Speaker 3 (30:27):
Would you put it on your resume professional walker?
Speaker 19 (30:30):
If I was, if I was doing getting anything in
acting or entertainment, I would definitely put funny walker on
my my resume.
Speaker 26 (30:37):
Okay, now, I will tell you all, it's not always
funny to me because if you're walking with him and
he busts, he instantly turns to funny walking, and no
one knows that he's a professional funny walker.
Speaker 3 (30:52):
It doesn't always feel funny. It feels like, what are
you doing?
Speaker 19 (30:57):
Well, you know what? To the naked eye, yeah eye
ned an untrained eye. It may not seem it's funny,
but if you see people who are, if you actually
can recognize, you know, the ability of a funny walker,
then you know. Some people don't recognize good acting, some
people don't recognize good music. But you have to recognize
(31:17):
the abilities of a funny walker.
Speaker 26 (31:19):
Okay, So if there's other funny walkers out there, I'd
like to hear from you.
Speaker 3 (31:24):
Or he may be in a lane of his own
and really could make a lot of.
Speaker 26 (31:27):
Money because he's the only one who could imitate someone
else's walker the drop of a dime.
Speaker 19 (31:33):
I'm a funny walker from city to city. My name
is ERL. Winfrey. That's one to be And this is
music three sixty five. Y'all please please stay tuned. We've
got some more fresh new music coming.
Speaker 32 (31:44):
For you from Stay Sake, Holly Way to move into
the boy Wro.
Speaker 1 (31:57):
I can be with money.
Speaker 24 (32:01):
Be return is so great and so great and so
great see u stany so just what you take this
forever be.
Speaker 26 (32:14):
With her man.
Speaker 5 (32:18):
De saba not jeez please so me.
Speaker 33 (32:23):
Weave and can mob told time swear is started up
long for touch.
Speaker 4 (32:33):
M btt.
Speaker 1 (32:39):
Know where you are.
Speaker 20 (32:43):
No matter the ta's a mad trivel.
Speaker 1 (32:47):
You never prefer.
Speaker 15 (32:50):
Don't My dog is de love.
Speaker 3 (32:56):
Know where you are.
Speaker 5 (33:00):
Matter to tast.
Speaker 1 (33:03):
Go you never you do it for me?
Speaker 33 (33:11):
Don't really know why we got all this chemistry to
big contemplating, no kids down, no one.
Speaker 1 (33:20):
When I close my eyes, I see your face heaven.
Don't want to call your mouth vibe.
Speaker 4 (33:29):
Forever my vady.
Speaker 5 (33:33):
Oh see your man on me?
Speaker 27 (33:42):
I been waiting, no please, been waiting so many weep
and can bother your phone.
Speaker 3 (33:50):
I swear is starting.
Speaker 4 (33:52):
Dump the dogging.
Speaker 13 (33:53):
Bot that.
Speaker 10 (33:56):
Being dumb.
Speaker 1 (34:02):
Now like you want.
Speaker 4 (34:06):
The matter of the thing, i'd the crable.
Speaker 3 (34:10):
You never to fun my asty sad.
Speaker 5 (34:19):
I don't like you want now.
Speaker 10 (34:23):
No matter the game, it's a travel if you never co.
Speaker 34 (35:40):
How's a perfect say no no, your son will include
your given likely as want for y'all.
Speaker 35 (36:00):
Damn, we got a new hashtag Dante right rest in peace, man,
it's getting bad. This ship will happening in twenty twenty one.
Cop can tell the difference between the tailor and gone.
The black man life is gone because of them a stake.
Black lives don't matter because of the options.
Speaker 1 (36:15):
You may fuck that.
Speaker 35 (36:17):
We got a revolutionized hide of brand in March, and
this shit is getting hide enough fift enough. George Floyd
was the last straw color as an equals white cope
think he brother lost me neckt nine minutes sister fighter
go no, oh my k the cole plus taking a
job Now I can't even go to the store. They
get some seats killed Eden Skipper's question why camping and
it took a knee and the disrespect to a fellow
(36:39):
truth dang second to the Thesuriyo veteran.
Speaker 1 (36:42):
This what's for you?
Speaker 35 (36:44):
Si nor Well raight go get in Yeah, I know
(37:06):
putting a little shower on my brother's apologize.
Speaker 9 (37:09):
Let me tell you that I love you.
Speaker 35 (37:11):
I recognize this strifting your presence and being dark in America,
I knowing the pleasant want us to feel sorry for
everybody else. Just the nation off our back so they
can live off the wealth. Stop making you hate for
blacks hate they do. Ain't got a cure. I gotta
get my ass to be to get a peticule, trying
to look good.
Speaker 4 (37:27):
So I run Muhammad, that's your k in the hood.
Speaker 15 (37:29):
He still don't for black women.
Speaker 35 (37:31):
But don't misunderstood that bring with a simple no justice,
no peace, powerful warrior status. He a revolutionary to me
for my people, letting my freedom. I guess his blood
in these streets. See see he's fighting, bringing that he
need and he twisting and turning fabric in the fast.
Since you first done until week on Profel, you know that.
Speaker 15 (37:56):
Twenty one between a favor and the girl.
Speaker 31 (38:12):
Welcome back to music three sixty five.
Speaker 19 (38:29):
This is e dub and that's to love the incredible
why to b and this thanksgiving? Y'all own music three
sixty five and were planning some fresh new music. So
what's happening in wanting to.
Speaker 3 (38:40):
Be nothing's happening.
Speaker 26 (38:42):
I was thinking, you know what, I wonder if people
want to get to know E Dub a little bit better.
Speaker 3 (38:48):
I have some rapid fire questions.
Speaker 19 (38:49):
For you, rapid fire questions.
Speaker 3 (38:52):
What's your favorite month?
Speaker 19 (38:54):
August my birthday?
Speaker 3 (38:56):
He answered rapidly. Okay, if you can change your name
to anything, what would it be?
Speaker 19 (39:01):
Uh uh like the thing? I don't know, I just
came up.
Speaker 3 (39:08):
I really thought I knew what you say to that.
Speaker 13 (39:10):
You know what?
Speaker 19 (39:11):
I have an African name.
Speaker 3 (39:13):
It's right.
Speaker 19 (39:14):
I can't think of it offhand, though.
Speaker 3 (39:16):
That's not good if you can't think of your name
not off paying.
Speaker 19 (39:18):
I mean you said rapid five. I mean I got
a name, but I can't think of it. I can't.
It'll come to me. No, No, it's not no right,
So my I would change my name is I'm sorry
that wasn't rapid fire, but I would definitely be in
fact called.
Speaker 3 (39:38):
Me all right? What's your favorite dessert?
Speaker 19 (39:43):
Favorite dessert would be an ice cream? I love ice cream.
Ice Cream always makes it makes me happy, no matter
how sad you're some ice cream, it makes me happy,
no matter what they got. The new restaurant called Andy's.
I wouldn't really call it a custard custard or whatever.
It is a custom ice cream shot whatever. But that
place is always always boming. And it's amazing to me
how a place like that can be successful by selling
(40:07):
only ice cream. That's pretty incredible to me. It seems
like you have to sell some burgers or some French
fries or some meat or something. But to say all
just freaking ice creaming to be successful, and I have
all these franchises. To me, that's pretty incredible. Ice cream
has gotten that freaking popular.
Speaker 3 (40:21):
So you think it's incredible to have a dessert only
place ice cream?
Speaker 19 (40:26):
Yes, it's all your serve ice cream and the And
to be successful like that, yes, yes.
Speaker 3 (40:30):
What's your favorite breakfast?
Speaker 19 (40:32):
My favorite breaks would be I would say pancakes and waffles.
I love pancakes and waffles. And I got to have
some Aliga surf. Got to have Aliga. If it ain't
got Aliga, hey, it ain't got got.
Speaker 26 (40:41):
Is anybody else know Aliga or use that brand Aliga?
That that was a popular brand for my grandmother.
Speaker 19 (40:48):
No, it's raised on Aliga. And you know what, everything
else to me is just nasty. I don't know why.
I think it's just it's something about It's something about
you know when you're growing up, you know, if that's
all you eat is alligat, and then you grow up
and you know all that maple syrup and all that
all the butterword for all that stuff to me is
just straight up just nasty.
Speaker 3 (41:04):
I can't.
Speaker 19 (41:05):
I can't stomach it. Even if I try. It gots
to be aliga. I tried once. I tried. Some are
some old fashioned syrup ones, and that was that was okay.
But I got to have some more aliga. Aliga is
my life.
Speaker 3 (41:19):
There's probably people who have never had.
Speaker 19 (41:20):
Aligan, probably so I was raised on aliga.
Speaker 3 (41:24):
We always kept it in our house as well. But
for cooking purposes, well used to.
Speaker 19 (41:29):
I used to put aliga on everything.
Speaker 26 (41:31):
Really give me something out of the ordinary that you
would put aliga syrup on the hot dog?
Speaker 3 (41:38):
Oh, syrup and hot.
Speaker 19 (41:40):
Dogs a lot, just a little bit. Yeah, I love
to meet some aliga. Back in the day, I wouldn't
do that today though, I still I'm still I'm an
alegat man.
Speaker 3 (41:49):
Well, why I used to eat a syrup sandwich?
Speaker 19 (41:51):
I would Okay, Well, there you go.
Speaker 3 (41:53):
Syrup and a sandwich not on the meat.
Speaker 19 (41:55):
There you go, what else you got for me? Wanted
to be?
Speaker 26 (41:59):
That was the hungry after school days when I wanted
some quick deat out of school.
Speaker 3 (42:04):
What's your favorite store?
Speaker 19 (42:05):
My favorite store is any place that's a second hand shop.
I love good Will. I love good Will. I love
flea markets because you always go there and it's like
it's like you're searching for treasure. Are you're looking for
some fines that you know, You're looking for something that's
one of a kind, and looking for stuff ain't nobody
gonna have, and you can find treasures and all these
good Wills and flea markets I love. Matter of fact,
just about every single week, you're gonna find me at
(42:27):
the good Will a flea market. I love it. I
love searching for treasures. When I was in high school,
I used to borrow my clothes from like a second
hand shop, and people was one while real, what'd you
get that from?
Speaker 25 (42:36):
That is so sharp?
Speaker 9 (42:37):
Man?
Speaker 19 (42:37):
I ain't never like that before, And they did not
know I was getting all my stuff from the second
hand shop. But there was crazy nowadays the second hand shop.
But it used to be like a little something that
you know, people that know about you know what I'm saying.
You know, it was like a little hitting gym. But
now you go to the free second hand shop, now
they freaking be packed. And I think what's happening is
you have a lot of people nowadays they have stores
(42:57):
that actually buy some of their goods from second hand shops.
I really believe that. And some people have made a
fortune and they've made a business, made a business out
of shopping at second hand shops nowadays. I mean, I've
seen no videoshe people have gotten online where they've selled
I don't very I don't very very expensive that they
actually happen to find very very cheaply at good Will.
Speaker 26 (43:18):
Well, some people also find antiques, things that are worth
more than what people know. They don't know that they're
worth more, and they buy it and resell it for
the real value of it, exactly.
Speaker 19 (43:31):
I love me some good Will and I love some
second hand shops without or that I love. I love
to open up one one day eventually a second hand shop. Yeah,
that would be so cool.
Speaker 3 (43:44):
What's your favorite color?
Speaker 19 (43:46):
My favorite color would have to be I would say black,
black and the black and black black black, black black.
Speaker 3 (43:52):
Favorite animal, my favorite animal.
Speaker 9 (43:56):
You know what.
Speaker 19 (43:56):
Actually, I'm gonna tell you one thing about me. It
ain't no animal type, dude. So I don't like animals.
I don't like animals at all because I feel like,
you know, you're taking care of animals, like taking care
of a whole another adult. No animals, you know, I
want an animal. If I got an animal, it would
be animal that you don't have to take care of.
What name of animal that you don't have to take
care of?
Speaker 26 (44:13):
What animal is your favorite animal? If you went to
the zoo, you don't have to take care of them.
I'm talking about just playing a favorite animal, not as
a pet. I didn't ask your favorite pet.
Speaker 19 (44:24):
Well, if I choose one, If I choose one animal,
I would say it would have to be an octopus,
because because they're so mysterious, you know, and they're also
you know, been known to be so smart. I mean
you seen, you've seen, you know, octopuses open up jars,
and I've seen him. I saw one octopus he took
a camera from somebody and took a picture of the guy.
Speaker 13 (44:45):
You know.
Speaker 19 (44:46):
So octopuses are extremely intelligent. And I do believe in
my heart that octopuses are psychic. I read you. I
believe that they can read your mind.
Speaker 3 (44:55):
You believe that octopuses can read someone's mind?
Speaker 19 (44:58):
Yes, I do believe that, and I would.
Speaker 3 (45:01):
Say you don't believe that based on any knowledge. You
haven't had this happen to you.
Speaker 19 (45:06):
You know what I want to go back to. I
want to go back to my favorite color.
Speaker 26 (45:10):
Okay, my favorite color being black, black, all things black
and black black.
Speaker 19 (45:14):
So you know what, I want you to sit back
and check this out. You know why, because I love
me some black Okay, like.
Speaker 5 (45:27):
The Black album.
Speaker 10 (45:40):
But we ain't never come to.
Speaker 29 (45:46):
Know what I'm saying later for that old slave on
the Western So I'm saying the black I mean I
respected me.
Speaker 15 (45:55):
I see that we from your warm hence forth and
whatnot and spell black c l A.
Speaker 12 (46:03):
K l a's why you gotta have the wins seems
around man.
Speaker 5 (46:13):
A king man black the opposite of white man.
Speaker 16 (46:16):
Yeah, I'm saying, like a member of the.
Speaker 11 (46:18):
African community, I mean kind of great people trying to
triggers with piece slickery, trickery.
Speaker 10 (46:26):
Yeah, people connotations of that. You mean it's like black.
Speaker 36 (46:31):
Angry, oh black listen black kind of been love man
got black pup the mittle white guy.
Speaker 5 (46:43):
And started all that.
Speaker 19 (46:48):
I'm not sure if you saw a movie Bamboozle with
my Spike Lee, but this is one of the same. Neil, Yes,
you know incredible in the movie. It's because it was
never ever an actual song. It was just a song
that was just created for the movie Bam Boozle. It
was starting Damion ways. It was a Spikey film. It's
(47:09):
one of my favorite movies of all times. And when
you said black, it just buttered all back. Hey must
have been a white man who made it all whatever, whatever.
I love this song.
Speaker 3 (47:17):
Okay, back to back, Okay, that took you down.
Speaker 26 (47:24):
I had Bamboozle. I think I may must have seen it,
but I don't remember it at all.
Speaker 19 (47:29):
It's great gray film. It's one of the films I
can actually call a black film.
Speaker 3 (47:33):
Okay, what is your favorite movie genre?
Speaker 19 (47:38):
I love black films and independent films. But let me
just say this right here. I think people they're really
get confused with it comes the water. What is a
black film? Because when people say think black films, they
think because it has a black star, that makes it
a black film. But just because it has a black star,
does not make it a black film. There was a
(48:00):
movie called Irish Jam uh and they had it will
Start Eddie Griffin, and Eddie Griffin was the only black
person in the film. May Lawrence he did a film
called law I think it was called Black Knight, where
he was a knight who went back in the past,
and he's pretty much the only black person in the film.
That's not a black film. To me, a black film
is going to consist of several black stars. Prime example,
(48:23):
there's a film called law the Making of Dolomite, Eddie
Murphy's Stars of the Movie, and that is a black
film because you have several black people in the film.
I mean you have in that film. You have freaking
uh Eddie Murphy, you had Wesley Snipes, you had to
get from Key and Peel, you had to get Craig
(48:46):
Greig Robertson, you know, I mean you had you had
so many other people who were in that film. And uh,
I mean, so a film like that with cast like that.
It had freaking Snoop Dog, it had t i it
had runs n Siffons Jones, It's had Tasha Smith. You know,
it had Chris Rock, you know, I mean the list
(49:06):
goes on and on and on and on the movie Like,
that's mean, is what's considered a black film?
Speaker 3 (49:11):
Do we have many black films based on bad definition?
Speaker 19 (49:14):
I would actually have to say no. But I did
some research and I think maybe the two blackest films
ever made in history would be Eddie Murphy's Making the
Dolomite and also Eddie Murphy's Life. Because Eddie Murphy's movie Life,
he had several black stars in it as well. He
has Mary Lawrence, he had Bertie Mack, you know, the
(49:35):
guy from Baybay Kids. You know, he had a lot
of Robin Harrison, a lot of blacks in that film.
So to me, when you think of a black film,
don't think of just a black star, think of a
black cast. So a black cast is what makes a
black film, not a black star.
Speaker 3 (49:50):
So Tyler Perry would have black films, then.
Speaker 19 (49:53):
I would say because he has a pretty much a
large black cast.
Speaker 3 (49:57):
Cast, but not stars, but their main black cast.
Speaker 19 (50:00):
Whether you have if you have a a black film,
to me, should be defined as a film that has
a majority the majority of the cast is black, not
just because it has a black star. You know, it
should be the majority of the majority of the cast
is black. That to me would be considered a black film.
You know, people like I said, people get confused. It's
because my lan started it does not make it a
(50:21):
black film. No black film. How how large was the
black cast? That's what makes in my opinion, defines a
black film. And also what I hate is and when
it was when they take a black actor and use
him as the face of the picture, right, and then
you go watch the movie, then the knowr the blacks
in the film. I called those I called those black
(50:41):
exploitation films, but are actually exploiting that black actor. And
I just hate that black actors even allowed that to happen,
and it happens all the time.
Speaker 26 (50:52):
Interesting, I hmm, okay, So your favorite genre of movies
would be black films.
Speaker 19 (51:00):
Black films. But I want to say this also, I
think that I love independent films. I love films that
are made with no or low budget. I really like
that because, in my opinion, anybody can make a film
with one hundred million dollars. In my opinion, you can
find any person on the street and said, let's let
me give a hundred bill dollars out eve you make
a film. I think they can make a film. But
to me, the true genius come from someone who has
(51:23):
no means, no money or hardly any money and can
make a film. Like you take friends like a Jay
Davis right out of Chicago, No, no way. He's a
filmmaker and he started off with pretty much nothing, you know,
or anybody who has pretty much nothing, and to make
a film, to me, that's true genius. You take William
Pearce who did In My Family Barbecue and so many
other films. He started off with nothing, he made some
(51:43):
great films. So to me, to take nothing to make
something great, to me, that is true genius.
Speaker 26 (51:50):
J Davis also has made some of the fun some
funny movies too. If someone's looking for a comedy, he
has made some very funny ones. I'm sorry that I
can't think of the names of them offhand, but he's
also he also has funny ones out there too, but
that's a Google search away. So J Davis and you
would recommend movies by William Pearce. And these are independent filmmakers.
Speaker 19 (52:15):
And like I said, to people, people who made a
film but actually nothing, that to me, that's genius.
Speaker 26 (52:21):
Okay, So this is music three sixty five. You're also
known as Sabu and I'm wanting to be and.
Speaker 19 (52:30):
Hey, I do That's who I am. I do So
this is a music is five. We'll be back with
you the moment. Please enjoy the music, y'all.
Speaker 1 (52:50):
I might just take.
Speaker 5 (52:53):
I know, I know I might just take.
Speaker 4 (53:00):
She flicked me and know I'm.
Speaker 1 (53:04):
I got a tweaking on the floor.
Speaker 5 (53:06):
I'm brother, you know THEO.
Speaker 4 (53:10):
And know this doing swimming.
Speaker 3 (53:13):
I don't tell her that if I don't.
Speaker 5 (53:16):
My pockets getting but they overdose.
Speaker 11 (53:19):
Because zagon bands get bands, I get bands like they
balling a love about my mask?
Speaker 1 (53:25):
Yeah, because Zage bands, I get bads.
Speaker 5 (53:28):
I get bans like please know that on the man
hate us, I'm.
Speaker 4 (53:38):
Bum said that he gonna take my.
Speaker 10 (53:43):
You're gonna have a boy that's not.
Speaker 1 (53:45):
My I got mad.
Speaker 5 (53:49):
They say I'm kind of cocky butter.
Speaker 20 (53:51):
But I'm the mask ill but though some probat while
you sleep.
Speaker 5 (53:54):
Up the fast, she said, she love me, stop it.
Speaker 1 (53:57):
Do you know who I am?
Speaker 5 (54:00):
I noticed tail on my glove.
Speaker 1 (54:03):
I know I might just take it. She fo me.
She know I'm I got a tweaking on the floor.
Speaker 5 (54:13):
I'm probably yes, you know the boys though.
Speaker 30 (54:17):
I know.
Speaker 3 (54:19):
I don't follow her out over.
Speaker 11 (54:21):
If I don't, my pocket is getting my day over
those I'm gonna play.
Speaker 5 (54:27):
The thats.
Speaker 1 (54:31):
Me, Oh, yes you chose.
Speaker 4 (54:33):
I might hit it one more time at parkgo.
Speaker 3 (54:36):
I keep it real with shorty.
Speaker 1 (54:38):
Is you know that my line? She says, she on
a strong Tell me what you got to that doll?
Speaker 15 (54:47):
You ain't got no money.
Speaker 5 (54:49):
But I'm not the mother. I don't want to know
mother s.
Speaker 13 (54:54):
I can't.
Speaker 4 (54:57):
Hey, I'm not going to rema a lot of bikes, Like,
are you gonna her?
Speaker 1 (55:04):
You're gonna sh.
Speaker 12 (55:07):
Know?
Speaker 1 (55:07):
Then? Don't mind?
Speaker 9 (55:08):
You know?
Speaker 4 (55:10):
I know I might just take it, she me, she no,
I'm the he got a tweaken on the floor by.
Speaker 20 (55:20):
Yes, you know the play though I know thee Now,
I don't shollow her out.
Speaker 1 (55:28):
Everybody, don't.
Speaker 5 (55:30):
My buck is getting fat over these gre.
Speaker 37 (55:33):
Better go right, come in, not boss, she stay getting weping,
but she gonna know how to lay that pipe.
Speaker 1 (55:40):
You're bad off a right she come in? Not both sight,
she stay getting wee does I'm gonna spin it.
Speaker 6 (55:45):
I'm not the Daggers bands.
Speaker 5 (55:47):
I get bad as I get fast. They fall that
no long about my parents?
Speaker 4 (55:52):
Yeah, because I get banns, I get.
Speaker 6 (55:54):
Bads, I get bands.
Speaker 37 (55:55):
Yeah the man batter she goes nolay that part battle right,
she came side. Just stay away because I must have.
Speaker 1 (56:12):
Been that that one night.
Speaker 13 (56:15):
M h.
Speaker 5 (56:20):
M hm. And no no, no, no.
Speaker 28 (56:26):
No no, nobody gonna cycle grey sweet title.
Speaker 9 (56:33):
Maybe you made me feel good. Maybe you want to
live a.
Speaker 33 (56:36):
Survival and they maybe you want to put it in the.
Speaker 3 (56:40):
Bible, and they got me strong, long long.
Speaker 19 (56:43):
Time in divo.
Speaker 5 (56:45):
Girl.
Speaker 9 (56:45):
You have everything, girl, you everything I need. Baby, you
and me, you got me Eddie Murphy surety saying.
Speaker 1 (56:54):
And then good real good like Maganne.
Speaker 9 (56:58):
But I be't playing the games. No no, every time
that it rings and it does this.
Speaker 28 (57:18):
Little thing like a tn t out of marble.
Speaker 1 (57:22):
To t that you calling me, calling me, show you
what you're talking.
Speaker 28 (57:31):
I'm trying to put that look at the ticking and
make a body like a boss slicking the sticking to
try to get your just to visual up and get
no profits.
Speaker 1 (57:39):
Baby yo, go crazy. You the truth got me loose
and he's just like that.
Speaker 28 (57:46):
You just said to call on me, call me what
me just life with my name. Maybe I'm about to
put it in your body. Yes, d I'm about to
show you sing your eight seam.
Speaker 4 (57:55):
Make them feel you play just like the Cey, like.
Speaker 5 (57:58):
Z E P.
Speaker 1 (57:59):
Wonder rand is it? What does it mean?
Speaker 28 (58:01):
Either way, I'm gonna fan out. Should be told I
ain't really had the time now. Should be told you
really put my mind now? Should be told I'm a
play host mind now put it back in. Put an accent,
kicking move walking in Michael Jackson. Every day that you
move will be swagging like life. Like camera's got the accent.
Get you back in, Captain.
Speaker 7 (58:19):
No One see you next time on Music three sixty
(58:55):
five with Eat Dub and Want to Be
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