...and the Band Played ON

...and the Band Played ON

Orchestra Next brings together music and commentary in this podcast for the pandemic.

Episodes

February 21, 2021 35 min
For this episode, we are featuring Sarah Viens' inspiring recording of Libby Larsen's Fanfare for the Women which she recorded at Tykeson Hall at the Oregon Bach Festival's Berwick Hall. Our featured guest is musician and ON board member Ray Morse who goes into thoughtful detail about the piece. Finally, Sarah Viens joins in at the end to discuss her process. Orchestra Next wants to thank all of our musicians for hangi...
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PERSONAL GAME is a live theatre experience showcasing Ashley Baker’s costume designs, with original music by Orchestra Next. This unusual project - which is only open to members of the UO community because of current restrictions - features performers in costumes which abstractly express different paths people take in adapting themselves for role-playing games. In this episode, Brian McWhorter and John Schmor, the director of Perso...
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Della Davis and Kathryn Brunhaver perform Reinhold Glière's two movements from Huit Morceaux, Op. 39, for violin and cello – followed by a conversation with Ulrick Casimir, instructor of English at the UO. The conversation starts with some reflections on the inauguration - particularly with Amanda Gorman's part of the ceremony - and into ideas about expression, voice, and...Bruce Springsteen. Orchestra Next wants to thank ...
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Tyler Abbott, principal bassist with Orchestra Next, performs his arrangement of Astor Piazzolla's Milonga del Ángel, for six basses - followed by a conversation with Seth Kimmel, the Eugene-based luthier who made Tyler's bass. To see the full video of Tyler's arrangement, go to https://youtu.be/4qP4xL-7ys4 and to get more information about Seth's workshop, go to www.sethkimmel.com Orchestra Next wants to thank all...
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December 24, 2020 3 min
According to legend, Sarah Viens composed a behind-the-scenes, truthful account of the story of HomeNut. A harrowing story, she never intended that it be published... but Maestro McWhorter learned of the poem and set it to music (as any self-respecting conductor would do). And not just any music... Grab a cup of cocoa, sit down by the fire, and prepare yourself for the real story of HomeNut. What’s HomeNut you ask? You mean you di...
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December 20, 2020 26 min
Orchestra Next is proud to announce the release of HomeNut - a radical recording project that involved all of our musicians recording their parts to The Nutcracker from home! In this episode, you'll hear Sarah Viens and Brian McWhorter talk about how it all went down - so get ready, because it's a nutty ride! The movements featured in this release are: Overture, Overture to Act II, Chocolate, Coffee, Cavalier, and Sugar Pl...
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Jacqueline Cordova-Arrington, assistant professor of flute at the University of Oregon, performs Daniel Cueto's Tuhuayo, for solo flute - followed by a conversation with Shannon Mockli, associate professor of dance. The conversation starts with Shannon's description of how her body processed the music and evolves into a discussion about the subjective experience of time and "the space in between the techniques." Or...
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December 6, 2020 36 min
Molly Barth talks with Brian McWhorter about her new virtual show "Ineffable" and performs Flute Set by Adolphus Hailstork. "Ineffable" is a fascinating show that features music by Andre Myers, Ricardo Zohn Muldoon, Adolphus Hailstork, Katherine Hoover, and Samuel Zyman - as well as poetry readings and gorgeous footage from landmarks around Nashville. You can stream the show at www.mollybarth.com or here: youtu.be/D...
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For the first act of this episode, we chat with David Mason, the Director of Facilities Services at the University of Oregon School of Music and Dance.  He tells us about what it's been like keeping the facilities open for instruction during the pandemic. The SOMD is the front runner for these activities  on campus and is serving as a model for other departments as they experiment with opening up.  We finish up by listening to,...
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We’re gonna take a detour from our regular programming to offer this extended interview with composer, director, and accordionist Michael Ward-Bergeman. If you heard Episode 5, you heard him play on a radical new accordion that he invented. But for this interview, we took a deep dive into his newly released documentary about a group of street musicians in New Orleans. The film is called The Saints and Sinners of Jackson Square and ...
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For the first act of this episode, 11 year old cellist Maya Oddin joins in to talk about her teacher - Anne Ridlington - and a performance of Ysaÿe that Anne recently made. For the second act, we're joined by composer, director, and accordionist Michael Ward-Bergeman who has invented a radical new kind of instrument - and you're going to need to hear it to believe it. Michael Ward-Bergeman has also recently released a doc...
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November 8, 2020 35 min
For the first act of this episode, we’ve paired Steve Vacchi’s performance of music by Jean-Daniel Braun with Carol Stabile, Interim Dean of the Clark Honors College. For the second act, we’ll hear some music and thoughts from special guest Mark Gould, former co-principal trumpet of the Metropolitan Opera. Finally, Sarah Viens brings it home with a familiar song for the moment.    Orchestra Next wants to thank all of our musicians...
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October 31, 2020 34 min
For the first act of this episode, we've paired Wonkak Kim and Grace Choi's performance of Louis Cahuzac's Cantilene with Doneka Scott, Vice Provost for Undergraduate Education and Student Success at the University of Oregon. For the second act, we'll hear Laura Zaerr perform her composition River Right Rhumba for solo harp along with commentary from State Representative Marty Wilde. Orchestra Next wants to thank a...
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For this episode, we've paired Hung-Yun Chu's performance of Schubert's Impromptu op. 142 no. 3 with Barbara Mossberg, professor of literature at the University of Oregon. Later in the episode, we'll hear from Lydia Van Dreel, principal horn with Orchestra Next and professor of horn at UO, performing a little Bach while discussing their approach to practice during this pandemic. Orchestra Next wants to thank all of...
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For our first episode, we've paired our musicians with members of the Eugene community. Lisa McWhorter's performance of Bach is unpacked by local artist Phyllis Helland. And Pius Cheung's performance of his own Etude in e minor is discussed by Bill Harbaugh, professor of economics at the University of Oregon. Orchestra Next wants to thank all of our musicians for hanging in there during this trying time. And we also wi...
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