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January 9, 2025 110 mins

What happens when you mix laughter, unscripted conversations, and stories from the past? You get the No Advisory Podcast Year-End Celebration! Join us as we reminisce about the good old days of sipping Hypnotic and Bacardi with my co-hosts, Traps Hit and Taris. We're diving into Charlotte's vibrant music scene, giving a special nod to our friend Linna Sky, who's making waves as a standout artist. You'll hear about the chaos of podcast production and how social media, particularly the Threads platform, helps us connect with new voices like Nico.

From celebrity birthdays to sports legends, we're tackling the hot topics that have shaped entertainment this year. Hear all about Asia Wilson's historic Nike contract extension, Beyoncé's record-breaking achievements, and the scandal surrounding Luigi Mangione. Our candid takes and unapologetic humor keep the conversation lively as we explore complex issues like healthcare disparities and the differences between assault and battery. With personal anecdotes and insights, we aim to make the law both engaging and understandable.

As the episode unfolds, we welcome our surprise guest, Linna Sky, who shares her journey from Kentucky to Charlotte and her aspirations beyond music, touching on her goal to become a biometric scientist. The discussion highlights the unique identity of Charlotte's music scene and the balance of motherhood with a thriving career. Whether it's exploring hypothetical scenarios at a Diddy party or celebrating iconic figures like Allen Iverson and Shaquille O'Neal, our show is packed with stories, insights, and plenty of laughs. Tune in for a vibrant session that wraps up the year in style!

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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I'm gonna be on the beat.
Traps, hit on the beat, buty'all know I ain't no rapper
though.
Yeah, let's get it.
Me and my gang, we up in theyeah.

Speaker 2 (00:18):
Cheers y'all.
This is the Kool Noir VowsyPodcast.
Your boy, co McLean, it's yourgirl, traps Hit, and it's me,
taris.
Unscripted oh god she has agreat value impression, you know

(00:38):
great value.

Speaker 1 (00:39):
She's going to beat your ass.
You know it's not the authentic, but you know it's the great
value.

Speaker 2 (00:43):
It's not the authentic, but it's the great
value.
It's still value and it's great.
Why are you going to get mad atthat Great value?
She's doing some shit at work.
You know what I mean.
I'm on bullshit, so I ain't madat her.
This is the last show of theyear, though.
I'd love to have half of thelast show of the year, but it's
the last show of the year.
But it's the last show of theyear.

(01:04):
You know what I'm saying, soyou know.
Happy New Year, motherfuckers.
By the time you see this shit,it's going to be probably the
New Year.
The New Year, so get it out,then it's going to be after New
Year.

Speaker 1 (01:12):
Might be the week of New Year.
When are we going to get itSwish?
When are we?
Hey, hey, hey.
We're not getting this shituntil March 3rd, Until March 3rd
To Biggie's birthday.

Speaker 2 (01:26):
No, not his birthday, it's his death anniversary.
That's when we're going to getit.

Speaker 1 (01:34):
Tara said to tell you she's going to beat your great
value ass.
Straight from the main lineStraight.

Speaker 2 (01:40):
See, you know I love you girl.
You know what I'm saying.
But this is the great valueversion.
You know what I'm saying, butit is the Great Valley version.
You know what I mean.
Shout out to my man, Paul, onthe board.
You know.
All day, every day, you knowwhat I'm saying All the time I'm
going to just oh shit.
God damn Good, woo Huh, it'ssomething.
Huh, what happened?
Oh God damn.

Speaker 1 (02:05):
You good Can't get my shit out, dude Yo.
He was over here drinkinghypnotic and Bacardi Crazy as
hell.

Speaker 2 (02:12):
If y'all know that's all I'm gonna do, I'm gonna show
that.
If y'all know.
Y'all know that was my eraright there Hypnotic and fucking
.

Speaker 1 (02:20):
Hennessy boy, the 70s .

Speaker 2 (02:22):
Boy, you know what I'm saying.
I look like I'm born the 70sBoy.
You know what I'm saying?
Let's try the 70s.
I look like I'm born in the 70s, nigga.

Speaker 1 (02:27):
No 60s.

Speaker 2 (02:28):
What Shit you trying.
You trying?
Yeah, we've been trying Trying.
It's all good.
I got rough skin.
I should just go like this Boop.
It bounces off that damn.
Now I got hot.

Speaker 1 (02:44):
I got this fucking big ass dragon on and shit and
black and black, and black andblack nah, so we gotta put that
shit on medium.

Speaker 2 (02:50):
You know what I'm saying?
Yeah, yo put that shit onmedium.
Swish, yeah, medium put the fanlook at this, nigga.

Speaker 1 (02:57):
That'd be a deep voice for me this nigga swish?

Speaker 2 (02:59):
no, no, no that one that one maybe put it back a
little bit.
You know what I mean so this way, no, no, no, no, no, no, no no,
no, no, no, no, no, no, no, nono no, no, no no no, no, no, no,
no, no, no no no, no, no, no,no, no, no, no, no no no, no, no
, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
, no, no, no, no, no, no.
Yeah, lord, Fuck that shit.

(03:21):
We don't have to add this fanin there.
Hopefully Is it picking it upCrazy.
Like that's good no, no, that'sbad, no no, that's the same
shit.

Speaker 1 (03:29):
That's how vibrators sound when the battery's down.

Speaker 2 (03:31):
How it sound, lord Like picking it up Is y'all
rating and shit.

Speaker 1 (03:34):
Too far.
Okay, I'm sorry.

Speaker 2 (03:46):
Very little in there.
We should be saddest story evertold.
But yeah, man, shout out to mygirl taris, unscripted.
You know I'm saying she hadwork doing her work thing.
You know I mean shout my girllena sky in the building without
lena she said oh, that's niggafrom the 40s, nigga having
menopause probably is.
You know, yeah, shout out mygirl lena sky.
You know what it is man listencharlotte, not even charlotte,
just the word artist, the world,you know, I hate artists.

Speaker 4 (04:06):
I hate a lot of y'all motherfuckers cause y'all
niggas y'all niggas is trash.

Speaker 2 (04:11):
Y'all know it, y'all trash.
But when an artist comes alongthat I co-sign, they are
exceptional.
I mean this guy is exceptional,I co-sign her.
She's the new, regardless ofwhat y'all think is the queen or
whatever case of Charlotte,she's sitting right here, lena
Scott.
So whoever y'all thought it was, it's not her, it's her Lena

(04:33):
Scott you know what I mean whowe got over here chat I just met
him.

Speaker 1 (04:37):
We got my guy Nico over here.
Nico, what up Nico Shout out toThreads?
Like literally.
What up nico shout out tothreads?
Like literally, threads is theconnection link, because that's
how we connected with threads.
I put a post.
It was like if anybody want tocome to no advisories podcast to
sit in the audience today, hitme up and hit me up.
He pulled up like he's dope asfuck.
Nigga you from threads.

Speaker 2 (04:59):
Nigga you from threads.

Speaker 1 (05:01):
Oh, I thought she like knew the nigga and shit.
I just met him on threads likean hour ago.
You just met this nigga an hourago.
The power of networking listen,I do be active on threads.
I got like that that's what'sup I?
Love threads.
Shout out to threads.

Speaker 2 (05:17):
I love threads, my man yo.

Speaker 1 (05:19):
I thought yeah see, and it's so crazy because it's
like that you would never seepeople be like charlotte.
I'm like where do you hate?

Speaker 2 (05:32):
I've never seen like yes, come out, so you posted it
on your personal thread.
Yeah, listen, my listen person.

Speaker 1 (05:40):
My personal thread is going up right now.

Speaker 4 (05:43):
I'll be on there all day long.

Speaker 1 (05:45):
I love threads.
Threads is like the new Twitterfor me.
It reminds me of 2012 Twitter.
It's lit Threads is lit youmissing out on so much.

Speaker 2 (05:56):
I have got collaborations.

Speaker 1 (05:57):
There's no advising on threads yes, I do it, kim do
it, I think.

Speaker 2 (06:01):
So what's popping with no advising threads?

Speaker 1 (06:04):
We be posting, yeah, everything that posts, and
that's the thing everything thatthe no advising, everything
that we post on our page getsposted to threads, so like when
she yeah, so like when she posts, like the news articles and
stuff that gets posted onthreads yeah, oh shit, no, it
posts a picture too, yeah.
And then like it's no dm onthread.

(06:25):
So if you want to dm the person, it has like a ig, um, like
button up the top right and itconnects it to the ig and then
you send them a dm.
So I have literally got like ahundred.
I'm gonna tell you, because Istarted at like 7k when I was
active on threads and now I'm atwait 7k follows on threads, no
7k follows on ig.
Now I'm at wait.
7k follows on threads.
No 7k follows on IG.
Now I'm at 7k.
Well, 7131 and 131 people areliterally from threads.

Speaker 2 (06:50):
Oh shit, that's the power of networking.

Speaker 1 (06:52):
How to get on threads .

Speaker 2 (06:53):
What I be like Charlotte Threads if you follow
me, like listen Threads is whereit's at like I'm gonna do only
threads oh wow not mad at thatnot mad at it, I'm gonna get
banned if I do only threadsright for real, everything For

(07:22):
real everything we Twitter'slike pornographic now it's like
it's really yeah.
Twitter is real X-rated, itdamn sure is.
Uh-oh, uh-oh, we fucked up.
Uh-oh, uh-oh, we droppingCamera fail.
Uh-oh, uh-oh, what we doing?

(07:43):
Uh-oh, facebook, facebook.
Oh my, my bad.
Let's go live on twitter.
I mean not twitter.
Um tiktok, my bad, tiktok.
Can we do the birthdays?
Huh, can we do the birthday?
Yeah, let's go tiktok, let's golive here, put it on.

Speaker 1 (07:56):
You can't even move in that jacket.

Speaker 2 (07:57):
Huh, you can't even move as fuck, right, I was like
this you.
Phone.
It's the last show of the year,so I was like, let me go all
black.
You know what I mean Black out.
I expected to have my meta.
I was going to buy my metaRay-Bans today and be all black
and record this shit while I'mdoing it.
But I made a grown-up decisionto say no, not to spend that

(08:27):
money, because now I'm reeling,now I need them.
I mean, what up tiktok?
That's wild.
Yeah, all right, birthday,shabby taris.
You're not here, so fuck it.

Speaker 1 (08:30):
I did it without you okay, I'm be waiting for the
next takes from her, because Iknow she better catch you?
Yeah, you know, she watchingit's a lot of people birthdays
today oh, it better be goodpeople, because it's not fuck
that well these are the people Iknew, so we're're going to go
down to the people I knew.
Okay, billie Eilish, the singer.
She turned 23 today.

Speaker 2 (08:49):
Who the fuck is that?

Speaker 1 (08:50):
She's a singer.
I just said that she's a popsinger.
Billie Eilish, that's her name.

Speaker 2 (08:54):
Who the fuck do you know her from?
Yeah, she got some dope songssong like, have you ever heard
the song ocean eyes, okay, well,yeah, she's actually um from
the uk.
Oh, but she's a black.

Speaker 5 (09:09):
No, she's white, she's white oh yeah, she's a
phenomenal artist.

Speaker 1 (09:12):
I listen to her uh-huh it was like oh yeah
shawty a baddie oh yeah, she'ssorry.
Yeah, now she a baddie somebodypull the picture up.

Speaker 2 (09:27):
I'm gonna see you.
I'm gonna see if she's 23, soI'm gonna move on.
Okay, she's 23, brad pittturned 61.

Speaker 1 (09:33):
Brad pitt 61.
Yeah, I didn't know he was thatold man run a report for brad
pitt.

Speaker 2 (09:37):
Where's the run up?

Speaker 1 (09:38):
he's 61.
I didn't know.
I thought he was like maybe 56,57, oh shit I can't find it.

Speaker 5 (09:43):
I knew he was like maybe 56, 57.
Oh shit, I can't find it.

Speaker 1 (09:45):
I knew he was like past 50, but I didn't know he
was 61.
Oh, shit.

Speaker 2 (09:49):
Where's it at?

Speaker 1 (09:51):
You're going too far.

Speaker 2 (09:52):
Oh shit, Give it up.
Round of applause.
Round of applause.

Speaker 5 (09:58):
Who's she going?
Okay, who else?

Speaker 1 (10:00):
Christina Aguilera.
Oh, she turned 44.
She's 44?
And she look good, christinaAguilera.

Speaker 2 (10:06):
Yes, shout out to Christina Aguilera.

Speaker 1 (10:08):
Yeah, and she amazing what you heard.
That Renato, no, she's 44.

Speaker 2 (10:15):
Christina Aguilera, christina Aguilera.

Speaker 1 (10:22):
Okay, steven Spielberg, the director, he's 82
78, 78.

Speaker 2 (10:27):
He looks about 89.
Yeah, he does, but you know, alot of people age fast.
They age incredibly fast.

Speaker 5 (10:34):
Huh.

Speaker 2 (10:36):
Yeah, he made a lot of good movies.

Speaker 5 (10:39):
Yeah.

Speaker 2 (10:40):
They got some kind of what is it?
Some type of blood or some shit?
I don't know.

Speaker 1 (10:43):
It's because they eat healthier they do eat healthier
, they live low, moderatelifestyles.

Speaker 2 (10:49):
Yeah, that's true.
Maybe they get more sleep okay,um DMX RIP well he well, can we
?
You know, maybe somebody couldback me up on this.
When somebody die right, dothey they dead?
So they can't it.
Somebody could back me up onthis.
When somebody die right, dothey they dead?

Speaker 1 (11:06):
So they can't.
It's your heavenly birthday.

Speaker 2 (11:08):
Okay, heavenly birthday, because he died at
what age I don't know.
He died what?
Three years ago?
Yeah, it'd be like three yearsago.
It'd be moving right Like itwas like yesterday.
I saw the niggas on the bikesand shit.
Yeah, but how old he would havebeen today.

Speaker 1 (11:22):
I don't know.
You just said birthday.
I don't look up people age whenthey die.
I just put RIP.
Wait, hold on, you don't want afucking birthday.
His birthday is today, but Idon't know how old he would be.
I just put RIP he's dead.
Oh shit, somebody.
Google it's his third heavenlybirthday.

Speaker 2 (11:40):
How old?
I think he died 53.
Oh, because it's like threeyears since he passed.
How old is DMX today?
He's 50, right, he's got to be.

Speaker 3 (11:50):
He's 50 because he died.

Speaker 2 (11:51):
Huh, he's 50 because he died, yeah, 50 in his death
date, but his heavenly date what?

Speaker 1 (11:57):
is it?

Speaker 4 (11:57):
53.

Speaker 2 (11:58):
53.
Yeah, 53.

Speaker 1 (12:01):
Yeah, that's young, oh, 54.
54.

Speaker 2 (12:05):
Then Max, so four years ago he died Damn four
years.

Speaker 1 (12:08):
That's crazy.
Stone Cold, Steve Austin thisis my guy.
Oh, Stone Cold said so.

Speaker 2 (12:16):
He's 60?
.
Yeah, round of applause forStone Cold.
I'm for Stone Cold.
Stone Cold, 60 years old.
Nigga, you made it.
I ain't think you're going tomake it that long.
Okay, yeah, I didn't think itwas going to make it that long.
All them beers and shit andinjuries and shit and steroids
and shit.
I didn't think it was going tomake it that long.
Shout out to you Steve StoneCold, steve Austin, one of my

(12:37):
favorites, other than the Rock.

Speaker 1 (12:38):
Thanks, yes, katie Holmes, the Um.
Katie Holmes, the actor.
She was married to Tom Hanks.

Speaker 2 (12:44):
I'm going to talk about her.

Speaker 1 (12:45):
Okay.

Speaker 5 (12:46):
She had to have that fire.
Huh, she had to have that fireBecause she shit in her nigga
bed and he still took her back.

Speaker 1 (12:51):
He definitely took her back after that.

Speaker 2 (12:53):
Wait, Katie Holmes shit on his bed.

Speaker 1 (12:55):
Yes, she turned 46.
She's a young crazy thing.
That was definitely her.
Oh, and she used to go withJamie Foxx for a long time, for
a long time, a long time.
Yeah, that's how everybodystarted dating white girls.
Yeah.

Speaker 2 (13:09):
Oh shit, Mm-hmm.
Katie Holmes and dating JamieFoxx?

Speaker 1 (13:12):
Yeah, she must have got that fire.

Speaker 2 (13:14):
Speaking of Jamie Foxx, did y'all see his run of
applause for his special?
The other guy's special, it's atearjerker.
It, it's a tearjerker.
It's a tearjerker.
Yeah, I was sitting there likeI'm a nigga.
I'm a grown-ass man, Like I waswatery out like that man.
That shit real right there.
Yeah, another round of applause.
I'm a nigga.
I can't admit that.
I'm a grown-ass man nigga.

Speaker 1 (13:36):
Yeah, you cry too Niggas, cry too nigga.
And the last Anderson she wason.

Speaker 4 (13:40):
Parents don't know her, Okay, love and hip-hop.

Speaker 2 (13:43):
She turned 36.
I don't give a fuck.
I don't even know her no.

Speaker 3 (13:48):
Huh yeah, you a songwriter, and her mom was like
a singer.

Speaker 1 (13:52):
What up TikTok, what up y'all who?

Speaker 2 (13:54):
those people turning in.

Speaker 1 (13:55):
I don't know.

Speaker 2 (13:55):
TikTok booming.
What up?

Speaker 1 (14:00):
TikTok Okay so we're going to go ahead and move on to
the hot topics.
Number one shout out to theworld of sports right now.
Okay, y'all know I love me somesports and I'm fully invested
in sports.

Speaker 3 (14:15):
Number one.

Speaker 1 (14:17):
Bill Belichick, head coach UNC.
He's the head coach for USC,unc, tar Heels, chapel Hill.
Oh, that's trash.
Okay, whatever.
Michael Vick, the head coachfor.

Speaker 2 (14:25):
USC, unc, tar Heels, chapel Heels oh that's trash.

Speaker 1 (14:26):
Okay, whatever.
Michael Vick, head coach atNorfolk State.

Speaker 2 (14:30):
Yes, why don't I call ?

Speaker 3 (14:31):
him, Michael Vick Big big.

Speaker 4 (14:33):
What are you doing?
Big, Big.

Speaker 2 (14:33):
That was disrespect, big Biggie Disrespectful.
You know what Biggie said?
That's disrespectful.
He's losing weight every weekbecause when I first put him in
there he fit.

Speaker 1 (14:44):
Yeah.

Speaker 2 (14:44):
And he's just losing weight.

Speaker 1 (14:46):
We be stressing him out.

Speaker 2 (14:47):
I feel you.

Speaker 1 (14:48):
Asia Wilson signed a six-year contract extension with
Nike, making it the biggestshoe deal for any woman
basketball player.

Speaker 2 (14:56):
Who the fuck is that?

Speaker 1 (14:57):
Asia Wilson, the woman's basketball player For
years.
She is the superstar BeforeAngel Reese.

Speaker 5 (15:08):
Kaitlyn Clark, any of them.

Speaker 2 (15:12):
She's a legend.
Oh, the black girl.
What team did she play for?
I think I know what you'retalking about.

Speaker 3 (15:17):
She wear the headband and shit.
Yeah.

Speaker 2 (15:20):
Yeah, yeah, I know what you're talking about, I
just didn't know her name.

Speaker 1 (15:22):
She is a legend.

Speaker 2 (15:23):
Okay, yeah, yeah, yeah.
Props to her I talking about.
I just didn't know her name.

Speaker 1 (15:36):
She is okay, yeah, yeah, yeah, that's your black
woman.
I'm sorry, I'm sorry, I loveyou.
I love you baby.
Okay, moving on, beyonce mayhistory becoming the artist with
the most RIAA certified titlesfrom any female artist with 103
certified titles, okay, give heran applause.

Speaker 2 (15:51):
That's great, that's it.
I don't give a fuck about noBeyonce.
It says powering off, poweringoff, powering off, we are off,
we are off.

Speaker 1 (16:00):
Okay, Make sure I'm not doing topics.
Make sure I'm not doing topicsNext year.
I'm not doing topics.

Speaker 2 (16:05):
The TV just came on.
I just saw Powering Off.

Speaker 1 (16:10):
He said she get a little applause.
He don't care about Beyonce,damn.

Speaker 2 (16:14):
Okay, listen, don't invite me to your shows, because
I'm going to tell you how it isOkay.

Speaker 1 (16:18):
Next up, luigi Mangione, who, the guy that is
accused of killing theUnitedHealthcare CEO.

Speaker 2 (16:26):
Oh, no, you know, what?
Let's talk about it.
Round of applause for thatnigga.
He stood up for all peasants.

Speaker 1 (16:38):
That's crazy work.

Speaker 2 (16:40):
I'm just saying he just stood up for all peasants.
That's nasty work, that's damnsure is nasty work.
But he stood up for all thepeople who's that that's Sleaze.
But he stood up for all thepeople that were wrong in the
healthcare process and he stoodup for those people.
So you know, I don't condonehim killing anybody, but you

(17:05):
know, on the underside of that Icould applaud that.
You know what I mean.
He stood up, somebody had to doit.
Somebody had to be arevolutionary individual.

Speaker 1 (17:18):
A starter, a revolution starter.
Huh, why was he in McDonald'sthough?
No, that's the thing though,Because he didn't do anything.
Okay, let me get to this.
Let me get to this.
So he was officially indictedon first degree murder charges.

Speaker 4 (17:30):
Okay.

Speaker 1 (17:31):
But they upgraded his murder charge to yes, so it is
still a first degree murdercharge, but it is now a first
degree murder charge or murderas an act of terrorism.
So they said they upgraded hismurder charge from a regular
first degree murder to murder asan act of terrorism.
So they said they upgraded hismurder charge from a regular
first degree murder to murder asan act of terrorism, meaning
that the crime of murder wascommitted during a terrorist

(17:52):
attack, basically saying thatkilling this ceo and let's
define a terrorist attack in thelaw in the eyes of the law it
is um an act or an effect ofsomething that has the intention
to coerce or incite, riot orfear in a group of people.
This is what he did.

(18:12):
So they upgraded it to murderas an act of terrorism.
He made all the health carepeople sit down their directors,
their board of directors, allthe yeah, and you see it was
like one was like went back andwas like yeah, yes, well, you

(18:35):
see, that's what I said that'snasty that's not nasty work

Speaker 3 (18:42):
24 hours later, like Like fast as hell.

Speaker 1 (18:44):
Literally I reported it.
I didn't report it, but thatwas breaking news and we was
finishing it.
And then, literally the nextday, decision reversed.

Speaker 2 (18:54):
But you know why this is revolutionary.
Because, of that right.
So it made these healthcareprofessionals retract.
Because, if you look at it, itjust if you look at how society
in the world is right, how theymake fast food inexpensive and

(19:14):
the healthy food expensivebecause they want people to eat
the fucking unhealthy shit, sothey go to the doctors or
doctors get the money.
If you are somebody that hasgreat insurance, you're go to
the doctors, so the doctors getthe money.
If you are somebody that hasgreat insurance, you're going to
get great care.
If you're somebody that hasMedicaid, you're going to get
shitty care.
If you're sick, you're sick,regardless of what coverage or

(19:36):
whatever the fuck you have.
For that to happen, it madethese guys look and say you know
what these motherfuckers is notplaying out here.
I don't want to go to my carand die.
So let's treat these peopleaccordingly.
Let's treat them right andlet's give them what they're
paying for.
Let's be who we say we are.
We are, like you know, unitedHealthcare.

(19:57):
You're supposed to providegreat insurance for us to live
and to prosper, but you're justtaking our money and saying,
okay, hope and fend for yourself, you know.
So that's why I said I applaudthat move, because it took
somebody to do that, in order towake people up and cause a

(20:17):
chain reaction for the better soyou know three kings last day
daddy yeah, yeah, you know yeah,you know, but.
But.
But what can do?
You know the backstory to, tothe guy that and why that
happened.

Speaker 1 (20:31):
They don't really have a motive yet.
Well, let me finish the charges.
So in addition to murder as anact of terrorism, he also got
got two counts of murder in thesecond degree and nine out of
ten times.
If you get charged with firstdegree murder, they are also
going to additionally charge youwith second or third degree
murder, just as an insurancepolicy like okay, they might not
find you guilty at first, butyou damn sure guilty a second or

(20:52):
third, so you gonna getconvicted on something.
So that's just kind of liketheir insurance policy.
And then he was also chargedwith various weapon and forgery
charges because you know it isillegal to print a 3d gun number
one.
I mean, it's not with asilencer he, that's how he did
it.
He printed a 3d gun and shot aguy that's kind of fired up and
he printed a silencer to goalong with it oh that's fire.

(21:14):
I'm so sorry, but but thebackstory on luigi is he comes
from an affluent family.
His family has money.
Um, yeah, yeah, he was top ofhis class.
He was valedictorian in highschool.
He went to one of the mostprestigious universities and
graduated top 3% of his class.
He's super smart, but he has asuper, super, super bad case of

(21:38):
scoliosis and he was deniedhealth care.

Speaker 2 (21:41):
Hold on, let's get order.
Order in the court, the court.
Hey, you can cut that off,because that shit is fucking the
same.
Yeah, it's fucking it's workingfor a minute shit okay all
right, go ahead trap.

(22:01):
I felt like it was just toomuch.

Speaker 1 (22:03):
You're drowning you out no, I was just saying that,
like the backstory on him is, hecomes from an affluent family.
Like you know, his family hasmoney.
His grandfather built golfcourses and things like that.
So he comes from a line of money.
He was valedictorian of hishigh school.
He went to one of the mostprestigious universities in
America and graduated like top 3or 4% of his class.
He like top three or fourpercent of his class.

(22:26):
He's super smart and heapparently has this manifesto.
I don't know if I believe it,but he said in there like this
was nothing but a socialexperiment, like for real, like
I y'all just had to wake up,basically like I acted alone,
like I planned this.
This is, this is my book.
You can see preliminary noteswhen I started out the idea,
like it's not some drawn outterrorist plan, it's just a
sociology, and at the end of theday I mean hey, but it's just

(22:50):
sad because, like um, they didrelease some of his medical
records and part of the medicalrecords that were released show
x-rays of his back and he haslike a really advanced case of
scoliosis and people are sayingthat he was denied coverage
because that's an existingcondition now.
It was someone's mom thattriggered that that was later on

(23:12):
, but the original, likeinception of this idea was
because he has this existingcondition, he can't get coverage
unless he's paying an arm and aleg Right which even as
somebody with money, is stillridiculous, right.
So, and then, yeah, when youthrow in additional factors,
like you said, his mom Somebodysaid there was like somebody
else in his family too that kindof went through a similar

(23:33):
situation.
So I mean, when you add all ofthat up, plus the rise in cost
of things Like yeah, a lot ofthis shit is it's sad, it's sad.

Speaker 2 (23:40):
It's a scam.
It's to get your money.
It's sad you know if you ain't,if you don't, it's just like if
you like, if you rich, right,if you rich, you are privy to a
lot of the things that somebodyin the middle class aren't.
Same with insurance.
If you got rare insurance,they're going to nuke the shit
out of that insurance becausethey know they can get the money
and you might as well go outand die.

(24:02):
That's how it is.
I don't know.
If they're that serious, yeah,go out and die.
None of us got Medicaid in here, right?
Don't want y'all dying and shit.
No, I do.

Speaker 3 (24:13):
Medicaid.
It's good though.
I would say Medicaid improveseverything.
My insurance doesn't improveeverything I'm about to say if
you got kids Medicaid, oh baby,you get everything.
Top of the line.
They don't be playing aboutthat.
Federal insurance is playing,it be the private ones.
The blue costume shoes UnitedHealthcare.

Speaker 5 (24:28):
Aetna.

Speaker 3 (24:28):
Aetna be trash.

Speaker 2 (24:32):
Yeah, aetna be taxing boy.

Speaker 1 (24:34):
Sheesh, um, okay, and last topic of the day.
Unfortunately, on Monday I hateto report this there was
another school shooting inAmerica.
This time it took place inmadison, wisconsin.

Speaker 4 (24:48):
the shooter was a 15 year old female which,
ironically, out of the 89 school, listen out of the 89 school
shootings that we've had thisyear.

Speaker 1 (24:55):
This is only the second one where the shooter was
a female yeah, I was about tosay a female, yep, so it took
place at a private christianschool um.
The shooter's name was natalieruffino, but she went by
samantha and right now policehave said they don't.
Yeah, I was.
I was so confused as no, and Iwas so confused where the
samantha came in at because Ilooked I'm like samantha, hold

(25:18):
on right, I'm looking up likegoogle searches.
I couldn't, I don't know wherethe samantha came from, um, but
police have said they don'treally have a clear motive.
They have a couple things thatthey think are all motives, but
nothing that is like adefinitive.
They have said that they arelooking into bullying.
They have said that they arelooking into um, like there was

(25:39):
one student that was killed anda staff member that was killed
and then the shooter herselfkilled, like she killed herself.
And then there were six umother kids that were injured,
two who are still criticallyinjured in the hospital, and
they don't know if these weretargeted attacks.
They don't know, like, what themindset was when this was
taking place.
So they're just trying to get alot of things in order.
But her parents, natalie, orsamantha's parents, are

(26:02):
cooperating.
They are helping investigatorswith whatever information they
need.
They're turning over whateverthe police have asked for and
the police have said you knowthat they appreciate how um like
the family is working togetherto kind of figure out, because I
don't think the family knowswhy she did it either, honestly.
So one thing that a lot ofpeople were speculating was

(26:22):
where the parents also gonna becharged.
Because she is a 15 year old,how did she get access to a gun
and she shot them with a pistollike it wasn't like a semi
automatic, it was just like aregular, regular handgun.
So a lot of people were sayinghow did she get access to it?
Are the parents going to becharged?
And the police have said that,as their investigation has gone
so far, there seems to be nolike negligence present.

(26:44):
So I don't think the parentswill be charged.
But interestingly enough, whenI was doing my research on this
case, the dad of okay, theschool shooter they said, grew
up in like a bad household towhere the parents divorced and
got married and divorced so muchthat their custody agreement
the girl was jumping betweenhouses like every two to three

(27:05):
days.

Speaker 4 (27:05):
It was just not stable.

Speaker 1 (27:08):
The dad recently signed the 15-year-old up for a
shooting range in MadisonWisconsin.
And there are pictures of thedad and the daughter on Facebook
at the shooting range shootinga gun.
So yeah, so that's like a bigthing that I was like whoa, hold
on, why is nobody talking aboutthis Like?

Speaker 4 (27:25):
this is kind of important, but I'm not a
detective.

Speaker 3 (27:27):
I'm not police Because it's a rest state and
they hold that Fourth Amendmentto their teeth.
Yeah, and you can't.
What can you?

Speaker 1 (27:34):
do.
But Wisconsin does have a lawwhere it's like I forgot the
actual name of it but it's a lawwhere it is against well, it's
against the law to have yourfirearm accessible to where
children can easily like handleit.
If you get caught with it, it'sa felony.
So wisconsin does have that.

(27:54):
I will say so I don't know.

Speaker 2 (27:56):
I mean listen, that's just sad though I always say I
don't know about y'all, but Iown two weapons and I have a
permit to get to the war.
Listen, these amendments wereset in place for a reason.
You have a right to bear armspeople.
Your right to bear arms likethere are people, like the world
is getting sicker by the secondand motherfuckers out here are

(28:20):
crazy as fuck and you have toprotect yourself, especially if
you got a family and justyourself.
So I always say listen, man,get you your weapon for good
usage.
I'm not saying keep it safelocked up, do what you do, but
everybody has to protectthemselves.

(28:42):
Because people are out herejust doing outlandish shit and
protect yourself.
Because people are out herejust doing outlandish shit and
protect yourself.
Because, nigga, don't come tomy car with some bullshit,
please don't, please don't.
I ain't gonna kill you.
I'm gonna shoot you in your legor some shit.
See, I ain't gonna do that.
I'm like listen, I warned you,I'm gonna shoot you.

(29:04):
I'm like nigga, stop, stop,nigga, stop, stop, nigga, stop.
If you still coming, yeah, I'mgoing to have to headshot you.
That headshot is crazy.
I'm going to shoot you in yourleg first to let you know listen
, I ain't playing.

Speaker 1 (29:18):
No, don't do that.
Don't do that, don't do that,don't do that.
Don't shoot them in the legfirst and shoot them in the head
, cause then that's premeditated.
Well, I was premeditatedbecause you thought about it.
You already shot them in theleg to disarm them, it doesn't?
That's those self-defense.

Speaker 2 (29:30):
If.

Speaker 3 (29:30):
I tell a nigga to stop.

Speaker 1 (29:32):
it doesn't matter, you just threw your self-defense
out the window when you justsaid I shot him in the head.

Speaker 2 (29:46):
I don't know how to shoot.
I just shot my weapon and itjust hit him in the head.

Speaker 1 (29:52):
No, they're going to do all types of ballistics.
They're going to do angles,they're going to do tracing.
Come on, don't no.

Speaker 2 (30:06):
That's true learned today.
Nah, don't throw it like Ididn't know this shit.
You know the difference betweenassault and battery.

Speaker 1 (30:10):
You know, I know, so I should answer.

Speaker 2 (30:12):
What's the difference ?

Speaker 1 (30:13):
I don't know I never really thought about it either.

Speaker 2 (30:17):
Open hand and closed hand.
Yes, it is Essentially.
Yes, it is.

Speaker 1 (30:22):
My dad wrote the law for domestic violence in
Charlotte, North Carolina.
How are you about to tell me?

Speaker 2 (30:28):
No, that's not it.

Speaker 1 (30:29):
Yes, it is.

Speaker 2 (30:30):
No, no, that's not it .

Speaker 1 (30:31):
Let's call him and ask him.

Speaker 2 (30:33):
No, we ain't going to call him.
I'm going to tell you.

Speaker 3 (30:56):
I'm going to tell almost well, no, let me ask you
a question what's the differencebetween?

Speaker 2 (31:01):
assault and battery okay, okay, it's actually kind
of interchangeable.
You can assault a personwithout getting any attention.
That's what I was going to getto.
Okay, right, that's what I wasgoing to get to.
Yeah, what did he say?
What?
That's an assault?

(31:25):
Yeah, right, and you don't evenknow, right, that's what I'm
saying.
You've all been assaultingmotherfuckers and getting them
yeah, so that's assault, actualphysical part, right.

(31:46):
Yeah, so that's assault, actualphysical part, right.
So say, for instance, if you'reover there, right, and I woke
up to like nigga, I'm about tofuck you up, that's assault.
But if I'm chilling right here,that nigga, I'll fuck you up.

Speaker 1 (32:01):
That is assault.

Speaker 3 (32:03):
He wrote the law.
How are you going to tell him?
Listen to me, listen to whatI'm saying.
That is communicating truth,right, and that's the part.
He wrote the code, okay, do youunderstand what you're feeling.

Speaker 5 (32:15):
Put your hands on me.
Yes, that is a soul.
That is a soul.
Yeah, he's like.

Speaker 2 (32:26):
I'm going, that's what I was doing.
Yes, that's an assault.
Like if I say I'm gonna fuckyou up and I start walking to
you Like nigga, I'm gonna fuckyou up, that's assault.
But if you standing right hereLike nigga, I'll fuck you up,
that's not assault.
It's not.

(32:46):
It has to be Like I'm about todie off one time Getting federal
.

Speaker 3 (32:56):
Getting federal Right .

Speaker 2 (33:00):
Right, because that's assault.

Speaker 1 (33:02):
You didn't hear on the episode.

Speaker 2 (33:16):
Mm and you didn't hear an episode.
You can't even hear him.
This ain't gonna work, causethey're gonna be looking at us
like we crazy like yo, I can'teven hear this, motherfucker,
what are you?
Talking about.

Speaker 1 (33:25):
We don't have a peace .

Speaker 2 (33:26):
We don't have a peace .
All right, tell daddy we good,tell daddy goodbye, bye daddy,
we got enough.
We got enough.
He don't give a fuck aboutdaddy.

Speaker 1 (33:41):
Daddy got money and started.
He's set up in the bed.

Speaker 2 (33:47):
Yes, we got it.
Daddy.
Tell daddy you can't hear thismotherfucker, you cannot hear
him.
The audience cannot hear him,you can't hear him Okay.
We got it.

Speaker 1 (34:05):
See y'all going to jail.
That's the end of the storywhat he do now assaulting people
we all been assaultingmotherfuckers my definition.

Speaker 2 (34:16):
I said that because I saw a video and it gave me
clarification on what assaultingbattery was.
So I'm like it's been plenty oftimes.
Like you said, we're like bitch, I'll fuck you up and you walk
into somebody, like you're goingto do an act of physically
harming somebody, I'm thinkingassault is nigga.
If I hit you, that's assault,but if the act of just walking

(34:40):
towards you with those gestures,that is assault.
Damn, I got gotta rethink whatI do out here in these streets.
You know what I'm saying.
Some people couldn't be petty.
Yeah, press charges Like nigga.
He assaulted me.
Like nigga, I ain't touch you.
What do you mean?
I assaulted you and, bydefinition, yeah.

Speaker 1 (34:57):
That's why you gotta know the law.

Speaker 3 (34:59):
You wouldn't be surprised if he tried to do it.

Speaker 2 (35:04):
So yeah that's crazy.

Speaker 1 (35:07):
Listen we.
That's who we should have hadtonight to tell his police
stories.
No, I'm not.
I do the most federal shit.
That's crazy no, I have afamily member that is a retired
feds and they hate him, so weare safe.
He ain't supposed to know, feds.

Speaker 2 (35:24):
No, I have a family member that is a retired feds
and they hate him, so we aresafe.
We are safe.

Speaker 1 (35:27):
He knows shit he ain't supposed to know they
don't like him.
We're good, but yeah, that wasit for me, that was it.

Speaker 2 (35:38):
How about a press a button?
That's not it.
Nope, you better do it too.
Round of applause.

Speaker 4 (35:43):
Yeah, yeah.

Speaker 1 (35:46):
Thank you, thank you, nope, you better do it too.
Round of applause yeah, whatwould you do?
All right, what would you?

Speaker 3 (35:52):
do oh God.

Speaker 2 (35:53):
So, yo, when you was doing all this shit, I was
thinking about what the fuck I'mgoing to do for my book.
What would you do?
Because normally, 9 out of 10times I don't have a.
What would you do?
I just think about it while I'mhere on the show.
I would never know that I'mthinking because I'm interacting
, but I'm actually thinking,motherfucker, so that's just a
little nibby, all right, so whatwould you do?
I remember this one, because Iremember we talked about it in a

(36:15):
previous thing.
I was like you know what?
I'm a youth outlaw.
What would you do?
Because that's crazy.
You know the dealer is goingthrough all this shit right
shout out to Hove man.
They tried to come up with myman, hove, but Hove's like nah,
nigga, we from Brooklyn, wedon't do them things that nigga
Hove say I don't

Speaker 3 (36:31):
know, dude, we don't do them things that was fucking
smart as hell.

Speaker 1 (36:34):
Smart as hell, smart as hell he said, yeah, we work
in the same industry, but Idon't know that man.

Speaker 2 (36:39):
no, he said we're not friends.
Yeah, which is you know?

Speaker 1 (36:43):
smart.
He said, only two people cancall me Sean.
Yeah, my mama.

Speaker 4 (36:49):
And ho.

Speaker 1 (36:49):
And ho, and ho.

Speaker 2 (36:55):
Yeah, I mean but.
But but the dealer said that.
The dealer said that Look it up.
But I mean, like you know, I itholds merit because it still
doesn't say that we friends,it's just that we, when we are
in the company of each other.

Speaker 1 (37:11):
Yeah, you know you can interpret it like they they
both name is Sean, so so.

Speaker 2 (37:16):
I, so what would you do, hey?

Speaker 3 (37:19):
Paul I tried to bridge it.

Speaker 2 (37:21):
Just make for this.
Oh, we got the mic.
Okay, good, we're going tostart with you, kim.
What would you do?
What would you do?
And we're going to.
My disclaimer is what would youdo are accounts either I went
through or somebody else wentthrough, or, from what I've seen
and this one is from what I'veseen All you guys that know the

(37:44):
deal of the situation.
What's going on.
So what would you do?
Male or female, Go to a diddyparty.
Regardless male or female, goto a diddy party.
You're having a good time.
You know what I'm saying?
Niggas oiling you up and shit.
You don't give a fuck, you'rejust having a good time.
Whoa, you know what I mean?
Niggas giving you the Mickeydrinks and shit.

(38:07):
You're at the freak-offs.
You're not at the diddy part.
You're not at the diddy part.
You're at the after part.
You're at the freak-off part.

Speaker 1 (38:10):
Why are we at the freak-offs?

Speaker 2 (38:13):
You are in this situation, right, and you just
having a good time.
You, just, you out there, hey,put some lotion on me.
Hey, hey, give me some DrixieMickey's.
It's crazy.
I'm just saying you're justhaving a good time, you're
thinking that you are in a safeplace, you're not being recorded
, you just think that you arejust having a good time, right?

(38:35):
Male or female.
That's, that's that's the fuckwe're going.

Speaker 1 (38:44):
How did we get at the ?
Apparently this is what wasgoing on, because he had the
baby lotion with the shit in itthat was paralyzing what you do,
supposed to be stuff that youhave done or people you know
well, I?

Speaker 2 (38:56):
I just added that I saw.
Okay.
So well, not that I seen, butan account of a her Right Huh,
no, this ain't so you're the onein the situation, You're the
one saying lotion me up, daddy.
All right.
Listen, Do I look like I be ata diddy party the whole time?
No, we are All right.
So you know, man, if you behaving a good time, like I said,

(39:17):
you get lotioned up, maybe, andyou just black out, you don't
remember shit.
But you wake up and Diddy nowmale or female, right?
No, you can't weird now.
No no listen.
I mean this is what actuallyhappened, right.
And you wake up and you see,for male, you see Diddy fucking

(39:43):
another nigga.
And for a female, you see, sayBeyonce J-Lo dildoing another
woman, right, and you wake upand you see this shit like.
And then they say J-Lo or Diddysay you like that?
I just did this to you.
What would you?

Speaker 1 (40:03):
do?
Oh, you used this from the toyou.
What would you do?
Oh, you used this from the fromthe situation.
I'm screaming.
What?

Speaker 2 (40:08):
would you do if you was that person?
You did not even set the sceneright, but okay.
I did set the scene right.
You woke up and Diddy's overthere fucking another nigga, or
J-Lo was fucking another bitchwith a dildo, and you wake up
and you're like, oh shit.
And you're like oh shit.
And the nigga look over at you.
I'm like you like this, youlike this.
Yeah, I just did that to you.

(40:30):
And you're like, what would youdo at that particular moment
when that nigga say that, orwhen J-Lo say that to you?
Well, it's different for awoman.

Speaker 3 (40:41):
No, it's the same.

Speaker 2 (40:42):
Okay, the same.
So what would you do I?

Speaker 1 (40:44):
don't want a woman to dildo me, like I like men.

Speaker 2 (40:47):
In that position, I mean, and you wake up and J-Lo
is looking at you and you'relike I'm definitely calling the
cops, like I'm finding my phone.

Speaker 3 (40:53):
I'm calling the cops, but in the interim you don't
got no phone.

Speaker 2 (41:05):
Remember your phone recorded.
You wake up out of your daysand you see JLo, you and the
woman, and you see JLo fuckingthe shit out of another woman
and she say you like that.
Honestly, I really feel like Icould probably be JLo ass.

Speaker 3 (41:12):
So I'm whooping ass, I'm whooping ass and then I'm
gonna go bust out thatmotherfucking room.
I'm calling the cops and I'mprobably gonna whoop anybody
else ass in the house, cause I'mpissed like what theop anybody
else's ass in the house, becauseI'm pissed like what the fuck
y'all got going on here, whatI'm fucking that shit up.
I'm taking it to a whole notherlevel like speaker, speaker,

(41:40):
speaker.

Speaker 2 (41:43):
I will do swish.
You wake up.
I'm going to say it again niggaand Diddy over there fucking
another nigga and you wake upand that nigga Diddy say you
like that, you like that swish,I just did that to you.
What the fuck would you do?

Speaker 4 (42:05):
Fight to the death, fight to the death, fight to the
death.

Speaker 3 (42:08):
It's a fight to the death Crab of passion to the
death Fight to the death.

Speaker 5 (42:10):
It's a fight to the death.
Crime of passion.
Crime of passion.

Speaker 2 (42:13):
You got to understand the man that you're dealing
with.
This is Diddy nigga you ain'teven going to.
He probably got bodyguards inthe room and shit.
See, I don't care about that.

Speaker 1 (42:19):
I think that's.
My problem is, I'm sodelusional I'm kicking up
Chi-Town nigga.
What would you do, chi-town yo?
I'm kicking, cause I don't gotno phone, I don't know murder at
you, bro.
You talking about you donefucked me like this and I know I
been passed out.

(42:39):
Oh no, I'll wake up and see youman listen, security guards
gone, everybody.

Speaker 2 (42:48):
Murder scene, murder scene girl I don't give a fuck,
I don't think I understand thescope of the situation.

Speaker 1 (42:54):
No, we understand it, we would just never be in that
situation.

Speaker 2 (42:58):
It's unrealistic to our lifestyles and our tax
bracket.

Speaker 4 (43:01):
You got to think folk as a man, folk as a grown man
folk, yeah, yeah.

Speaker 1 (43:11):
Come on like.
That's what I'm saying.

Speaker 2 (43:13):
Like we don't.
So what would you do?
Sleaze you saying what?

Speaker 5 (43:17):
Man, I'm just going to jail for murder.
All right, let me see Pass themic.

Speaker 1 (43:23):
Like that's yeah, like, come on, that's not even
in my tax bracket, so I don'teven think about shit like that.

Speaker 5 (43:31):
What would you do?
I like I don't.
I'm a black out, like I'm not.
I don't know what I'm gonna do.
I don't know what's gonna besaid.
Whatever, I'm definitelygetting out of that bitch
because I can't.
I can't stay in this.
Like you, I'm not about towatch.
No, he did, because he also insomebody else, right, so that's
another nigga that's in theirroom too, like like we all
overlook that.
Like it's, it's it's way, it'sway too many niggas.
It's way too many niggas inthis shit, like nah, like, like

(43:56):
right, like that's what I saidy'all never believe he clapping
cheeks at the moment, like, like, like all that right, like, I'm
not really trying to fight.
This nigga, naked, like thisnigga probably likes that shit,
like he he he probably oiled uphis shit too.
He probably trying to grab him.
This nigga's sliding out, like,uh, he's trying to slide and
shit.
So, yeah, I'm a black guy, Idon't know what's going to

(44:20):
happen, might swing or some shit, but I'm getting the fuck out
of there as soon as possible,because you never know.
And then definitely call thefeds.

Speaker 4 (44:33):
I'm like yo, there's some great, there's some wild
shit over here.

Speaker 5 (44:35):
Like I you can't call you, I'm gonna find a phone.
Nigga, I've seen yo.
If I gotta go through the house, you know, find the line right.
Yo help me, help like yo.
I'm.
I have the, the I have.
Let me ask you a question.
Face right, so white peoplearen't scared of me so I can
bang in the window and they'llbe like yo let me in, Like yo

(44:55):
look, I need your phone, he'sgood.
It don't matter what I got on,but yeah, like I'm going
somewhere, I'm calling the feds,I'm like, please, it's about to
be, like this shit's gotta go,cause, nah, I'm not waking, like
, if I feel any type of like I'mtired or drowsiness or some
shit, I'm getting out there likeI'm leaving.

(45:18):
So if I wake up in that shit,you don't drag me back in from
outside like, nah, that's just,that's just that.
Fuck, that shit.
What?

Speaker 2 (45:27):
would you do?
Lena?
J-lo is banging some next chickand she tells you that.
I just did this shit to you.

Speaker 6 (45:36):
I heard it, that shit I ain't going to lie.
Like it was going to fuck me upat first.
Like I'm going to look aroundand shit you know, but anything
around me becomes a weapon.
You feel me Like I'm not I'mbecomes a weapon.
You feel me like I'm notholding that shit in my chin.
Anything around me becomes aweapon.
I just feel like that's a weirdass situation, though like,

(45:56):
honestly, I'd be like shocked,like I'd probably be stuck like
in shock, and then I try to getthe fuck out of there.
But how many niggas is in thatroom like you talking about
dating, fucking somebody, andthen j-lo?

Speaker 1 (46:10):
three.

Speaker 2 (46:11):
No, it's three is the is j-lo.

Speaker 1 (46:15):
You know the nigga that's fucking no no, no, not
diddy.

Speaker 2 (46:18):
Like is it men and women?
Yeah, yeah okay, oh yeah it'sjust okay, j-lo fucking another
woman around me yeah, anything,yeah, anything around me, the
woman.

Speaker 1 (46:30):
What would you do?
I, oh, so I'm being both theirass.
The woman.
What would you?

Speaker 2 (46:32):
do Trav.

Speaker 1 (46:33):
I just told you I'm being both their ass.
I don't know if I can be boththeir ass, because maybe she
passed out.

Speaker 2 (46:38):
I'm fucking.
She ain't passed out, she justdrugged up.

Speaker 6 (46:42):
Yeah, I was about to say.

Speaker 1 (46:48):
I'm fucking with you.
I'm sorry, but you gotta catchhim.
I'm sorry, but you gotta catchhim.

Speaker 2 (46:55):
I'm gonna keep it real.
I'm just a realist.
Just imagine I don't thinkniggas really are understanding
the scope of this shit.
You wake up.
Your last memory understandingthe scope of this shit, you wake
up.
You wake up, right.
Your last memory I'm not hot.
I'm surprisingly not hot.

(47:16):
You know, I sweat like afucking mule or something.
I'm good, but just your lastmemory was you know you?
Just you remember you having agood time.
You like okay.
And then you wake up and yousee this nigga fucking another

(47:37):
nigga and you like like hey,looks and turns at you and says
you like this.
I just did this to you like.

Speaker 1 (47:47):
Well, you ain't even give me a chance to say no, you
right you go, you're gonna waitfirst of all, you gotta process
this shit.

Speaker 2 (47:54):
Like what the fuck you just said?
Like just did this to me.
Like you, like you know, Ithink people could say what they
want to say, but it's like, ifyou understand the scope of the
situation, it's like yo, whatwould you fucking do?
Like you just got right.

Speaker 1 (48:12):
That's just not realistic to most people's
lifestyle, so I guess that's whywe can't comprehend it.

Speaker 2 (48:17):
Let me say you gotta really comprehend this shit like
what what the, what what thefuck would you do?

Speaker 1 (48:24):
I don't know because I I don't even think I would,
I'm not gonna going to say ever,but I just like, realistically,
even knowing me as a person,like when I go out, when I start
to feel myself getting toodrunk, I have a limit.
If I feel like I'm something'swrong, I'm going to go.
I know how to go to thebathroom and make myself throw
the fuck up.
If I can't go to the bathroom,well, oh oh, fucking well,

(48:44):
because whatever this shit is nolike I don't play, that I'm,
this shit is no like I don'tplay, that I'm not.
No, I'm a female.
I have to already be aware ofmy surroundings.
So I don't like and not sayingnever, never, but god forbid.
I hope I'm never in a situationlike that where I get so
incoherent I don't even rememberand then to wake up to somebody
telling me they just fucked me,like I'm witness witnessing
somebody else blackout, drunkgetting right it's crazy, like I

(49:07):
don't know that's's Crash.

Speaker 2 (49:09):
Help.
Moral of the story is poweringoff.
What the fuck you do?
Swish, Swish.
We can't see us.

Speaker 1 (49:23):
Do we need to see us?
Yeah, because we're on the TV,okay.

Speaker 2 (49:28):
I gotta bend myself over.

Speaker 3 (49:29):
Okay, you look.

Speaker 4 (49:30):
TV Okay.

Speaker 3 (49:30):
Yeah.

Speaker 2 (49:31):
I got to bend myself over.

Speaker 3 (49:34):
No, okay, you look great Okay.

Speaker 2 (49:39):
That's a Harlem shit, nigga.

Speaker 1 (49:42):
Yeah, what would you do?

Speaker 2 (49:43):
I was trying, I mean realistically, like all right,
you know, when we can easily no,no, hold on, no, no, listen.

Speaker 3 (49:52):
Listen, listen, listen, Listen, Sleece.
No bullshit.
What would you do?

Speaker 2 (49:55):
No, no no, no, listen , I'm going to get to it.
But we can easily say whatwe're going to do, but we're not
putting that situation sosomebody can say, yo, I will do
this, I will do this until theyput in a situation and you
probably won't do that, right?
So I honestly don't know whatthe fuck I would do, just for

(50:17):
your mental.
You wake up and the nigga justtells you why he's in action.
You like this, I just did thisto you.
Like I can sit here and say Ican sit here and say, nigga, I'm
going to get the fuck up, I'mgoing to beat nigga's ass, I'm
going to crash out.
No, I used to crash out forless.
So I know I was crashing outfor less.

(50:38):
But what would you really do?
What would you really do?
And I say that because this wasthis happened in, you know, the
Diddy situation.
One of the victims was, youknow, told that.
You know we got a newcomer.

(51:02):
Give him a mic.
I want to know what the fuck hegonna do.
Is this a wild shit?

Speaker 1 (51:08):
It's a wild shit gang .

Speaker 2 (51:09):
We're walking some wild shit that you walking into.
We sorry.
So what would you do in lieu ofthe Diddy situation?
You having a good time at thespot.
You at a Diddy party.
You getting baby oiled up.
You smoking, you drinkingthat's the last shit you
remember.
Don't give him themotherfucking mic.
He walked up into the shit.
You smoking and drinking Baby,all love.

(51:32):
You having a good time Blackout.
You wake up and Diddy isfucking another nigga and he
looks at you and say like this Ijust did this to you.
What would you do?

Speaker 5 (51:46):
Ain't no way.
Ain't no way.
Yes, way, ain't no way.
Ain't no way.
Yes, wait, ain't no way, yes,wait.
If I'm waking up feelingdifferent than I usually feel, I
know something.

Speaker 2 (51:56):
What would you do?
We got a problem.
What you mean.
What would you do?
What would you do?

Speaker 5 (52:03):
We fighting.
What do you mean?

Speaker 2 (52:07):
We fighting For real.
Yo but do niggas understand?
Okay, you say we fighting forreal.
But do niggas understand?
Okay, you say we fighting, butnigga, your manhood just got
took see, that's a problemthat's nasty word for it.
If that is true, that is demonicof Diddy to do that.

(52:28):
Yo, that's crazy.
That's crazy, dude.
That is demonic of Diddy to dothat.
Don't let him find no pistol inthere, bitch Yo.
Thank you, listen, it's one ofthem.
That's crazy.
That's crazy, but that was myone.
Huh, I don't know bro.
Nah, no, fuck all of that,because I could say, like how
y'all saying that, say it.
No, like how y' were saying butwe're not in that situation.
I don't know what the fuck Iwould do in that situation, bro,

(52:50):
like nobody would know whatthey would like.
Realistically, none of us wouldknow.
You will not.
You will not know.
None of us would know what thefuck we would do in that
situation.
If we were actually in thatsituation, huh, you'll wake in,
but you can still be.
You don't know what the fuckyou would.

(53:13):
In your mind, you would be likeyo, I want to, but you got to
remember this is who you dealingwith here.
It's like there's not a past.
Like nigga, you say yo, I'mgoing to crash out.
Nigga, I probably got securityguards in that shit.

Speaker 1 (53:27):
And I'm still crashing out.
It's crazy.
I'd rather get beat up and knowI tried than to not do shit and
be stuck in a situation.

Speaker 2 (53:43):
Like alright, alright , this is for the niggas.
I'm talking for the niggas.
How can you go along with lifeafter knowing that you got
fucking butt raped?
How can you go along with life,nigga?
How can you fuck a woman properand that shit going to be in
your head Like this, nigga, Ididn't do what you were doing.

(54:07):
Compartment.
Yo, that's nasty work rightthere.
That's nasty work, man.
I'm just saying for the studioaudience and for people that
will watch it.
I'm just saying this is anactual account from a victim of

(54:31):
Diddy's that he actually in theaffidavit I said it right said
that said that he woke up anddiddy was having intercourse
with another male and he lookedover to him and said you like
that, nigga?
I just did, I just did that toyou and I was like I was and I
had them.
I'm like I gotta use that.
What would you do?
Because what the would you doin that situation?

(54:52):
Like what would?
What would you really do, youand you seeing this killing
another and he just did that toyou killing is crazy.

Speaker 1 (55:02):
Oh, you need to use better terminology.
Killing is great.
I'm just saying that shit willfuck you up that shit will fuck.

Speaker 2 (55:16):
Because you know in this society, you know mental,
you know depression and you knowsuicide and all that shit is
real.
Like you know that shit is real, your mentality, shit is real.
Like you know that shit is real, your mentality, your mental is
real.
So it was like you knowmentally.
How would that affect you knowa man?

(55:37):
Yeah, I feel like you have tohave a really strong mental
because that can break.

Speaker 4 (55:44):
Yeah, that can break you.

Speaker 2 (55:46):
That's nasty.

Speaker 4 (55:47):
That's nasty.

Speaker 2 (55:48):
All right, so that was my what you do.
That was horrible.
What we got, okay, okay, 28minutes.
So we're going to bring on asurprise special guest.
They may not, they don't knowthat they are a surprise special
guest, but they are a surprisespecial guest.
So this person right here Isaid probably gonna know now,

(56:13):
the queen of motherfuckingCharlotte music.
You say you want to be on here.
We say you know what?
Fuck it, it Get in the middle,she here let's get her.

Speaker 1 (56:28):
Turn me up In the middle.

Speaker 6 (56:33):
In the middle.

Speaker 1 (56:35):
Like mac and cheese I ain't trying to get the board.
Okay, I got the board.

Speaker 6 (56:39):
Oh my God, I'm so mid .
No, you're not.

Speaker 1 (56:42):
No, you're not.
No, you're not.
Make sure you talk to the micNever never, never Over to the
motherfucking mic.
So listen, we got to bring youinto no advisory style.
Wes yes.

Speaker 2 (56:54):
You got me Swish.
I'm on black time.
Make sure you got me lit.

Speaker 1 (56:57):
So listen here.
In no advisory, we like tobring our special guest in with
three simple questions.
Y'all, I'm lit off.
This love, yeah, this shitright here, got me lit.

Speaker 6 (57:12):
I'm high, I'm fanning .
Listen, this is it.
I like this.

Speaker 2 (57:17):
She how I like.
What is that?
What is that?
Cut that mic off.
Yeah, cut that shit off.
Now nigga Cut that mic off.

Speaker 3 (57:26):
So here in Nova.

Speaker 6 (57:27):
We like to ask our special guest three simple
questions to bring them in Three.

Speaker 1 (57:29):
And the three questions are who you are, who
you are, where you from, whereyou from and what the fuck you
do.

Speaker 6 (57:38):
Okay, I am Lena Skye aka Carmen Lena.
I'm not going to say mygovernment, Carmen Lena aka Lena
Skye.
I am a rapper from Charlotte,North Carolina, Born and raised
in Kentucky and then came back.

Speaker 2 (57:54):
What I do is well.

Speaker 6 (57:57):
I want to be a biometric scientist, but I love
that I'm a rapper.
I do want to be a rapper forthe rest of my life.
I love music.
I want to be a musicianactually.
Hold on, bro, hold life.

Speaker 2 (58:11):
I love music, I want to be a musician actually.

Speaker 6 (58:13):
Hold on, bro, Hold on , hold on, hold on.
I love that.

Speaker 2 (58:15):
Hold on this motherfucker said she want to
fucking be a biometroboo-boo-boo-bah scientist.
I'm a rapper.

Speaker 6 (58:21):
For two more years for that?
Because I only have mybachelor's degree in mathematics
and science.

Speaker 2 (58:26):
Applause for that.

Speaker 6 (58:32):
So I have to.
Don't have kids, because you'regoing to have to work hard for
the rest of your life.
Okay, don't have kids.

Speaker 2 (58:40):
Don't have kids with deadbeat baby daddies.
That's what you should havesaid.

Speaker 6 (58:46):
He went in right now.

Speaker 2 (58:48):
That's good Round of applause for a great dad.
No, he a great dad, you know.
Yeah, we ought to go, we oughtto applaud the great dads out
there.
You know, my baby daddy, no, no, no, let me know what's going
on.

Speaker 6 (59:01):
We got to applaud the great dads out there kids
financially if you ready, right.
But if you just want to havekids because you want to keep a
nigga, or if you want, to keepyour girl or just love.
You know what I'm saying.
Don't do it y'all.
In the long run, it's a humanbeing you have to raise for the

(59:21):
rest of your life that is factand if you don't, you can go to
jail.
So you know i'm'm just beingreal, but let's get out of here.

Speaker 2 (59:30):
Hold on, I didn't know.
Right, I didn't know you wasfrom Kentucky, I'm from
Charlotte.
I just no, no, no, no, no, no,no.
Lena, you didn't, no, no, youdid not fucking say that, you
just said, you're from Kentucky,all right, you're okay.

Speaker 6 (59:47):
Keep that clear, I have to include that, because I
lived in Kentucky for 13 years.

Speaker 2 (59:51):
Yeah, so you're Kentucky, oh yeah.

Speaker 6 (59:53):
No, I'm a.

Speaker 2 (59:53):
Charlotte Fried chicken.
You're Kentucky or friedchicken.

Speaker 6 (59:57):
Kentucky fried chicken is crazy I don't know.
Well, the state itself is justa bad situation, like foster kid
type shit.

Speaker 5 (01:00:05):
Okay, okay, so I don't really I claim Charlotte?

Speaker 6 (01:00:07):
I don't really I claim Charlotte.
You feel me?
I've always loved Charlotteit's the city.
You feel me.
I've always loved the cityalright.

Speaker 2 (01:00:12):
So, because it's rare for me that you hear somebody
say from Kentucky how manypeople you know that's from
Kentucky.

Speaker 6 (01:00:21):
They be like where's?
That what city is that in?

Speaker 2 (01:00:25):
this is the first being that I know from Kentucky.
I don't know nobody fromKentucky.
How is Kentucky?
Please put me on.
How is Kentucky?

Speaker 1 (01:00:33):
It's plain and dry and desolate, and it's just like
You've been to Kentucky.
Yeah, I've been to Kentucky.
No, I've been to, okay,kentucky, they're pretty good.
Tennessee and Kentucky meet atthe Army?
Was that like it's?

Speaker 6 (01:00:48):
like.

Speaker 1 (01:00:48):
Seversville and whatever is on the other side.

Speaker 6 (01:00:50):
Oh girl, you was in a morning sign.

Speaker 3 (01:00:52):
That's online.
I'm not going to lie.

Speaker 6 (01:00:55):
They have some sundown cities.
Sundown cities they do.
They look at you like Sundowncities in Kentucky.

Speaker 2 (01:01:04):
Oh, you're black.
They got some good hoes inKentucky.
No, good hoes, no.

Speaker 6 (01:01:09):
The white girls oh.

Speaker 2 (01:01:13):
Yeah, this is no advisory podcast.

Speaker 3 (01:01:18):
I don't want to like offend anybody.

Speaker 6 (01:01:20):
No offense to the white girls in Kentucky.
Not all of y'all are easy, butthe ones in Richmond.
I grew up in Richmond, kentucky.

Speaker 2 (01:01:26):
In Richmond, kentucky .
That's not like RichmondVirginia.

Speaker 6 (01:01:28):
I love them some black.

Speaker 2 (01:01:30):
Dick.

Speaker 3 (01:01:31):
Yeah dick, okay Say it say it, say it, Everybody is
mixed.

Speaker 6 (01:01:35):
Say it say it In the future, the population is going
to be mixed.
You know what I'm saying?
Because so many white girlsjust, but that's just how it is.
Like they don.
You know what I'm saying?
They seeing YB and Lil Durk onTV.

Speaker 2 (01:01:48):
Same with.

Speaker 6 (01:01:49):
Tennessee too, though Okay but hold up.
It's changing now.

Speaker 2 (01:01:53):
So they ain't racist.
No more Say it, say it.
What do they want?
White girls in Kentucky?

Speaker 6 (01:01:59):
Not all of them.
They still got their littleTravis and Adam Say it, what do?
They want.

Speaker 5 (01:02:04):
What do they want?
What do they?

Speaker 6 (01:02:05):
want.
Black dick they do, but I knowthey still be having their
little.
You know what I'm saying.
Travis Adams feels and stufflike that.

Speaker 4 (01:02:16):
You know like having family in the country and stuff
like that.

Speaker 2 (01:02:19):
So you say you've been in Kentucky 13 years.
Yeah, charlotte, how many years.

Speaker 6 (01:02:24):
A total of like seven years now.

Speaker 2 (01:02:26):
Seven years, so you're more of a Kentuckian than
a Charlottetian.
No, I'm a.

Speaker 6 (01:02:29):
Charlottetian.
Nah, she been here longer thanfive.
I don't know nothing aboutKentucky.

Speaker 2 (01:02:33):
I don't even know who Kentucky is, I mean.

Speaker 6 (01:02:36):
Who that High school Hardin University?

Speaker 2 (01:02:39):
Numerical Numerical wise.
She been in Kentucky for moreyears than she has been in
Charlotte.

Speaker 6 (01:02:45):
What are you talking about?
Hardin Hardin University?

Speaker 2 (01:02:49):
In Charlotte.

Speaker 3 (01:02:50):
Charlotte North.

Speaker 6 (01:02:50):
Carolina Allegheny.

Speaker 2 (01:02:52):
Okay, well, okay, that counts for something 2017.

Speaker 6 (01:02:55):
Class of 2017.
Shout out.

Speaker 2 (01:02:57):
That counts for something.
Okay, right track my bad.

Speaker 6 (01:03:00):
Counts for something.
Listen, I don't Fuck that T Iwould never look at you and say
you're a Kentucky.

Speaker 2 (01:03:05):
I ain't going to lie, though I would never look at
you and say you're a Kentuckian.

Speaker 6 (01:03:07):
I ain't going to lie, though.
If I started music in Kentucky,I'd be up there.

Speaker 2 (01:03:11):
You probably would, because like Kentucky is no.
No artists and Louisville wegot.

Speaker 6 (01:03:15):
you know, Jack Harlow , you feel me.
But some other people, but it'slike Bryson Tiller.
Yeah, bryson Tiller, he's fromKentucky.
But, Louisville and Lexingtonand Richmond and Winchester, all
these other little like it'sdesert you feel me.
I could have been blue, but Iwant to come to the city and

(01:03:36):
really experience the cultureyou feel me.
Like I ain't going toexperience none of this, none of
these lessons I learned inKentucky.
They would have just been likeoh, you're a great rapper, go
ahead, leaner Sky.

Speaker 2 (01:03:53):
Go ahead, niggerigger .
You're a great rapper, nigger.
Wow, go ahead.

Speaker 6 (01:03:57):
And spit that shit, nigger.

Speaker 2 (01:03:58):
I like that, nigger shit I like that nigger shit,
like you know what?
Leaner sky, that's my nigger.

Speaker 6 (01:04:07):
Right there, that's my nigger but you know I'm
saying some charlotte people.
I was about to say didn't theyhave?
Oh, these people don't talkabout guy.
That's my nigger, right there,that's my nigger.
But you know what I'm saying.
Some Charlotte people I wasabout to say didn't they have.
I was about to say they went upto one of our little cities up
there in Kentucky.
I don't fuck with them, no more.
Though.

Speaker 2 (01:04:23):
I missed that.

Speaker 6 (01:04:25):
We ain't gonna say no , what the fuck you mean?

Speaker 3 (01:04:27):
I'll come back to y'all's baby, though the what
the fuck you mean Congrats ony'all's baby?

Speaker 2 (01:04:32):
Oh, okay, the baby.
Congrats to y'all's baby.
Hold up now.

Speaker 6 (01:04:35):
You see that, you see that screenshot.

Speaker 2 (01:04:37):
You know my shit, we gotta go viral.
What the fuck are you talkingabout?

Speaker 6 (01:04:40):
These niggas ain't shit.
What are you saying?
What are you saying?

Speaker 1 (01:04:44):
We talking about off camera.

Speaker 6 (01:04:46):
It's a little sidebar .

Speaker 1 (01:04:47):
That's a little sidebar, that's a Patreon
episode.
They pay for this.

Speaker 2 (01:04:50):
We ain't do Patreon never where we 31st, you know
too, it is oh this dog knows.

Speaker 3 (01:05:00):
You know too, I was like hold on, you know I mean?

Speaker 6 (01:05:04):
I mean you feel me, it's name drops, you know, but
we ain't gonna talk about it.

Speaker 4 (01:05:09):
We ain't gonna get in on camera or nothing like that.

Speaker 6 (01:05:10):
You feel me, but it's name drops, you know.
But we ain't going to talkabout it, we ain't going to get
in on camera or nothing likethat.
You feel me, but congrats ony'all's baby.

Speaker 2 (01:05:13):
Shit, I fucking won't .
All right, go ahead.

Speaker 6 (01:05:15):
Shit crazy dog.

Speaker 2 (01:05:19):
We going to make it clean.

Speaker 6 (01:05:20):
Yeah, like I ain't going to lie.
I'm going to shout out Kentucky.
You know what I'm saying Shoutout, I won't be who I am Tough
skin.
You know what I'm saying.

Speaker 2 (01:05:28):
Try the Kentucky John Wall.
I'm so sensitive, I'm actuallyfine with it.
Edgerton Davis, the MarcusCousins yeah, you know, kentucky
had a lot of ballplayers.
What is he?

Speaker 6 (01:05:38):
talking about?
Oh, you forgot about RandallJulius.

Speaker 2 (01:05:41):
Randall, julius Randall.

Speaker 6 (01:05:42):
Yeah, my nigga was talking about me he on the board
.
Yeah, I think he got a crowd ofdetails Stop playing with him.
Okay, what's he?
15 plus.
Yeah, he's 15 plus Booker.
Oh yeah, booker.

Speaker 2 (01:05:56):
Booker.

Speaker 6 (01:05:57):
See that we yeah Like .

Speaker 2 (01:05:59):
Kentucky, Kentucky Hold on now Hold on.

Speaker 6 (01:06:01):
I ain't gonna lie, though.
You sure right.
I'll tell you what.

Speaker 1 (01:06:07):
But I ain't gonna lie , I went to this fire ass ghetto
, ass strip club in Illinois,kentucky, illinois, kentucky yes
, it was the city small girloutskirts.

Speaker 3 (01:06:17):
I'm telling you, I've been in Illinois, kentucky, the
rural part of Kentucky.
I ain't never heard of that.

Speaker 6 (01:06:21):
Or it might be called Chicago Kentucky.

Speaker 1 (01:06:23):
I don't know, maybe it's Chicago Kentucky.

Speaker 4 (01:06:26):
It's the name of another city.

Speaker 1 (01:06:28):
The strip club was so ghetto it was a hole in the
wall y'all.
That was the best time I everhad in my life.
It was literally like I'm goingto tell you how.
The strip club was no biggerthan this room.

Speaker 2 (01:06:39):
You walk in I swear to God you walk in.

Speaker 1 (01:06:41):
It's a pool table over here for niggas to gamble.

Speaker 2 (01:06:44):
That's the room right there.

Speaker 1 (01:06:46):
They only had like eight strippers, but the bitches
was fine.
I ain't gonna lie and I'm gonnabe very transparent.
Yes, I went with the nigga andyes, he did give me a stack of
ones and yes.
I did throw my entire stack onone bitch at the bar because the
bitch was fine.

Speaker 4 (01:07:00):
Oh my gosh.

Speaker 1 (01:07:01):
I had to tell him my life.
Was she the only fine one?
Well, I don't know.
That's the only one I've seen.

Speaker 2 (01:07:07):
Wait wait I just want you, I want to pause right
there when she said that right,you know how they be.
Like you can't.
It's like what's the word theyuse when it's like for male or
female.
You can't do double standard,right.
But it is a double standardright because, like she said, a

(01:07:27):
woman can go to a strip club,get one and throw it at a girl.
Like hey, picture a nigga cango to a strip club, get one and
throw it at a girl.
Like hey, picture a nigga doingthat to another nigga.

Speaker 3 (01:07:36):
Exactly why would a gay woman go to the gayest?

Speaker 2 (01:07:40):
situation.
Right, you see, I'm just saying.

Speaker 1 (01:07:44):
A man be in a men's strip club if he wasn't gay.

Speaker 2 (01:07:47):
Thank you.
I'm just saying he don't gottabe in a gay strip club.
No, no, no, I'm sorry, I didn'tmean to say that he ain't gotta
be in a gay strip club.
He could be in a strip club anda nigga come out and a nigga
yeah, but that's why there'sdouble standards in place.
If men wanna do that, they cando that.
No, Because women are moresusceptible to like oh, let me

(01:08:09):
see your titties, oh yourtitties is nice girl.
A nigga is not doing that.
That's why there's doublestandards.

Speaker 6 (01:08:17):
We girls, girls.
We support girls.

Speaker 2 (01:08:22):
No, we're not talking about the gay niggas.
We're talking about the doublestandard portion.
Yeah, because that's why doublestandards are in place.
No, that's why double standardsare in place.
No, that's why double standardsare in place because of shit
like that.
I'm just, I'm sorry.
I just it just came to my headwhen I was throwing fucking wins
at the girl I probably had likesix, seven hundred ones.

Speaker 1 (01:08:41):
I threw that girl, I'm not gonna lie, we was at the
bar drink, I'm like you want todrink, baby?

Speaker 2 (01:08:44):
I was in love.

Speaker 6 (01:08:45):
That's why double standards are in place, okay so
how do you feel if your man waslike seeing a girl and like
throwing ones, but he was intoher?

Speaker 1 (01:08:52):
though, oh, I don't know, what the fuck he was doing
.

Speaker 3 (01:08:54):
No but what if?

Speaker 6 (01:08:55):
he like seen it, though.
Like was that you Shit, thatwasn't my problem.
Like what?

Speaker 1 (01:09:00):
if no, no, no.

Speaker 6 (01:09:08):
I'm having.
He like you know what I'msaying Did a little too much.
He was into the girl, like youcould tell he look at her like
you look at you.
You know what I'm saying, likeyou know what I'm saying how
would you?

Speaker 5 (01:09:21):
Yeah, I don't know Cause.

Speaker 1 (01:09:23):
see, that's the thing I might really get mad because
you're trying to steal my nigga,because I feel like maybe I'm a
little territorial, I know yougot a job to do, but they're not
going to stop.

Speaker 6 (01:09:35):
No, you feel me.
Don't include me, it's just me,don't bring the devil to your
bedroom.

Speaker 1 (01:09:41):
No, oh hell.
No, never.
But I get it though.
Yeah, she's just doing her job,but it's like that's a good,
honestly I don't know like Ifeel like the, the delusional
part of me.

Speaker 6 (01:09:52):
I'll probably get mad like yeah oh yeah, you're going
to live in too much for myliking, but I wouldn't even go
to the strip club with my man,yeah, but like I don't know.

Speaker 4 (01:10:00):
On the other hand, it's like yeah but, that's, but
that's I was just about to sayon the other hand.

Speaker 1 (01:10:04):
it's like we here to have fun like, so I can't really
be see that's, that's too muchSee we ain't even coming in, we
not going.

Speaker 6 (01:10:11):
We can do that at home, though I can do that to
you at home, like that's thething, I probably wouldn't even
go, I wouldn't even go, Iwouldn't even go, we staying
home tonight.

Speaker 2 (01:10:20):
What are we doing?

Speaker 6 (01:10:21):
I'm cooking for you tonight.
Titty shit.
We staying home tonight.
Staying home tonight.

Speaker 2 (01:10:29):
Ain't no way All right.
Hold on, let's bring down thesexual intensity right now, guys
.
I'm weak A lot of sexualintensity right now, right.

Speaker 1 (01:10:34):
So getting back to the music.
Yeah, please.
Oh yeah, my bad guys.

Speaker 2 (01:10:37):
What would you?

Speaker 4 (01:10:37):
say is the point in your life where you realize
music is a lane that I couldprobably succeed in.

Speaker 6 (01:10:45):
Whenever I couldn't get it out of my life.
I couldn't get it out of mylife.
I tried to work at constructionsites, I tried to overwork
myself to the point of me tryingto get rid of wanting to do
music.
You know what I'm saying.
But it always had to be there.
I always had to write something.

(01:11:06):
A lyric always came into myhead.
You feel me and I'm like, what?
Like, what do you want me to do?
I found a song.
I wrote to it in like I thinkwas like two minutes full, full
song.
Put it out and it's called gluethat's my shit too.

Speaker 4 (01:11:29):
Yeah, I'll take it.

Speaker 6 (01:11:29):
I'll take it, give it to me and um, yeah, so like
after I wrote that song, put itout and everything like people
loved it immediately.
Boom 13k youtube.
My god, what do you want me todo?
Boom 15K YouTube, next video.
Okay, Let me do the music, Letme do some part-time.

(01:11:53):
You feel me?
Let me see.
But yeah, that's when I thinkaround like well, last year
around this time November,that's when it started really
getting real for me, Like, do itIf it don't work out.
You got your degree.

Speaker 2 (01:12:09):
You feel me, so listen me.
Like, do it if it don't workout.
You got your degree, thanks, solisten, let's dive into it,
right, um child delineate sky.
Like let's give around thepause.
We've watched this young ladyblossom.
Oh yeah, into know thesuperstar artist that she is

(01:12:30):
becoming.
You know she came through ouropen mic circuit Training Day,
clt.

Speaker 6 (01:12:36):
First performance I ever had.

Speaker 2 (01:12:38):
Ever had, and you know.

Speaker 6 (01:12:40):
Ever, the first time I ever showed anybody else in
the world my music was atTraining Day, thanks, and from
there she blossomed.

Speaker 2 (01:12:53):
She groomed, she learned, they helped me study
and she transcending into theartist that she is now you know.
So again, round of applause.

Speaker 6 (01:13:02):
So y'all gotta surprise me like this though.

Speaker 2 (01:13:09):
Yeah.
So in saying that right, like,how important is artist
development for you?
Because now with the music, howit is now, artists if they have
a song that's resonating onTikTok and it blows up, it gets

(01:13:29):
signed.
There's really no artistdevelopment into that.
So how important was goingthrough the avenues, getting
developed into, developing intothe artist that you is now?
How important is that to you?

Speaker 6 (01:13:42):
Well, I always say knowledge is power.
You know what I'm saying.
In any field, anything you do,you know what I'm saying and
being prepared is like the bestthing you can be.
You know what I'm saying andbeing prepared is like the best
thing you can be you know whatI'm saying Always stay ready, so
you don't have to get ready.
You know what I'm saying.
So artist development is a partof like it's not just

(01:14:04):
rehearsing, it's not justlearning your lyrics, it's not
just rapping over instrumental.
It's being present, making animpact, making people remember
you.
It's deeper than just gettingon stage and rapping your lyrics
and then getting off.
You have to make peopleremember you.
You have to make people feelwhat you're saying, because if

(01:14:24):
they don't feel what you'resaying, you're just another
rapper that came.
You feel me.
So it's like the artistdevelopment you have to know who
you are as an artist.
You have to know what your goalis.
You have to know who your teamis, and I ain't got no team, so
I'm still going.
You know I'm saying through theprocess.
I'm only a year in, but Iapplaud people who already got

(01:14:45):
their team.
A publicist uh, you know whatI'm saying.
A manager, a clothing linepartner you know what I'm saying
.
Just people who endorse youwithout you having to
necessarily pay money.
People who promote you withoutyou necessarily having to go out
, and you know what I'm saying.
Do it yourself like you have tohave them type of people around

(01:15:05):
you, so you don't have to havethat weight on your shoulders.
You know what I'm saying.
Artist development is more thanjust shoulders.
You know what I'm saying.
Artist development is more thanjust you know what I'm saying
learning how to write better.
You know what I'm saying.
It's deeper than that.
If you really want to succeedhonestly and I went through a
couple bad managers and you knowwhat I'm saying but shout out
to my first one.
He actually did put me in roomswith people who knew what was

(01:15:28):
really going on.
You know what I'm saying.
So shout out to them for reallygetting me knowledge in my
first month of being an artist.
So knowledge is power.
You know what I'm saying.
Like you just got to beprepared.
You got to know who you are.
You know what I'm saying.
It's very important, veryimportant.
And it's not easy to learn, I'msorry.
It's not easy to learn.
You know what I'm sorry, it'snot easy to learn.

(01:15:48):
You know I'm saying, in yourfirst month, second month, even
your first year in, like I said,I ain't even got a full team
yet.
You know what I'm saying.
So you know I'm saying it's alearning, learning curve.
You know what I'm saying, butand then piggyback off the
manager joint right.

Speaker 2 (01:16:01):
So no, I'm not gonna get into that yet yeah, but I
just want to touch on thesubject of what the difference
is of having a good manager asopposed to a great manager.
So a good manager is going toget you in rooms, going to get
you placement and shit that youfeel like you need to be there.

(01:16:25):
Right A great manager is goingto get you in places where you
don't have no business beingLike yo.
How the fuck am I in here?
Because that's what a greatmanager and a good manager.
That's the differential betweena great manager and a good
manager.
So, in keeping with themanagers, right, you know what

(01:16:46):
this shit says.

Speaker 3 (01:16:49):
No advisory.

Speaker 2 (01:16:49):
so I'll fuck you.

Speaker 6 (01:16:50):
Fuck that shit, no names though we can do nicknames
, nicknames, yeah, we can dolike easy ass nicknames.

Speaker 2 (01:16:58):
I'm going to tell you , Lena, that's going to be
extremely hard for me because Idon't give a fuck.
And nobody checked me yetNobody checked me yet.
If you saw it you saw it, youdidn't I.

Speaker 6 (01:17:09):
Why check me yet If you?

Speaker 1 (01:17:09):
saw it, you saw it, how much you come check me Come
check me.
He asked him for the smoke.
That's crazy, it is I ain'tgonna lie to him.
It's straight.
It's truthful you know howcrazy that is.

Speaker 3 (01:17:26):
Yeah.

Speaker 2 (01:17:26):
Ain't nobody gonna say shit, but listen.

Speaker 6 (01:17:29):
If they say shit, they feel see.

Speaker 2 (01:17:31):
All right, out of respect, I'm going to keep it
B-rated and if people know, youknow.

Speaker 6 (01:17:38):
B-rated is crazy.

Speaker 2 (01:17:41):
Out of respect, you know.
So we was talking outside ofthe camera, wise, and we were
talking about different managersand promoters.
And we were talking aboutdifferent managers and promoters
and just tastemakers who feelthat they are quote unquote
gatekeepers of Charlotte andthey put Charlotte artists on,
so on and so forth.
Two part question.

(01:18:04):
So, as far as management isconcerned and the management
that you previously had, right,that are in the Charlotte scene,
right For artists that's goingto look at this and say, hey, I
may consider that to be amanager.
Right, tell them yourexperience of having an art, a

(01:18:26):
manager that you felt at thetime was somebody that could
further your career and theCharlotte scene.
How was that Um help, progressor digressed your career?

Speaker 6 (01:18:39):
Okay, so the first manager actually was like a bit
helpful.
You know what I'm saying.
He did get me an audio box withyou know I got 20 on a B.
You know what I'm saying.
He introduced me to the owner.
You know what I'm saying.
He did get me An audio box withyou know I got 20 on a beat.
You know what I'm saying.
He introduced me to the owner.
You know what I'm saying.
Like things like that.

Speaker 2 (01:18:55):
Because Let me stop you for a minute.

Speaker 6 (01:18:56):
That's easily accessible, but that you feel me
, you feel me so like that'swhat he did.

Speaker 2 (01:19:02):
He helped me a little bit.
Well, I said that Because Ifound the to help.
I'm trying to help.

Speaker 1 (01:19:07):
Well, she's for somebody that's trying to break
into that scene.
Okay, okay, In that scene, okayokay.
You know what I'm saying.

Speaker 6 (01:19:13):
Like two months in.
You feel me.

Speaker 2 (01:19:15):
An artist that just started.
I got you, I got you.
So you was like wow.

Speaker 6 (01:19:19):
You feel me?
I was like, oh my God, I got 20on my feet, like there's a
story behind that too, but Iknow all that shit, so I'm weak.
I'm drinking you know what I'msaying?
That's the level that, as faras I could get like.

(01:19:40):
I took pictures with Fetty PFranklin he's regular, but okay
he's so mad about that?
Punch review you know, what.

Speaker 2 (01:19:48):
I'm okay, he's so mad about that punch review.

Speaker 6 (01:19:49):
You know what I'm saying.

Speaker 4 (01:19:51):
They're so mad?
No, I'm just saying you knowwhat I'm saying.

Speaker 2 (01:19:58):
At that time, right, I got you.
You know what?

Speaker 6 (01:19:59):
I'm saying, but okay, so that's what the first
manager did.
The second manager did thisshit.
Do y'all remember the TreySongz show I was supposed to
open up for?
Yeah, never happened.
He told me to make a fuckingflyer.
Do y'all remember the TreySongz?
show I was supposed to open upfor?
Yeah, never happened, never wasa show.
He told me to make a fuckingflyer, a video, post it, knowing
that there was never a booking.
Trey Songz don't know me, hismanager don't know me, his team

(01:20:22):
don't know me None of themniggas know who the fuck I am.
Okay, he tried to say.
Oh, he tried to say.
He tried to say songs.

Speaker 2 (01:20:28):
So I got a story about that.
But he from the hood, he triedto say songs.

Speaker 6 (01:20:31):
Yeah, nigga in the hood.
They say he can fight.

Speaker 2 (01:20:33):
Trey Songz is from the hood nigga.

Speaker 6 (01:20:35):
He from the hood, he from the hood, he from the hood
he from.

Speaker 2 (01:20:37):
He came to my hood a couple of times.

Speaker 3 (01:20:48):
Oh he, he's, it wasn't a setup.

Speaker 6 (01:20:50):
It was more like a facade.
He wanted me to think that hecould get me into these places
and performances.
He would take it as far as theday of the show.
Three hours before I literallymade a video.
I posted it on my page.
I don't usually do that shit.
Anybody knows I only post on mystory when I perform.

(01:21:12):
I posted it on my page.
I don't usually do that shit.
Like anybody knows, I only poston my story when I perform.
I only post on my story.
I don't keep anything on mypage anymore.

Speaker 2 (01:21:17):
So before you do that is the second I'm going to say
initials is the second manager,ir, yeah, okay.

Speaker 6 (01:21:24):
Yeah, yeah, yeah, I'm weird and shout out to my
engineer I'm weird and shout outto my engineer.
I ain't gonna say which one,but he, you see him working at
Auntie Anne's so niggas gonna dotheir research.
Auntie Anne's yeah okay heworking on he getting that side
break okay he can't knock thehustle.

(01:21:44):
But you see what type of peoplethat they portray they self as,
but in reality you not even amanager at Auntie Anne's.
You feel me, I'm like I don'tget it.

Speaker 1 (01:22:00):
Y'all not hot.

Speaker 2 (01:22:02):
She watching, she watching.

Speaker 1 (01:22:05):
There you go.

Speaker 6 (01:22:06):
All right, but yeah, so like it's just a lot with him
.
Like he embarrassed me though.
The second one, it was morelike an embarrassing thing and
then fuck it, his modeling thing.
It was like a.

Speaker 2 (01:22:22):
We know, I know the story, I know the story.
But whenever.

Speaker 6 (01:22:26):
I like.
You know what I'm saying.
I was blanking you see Y'allremember that I was blanking.

Speaker 3 (01:22:29):
You know what I'm saying.
Y'all remember that I wasblanking.

Speaker 6 (01:22:30):
I was like this nigga trying me on some shit.
Fuck this nigga.
He not my manager.
I'll tell it all.
You know what.
I'm saying he was telling me ho, get off, live chill.
You know what I'm saying.
I was like fuck that shitbecause of people already to
this.
So I'm thinking that he reallycan help me meet Glorilla and

(01:22:52):
goddamn, you know what I'msaying all these people he's
taking pictures with he'stelling me oh, I'm getting these
artists out, you living in,nevermind, nevermind, do it.
That ain't none of my business.
That ain't none of my business.
I'ma definitely tell y'all offcamera, though I'm a damnly tell

(01:23:13):
y'all, whoever, I don't give afuck.

Speaker 5 (01:23:15):
I already know.

Speaker 6 (01:23:17):
Like this nigga had me held me back for like five
months.
Like all this shit I'm doingnow, this YouTube shit over
30,000 views, bro.
I could have been doing thissix months ago.
Like imagine the songs I couldhave been putting out.
Like this nigga inviting me tohis house at night on my
birthday, bro.
What are you doing, bro?
You asking me for my addressand you getting mad because I'm

(01:23:40):
not telling you my address.
Talking about I ain't seriousabout my music career.
What's up, bitch?

Speaker 2 (01:23:48):
You'll see the person I want to talk to Lena.
Hey baby, hey Polo, we got thejoint for the joint right here.

Speaker 6 (01:23:59):
Where my play at.

Speaker 2 (01:24:00):
I know you don't call me something Huh, I'm playing
that got Bluetooth capabilities.

Speaker 4 (01:24:05):
Huh.

Speaker 2 (01:24:06):
All right, just point it to the.
There you go.
Okay, ask your fucking question.

Speaker 6 (01:24:12):
Hurry up, you want me to show the room.

Speaker 2 (01:24:14):
No, no, put it to the thing.
She wanted to ask you aquestion, or something.

Speaker 6 (01:24:17):
Oh, ask me a question .

Speaker 1 (01:24:19):
I did not want to ask a question.

Speaker 3 (01:24:23):
So why the fuck you want me to call you then I'm
weak.
No, don't hang up on her.
I want to talk to her, Shhgoodbye, it's hard.

Speaker 2 (01:24:33):
Oh, it's hard as shit .

Speaker 6 (01:24:34):
But shout out to my engineer.
He's amazing.
He got me out of my funk.
He helped me realize how theshit really is.
He ain't sugarcoat shit and hehelped me get back into my mojo.
You feel me?
So shout out to him.
I ain't going to name him, buteverybody know who my new
engineer is.
We know it is.

Speaker 2 (01:24:54):
Yes, no fuck that, no , no no, no, no, Engineer,
that's it.

Speaker 3 (01:24:59):
No, Just leave it at that, engineer, that's it.
Off camera.
Off camera, it's Hoffman andGita Shout out to my engineer
Huh, you brought me out to fun.

Speaker 4 (01:25:07):
Aye, aye.

Speaker 6 (01:25:07):
Y'all want to hear my new shit.

Speaker 4 (01:25:11):
We don't have the core.

Speaker 3 (01:25:11):
We don't got the, I'm going to play it in there,
freestyle who?

Speaker 6 (01:25:15):
Nah, I'm going to freestyle for free and I'm not
saying that.
In no, I ain't saying that, inno cocky shit.
Bluetooth.

Speaker 2 (01:25:23):
Oh, why you do that?
Because we I don't think wereally got to dive into Lena.
Like, who is Lena Sky?
How did you, how did you adaptyour name?
What is your rap style?
Who do you emulate or try toemulate, you know, in music?

(01:25:46):
Who are your musical influences?
We want to know who the fuck isLena Skye so Lena Skye is
actually from my first manager.

Speaker 6 (01:25:59):
He made up Lena's sky as a whole, like the Lena's sky
part.
I was Lena mommy Originally.

Speaker 2 (01:26:05):
Yeah, she was trash, lena, mommy.
Horrible, horrible.

Speaker 6 (01:26:09):
And that's why I changed my name, cause the
motherfuckers like him.

Speaker 2 (01:26:12):
Lena mommy.

Speaker 6 (01:26:14):
That's hard, that's trash Right.
Cute Like Lena mommy.
That's hard, that's trash right, that's cute.

Speaker 2 (01:26:18):
Lena.

Speaker 6 (01:26:18):
Mommy, lena, mommy, hard as hell.

Speaker 2 (01:26:20):
That's not hard, lena .
I'm glad you didn't do thatshit, that's so funny, Okay so.
Well, if it ain't great, it'shorrible.

Speaker 6 (01:26:29):
Mommy, but I didn't want to act like I was Hispanic
or something like that.
You know what I'm saying?
I'm a black girl.
You feel me?
I ain't feeling so, and then Ichanged it to Lena, and then it
was Lena Sky.
Okay, so, but I love Lena Sky,I love the way it is.
It's really Sky's the limit.
But you know what I'm saying?

(01:26:51):
It's what is it Settling killsyou, my bad.
So yeah.
And then he just put it toScott, my first manager, okay.

Speaker 5 (01:27:00):
Yeah, I had clothing line and everything.

Speaker 6 (01:27:03):
I had it going.
I ain't going to lie, hestarted me up.
Good, it's just like.
Mixing personal withprofessional is never going to
work, ever, ever, ever, ever,even if you think it's working
now, even in five years, twoyears in something's going to

(01:27:23):
gonna.
You know, what do they alwayssay never, mix business with
never, pleasure never.
It's never gonna work out.
And I always say never, saynever.
But in that case never likehell no, but we still cool to
this day.
You feel me.
Apologies were made, you feelme, so I'm gonna be on his mic
job soon what is your?

Speaker 2 (01:27:38):
I mean, we know your, your style of music, your style
of rapping.
For the people that's watchingmore than I watched them all.
But people, what is your rapstyle like?
Who are your influences?
What is your rap style and whoare your musical influences?

Speaker 6 (01:27:53):
my my influences is Michael Jackson.
Okay, erykah Badu, you knowwhat I'm saying.
I love her Like.

Speaker 4 (01:28:02):
Listen to it in the rain, her aura.

Speaker 6 (01:28:03):
Like that shit is hit different in the rain when you
chilling, smoking a blunt, Likeit just feels good.
And then who else?
Oh, Future, duh, Female Hendrix, what you talking about?
Yeah, Future, who else?
I can't leave these people out.
Every time people ask me I beleaving somebody out.

(01:28:23):
Name a girl Name a girl oh,nicki Trippin', nicki Travel.

Speaker 2 (01:28:27):
Nicki.
Shout out to Nicki.

Speaker 6 (01:28:28):
He said toxic, you, a Scorpio, that's toxic, anyway.
Oh no, offense, not the anyway,oh no offense.

Speaker 1 (01:28:42):
Not the women, not the women I ain't say shit, I'm
a little bit wait.
Are you november october?
Oh no, oh october.
Okay, you say he said he acrazy one, he not the freaky one
I think they nicer than thenovember.

Speaker 6 (01:28:52):
They delusional damn.
You think we mean.
No, I just y'all real strong,like y'all black and white yeah.
I'm a Gemini.
I'm sensitive as fuck.
I can't handle that.
Yeah, I can't handle that.
I get it but yes okay, I'msorry.

Speaker 2 (01:29:10):
I'm sorry, I keep you back on track your influences
Jackson.

Speaker 3 (01:29:15):
Your influences.

Speaker 6 (01:29:18):
Current influences.
I ain't going to lie.
Glorilla like she make me goharder Like her, she influenced
me in that way Because I can'tlike.
I ain't going to lie.
You know how you listen tosomebody like and you start to
just rap like them, like peoplebe on Boss man D-Lo beats and
they just.
You know what I'm saying.
I try to do that.

Speaker 2 (01:29:38):
I'll be right with you, be Lena, I was like I
believe that's.

Speaker 6 (01:29:44):
Glorilla Right I'm from.
Charlotte.

Speaker 3 (01:29:48):
Not Memphis.

Speaker 2 (01:29:50):
The thing that distinguishes Glorilla, because
of her voice.

Speaker 6 (01:29:54):
She's different, though she's different.
And her lingo, because nobodycould be like her and that's the
type of shit that I, you know,I'm saying I need that, yeah, I
need.
I need that type of what's itcalled the niche, that niche you
know what I'm saying that Icould just grab on and just take
off with you.

Speaker 2 (01:30:10):
Know I'm saying so I want to ask this question right,
because, uh, we are currentlyworking training day cl.
Clt is currently working on aDVD documentary, but I want to
ask you.

Speaker 4 (01:30:22):
Yeah.

Speaker 2 (01:30:23):
But I want to ask you residing in Charlotte currently
, like where do you, what do you, what do you consider Charlotte
sound and what do you considerCharlotte's culture?
Well, Now you're the firstperson that got asked this

(01:30:44):
question, so you got to.
What is Charlotte's sound?
I don't know.

Speaker 6 (01:30:47):
Chicken coop come to my mind when I think about
culture, the chicken coop.

Speaker 2 (01:30:52):
Which is no longer here.

Speaker 6 (01:30:53):
Something about that.
It's just yeah, but like I said, I wasn't here for, like the
real, like East.
You know what I'm saying themall on the East side.
You feel me Like I wasn't herefor the real culture, Like
before people started moving.
In no offense to New Yorkers oranybody who moved here, I'm
just saying like, yeah, like Iwasn't, like my sisters, yeah,

(01:31:17):
like my sisters, my oldersisters, they knew the culture.
So I'm.
That's why I don't really knowthe sound.
You know what I'm saying.
I don't even think we have asound.
I know DaBaby.
You know what I'm saying.
He got Charlotte sound, becauseif everybody start rapping like
DaBaby, it's not going to catchon.
Yeah, it's not going to takeoff like Atlanta.

(01:31:39):
Sound dude.

Speaker 4 (01:31:40):
You know what I'm saying.

Speaker 6 (01:31:41):
People start rapping like Lil Baby and for some
reason it hits.
You know what I'm saying.
So they just have their ownculture.
We just ain't really well in myopinion.
We may have it in some littlecliques and you know what I'm
saying, stuff like that.
They might have a soundsindividually, but I don't know
as a unison, I don't know,especially as females.

Speaker 2 (01:32:02):
Now we definitely gonna sound as females and
anybody can disagree, but Iasked that you know because, uh,
you look at the Charlotte musicscene and you hear these
artists that perform at thesedifferent open mics and venues.
They kind of try to emulatewhat sound that's out now right.

(01:32:23):
So when you look at artists,like you stated, the Baby, right
, he had his own, he came inwith his own sound, but, as you
stated again, that's not theCharlotte sound you got to
remember.

Speaker 6 (01:32:35):
Remember, though he changed his sound you know I'm
saying yeah, like I heard hisnew new okay, I heard his new
shit compared to his old shitright when he was like when he
was the old shit, theyconsidered charlotte's sound not
that shit, wait, wait, not theboom, no, not the not, no, not
the.
Shook shit.

Speaker 1 (01:32:56):
Yeah, not the Shook, shit.
No wait, let me stop.
The Baby Jesus, shit, you feelme Like?
Yeah, with the Money manfeatures.
That's the real his mixtape.

Speaker 2 (01:33:06):
No, you know what I hear, you, I hear you, but from
when I was, you know, doing inlieu of doing this new venture?
A lot of people were sayingthat Pack of the Maryland gone.
They stamped that as aCharlotte sound because that was
the most commercially as big asit.

Speaker 1 (01:33:27):
Yeah, yeah, yeah I mean, that's fair but I don't
think it should be stamped asCharlotte sound.
Yeah, not at all.

Speaker 6 (01:33:34):
But I give it to him for making it that big to make
people think it was a Charlottesound Commence to him.
You feel me.

Speaker 2 (01:33:41):
And he's not even from Charlotte.
That's crazy.

Speaker 6 (01:33:43):
He from Ohio.

Speaker 3 (01:33:45):
This nigga from Ohio.
He's not even from Charlotte hewas in high school down here.

Speaker 6 (01:33:49):
So Just like they try to get my girl Jazz on that
bitch, they try to say she wasfrom Charlotte, talking about
Charlotte's very own on Netflix.
She ain't from Charlotte.
Y'all be trying to grab anybodynearby.

Speaker 2 (01:34:00):
You watch Bad Girls Club?
Love that Bad Girls Club.

Speaker 1 (01:34:02):
Scotty Scotty said she was from Charlotte no, no,
you watch Baddies.
Scotty is not from Charlotte.
Scotty is from Cary, NorthCarolina, which is out of
Raleigh.
But she claimed Charlotte andeverybody was like never, ever
seen you in a club ever.

Speaker 2 (01:34:15):
See, there's a difference from where you're
from and where you at.
Yeah, you know.

Speaker 6 (01:34:21):
I, I never heard of that though, yeah, but I think
honestly.

Speaker 1 (01:34:26):
I do know that she lived in Charlotte downtown for
a year.
I think maybe that's why sheclaimed it, but to say that
you're from Charlotte.

Speaker 2 (01:34:32):
A year was not long enough.

Speaker 6 (01:34:33):
Yeah.
It's not like at all Nowherenear long enough.
I just yeah, like if you ain'tborn and raised, been through it
, you know what I'm saying.
It's a lot of traumatic thingsyou go through in a city to
really call it your own, Likeit's a lot of things that bring
the community together.
That is kind of disrespectfulto just claim some shit just
because it's a nearby city.
You feel me, if I'm from Raleighor if I'm from, like,

(01:34:59):
winston-salem or Greensboro, I'mnot gonna say I'm from
Charlotte, right, I'm gonna sayI'm from Raleigh or Greensboro,
you know what I'm saying, like,but I ain't gonna say I'm from
Kentucky, though so I want to um, because I know we kind of run
a little bit over on time, butmy last question for you is just

(01:35:20):
how do you juggle everythingwith being a mom and you know,
especially when, like you, werea mom, you were in school, you
were doing music and I'm sureyou probably were working Like
how did you just maintain Wait?

Speaker 4 (01:35:31):
how old is your child .

Speaker 6 (01:35:33):
He just turned seven, november 24th.
Wait, wait, okay, let's do themath.
First of all, don't do the math.
I was a youngin' okay, straightout of high school, fresh age.
Yes, I was 18, ceo I had to dothe fingers and shit.
Jesus.

Speaker 1 (01:35:49):
Christ.
Think about the kindergarten.
Anyway, I was growing.

Speaker 6 (01:35:55):
I made my own decisions.
My mother definitely raised meright I did not have daddy
issues.
I made up my own decisions Tospread my name and fall in love
with a man who I thought wasgonna.
You know what I'm saying.
We was engaged, though.
You know what I'm saying.
It wasn't like.

Speaker 2 (01:36:10):
At 18?
.

Speaker 6 (01:36:10):
Yes.

Speaker 2 (01:36:12):
How old was he?

Speaker 6 (01:36:13):
He was 18 too.
Stop playing with me, no, Ijust wanna know how old was he?

Speaker 2 (01:36:15):
I ain't pushing on no kids, he was 18 too.
Okay, stop playing with me.
No, I just want to know how oldwas he?

Speaker 6 (01:36:18):
We want to be in your business we was high school
sweethearts.
Okay, like I ain't going to lie.
No disrespect to my man, nowyou feel me, but you know we was
definitely high schoolsweethearts, you know and
entering.
You know what I'm saying tryingto get some extra money while I
was pregnant.

Speaker 2 (01:36:36):
All right.

Speaker 6 (01:36:36):
Because he got.
You know what I'm saying onthat Pisces shit and you know
what I'm saying.
I understood the reason in themoment it was dumb.
It was stupid, it was retarded.
Now it's affecting the rest ofyour life.

Speaker 5 (01:36:48):
Right.

Speaker 6 (01:36:48):
Facts, but shout out to him though he a great dad,
you feel me.

Speaker 2 (01:36:59):
That's all right.

Speaker 6 (01:37:00):
Round of applause.
You know what I'm saying?
Shout out to him.

Speaker 3 (01:37:05):
He actually it's on Bluetooth.
Oh, I forgot.

Speaker 6 (01:37:09):
I'm sorry Shoot, but it's in the song I was and
forgot about it.

Speaker 5 (01:37:13):
We're going to do that.

Speaker 6 (01:37:15):
But yeah, like fast forward this shit.
You know what I'm saying.
Just, you know, shout out tohim, he's keeping him while I
you know what I'm saying work oneverything, work on my career,
getting a new house.
You know what I'm saying.
Just build up my life so that Ican be prepared to take him
back in full custody.
You know what I'm saying kindof.

(01:37:38):
You know what I'm saying.
We have to give each other time.
So you know what I'm saying.
I ain't never going to just putthem on him, so we take turns.
You know what I'm saying.
Like I said, shout out to him.
He makes it easier on me.
My mother makes it easier on me.
Shout out to my mother, she'san angel.
She ain't never drunk, neversmoked a day in her life, never
heard her cuss a day in her life.

Speaker 2 (01:37:56):
Oh, she's pure how old is she?

Speaker 6 (01:37:59):
Let me ask my mama age.

Speaker 5 (01:38:02):
She's 57.

Speaker 6 (01:38:03):
Shout out to her she just turned 57.
Her birthday on the 24th, myson's on the 23rd.
No, hers is on the 23rd myson's on the 24th.

Speaker 2 (01:38:10):
You got a picture.
You got a picture.

Speaker 6 (01:38:12):
Oh God, you get on my nerves.
No, I ain't got no pictures.

Speaker 2 (01:38:15):
You about to show me.
You about to show me, youunlocked your phone.

Speaker 6 (01:38:17):
You about to show me this is my son though, but
anyway, yes, so shout out to myfamily.
You know what I'm saying.
That's why I said don't havekids unless you either have a
village or you have money, orboth.
You know what I'm saying.
It definitely takes a village.
You have to have help.
You have to have support.
You will go crazy raising ahuman being.

(01:38:39):
Okay, with just you and oneother person.
Imagine just you, one otherperson and a baby in a room for
the rest of your life.
You can't do it, so don't tryto do that in real life.
Okay, have to have a village.
You have to have support.
You know what I'm saying.
Financials got to be there.
You know what I'm saying.
Financials got to be there youknow what I'm saying so you
could show the child a betterlife than you had if it was bad.

(01:39:01):
You know what I'm saying.

Speaker 2 (01:39:03):
So anytime an artist comes on the platform, we always
got to ask this question thetop three?
Okay, top three.
Every time you say top three, Ijust Top three, right, and we
don't limit it to one genre,it's just artists, Okay.
So who are your top threeartists of all time?

Speaker 6 (01:39:29):
I thought you were about to say Charlotte, thank
God.

Speaker 2 (01:39:30):
Hell fucking.
No, Charlotte.

Speaker 6 (01:39:33):
Fuck, charlotte.
Is this live?
You gotta go, it is live.
I'm sorry, charlotte.
Is this live?
You gotta go, it is live.

Speaker 2 (01:39:40):
I'm sorry, charlotte, I love you.
That driver sucks, but I loveyou, charlotte, I don't love you
, but I love you.
I didn't mean that Right fromthe record my top three.

Speaker 6 (01:39:52):
Yes, dead or alive, michael Jackson, he's still
breaking records you feel meRound of applause.

Speaker 3 (01:39:55):
Michael Jackson.

Speaker 6 (01:39:55):
Michael Jackson.
He's still breaking records.
You feel me?
Round of applause, MichaelJackson.

Speaker 2 (01:39:59):
You know what I'm saying?
He's still breaking records.
Wait, wait, wait.
I don't want to cut.
Wait, where's the fuckingapplause?

Speaker 6 (01:40:03):
It's on Bluetooth.
Take this shit off.

Speaker 2 (01:40:06):
Okay, do the applause now First of all do the
applause oh shit.
She thought it was applause.
Applause, I took it off so.
Do it again, do it again.
Do it again.
Hold on, let me make sure it'soff.
Yeah, it's off, Okay of courseyou can't have it covered up Now

(01:40:28):
, wait, wait.
Go back to that, because it wassomething I had to say.
What?

Speaker 1 (01:40:30):
Michael Jackson.

Speaker 2 (01:40:31):
Okay, speaking of that speaking of that, I got you
Before we go into that.
Okay, y'all heard the story ofthe nigga that auctioned, won an
auction of the storage and hefound in that storage was
unreleased.
That's going to be my nextweek's well, my next year.

(01:40:52):
What would you do If you foundthe artist like that music?
What would you do with thatmusic?
That shit is worth way morethan printed money bro.
And they can't even find aproducer.
They don't know who theproducer is.
They can't even find a name.
That shit is way more thanmoney, man.
Your top three Michael Jackson.

Speaker 6 (01:41:09):
Unreleased.

Speaker 2 (01:41:13):
I don't want to dive into it too much.

Speaker 6 (01:41:15):
Stop talking about it , okay.

Speaker 5 (01:41:17):
My, I didn't want to dive into it too much.
Stop talking about it.
My bad, I'm a fanatic.
That's going to go a wholedifferent realm Michael.

Speaker 6 (01:41:21):
Jackson damn top 3 top 3 some people is at the same
level as 2 and 3.

Speaker 2 (01:41:29):
I don't think he's upset Michael Jackson going to
see this in his grave no,definitely Michael Jackson,
michael number 1 of all time.

Speaker 6 (01:41:36):
And then Nicky in the future are going to see this
and it's great.
I'm like, oh, no, definitelyMichael Jackson.
No, michael number one of alltime.
And then Nikki in the future.
That's it.

Speaker 3 (01:41:42):
Okay.

Speaker 6 (01:41:43):
If I have to do it.

Speaker 2 (01:41:45):
Nikki, why?

Speaker 6 (01:41:46):
Nikki.
Like if I, if I love theirmusic, I have to be in the same
room with them.
You know what I'm saying.

Speaker 2 (01:41:52):
Like why, nicki?
Why not Erykah Badu?
She a boss woman, or LaurynHill, and that's the thing.

Speaker 6 (01:41:57):
She not just a rapper , she's a business woman.
She can teach me more than justlyrics.
Bro, what business she got.

Speaker 3 (01:42:04):
What she got her own podcast.
She got her own radio channelshe sells shoes, lipstick.

Speaker 6 (01:42:11):
She got a hell of a business.
She got different kinds ofmakeup, not even lipstick.
She do nails.

Speaker 2 (01:42:15):
Them shits is super trash.

Speaker 6 (01:42:17):
She do shoes she do hair.

Speaker 2 (01:42:19):
I don't care nothing about it.
You are the girl.
She make money.

Speaker 6 (01:42:22):
She make money.

Speaker 2 (01:42:23):
It ain't Fenty, though it ain't Rihanna.

Speaker 6 (01:42:26):
I'm hating hard.

Speaker 2 (01:42:30):
When did you hear about a fucking Nicki Minaj shoe
?
Y'all guys, y'all winning NickiMinaj any Nicki Minaj products?

Speaker 1 (01:42:40):
She does have a shoe.
They sell it at DTLR.

Speaker 2 (01:42:43):
At.

Speaker 6 (01:42:43):
DTLR.
Do you have a DTLR?

Speaker 2 (01:42:47):
collab.
No, I'm just saying, dtlr islike the hood shit, hood niggas
doing DTLR.

Speaker 6 (01:42:57):
She making money off that DTLR, and that's what she
sell it to.

Speaker 2 (01:43:01):
I mean, I went and got some DTLR.

Speaker 6 (01:43:03):
I'm a hood nigga you got to think about it though.

Speaker 2 (01:43:06):
It don't matter how many shoes she sell.

Speaker 6 (01:43:09):
She already got her shit.
She already got her investment.

Speaker 2 (01:43:12):
They already paid her already for this collab.
I'm not knocking, I'm not naked.
I'm not naked, I'm not knocking, I'm just saying she's not,
it's up to them to make themoney niggas is not talking
about Nicki Minaj and her shoesand shit like that.

Speaker 6 (01:43:23):
I respect it ain't nobody talking about Iversons.

Speaker 2 (01:43:26):
Ain't nobody talking about goddamn shacks what you
been up to, about Iversons, whatyou talking about they already
they got a whole documentaryabout Iverson's shoes.
Yeah, how many years ago, lena,we're not going to go to Lena.
Yeah, exactly, I'm an OG.

Speaker 6 (01:43:43):
That's when he know he wrong, he start saying yo
first name no, no, no, no, no.
I'm just saying do not debatean.

Speaker 2 (01:43:47):
OG.
Don't debate an OG, because Igot facts.

Speaker 6 (01:43:51):
I'm just saying, like people not talk about her shoes
because nobody talk about noshag.
He's a great player.

Speaker 2 (01:44:01):
You know what I'm saying and again I'm going to
say this she's a great rapper.
I'm going to say this Shout outto Nicki Minaj because of my
background, lu Star, theTeamsters and all that shit.
It was Nicki Minaj, lu Star andSafaree, you know that's my era
.
I like I, I, I cause I used todo music and I used to be in
these rooms with them personally, seeing them, like you know.

(01:44:24):
And so that's why I say shoutout Nicki Minaj, you know, and,
and, and.
But it was really Fendi whoaccelerated her to the status
where she at now, her to thestatus where she at now.
But shout out to big fendi, Igot a story about that.

Speaker 1 (01:44:40):
Yeah, shout out to fendi because he is celebrating
that I got a home girl that'sfriends with big fendi uh-huh
and when I was fresh out ofcollege.
Yeah, and she well connected.
Yeah, when I was fresh out ofcollege, like just the same
friend.
When I was in college she putme and my cousin on.
We used to get paid by theclubs to bring pretty girls to
the club.
Like we would get 50 per pergirl that we bought her girl lit

(01:45:00):
.
We went out to cameo one weekendwith this nigga.
Maybe yes crazy time of ourlife crazy.
They threw a million dollars atnight crazy crazy.

Speaker 2 (01:45:14):
I'll never forget that I got a couple of funny
stories, but I ain't gonna saythem Because niggas gonna think
I'm lying.
But you know, niggas gonnathink I'm lying.
Sleaze, I'm well connected, I'm.
I just don't, I don't, I don'ttalk.
I don't talk about it, though.
Are you mixing the drink Withyour finger?
Yeah, I got to.

Speaker 6 (01:45:31):
He diddling that nigga got him real bad real bad.
I ain't never seen that.

Speaker 1 (01:45:38):
That's what hood niggas do before we bring your
song game, go ahead and tell thepeople where they can find you
on social media and where theycan stream your music everywhere
.

Speaker 6 (01:45:47):
Lena Scott L-I-N-N-A S-K-Y.
What is that?
Youtube, twitter, instagram,snapchat?
Well, not Snapchat, I'mtripping.
Deleted that years ago.
Um what else?
Youtube, of course.
Um, I don't know why I thoughtabout Snapchat, but um, yes,
just everywhere.

(01:46:07):
Album music, spotify, anywhere.
Um Female Hendrix out now EP.
Put it out on my birthday acouple months ago.
Um, got to do a six-monthanniversary or something Shout
out to that.

Speaker 2 (01:46:20):
Got 15,000 streams I got to put up the stats and
stuff for that.

Speaker 6 (01:46:25):
I got to put up all the stats and stuff for
everything because people thinkI'm just like you know, what I'm
saying.
You know what I'm saying?
Motherfuckers think I'm justone of them, but I ain't none of
them.
You feel me so.

Speaker 5 (01:46:48):
Shout out to my hype man Pop your

Speaker 1 (01:46:52):
shit nigga.

Speaker 3 (01:46:52):
Shout out to you though.

Speaker 6 (01:46:54):
Nah, yeah, you know what I'm saying Everywhere.
Lena Scott, I don't know whatsong to play.
What song should I?

Speaker 2 (01:47:01):
play.
Wait, do we got the plug toplay it?

Speaker 1 (01:47:07):
I was about to say I could reconnect.

Speaker 2 (01:47:11):
Is there a plug over there?
Huh, somebody ran off with it,god damn it Okay off with it God
Okay.

Speaker 6 (01:47:20):
Bluetooth it Okay this is the one me Bring it in.
Bring it in.

Speaker 2 (01:47:24):
Lena, this is the one .
Are we all set up for Bluetooth?
Yeah, okay, good.

Speaker 6 (01:47:29):
Hold on wait, Let me find it first.

Speaker 2 (01:47:31):
Bring it in.
Lena, wait, before you do that,why are you doing that?
Snowvoarsity Podcast man.
Listen, guys.
Happy new year.
Merry Christmas to all you guysyou know.
Enjoy your time with yourfamily.
This is a new year.
Listen, I'm done withresolutions.
Y'all just got to do this shit.
Fuck a resolution.

(01:47:51):
I don't want to hear any ofy'all motherfucking resolutions
this year.
I don't, because I do aresolution and it be the same
shit the fucking whole year.
And you want to do the sameresolution.

Speaker 4 (01:48:01):
I don't want to hear it.

Speaker 2 (01:48:02):
Just go out there, do your shit, be you, be great, be
fruitful and get this moneyAlright.
So I don't know Linus Scottgoing to play some new shit.
You know where it is your boy,sia McClain, it's your boy, sia
McLean.

Speaker 1 (01:48:14):
It's your girl, trap Sia.
Once again, happy holidays.
Make sure you like us.
Share, subscribe, comment.
Check us out on YouTube, tiktok, instagram, anywhere that you
listen to podcasts.

Speaker 2 (01:48:25):
And it's your girl, trap Sia, and before we end it,
because Taris is not here, shealways say you can find us on
these social media platforms.
I, these social media platforms.
I am not going to mention those, I'm going to mention mine.
You can find us on midgetcom.
Midget on midgetcom.
Midget on top of midgetsFucking midgets on top of
midgetscom Blasian midgetscomSpanish midgetscom Spanish

(01:48:52):
Dominican midgetscom.
Midgets with good feetcom.
Midgets with good nails andfeetcom midgets that got that.

Speaker 6 (01:49:02):
Midgets that don't got no.
Here's my new song with me andmel silas that I made him get on
because he's amazing but I'mnot gonna play mel's part,
because y'all have to pay me forthat.

Speaker 1 (01:49:14):
Period.

Speaker 6 (01:49:15):
So, but here's my part.
Oh, there I go.

Speaker 2 (01:49:17):
Bring it in.
Bring it in.
Bring it in, bring it in.
Wait, hold on I don't hear you.

Speaker 6 (01:49:23):
Wait, bring it in.
Bring it in.
Introduce the song I just did.
This is a song by me and MelSilas, but I'm not going to.
I ain't do this stuff fuckingday, yeah, so I'ma just play
this right here.

Speaker 3 (01:49:36):
Yeah, that's a new fucking video damn OB, by the

(01:49:59):
way, damn Obie.
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On Purpose with Jay Shetty

On Purpose with Jay Shetty

I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!

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Dateline NBC

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