Cx1DJs We Do Things Different Podcast "Untold Stories of Ice Cube" hosted by DJButterrock

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
SPEAKER_00 (00:00):
Oh shit.
DJ Butter Rock CX1 DJs.
We do things different podcasts.
We live, we live, we live.
YouTube.
What up?
What up?
What up?
I'm about to bring in my myspecial guest for tonight.
Let me fix my camera.
God damn it.
My special guest tonight, we gotCarolyn Everything, CEO, T Cap.
T Cap 100.
What up, T Cap?

SPEAKER_01 (00:20):
What's up, Butter Rock?
What's up, big bro?
You know how we do, man.
Salute.

SPEAKER_00 (00:25):
Hey man, we in here, man.
I want to thank you for comingtoday.
We're gonna thank you for comingtoday, man.
And um let everybody know whoyou and you know, before we get
into it, because we still weonly we don't supposed to start
the eight.
So let's talk about a couplethings that's going on in the

(00:45):
ATL.
Okay, I know where you at inNorth Carolina, they don't got a
Kroger.
You got a Kroger out there?

SPEAKER_01 (00:50):
No, no Kroger.

SPEAKER_00 (00:51):
Goddamn, no Kroger.
All right, well, some Krogerhere.
Listen here.
It's December 18th, 2025.
So it's gonna go on intoDecember 30th.
Go to Kroger, and they ain'teven pay me for this.
Man, I'm drinking all Cokeproducts.
It's only all only Cokeproducts.

(01:12):
Coke.
Only Coke products.
Oh, Pepsi's doing it too.
I guess when Pepsi saw Coke wasdoing, they said, fuck it, we
need to do it too.
So Coke products and Pepsiproducts, you go to Kroger only,
and you buy two, you get threefree.
Any of the uh uh of the cases of12.

(01:33):
Buy two, get three free.

SPEAKER_01 (01:36):
You know I'm gonna be that way before Christmas,
bro.
I'm about to stock up.
I'm gonna have a car full ofthem, bro.

SPEAKER_00 (01:44):
I don't know what the hell.
So T Cap, man, let everybodyknow, man.
Um uh what you gotta talk aboutbefore that we start the
interview at um eight.
We just warming up, gettingpeople in the in the in the
room.
So what we're gonna do is we'regonna get more people in this
room real quick while you, youknow, let us know.
Everybody know what you've beenup to, T Cap.

SPEAKER_01 (02:03):
Man, working, man.
Working, working, always livingthe dream, man, working towards
the dream and accomplishing it.
Like uh, you know, it's uh it'sa never-ending uh race or
marathon, as uh the late NipseyHussle will say.
The marathon continues, man,because uh you know, uh starting

(02:27):
as an artist and working our wayup to management and things like
that, man, that's a grind.
That's a soup, a super grind,man.
So yeah, man, just like I'mgonna continue, continue on that
path with a lot of yourmentorship, man.
You know, you put me in thegame.
I was an artist when I met you.

SPEAKER_04 (02:45):
Yeah.

SPEAKER_01 (02:46):
Yes, I was still on the I was on the open mic
singing when I met you, brother.
Yes, indeed.
Yeah, you sure was.

SPEAKER_00 (02:54):
You you you you always, I'm gonna be honest, you
was an artist, but you alwayswas a boss.
You always was a boss.
And if y'all see me looking downand my my my uh keys is down
here, so I can be back and forthlooking at everything.
Um, so you was always a boss, TCap.
So let everybody know, umbriefly, nope, I can't get into
the interview to uh to uh we gotthree more minutes.

(03:16):
So you being now now you in yourartistry, you was in Atlanta
before I was in Atlanta.
So what made you uh move toAtlanta?

SPEAKER_01 (03:25):
Man, um I'm just gonna say, man, like uh Carolina
really never had motion likethat.
Like we never really could catchmotion.
We'll get a few to pop out hereand there.
Like, you know, you had PetePablo, took a minute, you had J.

(03:45):
Cole, took a minute, then youhad the baby.
The baby tried to bring somealong with him, but uh it's not
too many that pop out, you know.
So it was like the closest thingum was Atlanta, you know, like
uh the only thing I even seenbubbling or remotely close to
where I could go and really tryto get some motion was Atlanta.

(04:07):
And you know, uh to be honestwith you, you know what I'm
saying?
I had just, you know, got ourlittle situation.
You know, you know, thesituation we're gonna call them
situations on here, you know,just case people watching.
You know, I just got a littlesituation.
So, you know, just being beingback, you know, steady and
getting on my feet.
Um T.I.
man, it was a song.
It was my 21st birthday, I'llnever forget it.

(04:28):
And my cousin took me to thestrip club for the first time
down here in North Carolina onClub Refrect Reflections.

SPEAKER_02 (04:35):
Yes.

SPEAKER_01 (04:35):
And that song, TI, that that peep popper number one
off of I'm serious, came on.
I was like, dang, bro, I reallyI really rock with bro styles.
So TI was like one of the first,one of the first rappers that I
started, like, you know what I'msaying?
Like, okay, man, I could rockwith him and really listening
to.
But I didn't know the firstalbum I ended up getting was um

(05:00):
um what was it?
Um trap music.
So, you know, trap this thisright here is like 2000, 2002.
It's 2002, so I'm getting trapmusic.
I'm like, dang, bro, yeah, trap,trap, the word just start
popping, and you know, I mean,we know about the trap, so I'm

(05:21):
like, dang, bro, I like thisartist or whatever.
Uh, but I didn't know that songthat I like from the strip club
was on his first album.
I didn't know about his hustlesand his grind.
The fact that he already had awhole deal fell on, you know
what I'm saying?
Got terminated from the deal,and that whole song Rubber Band
Man, he bounced back.
That's why he named the rubberband man.

(05:41):
So I like, dang, if they doingit like that in Atlanta, because
you gotta think about it, bro.
When I, you know, when I wasabout to move that way, bro,
they was doing laughing taffiesand and a whole bunch of dance
music, bro.
That was the the dance era in2004.
So you had once you once I got ahold of the TI and the young
Jeezy, I was like, okay, okay,it's still a little bit of room

(06:05):
for that that reel, you knowwhat I'm saying?
Yeah so that's sort of that thatmade me move to the A.
Same thing as um as thefootball, you know, we ain't
really get a football team untillike 93.
So you either had to you eitherhad to go be an Atlanta Falcons
fan or or the other closest wasuh what the Washington Redskins

(06:25):
back then.
So you're trying to pick likethe states that were close to
you.
I don't know how we got so manylike Dallas Cowboy fans, because
I'm actually a Dallas Cowboy fantoo, because my pops, but uh you
know what I'm saying?
I'm Carolina Panthers first, butI'm a Dallas Cowboy fan.
I grew up on them, you know whatI'm saying?
So but but yeah, we ain't have ateam, bro.
So it's the same thing withmusic, bro.
We ain't really have the musicscene.

(06:46):
We never was really popping,bro.
Like Carolinas, anybody can tellyou, like, I don't know what it
was, why they could never reallyget it together.
Then once you know, once I moveback here and I try to get in
the mix, being in the Charlottearea, man, like I got a little
taste of it.
Like, dang, bro, they don'treally know how to network, man.
Everybody, everybody separate,everybody sort of against each

(07:08):
other, and and you know what I'msaying.
One thing about Atlanta, man, Ilearned about them boys in them
zones, man.
For me, performing all the wayfrom bro, I done performed from
Club Crucial to Chit Chat toStrokers to Magic City, the
Masquerade, bro.
I was all over Atlanta, butevery every zone, bro, every

(07:28):
zone when they was in thembuildings, bro, they got alone,
bro, and they gave each othertheir shine, they left people
alone, whatever, man.
Back when I was there, like Idon't know what it what they
doing right now, but it's like,man, Atlanta was Atlanta was
united.
That's why you see them boystrying to get it back together
now, because that's why you haveso many artists blow from out of
there.
But yeah, yeah, the Carolinasnever got on that, they never

(07:49):
got on that um wave, bro.

SPEAKER_00 (07:51):
Wow, it's eight o'clock.
We about to start it.
CX1 DJs, DJ, Butter Rock.
We do things they we do thingsdifferent podcasts.
We just bring TCAP in, so we'regonna start the interview, and
also this is live on YouTube,streaming on YouTube, and it's
gonna be on all our 30 differentplatforms.
And this is streaming live,y'all.

(08:12):
So it's not pre-recorded.
We live, so whatever we sayright now, it's stuck, it's up
and it's stuck.
And we tap told me I can ask himany damn thing.
Anything, but I but I know he'sin the corporate world, so I
ain't gonna ask too much ofsomething.
Oh, yeah.

SPEAKER_01 (08:26):
You know, we know how to talk though.

SPEAKER_00 (08:27):
So we're gonna talk it.
We're gonna talk it, talk it howwe walk it, we're gonna talk it
how we walk it.
Now, if you see the link, hey TCap, I'll text you a link so you
can send some that directly.
Send it out, and um, so we youknow, if they missed it, they
gotta go back and rewind theYouTube video.
All right, so we're gonna getwe're gonna get jiggy with it.
What part of North Carolina youfrom?

(08:48):
Say it loud, speak up on the micso everybody can hear you.
What part of North Carolina youfrom?

SPEAKER_01 (08:52):
Man, I am from Longburg, North Carolina, little
bag there.

SPEAKER_00 (08:59):
I I've been out there, it's off the chain.

SPEAKER_01 (09:01):
You've been out there.

SPEAKER_00 (09:02):
I've been there.
I've been out there with TCAP.

SPEAKER_01 (09:04):
You pulled up on me, bro.
Like, yeah, you definitelypulled up on me.

SPEAKER_00 (09:08):
And I was by I was by myself.

SPEAKER_01 (09:15):
Bro, the one time, the one time I needed you, you
pulled up.
You pulled up, like, noquestions, just by yourself.
Just yeah, and brought me thebottle.
Like, yeah, bro.
I brought I brought him abottle.

SPEAKER_00 (09:27):
I forgot what the hell was that?
What was that?
Remy, what what was that?
Uh I know I know I know Levi.

SPEAKER_01 (09:33):
Levi took bro, Levi, and your first time meeting
Levi, you like, yo, you I Ibrought a bottle for you.
You know what I'm like, yeah,bro.
We good though, bro.
I'm gonna I'm gonna drink some.

SPEAKER_00 (09:45):
Shout out to Levi.
Levi said, I got it.
It's in good hands.
So he popped it over and juststart pulling, man.

SPEAKER_01 (09:51):
Like, hey, you brought that for the yeah, you
brought that for the team.
Like, yeah, bro.

SPEAKER_00 (09:55):
Levi said, I'm I'm I'm gonna, and that's super
producer, Levi.
Lee, we're gonna get into that.
We're gonna get into Levi lateron as well.
Shout out to Levi.
Hopefully, you can invite him onif he could uh come on tonight.
Just just you're gonna send himthe the YouTube link.
We're not gonna we're not gonnabring nobody else on.
We're gonna this is about T Cap.
I'm not gonna take from him.
If DJ Money be on here, I wanteverybody to be um um inviting

(10:17):
people on here.

SPEAKER_01 (10:18):
Umoney.

SPEAKER_00 (10:21):
All right, he's not on yet, but anyway, whenever he
gets on.
But shout out to everybodythat's in the channel and make
sure y'all share, like, share,subscribe.
Show love to TCAP.
All right, so T Cap.
Coming from um North Carolina,the part of North Carolina
you're from, people think thatNorth Carolina is ain't about
the shit.

(10:41):
Um, so we're gonna we're gonnakeep being YouTube adveris and
we're gonna keep the cursingdown, but people think that it
don't go down in North Carolina.
Please tell them as growing up,we're gonna we're gonna talk
when you was little.
What made you get into the musicindustry?
What was you into when you wasin North Carolina?
We want to hear it.

SPEAKER_01 (11:01):
Man, I was into whatever's clever, man.
I was it was nothing aroundhere, man.
Like uh we had the skating ring.
Skating ring was really themeetup.
I'm trying to meet up with alittle thing or something, you
know, nice little, nice littlefemale bowling alley, same
thing, but really the fight.
Everybody you saw in school, youhad beef with, or you suspend

(11:24):
it.
You suspend it, so you're not atschool no more.
You know they're gonna be at thebowling alley this weekend.
Bro, it was just a bunch offight.
I mean, this is like I'm not I'mnot even trying to hype it up,
man, but it was like gladiatorschool, bro.
It was it was like I just saw uhJoe Button recently when he was
like, yo, yeah, nah.
I went I grew up, I mean, he hewent to high school here in

(11:44):
Longburg at Longburgh Institute,the same high school I went to.
It's a charter school, you know.
A lot of people just come outhere.
Mace came down here before uhCameron.
I think they played ball alittle bit, you know.
It's a charter on charterschool.
That's where Earl the GOAT mangoes.
That's where he's from.
That movie, Earl the Goat.
So um, but yeah, man, it'snothing, bro.

(12:06):
Like, I mean, literally,literally, it's like one of
those towns, few stoplights.
They just starting to build up alittle bit, you know what I'm
saying?
They got the Walmart, but that'sit.
That's the superstore.
They don't have no other storeseven competing with Walmart.
So it's it's nothing, bro.

SPEAKER_00 (12:22):
Shout out to everybody in the chat.
You can see the chat, T Cap.
You can see the chat rightthere.

SPEAKER_01 (12:26):
Well, where the chat at, man.
Let me see.
Oh, yeah, yeah, yeah, yeah.
I see it.
All right, wobble.
Uh wobbly, okay.
Wobbly red guy.
Salute, brother.

SPEAKER_00 (12:36):
Shout out to everybody.
I'm gonna let you read the chat,T Cap, because hey, oh yeah.

SPEAKER_01 (12:40):
Absolutely do things different.
Country girl.

SPEAKER_00 (12:44):
Yeah, we have what's up, baby?
What up?
Hey, so so um, real quick, telleverybody.
Who is T Cap?

SPEAKER_01 (12:55):
Man, T Cap.

SPEAKER_00 (12:56):
Who are you?

SPEAKER_01 (12:57):
Hey, man, I'm just a uh a young dude, man.
That well, I was a young dudestarting out trying to do this
music thing, like most youngdudes were.
Um went through it, went throughit with the music industry, man,
trying to become an artist.
And basically finally leveled upwhen I met my big brother

(13:19):
Butterrock.
I was our artist until I metButterrock, man.
I was, look, when 21 Savage wassaying that Atlanta, they they
prep you when you get to Atlantafor that scene.
The first place I ever got mymusic played in Atlanta was
Strokers.
20 uh 2004, when Jeezy caughthis case.

(13:41):
You know what I'm saying?
Outside strokers.
Uh Ty Sway was on the radio backthen.
And I don't know what happenedto Ty Sway, but he took my
single, man.
I had come from North Carolinawith three songs.
He took one of them songs and hewas just playing it in strokes.
I didn't know the culture.
We don't have that many stripclubs here in North Carolina.
So it was just like, yo, man,you gotta tip a little bit while

(14:03):
your song playing.
I'm like, okay, all right,that's cool.
I'm tipping a little bit.
You know, I just got a littlejob.
I was working at Starbucks atthe time.
I just got my little, got alittle check.
So I'm tipping a little bit, butI'm seeing guys, they bro, it
really when they say make itrain, you see ones, fives,
everything just coming from theceiling, bro.
They just coming from theceiling on you, like, yo, bro, I

(14:25):
gotta level, level up.
So it's just like, you know,going through that, knowing that
you gotta have your money right,man, if you want to do this
music.

SPEAKER_00 (14:34):
You got to.

SPEAKER_01 (14:35):
It costs, it costs, and it's an investment in you.
You gotta invest in yourself.
So me being an artist and beingall the way in Atlanta by
myself, like you know what I'msaying?
My cousin was there, but mycousin sort of jumped out the
music scene.
Yeah, he brought me there to bein the music scene, but he
jumped out and focused on work.
So I kept going.
I was like, bro, I ain't comehere not to make it, like, no,

(14:56):
bro.
Like, I just kept pushing.
So from 2004, I dropped my firstalbum in 2010.
The first big single I had,besides the one that Ty Sway
had, was called Salute Me.
Now, think about this.
No, it was called Salute, yeah,salute me.
So with Salute Me, the openinglines was salute me or shoot me.

(15:21):
This is before the Waka Flockercame out with his mixtapes and
all that.
I was performing that everywherefrom Crucial to like, man, I was
everywhere with that song, youknow what I'm saying?
And this is my space days,Twitter days.
So, you know what I mean?
I was what man, I can't tellyou, I don't know if the
analytics was real, but bro, Ican't tell you how many times I

(15:42):
was top five in Georgia on thatreverb nation, bro.

SPEAKER_00 (15:46):
Now, yeah, one thing I say about one thing I gotta
say about reverb nation, that'sreal.
The real analytics on reverbbro, top five.

SPEAKER_01 (15:53):
I stayed top five a few times.
I mean, a lot, a lot on onReverb Nation when I was really
pushing those singles, bro.
So it's like I had them singlesout there, man.
Like I said, salute was my firstone.
Salute was shooting, you knowwhat I'm saying?
Like I did a good run.
Top five, dead or alive, youknow what I'm saying?

SPEAKER_00 (16:11):
Like, hey, hey, hey, hey, hey, you can't beat you
can't beat that.
Now, um, real quick, um, so youmoved to Atlanta to do the
music, or you moved to Atlantato get a record deal, or you
moved to Atlanta for a better,better life.

SPEAKER_01 (16:27):
Man, to get a record deal, man.
Like uh, I mean, I knew it wasgonna be a better life if I got
a record deal.
Because, boy, when I got toAtlanta, Atlanta is Atlanta
ain't all dancing and and music,bro.
I mess around and winning somesome areas and some areas, and
it's the same thing that I wastrying to get away from in North

(16:49):
Carolina.
It was right there in Atlanta,man.
I I found it.
I mean, I can't say I found itor it found me.
Some way we found each other,but yeah, yeah, I got in the
mix.

SPEAKER_00 (16:59):
So, so what would you tell a aspiring artist from
North Carolina to stay in NorthCarolina and try to make it work
or come to Atlanta or go to LA?
Would you tell them to do thesame thing you did, or you tell
them to stay where they at andtry to work?

SPEAKER_01 (17:13):
Network, bro.
You can stay from home now.
It wasn't no digital, bro.
Gorilla marketing, bro.
Like that, yeah.
Uh, this is this is a story Ihave for you, and I know you can
me and you on the same page withthis.
I was talking to Levi the otherday, and I was like, bro, do you
realize when I first put out myalbum that the quota I put the
quota out in 2010?
Yes, they was charging$50, like$49 and some change.

(17:38):
So it totaled out to be$50 toput your album out on Tune Core.
Yep.
You know, I I barely evened outbecause it was only like iTunes
back then in 2010.
It wasn't like no Spotify andthe Apple Music, all these
different players, and you knowwhat I'm saying?
So man, I barely like leveledout to make$50 a whole year.

(18:00):
So the next year, when that$50came back, I was selling more,
selling more albums and andpressed up CDs on the streets
than I was ever selling likeonline.
People was like, man, what I'mgonna do downloading your
single, like what can I do?
You know, like they didn'treally have iTunes.
Everybody didn't have like theiPhones and things like that,

(18:22):
you know.
So man, I sold I had to cancelthat Tune Core album, and that's
that's when I started puttingout singles.
Now think about it.
I said this is 2010.
I had the album on there.
Bro, I didn't even I broke eventhat first year.
The next year I didn't sell asmuch because it was like
everybody was just buying themfrom me um in person.
You didn't have like themarketing and stuff that you

(18:44):
have online where I could justhit somebody, I can go on
Facebook and just send you amessage on Messenger and be
like, hey man, buy my album.
No, you gotta whoever you knowis who you know, you know what I
mean?
So when I met you in 2012, yes,that's when I put out the single
gossip.
Yes, you see what I'm saying,and that's when you took it, you

(19:05):
took it, you pressed up my myCDs, you made me the album
cover, and we just took werolled that, bro.
We rolled that for years.
We wrote we rolled it for years.
We rolled it, we rolled thatsingle for years, bro.
So I had more success off thatone, even though I still had it
on digital, I made I made moreand did more with that one

(19:26):
single than I did with thatalbum those two years back, bro.
So, like, yeah, no, with thisdigital age, man, stay at home
network.
Everybody that you can actuallyreach out to, you can reach out
to on here.
Meet me, you do have to get onthe road, though.
Don't get me wrong.
Like, whoever you target,whatever artist you can link up
with, DJs, promoters, whateveryou can link up with, you go

(19:49):
holler at them.
You hit the road and holler atthem.
You see what I'm saying?
Because they're gonna set you upwith a show.
Now you're in a whole notherstate in a whole nother market
doing a show, but never neverdiss another artist, man.
This somebody else, somethinglike that, because you never
know what position they can putyou in.
That might just be a feature toget you in a whole nother area.

SPEAKER_00 (20:07):
Exactly.

SPEAKER_01 (20:08):
So I had to learn that.
So LT up to speed.
I see.

SPEAKER_00 (20:14):
That's real.
Everybody like and share.
Shout out to everybody in thechat.
This T Cap uh CarolineEverything exclusive interview.
I need everybody to like andshare, like and share, invite
more people in there.
Show love to T Cap, man.
This is an exclusive ininterview.
We are live on YouTube.
And um, everybody like andshare, share it on Facebook.
If you support T Cap, bring morepeople in.

(20:35):
All right, because it's gonnaget it's gonna get it's gonna
get real nice.
No, we're gonna look at it.
I'm trying to be viral moments.
We gotta do that.
I'm trying not to go too deepuntil everybody gets in here.
So, real quickly, he broke downto y'all.
We're gonna go back to thephysical copies.
I met T Cap in 2000, what, whatwas it, 12, right?

(20:56):
No, yeah, 2012, and um I uh methim on online promoting going
hard, promoting mixes, Twitter.
Yep.
I met him on Twitter, the oldTwitter, not X.

SPEAKER_01 (21:08):
Yeah, not X.

SPEAKER_00 (21:09):
And um we was going hard.
Like CX1 DJs was going hard.
I was a part of another, mystory is different.
It's about TCAP.
I was part of other crews and Iwas doing my other shit, but I
but I actually just left acouple other DJ crews, all
right?
I started CS1 DJs and I wastrying to look for whoever's the
hot one.

(21:30):
It wasn't about charging noartists either.
It was more about getting outthere and trying to find like
what I'm doing now.
What I just did with with thewith the podcast, y'all.
I'm gonna I'm gonna I gotta givehim his flowers too.
What I'm doing now is I do it uhwhat I was doing years ago.
T Cap King.
He said Butter Rock.
I said T Cap Kingdom me twoyears ago.

(21:52):
He said, Butter rock.
Man, you you nice with thecomments calls because we're
doing the CXY DJ's commentscalls.
He said, Butter rock, you needto do the podcast, man.
I look at that T Cast and mangot time to do that shit.
He said, No, man, you need toreally do it, Butter Op.
He was telling me to do it.
I ignored it.
We talked about two years ago.
LT up to speed.
Shout out to nephew LT.

(22:13):
LT was killing him online.
He said, Butterop, you need todo it.
You already do the conferencecalls.
You need to turn that shit tovideo.
And everything you're doing onthe conference calls, you need
to do it on your podcast.
I ignored TCAP.
I said, whatever, man.
Y'all do that shit over there.
Now, two years later, I'm likeEbro.

(22:36):
I'm like Ebro.

SPEAKER_02 (22:37):
Like Ebro.

SPEAKER_00 (22:38):
Follow my YouTube.
Ebro in the mornings.
Yo, Ebro was dissing this shitlike me.
I was dissing it.
I'm like, man, fuck that popcastshit.
Now, follow us on YouTube.
Mm-hmm.
Y'all feel yo, I give all loveto T Cap was he the one saying,
yo.
He's all right, big little, he'sall right, big bro.

(23:01):
Now I'm on YouTube because youknow what?
Not just because the money, yo,it's more is the networking is
good.
And I'm uh he said, Butterright, you got a good
personality.
And I'm really, I'm not knockingall the DJ crew.
I ain't knocking all thepodcasters, but I know what the
what the CX1 DJ's got to offeryou artists, you models, you
business owners, we ain't comingfor no money.

(23:22):
We coming to show love.
And we all come together as afamily, we're gonna grow as a
family.
CX1 DJ's been around since 1988.
We're not new to the musicbreaking artists.
I'm from the old school, I'm 51.
I've been doing this shit a longtime.
But I but the technologychanged.
You gotta change with the time.
So I'm changing with the time,so we gotta get in this mix

(23:44):
right here and elevate ourselvesand everybody in this.
And the first person, this isthe first live interview.
I'm a real dude.
So I had to bring, I had tobring TCAP first.
We got a lot of interviews linedup for 2026.
I said, no, I gotta bring mybrother in first.
Number one, he told me to get ona podcast two years ago.

(24:07):
Number uh, number two, he's beensupporting me since 2012.
So why wouldn't I bring on TCAP?
And we're gonna go hardpromoting this after this shit
is over.
We're gonna go in, and I'm notgonna leave no coins on the
floor.
We're gonna talk abouteverything.
So now, physical copies, like hetold you.

(24:27):
He tried your digital shit backin 2010, it didn't work.
The physical copies working now,2026, 2025.
And so whatever.
You trying to make some realmoney?
I'm gonna tell you guys this.
I'm T Cap, I want you to listento me.
Because we're gonna be here fora minute.
Any artists that are looking atme, male, female, I don't care

(24:48):
what you are, band, rap, I don'tmatter what kind of music you're
doing, you still gotta put yourstuff out on digital, all
digital platforms.
Find the right distributor thatfits for you, that works for
you.
I'm never gonna tell you not topin it out.
You're not making no moneythough.
That's really more your yourbio.
That's your digital press kit.
That's your EBK.
That digital shit, if song goviral, you good.

(25:11):
You can get a situation with amajor or whatever, or it don't
gotta be a major, investor,whatever.
But where you're gonna make yourmoney at is selling it yourself.
Like me and him have been doingforever.
And what I do with my artistPunkinfoot, we sell physical
copies.
You don't gotta have CDs, youdon't got CDs, press just three
things I want y'all to do.

(25:32):
Everybody and TCAP is alreadydoing this.
You got your USB drive, get acustom USB drive, and I'm gonna
tell you how the company thatsponsored this today that do all
this.
Custom USB drive, have your CDspressed up the proper way with
the insert, like you know, withthe plastic, and you need vinyl.
The only company that do that,that I know of that's best

(25:55):
that's sponsored this show isJones Graphics.
Jones Graphics is sponsoring theCX1 DJs, we do things different
podcasts.
It's also sponsoring thisinterview with TCAP, Caroline,
everything.
So you know you need anythingpressed up, you go to Jones
Graphics.
The website is JonesGraphics404.com.
We we uh is under destructionright now, but you can call the

(26:16):
hotline number for a store nearyou, and that's 404-552-8731.
If you want any physical copies,let's get back to TCAP.
Now, TCAP, now listen here.
When you uh when you uh did uhgossip, what was the concept of
that?
What would like what is that wasyour your come out record?

SPEAKER_01 (26:34):
Yeah, man, it was uh it was like a rebirth, man.
Hold on, hold on one second,butter.
So wobble.
Remember, I said wobble red guy,man.
That's that's my son, my son inGeorgia.
That's who that is.
I just seen the hot dad.
He was like jumping Julian.
I look, I was like, hold on, Iknow who this is.
And then look, that countrygirl, you know, that's Charlene.

(26:56):
Oh, yeah.
What's up, Charlene?
What up, baby?
Yeah, that's Charlene, man.

SPEAKER_00 (26:59):
Hey, Charlie, hey Charlene.
I love Charlene out inCharlotte.
Bring some more, bring some morepeople here, Charlene.
Let's see.

SPEAKER_01 (27:04):
Yeah, Charlene, get some more people in here, man.
Shout out to Josh, my son, youknow, my my second, my baby boy.
Shout out to Josh.
Shout out to.
Yeah, shout out to little Josh.
I know his mom, Brittany, onhere too.
And LT, he up there.
But yeah, that's who that is.
I just had to read it.
I was like, all right, but nah,gossip, man.

(27:25):
Gossip, it was, it was sort oflike uh how I felt about rap at
the time, man.
Because rap has started.
Uh, look at Charlene talkingabout love y'all.
Rap has started like from 2004when I got into it to around

(27:45):
2012, man, it started to die offa little bit.
Like, yeah, you still had yourhard rap and stuff like that,
but it was like, man, what arey'all what are y'all rapping
about though, man?
TI was still running, he wasstill doing his thing, but uh
that's why you you noticed inthe beginning, I was like, y'all
ain't talking about nothing.
So miss me with all the games.
Who said I ain't busting?

(28:06):
That's how I know y'all lame.
You know what I mean?
So it was just it was that.
Like, y'all ain't talking aboutnothing.
The same thing Kendrick's sayingnow.
Y'all ain't talking aboutnothing.
Like, I got that from my bro.
My bro was big.
My bro, like in the beginning ofthe gossip video, y'all think
about this.
That's what that was his saying.
Y'all, oh look, they ain'ttalking about nothing.

(28:26):
Cause they ain't talking aboutnothing.
Like, you know what I'm saying?
That's his saying.
Like, he always say that.
He was like, bro, they ain'ttalking about nothing because
they ain't talking aboutnothing.
I was like, okay, bro.
Like he used to push it, Caponepushed that.
Like, to this day, he still saysthat.
And like, you know, I mean, youknow his situation, you know.
Yeah, so I had to tell him, I'mlike, yo, Kenneth just came out
with a song, bro.
They finally caught on to yourlingo, bro.
Cause like he got a whole songtalking about y'all ain't

(28:48):
talking about nothing, causey'all ain't talking about
nothing.
But that's why I came up withgossip, man.
He he pushed that on me.
So this 2012, that's his lingo.
I just took some of his lingo,you know, being on the phone
with him, you know, him himchopping it up from being
inside.
I always take his lingo, man.
Like Carolina, everything.
He he came up with Carolinaeverything.
I just like a lot of his stuffand his and his uh creativity,

(29:12):
man.
I just try to put information,man.
I just try to, you know, push itto the forefront.

SPEAKER_00 (29:17):
Let's let's start let's talk about Big Bro real
quick.
So what that was was Capone, andI'm I I met Capone, very good
brother.
Shout out to LT.
He's a rip, Capone is a verypositive brother.
And uh, and he he uh he hebelieved in the music, he
believed in his um, he believedin everything that Caroline,

(29:39):
everything LLC is doing, he'sbehind it 100%.
So let's talk about Capone.
Was he your inspiration ofgetting into rapping?
Was he rapping first?

SPEAKER_01 (29:48):
He was right, yeah, yeah, yeah, yeah.
He was rapping first, man.
He was rapping first, he wasmore like the ghost face.
Because when we was younger, hehad to stutter.
But when he rapped he justrapped all the way through.
So I was like, man, that's kindof crazy.
Like, you know, you sort of likeghost face to me.
So it was more on some Utaintype stuff, but then I I
gradually went into the mobdeep, you know.
Prodigy was the inspiration forme.

(30:09):
Yeah, uh, when I first startedrapping, but uh yeah, bro, bro
was rapping, man.
Bro was rapping and he can draw.
So it was like he had them, andthey were both going hand in
hand, you know.
So um he just, you know, like alot of us, bro.
Like, you can either do this andbe where we are, sitting in
front of each other doing this,or you can be behind that glass

(30:30):
making them calls, bro.
Like it weren't too many optionsfor us, man.
We just we just chose this path,and bro, it's like he was always
fast, he was always fast.
He like he thought things out.
He's a thinker, he's a smartbrother, but at the same time,
man, he just moved too fast.
Me, I was always like, allright, hold on.

(30:51):
I was hesitant about a lot of alot of moves, man.
But him, he just go, go, go.
It's like the tortoise in thehair.
He still called me the tortoise.
I call him the hair.
I'm like, look, bro, we're gonnaget that at the same time,
whether you know it or not.

SPEAKER_00 (31:03):
Exactly.
So this so you you doing thisfor him, or you doing this for
you, and you're doing it for thefamily.

SPEAKER_01 (31:11):
Man, I'm doing it.
I'm doing it for me, but I'mdoing it for the family too.
Like, I'm doing it for thefamily.
I'm definitely doing it for bro,until you know what I'm saying,
bro can do it.
I'm gonna do it to I'm gonna doit for bro until bro can do it
for itself.
Till they free him, you knowwhat I'm saying?
He'll be home soon.
Like, what 2027?
He got two, like really one moreyear.
It's already about 2026.

(31:33):
2027, he'll be home.
It's gonna be a whole differentstory.
Cause this time, we I just knowit's crazy.
You gotta think about whenyou're growing up with people
and people like your brothersand even cousins and and just
people like your close friends.
You learn them and you learnwhat you gotta do.
So I know I gotta keep thembusy.
Yeah, I can't give him time tobe idle in no type way, bro.

(31:55):
I gotta nah, we're going here.
We're going to we're going toAtlanta to see Butter Rock now.
Butter Rock got this play forus.
Yep, it's always got to be this,bro.
Uh no, no, no, I got your nextmove.
Nah, bro, we're not doing this,we on this.

SPEAKER_00 (32:06):
Yeah, because I know I know I know I know, bro.
Gonna see this video.
He's in the feds right now anddoing his time.
And I'm gonna put that out therefor all my people in the feds.
Keep your head up.
And Capone, you know, we outhere representing you, DJ Butter
Rock, CX1 DJs, Caroline,everything.
You never forgetting.
We never, but people behind thewalls, some people forget them.
You can tell who's the real thereal ones, because when you're

(32:30):
gone, I watch some familymembers forget people.
I watch so-called best friendsforget people.
DJ Butter Rock will never forgetyou, Capone.
Keep your head up.
You already know your brotherain't gonna forget you.
TCAP, Caroline, everything.
I want to make sure we break putthat in there before we get too
deep in this interview.
Shout out to Capone.
We see you home soon.
We see you home soon.

(32:51):
And everybody in the feds, man.
You if you next to Capone, yousee this video, that's a real
nigga right there, man.

SPEAKER_02 (32:56):
Oh, man.

SPEAKER_00 (33:01):
Shout out to LT up to speed.
I love you, LT.
Keep your head up.
I know we got we got a mixtapecoming out.
We got a project coming out.
Aaron almost won it.
LT up to speed.
And um, that's 2026.
It's gonna be crazy.
I gotta shout him out.
Because he signed to CarolinaEverything LLC.
So, what made you uh do themanagement?
What made you want to go from arapper to doing the management

(33:23):
thing?

SPEAKER_01 (33:24):
Bro, I'm gonna be a hundred percent with you, bro.
It was being around you, bro.
You and Punga Foot so funny,man.
Like, I was like, damn, bro, ifhe can do this with her, bro,
like I know I can because mynephew had already got in a
little situation where somebodyhad taken his music, put it out,
didn't break him off, nothing,didn't didn't you know play fair

(33:45):
with him at all, man.
So I was like, yo, you knowwhat, man?

SPEAKER_00 (33:47):
Let me hey hold up.
Shout out to DJ Money thatchecked in.
He late for the party, but hehere.

SPEAKER_01 (33:54):
He's like, I'm on here, fam.

SPEAKER_00 (33:57):
Shout out to DJ, he's gonna be.
She said only two people couldget on here.
But money, we want you on here.
Hey, money, make sure you lookit at the chat.
And money is the president ofCX1 DJs, but uh Julia, Julia
Simmons locked it, so we knowonly two people could get on

(34:18):
here.
She said, you know what?
Only two people get on theretonight.
But money's on here.
Shout out to CX1 DJ's president,DJ Money.
He's in here.
And money, you gotta you gottahang out with us now.
Don't go nowhere now.
You get the horn money.
All right, and that's a real DJover there.
That's a real DJ.
DJ, my DJ better than your DJ.

(34:39):
We got DJ Money! All right, allright, back to you, T Cap.
What made you want to rap again?
I know no, no, do the managementthing.
You said because me and public,but it was you, bro.
Like at first.

SPEAKER_01 (34:50):
Me?
Yeah, bro.
Yeah, yo, yo, yo.
I had to think back.
I was like, damn, bro, likewhat?
How did I get into management?
It was just being around, beingaround you.
Like it was like, all right,bro, I'm an artist.
I was in artist mode.

SPEAKER_00 (35:04):
I can't wait from the city.
You know what?
I I can't take it.
I can't take that.
I'm gonna take I'm gonna takethe compliment, but I'm gonna
tell you something about you.
You maybe I might have pushedyou to do it, but you had it in
you already.
I saw it.

unknown (35:18):
Yeah.

SPEAKER_00 (35:19):
So one thing about me, one thing about me, when
people give me my flowers, I'mgonna take them, but I'm also
gonna tell a person that gave itto me.
If I already saw that in you,and you was already kind of
already doing it, because yourother jobs.
This is what I'm gonna tell aperson.
If you're already in management,yeah, working with somebody else
in the corporate world, youcould manage if you can manage a
store, you can manage an artist,you can manage a DJ.

(35:41):
If you already have thatmentality, you can do that.
All you're doing is dripping itto the uh another industry.
If you're already a leader andyou know how to lead the pack,
you could do that.
It don't matter what industry itis.
So, TCAP, I'm gonna give youthat.
I take the flowers, but youalready was doing the damn
thing, you was already amanager.

SPEAKER_01 (36:00):
Yeah, brother, because look, look, like I
didn't know what it looked likeup close.
Okay, I was like, all right,like it just wasn't it wasn't
like me being a coach, I stillfelt like the player.
I was like, bro, I'm in thegame, like bro, I'm Kobe.
I'm like, yo, but I'm Kobe, bro.
I don't want to be the coach,you know what I'm saying?

SPEAKER_00 (36:18):
Let me let me give you your motherfucking flowers.
All right, where's my horns at?
This dude managed the hell outof LT.
Yeah, yeah, they had LT all overthe place.
Lt cable.
Yo, I wish I could upload thevideo, but I can't do it because
I got music in it.
Yo, LT was a star.

(36:39):
He's still a star.
When this dude right here wasmanaging, when you he still
managed LT, don't get it too asmall.
Yeah, yeah, yeah.
When the era, we talk about2020, 2021, 2022, 2023, when
they would, they would, they hadthe way it goes with LT from
North Carolina to Atlanta, andthey always rock with me.
So I love you for that, T Cap.

(36:59):
Oh yeah.
I watched LT when he was a youngman till he grew up to be uh a
grown adult now.
And I watched, I watched theartist, the artist, excuse me.
Because a lot of you rappersdon't understand this.
You still need artistdevelopment.
I watched, I watched T Cap.
I got I I whatever he learnedfor me, I appreciate it.

(37:21):
But I watched him take whateverhe learned for me and others,
because we're gonna get into TCap been around a whole bunch of
people before he met me.
And I told myself in my newjourney, I'm gonna take credit,
the credit that I'm supposed totake, but I'm not taking all the
credit because I'm I'm sick ofthese DJs and record tasters and
record breakers, take all thecredit for a success for a

(37:42):
person that already been doingthis shit.
All they need is a little push.
So that's when I'm DJ ButterRock ain't doing that.
If that ain't my credit, I don'twant to, I take half of that
credit.
So TCAP, I don't live in NorthCarolina.
He moved from Atlanta back toNorth Carolina.
This is a true story.
I want y'all to listen to theshit.
He was doing artist development,artist development, you know
what I'm talking about, artistdevelopment, with his artists,

(38:04):
uh LT up to speed.
Every time they came to one ofmy shows, a year later, two
years later, six months later,LT was sharper.
His stage presence was sharper.
It didn't matter who was in thebuilding.
When he hit that stage, he was astar.
I took, we did a we did a bigevent.
I said, yo, uh, my artist wasthere, everybody, it was a lot

(38:25):
of artists there.
I took T Cap beside and said,yo, LT was the best motherfucker
in here.
And he was.

SPEAKER_02 (38:33):
Yep.

SPEAKER_00 (38:34):
He was.
And I'm not just saying thisbecause he's on here.
I told T Cap this the day of theshow.
After the show was over, I said,man, that that dude is a star
right there.

SPEAKER_03 (38:45):
Yup.

SPEAKER_00 (38:46):
He was better than my he was better than my artist
at that that day.

SPEAKER_02 (38:50):
That day.

SPEAKER_00 (38:51):
He killed every damn body.
In the beginning, they was even.
I said, God damn it.
Yo, man.
He he smoked everybody in thegoddamn, including my artist.
I was like, yo.
Hey, you win some, you losesome.
That's it.
But one thing about me, I'm notgonna downsize if a motherfucker
better have my talent that cameup behind me.

(39:17):
Because I gotta ask myself,who's flipping?
It ain't me.
A lot of people got personalshit going on.
So Punk Foot wasn't on her one,two at the time.
I'm not hating on that, but Itell a person, you always gotta
be on your grind.
Punk a foot is a hell of anartist.
I ain't taking my taking thatfrom her.
But that particular show, it wasa lot of artists.

(39:40):
LT killed everybody in there.
It was about 50 artists inthere.
What I mean by killing, I gottagive you applause, goddammit.
Today's performance was on 10.
Wardrobe was on 10.
Presence.
Today's performance and presenceis two different things.

(40:03):
Presence, but when you walk in,you got people gotta turn around
and go, who the fuck is that?
He had that.
If you walk in a building andnobody don't say, damn, who that
is, you you don't look like astar when you walk in, then it's
something someone's not doingright.
At that part of LT career, hewas at my event.

(40:23):
Okay.
He was a star.
And everybody told him that whenhe was there.
And if he's still on herewatching, don't think we
overlooked that.
You was a star there, and youwas managed by this guy right
here.
You was under CarolineEverything LLC, the help of

(40:43):
Capone, T Cap, Levi.
That was a joint effort.
When I mentioned Levi andCapone, that's all the Caroline
Everything LLC umbrella that'sthat's owned by TCAP ET.
So I can't, I would of courseyou gotta have a team.
Like T Cap, he made sure he setup his.
I'm gonna tell you what thisnigga did.

(41:05):
So T Cap.
I'm not I ain't I I can't, I gothe made sure he had a
videographer.
He made sure he had the wardroberight.
Him and his brother had the bitthey had their business.
I was so proud of Capone and TCap when I saw him.
Most people, when they seepeople climbing or might, they
might pass them, some peoplewould get jealous of that

(41:26):
success.
I was saluting that.
Ain't no too many people likeme.
I'm instead of knocking you downand trying to compete against
you, I was saluting it.

SPEAKER_01 (41:40):
Yeah.
Well, a hundred percent.
That's why when I say I got themanagement.
So that's I would say it likethat.
I watched you so much when itwas time to like, all right,
bro, I'm gonna step back fromrapping a little bit.
I'm gonna move back home.
Bro coming home.
That's when Capone came home thefirst time.
LT was about to graduate highschool.

(42:00):
I was like, man, I'm gonna gomanage nephew.
Nephew, somebody done jacked hismusic.
Bro about to come home.
Bro, I'm still gonna be workingwith you, Butterrock.
And you guided me the whole way.
Even had nephew on theconference call for his first
ever, like, you know, first everinterview and everything else,
man.
So, you know, first ever show,Butterrock, you know.

(42:23):
So that's why I say, man, like Igotta give you your flowers,
bro, and salute you.
Like a lot of stuff, me and youtalk all the time, and we say,
bro, but I don't never reallylike tell you directly because
it's like, yo, bro, it's alreadyunderstood, man.
Bro, now I got mad love for him.
That's big, bro.
Bro, being with me, you knowwhat I'm saying, shh, forever
now, bro.
We're going on 14 years,brother.

(42:45):
Yeah, over a decade.

SPEAKER_00 (42:47):
Yeah, a long time.

SPEAKER_01 (42:48):
A long time, brother.

SPEAKER_00 (42:50):
Now we're about to get it's it's eight, it's 836.
That's part of it.
This part of this meeting, we'regonna get a little deep.
So let's get into it.
Nate name all the shows you didwith CX1 DJs.
Can you you do you got them downthe list?

SPEAKER_01 (43:05):
I remember the first one was the South Carolina show.
We was in Columbia, SouthCarolina.

SPEAKER_00 (43:09):
Yep.

SPEAKER_01 (43:11):
We had other DJ crews there.

SPEAKER_00 (43:13):
Yeah, we had we could we could mention them.
We had Nerve DJs, Nerve DJs, uh,on on the ground DJs, and uh a
couple and and um X squad DJs.

SPEAKER_01 (43:24):
Okay, X Squad, because that's why I met the
dude with Jamel or somethinglike that.
They they yeah, top guy.
You introduced me all thoseguys, man.
That's why I met Johnny O.
Yeah, you introduced me those.
That's why I said, man, me as anartist, you introduced me to
these people like you weren'tholding nothing back.
Like, nah, this is my guy, TCap, man.
I'm gonna send y'all his music.
Sent me, sent my music to yeah,bro.

(43:45):
Show love.
So after that, um, so Carolina.
Don't forget nothing, don'tforget nothing.
Oh man, I ain't look.
We're gonna, I'm gonna throwthis out here because we know we
gotta get into this.
This is cause we got to get allthe Way to the you know yeah
yeah so we so the DJ at thefirst show who I met that day in

(44:07):
South Carolina was Cat X.
That was a DJ at the time.
I met Cat X, he was a CX1 DJ atthe time, so yeah, yeah, you
know he was he was a DJ.
He was at the first show, that'swhy I met him.
He was like, all right, bro,keep all right, bro.
We we keeping it real, right?
You're like, yeah, yeah, yeah.
Please keep it real.
You're like, yo, all right, butit's kind of early.

(44:28):
I first met him.
He was like, hey, bro, he was bythe bar.
He was like, all right, now yougotta.
I forgot who was talking to.
You're like, yo, bro, gotta gethim away from that bar.
And I was like, okay, you gothim away from the bar.
He DJ'd he did his thing andshit.
Yeah, he did it.

SPEAKER_00 (44:42):
And and and and what what what we gotta I'm gonna as
you talk, I'm gonna pull, I'mgonna jump in.
Yeah, the couple, whatever youdon't got.
So you gotta understandsomething.
Now I want everybody to hearthis.
I'm drinking lemonade.
I ain't drinking no alcohol inthere.
I like how he broke that down.
So Cat X was at the barpoliticking.

(45:03):
Keep in mind when we did thatshow with the nerve DJs and all
the DJ crews in Columbia, SouthCarolina.
That's the that was in 2012.
2012.
Me and Cat X just joined Forces.
I bring him on to be the head upthe head operation for CX1 DJs.
Now this got a lot to do withwith TCAP.
I'm gonna just get there.

(45:25):
At the time we was when wejoined Forces, he had Mix Moppy
Radio.
I had CX1 DJs, we came together,he came on to be a part of CX1
DJs, he signed our contract.
We don't do business unless yousign a contract.
CADEX signed a contract,alright?
Now this got a lot to do with TCap, so I want to get off to it.
We as a breaking artist, T Capwas on an artist when he was

(45:48):
breaking.
Cad X know that none of theother DJ crews get along.
Alright?
Nobody got the fuck along.
I'm gonna say this again.
None of us liked each other.

(46:09):
But we have to smile and kissand shake hands like we give a
fuck about each other.
In reality, we wish amotherfucker died, go to jail.
So T Cap was one of the outsiderartists.
Honestly, let me besidesPunkinfoot, he was the one next
to Punkinfoot that we waspushing.

(46:30):
The CX1 DJs coalition.
T Cap.
So you if you know any history,if you guys could Google this
shit.
Anybody got any history of CX1DJs?
It was two artists we waspushing.
That was Punkinfoot and T Cap.
That's the history in thebeginning.
So he's like the beginning.
Then we had a bunch of otherartists that came on.

(46:53):
So they keep it jiggy with it.
Me and CADX was actually saying,fuck all the DJ crews.
Fuck fleet, fuck Nerve DJs, fuckCorn D, fuck everybody.
Only the one, only two D.
I won't say fuck.
Well, I didn't say fuck.
But we we got cool with JohnnyO.

(47:13):
He was cool.
But at that point, you know, I'mcool with Johnny O.
I'm cool with Nerve now.
But I'm talking about in 2012, Ididn't give a fuck about nobody.
And I came from Nerve, but I sawthe not the unity that none of
the crews had.
This ain't one particular crew,this all the motherfucking
crews.
I've been in part of about 50 DJcrews before I started CS1 DJs.

(47:36):
So what I'm saying is when uh wewhen we me and Cadic got
together to say fuck everybody,all of a sudden, T Cap, it went
to I want to be a part of them.
What the fuck?
Where the hell are we sayingfuck everybody?
But now you're but now you're apart of them.
What?

(47:57):
T Cap, I ain't gonna take yourinterview.

SPEAKER_01 (47:59):
No, no, no, look, because that's look, that's why
I said that.
Because it was like we startedout that way.
That's the way I was introduced.
This is the DJ.
I know you the DJ, but you alsowas host of the shows.
You was putting everythingtogether, and I was like, all
right, boom.
Yeah, next show.
The next show, bro.
We had like a bro, we man,butterp was a lot of shows.

SPEAKER_00 (48:21):
I remember we we did a lot.
We did we did all stars, we didum did all stars with fiend.

SPEAKER_01 (48:26):
We had fiend there at all stars from no limit.

SPEAKER_00 (48:29):
What I'm gonna do, because my P artist texts me,
she said, Butterrop.
Julia Simpson just told me, shesaid, yo, keep it classy.

SPEAKER_01 (48:36):
Oh, yeah, yeah, keep it classy, not necessarily too
much mud.

SPEAKER_00 (48:40):
She didn't she just told me to keep it classy.
So if you notice, I'm looking atmy phone.
She's like, I'll go out the cup.
She said, keep she said, keep.
Well, I'm gonna read what shesaid.
Keep that shit classy.
Alright, so we go, I'm gonnalisten to my PR.

SPEAKER_01 (48:53):
Right.
Right.

SPEAKER_00 (48:54):
She watched she watching the shit.
I'm gonna keep it classy.
Alright, listen here.
I'm gonna I'm gonna sum it upand get back to TCAP.
She said, she told me to getback to you.
Alright, this is what we'regonna do.
We did multiple shows with withwith CADEx.
And when I'm locking with a DJ,like we got DJ Money.
When I'm locked in with a oneDJ, I don't go and get any other

(49:16):
CS1 DJs.
Once we locked in, we locked in.
One thing I will say about DJMoney, he keeps it trail.
I mean, he he he do the events.
We we know that's kind of whatme and Cad X was doing.
This ain't a CADEx interview.
What I'm saying is straight up.
I met him and he was the DJ.
Like if I had DJ Money doing allthe shows, then then uh TCAP

(49:39):
could talk about DJ Money.
So the history of T Cap gotta,we gotta we can't not mention
the shit that happened.
We gotta mention it.
Yeah, so let me ask you aquestion.
Did any other DJ try to hollerat you, try to get you from CS4
DJs when you was with us?
Did that happen?
Like give me their number togive you that number.
Say, hey man, come over here.

SPEAKER_01 (49:58):
Nah, man, because you gotta think about it.
Like, you know, we movemilitant, man.
Me, you always move militant.
It was like, yeah, you was like,nah, bro, I'll give you I like
bro.
I don't want nobody's numbers, Idon't want nobody to be able to
reach me.
They need to holler at you.
You was so you like my managertoo at the time.
I like, yeah, bro, you look youmy active manager.
Like, so if they need to holler,they need to holler through you.
And people knew that.
So, like to any artist out therethat's listening, bro, you gotta

(50:21):
have those type morals.
That those type morals wherepeople know you're not
accessible.
It's like, nah, bro, like I'mI'm not just like I don't move,
I move a certain way.
Like, I'm a straight up person,I'm a loyal person.
Like, if I'm on your team, bro,I'm on your team.
Like, so they gotta know that,you know.
People gotta know that outthere, man, because it's a lot

(50:42):
of artists.
People don't want to reallyinvest in them and really put
the effort behind them becausethey know that any at any given
time, once you blow, once youtake off, bro, you gone.
You don't care about it no more.
You're gonna shake them.

SPEAKER_00 (50:56):
Now, Julia, Julia, I gotta say this, and I'm gonna
move on.
We're gonna finish theconference.

SPEAKER_01 (51:00):
All right, like let's say this so we don't sling
mud.
Now, we're gonna fast forward.
All stars, fiend.
We had a good time, bro.
The worst thing this is this isthe only reason we gotta say
this because I was trying to getto this.
Yeah, the worst thing that couldhave happened, bro, by then we
had G Little Cuz.
Shout out to G Little Cuz.
What's good?
What's good, gangster?

(51:21):
Yes, we had GD, uh Punkin' Foot.

SPEAKER_00 (51:25):
Yep.

SPEAKER_01 (51:26):
Um, bro.

SPEAKER_00 (51:28):
Um we had a lot of artists, man.

SPEAKER_01 (51:30):
Bro, we had so many artists, bro.
We had Mississippi, bro.
It was I'm talking about like weshut the south side down.
We had we had we had shorty lowcame in there.
Shorty low.
That's how I met Shorty Lowe.
Uh uh DJ Um.

SPEAKER_00 (51:44):
We have everybody in there, man.

SPEAKER_01 (51:46):
Everybody.
You I mean, we got pressed.
I ain't gonna get into that.

SPEAKER_00 (51:49):
We had Mama Sherman, Ray Sherman, mother was in
there.

SPEAKER_01 (51:52):
Yeah, look, we got pressed by the club beside us.

SPEAKER_00 (51:55):
Oh, yeah, yeah.
We were.

SPEAKER_01 (51:56):
Yeah, we ain't gonna we ain't gonna get into that.
So I'm cool with them now.
So we don't gotta go.
Yeah, we're cool.
I ain't gonna smoke either.
So look, it is like look, it'sso much going on and it's
popping so much.
Yeah, we at the height, we atthe height of the conference.
Yep.
You wait and make a scene.

(52:17):
That's what threw me off abouteverything.

SPEAKER_00 (52:19):
That's crazy.

SPEAKER_01 (52:20):
You make a scene in the middle of the night, yeah.
You go so dramatic to take yourCX.
We all got CX1 DJ shirts on.

SPEAKER_00 (52:28):
Now he talked now.
Now you don't know he talked, hetalked about CAD X.

SPEAKER_01 (52:32):
Well, I'm about to say it.
This brother sat there, lookedat us.
We all out there like, yo,what's going on, bro?
You messing up the music.
I'm thinking he got the drink inhim.
Because by now I know him.
I'm thinking he got the drink inhim now.
He had the drink in him.
He had the drink in him, right?
So, bro, take his shirt off.
I quit and throw that shit inthe crowd.

(52:53):
We everybody, all artists islooking at it.
Well, well, well, being honest,I said, You fired.

SPEAKER_00 (52:58):
He said, Motherfucker, I quit.
Yeah, that's it.

SPEAKER_01 (53:01):
He was like, I mean, you fire.
He was like, I quit and throwthat shit.
Everybody looking up at theshirt floating over their face.
We're like, bro, what's goingon?
So now then it's like, you know,you you gotta get up there.
You had another young DJ thatcame up there.
You did your thing.
Show went on.
Show went right on.

(53:22):
A quick pause.
Everybody looking like it wassome reality TV shit.

SPEAKER_00 (53:26):
It was some real, it was some reality TV.
Hey, cat CAD X quit five timesalready.

SPEAKER_01 (53:32):
Look, and then then then hey, and your love though,
your love for that brother justlike hey, bro.
All right, man, that's old let'slet's you know what I'm saying?
Like, that's why I say, man, youyou a good brother, bro.
Like, I don't care what we Iwould I would hold.

SPEAKER_00 (53:46):
I was talking, it was it was deeper than that, but
Julia told me not to get too itwas deeper, yeah.
I'm all gonna say cops came, Igot checked, they was looking
for guns and shit.
Thank god.

SPEAKER_01 (53:57):
I was outside when he told that you had guns on you
zone, bro.
Oh, he told me, bro.
You remember I was outside, Ihad a wheel.
You sure was that they weregonna bust the windows or the
rental car, and I just moved thecar, and he I'm walking past, he
was like, Man, y'all need to gochecking me on pro base.
You don't suppose be aroundguns, you got guns in there.
I'm like, bro, I know you ain'tjust oh my god.

(54:18):
I said, bro, that's it for me.

SPEAKER_00 (54:20):
Cad X snitched on me, bro.
My brother, he told me he toldClayton County.
We was in Clayton County,Clayco.
Yeah, this nigga this nigga toldClayton County I had guns on me.
Cad X, come on, brother.
But look, he knew your situationbecause I was listening.
Listen, listen, listen, this TCap interview, I was inside.

(54:40):
Yeah, T Cap was outside withwhat T Cap was outside with CAD
X.
So he told he witnessed CADEXrating up ratting on me to the
cops.

SPEAKER_01 (54:50):
Yeah, that was it for me.
Because everybody else, I had totell G Lil cuz.
I had to tell G look becausethey were like, nah, man, that's
messed up, bro.
They messed up the business,bro.
That the brand, bro.
The brand was like this.
I was like, I understand that,bro.
But I just witnessed what thatman did too.
I can't rock, I don't rock likethat, bro.
Like, I don't, I mean, thisregardless of what, like,

(55:11):
regardless of whateverdisagreement you got with
somebody, whatever happened,bro.
But to sit there and think thatis cool, man, and try to get
somebody rated.
You try to get the he tried toget the building rated.

SPEAKER_00 (55:20):
Bro, he tried to get the whole club rated.
Listen, listen, when I told thisstory to other people, they
thought I was lying.

SPEAKER_01 (55:26):
They thought you were lying, bro.
I was outside, I had to move mycar.
They was they was out theretrying to mess everything up
like they were gonna dosomething.
Like, hey, hold up, bro.
It was a mine, unless y'all, youknow what I mean.

SPEAKER_00 (55:36):
Yeah, Caddox said, I'm gonna say they was trying to
treat me like the crush crew,like he had like the full force
outside with him.
He had his niggas with him, andthen uh the cops came.
The club owner called the cops,I ain't calling cops.
He like you know, he said ButterRock called the cops.
If you tell him the cops I gotguns and shit, why would I call
the cops?
Right.

(55:57):
If I'm dirty, I ain't you puttwo and two together.
Because they said we were aboutto fuck Butter Rock up.
Yeah, but you said I had guns,so you wasn't fucking me up, not
that night.
Not that night, I wasn't gettingfucked up.
I was not getting fucked up thatnight at all.

SPEAKER_01 (56:13):
Look, so look, long story short, the run after that
off the chain was crazy.

SPEAKER_00 (56:23):
Check this out, T Kappa, because I love it.
The run after that.
Keep in mind, y'all.
The Friday that he threw hisshirt off.
Hey, fuck y'all, nigga.
Shorty Lowe came.
It was P.
Brown, everybody in the citycame.
Okay, that was Friday.
The Saturday that shit happened.
He came to pick up his equipmentand they call they something
trying to do something to me,and the cops showed up, and he

(56:45):
told the cops I had pistols andshit, and cocaine, and guns, and
oozies, and shit.
Whatever he said I had.
So we're talking about DJ Cad X,celebrity DJ Cadx.
So he went.
I'm gonna let him tell the restof the story.
But at that time, he I firedhim, he quit.
Well, how y'all want to say it?
And Cadx, you know, we ain'tlying over here.

(57:07):
We're not gonna lie on the CS1DJs.
We do things different podcasts,and we ain't slandering nobody.
We're gonna just gonna keep thisthis is a story that T Cat
witnessed.

SPEAKER_01 (57:18):
It messed, look, it messed, it messed up the brand,
bro.
Like it was like a lot ofartists that was about we were
coming up with that.
Like me, Julie, cuz like wecoming up, we making a name in
Atlanta, we making a nameeverywhere, man.
It was only gonna grow.
So, with that happening, thatwas like, bro, like you said, me
and you talked about it, you'relike, Yeah, I had a little ego,

(57:40):
I could have handled itdifferent.
I wish he handled it, it waslike left, bro.
Like, you don't do bro, youdon't do that, man.

SPEAKER_00 (57:48):
I I I'm gonna say this if Cad X ever if CadEx ever
seen this video, which I'm knowhe will, I wish I handled that
different.
Because I'm ready professional.
And I made my I let my ego getin front of, I let my uh me
thinking I'm the shit get infront of the business.

(58:09):
What I tell every DJ, listen,look at me, I'm gonna talk to
you guys right now.
Learn from my mistake.
This video is not to shit on adisc Cadx.
No, let me say his name right.
Celebrity DJ Cadex fromCharlotte, mixed mafia radio.
So let's talk about the rightperson here.
This story is told by TCAP.
I'm just confirming it.

(58:29):
And I'm I'm I'm stamping itbecause it's a true damn story.
We're not here to shit on him.
We're here to tell you artistsand you DJs, managers, if you
ever get in a position when yourwhen you your whole team is
winning, don't let yourpersonality, don't let your ego,
don't let your think you betterthan the fucking program fuck it
all up for everybody in theprogram.

(58:51):
My ass, as the owner of CX1 DJs,should have ignored a lot of
shit.
And I should have, I should havethought about my whole team and
not just me and CADX, which hewas the head operation.
We was we say we was in theWalmart, and I'm the star, I'm
the district manager, he was themanager.
So you got the you got thedistrict manager and the manager

(59:12):
fighting.
How the fuck is thatprofessional?
So being I'm over him, my ass isgonna take the blame for what
happened in that 2015 music.
And that was the CX1 DJs 2015music conference.
This happened in front of BabyD.
Baby D was there.
It just happened in front ofeverybody that I fired him, he

(59:34):
quit, he threw a shirt in there.
It was crazy.

SPEAKER_01 (59:38):
Look, look, Kevin Gates, uh, artist BWA Kane.
Everybody was like, bro, we hadeverybody in there.
So that's what I'm saying.
We was in position.
We was in position.
Whatever we would have did next,it would have had the momentum
on it.
So that's why, you know what I'msaying?
I see why, you know, G Cuz feelthe way he feels, and you know,
GD ain't even rot with it nomore after that, bro.

(01:00:00):
So a lot of things like, youknow, he did a couple other
shows after that, but you knowwhat I'm saying?
It was just T Cap.

SPEAKER_00 (01:00:08):
I'm gonna say this real quick.
If you really fuck with me, youshould still be here anyway.
So it shows you, it shows youwho really fucked with you.
I understand some people workand then people got other
things.
But if you really fuck with amotherfucker, you'll still, it

(01:00:30):
don't matter if I shot amotherfucker, I was wrong for
doing that.
I'm just saying if I did, and ifI got bored, I'm in I'm in
prison, you still should send mesome money, make sure my family
right.
I'm not perfect.
So whatever happened at thatmusic conference, me, if you
really rock with CS1 DJs, youstill should have rocked with

(01:00:50):
CS1 DJs up to this point.

SPEAKER_03 (01:00:53):
Yeah.

SPEAKER_00 (01:00:54):
That's all I'm saying.
But we're gonna we're gonna moveon from that and we're gonna get
to um so I'll let you do it, uh,TCap.
So after that, what happenedafter that?

SPEAKER_01 (01:01:02):
All right, so man, after that, man, like the show
must go on, man.
Like, we really we got closer,man.
We uh we all grew closer, likedefinitely me, you and
Funkerfoot.
And like we really had aninfamous run, man.
We the Alabama show.
The Alabama show was crazy, man.
Cause that was different.

(01:01:23):
Um, we uh, you know what I'msaying?
We got more of the family vibe,man.
We started going together anddoing our thing.

SPEAKER_00 (01:01:31):
Hey, hey, read the chat.
Somebody wrote some shit in thechat.
Read that.
Somebody said Charlene, what sheready?

SPEAKER_01 (01:01:37):
Charlene talking about I just came back in the
room.
How long ago was this?
Oh my god.
Hey man, that was the beginning,Charlene.
You good, man.
Like, none of that is going onnow.
We wouldn't even let that go onnow.
Hell no! We went we'll catchthat way before like anything
like that happened.

SPEAKER_00 (01:01:56):
She knows Cadax, don't she?

SPEAKER_01 (01:01:58):
Yeah, she knows, man.
You remember we was at the thingin Charlotte not too long ago.
You remember we was inCharlotte?
Like we were in Charlotte, likeafter the radio thing.
Like, what was that?

SPEAKER_02 (01:02:07):
Yeah, hey Charlotte, bro.

SPEAKER_00 (01:02:09):
Yeah, hey Charlene, that happened in um 2015 2015,
years ago.
20 yeah, my mother, my motherwas still living me in that
shop.
Yeah, so so so get in and saygood.
What else you gonna add to that?

SPEAKER_01 (01:02:25):
Uh so yeah, man, we I we had we had a crazy run
after that, man.
Like, you know, um the runlasted so long till what like
2022.
2022 was like the was thatthat's the last conference?

SPEAKER_00 (01:02:42):
The 23.
We did we did the white party.

SPEAKER_01 (01:02:45):
The white party was 23.
So it lasted so long, the runbeing so long with me and you, I
was able to bring my artists toit.
So mind you, this 2020 15.
My first show with you was 2020,uh 2012.
Yeah, 2012 to 2023, bro.
Yep, yep, was I was able tobring my own artist.

(01:03:07):
I already took the managementspot, you know, uh had LT up the
uh speed, but I was alsobringing in Grizz, RIP Grizz.
My little cuz, man.
Like, I was bringing him in, youknow.
So it was just like that last,that all-white party was that
was it.
Them boys got off, like they gotoff on that stage, like you know

(01:03:28):
what I mean.
I was proud of like you know, itwas a full circle moment just
for me to be that's when Ireally felt like a manager, like
you know what I'm saying?
I felt like a manager the wholetime with LT, but just to bring
them back home, like CX1 DJs,that's the home.
I was the president of the CX1DJs, it's home to me, you know
what I'm saying?
So you see what I'm saying?

(01:03:48):
So this is home to me, you knowwhat I mean?
So it's just like to be able tobring my own artist back here,
and then you you like still giveme porn as like nah Lt on point.
You even knew when I'm sorry Ican say this now.
You even knew when it wassmacked out of his mind with it
when him and Grizz was on thegummies, like they took too many

(01:04:09):
edibles and was like smack, andyou're like, bro, like what was
going on with him, bro?
Like, he did good, theperformance wasn't bad, but like
yeah, his energy and like hiswhole way, bro.
So, what's I like?
Bro, they were smack, bro.
They did that before on our ridehere from the um Carolina.
You was like, Oh, okay, bro.
It like, man, I ain't knowwhat's so you gotta be tuned in
with people, yeah.

(01:04:30):
Know when they something aboutthem is different, you know what
I'm saying?
So, yeah, like man, like theall-white party was was crazy.
It was crazy, man.
Like that crazy.
I enjoyed that.
Man, come on, man.
We was in the hotel, man.
We all by the bar, like it wasso many people, man.
Like, you had people that wasregularly staying there, just

(01:04:51):
yeah, like, what's going onthere?
I was like, man, go check outButter Rot, man.

SPEAKER_00 (01:04:55):
And um, I'm I'm gonna be honest because I'm I'm
a real dude.
So being you mentioned it, itwas years after that me and Cadx
got back together.
And one thing I one thing I willsay about DJ Caddyx.
When he's when we when me andhim was on the same page, we do
the best events ever.

SPEAKER_01 (01:05:14):
Magic.
Magic, man.

SPEAKER_00 (01:05:16):
Bro, best events ever.
I will never discount hisprofessionalism as in getting
people together.
Because we do, we, we, hey, Iget the venue, I get my people,
he gets his people.
It's it all it's always magic.
But um, after that, other shithappened behind the scenes.
I ain't gonna get into that.
But um, then he went to fleet.
Now he's over.

(01:05:37):
He's the head of I think he's aNorth Carolina division agent at
Fleet DJs.
Now, no, no, no, no, no, cadets.
No caddix What am I making?
Yeah, man, that's what I'm gonnado.

SPEAKER_01 (01:05:52):
Yeah, like it's the Avengers agent.
What the hell is that, bro?
Is it D T or is it not?

SPEAKER_00 (01:05:58):
Is it a detail?
Hey, hold on.
You better clock that team.
Let me clock some team.
How the fuck are you going fromthe head operation to being a
agent of one city?
What the fuck?
No, I don't know.
No, not even agent.
North Carolina, uh, he's a NorthCarolina director, head manager,
some shit.

(01:06:19):
I don't know.
And shout out to Fleet.
This ain't about fleet.
I love I I I grew up, I grew upfrom fuck all y'all niggas.
I'm like, do you boo?
All I'm saying is how you gofrom mixed mafia, the head
operation at CS1 DJ, to NorthCarolina manager, agent.

(01:06:45):
Nigga, you do your own shit,huh?
I'm gonna get off that.
The event we did, TCAP was good.
But I mean X, I can't be and hementioned your name, T Cap,
you're a part of that interview,you're a part of his legacy.
I had to bring you up.
Nigga, how can you how can youdo your own shit?

(01:07:07):
Because I'm gonna tell yousomething when I learned nobody
gonna pay you, nobody gonnatreat you like you do your own
shit.

SPEAKER_01 (01:07:13):
Right.

SPEAKER_00 (01:07:14):
Now back to you, T Cap, because it's about you.

SPEAKER_01 (01:07:16):
But unfortunately, the history, man, it's a he's
part of the history, bro.

SPEAKER_00 (01:07:22):
If anybody talks about CX1 DJs and they don't
mention DJ Bardark and Cad X,they're not telling you the real
CX1 DJ story.
You cannot even when I do thedocumentary, his name is in
there.
His video, I got picturesbecause I own all the video and
pictures.
Because my people shot it.
So I cannot do the documentarywithout saying I downs and

(01:07:43):
falls.
Because if you how you make itin this industry, you better
have a motherfucking story.
And the story gotta be youbetter have receipts.
I got receipts to back upeverything.
I got the video when he whenthis nigga took off his shirt
and quit.
Well he I got the video when hetook it.
I got the video, T Cap.

SPEAKER_01 (01:08:01):
I know.
I know.

SPEAKER_00 (01:08:03):
I got every every every show I did, I'm like,
puppy, pause.
I got every video, everything Idid.

SPEAKER_01 (01:08:10):
No diddy.

SPEAKER_00 (01:08:12):
I don't say I ain't gonna say that because I love
puppy.
Please don't take that back, TCap.
Take that no ditty back.
What?

SPEAKER_01 (01:08:17):
Oh yeah, yeah, yeah.
No, oh shit.
No, hell no, take that back.
Yeah, yeah, yeah, yeah.
I don't need him coming afterme.
Let 500.
I love puppy.
Yeah, yeah, 50.
That's good, bro.

SPEAKER_00 (01:08:29):
I don't give a fuck what he did.

SPEAKER_01 (01:08:30):
Yeah, we can't have that shit.

SPEAKER_00 (01:08:32):
I love puppy.
I love bad boy.
I love his kids.

SPEAKER_01 (01:08:34):
And then um yeah, they yeah, they they good, man.
They're good kids, too.

SPEAKER_00 (01:08:38):
Uh uh.

SPEAKER_01 (01:08:40):
Oh, yeah.
It's money too long for me, man.

SPEAKER_00 (01:08:44):
Hey, shout at Jim Jim Jim Dill.

SPEAKER_01 (01:08:47):
Oh, Gene Deal, yeah, yeah, yeah.

SPEAKER_00 (01:08:49):
I said Jim Dill.

SPEAKER_01 (01:08:50):
Gene Dill.

SPEAKER_00 (01:08:52):
I'm following on Instagram.

SPEAKER_01 (01:08:53):
Fuck the child that nigga.
Yeah, he got some real stories,man.
Like they they got on his headthough, and they're talking
about you was hiding behind thatthat damn truck.
Mace, mace is uh damn that shitwas crazy.

SPEAKER_00 (01:09:03):
So so real quick, T Cat, what what was the worst
thing that happened to you whileyou was in this music in the
street?

SPEAKER_01 (01:09:09):
Shit, all the money I lost, bro.
Like I brought all the money Ispent, man, like buying beats,
beats that you know what I'msaying wasn't even that I
couldn't even really use whenyou really think about it is
never your beat, bro.
Uh, because you don't reallyknow the whole exclusive rights
game and things like that.
Uh pretty much um starting out,starting out with the support.

(01:09:34):
You know, people supporting you,rocking with you, man.
But the longer you in it, man,and you don't really get to
where you need to be, man,people gonna you're gonna see
people starting to fall off,man, and leave you and and
really jump and ship, man.
Like you'll start off, you'llstart off, man, like you said,
with a large group, man, and alot of people, man, a lot of
supporters.

(01:09:54):
And uh, man, you'll end byyourself.
You end up by yourself.
Some people end up broke bythemselves because they spin out
before they can get therementally, man.
Have that revelation, like,okay, man, bro, I ain't about to
I ain't about to sit here and Igotta I gotta restrategize what
I'm doing, man, becausesomething not working.
So I was able to do that, man.
I was able to make that pivot tobeing a manager and still be in

(01:10:17):
the music, still drop music hereand there, but focus more on the
artists, man, that got that thatyouth in them.
Like, cause it's it's not reallysolely a young person sport, a
young man's game, but you got tofind your lane.
Like, so now with the clips andand so many older artists, man.
Um Nas, just his whole roster,bro, like that mass appeal.

(01:10:40):
You just had Ghostface, um,Raekwan.
He just dropped a tape with DJPremier.
Um, it's somebody else, bro.
That's you know what I'm saying?
Older than older than me.
They just dropped oh have Havocfrom um Havoc and Um P just
dropped one, you know what I'msaying?
That last, that last mob album.

(01:11:01):
So, man, it's like, you know,you just find your lane, man.
But the worst thing thathappened, bro, was just like uh
just losing people, man, losingpeople along the way, losing
them to not supporting you nomore, and life, you know what
I'm saying, sort of taking, youknow, toll on them or whatever,
or and then actually like losingpeople that never got to see you
uh, you know, get to where youneed to get or get to where you

(01:11:25):
want it to be or where theythink you should be, you know
what I'm saying?
Because, you know, uh I am, youknow, we we some talented
brothers, man.
Like, we're good at what we do,man.
We're good at what we do.
Cause I see people that's notgood at what they do.
So I know I know great, I knowgood DJs when I see them, I know
good artists when I see them, Iknow good managers when I see
them, you know.
So it's just like, you know,when you when you're good at

(01:11:46):
something, man, like not toreally reap the benefits for um
from it um at all.
Like I've been reaping thebenefits from it just because
I'm still locked in, tied in,still able to make that call.
Hey man, what you got going on?
Hey, bro, we're doing this show,bro.
Y'all part of the show.
So I always kept my relationshipintact.
But if I wouldn't have never hadthat, if I wouldn't have never

(01:12:07):
been solid and built a solidrelationship with somebody that
stays in the game, stays in theindustry, man, I would have
faded out.
That's what the problem withpeople, man.
They burn bridges.
So when you burn bridges withthe wrong people, bro, like it's
your career is done, whether youknow it or not, you know.

SPEAKER_00 (01:12:25):
I'm gonna ask you a question that I see other people
say this word and answer itcorrectly.
Um you think relationships getyou places quicker than money?
If you have money to buy thesame thing, you think
relationships you what which onewould which one you think is
better?
Having money and getting whereyou need to go, or having

(01:12:47):
relationships?

SPEAKER_01 (01:12:48):
Uh money.

SPEAKER_00 (01:12:50):
Thank you.

SPEAKER_01 (01:12:51):
The only reason I say money too, man, because
relationship might get youthere.
They're gonna get you a wave ora hey, how you doing a
handshake?
Like this is my this is myfriend, this is my friend, this
little buddy.

SPEAKER_00 (01:13:01):
Yep.

SPEAKER_01 (01:13:01):
But what's gonna get you through the door and keep
you in the door is money, man.

SPEAKER_00 (01:13:05):
Yep, because I tell a person, most of these people
not only in Atlanta, but aroundthe world, you claim you got a
relationship with them, they'lluse you for what the hell they
need you for, yeah, or uh try tomimic you, but the money is
always gonna long as you gotthat money, you're good.
People say relationships get youplaces money can't.
Bullshit.

(01:13:26):
If anybody ever said that toyou, go work with somebody else.
I watch certain people that callthemselves tastemakers, and
that's what they say.
Relationships will get youplaces money.
Personally, I'm in the corporateworld.
We don't really haverelationships.
We have we're dealing withmoney.
We're dealing with numbers everyday.

(01:13:46):
Fuck relationships.
I tell my employees, I tell mypeople that work for me and my
independent contractors whatthey need to do.
Most of them don't like me.
But guess what?
I'm paying them.
They respect the money and theylove the money, so they're gonna
I had a hit on that, and TCAPanswered the question right.

(01:14:09):
Money, money by most of thepeople that most of these
artists, DJs, podcasters takepictures with people they don't
number one, they don't reallyknow.
Number two, they really don'tlike.
They're doing it for clicks andlikes and shit.
So money always gonna get youfarther.
If you don't got no money, youbetter go get some money.

SPEAKER_01 (01:14:29):
Yeah, look, find some, man.
Yo, so T Cap, man.

SPEAKER_00 (01:14:33):
So let everybody know besides music, what you got
going on?

SPEAKER_01 (01:14:36):
Oh man, okay, yeah.
Hey, right now, I'm followingyour footsteps again.
I got my my store, my shop.
It's called Salah Houdin's.
For those who don't know, thatwas the uh the Turk that stopped
the night's Templar, you know,that that part of that history,
you know.
Uh that was just a name that wekept around because uh part of

(01:14:57):
my family, like my uncle that'sin business with me, you know,
like he helps run the shop andeverything like that.
He's Muslim.
So, like, you know, we just wejust keep things like that and
like try to keep a little bit ofculture in there for people.
Um, but we got like we got yourstandard things, man, like uh
clothes, African artifacts,oils, incense, um all the

(01:15:18):
Carolina everything gear, TKPand T gear that I get from Jones
Graphics.
All my merch that I get fromJones Graphics.
We put that in the store.
If y'all, if anybody ever wannaactually get the merchandise, um
it's a 108 East Main Street,Bennett'sville, South Carolina.
You know, um, don't have melying about the the area code.

(01:15:42):
Let me give y'all this areacode.
Butterot told me, like, hey man,make sure you get them the right
address.
Yeah, yeah.
I got it right here, Butterrop.
Yeah.

SPEAKER_00 (01:15:49):
He's gonna give y'all the uh zip code, the
address in the code.

SPEAKER_01 (01:15:51):
Zip code.
I gotta give you the zip code.

SPEAKER_00 (01:15:54):
In the phone number.
In the phone number.
And make sure if y'all in theSouth Carolina area, y'all go
check out the shop.
Yeah, it's a nice shop, y'all.

SPEAKER_01 (01:16:00):
Please do.
Yeah, and the zip code, like Isaid, 108 East Main Street,
Bennett'sville, South Carolina,29512.
That's where the shop islocated.
And that store phone number foranybody that just wanna call and
see if we're in there and comeand shop.
Let's see.

(01:16:25):
Store phone number is854-544-1141.
So that was 854-544-1141.
And y'all can just like, youknow, follow me anywhere,
TCAT100 on all social media, DMme, and I can just send you the

(01:16:49):
number, send you the address,whatever, or just reach
ButterRock.
Butter Rock got everything, man,man.
Butterrock locked locked all theway in.
Like, like, for real.
So, like, yeah, man, that's whatI got, man.
I got the shop.
Um, let's see, you know, alwaysworking a nine to five.
That's one thing I will tellartists, man.
If you do want to do music, man,get you a job.

(01:17:09):
Get you a regular paying job,get you something uh stationary.
You always gotta have foundationand be stable.
And then once you do that,you'll be able to support or
help the person that's trying tohelp you.
Because if you can't help theperson that's trying to uh help
you, you might burn out thatresource, you might burn out
their funds, and y'all mighthave been able to get somewhere,

(01:17:30):
you know what I mean?
So, like with my nephew, uh LTup to speed, man, like he went
back and got a trade.
So now he's finishing that tradeout.
He just got us, he's certifiedin HVAC.
So, like, he's about to gofinish that and start working
that job, man.
He's gonna be able to find hisown career and help me find his
career.
So we're gonna hit back real,real hard 2026 mixtape with DJ

(01:17:52):
Butter Rock, AR is most wanted,you know.
So we're about to hit real hard2026.
Amani Simone, that's anotherartist me and Levi got going on
right now.
She got a uh tape out uh Lustand Lessons.
If y'all haven't heard that, RBdope RB artist.
I mean, can really sing, sing.

SPEAKER_00 (01:18:11):
Yeah, she can sing, she's good.

SPEAKER_01 (01:18:13):
She church, not church, she in church every
week.
Now, yeah, she's still singing.

SPEAKER_00 (01:18:18):
So um did Levi get on here and he didn't get a
chance to get on.

SPEAKER_01 (01:18:21):
I know he was in uh rehearsal, he was in rehearsal.
They told me as soon as we getoff rehearsal, he's gonna jump
in here, but tell him to get up.

SPEAKER_00 (01:18:33):
Yeah, another thing.

SPEAKER_01 (01:18:34):
Um course is butter rock.
Okay, man.
Say something in the chat then.
Got people texting, saysomething in the chat, you know.
Who that who's that?
Man, my my one of my homegirls,man.
She said talking about a courseis butter rock.
I was like, Yeah, who else I'mgonna do this with?
Well, you know, it's bought abutter rock.
Well, yeah, we you know, sheknows she remembers being on the

(01:18:58):
phone with you all the time,man.

SPEAKER_00 (01:18:59):
Unless she was unless she did you was with
another DJ, yeah, but that ain'tgonna happen, man.

SPEAKER_01 (01:19:04):
I can't do that, bro.
I done that's the whole thing.
Like I said, I was with ToddSway.
He was with the radio station.
That's who I first linked upwith.
Man, I'm been around so manydifferent people, man.
Shout out to uh DJ Um Daddy Dre,man.
Sean Sean Andre, man.
DJ Daddy Dre.
Um, that brother, he just gotback on his health and stuff

(01:19:24):
like that.
But yeah, but but besides you,bro, like that was the only DJ
that really really showed love.
Like genuine love, wasn't reallytaxing, like taxing, like, hey
nah, bro.
Let me go ahead and spin it.
Like, he spent gossip around thesame time you spent it.
Uh Castle King Castle, my bigbro.
That's who introduced me to himand had me um on a run with him

(01:19:46):
for a little bit.
So, yeah, bro.

SPEAKER_00 (01:19:49):
Let's get let's get into some of your hits.
I don't want to end theinterview while doing this
because it's about you.

SPEAKER_02 (01:19:56):
Yeah.

SPEAKER_00 (01:19:57):
So name all your all your top songs, your features,
the producers.
I don't know if you wrote itdown, but go down and listen.

SPEAKER_01 (01:20:07):
It's easy, it's easy, man.
Uh, we'll start with gossip,man.
That's my guy on T Mike.
I'm just gonna run down the oneswith T Mike.
T Mike, he produced uh Gossip.
He's out there in Minnesota too.
Um, he produced um that one TCat 100 I just did and the
remix.
It's the same B.
I use the remix um with LT up tospeed.

(01:20:28):
So those are all his joints.
Um, of course, I got um dangman.
I'm trying to think like uh aproducer's I got one, man.
I take flight that I justdropped uh this year.
That's with Levi.
Like my my business partner, youknow what I'm saying?
Leva, I'll be like heat by Levi.

(01:20:49):
You know, he uh finally got meone on the mixtape, you know,
the mixtape, the piracy mixtapewith me and DJ Butter Rock.
You know what it is, that'sprobably gonna be that 2026.
Another one, you know, we'regonna drop that.
And yeah, yeah, that's that'sgonna be heavy, man.
That's gonna be real heavy.
It's finally we've been workingon this since 2014, man.
Butter rock long term.
Hey, look, we dunnook songs offtrash songs.

(01:21:12):
We done like, hold on, let'ssee.
They probably oh no, I don'thave it on this on this banner
right here, but you got on yourbanner, yeah.
You did the album cover for meand everything.
So, um so um other producers,man.
Oh, uh that crazy the uh fingerdrummer, the dude dude that meet
meal uh shouted out.
That's the song that me andGrizz got talked about.

(01:21:34):
He produced that, you know.
I mean, like uh yeah, heproduced that.
We had a video too.
Dude lost the footed, bro.
Oh man, damn, god damn bro.
The only listen, the only videoI had Porsche in too, bro.
Damn, the only one, bro.
And guess who you know?
The songs with Grizz.
That would have been the onlyvideo with me and Grizz, bro.

(01:21:55):
So that's crazy.
People do shit like right then.
I was heated.
Don't get me wrong, I was heatedin the moment, but then looking
back, bro.
I was like, bro, you don'trealize what the fuck you lost,
bro.
You lost I could never get back,bro.
Like, never, it's impossible,you know what I'm saying?
Well, he lost it, bro.
Like, he didn't say the sameshit King did.
You remember the dude from thefood from going on going on, you

(01:22:20):
know what I'm saying?
Her um celebration of life andshit, man.
Like, yeah, I remember Iremember, bro.
It'd be some weird stuff thatyou know.

SPEAKER_00 (01:22:28):
Uh I I I really think people do that shit on
purpose.

SPEAKER_01 (01:22:31):
Oh no, bro.

SPEAKER_00 (01:22:32):
And and like like the the you know, you you know
why you know why I think thatbecause it should be happening
to me.

SPEAKER_01 (01:22:40):
It'd be happening to you too, but I'll be looking up
the sound and shit.
Yeah, bro, it'd be it'd be it'dbe the devil in people, bro.
I had to I had to start to lookat it from a spiritual aspect
because I was like, dang, bro,like because if I if I don't and
I look in and I take and I letmy ego get into it, bro, like,
yeah, bro, ain't no telling,bro.
You know, we'd be yeah, it'll goleft.
It'll go left.

SPEAKER_00 (01:23:01):
I'm I'm I'm glad I'm glad you think quicker than me,
because I tell you, I'll beafraid to pop off.

SPEAKER_01 (01:23:06):
I didn't see you.

SPEAKER_00 (01:23:07):
Now I got older.
I I I'm like it and and got moreshit to lose.
I like it ain't fucking worthit.

SPEAKER_01 (01:23:14):
Plus, plus you tapped in too, though, bro.
You you tapped in on somespiritual stuff, bro.
You always, you know what I'msaying?
You got that discernment in iton you too, man.
Anoint anointing on you too.
Like, just like us, bro.
Once you live to get a certainage, bro, like you you you get
closer to God, you know what I'msaying?
Like, you if you don't, I don'tknow what to tell you.
Like, something wrong with you.

(01:23:36):
There's something wrong withyou, man.

SPEAKER_00 (01:23:38):
Don't forget, I want to say this because I my PR to
say, don't forget, go hard, butwhy why leave?
Who oh shit, bro.

SPEAKER_01 (01:23:45):
Like, yeah, yeah, yeah, yeah.
Let's let's go, man.
Yeah, yeah, yeah.
Hold on, bro.
Let's go back.
So I said T Mike.
So uh T Mike, he produced DrumRoll.
Yep, that's another one heproduced.
He produced drum roll, my dudehype, um, hype sound.
He produced uh Smurda Dance.

(01:24:06):
Now, drum roll and uh Smur toDance, two features with
Punkerfoot.

SPEAKER_00 (01:24:12):
Exactly.

SPEAKER_01 (01:24:12):
Those are my two features, my two features with
Punkerfoot.
But I have to say, the bestfeature I got with Punkerfoot to
this day, like this kid, likethe girl that was like a course
as butter rock, her son.
I got videos of him dancing toGohar.
Yep, love go hard.
Like this kid can sing Go Hardright now.

(01:24:33):
You know, part of my verse, partof Punkinfoot um um verse, and
that was produced by Wahib, man.
Um that was uh yeah, shout outto Wahib, man.
That's that's my big bro, too,man.
Like, you know, you know, thingshappen, and and like that's
still big, bro.

SPEAKER_00 (01:24:48):
Man, shout out to Wahib.

SPEAKER_01 (01:24:51):
Shout out to Wahhee.

SPEAKER_00 (01:24:53):
And if y'all, when y'all get off this interview,
why don't you go to YouTube andtype in TCap gohart featuring
punk and put you see the video?
The video is dope.
The video was awesome.

SPEAKER_01 (01:25:03):
Oh my goodness, bro.
And we had so much fun, bro.
We bro, we you know, stayed inthe uh what we stayed in the
hotel the night before, yeah,chilled, kicked it.
Come we checked out the venue.
Next day we just went to thevenue, shot it, man, at the
hookah lounge, man.
Got bought bottles.
Oh yeah, man.

SPEAKER_00 (01:25:21):
What was the name?
That place still open.
What was the name of that?
It's still up in the club 9.

SPEAKER_01 (01:25:25):
Cloud Nine, right there in um Alphareta Bridge,
down Hokan Bridge, right outsideAlpharetta, like right in
Roswell.

SPEAKER_00 (01:25:33):
Okay, that's it's still it's still open.
That's just still open.

SPEAKER_01 (01:25:36):
Yeah, yeah.
My guy Jesse, man.
My guy Jesse, he was trying torap, man.
He was trying to rap a littlebit, yeah.
But uh, yeah, Jesse.
But yeah, man, shout out to uhDRS studios, man.
Why he, you know, uh the wholeDama Hum old school squad, King
Castle.
That's what I was talking about.
That introduced me to uh DaddyDre.
But yeah, Gohar, man.

(01:25:56):
We but we about to do somethingelse with Gohar, man.
We'll do something with it, man.
So yeah, me and Punk Foot gotone on the way though.
Money Mountain.
I sent it to us.
You write into it right now.
She's right into it right now.
Look, 2026.
That's we're trying to top Goharwith that one.

SPEAKER_00 (01:26:12):
That that that that's gonna be Gohar.
2026 is gonna be a big year forCaroline.
Everything is CX1 DJs.
Now, before I before I get youout of here, TCap, please tell,
look in the camera, tell yourfans, your new fans, your
supporters, where they need tofind you at.
How can they look up your music,what platforms is on, and how

(01:26:34):
can they reach out to you?

SPEAKER_01 (01:26:36):
Oh man, like all social media is TCAP100, T C A
P, and the number 100.
You'll find me all on socialmedia that way.
But if you want to look up anyof my music, just go to Carolina
Everything on any like Spotify,Apple Music, anywhere, title.
I don't care where you go, youtype in that Carolina

(01:26:58):
Everything.
Because I just start putting itin as a more of like the label
structure now.
Because I'm just gonna bedropping.
So, like, yeah, it's just uhyeah, Carolina Everything.
Y'all can find all my music.
Y'all want to hear stuff?
I redropped that album, um, thequota.
That's the album back from itwas remastered.
I'll drop that back in 2010, sothat's back on there.

(01:27:20):
Um, gossip's back on there.
You know, me and Butterrockjoint.
That's me and Butter Rock'ssong, man.
We went in with that song.
You hear me?
Yeah, I wish I wish I could playmusic on YouTube.

SPEAKER_00 (01:27:30):
Oh no, no, no, no, look.
Go look it up, man.
You know, hold on, but hold on.
Before we get, because we gottaget out of here at uh at a at
9:30.
We got 10 minutes left, T Cap.

SPEAKER_02 (01:27:39):
Yeah.

SPEAKER_00 (01:27:40):
I want you to spit some shit.
I want you to spit some shit.
Whatever you want to spit, spitsome shit.

SPEAKER_01 (01:27:46):
Okay.
You want you Oh man, like let'ssee, let's see the vibe.

SPEAKER_00 (01:27:52):
Whatever you whatever you want to do.
Acapella, acapella ho.

SPEAKER_01 (01:27:56):
Hey, hold you back.
Yeah, they just want to hold youback.
Once you progress, yes, theyjust want to owe you back.
Fascinated as long as youstagnated.
They just want to see you stuckin the mud.
You're aggravated.
Once they catch you wounded,they were just agitated.
Misery really love company.
Yeah, I'm sad to say it.
That's why I do nothing but hangwith go-getters.
And I know to still show lovethe those hitters.

(01:28:18):
But you won't see me hangingaround with broke figures.
You don't see butterflieshanging around with
caterpillars.
No.
For real, bruh.
The game is messed up.
That's why you gotta always tryto show.
Ah, yeah, yeah.
I can't I can't do too much.
Right, look, look, bro.
Look over the camera, bro.
I got some stuff, man.
I got some stuff, man.
It's been a minute.
It's been a minute, man.
Hold on, hold on, hold on.
I might I might have one.

SPEAKER_00 (01:28:37):
You got you got 10 minutes, OG.

SPEAKER_01 (01:28:39):
I got 10 minutes.
Hold on, hold on.
Let me get in my bag.
Because I see people do this allthe time.
You put me on the spot.
I wasn't prepared for you.
Hey, I'm telling you, but I'm areal I'm a real MC.
Let me get back in the MC bag.
Let's see.
Um all right.
I'm gonna get in some hard shit,man.
Yeah, hey, guess who's Bizat?
Yeah, I'm still stacking thedough.

(01:28:59):
If I wear off black, you mightsee cracking my clothes.
I gotta gotta get a better waywhen I'm back in the snow.
Puss I just upgraded, so I'mstrapped with those.
Anytime that I want, I can letpackages go.
People like DM Cap, I ain't knowwho's trapping folk.
I'm like, what the hell youthink that the rapping's full?
The traps for sure, but the rapson the low.
And if you try to block mygrind, I'll slap you though.
You try to stop my shine, I'llclap you though.

(01:29:21):
You think not I let your brainstake that up with the flow?
Whatever I'm making rap, I makeit back with blow.
Now let's go.
That's some old trap shit rightthere, bro.
Hey man, I'm like going.
What we got?
How much time, bro?
You know how you see we got wegot eight minutes.

SPEAKER_00 (01:29:36):
Come on, cut.

SPEAKER_01 (01:29:37):
I got my mind made up.
Come on, you can get it.
Whatever they want, bro.
Yeah, you know I'm with it.
Can't knock me off my pivot.
I just keep draining them.
They can keep bringing them.
I'ma keep banging them.
I'm like Kobe and LeBron James,man.
A hell of a fusion.
They want me to tell them themovement, but it won't be
televised.
Hella guys end up killed orparalyzed if we let these
propellers fly.

(01:29:57):
Talking about choppers, busrounds proper.
Tone out your home loud, bro.
Yeah, you know I got you.
Even then, me and Rich still hadthe streets locked up.
Just T Cap entertainment, and weknow the beach you block up.
This is a takeover.
Don't make it hostile.
Overpower my squad is somethingyou would not do.
I don't care how gassed up thatbroad got you.
The odds are impossible.
You better think logical.

(01:30:17):
Like, bro, I got man, I got barsfor day, bro.
I just ain't did it in a minute.

SPEAKER_00 (01:30:21):
But I just fit it.
That Astro DJ, that's that'sthat's my job to get it out of
here.

SPEAKER_01 (01:30:26):
You get it out of me.
All right, all right.
One for the ladies, man.
We got a couple ladies on thelast one, last one.
That's all y'all get it.
Let me keep it basic.
I love the way you shake it.
I'm having thoughts of you beingnaked.
I can't fake it or even hide it.
And once I get inside it, you'regonna wanna switch and just ride
it.
I have my control on you with mesweating, be hard to hold on to.
Plus, with the motion movinglike the waves in the ocean,

(01:30:47):
stroking smooth like lotion.
I have you stroking, can't turnback.
Sex is a game.
Once you learn that, learn howto play it, not just say it.
You'll be more unbelievable tolay with.
And I say this because I likeyour style, I like your smile,
and how you act innocent like achild, but on the lower freaking
wild.
Teach me how I can reach younow.
And I promise I won't treat youfoul.
I know it's gonna take a whilefor you to trust me, but just

(01:31:09):
because the relationship's beendusty, don't mean I'll have you
out here trying to trust me, yousee.
So, like, man, yeah, yeah.
No, I have you out here tryingto bust me.
I've been on a little cup, man.
I don't know.
You seen this cup.
I don't usually do that.
That's why I said I wasn't onthe yeah, yeah, yeah, yeah.

SPEAKER_00 (01:31:24):
Hey, hey, you got you gotta kick a piece of my
shit.
Gossip.

SPEAKER_01 (01:31:29):
Which one?
Gossip.
Yeah, I knew you would answerfor that.
That's why I did everything withgossip.
All right, let's see if I stilltalk about nothing.

SPEAKER_00 (01:31:36):
Y'all gang, don't know my game.

SPEAKER_01 (01:31:39):
Who said I ain't bussing?
That's how I know y'all lane.
So miss me with all them games.
Who said I ain't bussing?
See, that's how I know y'alllane.
Get all the fussing.
See, I only remember that.
Uh-uh.
End of discussion.
See, y'all ain't talking aboutnothing.

(01:32:00):
So miss me with all them games,who said I ain't busting?
See, that's how I know y'alllane.
I ain't with the fussin'.
I be like, forget the fame.
End of discussion.
See these rap guys rap lies onthe truth in the booth.
Better get baptized.
See, most I see a man, it was sofast too, bro.
Like that joint, bro.

(01:32:20):
I gotta get back in my bag to dothat.
Rap guys, rap lies on the truthin the booth.
So don't get baptized.
See how these guys have thetime.
Man, that was too much, bro.
That was too much.
Go look it up, bro.
Go look like look, y'all go lookit up in the chat, bro.

SPEAKER_00 (01:32:34):
I'm trying, I'm trying, I'm trying to do it now.
I'm uh I saw my people onYouTube, they be playing on
their phone and don't be messingup.
Hold on, let me try to see if Igo.

SPEAKER_01 (01:32:42):
That shit was fast, bro.
And I got the win, but like, yo,yeah, it was it was I I put you
on the spot.

SPEAKER_00 (01:32:48):
I I gotta do that.
I'm gonna do that.
I'm gonna do it every rapid thatcome on here.

SPEAKER_01 (01:32:51):
I see that now, bro.
You could have told me like wedon't know the whole time.
You be like, Hey bro, now youspit gossip.
I mean, yeah, yeah.

SPEAKER_00 (01:32:59):
I ain't performing how long?
Like, yeah, you but you TCap,you're a real artist, though,
bro.

SPEAKER_01 (01:33:04):
Yeah, I'm a real artist, bro.
I get it.
I get it.
Look, we're gonna we're gonnarevisit.
We're gonna revisit this thefirst time, and I'm gonna spit
it.
I'm gonna spit gossip all theway through.
I gotta practice butter.
He that's how that's why he wasmy manager, my DJ, because you
see how he threw me on the spot.
Like, bro, yeah, you gotta yougotta do what you do, bro.
Yeah, man.

SPEAKER_00 (01:33:23):
T Cap, I love you, brother.

SPEAKER_01 (01:33:24):
Love you too, bro.

SPEAKER_00 (01:33:25):
And it don't matter, but that oh, that's old as hell.
That song is old, but you kickthat real shit.
You kick the new shit.
Oh, yeah, yeah, yeah.
And that new stuff you kick, Ilike it, man.
Yeah, brother.
Look, look, I like it.

SPEAKER_01 (01:33:38):
This is gonna be real nice, man.
It's gonna be real good for him,man.

SPEAKER_00 (01:33:41):
Yeah, so so I want to thank T Cap, Caroline
Everything, LLC, T Cap 100, TCap ENT, and my brother T Cap
for coming on the CX1 DJs.
This is part one, episode one,episode one of T Cap.
We got another, we got anotherinterview we're gonna be doing

(01:34:01):
with him in 2026.
And hopefully we'll be in thestudio together.

SPEAKER_03 (01:34:06):
Oh, yeah.

SPEAKER_00 (01:34:07):
And and um and um I love this brother right here.
Y'all go look up all his musicor all digital platforms, look
up gossip, look up go hard.
I want y'all to go download it,support the brother right here.
Support him.
And one time before I get youout of here, because you know
I'm a real dude, I want you toshout out your store, because

(01:34:31):
the brother owns his own store,closing store.
Tell a little bit, because yougot you got you got a couple
more minutes.
Tell him what you selling inbesides clothes, what else you
selling in there?

SPEAKER_01 (01:34:40):
Man, we got the oils, the incense, we got
candles, we got real Africangarments, real African garments.
Um, books.
We we have books, um, it'salmost like we even got the like
the thrift shop uh vibe to it.
Like some stuff, like you know,things that's not used, but
people like, ah man, I just wantto sell this, and like, hey man,

(01:35:03):
we'll give you this for it, youknow.
Like, we'll give you this forit.
Like, boom, we'll sell it, man.
Your phone cases, your covers.

SPEAKER_00 (01:35:09):
Oh shit.
You got incense, you gotincense, right?

SPEAKER_01 (01:35:12):
Oh, we got instance, you know.
We got yeah, we got the crazyincense.
Yeah, we got it.

SPEAKER_00 (01:35:15):
You got you got you got the koofies and and and
stuff like that.

SPEAKER_01 (01:35:19):
All right, you know what I'msaying?
Hobs, we could definitely gotthe jobs, everything, you know
what I'm saying.
For for the Muslim people outthere, um anybody that you know
practices.
Um and um, nah, man, we got alot, man.
We got a lot, man.
I'm trying to get like Jonesgraphic, man.
I'm trying to get like JonesGraphic.
We got all the like I said, wegot all the merch, Carolina

(01:35:39):
Everything shirts, yeah.
From Jones Graphic, it's in theshop.
It's in the shop.
We're gonna have the the hats,um work out something with Jones
graph.
I'm gonna get some of theirapparel in there.

SPEAKER_00 (01:35:52):
Yep, yeah.

SPEAKER_01 (01:35:52):
We're gonna have everything that'll just be the
local spot where y'all can getit when you're not in in there,
like when you coming that way inSouth Carolina.
So, like, we got a lot ofthings.
We got the fans for that 803,because we're right there in
South Carolina.
They be like, where them fansat?
We got the fans too.

SPEAKER_00 (01:36:06):
So so real real quick, we we we got one minute
left, and we're gonna do this inthis one minute.
CX1 DJs, we do these differentpodcasts.
Hey, TCAP, give them the addressone more time to that your store
so they can.

SPEAKER_01 (01:36:20):
It is you read it up the page.
Oh, yeah.

SPEAKER_00 (01:36:24):
They can't see that.

SPEAKER_01 (01:36:25):
I can't see that.
Hey, 108 East Main Street,Bennett'sville, South Carolina,
29512.

SPEAKER_00 (01:36:34):
Y'all heard it.
Uh if you want to call a store,what's the number?
What's the number, baby?
What's the number?
Come on, we we're trying to putwe're gonna put we're gonna
promote the video.

SPEAKER_01 (01:36:45):
You plug it.
You plug it in.
Yo, bro.
Hey, 854-544-1141.
So 854-544-1141.
That is the number to SalahHoudines, Bennett's Vill South
Carolina.
Pull up on us, come shop,brother.

(01:37:07):
Thank you, Butter Rock, man.
Always, man, it's always goodwhen we get together.
You know, we'll we're gonna chopit up later anyway.
We chop it up every day.
Hey, man, I appreciate you.

SPEAKER_00 (01:37:17):
I appreciate you holding it.

SPEAKER_01 (01:37:21):
Entertainment, you know what I'm saying?
Punk and foot, love your littlesis.
Hey, you know what I'm saying?
Julia Simmons, man, my man, thewhole team, you know what I'm
saying?
Everybody at CX1 DJs that's gotmy brother right, man, and
getting him and helping supporthim so he can help the little
guys, you know what I mean?
Hey man, salute to everybody,man.
Salute to everybody that was inthe chat, man.

(01:37:43):
It's the captain.

SPEAKER_00 (01:37:44):
And make sure y'all follow the like and follow and
like and subscribe.
And T Cap, I love you.
We signing off CX1 DJs.
We do different differentpodcasts and tune in.
God bless.
See you later.

All Episodes

Episode Transcript

Popular Podcasts

Hey Jonas!

Crime Junkie

Betrayal Weekly

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;} Cx1DJs We Do Things Different Podcast "Untold Stories of Ice Cube" hosted by DJButterrock

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}Hey Jonas!

Crime Junkie

Betrayal Weekly

All Episodes

Cx1DJs We Do Things Different Podcast "Untold Stories of Ice Cube" hosted by DJButterrock

Hey Jonas!