Special thanks to our guest speakers, whose border stories we gratefully share with their consent: Jenneba Sie-Jallok, Loraine Masiya Mponela, Ambreen Hai, and Gaura Narayan.
Gillian manages to get the name of her hometown wrong in this episode: it's Victoria, not Vancouver (which is not on Vancouver Island!).
We recorded this episode at the brilliant “Hostile Environments and Hospitable Praxes” conference, organised by Dr Rachel Gregory Fox at the University of Kent, UK, 23-24 June 2025. Thank you, Rachel!
As we started to think about actually doing a podcast, we relied heavily on Stacey Copeland and Hannah McGregor’s A Guide to Academic Podcasting (2021).
Our amazing podcast editor is Steve Woodward, also known as The Podcasting Editor, without whom Gillian would sound like Moira Rose.
Gillian and Zalfa quote from previous episodes.
Zalfa and Gillian quote from Jacques Derrida’s Of Hospitality (translated by Rachel Bowlsby, to whom Gillian refers later in the episode).
Zalfa quotes Tiziano Bonini’s essay “Podcasting as a Hybrid Cultural Form Between Old and New Media” and Michelle Hilmes’ essay “But Is It Radio? New Forms and Voices in the Audio Private Sphere”, from The Routledge Companion to Radio and Podcast Studies (2022).
Sara Ahmed writes about “the feminist ear.”
Canadian poet David W. McFadden’s collection Great Lakes Suite (1997) inspired the dots and dashes of our podcast’s name [and Zalfa’s brief foray into Morse Code]. Gillian references his work in this episode, including the line “the dots and dashes [...] glistening in the waves” (p.192).
Elizabeth Povinelli’s essay, “The Governance of the Prior” (2011)
Gillian mentions Immanuel Kant's Perpetual Peace (1795)
Mireille Rosello’s book Postcolonial Hospitality: The Immigrant as Guest (2002)
The material in this podcast is for informational purposes only. The personal views expressed by the hosts and their guests on the Borders Talk podcast do not constitute an endorsement from associated organisations.
Thanks to the School of Arts, Media and Communication at the University of Leicester for the use of recording equipment, and to the School of Cultures, Languages and Area Studies at the University of Nottingham for financial support.
Music: “Corrupted” by Shane Ivers - https://www.silvermansound.com
Edited by Steve Woodward at podcastingeditor.com
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