Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
No, that was the
Flamingo.
We was in Bro.
It was right next door to the.
It was next door to theFlamingo because they had like
they had like $3 crown rollshots and $2 PBRs.
So you know me, $35 room, Ifound the $3 shots.
(00:23):
Why the fuck?
$35 room?
I found a $3 shot.
That's why the fuck $35 room inFremont?
That's just no.
No, no, I wasn't on Fremont.
Oh, I was about to say you wason the Fremont.
Oh, okay, flamingo, I stayed atthe Flamingo, but I'm talking
about Fremont.
That's where I wanted to gocheck out.
I still don't think I ever beenover there F.
I still don't think I ever beenover there.
(00:43):
Fremont is dope.
So talk into your mic please.
Fremont, that's old Vegas.
And when you actually think ofLas Vegas old school mafia stuff
right, that's Fremont.
And they got like you can likehang glide or whatever over the
top.
They got some good food outthere.
They got the mob museum Reallydope.
(01:03):
I went to that and it's justnot as loud.
It's like somebody who wants togo get the feel of Vegas for
what it once was beforecapitalism took over.
You go to Vegas to do it.
What was that?
When the mob took over.
That wasn't capitalism, I'msaying the other, the legitimate
(01:23):
business.
They were strong army people.
I'm talking about theentertainment industry that
followed it.
If you want to go to a placewhere you feel like you're in a
back alley poker game with abunch of cigarettes, you go to
Fremont.
I feel like they built AmericaWell Vegas for sure, more than
just Vegas.
New York, florida.
When the mob left New York,tampa was the first spot that
(01:50):
they tried to put the casino andrunning hooch and all that
stuff down there.
Then they went to like themidway.
You said running hooch, yeah, Ithink it's Kansas, it's another
like, that's like another spot.
Kansas, that's like the mainhub, that's where they all meet
up at.
Then they went to Vegas,atlantic City, in New York.
(02:14):
They was bullying the union,the monsters.
You going to give our guysthese jobs or you going to be
out there in the water sleepingwith the fishes?
And I promise you that.
Oh man, you was gone.
What?
What happened off the phone?
What was going?
No, no, no, no.
Like so real deal feedback.
(02:34):
When, like somebody talking toyou and you're on the phone, it
looks bad.
I got a couple texts.
I had to catch up now.
Man, damn, now we got.
I'm catching back up.
I'm trying to see what's beengoing on.
You know what, ru?
I was trying to find A mafiapresence In Atlanta and I Like
it's hard to find, pretty sure.
Well, yeah, it's just hard tofind Everywhere boy.
(02:56):
It's hard to find the likeOrganized crime, atlanta
Document Documentaries, unlessit's nigga shit.
What you mean?
Atlanta documentaries?
Unless it's nigga shit, itprobably wouldn't know how.
I'm member in Atlanta, probablywould just another.
You know somebody that theysent Because if you watch all
the old movies they'll do that.
They'll be like, hey, we needyou to go to Alabama and run
that thing.
Just turn it up for a minuteand then shake back.
(03:18):
But I'm not even saying, I'm noteven saying like anything from
like the Italian side.
I'm not even saying anythingfrom the Italian side, I'm just
saying just, organized crime inAtlanta.
You got good fellas, that'slike the biggest black gang
running the prison.
I was saying I only saw theblack organized crime.
I didn't see any whiteorganized crime.
(03:40):
I know it's there, Cartel beingin Atlanta, probably the Klan,
pretty sure they might be biggerdown like northwest Georgia.
They be here, they be here.
I'm saying right here for sureDown like Dalton area, that
Calhoun, that there, ringo, allthat shit is rough.
(04:02):
I think the whole state I'mgoing to get putting out up
there.
I was up there playingbasketball and got ran up out of
there.
Nigga Ringo was down there inTennessee.
Oh no, that's for sure, but I'mmore.
It wasn't.
I should have said it was LFOwhere I was at Fort Oglethorpe.
He wasn't welcome there.
It's up in Ringo.
(04:23):
The area is somewhere.
Just that's the college.
Yeah, yeah, yeah, that's what Iwas saying.
No, he's talking about LFOLakeview, fort Oglethorpe.
They weren't good at sports, orwere they?
It was okay, who cares?
But you know we can get into itfor the night.
(04:45):
Man, what's going on?
Fellas, tell me something good.
We back with the village vets,man, I mean you back from
vacation.
So I feel like you gotsomething good to say.
I got a little bit, but notreally much.
I'm asking y'all aboutsomething.
You talking about Tank Davis.
My fault.
Who the singer?
(05:06):
Tank?
That's Jervante.
Don't get more ghetto than thatboy man.
What's been going on?
Birthday Bills, my dog.
Shout him out to the left ofBig Rooster man, it's his
birthday.
Everybody, send some lovethrough the comments.
Shout out to Rooster, it isanother day.
No, it's not man, it's yourbirthday.
Everybody send some lovethrough the comments.
Shout out to Rooster, it's justanother day.
(05:26):
No, it's not man, you the big3-3.
Don't start that shit, larryBird.
See, I thought I was 32.
My mom was like, nah, you 33.
Ha ha, I was like you workingthat shit.
Yeah, it is what's been goingon there.
It feels be another year, man33.
Gonna go to new york.
That's all I'm worried aboutright now.
(05:47):
Can't get busy, though.
You got from the mood, from themood of new york, and show them
how I get down before.
Well, the spots I've beenlooking at.
One of them is in uh eastvillage, right lower the lower,
uh east side, right there, closeto right there by the Brooklyn
Bridge.
What In the sky?
Oh, my God, I'm feeling likethe Jeffersons.
(06:09):
We're moving on up.
You know what I mean InManhattan, I don't know about
that.
He got them right.
We're moving on up.
Yeah, I'm going to go to.
I'm looking at a spot rightthere by the Flatbush ridge.
I not, I ain't going east,because my homie said east is
(06:29):
where it starts to get ugly.
You know what I'm saying?
Right, east, get into jamaicaand outside of jamaica, queens,
and all that.
Oh so you're scared to go overthere?
I ain't scared to do nothing.
I just like to avoid, you know,conflict.
Now when I get up there I'mgoing to walk around with a
switchblade on, that's for sure,man, switchblade rule See, see,
see, see, see, see.
Can't handle a gun.
(06:50):
Nah, that's cool.
Then I got to go to the alley.
No, really, right up there.
Hey man, ain't my friend?
No more.
I don't know, by the way, Idon't know If I might punch the
hell out of the first officer.
Y'all need to send me to theback.
You going to the home.
You won't even see me.
Watch for me, everybody.
I mean, maybe you go in there,you figure out.
(07:12):
I don't want to figure out.
Put me to the home.
You want to sit in thatmotherfucking box.
I ain't getting there.
Crazy to be there that long.
Well, you know it might get.
You know the courts be tied upand you may not Cool, but I'll
be in the dark by myself 23hours a day, man, you crazy as
(07:32):
hell.
Ain't no way, man, I can go tosleep.
You know what I'm saying.
I can't sleep on no concrete,and it's been.
Everybody pissed on it.
I'd rather sleep on thatconcrete, and it's been
everybody pissed on it.
I'd rather sleep with thatconcrete.
You been watching Kingsdown, me,man, my nigga buddy.
(07:55):
You see what they did to theguard, what our girl did, man,
we're going to get tough.
How she set her up, bro, listen.
So first of all she gave himsome of that thang For sure.
She let him get off on him,squeezing on him, loving him.
I didn't like that shit, becauseonce she plays she's seducing
him.
No, he's stupid.
(08:16):
What did they tell him?
Don't get locked down with thegirls.
Well, first they told him we'regoing to send you to the
women's prison.
Dude looked and said oh, heknew that was a bad idea.
They're like you see what helook like Barbecue chicken and
all.
So he kept walking, he keptmaking eye contact with
everybody.
(08:37):
And the girl with the braids,she knew what she was doing.
I mean, she looked good to bein prison.
Man, the girl with the braids,she knew exactly what she was
doing.
Man, the girl with the braids,she knew exactly what she was
doing.
She not agreeing with me.
Bunny's different when shewalked, bunny, oh, so she was a
part of Bunny Crew.
Well, yeah, I don't think shewas part of the crew, but he
just probably put the hit.
You know what I mean?
Put the hit out.
He put the money to her, butyeah, nah, that's what threw me
off with everything.
But let me, let me, let me say,man, no, he is, you're just
(09:03):
lame.
You got to get on it, but thatwas the time for the segment and
you could have just stayedthere.
But we're not going to circleback to it.
We will One day, matter of fact, we can start, we can start the
next episode.
Same way, lee, tell me aboutyour week.
What's been going on?
Nothing, I mean actually.
(09:26):
No, no, no, no, no, no, no, no.
I got stood up by Todd DeanFriday night in downtown.
I've been seeing, I was seeingthat when all my messages came
in, I had, like I had like ahundred messages, man, look.
So Friday, right, I'm gettingready to go out.
I'm gonna go to the liquorstore, get me a bottle of
(09:46):
tequila, stop by the Mexicanrestaurant, get me a little
three-piece taco and come backto the crib and just chill for
the night.
Three-piece taco, I don't mindit, go ahead.
Three tacos, you know what I'msaying.
So then I'm like on my way outand my grandmama called me and
said she fried some fish.
So that kind of derails mebecause I'm like, oh,
(10:07):
grandmama's going to fry somefish.
Then I'm talking to Dean andDean is like, hey, meet me at
Elevator like 8.30.
I meet some people at Elevatorlike 8.00.
There we go.
I'm like, alright, bet, wait,is that the one that caught up
to you?
Yeah, downtown.
So I bet he was like I'll bethere about 830, 9 o'clock.
Man, I get down there aboutnine, ain't no D.
(10:32):
I walk to Appalachian Grill toget some of that food that they
don't really want me to come bybut they'll take my money, but
it tastes good, so I don't care,I don't have morals, anyways.
So I go over there, come back,it's closed.
So I'm downtown BSing and y'allknow like I'll go downtown with
Dean, but I ain't really goingdowntown like by myself, like
(10:54):
that ain't.
That's not my vibe.
So I end up in Elevate, I runinto my guy PG, shout out to
Preston PG, then we end up atthe local and then I got pretty
up at the local and then I gotpretty shitty at the local and I
got shitty at the local.
Look, I got an answer for you.
I know you get pissed off and Idon't give a damn.
(11:16):
Jarvis said Dean was in hishouse asleep.
What did I say to him?
Man, look, I know he is in yourhouse somewhere.
It just takes you.
I'm on the way.
I couldn't get to my car.
I'm like, bro, you're a grownass man.
How come you can't get to thecar?
You cussing him out, knowinghe's somewhere drunk.
(11:38):
You know he's somewhere drunk.
I wasn't talking to him crazy,I wasn't even cussing him out.
I was just talking shit in thegroup but I didn't call him.
I didn't talking to him crazy,I wasn't even cussing him out.
I was just talking shit in thegroup, but I didn't call him.
I didn't cuss him out.
Now the funny thing was I'lltell it off, mike.
No, tell it now.
I mean y'all done said it.
(11:59):
I ran to a couple of people andsaid I was waiting on my
homeboy and they was just likeyou know where he at.
No, I ain't even going to saythat.
I ran into Aaron Fosterdowntown.
He remember what Randy LongShout out my boy, both of them
(12:23):
A-Foss.
And Randy Long.
Yeah, randy Long sound like ajanky preacher.
That's my boy, both of themA-False and Randy Long.
Yeah, randy Long sound like ajanky preacher.
That's my boy, though Probablybecause of Eddie Long.
Hey, what do y'all get with theoffice staff and tell them we
need some new markers?
Yeah, it was awful, he got someraised markers.
(12:47):
Oh, yeah, yeah, yeah, let's gograb a couple of these.
Yeah, what's wrong with you?
What the fuck is wrong with you?
Man, oh man, let's get into it.
Well, I mean, I want to jump in.
No, no, no, I want to jump in.
(13:08):
I'm telling my weekend.
Oh, yeah, tell us about yourweekend.
You went on vacation.
I didn't go on a vacation.
I got a little Welcome toJamrock.
I had to get away.
I just went on a little breakdown Out.
You know we win, so don't donone of that.
What you want me to play, I'llplay it.
(13:29):
No, you don't, no, no.
So it sounds good to peopleactually listening to it.
Oh, my God, hey, but we got totalk while he's listening.
Yeah, well, regardless, I justdon't understand what the hell
y'all talk, what y'all posting.
But anyway, you know what I'msaying.
Oh, I don't get it.
(13:53):
I know this girl.
Her name is Maxine, her people,let me turn that Murder, murder
, she broke, murder.
She Catch it, mike, what I'vebeen bumping, hey, you know,
(14:13):
just come on, when that murdershe broke, come out, if I can
spot her from across the roomAlways straight eye contact.
Oh, he's staying up, man, bro,bro, man, whoa, whoa.
Oh, did I tell you I'm going toNew York in April?
Okay, man, randy, I'll bookthat one.
Oh, did I tell you I'm going toNew York in April?
(14:34):
Yes, you did.
Okay, dj, you coming to playwith the gang?
Man, randy, I'll book that one.
I ain't got to get there.
I saw some flights from Atlantafor like $7 million, man.
(14:57):
I seen one for $63 million.
I swear to God, I'm a hobo.
I'm a hobo.
Let me tell you my shit and puta pair of drawers in my hoodie.
Y'all know what I'm saying.
I flew the spirit to LA and, Iswear to god, y'all be giggling.
I give a fuck.
Shout out to spirit.
Man, you really believe in god,don't you?
(15:17):
I do, but anyway, let's get toit.
But yeah, man, this past week Iwent.
I just had to go clear my mind,get my life together, just
trying to retrace what I want todo with everything, retrace my
life and figure out what I'mdoing.
You know, get away from thevideo, see what's going on.
See if that's.
You know what I want to do.
(15:38):
I got to move.
Yeah, you got to shake it.
I told you what I was thinking,thinking about here.
Boy, I got it.
And dog, I'm thinking aboutmoving too.
And I ain't been here, but Ithink I love it.
(15:58):
I'm always you trying to get outof georgia.
Well, I've been gone.
I've been gone.
I don't want to leave.
George, I love you, I ain'tgoing.
Well, seven, well, seven, Iwant to leave 288, but I ain't.
Yeah, but yeah, like I said, wegot away, got a little kick in
it.
It was, you know, I got alittle vibe.
I love Jamaica.
They treat us like, you know,like we're supposed to be
treated like.
Did you leave the resort?
(16:18):
Yeah, oh, I figured you wouldhave been in a resort not too
far from the room.
I went to the resort.
I stayed at a resort.
It was super fly.
Yeah, I just figured youwouldn't leave it.
No, I had to because I'm atourist.
I like to be touristy, I liketo get out, I want to mix and
mingle with the folks, I want todo everything I figured they
would have had you schooled.
(16:39):
Walk on Medea, different shit.
Pussy, man, pussy, my bloodclot, man.
Hold on, I'm talking aboutgoing to New York.
I forgot.
I'm supposed to be going toMiami.
My bad man quit getting meY'all.
You need to get back to Jamaica.
You need to come to Jamaica.
(16:59):
Come to New York.
You're just like Jamaica.
I promise you, I'm going toMiami for a baby baptism Respect
, and I want to be there.
Let me go because I need to bethere, because I need to support
you, because at this point, Ineed to be there to support my
friends.
At this point I'm going throughsome shit but, like I said, man
(17:22):
, I feel like everybody needs toget out.
Come catch a vibe.
Jamaica was a vibe, right, itwas a good time, it was a kick,
it was what we needed, man.
But let's jump into it, man,let's jump into it.
I mean, do you even know whatto talk about?
Because you've been like zero,dark 30 on your bronze.
I had to have service andthat's okay, but that's what I'm
(17:43):
on.
I had a bunch of Wi-Fi and uhat the airport, so it's like I
can't ask a question that's noton the board.
What up, is it time I can't readthis?
Is it time to put for the, forthe goat to enter the MVP
conversation?
Why?
Because they're gonna winafternoon too.
Yeah, but you get in the MVPevery year.
(18:03):
He on that, michael Jordan,shit.
We ain't finna keep giving itto him.
Patrick Mahomes, he ain't finnakeep giving it to this nigga
kicking his ass.
I mean, but maybe you know he40 talking about just making me
the oldest one to win the MVP.
Who's the oldest to win the MVP?
I don't give a damn about noage.
This last three weeks of LeBronhas been insane.
(18:26):
Fourth of LeBron has beeninsane.
Fourth quarter LeBron has been.
I think John Ray's in the backRight beside him, but that's
what I'm saying them twotogether.
When you asked that questionlast week, you said man, what
did Luka bring to the Lakers?
Three points, and you keptsaying it.
But I ain't going to say thatbecause he bought a
(18:47):
triple-double the other day.
He bought a double-double.
The thing is where it's sodifferent that LeBron probably
really never had was he did playwith Kyrie.
Wait, drew, I was going to killhim on that one.
No, no, no.
I said probably.
I didn't say he never has.
I said a guy who he can look at.
(19:08):
He might be better than me.
No, I don't think he's sayingthat.
I mean maybe now, but I stillfeel like he's going to take
second.
I still feel like he know Lukeis going to take second field
when it's time to go to yes.
But when it's time to go to yes, but because it's a respect
thing, because he's OG, I wantwhoever's cooking, I want Luke.
(19:32):
You see what the fuck he'sdoing?
One-on-one shit and it's slowand it's slow.
But, dog, it's 16.
You got to get out there, it'sit's 16.
You got to get out there.
It's 69 and 16.
Also, we ain't talking aboutthe Clippers.
Look good, since they addedWashington McCollum, I haven't
(19:55):
watched them.
I watched them the other daywhen they played LA.
I missed both games.
I haven't watched them.
Eventually, tom, we're going toput him out there with the guys.
They're going to be playing alltogether.
So everybody, so he can, justbecause now he's playing like he
did with Philly, you thinkJames is going to be off ball or
he's still bringing it back?
Well, james is going to do histhing, but James ain't.
No, trent, like Ben, get it offthe rim.
(20:17):
That's my point.
That's my point.
I feel like, do that runningwith him.
That's my point.
I feel like, do back runningwith him, ed Jones running with
him.
You know what he's going to do.
And then why back?
I just came back doing somecrazy.
Well, he's going to do histhing anyway.
Powell's still hurt.
When he get back, they'll bebetter.
I need to do something withBones.
(20:39):
What, hold on?
Did they resign him?
He's still on the team.
No, he was on the Hawks and wecut him For real.
I didn't know.
They traded him.
Yeah, he came over when we gotTerrence Mann and then we, okay,
that's all Basically, that'swhat they up to.
Mike, please, terrence Mann,yeah, and yeah, so, so, like we
(21:03):
cut bones.
So bones is probably, uh,getting ready to um, try to stay
safe over there in Ukraine.
No, he with the Timberwolves.
Okay, with Timberwolves.
Yeah, I was going to say,because the next spot is
probably like he's in theTimberwolves, but he playing
both right now.
It's probably going to be likeUkraine or somewhere, like one
of those tough Europeancountries.
Nah, he's going to go to theEuroLeague, not a good European
(21:26):
country.
Nah, he's going to go to one ofthem.
He'll go somewhere.
He'll go somewhere.
He'll go somewhere.
He'll go somewhere like withZoe Playhead or something.
Well, yeah, I mean I was tryingto be funny, oh my fault.
Yeah, nah, seriously, he wouldgo.
(21:46):
He probably don't want to.
He's using that lifestyle.
Now he's getting paid.
That shit means something.
After what them niggas weretelling me.
He told me Kimba said Kimbacoaches.
Now he said that because hesaid he liked that lifestyle
Traveling, staying in hotels andall that shit.
No, getting for damn and notbeing at home.
True, he married.
It don't matter, it don'tmatter if you're married, but
(22:06):
I'm saying not being at home.
I know what you're saying.
Like when you get used to notbeing at home, you just don't
want to be at home.
They fuck you up when you be athome.
Yeah, yeah, bro, I'm telling youlike I live at home and I don't
know when I'm going to moveagain, that started to give me
(22:27):
like a certain level of likeunrest, because I'm so used to
moving every two to three years,just moving and shaking.
Yeah, like, like I'm going tothe next place and like I done
been here for this long and Igot bored because I already know
the city.
You know what I mean.
So now it's like I, low-key,want to go conquer a new city.
So do you, do you feel that'sjust like what you're used to?
Or does it feel like that'sjust like something that you
don't want to get used to?
Nah, bro, that's just what I'mused to and, like I'm a
(22:51):
conqueror, I like differentgoals and I like to set a goal,
accomplish it and then set agoal, accomplish it.
Set a goal, accomplishment andit probably speaks to a lot of
the flaws in my like, oh, which,my like personality that I
(23:12):
admit that I have.
But wow, who said you guyswrong?
Are you giving yourself thesecounts?
Are you just making?
Or, yeah, no, I've told it, no,I've.
I've burned some bridges that Ididn't want to burn, because I
don't mean it's a flaw, you justdon't want to burn it.
It's fucked up, that's it,that's all it is.
You just fuck up, that's it, weall fuck up.
If you do it, it's like in amoment when you thought about it
(23:34):
, you'd be like, man, fuck it, Idon't give a damn, I can't
decision that I've made, like inmy adult life, where I didn't
like, actually think through itand say, yeah, no, that's what I
want to do.
Well, you know what, you know,like it could be a bad decision.
Who says no, no, no, no.
I'm saying like it could be adecision that like messed up
(23:55):
something for me that I that Ithought that I wanted you know
what I mean but like I can stilllook at the decision and go at
that time, that's, that's what Iwanted to do, so I did it.
He'll give it for building newones.
I want to transition this toshake.
I want to ask you this questionthen, because it's going to
lead into the first topic of thenight.
Hey, damn the topics.
(24:15):
Hey, hey, hey.
But now we're having aconversation.
We're having a conversation.
I told you I don't need you,I'm talking now.
It me.
I'm back now, so I'm running.
I want to ask y'all on as bothy'all.
(24:36):
Matter of fact, I don't know,but this is just in this opinion
based ask damn questions.
You.
Do other women treat men betterthan black women?
Huh, other, what?
So there I saw, I saw some postsgoing around and it was like
slim thug doing one and somebodyelse did another one, and they
(24:58):
were saying the big nigga didone too.
I seen that the nigga thatplayed big like you didn't hear
it from me.
No, no, no, I just thoughtabout that.
I said, damn, I did just seethat on YouTube that the nigga
that played BIG was talkingabout Gravy or Grits or whatever
his name is.
I don't know his name, I justcall him BIG.
Whatever movie he in, I be likethat's BIG in barbershop.
(25:24):
When he was in barbershop too,about to shoot that nigga.
What are you about to shootthat out like that?
Yeah, that's what I said.
I said you were the wrong sideof town, as you nigga.
That's what he told him.
But look, no, but yeah.
So I'm asking do other womentreat?
No, no, no, explain it.
No, I mean, I just think peopleare going to treat you how they
(25:49):
choose to treat you and I don'tthink there's a race or a
culture you can put behind it.
And, as somebody who married aLatino woman, I got friends who
married white women.
Same shit, man, we get togetherand complain, think it's same,
I think it's more so.
Western, like, not western, butI'm gonna say western.
(26:10):
But american, us women, whatyou mean?
They don't listen, they ain'tabout listen, they just it ain't
about listen, they just, theyjust, I don't know, but they're
in power.
They're in power, like, yeah,like, like, if you like, if you
go to, like the eastern part ofeurope or eastern, whatever they
say, uh, eastern part of theworld, like, like, uh, basically
all the women are dressed upand all this stuff, like they
(26:32):
don't, they don't like.
That's.
That's the main reason theydon't like the american culture,
because what the power of thewoman has, like I'm not trying
to bash it, but that's that'sthe main thing I got you in this
(27:00):
context.
But when you start to give womenmore rights, right, it changes
the structure of the house.
I'm not saying it makes itworse.
It changes the structure, right, because you have to now value
what she says.
And then, as the society growsand like we talked about last
(27:21):
week, your woman might make moremoney than you and she may make
enough money to sustain thelifestyle that she wants to live
.
Well, now, she ain't got tolisten to your bullshit, no more
if she don't want to, becauseshe no longer needs you to fill
that financial void, which isoftentimes a very big void for
people.
Ain't the big void, it's theonly void.
They try to say security,that's financial right.
(27:45):
So then you throw that into it,right, it starts to change the
dynamic Now, if you're somebodywho's used to your woman falling
in line and listening to you,whether it's because of your Mac
, whether it's because of yourmoney, no matter what, it is
right or society, and they justknow and that's just what it is.
If you have that and that's justwhat it is, if you have that
(28:06):
and that's what you like, youdon't want to lose it.
Respect, I guess.
I'm sorry I got a little off onthat too, but I guess what I'm
saying is do you feel like so?
Do you feel that?
I guess my back question is doyou feel like so?
Do you feel that?
I guess?
I guess my back question is doyou feel that's one of the only
(28:27):
things that's holding everythingtogether on?
That is the value of everything, or is it, man?
I think the way I think in thewestern society, you create the
opportunity for a lot moremistakes in relationships, but
you create a place to where youcan actually find two people who
are choosing to be together,versus two people who are just
stuck together.
I mean, but what again?
(28:48):
But y'all okay, so y'all makingabout money.
What I'm saying?
No, no, no, no, no.
I'm not saying it's just aboutmoney.
I'm saying the money allows theopportunity for you to actually
choose what makes you happy.
I get it.
So let's say, let's just bereal.
Let's say, say both y'allmaking the same amount and it's
just the same thing.
Do you still look at it thesame?
You still say no.
It depends on what lifestyle shewants.
(29:10):
If she wants a lifestyle thatshe can make off of her salary
and we cut costs because y'allknow I'm cheap, respect we good.
But if she wants to and shewould know no, if she wants a
lifestyle that both of us arepaying for, that we we're
contributing to, so say, if weboth make $100K, we could live a
$120K lifestyle.
And if we both split that jumpback to just a $100K lifestyle
(29:35):
individually, it's fine, I gotyou, because your savings is
what's hurt the most.
But if she wants to live a$185K lifestyle because we're
both bringing in 200 and she'snot gonna sacrifice that 185k
lifestyle, she can't just pickup and leave.
So it's not about how much shebrings, it's about her ability
to bring and what she'scomfortable living with.
(29:57):
Like, if now you can havemillions of dollars, right, and
you can get you a broke-asschick, you can boss her up.
But if she don't mind goingback to the projects, your money
can't do nothing.
You actually have to be theperson, the only person, that
don't mind going back to theprojects.
But if she's comfortable there,you can't.
(30:21):
Besides Fat Joe, I mean a lotof people comfortable there.
It's a lot of peoplecomfortable there.
It's a lot of people that'scomfortable there Because, again
, if you go in there and youdon't set a foundation, again
the project is going to be A lotof folks comfortable in the
project.
You know what I'm saying.
You can be a millionaire andyou not leaving the project.
(30:42):
He said he moved out of Portland, she not leaving the project,
she not leaving the project.
This, my life right here, it'sdifferent.
So he said he bought the wholefloor.
You hear me?
Yeah, man, you can do whateveryou want.
That's what I'm saying.
That point being now, you haveto be the guy that she wants for
her to stay there.
(31:03):
That's why the money doesn'tmatter.
It's about the lifestyle thatyou're willing to accept,
whether you pay for it, whethersomeone else is paying for it or
you're going to pay for it.
If you can afford to pay forsome shit and you're tired of
this nigga, you're going toleave him If you'd rather have a
good life, even if you're tiredof him, you're going to stay.
(31:24):
Why would you stay if you'retired of them?
Because you like driving Benz?
I don't want to go to thatHonda Civic, no more.
You like going to the countryclub and talking shit with the
women.
You like not having to go towork.
You want or maybe you just wantyour kids in the house with
(31:45):
their dad, no matter what.
When we go to the airport, we goto the airport.
We want to be Sky Club and notdirectly, not sitting at the
gate with them stankymotherfuckers.
You know what I'm saying.
It's a little different.
Or having to go to the bar andnot go to the lounge.
You know what I'm saying.
(32:07):
It's a little different.
It's free in the lounge.
You ain't even waiting in line.
You get full of thismotherfucker.
You know what I'm saying.
Come on, man, I can eat good,it's like a nap in the head.
It's a little different, bruh.
So I get what you're saying,but then again, like I also say,
it's just a different strokefor different folks.
If you're tired from them, thenStart the show.
They don't care about the money, no more.
Well, it becomes like thecouples who sleep in separate
(32:29):
rooms and live separate lives.
They just occupy the same house.
I would leave, no, but again, Ican't say that, because a lot
of older husbands and wives whohave been married for 20, 30
years and they're tired of eachother.
That's their old thing, that'stheir old people.
Shit ain't gotta live with each, we gotta sleep with each other
.
They're tired of each other.
(32:50):
Come on, my daddy and stepmomdon't sleep on my.
Uh, yeah, oh, and I don't wantto tell that, but yeah, I don't
think my life is evil for real.
My daddy's sleeping in bed andshe sleeps on the couch.
I'll keep it a buck with you.
If I want to sleep in a bedwith you, that means I don't
want to be in the house with you.
I ain't going to say that mydaddy sleeps in a bed and she
(33:12):
sleeps on the couch.
Oh, that's, but no, it's adifferent type.
Like we got a, like they got aliving room.
Like there's a living roomdownstairs and a living room
upstairs.
So it's different.
She got her own space.
Yeah, because she's upstairs,but hold on, but hold on.
Before we was in Maryland, mydaddy slept on his couch and she
(33:32):
slept in his bed, butregardless.
So, like I said, I don't wantto take it off your daddy.
Yeah, that's where I was going,you went, yeah, you don't
personalize.
And so I think I still feel thesame way.
It's just like, bro, I,whatever y'all, literally, I
personally don't feel we got tosleep together every time.
I don't feel.
(33:53):
It's just that.
I feel I can be comfortable IfI hit this couch and watch the
living room.
You play the bedroom this night, we chill.
No, no, see, that's different.
I ain't saying we got to sleeptogether every night, because
y'all know me, I fall asleep onthe couch.
You feel me.
I'm saying, if we areintentionally choosing to sleep
(34:13):
apart from one another becausewe don't want to sleep together,
yeah, you know what I'm saying?
What if you snow?
That is different.
I don't know why you can't saythat, bro.
I was about to say I thinkthat's the reason why my daddy
and stepmom, when they bothsnowmom, they both snow like a
mother.
He added the because I don'tfuck with you, he's a dick.
(34:39):
I'm saying, if I'm sleeping inthat room right there, and
you're sleeping in that roomright there, because we don't
fuck with each other, we don'tneed to live together.
That's what I was saying.
You gotta go because I wantsomebody to come in here and
fuck with me.
That'd be the best way to gethim up out of there.
(35:01):
No, cal, so that's what I'msaying.
Shut up and go to your cell.
You get one place.
Yeah, I could just stay for the.
(35:30):
Yeah, you know what I'm talkingabout.
You know that.
Come on, I built she is.
I didn't got so much money, butShut up, my boy, curt, I ain't,
who cares what Rashida said,what you talking about, he's
already staying at the otherpart.
(35:51):
Man, you know what I'm saying?
Who are you and why should Ilisten to you?
Oh, yeah, I want you to jump upthere.
Who are you and why should Ilisten to you?
Yeah, no, so I was thinkingabout like us as a podcast,
right, okay, and like who areour characters, right?
Like, who are we on the show?
And if you're somebody whodoesn't know us and you want to
(36:13):
like listen, you want to listento village vets, right?
Why should I care what y'allniggas gotta say?
You shouldn't?
I don't give a fuck if nobodycare what we gotta say, because,
again, the village vets isstrictly for us to really just
to be able to break down who,what we do every day, like a lot
of folks always say we thedrunks, we the parties, we the
(36:36):
kids Is that what they're sayingabout us?
That's just crazy.
The drunks At this point, bro,fuck it.
Everybody we, but we're not thedrunks.
We want to have a good time.
We want everybody to come outand mix it.
You know what I'm saying.
What does she know?
She doesn't go out.
It's like my things, bro.
One day I said I got to go upthe hill and get AC out of the
(36:58):
truck, being too little.
Boom.
I remember you.
I walk up here and give a D D.
You messed up too.
How did y'all get back?
They both drove dumbass.
No, no, no, no, no, no, no, no.
I'm sorry, we're not realists.
(37:18):
I have room for you.
I'm ready to go home.
Look here, let me tell yousomething.
If I drive somewhere, I haveroom for you every time.
I'm not going nowhere andgetting drunk and not have room
for nasty.
We nasty.
He held you down and I know hedid, he did, but, but I always
(37:39):
got room.
Phil, I get it, but nasty heldyou down.
That shout out Dino man everytime him out every episode.
Yeah, yeah, yeah, it's cool,it's cool, but he don't got you
back and Ru-At.
But again, like, let me ask aquestion.
But you know what?
Let me ask a question.
Let me ask a question.
I'm going to cut it short but,like, I say who we are, bro, we
(37:59):
don't care who watches, we don'tcare.
Speak for yourself.
I don't Everybody that comeshow love.
They want to kick it, but Iwant y'all to really, really
want to be here.
I want y'all to really want toenjoy who y'all are.
I want everybody to really wantto have a good time with us,
because that's all we reallygiving a shit about.
If you can come have a goodtime, giggle, you know, and want
(38:21):
to have hear some crazy stories, that's it.
You know them, the vets.
But you better have room, phil,but you better gotta.
I'm not answering that.
Go ahead, lee.
You answer that you weren'tfollowing me.
What, oh why?
Why?
Why somebody's not on reach?
Why?
Why is it somebody?
(38:41):
Who are you watching?
Somebody would listen to me onthe podcast.
Interesting, I don't know, andI won't have this shit because I
ain't got nothing else to do.
Be chilling because I don'twatch tv.
I'm saying I don't watch reallycable, no more, unless there's
(39:01):
no basketball game on the song.
Yeah, no, I mean, that's kindof where I was at with it, like,
honestly, I'm fly, maybe we gothere.
You ain't got, you ain't evenfly, you not even.
You ain't even do that.
Go ahead, go ahead, go ahead.
I just thought it wasinteresting, cause I started
(39:23):
thinking like why shouldsomebody listen to us?
And I was just like, cause thatshit funny.
And like you know, because thatshit funny, pretty cool, we'll
have some good conversations.
Well, you can learn, man, everygroup, not every group, like the
rap, got one nigga, likeWu-Tang had one man, the man.
He was a.
(39:43):
You thought the man was sexy,not me, what the fuck Not me?
Everybody knew he was the onethat got.
He blew up because he had thewoman fan base.
And why didn't he have a womanfan base?
Because they like to look athim and that nigga can rap.
They ain't looking at him torap.
I know he sticks fire coming upout of the project.
(40:03):
Yeah, I feel like that's tootough.
He wasn't slow with it, but nowhe's slow.
He's not rising up.
50 ain't working together.
They got it through and right.
50 ain't working.
Since we saying that, let me askyou, because I know you posted
some shit that I've been wantingto ask you about for a couple
days.
Lizzo's weight lost.
(40:26):
She's still fat.
So she went from 350 to 275.
Don't get me wrong, that'sprogress, but damn, I'm slow
with you, man.
I call y'all fat, I calleverybody fat.
(40:47):
I'm sad, but I'm sad.
Yeah, you call me fat, but I'msad.
No, a body.
I'm sorry, but I'm saying yeah,you call me fat, but I'm saying
no, I said you would say likeno, I ain't going to say it.
Oscar proud, oscar proud,that's who we say.
Nah, you can, you can join onme on here, man, but look, but
(41:08):
look.
So let me ask you.
You said fat women love beingfat until they ain't.
What does that mean?
What was you interpreting onthat?
I heard you Until somebody withsome power say nah, you're fat.
They didn't hit him.
You be cool, like Linzo wascool with it.
(41:28):
Until somebody else said lookhere, you show up to the Laker
game, that shit old.
You be cool Like Lizzo was coolwith it.
So somebody else said look here, like you.
Look here, show up to the Lakergame, that shit on.
I would have wrote something toMs Buzz like look here, I got
kids at the game and I don'tneed to be exposed to that much.
Ass, fuck ass.
She ain't got no ass.
Oh shit.
Y'all remember when she showedus a leggy game with that on
(41:48):
yeah, cheeks out, oh shit.
Of course I Right there and gotput on camera like three, four
times.
Yeah, man, but that's what mostpeople don't when somebody's
this like you know, that waslike five years ago, though what
, that was a long time ago.
I was in Monterey, yeah, thatwas a long time ago.
(42:09):
I was in Monterey, yeah, butstill.
But just, I mean, that was thelast.
That was when I hit drop, theonly time she had to hit, like
five, six years ago.
That was the only reason I hadto hit.
Hey, hey, hey, hey, that's good.
That was the only reason I hadher on that.
I say it all the time.
I don't care what you say.
(42:32):
I mean, get out of y'all niggasacting fake on him.
Oh, I'm fake on him, but now soI was Barkley.
No, that's my.
I'm Charles Barkley.
Did you watch bad last night?
No, I wasn't a jazz man.
I wasn't a jazz man.
That's all the time I watchwhen she comes over and take
over the TV.
Now she don't figure out how toput a outfit on TV.
One day I was doing somethingand it just I put my pants on my
(42:53):
TV.
I put my pants on, but no, whatdo you say?
You remember how Monique wastalking about skinny bitches are
evil?
Yeah, what is she Skinny?
Nah, I mean she ain't skinny,but like she ain't fat and ain't
fat.
Lizzo talked about all thatbody positivity and loving her
(43:15):
body and all of that stuff.
Then, all of a sudden, now shedone dropped these pounds.
You be hearing that stuff fromthese women in the spotlight
trying to promote that.
For one, if you big, you bigman, that's your life.
I'd say, hey, add someactivities to your life.
Look at the diet and stuff likethat.
We all have different genetics.
We get their different pathsright.
(43:36):
Fat, that's my motto.
No, I know, but like some, somekids are fat because of their
parents.
You know I'm saying, oh, butthat don't make sense.
If you slim your kid fat, wellnow, because you feed them.
Some parents just keep feedingtheir kids.
You know what I'm saying.
You'd be surprised when you seesome of these plates these kids
be eating, hold on.
(43:56):
We were just at the hibachispot and I seen a little kid.
It was a girl.
She was a little fat girl,that's what it is.
Well, no, well, no.
So like they promote all thatbeing fat shit and then all of a
sudden they show up not fat ashell, and it's like hold on hold
on, hold on hold on who else onD&D?
(44:17):
Y'all kill us for talking shitabout your big ass, but I'm
trying to think and then yourbig ass want to be not so big as
hell and everybody's justsupposed to act like ain't
nothing happened.
Hey, no, no, no, no, no, big ashell and everybody's just
supposed to act like ain'tnothing happened.
Now, we was right, we, wedeserve an apology because you
(44:37):
listened and you, you took ouradvice, so you got I don't
really know too many more ofthem, because yeah, oh, he
didn't care.
But then he got the zimpies.
I think he had to because ofhis health, because you know,
(44:58):
carrying extra weight createslegitimate health issues like
look at offensive linemen whenthey retire from the NFL.
Yeah, jason Kelsey done got alittle bitty as hell.
Them niggas be walking around.
He went.
I'm sorry he went there withthat.
Yeah, he went.
No, he was a little shortstocking nigga.
You know what I'm saying?
(45:18):
I didn't say that.
I'm sorry, paul, you said hewas, yeah, like that.
That's why I had to do.
They go from carrying 350 to250.
You know what I'm saying?
225.
Look, michael, he weigh morethan when he played.
What the hell?
Well, you know.
No, them Pouncey twins thoughNow that you say that them
Pouncey twins, they on theZimpy's, who is that?
(45:39):
The Pouncey twins fromPittsburgh With the Florida?
Yeah, they skinny.
I mean, they ain't skinny.
Some of them be like AntoineWalker.
Go the other way.
Good God, almighty, he ate theold Antoine.
And I, like you, I love AntoineWalker, the head of my nigga
there.
Yeah, you built like it.
(45:59):
Yeah, I was Me and him playedthe same position.
I was like a small point guard.
Nah, you played point four,chunky three, but I got tall.
I just didn't ever stretch 6'8".
No, you chunky three Neverstretch six, eight, but you feel
chunky, you call it.
They say, yeah, I cut thatchunky shit down a little bit,
(46:22):
but I was still.
Yeah, you think you picked itback up.
Y'all made a bet, you rememberyou lost.
Now you're with that, you'rewith me.
I mean I, I, I had, I had abs.
No, you didn't.
I did not have a six pack.
(46:43):
That was the bed.
I'm damn about all that otherstuff, not the bed.
If you look at what was printed, it said abs.
But you know what I considerabs, a six-pack.
So Before he took the picture,that's it.
He tried to suck all the foamand shake all the way up.
Man, please, oh yeah, no, Ididn't eat the morning before
the picture.
He took it early as hell, yeah,yeah, yeah, super early After
(47:06):
boo-boo.
Get all that gunk off.
I can dig it.
Didn't drink the night before.
You want to lead in?
Let's shake on 50 Cent.
Oh yeah, man, you alreadytalked about him.
No, but like no, we weren'trecording.
I want to hear that.
I want the folks to hear that.
(47:26):
All right, so you got 50shooting shots at 50, just
always shooting at people.
You know what I'm saying.
Then you got jim jones.
He taking shots at 50, takingshots at cam.
You know, call him a sucker,damn.
And and you know, we alreadyknow, jim jones is like the
(47:47):
oldest young nigga ever.
Jim Jones is future.
Nah, nah, jim Jones is like ayoung, like future.
Act like an old nigga Do we?
Yeah, but like he just Do we,he don't what he doing for you.
Well, he don't.
Well, excuse me, he don't actlike a young nigga.
He do young nigga shit, but hedon't act like a young nigga,
Like doing nothing.
You know what I'm saying?
(48:08):
You just hear the music.
Oh, no, no, he move like an oldnigga.
He don't really act like ayoung nigga.
Yeah, yeah, yeah.
Then we got Ocho and Cam goingat it.
We got Cam and Jim going at it.
You know what I'm saying, camand Dame, and I'm just trying to
figure out why these old niggasso petty and the conversation
about the young niggas don'tknow how to act.
They be doing all this hot stuff.
(48:29):
All of these guys are kind ofknown as also being tied to the
streets, whether they did itthemselves or whether people
around them did it for them,right, all of them.
Well, why y'all acting likeyoung niggas, but y'all shit on
young niggas with being youngniggas when they don't know?
No better, I don't think therappers you said was the niggas
(48:50):
that actually shitted on youngpeople, though you know what I
mean.
I don't think them rappers waslike the old grumpy rappers like
Jim Jones, cam.
Nah, they're not the old grumpyrappers but they still do speak
to like young niggas doing likeyoung niggas, telling the truth
when they rap.
The only nigga that's's reallycan be.
(49:17):
On that, I'm about to say, theonly only that's real.
Still, on that, you say joe bud, and he still be like hating on
which?
Nah, don't, but don't hit onthe young.
No, I'm gonna say this, I'mgonna say this.
I'm saying got back famous, butyou, what the megalomania?
No, but no, his podcast was alsoseparate, but he wasn't hating
on the young.
He wasn't hating on the young.
I'm talking about everyday hiphop, two separate things.
Okay, that was Joe's show, thatwas Joe's show, but it's on
(49:39):
Complex.
Nah, he is like yeah, yeah,like he brought the concept to
Complex and Complex put themoney behind.
Yeah, okay, my bad, but nah, hewasn't hating on the young
niggas.
Yeah, he wasn't hating on them.
I don't think he was hating onthem.
I just felt like they didn'tlike their music.
Yeah, he's just saying I don'tfuck with them and the way they
was treating them, I thoughtthey was hating, I don't know.
(50:00):
But listen, no, no, no, it's nothating, it's like, hey, I don't
fuck with that when you beplaying me some of that young
nigga shit, I'm like, hey, bro,I don't want to hear it.
And what did I say?
Quit hating, but I'm not hating, I just don't want to hear it.
But you know, I don't say it'strash.
I was like don't play me thistrash-ass music.
I'm just saying, bro, I don'tsay I didn't talk negative about
(50:34):
, I said no, no, I know.
No, I didn't say I don't like, Isaid I don't want to hear it.
No, I don't want to hear.
It is different than I don'tlike it.
If I don't want a nigga topunch me in the face, don't
punch me, I don't like it.
But I say don't punch me in theface.
Well, yeah, but I feel likey'all both shaking it because
again y'all asked why old niggaso petty, so petty on wine, yeah
, but yeah, and that's what I'msaying.
No, we were having a separatehating conversation.
(50:56):
I was going to let us gothrough the hating conversation.
That's basically what peoplesee hating as.
If you ain't congratulating,you hating, but what people see
hating as.
I don't think that's actualhating.
I think hating is when youtrash and something right when
(51:18):
you shitting on it.
If I think, if you say, if Isay, hey, I don't want to hear
it, that's not for me, I ain'tshitting on it.
Okay, all right.
Now if I say that shit is trash,don't play that young nigga
music around me, that shit trash, I want to hear that, all right
, what about this?
So, joe, but all right.
So say, for example, joebudding got a uh, he got a
platform right and all he got todo is say I don't want to hear
that, or something.
Then he's going to you knowwhat I'm saying.
You know what I'm saying.
You might feel like it.
I know what I'm saying.
(51:38):
You're putting that out there,that I don't like the music.
Well then, don't ask me aboutit and I won't talk about your
music.
Then you get mad at me.
Then ask you about it, aboutyour music.
He just played the music.
You said I don't want to hearthis young nigga music.
Or just say your goddamncomment and be neutral.
But guess what, I played themusic and my big platform heard
(52:00):
it and my big platform heard it.
So they get to evaluate whetheror not they like it.
If you like it, you like it.
If you want to go back to theMigos thing, that whole thing
popped off because of hisconversation with Yachty and he
had tension with QC, the label,and then they were doing the
Migos interview.
I think he knew what he wasdoing.
(52:23):
I think that was his claim tofame being the old hate nigga.
That's what I think Everybodygot a goddamn tactic when they
on the show yeah, I think he's.
I think it's more so a tactic ofI will push back against
something that I don't like andI'm not just going to ride the
wave because y'all tell me Ihave to like this or just say no
(52:45):
comment and be neutral.
No, what do you mean?
No, you letting it be.
No, I don't't like this.
I don't care if we come up hereand do a podcast, yeah, and
there's no comment, that'sneutral on every topic.
We might as well just stay athome and talk on facetime.
No, because again, it'sdifferent.
It's different because, again,when you do an interview and you
don't want to be there and youhave to do it, it's just.
(53:05):
It's different.
When you bring energy, okay, say, put it the.
Say, put it the interview.
Yes, put it like this.
I think that's why I thinkWe'll talk to the microphone so
we can hear what they don't.
Y'all motherfuckers can hear meShut up, but the people who
listen to the show can't.
Oh man, I'm talking to y'allLike I'm saying like we love the
(53:27):
listeners, like I'm saying likewe love listeners, yeah, but
they don't do this, they don'tdo that.
That's cool, but like that'salso not real life.
That's just like, hey, I wantto hear the good shit.
No, gillian Wallow.
They say they triggered aaudience or that trigger
audiences for the younger crowd.
Well, no, they don't want theold.
No, no, no, hey, no, no, wedon't want the old niggas.
(53:49):
No, no, they don't hate.
We don't bring people here tohate.
We don't want the old niggas.
No, gilly and Wallow, theirlane is positivity, right?
Yeah, that's right.
So I got you.
Their lane is positivity.
They do positive stuff.
They don't ask the hardquestions all the time.
You know what I'm saying.
Like they keep things positive.
That's great for them, but thatis not reality, right?
(54:13):
So, gilly and no, gilly andWallow aren't the only platform
and in their positivity thatthey promote and they only take
the positive route.
You get one side of the artistright.
You get one side of the story.
You get access to certainartists, because certain artists
won't get access to people whowill be negative.
Exactly my point, right.
But there are access to certainartists because certain artists
won't get access to people whowill be negative.
Exactly my point, right.
But there are other artists whowill go in there and take the
(54:35):
interview or the conversationfor whatever it is.
Ain't no artist like that, ifany artist in the interview,
every artist.
You've seen somebody talkingnegative.
They get the hell up and walkout, right?
Not everyone, not a lot of them.
No, no, no, no, no.
Especially the more seasonedartists who came up in the old
school?
No, but the ones who came up inthe old school game where you
(55:01):
had to do the radio promobecause you needed radio.
I don't really understand.
I'm confused.
So the point that I'm making isyou have your Gillian Wallow on
this side of the spectrum andthat's good.
I'm making is you have yourGillian Wallow on this side of
the spectrum and that's good.
But in order for the consumer toget the full, the full scope of
what's going on, you need theother people who aren't gonna be
just positive, right, you needwhat.
(55:21):
Do you mean?
Just going like what's going on, like if somebody got some
legal shit and you ask themabout.
No, no, I'm not saying, I'm notsaying just legal shit, I'm
just saying a conversation ingeneral, general.
If I just come on here and bigyou up the entire time, right,
and we don't speak to things,you are, I didn't say suck you
off, I'm not saying suck you off, I'm just saying having the
positive conversation.
(55:42):
There are negative things, thatwhether an album didn't sell as
well or a song didn't hit thesame way, right, you may not
want to talk about that.
We may not talk about thatbecause we're being positive.
That's a conversation.
So maybe like, damn, why youralbum sales go down?
Or some shit like that.
I mean, there's a way to ask,to be like hey, you didn't have
the same success with said album.
(56:02):
Did you do something different?
Were you chasing something?
What happened behind that?
I ain't shitting on you bysaying your album didn't sell.
Well, I'm curious as to why thisalbum didn't resonate the same
way that other albums have.
Well, yeah, but why didn't?
Why didn't niggas buy it?
Did you?
Did you work with producers youdon't work with?
But did the label not put the?
(56:25):
Put the, put the battery behindyour back, like there could be
so many different reasons why,and the artist can tell you.
Hey, I tried a different soundwith this album.
I wanted to do this and I sawthat it didn't work.
So I'm getting back to whatworks for me.
That's a legitimate question,but no, let's get back to you,
let's get back to it.
So what exactly?
(56:46):
He's just an athlete, and theyjust want what the fuck?
An athlete?
They don't want the badarticles when they go three for
nine, what the fuck is anathlete?
Gotta do athlete.
(57:09):
Put it like this, this is what Isay how can you bash somebody
If you ain't in they field?
You know what I'm saying?
I guarantee, if you go bash thesurgeon, he gonna go.
Who the fuck are you talking tome like that?
I'm with the John Hopkins, Iguarantee you.
But what if that surgeonBotches my surgery?
(57:29):
Ain't no surgery from JohnHawkins gonna do that.
Shit you a goddamn.
Any surgeon can have a bad day.
Any surgeon can have a bad day.
Well, you know they don'tpractice that much, yeah, but
any when all that happens.
But any surgeon can have a badday.
And if you messed up my surgery, I don't have to know why you
messed it up, how you messed itup, how you messed it up.
(57:50):
Hey, you messed up my time.
I'm talking about most of thetime.
My little surgeons don't messup, I mean, that's most time.
But again, most times, uh,people don't crash airplanes
either.
Hey, lebron, miss game winners,don't you?
Come on, man, that's what I'msaying.
And sometimes happen, that's.
That's more than one over there, don't you?
Yeah, but I ain't never done.
I ain't never done that.
(58:11):
Well, I have hit a game withthem before.
Pass it to me.
Let's get back to it.
I need to know what the hell wetalking about.
Hey, I deliver, and one.
So what happened with the?
What are you saying with theBro?
Why are these old niggasgetting on line popping off?
That shit lame bro, that shit'scorny as fuck.
Grow up, do you really thinkit's lame?
(58:33):
But again, like I asked earlierin the show BJ we why is it
lame Dog?
We've had problems with peopleon social media.
We've had people go to socialmedia.
We thought that shit was corny,and we had our conversations
privately, 100%.
So that's how we carryourselves.
It's different, though, because, let me tell you, with Ocho,
(58:56):
with Cameron, with the like allthese guys are on podcasts now,
if we can get the entertainment,if we can get the people to
come behind us and it'sclickbait and they want to see
us fussing and fighting, thenthat's some shit we can do.
We can grow on Again.
If it really get there, I feellike Cam will really start
getting personal.
I feel like a lot of the guyscan get personal.
(59:18):
So would you do that as abusiness model?
Would I do it?
Probably not.
But if you decide to get intoit with somebody, am I going to
ride with you?
A million percent, absolutely.
And if I got to get on socialmedia and say, hey, such and
such, eat ass.
I'm riding behind and I'm goingto repost it for the next 20
(59:38):
days.
You know what I'm saying.
I'm like it's different.
I'm going to just like likeDrake used to and like Jay-Z
does.
I'm going to just like Drakeused to and Jay-Z does the
subliminal shit.
Yeah, absolutely.
I don't want to see.
I don't like subliminal shit.
Drake ain't never subliminal.
No, no, no.
Drake is subliminal.
(01:00:01):
Drake gives himself plausibledeniability with the bars, with
the person he's talking to.
They hear it and they know whathe's saying.
He's giving the girl chills.
Everybody knew who that wasabout.
Talking to Kanye.
That's what Moses said.
I didn't hear the line you saidhe's giving me girl chills.
Oh well, yeah, that's different.
Moses' jams always been towardsKanye and Tua, but he ain't got
(01:00:26):
different battles but me.
He's been having Future.
He's been having Future.
He been having goddamn Metro,kendrick you know.
But I'm not talking about those.
I'm talking about the stuffhe's talking about, like the
here and here.
Give your girl chills.
You still got plausibledeniability when you say that.
But again, he ain't got time todo all that.
What the fuck we doing all thissubliminal shooting for?
(01:00:47):
If we taking a shot at somebody, take the shot.
If you talking about somebody,fucking talk about it.
That's the reason why I respectCameron the most.
He didn't cut no corners whenhe said everything.
He said it can be online, yeah,cool, but I'm talking to you,
and if you got something to sayabout it, you're a millionaire.
You got a couple hundredthousand.
(01:01:08):
We can meet up.
Whatever, if I want to shootyou, I ain't got to shoot you in
Times Square.
I mean, I get it.
It ain't even got to be a gun.
It ain't got to be all thatplay with.
If I'm talking to you, what wegot to get gunplay in it for.
No, no, no, because I'm pissedoff and I want to be ignorant.
No, no, you asked the questionwhy niggas getting so petty
(01:01:29):
online?
If I can get a nigga, if I cantell you, rupa, you five, you
five, three and a half, and youreally ain't like, I mean, I get
it.
I ain't saying that, I'm justsaying it.
If you telling everybody, butI'm sick either, or Whatever the
(01:01:50):
story, it don't matter Anything.
You say something that's achick that can really turn out
and everybody not going to seethat in the world, everybody
don't know.
You ain't seen you hoop forreal.
If a little bit of my audiencecatch this, it's that it's game
time now Some of them folksgoing to ride with it.
Now some of them folks gonnaride with it.
Some folks don't even like theidea of the hypothetical.
(01:02:13):
Oh hell, I mean, he said thatain't believable.
I mean, but it's just what itis, bro, it's just you know,
yeah, but but you wouldn't do it, you wouldn't, you wouldn't.
You would not come on a pod andjust like spaz out on somebody
different.
I don't know, bro, I don't know.
I'm not gonna say right now, I'mnot cuz again, like Rusek, use
(01:02:49):
me cutting the up and you don'tsay something now I'm gonna take
it out on you, so you get it.
Is that what I'm saying?
And it could be laughingself-control uh, what happened
to self-control?
Basically that's what I saidlast week.
What if I don't want it?
What if I don't want to do that?
What if I want to be ignorant?
That's what you're not.
That's what I'm saying.
I'm standing there.
(01:03:19):
It's different.
With all that I get, I get donewalters like get up out of here
.
But nah, I said I feel like it'sdifferent only because, yeah,
niggas old now, but again, ifI'm directly talking to you and
it's on social media, it'swhatever.
(01:03:42):
It's back in the day, niggascouldn't do that.
Again, like you said, we had tocatch up face-to-face with 50
other folks.
It was going to be an issue.
If I can talk to you on socialmedia, you want to put the rest
of them in the freeze.
It is what it is also.
No, it's still like that,though we're gonna talk, but
when I catch up with you now,yeah, he go, he gonna keep the
conversation going off.
(01:04:02):
Mike, I don't hear me now, butsee, if I'm like I'm going to
shoot you and you're going toknow I shot you.
You're taking subliminals ifyou're doing that, but the
person I'm talking to and that'sall that matters.
My thing is between me and you.
It ain't between everybody else.
(01:04:24):
That's too much.
Feel like it's a sneak diss tome, buddy, I don't like all that
.
It's not a sneak diss, if youknow I'm talking to you.
I ain't sneaking it in Tomatotomato.
That's crazy.
That's tomato tomato.
Yeah, that is crazy.
That's not okay.
Tomato tomato.
I ain't going to sneak it in.
(01:04:44):
You going to know it's there.
If I put it there, with yourpermission, I ain't going to
copy that Nigga.
Keep talking about my.
(01:05:05):
The funniest part of the podain't gonna get captured.
When I tell you Baby buddy,goddamn, no, I'm listening.
I'm listening in one ear of,like, what we're actually
hearing here.
I'm listening in another ear ofwhat's going into the
microphone.
Bruh, when I tell you I'm stillfeeling some type of way,
(01:05:25):
because I'm talking about thewhole time.
In the airport I had like threedifferent dudes come up to me
oh, your brother, he ain't, butI don't know.
I don't know your brother lostagain, like I didn't get to see
the whole fight.
But I do want to know fromy'all what you think Did Tank
lose that fight?
Because I keep hearingdifferent.
No, roach is out there justthrowing punches.
(01:05:46):
Yeah, like punches.
Yeah, like who gives a fuck?
You just?
I mean, was he connected?
No, he was like he threw more.
He threw way more punches buttank connected on like 15 more
percent.
They, you know what I mean.
The number of punches likethrown and connected on was very
close.
Tank connected on more powerpunches and, honestly, like a
(01:06:08):
lot of those punches, tank wastaking them to knock him out.
But like he eating shit, likeyou know what I'm saying, like
you know Paul eating shit, youknow what I'm saying.
But like he, nah, nah, hehitting him.
You know what I'm saying.
He just taking it, not moving.
(01:06:28):
You know what I'm saying.
Unfazed, paul, you know whatI'm saying.
He just taking it, not moving.
You know what I'm saying?
Unfazed, paused.
You know what I'm saying.
So, like there are people whowould say that Roach won the
fight.
I've heard that online today.
I watched it and people wouldsay when Tank took that knee,
that should have been kind of aknockdown because Buddy did like
connect on a punch, but like,if you watch him take the knee,
(01:06:53):
he took the punch, he was cool.
Oh shit, the shit in my eye.
He bounced down and take theknee.
Pause, you know what I'm saying.
So you think he did it to getright or something?
No, I just knew that the punchain't the reason he took the
knee.
He was fine off the punch, hewasn't woozy and trying to catch
himself.
But if they would have, like,if he would have got awarded the
(01:07:15):
knockdown, I would haveunderstood it, because, nigga,
you just can't take a knee.
Is that why they called it adraw?
Because he took the knee?
No, no, they did not awardRoach the knockdown.
He would have won, but I don'tknow how they scored the fight,
(01:07:36):
or if they put that into theircalculus to say that.
To say that, because Tank didn'tjust whoop his ass throughout
that entire fight, because youknow, tank don't start fighting
until round six, round seven.
We can't with this right here,here, we can't give tank the win
the whole thing.
Yeah, I guess, but, and thenthey probably have to protect
(01:07:57):
the books too.
Well, he should knock the niggaout, stop playing with him.
So yeah, yeah, he was, he washuge, a lot of them, you know
like.
You know like.
You know, like the nigga, who,who like be at the fight.
He can't fight, but he justthrowing punches, yeah, and he
(01:08:17):
might knock a nigga out, yeah,cause he throwing punches and
you can't get close to him.
He just keeps swinging.
That was kind of Roach.
When you say that was Roach Rue,I gave nothing, he's fucking
terrible.
Uh.
Uh, he said it was easy.
Okay, so say, if I'm out thereplaying basketball and I go
(01:08:38):
shoot 40 shots and I get 40points, but I go shoot 16 shots
and say I get 35.
You get what I'm saying.
You know what I mean.
You got a better chance.
This is my efficiency.
That's all I'm saying.
Yeah, this is my efficiency.
And I thought that's whatboxing was, you know.
(01:09:00):
No, that's what the buddy wasalways.
What's?
The Hispanic dude Punched thenigga's back in the head one
time.
You know what I mean.
He was doing cheap shots.
Yeah, he was punching.
He got him a cheap shot back.
He punched him after the.
You know what I mean?
Was it a good fight overall orwas it?
(01:09:21):
I was awful because he didn'tknock nobody out.
It was round around, round toround.
It was an enjoyable watch, yeah.
Yeah, like, overall, I wasn'thappy because I wanted to see a
get put to sleep.
Did you stay up the whole fight?
Did you go to sleep?
Yes, over here dozing off?
Yeah, that's what he always not, dozing off like man, I'm not
(01:09:41):
coming up watch.
You got no fight with him.
We watched the jake ball fighthim and dj slept.
No, that was the bone.
Okay, I was up for the jakepaul fight.
Yeah, you slept the whole damntime on that.
Hey, y y'all, that was fuckedup, man, that was fucked up.
That was fucked up.
Well, you know, I mean, I guessyou know we can bring If you
(01:10:06):
have to go in, but do you thinkthat?
Do you think?
Did he say he was going to runthat back or did he say that
he's trying to hey them?
Last two topics we can.
Can those because they don'thave a time stamp on them.
Which one?
The bottom two?
Why not?
Yeah, yeah, yeah, like theyain't.
(01:10:27):
What was you at there?
2k, yeah, yeah, yeah.
I mean now we're going to run atopic.
Go ahead, nigga, no, but likethat's the topic, this is going
to be the last one.
We can do whatever.
When bought all that water andcanned food I remember we bought
(01:10:47):
.
I was definitely in you, harley, uh uh, 2000, that's 2000.
That was 2000.
Yeah, yeah, 99.
99,.
Yeah, I was in U Harley in abasement, like in the basement,
but we had this attic in thebasement with a bunch of fucking
(01:11:07):
water and a bed sheet, and at12.05, we came out and went to
bed.
We had a bunch of fucking waterfor no reason.
We had a bunch of fucking waterfor no reason.
We had a bunch of fucking waterand peanut butter and jelly
sandwich.
The retail people were like sowhat, they don't come buy the
shit up.
(01:11:27):
That's what I was saying.
So like if the world ended,what the fuck the water and food
gonna do for you?
And so I was just to hold youover.
The store's going to be fuckedup unless you, you know Exactly.
You got to be in the house.
We thought it was COVID.
(01:11:48):
Before COVID came, motherfucker, stuck in the house.
Because in this world, that'swhat I figured out the unknown,
so keep running with it.
They don't keep that therebecause in this world, that's
what I figured out the unknown,so keep running with it.
So this topic made me thinkabout like a couple of moments.
(01:12:10):
Where were you at when, kobe,when you found out about kobe
passing away?
Because that's when it stickswith me, because I remember that
entire day I was uh have I justuh.
I took out the plane from uhLuxembourg in a uh in a mission
to go into, uh Czech Republic.
I came home for a week.
That's what happened when I washome.
(01:12:31):
I was coming home from Vegas.
I was in the plane coming homefrom Vegas, like not in the
plane coming home from, like notin the plane I had just landed
in.
I had just landed in Atlantaand when I had first heard I was
like, oh nah, hell, that shitis a joke.
That's gotta be like a littlehoax news man.
That shit came back and it saidhim and Gigi died.
(01:12:54):
It was like a whole helicopterissue, the whole thing.
I remember driving back to thecage and me, me, darren Crawford
, trevor and Dean all of us cameto the house and I mean we got
(01:13:15):
balled, I don't know we was toreup, remind you all.
That was around the same time.
We lost EB, like a year beforethat, and then, like them, yeah,
kobe passed before Kobe, kobepassed before Kobe.
(01:13:39):
Oh, no, disrespect, kobe passedbefore Kobe.
Oh, that was in that same year.
My bad, I said that wrong.
I said that wrong.
So Kobe left first, and thenKobe left and then he left.
So, yeah, we came back.
So we ended up going to Vegas.
We went to Cali Okay, boom, thesame day he died.
That was on our way to go toVegas.
We went to Cali Okay, boom, thesame day he died.
(01:14:00):
That was on our way to go toCalifornia.
Yeah, yeah, like I said, when wegot back me, dean Trev and
Darren Croft we sat over at thehouse, got tuned in and shit, I
think we just got drunk and wasjust watching highlights the
rest of the night.
Right, I remember I get thetext from one of my friends
(01:14:21):
non-basketball fan.
He sends it to me.
I'm like, bro, you full of shit.
And then I go on Instagram.
I see the one post, then itcomes down Because I remember
sharing it to the group text.
Like, oh shit, bro, I thinkKobe died.
Yeah, I heard about that and Ithought it was sad that him and
his daughter died.
But like, as far as the topic,yeah, I'm not from Texas, so
(01:14:47):
it's just like you know this isunfortunate.
Prayers to the family.
But yeah, I ain't gonna talkabout it.
I can't talk about it Because Idon't know anything about it.
That's not true.
I ain't going to talk about it.
I can't talk about it because Idon't know anything about it.
That's not true.
You listen to Wu-Tang.
I don't know Old Gucci.
(01:15:08):
Gucci, go ahead, finish, finish.
I was listening to Jim Jonesearlier today.
He dropped new shit or old shitthis album he just dropped
Friday.
Okay, I don't like Joe Moerapping.
I'm tired of Joe Moe rapping.
(01:15:30):
I like Joe Moe rapping, me too.
I just remember Homeboy sent methe text.
I didn't believe it.
Then I end up going up to myhomegirl house and everything
started coming through and wejust end up kicking over and
talking and I remember cominghome and I actually like teared
up because, like I've like never, ever been affected by a
celebrity death.
But like I guess Kobe wassomebody who I just I shitted on
(01:15:55):
Kobe so much for a very longtime.
Shock value, right?
Oh, absolutely, that's all I'msaying.
I was a LeBron fan, so I wasdoing shock value.
But then, like I did, like theepic Kobe rant on his last day
and that was one of like my bestlike videos that I ever had
(01:16:16):
made to that point and it justwent crazy because he was just
going off and I'm just drunk asfuck watching the game and I'm
talking to my mama and I'm like,hey, I got to hang up because
I'm going crazy on Snap.
You know what I'm saying.
So this shit really touched myheart and then it made me really
think about different momentsthat happened that were
(01:16:38):
significant, that you kind ofremember where you were.
I like that, let's keep that in, let's keep that one in.
From now on, we need to endthat one.
We need to end every episodewith one of those.
That shit is pretty hard.
I was just trying to figure outhow the hell everybody started
hating Kobe when LeBron came tothe league.
I never understood that.
So I, lebron came to the league.
I never understood that.
I'll tell you, it was neverKobe, it was Kobe fans and not
(01:17:04):
you, because I've talkedbasketball with you since we
were in middle school.
It was the Kobe fans who wouldtry to create the comparison
Kobe and LeBron.
I feel like that's basketball.
They're going to always makethe comparisons Kobe had the
MJ's.
It's gonna be like the nextbest thing.
They were like they wereshitting on LeBron for not
(01:17:24):
having certain accolades thatKobe had, as if they were peers.
Kobe came into the league in 96.
Lebron came into the league in03.
They're not peers for sure.
For sure, that makes sense.
They're not peers for sure,that makes sense.
They're not peers.
Kobe was like in his.
(01:17:45):
Kobe had three rings and waslike in his prime and Shaq was
damn near in 27 27, I can'tbelieve.
I think Cubs was in his prime,bro.
You know what your prime was toyou About 30, 29, 30.
27.
I think prime was your peak 27to 30.
27 to 33 is the prime.
(01:18:07):
Yeah, because you I thought itwas 29 to 30.
You just expanded that a littlebit.
I feel like, especially forCubs, because he came out of
high school.
He was 17 when he came in.
So what About another six years?
So that's about what, 23, right?
Yeah, he wasn't in his fuckingprime.
If you say 27.
Man, hold on, I'll pull up thegoddamn numbers.
(01:18:27):
I'm telling you how old he was.
I got you.
But, like the comparison, areyou just going off of what his
accolades say?
No, but I'm saying like when?
So, when it gets to be aboutwhen we're in high school, right
?
Lebron makes the finals run,our freshman year of high school
.
Now it's Kobe versus Summer.
Summer, yeah, yeah, summer,after our freshman year, we're
(01:18:49):
talking about Kobe versus LeBron.
They're not on the same trackin their careers, right?
And that's the same issue I behaving with, like, the 08
Celtics, when Paul Pierce betalking all that LeBron stuff,
we wasn't scared of him.
You're not supposed to bescared of him.
You're a kid, you're supposedto be scared of him.
No, no, I'm saying because ofLook at that team, it was KG,
(01:19:11):
paul Pierce.
I don't know, but Paul'sstanding in the league when
LeBron came in, you know whatI'm saying?
Like Paul came, but I'm saying,compared to LeBron when he's
still two, three years in theleague is still young, bro.
When LeBron came in the league,lebron was the third.
Lebron was by the top fiveplayer when he touched the floor
.
I get it.
I get it.
He was better than five yearswhen he touched the floor.
(01:19:33):
I get it.
Yeah, but like Brad didn't have, he didn't.
I don't think he had, he didn'thave the reps to have the
muscle memory on certain stuffthat these other niggas had.
But they're trying to say, hey,nigga, we're busting your ass
Because he was better than themwhen he touched the floor.
Yes, he was physically betterthan them.
(01:19:54):
No, it wasn't nothing.
Every box he checked more thanfive years.
Boom, boom, boom, boom, boom,boom.
He checked every box.
But again, he talking about likehis team when they beat him,
when they beat him like Bostonwasn't supposed to get beat by
Cleveland.
Yeah, no, you get what I'msaying Because if you look at
(01:20:16):
the history of the NBA and NBAchampions at LeBron's age, given
the team that he had around him, great players typically did
not win championships as thebest player on the team.
That young, I get what you'resaying.
No, I'm saying that I get whatyou're saying.
Lebron was the best player onthe floor, but it was just no
doubt, no doubt.
(01:20:37):
You said bro was the bestplayer on the flow, but it was
just no doubt, no doubt.
But I knew what you said.
But it was just the best player.
But just look at the team hehad when he was with the
cleveland.
You ain't gonna beat shaq andkobe.
That's what I'm saying.
Compared to you weren'tsupposed to you.
He's he's not being and it was.
(01:20:57):
It was good.
It was fucking loaded Top ofthe bottom.
They were loaded.
Kobe was dealing with Kobe With.
Kobe was dealing with stuff andCarmel was hurt and Carmel was
hurt and Carmel was trying tofuck.
Oh, that was that, yeah, yeah,I was here painting.
Yeah, I think that's a problem.
I was shooting a Kobe, kobe andShaq had the beef, because then
(01:21:17):
Shaq and Kobe said the shitabout Shaq when he got in
trouble.
You know what I'm saying.
Like them niggas didn't likeeach other.
They weren't going to dinnertogether.
That was a shit team.
But that's all I'm saying.
No, so the Kobe hate hadnothing to do with Kobe.
I like Kobe's game.
It was just like the stupidshit his fans were saying.
So what about one of three yearswhere they had everything set
(01:21:38):
up for LeBron and Kobe to meetin the finals?
They got Nike commercial, theygot the vitamin water, kobe
drinking the yellow, lebrondrinking the first burger.
He went to the dance.
I said, hey, kobe, bro, what wedoing.
You know what I'm saying.
They had it all set up, butthen when Kobe went to the final
, the dance of the bronx sittingon the couch by themselves.
Oh wait, oh wait.
(01:22:13):
I give him a pass.
I know, but that was no.
No, celtics was number one seedthat year.
The hawks was the eight.
Oh wait8,.
Hawks was the eighth.
I'm with you a little bit, Ican't say it on here.
One the Browns.
What was it?
08, 09, 10, right?
No, 07, 08.
The Browns played him in theplayoffs.
(01:22:37):
Who put him out in 2007-2008?
He wasn't him.
They played him until the yearbefore he left in Miami.
That's when he played Boston inthe playoffs.
Yeah, I ain't talking about 10.
I'm talking about 07-08.
Kobe was MVP, kd was rookie ofthe year.
Bronze scoring title, bostonCeltics number one seed.
I'm going to say who put Brianout in the playoffs?
(01:22:59):
Scoring title, boston Celticsnumber one seed.
I wasn't talking about that,because Cleveland was 45 and 37
that year.
They didn't even win theirdivision, but they was up.
That's what I was talking aboutIn 2010,.
Yeah, yeah, yeah, that was up2008.
When Boston beat LA in thechampionship, yeah, he was up,
(01:23:22):
2-1.
He was up.
I don't give a, let me see whatit was.
I bet it was 2-1.
That's why I'm like what thefuck?
Like what you mean?
They better be scared of him.
They just said they wouldn't.
Then they saw him in 2000.
Then, when KG came over there,he started barking.
(01:23:44):
Then you heard what KG beensaying lately you better quit
playing, lord, shut up PG, lord.
You know what I mean, we sawwhat happened in 2012.
That's another one of themoments where I remember where I
was when Braun went crazy onthem in 2012.
He was in Dalton at Paige'shouse, me and Dean and I don't
(01:24:07):
know who else.
I was with man and that's yourepisode of the Village Vets,
baby, there it is, man, we'll beback next week with your.
I'm your host, big B-Star.
To the left, I got the roosterand to the right, oh man.
Hey, you know I'm doing theoutro, right?
(01:24:31):
No, because I don't like that.
What Damn, I don't like that.
What Rue?
I don't like that.
What Damn, what Rue?
Yeah, man, rue, Lee, send usout.
Man, we out, all right, man.
Village Vets we out of here,man.