Gender and Borderlands with guests Caleb Bailey and Deborah Toner

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We Googled “Why are dates important in History,” but fear the results may not have been peer-reviewed. 

For peer-reviewed sources on other matters:

• Information about the publication of The Routledge Companion to Gender and Borderlands can be found here: https://www.routledge.com/The-Routledge-Companion-to-Gender-and-Borderlands/Feghali-Toner/p/book/9780367439590
• For more on Belfast, see David Coyles, Brandon Hamber, and Adrian Grant’s “Hidden Barriers and Divisive Architecture: The Role of ‘Everyday Space’ in Conflict and Peacebuilding in Belfast” (open access).
• For more on Berlin, see Matthew Gandy’s “Ghosts and Monsters: Reconstructing Nature on the Site of the Berlin Wall” (open access).
• For more on the Mexico-US border, see Samantha Sabo et al.’s “Everyday Violence, Structural Racism and Mistreatment at the US-Mexico Border” (open access).
• For more on Cyprus, see Amy Reid’s “A Qualitative Investigation into the Emotional Geographies of Border Politics in ‘Post-Conflict’ Cyprus” (paywall).

In the UK, a viva voce exam – generally shortened to “viva” – is the oral “defence” of a PhD thesis.

Caleb and Gillian refer to: 

• Caleb Bailey’s “An Alternative Border Metaphor: On Rhizomes and Disciplinary Boundaries” (paywall).
• Bell Chevigny and Gari Laguardia’s (eds.) preface in Reinventing the Americas, Cambridge: Cambridge UP, 1986, p.viii (on “rhetorical malpractice” in American Studies)
• Gilles Deleuze and Felix Guattari’s A Thousand Plateaus (1980) 
• Michel de Certeau’s The Practice of Everyday Life (1974/1984)

Read about the Schengen Agreement here.

Read about Aztlán here.

See a map of Turtle Island here.

The United Nations Peacekeeping Force in Cyprus’ website offers a primer on the Cyprus buffer zone (or “the Green Line”) here.

The material in this podcast is for informational purposes only. The personal views expressed by the hosts and their guests on the Borders Talk podcast do not constitute an endorsement from associated organisations.

Thanks to the University of Leicester's School of Arts, Media and Communication for use of recording equipment; to India Downton for her invaluable expertise; and to the Foundation for Canadian Studies in the UK and the School of Cultures, Languages and Area Studies at the University of Nottingham for financial support.

Music: “Corrupted” by Shane Ivers - https://www.silvermansound.com

Edited by Steve Woodward at podcastingeditor.com