Cx1DJs We Do Things Different Podcast "Untold Stories of Eminem" hosted by DJButterrock

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 Cx1DJs We Do Things Different Podcast "Untold Stories of Eminem" hosted by DJButterrock

Marshall Bruce Mathers III (born October 17, 1972), known professionally as Eminem,[a] is an American rapper, songwriter, record producer, and record executive. Widely regarded as one of the greatest and most influential rappers of all time, he is often credited with popularizing hip-hop in Middle America and the acceptance of white rappers. While much of his transgressive art during the late 1990s and early 2000s made him a controversial figure, Eminem has become a representation of popular angst in lower-income America and is noted for his rap flow and conscious rap, which includes political criticism and social commentary.

After the release of his debut album, Infinite (1996), and the extended play Slim Shady EP (1997), Eminem signed with Dr. Dre's Aftermath Entertainment and achieved mainstream popularity with The Slim Shady LP (1999). Each of his next two releases, The Marshall Mathers LP (2000) and The Eminem Show (2002), sold over one million copies in a single week; the latter became the best-selling album worldwide in 2002 and the best-selling hip-hop album of all time. After the release of Encore (2004), Eminem took a hiatus due in part to struggles with prescription drug addiction. He returned to the music industry with the releases of Relapse (2009) and Recovery (2010); the latter was the best-selling album worldwide in 2010. Each of his subsequent releases—The Marshall Mathers LP 2 (2013), Revival (2017), Kamikaze (2018), Music to Be Murdered By (2020), and The Death of Slim Shady (Coup de Grâce) (2024)—has debuted atop the US Billboard 200 chart.

Eminem was also a member of the hip-hop groups New Jacks, Soul Intent, Outsidaz, and D12, as well as the duo Bad Meets Evil with Royce da 5'9". In 2002, he starred in the drama film 8 Mile, receiving critical acclaim for playing a dramatized version of himself. "Lose Yourself", a song from the 8 Mile soundtrack, topped the US Billboard Hot 100 chart for 12 weeks—the most for a solo rap song—and won the Academy Award for Best Original Song, making him the first hip-hop act to ever win the award. His other ventures include co-founding the record label Shady Records, establishing the Sirius XM Radio channel Shade 45 and opening the restaurant Mom's Spaghetti.

Eminem is the best-selling rapper and one of the best-selling music artists of all time, with estimated sales of over 220 million records. He is the first musical act to have ten albums consecutively debut at number one on the Billboard 200, and also has five number-one singles on the Billboard Hot 100. One of the highest-certified musicians in the United States, Eminem has seven diamond certifications from the Recording Industry Association of America (RIAA). In addition to an Academy Award, his accolades include 15 Grammy Awards, a Primetime Emmy Award, 17 Billboard Music Awards, 15 MTV Video Music Awards, and induction into the Rock and Roll Hall of Fame in his first year of eligibility. Billboard named him the Artist of the 2000s and Rolling Stone ranked him among the greatest artists and greatest songwriters of all time.

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Episode Transcript

SPEAKER_00 (00:00):
DJs, we do things different podcasts.
Untold stories of Master P.
Yeah, we got my engineer hereworking and uh making sure
everything's good.
We had a little show snart, alittle slow, slow start.
Um, shout out to everybodythat's checking it on and
checking.
If you're here, um announceyourself.
And um, we got a big showtonight.
You you you you know you knowtechnical difficulties always

(00:21):
happen when we're doing it forreal.
Shout out to everybody checkingon and checking.
We got my engineer working on uhworking.
We had a bad storm out here inthe ATL area, man.
It's been it's been crazy.
The weather out here has beenreal crazy.
But uh, we're gonna make sureeverybody as you get in, as you
get in, and shout out to myengineer uh uh uh Skeletor out

(00:43):
there working in New York City,making sure the sound is where
it need to be.
And we have uh Skeletor isactually gonna be working on a
video feed by remote.
Uh Johnny is Johnny is workingin my other building out here at
Jones Graphics.
So CX1 DJ is Watson PaytonStudios.
So Johnny is not gonna beworking with us with that.

(01:04):
So we have um Skeletor in NewYork working on a video feed,
and that'll be up shortly.
Shout out to Lawania Wilson,appreciate you checking in.
And um Yeah, we got UntoldStories of Masterpiece.
So we we're gonna let everybodyknow, man.
The the whole part of doinguntold stories is paying homage

(01:25):
and giving y'all the untoldstories of the your favorite all
underground artists.
We have untold stories of punkcoming soon as well.
And um working with TCAP people,we should have one with T Cap
people as well.
Shout out to T Cap checking in,appreciate that, my brother.
And um and uh DJ for real 800.
Yeah, that's what I'm talkingabout.

(01:46):
Houston, Texas checking in.
And um, I guess we gotta late.
I don't see DJ money yet, but wegot before I, you know, I ain't
gonna trip.
Shout out to T Cap checking in.
And we're gonna be getting intosome um uh the Go Hard video
from Punk T Cap and Punk, butwe're gonna get into that a
little later on as well.
Today, show might be going alittle um over nine o'clock

(02:10):
because uh we got you know, wehave a tough a little technical
difficulties, but we're herenow.
I I I I want to talk about my myweekend at Jones Graphics,
because you know, Jones Graphicsis the official sponsor for CX1
DJs, we do Things Diffin'podcast.
So we had this particularcustomer that that that wanted

(02:32):
to be cheap.
Well, it was a group of them.
It was one person that orderedfor everybody, and they wanted
to be cheap about their order.
And then what's so funny aboutwe even if you you you we give
you a discount or you order, youknow, the the you have a
substitute of what you reallywant, but you really don't want
to spend the money, so you get asubstitute.
Our substitutes are still betterthan most people's substitute.

(02:56):
But if you lie to the person,say if you got a I'm I'm gonna
give everybody this this thing,because if you have one person
order for a whole group, andthat person that ordered for the
whole group lies to the group ofwhat they getting and then but
they pay for the person paid forwhat she wanted, but that she
didn't tell the whole group thatshe uh she she uh gotiated one

(03:19):
price and then she upped theprice and then told the whole
group it was another price, soshe made some money and didn't
give them the quality theythought they was getting.
So say for instance you you knowyou order a broadery, but but
you have a person orderingordering for you and they say,
Oh, you're gonna get a broadery,knowing you're not getting no
fucking embroidery.
But you get in print, and butthey they don't know that

(03:40):
because they got an anotherperson they that they trust
ordering for them.
So that's what it's a situationwe had with Jones Graphics and
Watson Print.
And our attorneys will behandling that because what
happened was the group got madbecause they didn't get what
they ordered when the person,the instructor that ordered the
stuff for them pretty muchdidn't tell them that it costed

(04:01):
more money and they was gettinga one one typical one type of
print when they don't they wasgetting another type of print.
Yeah, that's a lawsuit for yourass.
So, you know, when you slanderCX1 DJs or Jones Graphics, we
come at you legally.
And I will say something, thisstupid ass group, I'm gonna call
them stupid ass group.
I I ain't using a head becausewhen you when you slander a

(04:23):
company and we have textmessages and emails and shit
that you posting on social mediaand our lawyers grab it, we
gonna come after you.
We we we we're gonna let itpound up and and you know, then
we got we're gonna come afteryou.
So I tell a person, watch beforeyou post and before you slander
a company, you don't know whoyou're dealing with, and you
don't know what kind of backingthey have financially or

(04:45):
mentally.
And you know, a lot of peoplework off of anger and they don't
work, they don't think about theoutcome.
They just think, ah, and theyjust start posting and trashing
a business or individual whenyou don't know it was a lot of
moving parts to the situation.
So I want to let everybody know,I want everybody to learn from

(05:05):
this, but I'm saying now.
Watch what you're doing.
If it's a if it's if it's amultiple people, and part and
and say if you're going on acruise and you can't you pay
one, you pay your cruise fee toone person, and this person is
trying to make money off itanyway, so they up the price,
act like the cruise was oneprice, but really the cruise is

(05:25):
another price, and then you getyour cruise tickets and you on
you you and you and you you notVIP, you regular on a cruise.
You get what I'm saying?
That's kind of what happenedhere with Jones Grappers.
Some of these people with thisparticular group, uh uh was like
about 30 people orders uhordered something that had gave
their money to one person thatwas over the order.

(05:46):
And she lied and told them, itwas a girl too, in black.
She lied and told them, do whatyou're doing.
She lied and told them that itwas getting one thing and they
got another.
So that that that is crazy.
That is motherfucking crazy.
And you shut up.
You know, that was definitelydefinitely crazy.
Got a co-worker here, ooh, yeah.

(06:07):
I'ma say it.
That was fucking crazy.
Don't say you're gonna get one.
It was a jackass black lady.
Jackass.
And you know, it could have beena white lady, but it was a
jackass black lady.
And uh I I I you know, they sayblack people is is um what's
that word I'm looking for?

(06:27):
Black black black people is umagainst black people, they are
against black people.
They very much so.
And I, you know, I uh in thebeginning the person was very
professional, then turned out tobe unprofessional.
And then I look at it at my ownkind that always trying to tear
each other down.
And I don't see nothing wrongwith saying that.

(06:49):
If you black and you're tryingto tear down another black
company, you should be ashamedof your goddamn self.
I don't give a fuck who don'tagree with what I'm saying.
You should be ashamed ofyourself trying to tear another
black company business that youknow is owned and run by black
people.
Now the investors is white, butyou you know, you know what I'm
saying?
Yeah, what are you doing?

(07:10):
I can that's on my heirs.
Don't do that.
What the fuck is you doing, man?
Watch what you're doing overthere.
Yeah, so that that that that'sanother another thing that that
it's always our people with thebullshit.
I ain't saying white peopledon't got the bullshit either,
but it's always black peoplewith the bullshit.
Damn.

(07:30):
I don't get it.
Let me um uh let me go to uhyeah, Skeletor is working on a
thing on in New York City.
Let me uh do me hold hold on fora minute.
Hold on, y'all.
Go to the go to the other boardright there.
Let me uh let me play uh I'mgonna go into some music real
quick.
Click on that.

(07:51):
Music.
Music.
You gotta click on music.
And we're gonna play, we'regonna play the punk of foot
first song right there.
No, right there.
Yeah.
Play the first song.
Yeah.

unknown (08:02):
Birthdays was the worst days.
Now we tip champagne when wethirst stays.
Now we sip champagne when wethirst days.

SPEAKER_02 (08:21):
I remember I used to write all day, and I ain't give
a fuck if I could play.
Work first, cause I could playlater, huh?
I had to hustle cause I wasn'tgetting favors.

SPEAKER_03 (08:32):
I stole my album out the box, and now I'm checking
money on my watch.
Now my song, I downloaded it andstreaming.
And when I leave the bank vet,I'm beamin'.
I party in a tower that scrapesthe sky.
So I can look the birds in theeye.
First comes the money, and thencomes the hate.
And I can deal with hate, butdon't fuck with snakes.
Got this, a lizard lip,reptilian nigga.

(08:54):
A shit talking chameleon, nigga.
He be hatin' like a billionnigga.
But we keep on packing millions,my nigga.

unknown (09:01):
Right.
Birthdays, what's the worstdays?
Stop me to the step, ain't whatwe started staying.
When we started staying,birthdays, what's the worst
days?
Stop me to the step, ain't whatwe started staying.

SPEAKER_00 (09:24):
I raise them the thumbs, better yet I fuckin'
bum.

unknown (09:27):
Ain't mad crazy nigga.
Stinny here really, yo theblack.
With nigga dope, I ain't fightproduct, but if you fuck with my
step, fuckin' holes in yourneck.
Yeah, but a rockin' pumpkinfoot.
Get the money, nigga.
Nigga fuckin' look, a bunch ofain't nets, nigga.
Every day got my finger on thetrigger.
Any nigga fucking run up on me,nigga.

(09:49):
Get shot in the fight.
Get shot in your fuckin' name.
Yeah, nigga, your fuckin'fuckin' mott.
Fuckin' put the shit.
We fuckin' run it.
Stay one DJ, we fuckin' run it.
When we thirst days, birthdayswas the worst days.
Now we sip the stamp pain whenwe thirst days.

(10:14):
Now we sip the stampaign when wethirst stays.

SPEAKER_00 (10:24):
CX1 DJ's We Do Thanksgiving podcast.
We drink champagne, punkin foot.
Yeah, that's my that's my shitright there.
Skeletor, hurry up and get thevideo feed up, man.
God damn shit.
What are you doing over there inNew York City?
Hurry up.
We don't got all that.
All day.
But uh yeah, yeah.
So I that was something that Iwas going with.

(10:44):
And I I tell people, when youleave bad Google reviews, and if
it's not right, or you leave anykind of views, or you you
slander somebody, we will comeafter you.
If it's CX1D just a Jones crowd,we gotta, we gotta, we will come
back.
We don't give a fuck if you'reold or young.
We don't give a damn.
Yeah, so uh yeah, so uh T Cap,go ahead and uh invite some of
your people on here.

(11:05):
So we play the video, you haveyour your people on there.
That's that's what uh Chad toldme to remind you to write your
people on there.
Because we uh we sponsored the TCap video today.
Me and Chad say, you know what,let's show some love to T Cap,
Caroline and everything.
Me and he be showing love to CX1DJs.
So we're gonna play the go hardvideo.
It's T Cap preaching punk andfoot.
We're gonna play that a littlelater on, not yet.

(11:26):
Um yeah, this show, this show'sgonna go past nine o'clock, I
tell y'all right now, becauseI'm I'm not starting nothing
until the video feed is up.
So we're just gonna be talkingabout topics.
So the Jay-Z shit.
I had a couple of people outthere in Philadelphia that was
at that Jay-Z thing with theroots.
And uh Jay-Z uh pretty much gotin the spotlight.
Um he pretty much holding.

(11:48):
Yeah, hold on, play anothermusic CX1 DJ's Jay.
Punk and foot.
The panty girl.
Let him know about your crew.

SPEAKER_03 (12:05):
It's full of wet shooters and gangs.
It's no crew, it's full of wetsnitches and whites in the
shooting.

SPEAKER_00 (15:12):
Sweeping the You The Penny Girl.
We call the penny girl becauseshe motherfucking panties with
her sexy ass.
That's how we do it, nigga.
CX1 DJs, DJ Butter Rock.
I'm out of here, nigga.
CX1 DJs, we do things differentpodcasts.
Yeah.

(15:32):
Yeah, y'all do know I'm in thestudios and the CX1 DJs watch
the printing warehouse.
So it's this, you got peopledon't know what the hell they're
doing in here screaming andyelling and tearing up shit.
So I'm live.
You know I'm live in thewarehouse slash studio.
So y'all, y'all know it is awork area in this motherfucker.
But anyway.
Hey uh shout out to Chad fromiHeart Media.

(15:57):
Shout out to No Limit Records.
Shout out to everybody in thebuilding.
See, Skeletor is on the otherside, but he he can hear me
because he's on he's listeningon the roll call.
Skeletor, you gotta come on withthe video fee.
Go ahead and check what we needto do.
Because we don't got Johnny.
Johnny was here.
You hey man, you gotta uh holdon, hold on, hold on.

(16:17):
Uh Skeletor, because we sharingscreens.
You have to keep that woke.
So on the No, open, no, open it.
You sharing screen.
Let me see the let me see thething.
If you can hear me, let me seethe screen.
Yeah, leave the screen on so Ican see it.
So when I'm keep my eye on theshit.
Yeah, alright.
Yeah, so anyway, I thinkSkeletor did smoking crack

(16:38):
tonight.
I don't know what he's doing.
We don't know.
No, he's let me stop.
He's not smoking crack.
He's drinking Mad Dog MD and MadDog 2020.
Now back to what I was sayingbefore.
Somebody was screaming in thegoddamn warehouse.
Um I thought it was a fire.
And then we got OSHA in here.
I thought it was we were gonnaget fined$80,000.

(16:59):
So let's get back to um theJay-Z thing.
So Jay-Z did his thing.
We you know, I had a couple ofpeople that was there in Philly,
that's with CX1 DJs, and theythey they did their own video.
We got our own personal shitgoing on.
And I really believe, and I likeJay-Z, The Rock, and all that
good stuff.
I love Jay-Z.
But I think he he he knows he'she's good at marketing.

(17:21):
He's always been good atmarketing, and he got himself.
We're gonna get into the untoldstories with Master P once we
get our video P'd.
I'm not doing that until we getthe video paid.
So I just talk about topics.
And yeah, I know usually I becursing people, I arguing with
people.
But I was gonna ask T Cap to getsome of his supporters on here.
So when we play the video lateron in this program, um his

(17:42):
people will be on it because wewill be playing Go Hard.
Um and uh we're gonna make sureSkeletor, I forwarded that video
to Skeletor.
Hopefully he get that in thereas well.
Well, we don't get it in there.
Why why will anyway?
And uh tomorrow we have a wehave a big old show tomorrow.
And I I I know who's who we gottomorrow, but I'm not gonna say
nothing until Troy Wallaceposted.

(18:04):
It's gonna be real dopetomorrow.
Tomorrow, tomorrow's gonna bevery personal.
Because uh it's gonna be verypersonal tomorrow.
So I want to make make sureeverybody and also CX1 did we
gotta I'm gonna make someannouncements right now.
Because back in the beginningback in the day, I used to be
talking shit and cursing peopleout at the beginning.
We don't do that no more.

(18:24):
We do that at the end.
If I got something said aboutyou negative, now I ain't gonna
lie, earlier about the the thethe that group that was hating
on Watson Print and JonesGraphics, that's no, that that's
that's illegal shit.
I'm gonna tell people if you getmad at a company or mad at a
person, don't slander them, andit's gonna cost you some money.
Like if you're gonna you can saytalk shit about them, but don't

(18:45):
do it publicly so everybody cansee it.
It's like really nigga.
Okay, we're gonna come afteryou.
When you're dealing with this iswhat I'm gonna tell everybody.
I'm not in the street, I'm notno street dude, I'm a corporate
dude.
So when you doing corporateshit, we're gonna come after you
corporately.
And we we're gonna lose tens ofmillions of dollars and we're
gonna sue you for tens ofmillions of dollars.

(19:07):
I don't give a fuck if I lostten dollars, and that it's gonna
turn to ten million.
If anything a person do is gonnaaffect the the m the cash flow
or the clientele of JonesGraphics or Watson Britain, we
will sue you.
Or CX1 DJ, call it Chanel C.
We're not street people, we'renot going, we're not calling the

(19:27):
homeboys or the homegirls.
We're gonna call the lawyers andwe'll be in court and we will
definitely win the lawsuit andthen we will foul to seize
whatever you got.
Alright?
And we will it'll be on yourcredit for what 10 to 15 years
or how many years it is.
I got a couple of lawsuits thatI won that people moved, you

(19:47):
know, they did what they had todo to try to not pay us.
But these idiots is a per is abunch of personal people.
Dumbasses.
I'm sorry.
They're they're idiots.
Because if I'm gonna if I'mgonna talk shit about somebody,
I'm gonna I'm not gonna do itpublicly.
I might do it, I might say, heyman, don't go to that company
and don't go to McDonald's,don't go to I'm not gonna go
online and you're gonna see mycompany name or my name, my

(20:10):
birth name, and say, hey,McDonald's is pulling.
You know, I'm saying I'm notgonna do that.
McDonald's will sue my ass.
They definitely gonna see mesend me assistance assist, cease
and desist.
And I tell I told my attorney, Isaid, I'm not gonna send all
these motherfuckers a cease anddesist.
Let them keep talking, we'rejust sue their ass.
Let them keep slandering Jonesgraphics and watching Britain.

(20:31):
We just go out, we're gonna letit pound up and we're gonna get
that money.
Because we were hanging out withthe chocolate, everybody else
there looking bunny.
It's a party of a day, party ofa hair.
But anyway, I hope everybody hada good weekend and um and uh we

(20:51):
we have a lot of good stuffthat's gonna be going on in
2026.
So sorry, I I'm gonna take itthat everybody that's watching
this show is watching on Roku orwatching on a different browser.
Because like everybody told me,including Chad, most people
watch on different browsers andyou can't tell they watching
because YouTube won't show themthat they watch it.
Because I know damn well morethan five people like my uh Mike

(21:13):
like Master P.
So I know that's some bullshitright there.
And um Chad would Chad said heabout us uh put in there.
Um so everybody, I want y'all toinvite your friends and family.
We will be world premiering thego hard video.
T Cap, are you on here, sir?
I know he might have left.

(21:33):
Check it.
Let me know if you're here, TCap.
I don't want to play the videoif T Cap ain't here.
I'll just I know he checked in,but I'm gonna make sure he's
he's still on here.
Cause I have a I have a team,these motherfuckers they bad.
They're like, nah, nah, to makesure, do the do a he like do a
roll call every 20 minutes, seeif people still here.
Cause they'll show you here, butit you oh it could show you not
here, but you here.

(21:53):
So I'm gonna make sureeverybody's here, especially if
we sponsored you.
We sponsor T Cap.
Captain, are you in here?
And I don't see T Cap.
I see him, but I don't he didn'tdo it.
He didn't.
I need to follow I need I needyou to follow up the T Cap if
you can hear my voice.
T Cap, Captain.
Alright, we'll wait on that.
Let's talk about Punkaput thePanty Girl.

(22:15):
So Punk Put the Panty Girl isworking on a documentary.
The name of the documentary isUntold Stories of Punkaput the
Panty Girl.
That's the name of it.
It's Untold Stories, and we'reworking on that.
It's gonna be very intimate,very dope, very uh uh they're
gonna be pretty much getting andgetting in the deep and depth of
her life.

(22:35):
And um can everybody hear me?
Can it y'all can hear me, right?
T Cap, where you at, man?
And I'm gonna shout out to DJMoney, the president of CX1 DJs.
I see you checking in.
I shouted out uh DJ for real800.
DJ Money, I shout out to you, DJMoney.
Must be a delay on T Cap side.
We we'll wait till we get aresponse before we play the Go
Hard video.

(22:56):
Because we want to make surehe's here.
And shout out to T Cap Carolina,everything LLC, CX1 DJ member.
All right, I see you, T Cap.
All right, man.
Yeah, so just keep inviting yourpeople in TCAP and uh let them
know, you know, invite OG,Uncle, cousin, whoever.
Because we're gonna roll upMayor Go Hard on this show once
we get our video feed up.
Um so what other song uh any uhlet me see other song I can

(23:20):
play.
I got I I told Skellatorourselves, we're gonna we're
gonna start.
What I'm gonna do in thebeginning of the show, we're
gonna charge people$75 to playthese songs in the beginning
before we start the untoldstories.
Because you know,$300 is toomuch to play one song.
So I'm I'm gonna discount the$75because I'm gonna man.
Let's talk about what we gotgoing on.
We have um we have um hold onfor a minute.

(23:45):
We we we have a new Jonesgraphics um and uh definitely oh
I got a text message saying theywant to hear my crew again.
Play my crew, play my crew.
Skeletor.
We split we got split screenhere.
No, no, you gotta hit music,music, music.
Split, yeah.
Play my crew one more time.
We'll be right back, y'all.
My crew CX1 DJ's change.

(24:06):
Punk and foot.
The panty girl.
Let them know about your crew.

SPEAKER_03 (24:13):
My crew is full with shooters and gangsters.
Yo, crew, it's full withsnitches and wangsters in the
shootout.
I bet you can't bank us in thegun.
You niggas gonna bank us mywitch shooters and gangsters, yo
crew, wit, snitches and waistersin the shootout.

(24:41):
We go with the steel pleasure.
You think you're gonna make it abetter hate?

(25:07):
You wanna step?
You can be a busy bitch with mycool as a test.
Don't let the tide the businessand the beast and lovely.
And we be chill until you give awreath.
And we can go some chillclapping season.
Wait, you listen, withoutsnipers and whites, the silly

(25:31):
shoot.

SPEAKER_00 (25:49):
I never said that I wanted to be a gang banger.
Snow me, my fucking pops is theonly bit of use of scream, I'm
fleeing.
Now make the party bitchesscreamin' Ooh, OG, fucking bang
stuff, real life, bang stuff,motherfuckin' big stuff.

unknown (26:07):
Always dream I'm gonna real yellow.
Why catch wanna foot on the kitwith the happy mellow?
Nigga fuppin' that yellow minithing, I look like a shell.

SPEAKER_00 (26:25):
Bitch, what you would on my body nigga yo, what
you would bitch, nigga, nigga.

SPEAKER_03 (26:32):
I'm fucking bumps and gets yours, bitches and
white shooting.
Wait, you listen, guys, let'sgo.

SPEAKER_00 (27:01):
Fuck all your hating ass niggas and niggas about my
food, nigga.
Fuck on be a hatin' ass nigga.
Motherfuckers I nigga hatin onniggas fucking that money up,
nigga.
DJ, what do I?
What do I stop sleeping on thefucking puddle?

(27:22):
You niggas stop sleeping on thefucking puddle.
The painting girl.
We call her the painting girl,cause she model fucking panties,
more sexy ass.
That's how we do it, nigga.
You can stop speaking, bro.
Hey, we uh never mind, let it gooff.
Let it go.
Let it go off.
I I I like sharing screens withpeople.

(27:44):
Y'all know about anything aboutsharing screen.
You you can see what the hellthey doing on the other end, and
you don't know what the hell youbecause I ain't gonna lie, I
don't know how to do all thatshit.
I'm just a DJ.
I don't know how to do all thattechnical uh IT shit.
That that's I lead up toSkeletor.
He's the head producer, IT guyfor the CX1 DJ's podcast.
Yeah, um, yeah, Pug and Foot gota that my crew.

(28:07):
We got people on um that that DMme on Facebook say they want to
hear that.
And um Yeah.
I appreciate that.
I appreciate all the support forPuget Foot and my crew.
And she got new music coming,and she also have the
documentary of um, you know,that's gonna be coming out, and
we'll be airing it here.
And we have another platformwe're gonna be launching.

(28:29):
We already got it set up, butwe're gonna be telling everybody
about it later, later on uh thisweek.
And um that particular platformis gonna have an all-exclusive
stuff over there, but you gottabe a member.
It's not gonna be open likeYouTube.
And we will be doing allexclusives over there.
We're gonna be pitting uh we'regonna be um having uh white

(28:51):
party that you can't watch onYouTube.
That's gonna be over there.
You're gonna have to paywhatever fee it is to see the
videos.
And I tell everybody, stop beingcheap, support the CX1 DJs, all
right?
Everything ain't gonna begoddamn free.
Because uh the certain platformsyou gotta be a member, you
gotta, you gotta, you gotta, youknow, you gotta you gotta show
some respect and some love.
I mean, everything ain't fuckingfree.

(29:11):
I'm gonna tell y'all now.
Everywhere only gonna be free isthe shit that we can't control.
Facebook, Instagram, YouTube,this is a free platform.
So we we cannot um charge youfor free platforms.
Um yeah, yeah, but we we we willwe will say this.

(29:32):
I appreciate everybody that's uhsupporting DJ Butter Rock and
CX1 DJs.
And um I I I really I really umtoday today is out of my out of
my control with the with the umthe feed, but we are gonna not
start yeah, okay.
We're not go I load the otherthing and then we should be

(29:56):
ready to go.
We almost uh 90% ready to dowhat we gotta do.
We're gonna hit the video feed.
It's right there.
Just load that please and um begone.
Be gone.
I I I uh yeah, thank you.
I think Skeletor got it done.
I I will run that part of it anduh be gone like that about
Skeletor, before you leave, playum champagne one more time.

(30:19):
So you no, play champagne, hiton the music part.
Champagne, click on the musicthing and hit champagne.
Punk and put champagne.
Yeah, I'm gonna give Punk forsome love tonight because we
don't we're not gonna play avideo, so I'm gonna play a song.
Hit it, hit it.

SPEAKER_11 (30:33):
Hey! Birthdays was the worst days, now we sip
champagne when we thirst days.

unknown (30:39):
Birthdays was the worst days, now we sip champagne when
we thirst stays, huh?
Birthdays was the worst days,now we sip champagne when we
thirst days, huh?
Birthdays was the worst days,now we sip champagne when we
thirst days.

SPEAKER_02 (30:53):
I remember I used to write all day, bruh.
And I ain't give a fuck if Icould play.
Work first, cause I could playlater, uh huh.
I had to hustle cause I wasn'tgetting favors.

SPEAKER_03 (31:04):
I sold my album out the box, and now I'm checking
money on my watch.
Now my songs are downloaded andstreaming.
And when I leave the bank, betI'm beamin'.
I party in a tower that scrapesthe sky.
So I can look the birds in theeye.
First comes the money, and thencomes the hate.
And I can deal with hate, butdon't fuck with snakes.
I got this a lizard lipsreptilian, nigga.

(31:26):
A shit talking chameleon, nigga.
He be hatin' Macavillion, nigga.
Watch we keep on stackingmillions, my nigga.

unknown (31:33):
Right.
Birthdays was the worst days.
Now we sit the stamp pain, butwe start to stay.
Birthdays, what's the worstdays?
Now we sit the stampaign, but westart to stay.
Birthdays was the worst days.
Now we sit the stamp pain, butwe start to stays.

SPEAKER_00 (31:54):
Now these bitches get them a stitches.
I raise from the stomach, betteryet I fuckin' bumps.

unknown (31:58):
Yeah, stay mad, crazy nigga.
Stay in here already, yo theblack.
I ain't fighting for nothing.
But if you fuck with my stack,fuckin' holes in your neck.
Yeah, but a rockin' punkin'foot.
Nigga fuckin' look.
Every day got my finger on thetrigger.
Any nigga fuckin' run up on me,nigga get shot in the face.

(32:24):
Yeah, I'ma fucking bottle cat.
Yeah, nigga, yo, we fuckin'fuckin' model tap.
Fuckin' flip, five shit and wefuckin' running.
CX one DJ's E and E, we fuckin'running.
What's the worst days?
Now we sip champagne when wethirst days.
Birthdays was the worst days.
Now we sip champagne when wethirst stays.
Birthdays was the worst days.

(32:45):
Now we sip champagne when wethirst days.
Now we sip champagne when wethirst days.

SPEAKER_00 (33:04):
Niggas.
I see why people hire whitepeople.
White people do it right, right?
Right.
When you go white, you go right.
Damn.
Now that that motherfucker withthat group that ordered them
t-shirts, I'ma get in yes.

(33:25):
I'ma get in your ass, but I'mgonna I'ma wait tonight.
This is the masterpiece night.
So we as long as I listen to me,this is what I told Chad from IH
Media.
As long as I ain't talking aboutmy team, fuck these other
motherfuckers.
Trying to fuck my dad.
Don't go to CX1, don't go toJones, grab it, don't go.
Man, fuck you.
You and your damn crew.

(33:53):
Like, what the hell?
I think the chick like me on alow dog.
She got a husband and shit, butI don't give a damn about that.
My people like yo, nigga workingon who you can't sue.
I'm gonna still sue.
How the fuck you gonna try toshit on my shit?
If I tell you who the hell thesepeople is, you gonna you ain't

(34:14):
gonna believe.
These ain't no regular team.
This is Jesus.
This ain't no regular people wetalking about.
Like, god damn, I must be God isgonna God's gonna bless me.
Jesus! Now, see when I got thecamera, I'm I'm lit.
When the camera off, I was like,yo, I can't get lit when I know
an engine of my skeletor isworking on a feed, a video feed,

(34:37):
and shit, making sure I goteverything and making sure the
PRs in it.
So I can't be focused until Igot all the shit together.
Now I'm ready to get in someass.
I was like, yes.
Master P untold story.
I want to apologize to everybodyfor the fucking delay, but don't
worry, we're not gonna rush theshow.
This will be going past ninefucking o'clock.

(35:01):
We ain't have no video.
You don't know, you ain't seethe video.
We ain't got no video.
We just got video.
What time is it?
God damn it, what time is it?
It's 8 40.
How the fuck?
40 minutes no video.
We played punkinfoot a hundredtimes.
God damn it.
I said, you know what, if I'mgonna be late, my mom's gonna

(35:24):
play my artist music allmotherfucking night.
If the shit ain't gonna goright, we're gonna be listening
to punkinfoot all night.
That shit rap.
If the shit don't go right,we're gonna listen to punkinfoot
all right.
All night.
Alright.
Now we're gonna shout to nolimit tonight for allowing us to
do this, Master P.

(35:45):
Shout out to Jay Tweezy.
Y'all know I met Master P athousand fucking times, and
that's no lie.
He sh him and Jay Tweezy, hismanager, uh uh, you know, road
manager always showed us love,CX1 DJs.
Master P was on a conferencecall.
Go one when after the show over,go go type in Google, go to
YouTube and type in CX1 DJ'sinterview, Master P.

(36:06):
Alright, DJ Barrack.
I interviewed Master P a coupleof times.
I met Master P.
I was on stage with Master P.
We did everything with Master P.
We support No Limit in Master P.
Like we was in a building at thecompound with Master P.
I think it would have um DJMeown was there too.
He said, We back, we back,nigga.
What do you mean we back, nigga?
I brought you here.

(36:27):
How the fuck you gonna say weback?
And I brought you to the shit.
We back, nigga.
Wait, like he found the nigga.
I found them nigga.
Shout out to DJ Meow.
Meow.
I ain't starting no shittonight.
I love that nigga.
I love Master P, not DJ.
Meown, I love you too, but Ilove Master P.

(36:49):
Butter Ralph, do not start thatshit.
You niggas was positive.
Positive over negative, all thatother shit.
I ain't gonna start no shittonight.
Much love to DJ Meown, but Ilove Master P on no pause,
nigga.
I love him like as a brother anda mentor and a nigga that
started this shit.

(37:10):
But why do black people alwaystry to tell?
Let's get back to the peoplethat try to slant Jones graphics
and watch it, Brandon.
Why the fuck do it gotta be acolor someone that looks like me
that go to the Hispanic peopleor the white people and try to
trash my business when they outhere scamming?
They was not scamming.
Well, this is what you call it.

(37:31):
I'll tell you one price, you addyour price to it, you triple the
price, and you tell amotherfucker they gonna get
something they ain't getting.
No nigga.
You didn't pray for, you did notpay for Gucci.
You got Louie, nigga.
I want Gucci.
No nigga, you pay for Louie andFui.
Not the real Louie, you paid forthe goddamn the fucking uh flea
market Louie, nigga.

(37:53):
But I want Gucci that's from theGucci store Linux.
No nigga.
You niggas paid for the Guccithat's in the flea market.
But you gonna harass me aboutGucci when you pay for the fake
Louie.
Boy, stop, girl, stop.
I'm gonna get in you niggas'asses.
If y'all did your research,y'all know I got a podcast
nigga.

(38:14):
No.
We pay for this.
We want high quality.
Quality, quality, quality.
You need to pay some Go aheadand show the struggle.
That's what I said.
You need to pay some money.
Oh no, we ain't paying for thatshit.
That's too much.
That's all girls say, we allknow We don't know.

(38:35):
We could just do a regularbreak.
That's what she said.
Quality, quality, quality.
Money, money, money.
Get the hell out of here, boy.
Stop.
Girl, stop.
Let's get back to bathroom.
It was it'd been it been crazy.

(38:57):
I think I want to just work atWalmart.
It's rough.
Running your own business andbusiness with other people and
and you gotta work withpersonalities and when when when
the when the shit gets dark,everybody like you, you the
owner.
You don't own her.
It's all you, OJ.

(39:17):
No nigga, what the fuck?
Don't you work out?
No niggas on you, nigga.
You handle that, you pay outthat fire.
They niggas forgot that theywork here.
Hold on.
Don't you work with your own?
No nigga, yeah.

(39:37):
Don't worry, I pick the fire outbecause I'm here.
Me and my PR, Julia Simmons, andeverybody punk and shot of
punkinfoot too.
She bit out some fire.
She's like, hold on.
What the fuck are they talkingabout?
The motherfuckers ain't payingfor that.
That's punkinho say punk of footwork at the other store.
She's like, hold on, themmotherfuckers ain't paying for
that.
Tell them punkinfoot, they ain'tpay for that shit.
They want all the goose withoutthe feathers.

(39:58):
They want the they only broughtthe feathers.
They didn't buy the fuckinggoose.
They want the goose and thefeathers.
No motherfuckers, you ain't payfor that.
You done joined us, this is agroup of people that bought the
shit from Jones Rapids and theytry to get Gucci when they
bought fooie.

(40:25):
Alright, man, this is abouttime.
I'm gonna get into this rightnow.
We're gonna play.
Hold on, let me go to this partright, because it's it's it's
crazy tonight, y'all.
It's been a crazy night already.
We ain't even start tonight andit's crazy.
Let me click on this right here.
Shout out to everybody on iHeartMedia as well.
Click on media.

(40:50):
So we would what we're gonna do,I'm gonna before I start the
show, I'm gonna go ahead andplay Go Hard by Punk by T Cap
and Punkin' Foot.
Let's go.
Let's get into it.
Let's go.
Go hard, yo.
Go hard.
T Cap preach and punk and foot.

SPEAKER_10 (41:09):
DJ Butter rock was up.
Hey, DJ make the stop.

unknown (41:18):
Yep, stop, yep.
No what we don't go hard and gohard.

SPEAKER_00 (41:35):
You know we gotta start that shit over, man.
Let's go.
T Cap reaching punk and put gohard.
Let's go.

(45:32):
I like that verse, Punkinfoot.
She said, we got all the VIPsbecause we do the party.
Shout out to T Cap andPunkinfoot that go hard.
We're going to keep that inrotation, too.
So T Cap, we're going to keepthat on foul.
So anytime you guys want tosponsor that shit, let me know.
We're going to keep it in.
We're going to keep that in thesystem.
Hey, Skeletor.
Put that in the fold folder.
So when T Cap wanna eat thatplate again, we have it ready to

(45:55):
hit the button.
Bow.
That was some dope ass video.
And uh Punkinfoot and T Cap.
That was that was dope, Punker.
Hey, that's Punkerfoot live andin fact now.
Shout out to T Cap.
We also got the um UntoldStories of T Cap dropping in
February.
Punkfoot's come out in uhFebruary and March as well.
Them documentaries is dope.
Shout out to Lawania checking inand letting people know how she

(46:16):
liked that shit.
It was fire now.
That was fire.
Let's get into the untoldstories.
What you guys came here for.
So I yeah, I'm ready.
We've been ready.
So let's talk about Master P.
Master Let's talk about MasterP.
You guys think y'all know MasterP.

(46:38):
Let me let me move this mic likethat.
You know, everybody thinks theyknow P.
You don't know P.
I know P.
And the Master P I know willgive you the shirt of his back.
But he didn't play.
If he was not a team player, hewasn't you can play on the
stage.
You could not be a part of NoLimit unless you was a hard

(47:01):
worker.
And if you at the time when theygot into there, they were still
understanding.
Before he moved to Richmond,California, he went New Orleans,
living a fast life.
He'll tell you, you guys knowthat.
Most of these rappers back inthe 90s and 80s.
See, Master P was out there withBaby.

(47:21):
Not out there with Baby, butthey was in the same era.
Master P Master P started in the80s.
He didn't he didn't blow upglobally into the early 90s.
Like 93.
Master P had his made his firstmillion in the 90s, right before

(47:44):
Ice Cream Man came out.
But he he he became to be who hewho he is when he got we got
with Parardy and he got withUniversal and he got with, you
know, party records first.
And then uh he had he had towork his way to Universal and
all the other big big players,the all independence that he was
with.

(48:04):
All the majors that he got hisdistribution deal with.
Now Master P was the only recordrecord company I know to get
90-10 split.
Yeah, he kept 90%.
The record companies got kept10.
And you know, Baby cut a deallike that, but it was not sweet
as Master P because Master P was100% independent.

(48:27):
Baby was not 100% independent.
Cash money was not when cashmoney got in the scene, it was
it was a little different fromyou know, it was way different
than Low No Limit.
And it, you know, No Limit wasmore like the Walmart of when I
mean by Walmart, that chain iseverywhere.

(48:48):
You can't go nowhere withoutseeing Walmart.
So No Limit at once Master P gotwhat he was doing and he went
out to California and he gothe's he he's planted his flag
out there in California,Richmond, California, and then
he was back and forth fromCalifornia and Louisiana.
He put on his plant his flag onwhat he was doing in the music
industry.

(49:09):
A lot of see baby didn't dothat.
Baby stayed in this what I like,I like about both gentlemen.
Baby planted his flag in NewOrleans.
You're like, why are you talkingabout baby?
And this is untold story ofMaster P.
The two brothers made history inthe music industry, not just
because they from Louisiana, NewOrleans, it's just they they

(49:33):
changed the the outlook on howto be a CEO.
You you you couldn't want to bein this music industry without
wanting to say, hey, I want tobe a master P, I want to be a
baby.
So I will never be biased andsay I just did Big Thomas on
Thursday.
So I and I talked about MasterP.
I will never be biased about thetwo.

(49:55):
Even when they did the verses, Iyou know, caution, yeah.
You know, no limit won thatshit.
All right, we're not gonna actlike we didn't see you.
No limit had the Unity.
Unity always win.
Even people think that baby andcash money had better universal
songs.
When I mean by that, that theyall the songs that they put out

(50:15):
was commercial hits.
Well, no limit didn't have abunch of commercial hits.
They had commercial hits, butnot like cash money.
But one thing that no limit hadthat cash money didn't have,
they had unity.
Even though when they had beef,they know how to come together.
Hey man, y'all cut that shitout.
We gotta do verses, or we gottado an album, or we gotta do a

(50:36):
toy.
Everybody chill the fuck out.
Let's get this money.
Master P had that draw on peoplethat make people say, all right,
we're gonna stop our bullshitjust from now.
We get back to the bullshitafter we get to the money.
Because money over moneyoverrue, money.
Hey, when you're trying tofeature a family, and most of
these people is in their 50s and60s and late 40s and shit.
Nobody got time to be out herebeefing and shit.

(50:59):
Yeah, I see I can buy JonesGraphics clothes on.
You see this shit.
We represent Jones Graphics,niggas trying to shit on a
brand, nigga.
Man, you see that JonesGraphics.
Jones graphics to I'm dead inthe coffin.
The fuck?
We always gonna push that brand,always, and we're gonna stand
behind it 100%.
Because that's the brand mymother started, and that's the

(51:21):
brand I'm gonna I'ma keep andI'm gonna fight for, and no
one's gonna ever tear thatbrand.
I don't give a damn if I'mbroke, I'ma still fight for
Jones Graphics.
All right, back to Master P.
So people thinking that thisshit happened over.
When you know when Ice Cream Mancame out, I'm like, I'm gonna
tell you something.

(51:42):
The last dawn one, two, three,four, all the shit that Mass.
I was actually, when I firstwent and uh got introduced to
Master P is when I was incollege in Winston State
University.
I was I w I I went to college in90 95.
I wasn't I was there in WinstonState in North Carolina, and I
was introduced to Master P bysome uh Crip Crip brothers and

(52:06):
Vice Lords and the and uh and uhyeah GDs and the people was on
Master P when I ain't no I'mfrom New Jersey, so I wasn't I
wasn't listening to no Master Pshit until I got down south.
I ain't hear no Master P shit inNew Jersey, I'm gonna be honest.
So that's one thing I respectedSouth because the music down
south, the the shit I washearing here, I'm in Atlanta

(52:28):
now, of course, but the shit Iwas hearing in South, we wasn't,
they wasn't playing, it wasplaying hardcore hip-hop.
So when you, you know, that'swhen you know you start
traveling.
When I started traveling theworld, I started hearing
different music.
And Master P was dominating thecharts in the West Coast, the
Midwest, and the dirty South.
He had the charts.
He had the underground, he hadthe mixtape circuit.

(52:50):
And one thing about Master P wasno internet back then, like I
said, with baby and cash money.
It was no internet shit backthen.
It was strictly guerrillamarketing.
The shows, it was the shows, itwas the um, you had to go out
there, do the the you know,shake hand and kiss babies.
It was no girl, it was nointernet back then.

(53:10):
It was no Facebook with none ofthat shit in the 90s.
You had to get up your ass, doyour radio promo, you had to do
your your your your your youryour your promo tours, you had
to go to all the record storesand promote your shit.
Master P was the king at themixtape circuit shit.

(53:31):
Underground selling shit out histrunks.
Most of the people down south sodid out of the trunk.
I'm doing that shit now withpunk of a shit.
But that shit so it's stillgoing on.
And the music industry is goingback to out of the trunks.
Master P made multi Master P andBaby.
I gotta give it to Baby as well.
Because I gave it to Master P onthe baby show.

(53:52):
They sold records out of theirtrunk, become millionaires on
top of other shit they wereselling.
And we ain't gonna get intothat.
But when Master P moved toRichmond Richmond, California,
and he opened up the recordstore.
His words, he was sleeping inthere with his son.
Um and uh they was living in therecord store.
You know, you know, Iunderstand, I understand the
grind, man, because I'm goingthrough that shit now with Jones

(54:14):
graphics.
And you know, you you gottabelieve in this is what I'm
gonna tell everybody while I'mlooking in the camera.
This is a perfect show for me,and I'm learning while I'm
talking.
I'm not just taught, I'm justjust I'm not just teaching
people, I'm learning because Isee how hard it is when your
money's tied up in yourinvestments, but you believe in
it.
You have to believe in thisshit.
Master P believed in no limitrecords.
He believed in him wheneverybody was saying he was

(54:35):
corny, he couldn't rap.
But he didn't give a fuck aboutthat.
Niggas was turning on his music,they were saying he was wacky,
not lyrical.
He didn't like he couldn't makeit and he made it.
See, you don't gotta be the bestrapper, you gotta be the best
businessman to make it out here.
It's not about and you know, youand you gotta know how to
market.
You gotta know how to marketsome shit.
You gotta know how to promoteyourself.
If you don't know how to fuckingdo that, one thing about DJ

(54:57):
Butter Rock, I'm gonna justgonna, I gotta do me out there.
I'm gonna get a shameless plug.
I know how to promote CX1 DJs, Iknow how to promote Jones
graphics, I know how to promoteanything that I'm affiliated
with.
You know why?
Because I from the ground, Iknow how to do the guerrilla
marketing, I know how to promoteto my haters, I know how to get
other DJs that's neutral tostart fucking with other people

(55:20):
that I don't fuck with.
And shout out to all the newDJs.
We got up about 20 DJs thatsigned up for CX1 DJs this week.
You guys didn't even know thateither.
And guess who helped me get themDJs?
DJ for Real 800 from Houston,Texas, is out there working, the
vice president of CX1 DJs.
He got me 20 DJs from differentstates.

(55:42):
So shout out to DJ for Real 800.
He out here working.
He only been in president vicepresident for two weeks.
And uh shout out to T Cap.
Uh DJ for Real said he likedyour record, T Cap, and uh I
sent him the record, and he outthere working.
Yeah, so back to Master P.
So he it's I only got a coupleof stories to say, really.

(56:06):
Master P is a multi uh almost abillionaire.
He's selling products, he has adocumentary coming out.
His son's gonna be playing him,Ice Cream Man, the documentary,
and that's gonna be played byhis son.
And that's another reason whywe're doing a show to promote
the documentary that's gonna becoming out soon.
They did no limit, uh, Master Ppeople didn't tell me when that
shit coming out, but they saystay tuned.

(56:28):
They're gonna give me the updatewhen they come out.
But his son will be playingthem.
You know how Master P is.
They they work it on, they gotcereal, they got products, they
got um rap snacks, they got awhole bunch of shit that Master
P got.
Now let's talk about this untoldstory.
I gotta tell you a story.
We was in a compound and DJ Meowwas there, and Master P people

(56:50):
showed us not my class.
If you ever did a press releasefor Master P, any radio, any
interviews, and he tells youhe's coming to your city, the
untold story.
I want to I'm gonna say tonight.
Master P and his team stuck totheir word.
When he said he was he said,Butter rock, when Jay Tweezie
said, yo, when I come toAtlanta, I'm gonna hit you up.

(57:12):
Jay Tweezy hit me up.
This is Master P manager.
He hit me up as soon as they wascoming to Atlanta.
He hit me up.
He said, Yo, we're gonna be inyour city in a week.
As soon as he got here, he madesure everybody's name was on the
VIP list.

(57:32):
Not the regular.
I'm telling we was on stage.
Y'all could go on YouTube afterthis over and look up DJ, but
CX1 DJs with Master P at thecompound.
You could look that shit up.
It's we is up there.
I ain't I know y'all don't know.
Oh, you're gonna play it a bit.
I ain't gonna do that.
That's corny.
I'm not gonna go back there andpull up the video when I was
with Master P.
I've been with a whole bunch ofrappers and a whole bunch of
stars.

(57:52):
That's corny.
I'm not gonna take his mass.
I'm giving flowers to Master P,not CX1 DJs.
Y'all could go look it up,though.
All right, you could see me, DJButterock, uh DJ Meown, uh
Punkerfoot was there, um, and uhand a couple other people was
there that was with CX1 DJs.
Yeah, this is before DJ Meownran over there with the other

(58:15):
crew.
But um, I'm just saying, who youthink got you in the building,
nigga?
DJ Butterock.
CX1 DJ, that brand got everybodyon the VIP list.
Other people, other people wastrying to get on the goddamn,
yo, should we stand in line?
I said, nigga, what the fuck?
We VIP, nigga.
I ain't going nowhere unless I'mVIP.

(58:36):
Nowhere.
But um uh hold on one minute,yeah.
Hold on one minute, hold on,hold on, one minute.
CX1 DJs, CX1 DJs, CX1 DJs, CX1DJs.
All right, I had a yeah, I knowI'm in the studio, so I need to
double check something shit realquick.
All right, all right, all right.

(58:56):
We live.
At least you know we live.
This ain't no pre-recorded shit.
Nigga out checking doors andshit.
I'm making sure ain't nobodyburned up in the warehouse.
Shout out to shout out to OSHAthat's in this motherfucker.
Hey, uh, them niggas need theyneed uh hard hats.
They need the red, they need towear that green, they they the
green.
Like, motherfucker, goddamnnigga.

(59:19):
You gonna tell me I have to havea good damn vest on while I'm
doing the interview, nigga?
Hey nigga, do you got your vestson while you're doing the
interview?
It might be dangerous.
Niggas crazy.
Shout out to Jones Graphics andWatson Print Studios, allowing
us to use this and CX1 DJ's uh.
I'll get into that in a minute.
Let's get back to this.
So, um, yeah, so they came totown, they they looked up for

(59:42):
us.
Untold stories is that I want tosay right now because they kept
their word.
They you know how many rappers II looked out for?
You know how many.
Let's talk about Jay Wick, bitchass.
Don't be talking about Jay Wick.
No, Jay Wick.
I'll promote Jay Wick, the Mr.
Por Chop Sandwich.
Uh Jump Tommy under the porkchop sandwich.

(01:00:03):
Plug coming in, we can shippingand handling.
So I promoted this dude, right?
He blew he got his deal with uhwith uh goddamn um the the the
fucking Ghazzi, and then heforgot all about it, nigga.
Like I said, pork chop sandwich,what's up?
He said, What's up?
I said, Yeah, well, you comingto the city, what's up?
What's up?
Nigga, where my tickets at?

(01:00:24):
Where my VIP passes?
You missed the port.
You signed the M, you signed theEmpire now.
What's up?
Port Chop Sandwich?
CX1D just been promoting you allthis time.
Now you got a deal, nigga.
I uh we'll see, we'll see.
Uh my manager hit you up.
His manager never hit us up.
He now see Master P was by hisword.
When they came in the city, theyain't had to.
Master P and Motow almost abillionaire.

(01:00:47):
How the fuck can a Mr.
Port Chop Sandwich take his wordback?
And then you have almost abillionaire with all this shit
going on, Mr.
Ice Cream Man, have his managerhit me up telling me they're
gonna be at the compound.
They gotta he asked me foreverybody's name.
I gave him everybody's name, andwe was on the list.
We had to wait outside.

(01:01:07):
It was a line around a goddamncorner at the compound.
We walked right in thatmotherfucker.
And we was on stage with MasterP.
Master P was like, where allthese niggas came from?
But Master P kept a G.
Oh they DJS, DJ, CX1, DJs.
Oh, all right, Master P.
Y'all can go watch the video.
Master P didn't look like, whatthe fuck?
With all these niggas?

(01:01:28):
DJ Man said, We back, nigga, weback.
Like, nigga, calm your ass down.
You in you in space butgreatness.
Shout out to DJ Meown.
I fuck with you, nigga.
I still love you, nigga.
Um, um, so let's get back to JayWick.

(01:01:49):
Cause I'm gonna tell you thedifference for Master P and Jay
Wick, and these young niggasdon't keep their word when you
got the OGs that keep theirword.
So Jay Wick got his deal withEmpire and Gazi.
He's Mr.
Honey and Gun and the Part ChopSandwich.
Plug come on in and shit andhang.
So, okay, so he shitted on us.
He he came in town, he's onstages and the the the the
summer jam and hot one on sevennine birthday bash, all the

(01:02:12):
shit.
I said, Well, my birth, what CX1DJ was pushing your music.
DJ Money, I was we promotingthis shit.
You saw he was liking this shit.
But when he as soon as he gothis record deal with Empire and
with Ghazi, that nigga turned,he was already white.
He turned true super white.
But he act like a nigga.
So he all niggas go, damn, JWick, that's what we that's how
you're treating us.

(01:02:33):
Two months later, a nigga killeda nigga in Florida.
Now that nigga facing uh life inthe death penalty in Florida.
Damn, calm as a bitch, Jay Wick.
Now I want to see your pork chopsandwich in jail.
I don't never wish nothing onnobody that go they get caught
up.
But nigga, you shot your ownhomie.
Who shot you?
You did it, Jay Wick.
You did it.

(01:02:55):
Ain't no legendary.
He said it before.
And then the guy passed away.
He said, Jay Wick came from thebeach.
He shot me.
Now, I don't know why he shotme.
Then two weeks later, thebrother died.
Now Jay Wick's facing Jay Wick,the Mr.
Port Chop Sandwich, is facinglife in prison, death penalty,
and I don't think they got wellthey do got pork chop sandwiches

(01:03:18):
in the state penitentiary, JayWick.
I just want to add that.
Because you didn't keep yourword like Master P kept his
word.
Now we're gonna get off yourpork chop sandwich ass.
Don't drop the soap, nigga.
Now, back to Master P.
He kept his word with us.
He didn't pull a J Wick.
He kept his word.
And when he came to the city, hedefinitely looked out for us.

(01:03:40):
Because we was looking out forhim.
We was playing his song he hadwith Rick Ross.
And um he kept he kept he keptit real, man.
He kept it real.
He kept it real.
He kept it real.
So let's let's let's what thehell going on over here?
Yeah.
So he kept it, he kept it real,he kept it real.
So I want to say this realquick.

(01:04:02):
If you give your word tosomebody, in this game, you
gotta keep your word.
Master P helped, he he let'stalk about all that all the
artists that he rebirthed.
He rebirthed Snoop Dogg.
When he Snoop Dogg left, oh God,when he left, Death ro he came
to No Limit, he rebirthed him.

(01:04:23):
When he when he when when heleft when he left when he uh
when when he when he I'm leavingreading the comments when when a
lot of artists that left NoLimit and came back, he showed
love to them.
So we we gotta definitely giveit to Master P of staying legit.

(01:04:43):
I'm reading something, y'all.
Staying legit and keeping hisword and not turning his back on
none of the people that was withhim.
And even though a lot of peoplemisjudge Master P on a lot of
stuff and say that he owes themoney, you got Fiend talking
shit.
You have the, you know, and thenand and Fiend came back and they
was cool.

(01:05:04):
They went back and did an album.
They did a no limit album.
And you know, I'm not sayingeverybody's coochie crunch, but
one thing about Master P he mademillionaires.
If you was with No Limit and youwas smart and you knew you knew
the business, he made you.
Now, you know, Miss School, youknow, every everybody had their
bad things to say about P, butone thing P did, he tr he
trained them on how to havetheir own shit and how to be

(01:05:27):
their own boss.
You can't want to be under aperson's wing forever.
All right, nigga, we made younow move on.
Branch out, branch out withoutshitting on the person that
pitch you in position.
And this is what I will sayabout Master P everybody that
that he put in position that ifthey ever said something bad

(01:05:50):
about him, he he would not trustthem, but he will still help
them.
Because a lot of them artiststhat was at Versus, I was
surprised to see them on thatversus stage.
But he like, well shit, we gottacome together to do this as
whoop some ass real quick andhopefully we could come together
as a family and move on.
But one thing I did see, helike, I'm gonna forgive, I'm
gonna forgive you, but I ain'tgonna forget.

(01:06:13):
Because what after the verses,Master P dropped his own goddamn
EP.
And had nobody from No Limit onit.
And shout out to Master P fordoing that.
He said, Hold on, nigga.
We came, we you niggas shittedon me.
You guys supposed to be you guysand girls supposed to be by Paul
in No Limit, but then you, youknow, we we gon we gonna forgive
ya.

(01:06:33):
But I, you know, everybody usethis platform that I'm pitting
in place for you to start yourown shit.
Me X went ahead and did thewhole album.
Uh uh the Everybody got togetherand did a whole compilation.
Everybody.
The producer, everybody gottogether and did the
compilation.
The fiend, the producer, me X,everybody got together and did

(01:06:54):
their own thing, man.
And uh Master P had a separateproject from that.
And the Master P project waskind of old, but he said, yo,
why wouldn't I re-release it?
He re-released it.
So I'm telling everybody, ifyou're an artist, please
re-release your music.
Please do.
Now I'm not gonna, you know, I'mnot gonna sit on here, untold
stories, and talk about shit youguys know.

(01:07:15):
We're not gonna talk aboutRomeo, we're not gonna talk
about Master P beautifuldaughter that passed away.
We're not gonna talk about noneof that.
We we will talk about this.
Everybody's family have mentalhealth problems, everybody's
family have something deep goingon.
This I ask everybody to pray foreverybody.
You're only gonna do what youcould do.
You cannot save the world.
It don't matter who the personis, you can't save the world.

(01:07:36):
And Master P stand by hisdaughter do all that pain and
hurt, and he only could do whathe could do.
And a lot of people try to blameme.
Yo, you Master P, how can thathappen?
Man, it can happen to all of us.
It can happen to the it canhappen to all of us.
This nigga calling me, what thefuck is stop calling me?
It can happen to all of us.
You can never, never, never, um,never, never understand when

(01:08:02):
tragedy could come to you.
So I tell that person, we all ison the same shit.
It can happen to me, it canhappen to you, it can happen to
everybody.
We know no one is but abovetragedy.
And that's real shit.
You know, everybody thinkingbecause you got millions of
dollars and you're almost abillionaire, you're living in a
big mansion, that tragedy.

(01:08:23):
Master P know he came from that.
Coming from New Orleans, comingfrom where he came from,
shouted, you know, C Murder isstill fighting for his life.
And that's that's the let's fixsomething real quick.
Untold stories of Master P.
I want to fix this.
Master P been, everybody'ssaying that Master P turned his
back on C Murder.
And I'm gonna, all theinformation I got from the PRs

(01:08:46):
and everything, and Master Ppeople.
Master P been fighting for theappeals.
Who you think been paying forthe lawyers?
And everybody say, yo, C Murdersaid P P been behind the scenes
fighting for his brother.
So I don't want no one, youknow, which one thing I'll say
about P, he don't give a damnabout what nobody says.
I'm personally independent gonnatell you.

(01:09:07):
No one, no one like P will havehis brother sitting there
without fighting.
But when you locked up in in uhLouisiana, it's the worst place
that you could fight a pill at.
They're gonna say that it wasone thing, even if they wrong,
even though if something waswrong, they still gonna try to
keep it there.
It's all up to God now.
It's not up to it's not how muchmoney you got, it's up to God to

(01:09:30):
change whatever C Murder gotgoing on.
But I'm gonna say this, like Psaid it.
Sometimes when you recordcertain music, that could
convict you anyway.
There's a lot of shit that CMurder said in his music, that's
what the that's what the whenyou go for a pill, they listen
to your music, they listen tocertain, they try to pit things,
you know, they try to pit thingstogether to try to say you was

(01:09:53):
talking about a situation.
That's why I try to tell all mypeople, watch how you rapping,
because it could come back andhaunt your ass one day.
I had to tell myself that when Iwas out there rapping and shit.
But uh, untold stories of MasterP.
Um, he you know, you know, hegot all the products out, go
ahead and buy some rap snacks,go buy the cereal, go, go, go,

(01:10:14):
go go, go go just look up allthe adventures, go to Master P
Instagram page, you know,Instagram Master P.
Go support everything he hadgoing on.
His kids is playing ball, he'sstill coaching a college team.
Master P is doing a whole lot ofshit, man.
He's staying inveling.
He still um, you know, he likehe don't really want to do the
music shit.
He like, you know, he rather doproducts than uh deal with the

(01:10:36):
music shit.
He like the music shit, once itain't how it used to be.
A lot of people don't want towalk away from the shit, which I
would love to see Master Pstill, you know, do dipping and
dabbing and fuck with artists,like he still fuck with Alley
boy, but just to see him produceanother legacy, another dynasty

(01:10:57):
like he did with No Limit backin the 90s and the 2000s and the
80s and shit like that.
I would love to see that again.
I would love to see a dynastylike that.
I ain't seen nothing like that.
That Master P and Baby.
I gotta Puffy was a littledifferent, Bad Boy was a little
different.
But Master P and Baby rap a lot.

(01:11:19):
They produced the dynasties.
I'm not knocking puffy.
Puppy had the bad boy shit wasmore, you know, it was more
major label, record label, yousign an artist and sign all work
and don't work.
The the downside shit, and I'mnot knocking bad boy, but the
downsoft shit was more familyorder, it was more
family-driven, it was more likeyo, you we're gonna stick with

(01:11:42):
you.
It was more like it was no wham,bam, decky ma'am shit.
I saw that with I saw that withBad Boy.
And I don't know, I don't notwant to talk bad down about no
label, but I'm just gonna saywhat I saw.
And I it was it's a differencefrom rap a lot, cash money, and
no limit.
It's different from Bad Boy andand um all the other labels that

(01:12:03):
was up north that was ran by DefJam, Atlantic Records, and
Warner Brothers.
It was just a you could tell,pen like this, you could tell
who was independent, who wasmajor back then.
You could tell how how how hardMaster P and all the other
record independent record labelsfrom the South had to fight to

(01:12:25):
get their name out there.
And all the the all the uhrappers from the West Coast had
to fight.
Because I'm from the East Coast,y'all.
But I I know when I was backback back then before radio
changed what it is now, you youcan hear certain region music in
New York City.
You can hear one thing I willsay that's about the South.

(01:12:47):
When I went to the South, Iheard a lot of the New York and
up north music in the South.
But when you go to New York, younever heard the down south music
there.
Let's talk about it.
Because I'm from New Jersey.
I love I'm you know, I'm fromKiss FM, uh, B W B L S Hot 97.
I never heard the music I'mhearing now.
Now you could go to the now,it's like change, bro.

(01:13:09):
Now you go down to go to NewYork, you hear nothing but down
south music.
And people say, oh no, itchanged.
No.
The whole culture changed.
That that the lyrical rap andshit ain't working on commercial
radio now.
It is only on make shows.
Back then you could hear thatshit all day long.
You heard nothing but Ut Northmusic.

(01:13:30):
Or you heard Bad Boy, had theradio unlocked.
You had uh Murder Inc., you hadthey had the radio on lock.
You had La Face Records or orSocial Deaf.
One thing I would give SocialDepth, they you heard Social
Deaf music and you heard La FaceRecords music like um uh TLC and

(01:13:50):
uh the Brad and uh uh Bow Wowand shit like you heard that up
north because that's driven byColumbia Records.
It was driven by a major.
But if you had any kind ofindependent record company with
a major, a little bit of majordistribution, they was not
running radio.
Like Master P was not runningradio.
Only person that came close torunning radio from the south was

(01:14:12):
Cash Money.
They had the Universal behindthem, they had the, you know,
baby was doing what he had todo, they had all the commercial
hits to back that ass up and allthe other records that Cash
Money had.
That's why they thought they wasgonna win the roses.
But one thing I will say thisbefore we get into the video
part of this show, one thingCash Money was lacking that

(01:14:34):
night was unity.
Anybody learn anything from thisuntold stories?
Master P had unity.
He continued to he know when tobring everybody together to make
it happen.
Even if everybody don't geteverything even if everybody
don't get along, guess what?
It looks like everybody getalong.
For the moment.
I saw Master P do the no limittour.

(01:14:57):
Everybody was on that goddamntour.
Because he tell you, listen, ifyou ain't gonna do this to get
this money, why are you here?
He like, nigga, I really don'tneed you here.
And all the people that you sawthat, you know, people like, yo,
what you know, what happened tothis person, what happened?
He didn't have everybody there.
But one thing about Master P, hestill, if you wasn't there, he

(01:15:19):
still played your record in thebackground.
If you wasn't at the verses, hestill made sure you had your
record played.
Like people like, what happenedwith Moby Dick?
I actually Moby Dick lived outhere in Atlanta, the one that
seen, Mr.
Ice Cream Man, that's Moby Dick.
He lived here.
He didn't have Moby Dick at theverses or on the tours, but he

(01:15:40):
all show all always played.
He didn't ever cut out Moby Dickversus his vocals.
He kept it on there.
And that to me, that shows thatMaster P is still paying homage
to the people that was with him.
Even if him and the singer MobyDick didn't get along, he made
sure his voice still was heardso he could get a piece of check

(01:16:01):
on the royalties, alright?
So shout out to Master P onthat.
I just wanna I I wanna put thatout there, because I I I love
the whole no limit era when Iwas in college, that's all I
listened to.
And uh when I when I got into myDJ career and I and I actually
met Master P, he's a good dude.
He have all the people that'saround him is OGs.

(01:16:22):
He has no young people runninghis business.
And shout out to Jay Tweezy, andRP to JPC, JPZ, um, J Jay
Tweasie um mother and father.
And um and Jay Tweasy was a gooddude, and he still is a good
dude.
And um I'm uh, you know, shoutout to Jay Tweasy, Master P
manager.
Now we're gonna get into thisvideo part of this, and um we

(01:16:44):
come back with I got some morenotes I gotta say before we sign
out.
But I think I did good.
I, you know, even though we ourvideo feed took forever to come
on, uh shout out I'm gonna shoutout to my um just like this.
I'm gonna shout out to myengineer, Skeletor, because he
was working so hard tonight.
Um and shout out to everybodythat's checking in, and um, I I
appreciate everybody for beingpatient.

(01:17:07):
And uh, we're gonna get into thevideo part of this this um
untold stories of Master P.
Let's go.

SPEAKER_09 (01:17:16):
How you like me now?
Go teeth when I smile, try totake me out to ghetto, but I'm
still buck wow.
Buckle up with us, knuckle upwith us, that's the code for the
wheel.

(01:17:52):
Ice cream.

SPEAKER_12 (01:18:00):
That's the ice cream ice cream Mr.

SPEAKER_06 (01:18:22):
Ice Cream Mr.
Ice Cream, it's the ice cream.
Mr.
Ice Cream is the ice cream, Mr.
Ice Creek.

SPEAKER_09 (01:18:37):
That what makes us different than the other record
companies, record labels outthere.
We independent, black owned, butwe family.
You know what I'm saying?
Silk is my brother, you knowwhat I'm saying?
See, Murder, that's my brother.
We all one big family, the wholetrue cousins, partners, we done
grew up together, you know whatI think.
That's what makes it differentthan the rest of the labels that
out there.
We all loyal to what we do,because uh no limit is like, I

(01:19:01):
mean, it ain't no limit to whatwe could do, you know.
We still we showed y'all whathappened on the Ice Cream Man
album.
They built number three onBillboard, and we show them how
players do it, and we still topten, top five on Billboard and
been doing this for a while.
I'm beef up in the game, I can'tsleep at night.
And Mama played because sheknows her boy ain't living

(01:19:23):
right.
And when I die, they say I'mgonna buy the gun.
Cause I refuse to be fucked upin this ghetto.
See, I be dripping on life tolike the damn trip.
And when I read that flip, 50 inthe 90s, don't go change.
I never thought I throw up to bethe double thing.
But in reality, I guess I damnit all.

(01:19:46):
This is the other day I put mybrother next to wall.
Yeah, they didn't kill thisdeep.
I know one day somebody gonnatry to kill a beat.
Then if they do, I guess it wasmy time to go.
But if they feel stupid aboutsome dead folk, it's not the
worst.
Can you feel me?
Then if you come out, you knowthe devil tryna kill me.

(01:20:09):
The devil's tryna kill me.
They might send me to the templedoing time that don't get me.
RIP homies.

SPEAKER_05 (01:20:19):
How do I say goodbye to the good times and made us
best?
I'll give the black we did tospeak to stay to my homemade.

SPEAKER_09 (01:21:08):
Y'all niggas smile for my ghetto heroes, nigga.
So many homies gone, tryna makea change.
I be trapped in this street,gang.
Before I die, hope I have achance to make a change.
Lord knows, picture me ballin',trapped in this ghetto with my

(01:21:31):
young G's callin' in the seat,and we when they bury beat.
A quote a key, six G's when theycarry me.
Fall on my knees to no nigga.
Trapped in this hood erase by agrown trigger.
Never had a pops.
A nigga learn to swing green,should've been a gimmick.
The way I work a triple B,right?
It's like a pig.

(01:21:52):
I wanna turn, I wanna make achange below, let my brother
burn.
I done seen a nigga lose hislife with a cube in your stone.
Every night, my AT bring a niggahome.
Mama word to the red late.
Three spikes, my cousin doin'time, up stay.
I seen the camels with nofeelin'.
I'm in the candles bringingstones with straight killers.

(01:22:12):
Uh the club, what themotherfucking day.
We have to feed that.

(01:23:19):
I never did, I'm gonna make thebig man.
I think these money for theseniggas got the gig, man.
I ain't never had nothing in mywhole life.
I'm from the ghetto group, I'mgonna get right.
I'm never done the case, becauseI'm a store cheat.
We got the woman on themotherfucking boat, from the
motherfuckin' water.

(01:23:40):
We got the case.
Wanna see, don't be willing inthe kid black.
You said we put the cat throughhis head, said the state.

(01:24:03):
Like Bill of the Kid, I got somepussy headed to the wet.

SPEAKER_07 (01:24:11):
I'm never doing a case, we're gonna do the case.

SPEAKER_09 (01:24:58):
I mean we body body, kids go see for you, you know we
body body, you know we bodybody, my man is just B C.
You know we body body, Body byT.
You know, body by the body, justthe third one, this body by You

(01:25:23):
know we body body, baby, taketwo, body by you know he body by
the back.

SPEAKER_12 (01:25:46):
Come and like that, come and up before I got to look
up, I got to hear me, I got tolook up, I live me.

SPEAKER_09 (01:25:56):
I got to look up, I give you hear me, I got to look
up, I live to hear me, I got tolook up, I live, I got to look
up, I live me, I got to look up,I if you hear me, I got to look
up, I give my life as a you knowI need you every mama that I

(01:26:17):
mean, and then I'm wanna be youain't no limit to what we can
do.
Holly if you hear me, girl, youknow I'm coming through.
I'm out there on the ride, mylife ends, and if you really
love me, let me make it on thebrand.
I know the way I live make youwanna cry.
But you know I gotta hustle,that's the way I survive.

unknown (01:26:37):
It ain't no change, make for me and you can make it.
This week's a play to get a lovewith brick ace and bacon.
Let me wipe the way you getthem, kill misery and pain.
All you need is a passport Igot.
There's a rest in place forkilling the gangster like me.

SPEAKER_09 (01:26:52):
Independent, black on.
We from the hood and we takewhat we made about the hood and
show people from the ghetto thatyou can have something, you can
be successful if you put yourmind to it.
We about being the next biggestentourage, independent,
successful record company in theworld.
Not the United States world.

SPEAKER_06 (01:28:21):
Remember me?

SPEAKER_09 (01:29:15):
People are always gonna hate on you.
Nobody don't want to see you ina good situation.
You know, I tell my kids thatit's like, who wanna see you
doing good?
Even the friends around you,they they jealous because you
doing good.
So, and I tell her that, it'slike, man, do you?
We don't care.
All y'all can hate, y'all, youcan't believe it, you don't
know.
Guess what?
We're about to go get thismoney.

(01:29:36):
That's what we're about to do.

unknown (01:29:37):
Let's go.

SPEAKER_09 (01:29:46):
When I ride with the club, cruising with my girls,
even rolling with dubs.
I need dubs, 22, 24s, shining.
I don't want to do business withpeople that don't have
integrity.
I don't want to do business withpeople that don't believe in the
values that I believe in.
I don't I don't want to be in aroom with people like that.
I just want to be around goodpeople.
It's not a white, black, Asian,or Latino thing.

(01:30:09):
I just want to be around goodpeople.
And so I think that's where mylife is evolving in.
So if you ain't on that page,then you can't do business with
me.
All money ain't good money.
Keep your money.
You know, that's what I tellman, keep your money.
I don't need it.

SPEAKER_00 (01:30:25):
CX1D just we do things different podcasts until
stories of master pee.
Man, this is a dope show, man.
Even though all we had a lot of,a lot of about 30,000 typical
difficulties, but we still gotthrough it.
And uh I want to shout out toSkeletor, uh producer, making
sure everything went good.
Uh engineer, excuse me, engineerproducer, shout out to um a chap

(01:30:47):
on iHeart Media, making sureeverything went good.
Also making sure he's clearingall the all everything we need
to do to do the untold stories.
And um I I I want to thankeverybody that supports DJ
Butter Rock.
I want to thank everybody thatsupports Untold Stories
tomorrow, June 1st, we got oneof the biggest gangsterous

(01:31:10):
untold stories ever.
And um Troy Wallace will beposting it.
I want everybody to make sureyou invite all your friends.
This will be deep.
CX1 DJ's 2026 music conference,Atlanta, Georgia, August 12th to
the 15th.

(01:31:31):
Tickets is going fast.
Make sure you register now to bein the building by going to
JonesGraphics44.com.
That's JonesGraphics404.com.
Understand this tickets is goingfast and the price will be going
up.
So if you you know every day is$200 a day, and that comes with
30 passes.
All right, you can also performwith that that that special.

(01:31:54):
So if you don't have your youryour slot for your tickets for
each day, don't worry, when theprice goes up, you will be
paying.
The price will eventually go upto a dollar a day.
I'm gonna be honest.
So I tell I I I don't care whoyou are, you better go ahead and
buy your tickets ASAP.
The show is not being canceled,but the price will be going up.
I'll tell you that.
As as Bill Watson in um we wehad just add chat from our heart

(01:32:19):
media is gonna be helping uswith the getting the um some of
our special guests in thebuilding as well.
We're gonna be focused on moreindustry guests.
We're not focusing on no norappers and shit like that.
We focus on things that's gonnahelp help people go to the next
level, like PRs, record as X,stuff like that.
Big big dogs, uh, you know,taste makers.
You know what I'm talking about?

(01:32:39):
Rappers ain't gonna do shit foryou.
Me booking a major rapper tocome see you for you to come see
them perform is kind ofretarded.
We do that at the after partysomewhere.
CX1 DJ's um August 12th to the15th, the CX1 DJ's 2026 music
conference.
More information, visit thewebsite, jonesgraphics44.com or
call the hotline number, text Iwant to perform, or I want

(01:33:02):
tickets to 404-552-8731.
The CX1 DJ's 2026 MusicConference, Atlanta, Georgia,
August 12th to the 15th, CX1DJ's 2026 Music Conference,
August 12th through the 15th,hosted by me, DJ Butter Rock.

SPEAKER_09 (01:33:19):
How you like it now?
Good.

SPEAKER_00 (01:33:21):
I'm sorry, y'all.
I'm sorry, that messed up.
Hosted by me, DJ Butter Rock,and my celebrity friends.
Let me click out of that.
Uh so make sure that everybodyunderstands that.
And Skeletor forgot to pickPunkerfoot fly up there.
And uh, you know, make sure yougo visit Punkerfoot on OnlyFans
and that's onlyfans.com and uhsearch for Punkerfoot and join

(01:33:44):
that OnlyFans page.
Tomorrow we got a dope show.
Don't forget, Untold Stories,CX1 DJ's Untold Stories is every
Sunday through Thursday, everyweek, Sunday through Thursday.
All right?
Everybody understand that Sundaythrough Thursday.
Make sure you like, share,subscribe.
If you see this video, like,share, subscribe to the YouTube
channel.
We still trying to get thenumbers we need to be at.

(01:34:06):
This is uh a new YouTubechannel.
So, you know, I don't wantnobody tripping.
We just started this October30th, 2025.
We didn't even have this, noteven eight months yet.
And I think we're doing good.
All right.
So I'm gonna get out of here.
Peace and love, and make sureyou like, share, subscribe,
invite more people.
And uh everybody you say yousupport CX1 DJs, get more people

(01:34:26):
to like, share, and subscribe.
All right.
I'll talk to you guys later.
Peace.