Episode Transcript
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Karen Kenney (00:01):
Hey you guys, welcome to the
Karen Kenney show. I am so happy to be here
spending a little time together. And this
episode I'm calling this sucka, it's not
you, it's not you. And consider this like alittle love letter from my hat to the hat of
my fellow writers, musicians, creatives,
people who are trying to put good things out
(00:29):
into the world, helpful things out into theworld, people like entrepreneurs, people who
are trying to be of service in some way. The
help is, you know, just the creative people
who feel like they have some sort of acalling or something to offer the world to
help their fellow beings or whatever. This
is just a little love letter, and why I'm
(00:54):
calling it. It's not you. Is there's goingto be a pot two to this, but this is pot
one. It's not you. And let me just tell you
a little bit of a story to drop this into
into place and to maybe make make sense. Um,so my sweetie, okay, many of you know my
sweetie, my my husband, Chris Lester, is a
professional musician. He's been, you know,
(01:20):
playing live and doing, I mean, he's beenplaying music, like, started making sounds
as a little drama when he was, like, three
years old, and then he switched over to
bass, and then he switched over to guitar,and he, you know, whatever, he can play a
bunch of things. And he's also a singer and
a songwriter and a producer. So he's wicked
talented. He really pours himself into hiscraft. He works hard at it. He's a
professional, you know? He's like, he's
like, fantastic. Now, my sweetie does
(01:47):
several different things. So throughout thecourse of a week, like just this past week,
okay, he played some solo gigs at like,
local restaurants, pubs, whatever. And then
he had some larger shows, some bigger shows.So sometimes he'll play on really big
stages, like he's played, like he plays with
his band, the doc desert eagles, which is an
(02:08):
incredible eagles, if you like the band, TheEagles, it's an incredible Eagles tribute
band. And they'll play places like Hampton
Beach, casino ballroom or aura in Portland,
or travel around the country, you know. Andsometimes he'll play rooms with like 700
people. Sometimes he'll play rooms with like
1500 plus people. Sometimes he'll be in a
(02:29):
local buy. You know what I'm saying? He'storn around. He's played with everybody from
Carole King to Sully Erna of God smack to
like, you name it. You name it. He's like,
he's been around, right? Okay, but there's areason why I'm telling you all this. So
think about this some. Some nights, he'll be
on stage in front of, let's say, one of the
(02:51):
big rooms, the the casino ballroom, 1500people, and he'll be up with with his band,
he'll do sing, blah, blah, blah, and he'll
get like, standing ovations. The people are
just like, Oh my God. Like clapping, goingcrazy, spotlights, the whole big should do,
right? And then this same incredibly talent
person can play in a local bar, let's say,
(03:13):
right, a local pub restaurant, whatever youwant to call it, and he'll be in the corner
playing and singing and doing what he does,
and there will be people who keep their back
to him, who don't pay attention, who neverclap, who never acknowledge him, don't leave
a tip, like whatever. And it's fascinating,
because it can be really easy now, if my
(03:38):
sweetie wasn't aware of the the dynamics ofthis, and part of what I think is the
dynamics of this are two very important
things, which is the people and the place.
And the reason why I'm sharing this withyou, dear listener, because maybe you fall
into one of those categories, and like as a
creative or a writer or whatever. But this
(04:02):
can also apply to you in your relationshipsor you in your family of origin, and I'm
going to break that pot down in a minute, so
stay tuned. But it could be really easy for
my sweetie to get discouraged, to feeldejected, to feel like rejected, to feel
like what he was offering wasn't good
enough, because the people in those pubs are
(04:27):
like not clapping or not paying attention.And now, now that's that's a rare thing
these days, right? But when you break down
the elements of why it might be okay, the
people who are going to one of those bigshows, they had to find out when the show
was. They had to be interested. They had to
buy a ticket. They had to get some skin in
(04:50):
the game, right with their cash, their time,their energy, their resources, and they had
to show up. And then they have to be present
and available to the magic and the sound
that is. Coming towards them, and those arethe people who are like your people. They're
in the audience. They are there to see you.
They see you. And even if it's their first
time at this gig, let's say a friend invitedthem to this show. And I'm gonna, I'm gonna
connect the dots. So stay with me, right?
Maybe, if you're a first time person in the
(05:19):
audience, but you're there, and you're like,holy shit. That's like, Pat badger from
extreme. That's this guy from steel hot.
That's like, Oh my God. This guy's like,
teaches at Berkeley. Oh my god. These guysare professionals. They're fantastic. This
show is fun. And then all of a sudden,
you're there, standing ovation, clapping, so
glad that you're there. You'reparticipating, and you're rewarding the
creativity and the artistry, and you're
recognizing, holy shit, these guys have
(05:45):
really put in the time and the effort andthe energy and the money or whatever, to
create this incredible show. And there's an
exchange that's happening there, because the
people in the audience are the right peopleat the right time, in the right place, and
they're getting it now. Plunk, plunk, the
same really talented musician or musicians
(06:06):
into a local like pub or restaurant orwhatever, where number one the restaurant is
the one hiring them. So these people do not
have to buy a ticket. They may not even know
that there's live music at this place.They're just going there to watch TV,
because sometimes you'll be a musician
playing in a bar, and there'll be like, 18
(06:26):
TVs around you, and people are like, lookingover your head or looking over your
shoulder. They're not there to see you, or
they're playing Kino, because there are
restaurants that have, like, gambling stuffin them, so they are not there to see that
person. They have no skin in the game.
They're not invested, they're not
interested. They might from listening. Justhappen to you know, that happens a lot, you
know, but there'll be people that you know
didn't know my speedy was going to be
(06:55):
playing them by the end of the night.They're a fan, and they're like, where's
your schedule, and when can we see you? And
how can we find you know, and that's really
cool, too. They they become converted,right? Not because my sweeties trying to
convince them of anything, but they hear it,
and they're like, on board, and they're
like, yes. But there's a major differencebetween those two experiences, between
putting your artistry, putting your
creativity, putting your offer, putting your
(07:18):
service in front of people who get it, whounderstand who you are and what you do, who
want it, right? Who like to support live
music, or like to support your craft,
whatever it is that you as a person, isoffering, and people who just don't get it.
They don't get it, they can't see it, they
don't want it. They're really different the
(07:43):
people in the places where you're sharingyour offering, whether it's your business,
your service, your music, your stories, your
you know, whatever it is, your talent, you
might have a really different experience,and it can be really, really easy, because a
lot of times artists and creatives are
highly sensitive people. It's what allows us
(08:09):
to take a look at the world and create artfrom it, is that we feel things, and we see
things, and we think about things, and then
we try to take what, what's happening, and
create something from it. We are meaningmaking machines, right? And so it can be
really easy when you are trying to put
something out into the world, and it's not
getting a response, and it's not gettinglike the respect, right, the reaction, or
the return, as they would say in business,
the ROI, the return on investment, you're
(08:39):
like, Oh my God, I've poured all my heartand soul and time and energy into this
thing, and the people just aren't
responding. And whether it's you're sending
emails to your list, or you're sending apodcast out there, or, like, let's say it
was somebody's birthday and you handmade a
gift for them, or you baked a meal for
somebody, or whatever, and you know, youknow what you've poured into it, but it
wasn't the right audience, man. They the
right person or the right place or the right
(09:09):
time. They just could not appreciate it. Andyou know, it's not that. And this is the
part I really want you to to listen up,
like, really lean in and listen to what I'm
saying, my sensitive, dear, hearted,creatives.
It's not that what you are creating oroffering, it's not that it's not valuable or
that it's not worthy or that it's not
worthwhile. It's a matter of who you're
(09:33):
putting it in front of, and their capacityto appreciate it and receive it, and their
capacity to see you and appreciate you. It's
also sometimes a matter of their priority,
and sometimes it's a matter of how theyidentify and see themselves. And I'm going
to dive into that in a little bit as well.
And you know, there's a story, you know,
(09:59):
somewhere. In the Bible, it's probably inthe Gospel somewhere. I don't know, Matthew,
John, Luke, maybe I don't know. I don't want
to take a bat. I don't want to take a bad
guess, right? But there's like, a phrasethat, like, Jesus says, like, something
like, Don't cast your pearls before swine,
right? And I don't know the exact wording,
but it's something like, because they'lljust trample all over it. They'll just,
like, take their little hooves and go do
because they don't even know what they're
(10:26):
being offered. And then I think the secondpart of that is they might trample it, or
they'll get angry. They might trample it, or
they get angry. To me, the trampling of
these things that you're putting beforepeople, your pearls, your writing, your
music, your your business office, your meal
that you've created, the gift that you like,
(10:48):
whatever it is, the the love you are tryingto extend somebody in a relationship, right?
Again, whether it's your family of origin or
your chosen family or your friends, right?
Sometimes you're trying to Office, somethingfrom the hot and they're like, ping, ping.
Like, what they're doing, this cross arm
thing, like the Wonder Woman, like little
bracelets that could, like, you know,deflect bullets. Well, people, a lot of
times, will deflect what's good for them.
They'll deflect love. They'll deflect the
(11:15):
thing that they actually need. Going back towhat I said, because it's a matter of their
priorities, there are times when people are
like, Yeah, I don't want to do the work on
myself. Now imagine like being in my shoes,right? As an example, like being a spiritual
mentor, being a yoga teacher, being somebody
who office like, you know, somatic work,
(11:37):
like yoga and Thai Yoga massage, you know,somebody who offers the spiritual, the
mental and the emotional work of spiritual
mentoring, subconscious reprogramming, neuro
like practical neuro neuro science or neuroplasticity. You know, who brings in
conversational hypnosis and integrative
change work? And I have all these things,
(11:58):
and I'm saying here, world here. I'moffering you this here. This is how I help.
This is how I serve. This is how I spread
love in the world, like here, and it's like
crickets. Now it can be really easy. Andtrust me, you can ask my sweetie, you can
ask my best friend, there have been times
when I'm like, just crying, just crying,
(12:21):
going, like, what I'm trying to offer, thesethings and like, why don't people want it?
The world? And I would say the world just
doesn't want what I have to offer. And
they'd be like, it's not true. My sweetiewould be like, sweetie, because he calls me
sweetie. He's like, sweetie. It's not you,
it's the wrong audience. It's not the right
(12:41):
people. They don't get it, and it's not,it's like it's not their priority for a lot
of people working, quote, unquote, working
on yourself, working to transform patterns
and habits and old stories that are keepingpeople stuck and in their shit and suffering
and miserable, and they're staying in these
marriages or these jobs or these
(13:03):
relationships or these patterns ofconsciousness, right, the ways that they're
choosing, the decisions that they're making.
You know, they're suffering, basically, but
we've normalized it, or it just isn't apriority. Hi Toby pajamas, sorry little I
just saw Toby crawl out from underneath the
if you're watching this, you can see him. He
(13:26):
just popped out in his little hidey holewhere he was taking a nap. So cute.
Um, so it might not be their priority tolike work on themselves, or to, you know,
get to know themselves better, to understand
themselves better, to know why they do what
they do, and think what they think andbelieve what they believe, and say what they
say, and the stories they tell about
themselves or others, the ways that they
(13:49):
trip themselves up and self sabotage andcan't feel inner peace or happiness or
satisfaction, right? They get everything
they thought they wanted, and it's still
they're not happy, right? So they don'tunderstand, first of all, that they could
even use what you're offering. They don't
self identify as somebody who needs that
(14:10):
kind of help. You know, Have you ever knownsomebody where you look at them and not this
is not in a condescending way, and this is
not in a judgmental way, a mean way, or
anything. And you just think, wow, it mightreally help that person to talk to somebody,
and whether that's a therapist or a coach or
a pastor or a spiritual mentor or whoever,
(14:31):
right, they could really use some newperspective, uh, learn some learn some tools
to shift their mind right, from fear to
love, to learn how to to be with to make
sense of maybe some things that havehappened, and like, get some support and
have an unshaming Witness, you know what I
mean. And but if you were to mention to them
(14:51):
getting help, they would kind of be likethey'd get pissed at you. And it goes back
to that right Don't cast your pearls before
swine, because they might trample them. Get
angry. And people can get angry for a coupleof reasons. One, they're like, don't tell me
that I need help. I don't need therapy. You
need therapy. You're the one who has issues.
You're the one who needs help. Like, don'tjudge me, like, whatever. And so they may
not self identify as somebody who could
benefit from what you have to offer. You
(15:21):
know they might not understand like, theydon't prioritize, they don't make reading
like, let's say you're a writer, and they're
not people who make reading a priority.
They're not somebody who's interested inreally learning or growing. You know what I
mean? So it can be really easy, though, when
your environment is not reflecting back to
(15:42):
you that what you're offering, oh, my god,can you hear him screaming that what you're
offering is of worth or a value, and it can
really be easy to confuse what you're
offering with you. So if people aren't,quote, like, let's say you're an
entrepreneur, and it's like people aren't,
quote, unquote, buying, or you're not, as
(16:03):
they would say, getting new clients, or yourfunnel is not, like, whatever, all this
stuff, right? And you're like, I've invested
all this time in this and this and this, and
now I'm putting it out there, and nobody'ssigning up for my event, or nobody's coming
to my class, or nobody's downloading my PDF,
or like, nobody's opening my emails, nobody,
nobody's listening to my podcast. And it canbe so easy to get to start discouraged. And
this is why it's one of the reasons why a
lot of people, I mean, the success rate of a
(16:36):
podcast. It's why there are so many podcaststhat people start, they get under less than
like, 10 episodes, and they quit. And
there's a reason why Apple podcasts, when
you think about like, where people put theirpodcasts out to be distributed to like,
where people can listen to it, there's a
reason why Apple, Apple will not let you
(17:00):
upload unless you already have at leastthree episodes in the can because they want
to see that you can actually do more than
one one that you will get some skin in the
game. But a lot of people start and stop. Alot of people quit and give up because they
feel like they're not getting back the
energy or the effort or the attention or
(17:24):
whatever that it's not it doesn't feel likean equal exchange, because you know you're
like again, you're pouring your hat out, or
you're standing in the corner with your
guitar, singing, doing all this stuff, andit's just that it's not the right people.
It's not you. Sometimes it's just not you,
it's just not the right people, and it's not
(17:45):
the right place, and sometimes it's not theright time. And I'm sharing this with you
because it's important that we can start to
tell the difference between like we don't
want to waste things of value, okay? Youyour time, your energy, your resource,
right? I don't think what your love ever
really gets wasted. I think your love is
(18:08):
something that can always be beneficial,even if the other person doesn't get it yet.
But we don't want to waste things of value
on those who won't appreciate them, who
might get angry by your offer of the thing.But there can also be times where, if you're
trying to share something, or just be
yourself and shine your light right in front
(18:29):
of people who themselves are jealous orinsecure or envious or competitive or like
wicked ambitious, and those people who don't
think that there's enough to go around. You
know, there'll be times when you could belike you could be offering the best thing in
the world. You could just be out in the
world being yourself, and somebody else is
(18:51):
going to get annoyed, triggered, angered,pissed off, whatever, just because you are
alive and breathing. And I tell this funny
story that I was at an event one time, it
wasn't my event. I was there as aparticipant, and I was out in California. I
had flown out there for the event, and I was
in a group coaching program or whatever. And
so we would do these every, like six months,or whatever it was. We would do these events
where all the members of this coaching
program would, like, fly in and get
(19:18):
together, and we'd have a blast. And it wasat the end of the program. It was like a
year long program, and we were wrapping
things up, and at the end we were all
hanging out in this big room, and we weresitting in a big circle, and people were
sharing and talking, and then, you know,
playing music and hugging, and everybody was
saying goodbye, because we were flying backto our different, you know, where areas,
where we lived, and whatever. And I'll never
forget, I'll never forget it was so funny,
(19:44):
like, I had all these people who were like,we were all hugging each other and like, oh
my god, I love you. I'm gonna miss you. This
was so great, so fantastic. I'm so happy I
get to spend this weekend with you. And thenall of a sudden, this one woman came up to
me, and she's a little bit younger than me.
Pretty, like, young, smart, whatever, and
she comes up to me, and she like, kind ofgrabs me by the arms, like she's standing in
front of me. And she kind of like grabs me
by the arms, and she just goes like this.
(20:09):
She blurts out. She literally just blurts itout, I was hugging one of our coaches, and I
got done hugging her, and then she came over
to get her hug. And then she turned around
and saw me. She grabs my arms, and she justgo see this, oh my god. Oh my god. Like you
trigger me so much. You trigger me so much.
Like all weekend, like every time I see you,
like you trigger me so much. I was justlike, standing there, like, like
dumbfounded, like, just kind of laughing,
like I was smiling, and I just kind of
(20:42):
laugh, because I'm like, Ah, like, she justhot potatoed me. And I'm like, I don't want
to catch this. I don't even know what you're
loving at me. And I'm like, I'm like, Okay.
And she's like, huh, but like, I realized,you know, it's not you, it's like, it's me.
Like, I gotta, like, I gotta, you know, I
gotta work on my silly and I'm like, Oh my
God. I mean, I said hi to this person. I wasfriendly to this person. I had never really,
probably talked in depth to this person,
whatever. And I'm thinking, Oh my God. Like,
(21:12):
I'm just over here being me, and they'rehaving their own whole reaction over here.
And it was very clear to me, I'm like,
That's not you. I'm like, It's not you, it's
not you, that's, that's it's not you. Youcan't help how other people are responding
or reacting, right? And so, like I said,
Don't cast your pearls before swine.
(21:36):
Sometimes they're going to trample on itbecause they don't appreciate it, they don't
get it, they don't understand it. They don't
identify as somebody who needs it or wants
it. But sometimes they will get angry andthey will have a reaction to you, and a lot
of times if another person now, I mean, just
let's pause for a moment and have an honest
moment with ourselves. Shall we double A menhands? If you can recognize this in yourself
that there has been a time where there has
been a person in your life, or an event you
(22:05):
went to, and instead of being like, reallyhappy in the audience, clapping, some part
of you was, like, having a strong reaction.
I don't like them. Who do they think they
she's too big for her britches? Oh, theythink they're so spent, like, whatever the
thing is, and the person on stage, it's
like, it's not you, if you're just going
(22:26):
about your business trying to, like, presentor speak or storytell or off of something or
whatever, and somebody in the audience. And
look, these days, the audience is everywhere
because of social media. You could just beat your house filming something with your
cat and post it, and people's reactions and
people's responses, I'm going to do a whole
(22:46):
other episode on that. But look, it's notyou. It's not you, and I really don't want
you to stop shining your light or being
bright or being the you know, the incredible
you know, helper or person of service, orcreative, or creator, or whatever the CO
creator that you are, you know, because
other people just don't get it, or they want
(23:13):
it and they don't have it yet, so they getmad at you. You know what I'm saying? So,
you know, there's a difference, I guess is
what I'm trying to say. There's a difference
between speaking to people who are willing
to look at themselves, willing to do alittle work, willing to get some skin in the
game, willing to invest in themselves,
willing, you know, to to want to grow and
(23:36):
expand and all that stuff. There's adifference between speaking to the willing
and the curious versus wasting time on the
hot headed and the hot headed. You know, we
have to be aware of this difference, andsometimes we don't. We automatically turn on
ourselves, the inner critic that lives
within us. You know, that voice, it tells
(23:58):
you you're not good enough, you're not smartenough, you're not whatever enough, you're
not worthy, you're too much. This not enough
that you're not you're not lovable, you're
not capable, you're not whatever. It can bereally easy when the external world isn't
really responding in a way that you would
hope to turn it on yourself and to start to
(24:19):
kind of eat yourself alive from the inside,right from the inside out, and it can be
really discouraging, especially if you're
just getting started with something again.
This is like a love letter from my heart toyours, like, don't give up. Now, it's
important that we do do some investigative
journalism a little bit, right, and take a
(24:41):
look around. Because sometimes it's just Oh,it is the it's not that. It's not good. It's
just like, maybe I need to tweak this or
whatever. Like, we have to be realistic. We
don't just get to walk around saying, Oh,it's it's not me, it's them. Because no,
Hello, Pat too. We'll get to that. I. Um on
the next episode, uh. But right now, right?
(25:05):
You might not realize the difference betweenOh, like, we just assume, like, Oh, these
people are on my email list. Oh, or this
person signed up for that, or this person,
you know, is kind of like in my world, andso they're my audience. And it's like, no,
we might not realize until we've already
tried to, like, reach, reach people, like,
(25:25):
with our offering, that we're going to berejected, that nobody's going to raise their
hand and say, Sign me up. I want in. Let's
do this. I'm excited by your work. Like, I
see what you're doing. It's really great.Like, you're my coach, you're my person,
right? And so sometimes it can feel like
you're wasting your time and your energy and
(25:48):
your resources, and we all have to, youknow, we all have to have those come to
Jesus moments with ourselves when we're
like, Yeah, this is just not working, and
it's time to do something else. Like, I'vetried everything that I know how to do, what
right? And it makes me also think of that
parable or story where they say, you know,
(26:10):
Jesus couldn't perform miracles in His ownhometown. And I've talked about this on
other episodes. You know, I did a whole
episode about how familiarity can breed
contempt. You know, there are people whostop being able to see you. This happens a
lot in relationships is we become too
familiar with one another, and we stop kind
(26:35):
of appreciating the person who's across fromus, and whether that's your sweetie or your
sibling or your parents or your kids, or
whoever, your best friends. You know, a lot
of times people cannot see you outside ofthe box that they put you in. So to a lot of
Jesus's hometown, like Jesus can, like,
travel to, like, other cities and towns, and
he's out there healing the sick, and he'swalking on water, and he's, like, performing
miracles, and he's turning blood, blood into
water. You know, all the stories, right?
(27:02):
He's doing all this stuff, and he comes homeand he can't he can't get anything off the
ground. He can't get any Mojo rolling. He
can't perform any miracles, because the
people there don't have belief in faith.They just go, are like, Oh, this is the
COVID kid who lives down the street with his
hammer, right? This kid's nothing special.
Who do you? Who does he think he is? Doesn'the know who he doesn't he know how this
works around here. Don't you going around
thinking, don't get too big for your
(27:27):
britches, right? Jesus, like, keep it. Oh,my God. Can you imagine? It's like, so
hysterical. But sometimes we cannot perform
miracles at our own hometown too, because
people have just seen you too many times.They don't understand who's right in front
of them. They cannot see you. They can't
appreciate it, you know. And so it can be
(27:50):
really, really, really easy to turn in onyourself and to attack yourself, and to
judge yourself, and to just give up and to
stop creating because you're like, it's just
not worth it, and it hurts too much whenthey say no, or I get embarrassed, or I feel
ashamed, and I'm just not good enough,
right? We start to tell ourselves this
(28:12):
bullshit story, because it's not true. Yourworth. I always say your self worth is not
tied to your net worth. First of all you
know who you are, who you are, is priceless,
and sometimes it's just not the rightaudience. And I'm going to say it again,
they don't get it, they don't want it,
they're not ready. And they can think that
(28:33):
if that happens, if you're perpetuallytrying to share with people who don't
understand, who don't get it, who aren't
ready, who don't want it. It's not because
it's not worthwhile. It's just not the rightaudience, you know? And we've got to know
our audience. And I've said this before, and
this is particularly for writers, and I will
(28:55):
say this also, well, I should say it's, itis. I have a soft spot for writers, being a
writer, but this could you know you could be
a dancer, you could be a painter, you could
be a musician, like whatever. So I'm goingto talk about this in two ways. Be mindful,
like, know your audience. Like, know your
audience. Be really mindful and careful
about who you choose to share your work withso many of my writing friends who are very
successful, you know, a lot of them do not
show their work to anybody, right while it's
(29:30):
in that very, I don't want to say fragile,but, yeah, that kind of fragile and
vulnerable state where you could really get
thrown off key if somebody comes in and
starts critiquing and trying to be likesmart and trying to tell you where it's
wrong. You know, this is why, as a gateless
writing instructor, the way that we only
give loving feedback, we only tell you wherethe work is strong. We point out where the
power is, where the strength is, where the
craft is, where the goodness is, the stuff
(29:58):
that like hits. US and lands with us and ismemorable and has power, right? Because we
know how easy it is to derail a creative act
because you're putting your pearls before
swine, you're getting feedback from peoplewho, a, don't know what the fuck they're
talking about. B, they're not readers,
they're not writers, and you're just like,
Oh, it's my best friend, oh it's my mom or,oh it's my sister. It's like they don't get
it, they don't get it, and they don't know
how to be tender during that initial
(30:28):
creative process. We've also been and thisis a whole other thing, but we've also been
conditioned that what we really want the ego
is trying to tell you. What you really want
is to be critiqued, and you want to be toldwhere it's wrong so you can be better. Like
we believe that we want that hashness, but
we don't, not in the beginning, especially
(30:51):
so know your audience, be very careful aboutwho you share these baby birds with. That's
how I think of them, these tiny little birds
that are just hatching. They're growing
their wings. These little butterflies,right? They just came out of the cocoon.
They're growing their wings. They're testing
things out. Do not give it to the heavy
handed, to the unkind, to the blind, to thecruel, to the ignorant, to the people who
are not informed about this delicate intenda
and powerful and important process. It's the
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same thing in relationships. You gotta knowwho is safe to share your vulnerable bits
with. Not everybody earns the right. Brene
Brown might have said that not everybody
earns the right to hear your shamefulstories or something like that, but we gotta
know who's trustworthy. Of a delicate thing.
We need really good listeners, really good
(31:49):
unshaming witnesses, people who can see youand you want your balcony people. And if you
haven't listened to that episode, it's
balcony people and basement people, right?
So much of finding your audience is findingyour balcony people, the people who get you
and celebrate you and cheer lead you and
want you to succeed, and don't get weird and
(32:10):
jealous when you're their friend and youhave a hit right, a hit record or a hit
book, or your course is selling really well,
or your business is thriving, you'll
understand right away. You'll you'll startto see people's personalities and and how
they their spiritual maturity and their
emotional maturity. Have have a friend, have
(32:32):
a friend who like when you do well, noticetheir response, and it's normal. I want to
say this, sometimes it can be normal,
especially if you're in the same field,
right? Whether it's a coach or musician orwriter, whatever, where you one of you,
right? And I'm actually just read this whole
thing about a couple, both couples were
(32:54):
writers, and the dynamic that happens whenone gets success, I've seen it in actors and
actresses, right? Or, I guess we call
everybody actors now these days, when one of
you starts to get success, like thattension, that dynamic that's created because
the ego is involved, right? So we want to
just make sure your balcony people are the
(33:16):
people who, if you were getting an award oryou were standing on stage, you're crossing
that stage to graduate or get your PhD or
your diploma, or you just won an award, or
you're at a TED talk, or you're whatever itis. You're there. It's like to do your first
book reading, and they're like the people
that would be stomping their feet up in the
balcony. They bought tickets, they paid tobe there. They're cheering you on. They're
swinging their jackets over their heads.
They are creating a rumpus. They are
(33:41):
creating a ruckus. They are like, makingnoise. That's my friend, that's my son,
that's my sister, that's my sweetie. Like,
yay sweetie. Like, it's inevitable if I'm
ever at my sweetie show somewhere, somebodyis a recording where they hear me in the
background yell out, yay, sweetie. Sorry
about that. Oh, my God. So we want to know
(34:02):
who our people are. And then the last thingthat I want to say about this, it's really
easy when you're in a vulnerable place of
thinking that what you're offering isn't any
good, you're turning on yourself. You thinkyou're fucked up, you're broken, you suck.
You'll never be any good. This thing will
never sell. You'll never be able to make
(34:23):
money doing what you love. I should justgive up like why? But when you're in that
really vulnerable state of questioning
yourself, when you are not standing in what
we would call, or would call the SanctumSanctorum, where you are unwavering and
knowing, like when you are unwavering in
your faith, you know you are unwavering in
your faith in the Divine, to have your back,that God is with you, your spiritual teams
on the job, that you have your own inner
resources, like you've got your own back
(34:51):
when you're in your Sanctum Sanctorum, youyou cannot be thrown off your game, right?
But we're often not in that place, and this
is why, like a. DSP, or DSP is like really
important because it helps you to find thatplace, that unwavering, unshakable place
within you. And when we can't find that
place within ourselves, it's really
(35:11):
important to have good friends around, tohave at least one person who can remind us
of who we are, remind us of our goodness,
remind us of our strength, remind us of our
light to hold us up when we get a littleweak and weary of the bullshit. You know
what I'm saying. And trust me, trust me. I
have had those times. I have had those
stretches where I'm like, I don't fuckingknow if I can keep doing this. Like I don't
I don't even know if it's worth doing this.
Does anybody even want this thing? It can be
(35:38):
really easy to get discouraged. And this iswhy, like having a DSP and having a couple,
this one or two if, if that's all you got
people around you and to lean on, to lean on
internal resources. And once in a while, getthose, get those extra, like bolsters, in
place of people propping you up, right?
Because here's the thing, when you're in
(35:59):
that very vulnerable place, I'm finallygoing to make my point when you're in that
point. When you're in that very vulnerable
place, it's wicked easy for the the
predators to spot a slightly injured orweakened animal, right? But it's the same
thing with like. Like, there are certain
practices and coaches who, business,
(36:23):
coaches, whatever, coaches who are going tosee you, and they here's the thing, a lot of
people don't make money unless you think
you're broken and fucked up. And this is why
so often they'll be like, well, I've got thethree steps to making sure your funnel does
whatever. Here are the seven things you need
to do to make money. Here's the five
(36:46):
whatever system to make, to grow yourbecause as long as you think it's you and
that you're up and you're broken and you're
stupid and you confused and you don't know
what to do, they're going to be able to makemoney off of you. They need you to not
believe in yourself. Now I am not saying all
coaches. Hello, I'm a coach, not not
(37:09):
everybody, but just be mindful, be carefulbefore you go to work with somebody like do
a little research. Understand what it is,
because those kinds of people who are not
doing it for maybe it could be unconsciousor subconsciously, right? There are some
fantastic coaches out there, and there are
some there are also some shifty
(37:31):
motherfuckers, you know what I'm saying, andthey want it to be about you. They want you
to think it's about you, that you're
defective, that you're broken, that you're a
hot mess, that you're like murmur, becausethen you'll pay them money to try to figure
it out and fix it. That's why I always say,
like, I'm not here to fix you, because
(37:52):
you're not broken. I'm here to walk alongbeside you. I'm here to share some tools
that have helped me. I'm here to help remind
you just how amazing and incredible you
really are,
right? Sometimes we do need externalsupport. We do need resources. I wouldn't
have a job if that wasn't true. We all need
a little help along the way. You know what
(38:17):
I'm saying, but be mindful of the intention,like, really tune into when you get when
you're going to hire somebody. Like, like,
what's this all? What's this really all
about? Because it's a very vulnerable thingto be willing to put down your dukes, to
stop putting on the Tough act, and to
recognize, like, oh yeah. Like, I do need
(38:42):
some help to be willing to identify yourselfas somebody who could use somebody else's
services, as somebody who could benefit from
joining somebody's group, like the nest, or
working one to one in the quest, you know,my spiritual one to one mentoring program
for people to get to that place. Some, some
stuff has to be going on. And they want to
(39:04):
be able when you're already kind ofvulnerable and raw. You don't want to be
told, Oh yeah, you know what? That's right.
You are fucked up, you, you are broken, you,
you, I'll help you. I'm the only one whoconvicts you. You need this. It's like, no,
no, no. This is about reminding you of the
resources you already have, maybe sharing
some tools and resources you didn't havebecause nobody's taught you yet, like,
hello, hello, double A man hands. I I've had
to go first in my own life, because there
(39:32):
was a lot of things that nobody taught me,and I had to figure some things out, and now
my one of the ways that I spread love is
turning around and helping other people to
understand, like, oh man. Like I have thesepatterns, I have these behaviors. Like I
have these habits, I have these stories, I
have these ways of thinking and being and
like I, you know, helping people tounderstand themselves better, so that they
can make different choices because they
want. To make different choices, right? So
(40:02):
they can start to maybe have differentoutcomes in their lives, in their
relationships, so that they can start to
heal and forgive themselves and forgive
others. You know, I think this work that wedo, you know, on ourselves, is some of the
most important work there is to ever do in
this lifetime. And it is amazing to me how
many people don't make it a priority. And itcan be really easy for me to slip into like,
oh, I guess nobody wants what I'm what I'm
offering, or blah, blah, blah, blah, blah.
(40:36):
And I have to keep reminding myself, I knowthis work is valuable. I know this work
makes like it changes lives. I know because
I did it too. So again, love letter from my
heart to yours. Writers, creatives, coaches,mentors, entrepreneurs, anybody who is
working for yourself and trying to offer
something original or creative or inspired,
(41:03):
it's not you. Sometimes it's just not you.It's just not the right audience, it's not
the right people, it's not the right place,
and it's not the right time. And so much of
this work is trying to figure out, like, whois the like, Where are the people? Where are
they? And what do they need, and what do
they want? That's that's a whole other
(41:27):
that's a whole other thing. But this alsoisn't a free pass to just put the blame out
there, because that's what I said. Sometimes
we gotta have a really honest look in the
soul mirror and say, Okay, where do I needto adjust or tweak things or whatever? But
don't abandon you. Don't abandon the truth
of your own artistry. You know, I guess is
(41:53):
the final thing that I'll say so manycoaches, and I understand, I always say I
would probably have a lot more money if I
would just do it the way that the quote
unquote influences or business quote unquoteexperts or coaches said to do things. But so
many of those ways of doing things are just
the icky to me, like not interested. Don't
(42:16):
want to do it. Do not like it. I've never.I'm just, I shouldn't say never. I'm not the
kind of person that likes to go out into the
market and find out what everybody wants and
then go create that thing. I just don't dothings that way. Maybe I would be a lot
wealthier if I did right. Maybe I'd have I
always say I'm rich. I might not be super
(42:38):
rich or rich financially, but I am rich in alot of other ways, and I'm the kind of
person that I like to create from, where the
muse or the divine or my own little brain,
right? My idea creation is guiding me. Ilike to move from an inspired place, like
based on what is my story to tell? Not go
out there and go like, Oh, I see Janet doing
(43:05):
X, Y and Z, maybe I should create thatprogram. Or Everybody loves hot yoga or
this, or stretchy like, whatever. I'm just
used making examples, right? Everybody loves
this. Or Everybody loves that. I should godo that. It's like, no, the divine has given
you your own individual curriculum. We have
our own assignment. And these days, people
(43:27):
really are starving for realness andauthenticity and genuineness, and people who
are creating like, listen to the call of
your own heart. Go in. Spend some time with
yourself. Get quiet and know what is yours,and don't give up. I'm walking along beside
you as a fellow creative This is a love
letter, again, from my hat to yours.
(43:52):
Sometimes it's not you. I believe in you. Isee you. I'm celebrating you. I'm cheering
you on. And I hope you have some people
local and close to you, who can hug you when
things get scary, who can bolster you upyour balcony. People, it's so important
because it's so easy in this world to be
told that you're not good enough, you're not
(44:17):
smart enough, you're not whatever enough,right? And it's just not true. Who you are
is who you are is worthy and enough and
lovable and loving and capable of loving
others. You can do this. Okay? So thank youfor listening. Thank you for tuning in. You
can find all the different ways to work with
me right on my website. Karen kenney.com
(44:42):
everything from local yoga class to workingwith me one to one to joining the NES, my
spiritual group program, my coaching
program. It's fantastic. And so many fun
people, and we'd love to have you. So thankyou for tuning in. Wherever you go. May you
leave yourself and the other P. People and
the animals and the place and the
(45:02):
environment better than how you found itwherever you go, may you and your presence
and your energy and your love and your
creativity be a blessing, and may it be
received well. May you find the rightaudience. Bye. You.