Jane Bergère is the President of Jane Bergère Productions. She is a multiple Tony Awards and Olivier Award-winning producer with a diverse career spanning from acting to artistic direction and producing. Jane began her career as an actress, gracing the stages of Broadway and performing in regional theater and television. Subsequently, she assumed the role of Artistic Director at Connecticut's Broadway Theatre in Darien, CT, where she successfully produced over 50 acclaimed musicals, earning the attention of The New York Times and tri-state newspapers.
As a producer, Jane's career took off with the critically acclaimed Broadway show, Metamorphoses. Her off-Broadway credits also include The Exonerated, highlighting her versatility and knack for choosing compelling productions. Beyond her work in New York, Jane's influence extends internationally with productions in London, Australia, Canada, and Korea, making her a prominent figure in the global theater scene.
Imagine managing a theater, navigating the real estate industry, and raising a family simultaneously. Welcome to the world of Jane Bergère, a multi-faceted woman who has worn many hats throughout her life yet remains incredibly humble and dedicated to her craft.
Climbing her way up from running a dinner theater to producing Broadway hits, Jane has managed to make her mark in an incredibly competitive industry. Her journey serves as a testament to her commitment and passion for theater, deftly navigating the intricacies of production while dealing with the ebbs and flows of an ever-evolving industry.
In this episode of the Family Hustle Podcast, hosts Amanda Abbou and Alec Borenstein welcome Jane Bergère, the President of Jane Bergère Productions and a multiple Tony Awards and Olivier Award-winning producer. Jane talks about the challenging transition from dinner theater to Broadway, the intricacies involved in choosing the appropriate musicals for production, and the impact of the pandemic on Broadway. She also talks about how she adapted to the changing attention span of audiences and how she navigates her day-to-day life while wearing so many hats.
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