Interviews and anecdotes with musicians, album collectors, LP manufacturers and beyond about our connection to vinyl records.
"I don't have stage fright, I have life fright." Indiana native Timothy Showalter -- the mind and voice behind the moniker Strand of Oaks -- has pulled no punches when it comes to combatting his own childhood trauma and lifelong anxieties through music. And while he says that touring and performing puts him in his most zen state, he has experienced a death or sorts with the guitar-centered music Strand of Oaks has done until now. H...
Esquire editor-at-large and former MTV VJ Dave Holmes discusses how his ADHD allowed him to embrace the chaos of live television, why hitting up a NYC vinyl listening bar with The Mandalorian didn't go exactly as planned, and his new podcast docuseries examining MTV's cultural impact. Subscribe to Who Killed the Video Star?: The Story of MTV wherever you get podcasts, and follow @daveholmes on Instagram and Threads.
Hello! For my day job, I host and produce Looped In: Chicago, a podcast for WBBM Newsradio. And this week, they allowed me to make an episode all about the city's ties, past and present, to the record industry. So while it's different from your typical Vinyl Emergency episode, I hope you'll find this one to be an equally engaging listen, with guests including Evan Weiss of Into It. Over It., Smashed Plastic Record Pressing co-owner...
This is an encore presentation of a previous episode, originally airing in December 2020.
On today's show, keyboardist Derry deBorja (of Jason Isbell and the 400 Unit) talks about the musical influence of his older brother, his time as a member of Son Volt, how experimenting with a modular synth has changed how he views composition, and the 400 Unit's relationship with David Letterman. Visit jasonisbell.com for updates, and ...
Since his last visit to Vinyl Emergency in August 2020, Nashville singer/songwriter Ruston Kelly has narrowly escaped a fiery bus explosion, sold off nearly every physical stage piece from his last tour, and rehabbed an old Victorian bungalow with his own two hands. And while all of these experiences are worth talking about, today he says that being a better listener has been a focused priority as of late. This deliberate intention...
At just 16 years old, Amy Fleisher Madden was contributing to her surrounding Florida punk rock scene like a wily veteran. Through booking and promoting national bands visiting the panhandle -- as well as her DIY zine Fiddler Jones -- she had introduced, connected and championed emo, pop-punk and hardcore bands from all over, eventually leading to the start of Fiddler Records, which gave us the first releasees from Dashboard Confes...
Starting as an NBC page in the mid-80’s, Jim Pitt eventually landed a dream job, for many: music booker for Saturday Night Live. From Nirvana’s debut on network television to Sinead O’Connor’s impactful and headline-making performance, Pitt booked it all starting in 1990, including mega-star appearances from Whitney Houston, Bruce Springsteen and Neil Young. Three years in, Pitt took his talents to David Letterman’s replacement at ...
Logistically and artistically, R.E.M.'s 1998 album Up marked a fork in the road for their trajectory: Prior to its recording, drummer and founding member Bill Berry had amicably left the band, having suffered a brain aneurysm while on stage three years earlier, leading the remaining trio of Michael Stipe, Mike Mills and Peter Buck -- for the first time in their career -- to create without a key piece of their dynamic. In the end, U...
North Carolina-based label Merge Records, inarguably one of America's most influential and prolific purveyors of indie-rock, is on the cusp of turning 35 -- a landmark that co-founders Laura Ballance and Mac McCaughan likely couldn't fathom when they started the label in 1989. Then, Merge was simply a DIY avenue to release tunes by their scrappy quartet Superchunk. But along the way, as the band's jangly but caffeinated power-pop c...
The two sounds Tommy Prine says he remembers most growing up were having the AM radio on or his father (renowned singer/songwriter John Prine) workshopping tunes at the kitchen table. Journeying through adolescence, his eclecticism later manifested through acts like Outkast and System of a Down. But now, on the heels of This Far South — his debut album that dropped earlier this summer — Tommy has found his own unique voice that mar...
In her family, Louise Post says that there have been three usual career paths: Join the clergy, practice medicine or become an artist. Thankfully she followed the latter. In 1992, Louise co-founded Veruca Salt with fellow vocalist/songwriter Nina Gordon, and the quartet became one of Chicago's biggest exports of the alternative-rock era. The duo's buzzsaw guitars pushed hit singles like "Seether," "All Hail Me" and "Volcano Girls" ...
As a child of the 1970's, vinyl records were intrinsic to Ben Harper's understanding of and approach to music. “If somebody came to the house and said 'We're gonna repossess either your refrigerator or your turntable,'" he states today, "they would've been hauling out the fridge.” Growing up, the 3x Grammy-winner and heralded lap steel guitarist/vocalist's taste jumped from Ozzy Osbourne to Robert Johnson to Funkadelic to Jackson B...
Prior to releasing some of the most memorable songs to come out of the 90’s, San Francisco’s Counting Crows were subject to a major-label bidding war, thanks in part to something rather unheard of in the industry: a massive, 15-song demo tape. Not only did this show a deep well for vocalist and lead songwriter Adam Duritz to pull from, but this prototype already came with early versions of future bonafide hits like "Mr. Jones" and ...
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