Ride the tide with the Irish & Celtic Music Podcast #603.
The Langer's Ball, Hanneke Cassel, Niamh Dunne, Kalos, Kieran Byrne, Seldom Sober, Kinnfolk, Ben Doran, Madman's Window, Emerald Accent, Vicki Swan & Jonny Dyer, Paddyman, Kellys Wayke, the commoners, Michael Maloney, The Druids
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VOTE IN THE CELTIC TOP 20
This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2023 episode. Vote Now!
Two weeks after the episode is launched, I compile your votes to update a playlist on Spotify and YouTube. These are the results of your voting. You can help these artists out by following the playlists and adding tracks you love to your playlists. Follow us on Facebook to find out who is added each week.
Listen on Spotify and YouTube.
THIS WEEK IN CELTIC MUSIC
0:02 - Intro: Boxing Robin
0:10 - The Langer's Ball "Reels: Maid Behind the Bar/Anything for Jonjo?" from Appetite for Tradition
2:44 - WELCOME
4:40 - Hanneke Cassel "Dusky Meadow Set" from Reasons Unseen
09:58 - Niamh Dunne "Tides w/ Karan Casey" from Tides
13:26 - Kalos "April and Joe's/Brownington Ceilidh Club" from Headland
18:37 - Kieran Byrne "Spancil"
22:20 - FEEDBACK
25:25 - Seldom Sober “Jigs: Geese in the Bog / The Wandering Minstrel / The Coleraine” from Six Months in Confession
Kinnfolk and Arise & Go, two of the artists we feature on this podcast, were selected as finalists for the Robinson Emerging Artist Showcase! The contest is put on by the Goderich Celtic Roots Festival in Canada and provides emerging artists some high quality opportunities for professional development as professional Celtic musicians. You can read more about it on Facebook.
29:10 - Kinnfolk "Right All Right" from Kinnfolk
31:59 - Ben Doran "Ship in a Bottle" from Ceol an Chroi II
34:03 - Madman's Window "The Scolding Wife" from All Guns Blazing - Live!
36:39 - Emerald Accent "Farewell to the Catskills" from All of Us
40:51 - CELTIC STORY
A setting of a poem written by a Mr M Edgerley which he submitted to The Observer (Queensland, Australia) in 1924.
The poem is titled “A Returned Soldier’s Lament”
I’ve renamed the song 1924 partly because I have made small changes to the text - and have added a verse, but also the date is really significant to the meaning of the words. The poem references WW1 from that date: being 6 years after the war ended, 9 years after the majority of the ANZAC troops joined the war and 8 years after their greatest involvement and losses b
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