Cx1DJs We Do Things Different Podcast "Untold Stories o f Mack 10 hosted by DJButterrock

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 Cx1DJs We Do Things Different Podcast "Untold Stories of Mack 10 " hosted by DJButterrock
Mack 10 made his first appearance on Ice Cube's Bootlegs & B-Sides compilation on the track "What Can I Do? (Remix)".

His debut album Mack 10 was released in 1995 by Priority Records[2] and was certified Gold by the RIAA. The album included the hit single, "Foe Life," which peaked at number 33 on the Billboard 200.[2] His next release Based On A True Story (1997) also reached Gold certification.

On October 6, 1998, Mack 10 released his third studio album, The Recipe. The album debuted at number 15 on the Billboard 200 and went on to be certified Gold.

Rolison appeared with WC and Ice Cube in the 1996 all-star side project Westside Connection, and formed his own production company, Mack One-O,[2] which signed the acts Allfrumtha I and The Comrads. He also signed Glasses Malone to his Hoo-Bangin Records imprint through Cash Money Records.

His most recent album, 2009's Soft White was released by Hoo-Bangin' Records and Fontana Distribution. The first single was "Big Balla" featuring Birdman and Glasses Malone.

Feuds
Mack 10 was involved in several feuds. His critically acclaimed self-titled album included the song "Westside Slaughterhouse" featuring the rapper Ice Cube, which was a diss in response to the song "I Used to Love H.E.R." by Common. In 1996, as a member of the rap supergroup Westside Connection, he was featured in the song "King of the Hill" - a diss song directed at the rap group Cypress Hill.

Personal life
Rolison married Tionne "T-Boz" Watkins, from R&B trio TLC during August 2000. In October 2000, their daughter, Chase Anela Rolison, was born.[3] They separated in 2004.[4]

Discography
Main article: Mack 10 discography
Studio albums

Mack 10 (1995)
Based on a True Story (1997)
The Recipe (1998)
The Paper Route (2000)
Bang or Ball (2001)
Ghetto, Gutter & Gangsta (2003)
Hustla's Handbook (2005)
Soft White (2009)
Collaborative albums

Bow Down (with Westside Connection) (1996)
Da Hood (with Da Hood) (2002)
Terrorist Threats (with Westside Connection) (2003)
Money Music (with Glasses Malone) (2010)

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Episode Transcript

SPEAKER_08 (00:00):
We do things different podcasts.
The DJ Butter Rock SpecialEdition.
Shout out to everybody checkingin.
Shout to Julia Simmons.
Yeah, shout to Julia Simmons.
She uh let me see something realquick, y'all.
Appreciate Julia Simmonschecking in tonight.

(00:20):
Let me see something.
I can't do that right there.
See something.
Shout out to everybody'schecking in on a check in.
And um we had a good showtonight.

(00:42):
We got the king of Atlanta.
King.
Nah, this guy is the shit, man.
T.I.
T.I.
is the shit tonight.
We got T.I.
in here.
And uh shout out to Lil Wandy atWilson checking in.
And appreciate all you do andall your wishes.
We got a bad shoulder.
We got well, we have some badnews.
My dog Bucky passed away today.

(01:03):
And uh I was telling DJ Money,he said he ain't no dog got
cancer.
Money take a little break andand Google dog animal cancer.
Dog got cancer, high bloodpressure, diabetes, just like
human beings.
So he said he never know dogscan have cancer.
Oh yes, they got cancer.
So uh RP to my dog Bucky.

(01:24):
The you know, I got the best betin the in the city, and they um
they advised us we had to pinhim down.
So that's that that's very sadnews.
I cried.
You never seen a man die tillyou see a man cry on some scar
face shit.
Bucky is like my family.
That's like that is like my uhbaby.

(01:45):
Hey, how y'all doing?
Bucky was is like a was like achild to me.
So when he passed away, it'slike I lost a kid.
So I'm I'm not in the best mood,but life goes on in Bucky in Dog
World, he was like, but he waslike DJ Butter Rocky got a whole
bunch of fucking haters.
So I will bite him, but I'msick.

(02:05):
He was a pit bull, so yeah, hewould have he would have chewed
your ass up.
Oh, you bitch ass niggas.
But now he's passed, he's in dogheaven.
And uh we're gonna we're gonnadedicate this show to Bucky.
How the fuck?
I know niggas hate hard.
How the fuck are you dedicatinga show to a dog?
Because dogs are so loyal.
They more loyal than them thanyou bitch niggas, all right?

(02:27):
My dog Bucky, even though he goton my nerves, he was shitting on
floors, pissing on marble, anddoing crazy shit.
That dog knew at the end of hislife that I had his back.
And my my my sister, Punkinfoot,everybody that that that took
helped take care of Bucky at hislast days.
Bucky nude knew that I had hisback.

(02:50):
And a lot of people think dogsain't like family.
Nigga, dogs is fucking family.
My all my kids, all themmotherfuckers that I raised was
brought up with this dog.
So I'm gonna I'm gonna I'm gonnapay homage like he was one of
the homeboys.
We're gonna we're gonnacelebrate Bucky every time I go
live.
You know why?
Because he's one of my kids.

(03:12):
But he was a dog.
And I'm sick of motherfuckersthinking a dog or a cat ain't
like family when you raise themlike family.
And it, you know, chance wasbrought up with Bucky.
Tiana, all my kids was broughtup with the dog.
So when a dog leaves, that is uhthat is something that is a uh

(03:33):
is very hard.
And for you dog lovers, and yourdog still living at the time,
and you think it's a jokebecause I lost my dog.
Your dog's gonna die eventually.
He's gonna get sick.
I'm telling all youmotherfuckers that be hating and
shit.
When your dog gets sick and youhave to take him to the vet, and
they gotta tell you ain'tnothing we could do.

(03:54):
And then you gotta p you gottasit there and and okay them to
pit them down.
I wanna see how the fuck youfeel about that.
See how happy you feel thinkit's a joke, it is no fucking
joke.
So when somebody tell you it'snothing they could do for your
dog, and you paying these peoplethousands of dollars to see the

(04:14):
dog, all right, I pay money formy vet.
I see what I do, I don't just goto the vet.
We don't just do that.
Because I have a friend thatshe's a veterinarian, and and
and once once my friend that's aveterinarian came and uh met up
with my people, and they said,Oh man, you gotta take them to
the the the vet.
So we took him to the hospitaland they uh they said it's

(04:36):
nothing they uh nothing theycould do.
So we had to pin them downtoday.
It would make today a fucked upday.
Today's chance, my grandson'sbirthday, so we had to pin him
down on chance birthday.
So I'm not in the mood for nofake, fake fuck shit today.
I ain't I ain't in the mood forno fuck shit.
You know, I'm gonna tell y'allsomething.
When you when people have a lotof goofy shit going on in their

(04:57):
life and a lot of hating anddoof du I say dumb shit.
Life is too short, man.
And a dog, a cat, a bird, ahamster, a turtle, I don't give
a fuck with it.
If you raise that thatindividual, animal, uh uh, uh,
whatever you want to call it,that was in your life, in your
kid's life for years, like 15 to20 years, 12 years, that's a

(05:22):
long time to think that's not aa loss in your family.
I got over a thousand picturesand videos of Bucky.
We're gonna do a Bucky tripper.
Not that we not tonight, butwe're gonna we're gonna be
paying homage to my dog, cuzwhen I when all the fake niggas
and bitches turned their back onme, I had my fucking dog.

(05:47):
I did.
When everybody was turning theirback on Butter Rock, I I went
home and I had my dog.
Yeah, so we're gonna we're gonnaplay a song because I'm getting
emotional.

SPEAKER_02 (06:02):
I'll be back.
Yeah, what's the deal, man?
This is your boy Saturday, livefrom the Bronx, New York City,
and I'm holding it down with mydude, DJ Butter Rock, man.
Y'all better stand up for him.

SPEAKER_15 (06:16):
DJ, DJ, DJ, DJ, butter rock.

SPEAKER_03 (06:21):
Saturday, pumpkin foot, the panty girl.
You gotta let them know, man.
Let them know that pussy good.
Do that chocolate bunny.

SPEAKER_07 (06:31):
Let's go.
I'm pumping foot the panty girl.
That's all some hustle shit.
Ain't no meat and pumpkinpuddle.
I got that good shit when I wantthe stick.
I know how to pin the lick withit.
Like a big dick.
Yes, I got the juicy foot myleft.

(06:52):
Like extra pussy, not just apussy.

SPEAKER_03 (07:34):
That's a good pussy, good pussy, not just a pussy,
girl, chop with that's a goodpussy.

SPEAKER_08 (11:50):
I lost I lost my best friend today.
So I'm gonna be turning thatcamera off and on.
I might get emotional.
Ain't nothing nobody can say.
If you lost an animal, you knowwhat I'm talking about.
I lost my dog Bucky.
And uh, what I'm not gonna do,I'm not gonna cry on.
Um, I'm gonna try not to.
But I turn the camera off.
I'm a human.

(12:12):
But uh, they say the show mustgo on, right?
It's very sad day because it'smy grandson's birthday, but I
told chance we're gonna stillcelebrate and still do what we
do.
It's hard to celebrate when thedog that was brought up with

(12:32):
your grandson is no longer here.
What the fuck is a celebration,right?
But we're gonna get to the TIuntold stories because this is a
celebration.
Buggy been sick, we knew he wassick.
But um, shout out to my my my myfamily that's taking care of my
my grandson, shout out to Punkof Foot, shout out to Felipe,

(12:56):
shout out to everybody inAtlanta that's you know that's
holding me down and shit.
Shout out to Bill Watson, hesaid, don't worry.
I got a baby German Shepherd.
We are delivering I don't wantno fucking dogs, man.
I'm I'm done.
He said, he got a baby GermanShepherd.
I don't, I don't, I'm, I can'tdo it.
I ain't gonna be able to do it.

(13:17):
So number one, taking care ofdog is, you know, I brought the
I brought the dog for my uhkids.
They they want to do kids shit,they want to take care of the
damn dog.
You know how that shit goesthen.
The dog is left on you, justlike having kids.
People can't these motherfuckersmake kids and they don't want to
take care of the kids, and thenthe aren't uncles or brothers

(13:39):
and sisters gotta do the job.
It's just just like having a dogthat a person wants a dog and
then they can't take care of thedog, and then his dog is left on
you.
That's what happened with Bucky.
I brought him for my uh kids.
And they got older, and theydidn't want to take the dog when
they moved the fuck out.
I'm like, this is your dog,motherfucker.

(14:00):
So um, you know, I had many adog since my day.
I don't think I ever cried whena dog died.
No, I didn't.
Because none of my dogs died.
We we had to give them away oror we had to sell them to
somebody that we, you know, orwe I gave them to somebody else
and they took care of them.
I don't none of my dogs, this ismy first dog that died since

(14:23):
I've been raising dogs forever,since um forever.
So this is my first dog thatdied on me.
So I I mean that shit hurts.
It's just like one of my homiesgetting killed.
But he didn't get killed.
Bucky died from cancer.
Terminal dog cancer that itwould have caused even if we
spend tens of thousands ofdollars for treatment, it'd be a

(14:45):
waste of money because he'sstill gonna eventually die.
Alright.
So let's get into let's get intothe show tonight.
And I let's let's talk aboutsome stuff that happened last
night.
So, because we gotta still talkabout the elephant that's in the
room here.
I want to clear up some things.

(15:07):
If anybody, I'm gonna say thisto me.
I'm gonna say this to everybodyout here.
If anybody, and I have I haveover the billion haters, okay?
If anybody think that they couldhitting the copyright things
when we play our music on ourYouTube when we join the NIR
show, I'm gonna tell yousomething, you're wasting your

(15:28):
fucking time.
I posted something on uh well, Iposted something in Troy
Wallace, because everybody, Idon't fucking follow everybody
on Facebook, so everybody ain'tgonna see that.
But Troy Wallace shared it whatI post on his page.
I'm a part of an organizationthat you niggas, some of you
motherfuckers don't understandthat it's not fake around here.
And we are part of anorganization of power.

(15:51):
So I'm gonna look at thisfucking camera.
You be wasting your time hatingon DJ Butterck.
When I decided to do the decidedto do this podcast shit, I know
I had to get all my ducks in arow on all the people that had
power to be a part of this withme.
It ain't just a Butterrockthing.
I went and got all the people,you believe it or not, that's in
power to make sure none of youhating bitch ass niggas or bitch

(16:15):
ass bitches could shut me downever.
I would never did this unless Iknow none of you pussy niggas or
bitches can shut me down.
So you wasting your time.
Because I'm gonna tell you howit went.
As soon as that live was shutdown because a hater was hating
on him on or talking aboutcopyright shit.
It wasn't done by Dev JamRecords.

(16:35):
It wasn't done by Neo people, itwas done by some pussy niggas,
all right?
Or bitches.
It could have been a male orfeel.
I don't give a fuck.
I just want to address youstupid motherfuckers now.
You cannot fade me.
You can't shut my shit down.
We immediately went back liveright after the shit shut down.
Because YouTube knew somebullshit and they gave me access
to a live again.
But unfortunately, well,fortunately for me, the shit was

(16:57):
over.
So they don't need me to do itover.
Actually, Skeletor fucked upanyway because he had the video
looping.
So you dumb hating motherfuckersshould have knew the video was
looping anyway when you washating on it.
Who did that?
I don't know.
It's uninvestival.
Oh, we're gonna find out whohates.
One thing I like about YouTube,they tell you what channel, they
tell you what Gmail address,they tell you what account
complained about your video.

(17:18):
You can't make a complaint ofcopyright nothing unless they
identify the person.
And I'm gonna tell you, when Ifind out who account that is,
I'm gonna get your shit takendown for false fucking copyright
strikes.
Like when you can act like it'sa copyright strike, and then I I
when we prove that we haverights to use shit, then YouTube
will take your fucking account.

(17:38):
But if you ain't doing shit withyour account anyway, it really
don't matter if they take yourbullshit ass account.
You hating ass, pussy assmotherfuckers.
I don't know if it was a nigga,a bitch, or a group of
motherfuckers.
Listen to me.
Suck my fucking dick.
I don't give a fuck.
You can't fade me, nigga,because the video is still up,
stupid motherfucker.
So how you gonna hurt me byhaving a group of motherfuckers

(17:58):
say I'm using music that wedon't have permission to use,
bitch, and we do got permission,you idiot.
Go back and look at the Neovideo is still up.
If I didn't have permission todo the shit, it would be taken
down, you dumb motherfuckers.
So let me get let me just breakthe ice with that shit right
now.
This my dog died, so I don'tgive a fuck about none of you
niggas.
So if you niggas watching onother accounts, or if you want

(18:21):
to niggas that's calledso-called my friends or family,
I don't know who the fuck didit.
I don't know.
Because if I knew I would sayyour name on your organization
right now.
I don't know.
I have so many haters.
It could have been anybody.
I don't know who the fuck didit.
I don't know.
But I know it was done.
And YouTube witnessed that itwasn't Def Jam Records, Def Jam
Records motherfucker owned thecopyrights to the music we was

(18:42):
playing in Neo.
So none of you puss ass niggasown the copyrights of it.
So you can't this what niggas,this is what niggas could do.
Someone paying copyright music,they could go to YouTube and
complain, oh, copyright strike,he's playing music that's don't
belong to him, you stupidmotherfuckers.
When we prove, I'm gonna saythis again, because you silly
bitches is wasting your time.

(19:02):
When we prove that we haverights to use the fucking music,
they take whatever block theyhad on, they take it off.
And it was I proved that shit.
My back office proved that shitin 20 seconds, and they allow us
to go live again.
But I like, I'm done.
The show is over.
And I'm being unfortunately,unfortunately, YouTube is run by

(19:29):
YouTube, Meta.
Hold on, y'all.
The system is run by AI.
So AI, when you somebodycomplain about it, they get a
couple complaints, AI are gonnareact to their complaint until
they find out it's somebullshit.
So you niggas could get that offfor a couple of minutes.
That's why I have PRs and I gotpeople like uh Julia Simmons and

(19:52):
I got people like fucking umChad from RHB.
I got people that work directlywith YouTube.
Oh, we're gonna find out.
Like we found out who was hatingon me on Instagram.
And we blocked every lastmotherfucker on Instagram and
Facebook.
We don't gotta say niggas'names.
I mean, it's obvious.
But I will say this.
I'm gonna say this in love.

(20:13):
I have niggas that say they myfriend hating on me.
I got people I know for yearshating on me.
I got other DJs, I got otherPRs, I got other records.
I understand.
I'm that comes with thebusiness.
I'm not even mad about that.
But I don't what I'm gonna tryand tell motherfuckers, don't
waste your time because shecan't fucking pay me.
This is a stream, you dumbmotherfuckers.

(20:33):
Whoever did it.
I don't know.
I ain't even my team gonnainvestigate that.
I don't give a fuck.
Because this is what I told Billand this morning.
Everybody was laughing in themeeting.
And I told uh I told Julia and Itold Wandia.
Nigga, my life my video is stillup.
The shit is still up.
Niggas cannot fade DJ Butterfly.

(20:57):
Only how only one motherfuckercould take my shit down, and
that's Dev Jam Records.
That's it.
And I fucks you sorry, broke assniggas don't fuck with Deb.
We fuck with the labels overhere.
We don't believe.
We don't give a fuck what youniggas believe.
And shout out to Grant Hustle,nigga.
We fuck with Grant Hustle aswell.
You see, we doing the T.I.
shit, and T.I.
is always outside on his socialmedia.

(21:19):
And T.I.
ain't shut the damn thing downwe doing tonight.
And shout out to Grand Hustle,shout out to T.I.
Shout out to T.I.
Tiny.
We respect you, King.
And thank you for allowing us togo on for it with this show
tonight.
I love T.I.
And TI is a real one.
Because he could say, no, wedon't want you to do.
I'm gonna tell you this shitwork.
Every artist has right to saythey don't want us to do the

(21:41):
shit on them.
I keep telling it to all youhate motherfuckers.
I say it on them.
I say it on the live.
I say it.
You can't shut greatness down.
God ain't gonna lie.
Listen to me.
When I decide I was gonna dothis, God I I pray to God.
Only person I I respect is God,right?
I pray to God ask him.
I already know I have the Thecapabilities of doing this

(22:02):
podcast shit.
But I said, God, give me thepatience and the strength to
understand a lot of shit comeswith this shit.
Because when people want you todo it, it could be a list of
motherfuckers that want you todo it.
And then you do and you succeed,and then ah damn, uh, nah, nah.
And you know what I'm saying?
Shit comes with that shit.

(22:22):
Hate, love, whatever the fuck.
I don't really give a fuck.
But I will say this.
I don't want you guys, it's alot of shit that you haters
could be doing.
You I want you to continue tohate on me.
That's why we ain't making shitprivate.
I want everybody to see theshit.
Hate, try to shut my shit down,try to give me copyright
strikes.
Nigga, check this out.

(22:42):
I'm gonna say this to you, dumbmotherfuckers.
We are not monetized.
We don't give a fuck aboutmonetation.
We got money.
We don't give a fuck about thatshit.
We ain't on here for a YouTubecheck.
We're on here for all around.
You know what an all-aroundcheck is?
Every platform pays me, baby.
I ain't just worried aboutYouTube, nigga.
We bench stop thinking aboutYouTube.
You niggas did too, because youdon't never invite more
motherfuckers on here, but y'allalso I feel I feel everybody

(23:05):
come every week.
They forgot they don't give afuck about views and nothing.
So they just get the, they justcome to watch.
I like that.
I respect that.
And I appreciate everybody thatcomes on here.
Everybody that come on here thatsupport me, I appreciate it.
But anybody but see, a lot ofpeople that come on here, some
of their people don't like me, Idon't like them.
And and and and a lot of pastpeople that that know me
personally know we doing thepodcast.

(23:26):
It could be a list.
People like you, you think itwas this one that went?
I don't personally give a fuckwho did it.
My dog died.
I don't give a fuck about whodid what or who did that shit
ain't gonna bring my dog back tolife.
You think I give a fuck aboutwho hated on my YouTube when we
was playing Neo music that wegot the proof of the approval to
play and the license to do?
Nigga, that's YouTube's faultbecause YouTube should check and

(23:48):
understand that we are official,bitch.
So I blame YouTube.
I don't blame the haters.
YouTube need to do a bettercheck when the pussy
motherfuckers is complainingabout some shit.
They should do a durable checkon who what channel is live,
what broadcast is live, whatstream is official, and what
stream ain't official.
We official, nigga.

(24:08):
I'ma promise you this on my mamagrave.
If I was not official, I wouldnot be doing this shit.
I don't want to have assnothing.
We're gonna do it all the way.
When you do it the right way,you can't be shut the fuck down
by no haters, by no copyrightstrike, by no platform when
you're doing it the right way.
I'm doing it in the beginning,not on here, but other shit I

(24:28):
did in my life in the musicindustry, I didn't do it the
right way.
I'm following this shit theright way, ladies and gentlemen.
And one thing I'm doing now,even if I'm working with a
record label, they gave me apermission, I don't put their
logos on my flyer.
I don't, I've been doing thatshit with Atlantic Records
already.
We're not going down that roadno more.
Niggas give you permission, thenthey get in trouble, then they
try to throw you to the fuckingwolves.

(24:50):
Shout out to Atlantic.
But we don't, we've been downthat bullshit with Atlantic
Records already.
And TR signed to AtlanticRecords.
And you oh, oh, oh, we got himon here.
You see, we got the untostories.
And guess what?
It ain't shut down.
Now, say we start playing thevideos and niggas start hating
and the shit gets shut down.
I'm gonna tell y'all something.

(25:11):
Only one we streaming on 13different platforms.
I only shared one platform toyou niggas.
So when a stream on YouTube getsshut down, my other streams
don't get shut down, niggas.
Only the motherfuckers thatwatch it on YouTube won't see
nothing.
My shit continue to go until theshow's over.
So please stop hating and you'renot you're not gonna stop the

(25:34):
motion.
The motion is gonna continue togo, nigga.
I just want to save you niggastime because you could be doing
something else with your fuckingtime.
DJ Butterck ain't going nowhere.
Longs guard give me breath, I'mhere.
And I'm gonna be a fucking painand all my haters ass.
And I mean that shit.
I got I got big niggas withmoney behind me, nigga.
I ain't this ain't just butter.

(25:55):
This is I have a team behindBill Watson, multimillionaire,
is pushing this shit.
Ain't nothing you broke niggas.
I don't know it was a nigga up.
Ain't no you broke people.
I don't want to say nigga, likeyou who you talking about.
Nigga, I'm talking about whoeverthey did that bullshit
yesterday.
Because somebody did it.
Because it wasn't done by DevJam.
All right, we we double, wedouble checked our Dev Jam and
Connect yesterday.
And so, oh no, that's some hatemotherfuckers that said you was

(26:19):
doing under uh copyright usingcopyright music.
Because anybody could do thatdumb shit.
I'm gonna I'm gonna stress thatbecause I was meant to I'm gonna
stress that and to 8 30.
You're wasting your time.
If they shut down the stream,listen to me.
If they shut down a stream onYouTube, whoop the fucking do.

(26:41):
We're still streaming, nigga.
You just can't see it, dumbmotherfucker.
I know niggas like, hey, no,yeah, yeah, we got him.
Yeah.
No, you dumb fuck.
We are still streaming, bitch.
Just not on YouTube.
You dumb motherfuckers.
We ain't over, nigga.
You just you just can't seeshit.
I just want to share thatbecause a lot of you niggas is

(27:01):
dumb.
Oh yeah, we we we accomplishedthat.
We set them down.
No, nigga.
We are still streaming.
Your dumb ass can't see it.
Your dumb asses can't see it.
The other platforms that wedon't tell you, you nigga,
nigga, you think I'm dumb,nigga.
You think I'm you think DJ, I'vebeen in this music industry
almost 30 years.
Y'all think I'm dumb?
You think I'm gonna tell y'alleverywhere I'm streaming at?
Huh?

(27:21):
Y'all really think I'm gonna dothat?
I'd say we're on 800 platformswe are.
And we are streaming on 16 ofthem 800.
YouTube is the place I justpromote publicly because YouTube
is the bigger platform than alot of the other ones.
But one thing I will say, I'mgonna get into the show tonight.

(27:44):
Once the stream is over, thevideo, if you like it or not,
goes to YouTube.
And there's no copyright strikeson my video.
You know why?
Because Butter Rock, CX1 DJs,coalition LLC, CX1 DJs, we do
things different podcasts LLCgot permission and got the

(28:05):
license to use the video andpictures.
Hope I mean that.
A bunning declared to any hatersthat's watching this shit on
other browsers, uh, whateveryou're watching it.
You're wasting your fuckingtime.
Only how I'm not gonna be onhere is God tard tell me I can't
do this no more.
And God told me, nigga, go kickass.

(28:28):
I woke up, I had bad news aboutmy dog.
I said, you know what, I'm gonnado this in the name of Bucky,
nigga.
My dog is dead, he ain't comingback now.
I'm doing this show in the nameof Bucky.

(28:49):
I'm gonna say this one thingbefore I get into it, because I
ain't gonna if I cry, I'm gonnaturn up the camera.
When everybody was hating on mein 2015, I got Bucky in 2015.
When I left the music conferencewhen I was doing all this shit
in Atlanta, I came home toBucky.
He licked my face, he tried tobite me a couple times, he's a
bit bull.

(29:10):
He barked at me.
But that damn dog loved me.
So I lost a friend today.
Some of you niggas is no nownowhere near loyal as a fucking
dog.
I wish I could find some realhuman beings loyal like Bucky.

(29:30):
You never seen a man cry tillyou see a dog die.
I don't think you niggas gotthat.
You never saw a man cry till yousaw his dog die.
His four-legged friend.
That's a pain right there.
Some pain in it, you know.
Some people really don't likeanimals, man.

(29:52):
Some people really don'tunderstand the pain of losing an
animal.
Uh it hurts when you when youraise that dog a cat like a damn
brother and sister or a kid.
Let's get into the sponsoredvideo for today.
I'm gonna go cry.

SPEAKER_07 (33:11):
I see I want to have a picture.
I see what you see.
I think that's fine, let's see.

SPEAKER_13 (33:20):
I mean, I'll just see my three, take the body,

(34:02):
take the feet, take this, takeyour body to the feet, and this
body to the feet.

unknown (34:17):
Shake your body to the feet, let's miss your feet.

SPEAKER_08 (34:21):
That was punk and put the panty girl, shake your
body.
You know, that's on all go aheadand buy that.
That's on all streamingplatforms.
Punk the panty girl, shake yourbody.
Yeah.
Yeah.
So we're gonna get to the untoldstories of TI.
Tip.
That's the man.
Let's let's get into it, man.
T T I when TI came out in theearly 2000s, his sound.

(34:49):
Let me get into it.
I got a lot of people from theGrand Hustle watching tonight.
Shout out to Atlanta Records.
Shout out to all my real niggasthat like T.
We got some shows that justgotta prove that some
heavyweight shows.
And I said, I said, Chad, we donot want to not let YouTube have

(35:10):
this when we when we when westart streaming on our new
platform.
He said, No, Butterock.
YouTube will have it after theshow's over.
We're gonna be streaming onanother membership platform.
So you niggas gonna have to payto see this shit.
Or you're gonna wait two orthree weeks later, like at
Breakfast Club and everybodyelse uploading shit.
You know, we're not gonna bethere rush to upload to YouTube

(35:32):
because YouTube is not gonna beour main platform in a couple of
weeks.
Shit, it might be this weekend.
Shit.
See if you niggas can shut thatdown.
But anyway, we don't.
I mean, anytime a motherfuckergonna shut some uh attempt, I
won't say attempt.
Attempt to try to fade me,nigga.

(35:54):
I'm like, nigga, you I can't befaded, nigga.
The fuck?
I'm gonna continue to say that.
All right, let me um, becausepeople been checking in.
I was in here crying and shit.
I had to turn the camera off.
I'm gonna shout out to my peoplebecause I I gotta I gotta shout
people out, man, because I'm areal nigga.
And and this is what I've beendoing since I started the
podcast.
Um, shout out to T Cap, Ms.
Caroline, everything, and Iappreciate that uh birthday,

(36:16):
birthday Wilson, and uhappreciate you uh giving me your
condolences about my dog.
Uh shout out to the president ofCX1 DJ's DJ Money.
Shout out to the vice president,DJ for real 800.
I appreciate all your kindwords.
Shout out to Julia Simmons onhere.
She said, I'm ready to block anymotherfucker.
I see, she said, anymotherfucker see to leave a
wrong comment.
We blocking ass.

(36:37):
Shout to Julia Simmons.
She in oh, she on thismotherfucker.
I said, after yesterday, yougotta be, you gotta, when you
see a you could tell by a niggaa motherfucker put something in
the comment what kind of shitthey on.
So block them motherfuckers.
I don't go on, I don't care ifit's my daddy, block his ass.
You can tell the energy of amotherfucker.
Shout out to Lawani Wilson anduh shout out to everybody.

(37:00):
If I ain't say your name, if youwon't hear, because I don't got
my reading glasses, and I bet Igotta put my glasses back on.
Cause my eyes is red fromcrying.
I'm not ashamed to cry, nigga.
Real man cry, nigga.
Nigga, you a bitch, nigga.
You crying, nigga.
Chin up, bitch.
No, nigga.
My dog died, motherfucker.
Chin up my ass, nigga.
I will never see that damn dogagain.

(37:21):
He will never piss on my marblefloor.
He will never shit in the rug.
He will never eat all thefucking chicken out of the damn
box.
He will never, you put the fooddown, he would never go in.
Let me stop and get started thisgoddamn show before I cry again
in this motherfucker.
RP to anybody that lost agoddamn dog, man.
Happy birthday to my grandsonchance.

(37:43):
So T.I., like I was saying,because I'm gonna get back and
so I'm gonna have to do a wholeshow by Bucky.
Not tonight.
But I want to give praise to mydog because he he he he he died
from doggy cancer.
And I want to say this before Iget to the T.I.
show dog, get your get yourtalk, your dog checked, go to
the vet.
Hey money, you got a dog.
Take your dog to the vet, takeyour cat to the vet, and get him

(38:05):
checked out.
Get his blood work done, get hisslots done, get his everything
done.
And I'll tell you, he got evenif there's shit coming.
He has some x-rays in his ass,his titties, and whatever the
fuck he got got going on.
The dog food is killing thesedogs.
Nigga, don't say that.
Make me shut up before.
Try right strike.

(38:25):
He's talking about dog food, allthat poor bitch shit, nigga.
You niggas are bitches.
I'm gonna tell you something Iknow about niggas.
Not niggas.
When I mean niggas, I'm talkingabout females and bitches.
And niggas.
Everybody on some bitch shitnow.
I mean, what the what happenedto freedom of speech?
What happened to mind yourmotherfucking business?

(38:47):
Anyway.
When people understand that weon YouTube just to stream, they
might stop hating.
We already knew a long time agoa lot of people that was trying
to, a postman helping us or uhtrying to get people to support
us.
It was half-assed support, andwe look at the numbers, it don't
be matching up.
If your numbers ain't adding up,and then I go the back numbers

(39:10):
and look at the um numbers onRoku is so much, and I know
other motherfuckers is watchingthat's not on here.
So we're like, all right, wedon't give a fuck about honesty
no more.
We don't care about gettingpaid.
We we're gonna be all right.
So now I want everybody tounderstand that's a you don't
gotta hate.
You can still hate.
Go ahead and hate, nigga.
Give me two bucks, give me twoweeks, give me a week.

(39:30):
We're gonna be on our otherplatform where you gotta pay.
I said$20 a month.
Bill's pissed off with the hateand shit.
Oh, another thing, we go chadfrom our media got some bad news
to tell you motherfuckers adultwe was gonna do some free shit.
Uh-uh.
That shit is canceled.
One bad apple fucked it up foreverybody.
That said$50 on Tuesday.
Nobody shit getting playedunless you got$50 goddamn

(39:51):
dollars.
So$50, it's better than payinggoddamn$200 damn dollars, nigga.
Or$150.
So$50, he's like, nope, it's$50.
Anybody want their song orvideo?
And it gotta be a video.
Don't send me no and money.
Uh when you when this is whatI'm saying to everybody's D
shout out to DJ Money, shout outto everybody.
If y'all sending anything to beplayed for free, we ain't doing

(40:12):
no more free shit.
That was that whoever did thatbullshit yesterday fucked up
everybody else.
And I don't know who did it.
Even if I didn't know, I won'tbe exposed to them on here.
I just this is what I do.
Cause I'm grown.
I I I'm gonna find out who thefuck did that shit yesterday.
But we're not gonna expose theirname.
I'm just gonna say, fuck them onthe back end.
That's all I you know.
We don't gotta fall out either.

(40:33):
We're just gonna be fucking youon the back end.
You know what fuck you on theback end is?
It's like I like you, but it'sreally fuck you.
That's how we're gonna do it forthe niggas that because I'm
always gonna find out.
I'm gonna tell you something.
Either YouTube don't tell me whodid it, God, G-O-D, gonna tell
me who did it.
I'm I have a real powerfulrelationship with God, and my

(40:53):
spiritual visor ain't no fuckingjoke.
My spiritual visor ain't nomotherfucking joke.
She never let me down ever.
Miss Gloria, that's a badspiritual visor.
You call it voodoo, you can callwhat the fuck you want to call
it.
She ain't let me down yet.
So I don't even YouTube don'ttell me.

(41:14):
Well, they're gonna tell me,because it's the law.
But before I start this T.I.
shit, I just want to say this.
It's not it's$50 on Tuesday.
That's that's$100 off if youwant your video played.
If not, fuck it, then we ain'tplaying this shit.
That's the goal for everybody.
And I got about 30 admissionsbecause I was promoting it in my
DMs, and I had to go back andtell them, nah.

(41:35):
I did it today.
I made sure I did it all daytoday.
But this is what I'm gonna do.
Because I'm a real nigga.
And while you keep saying you'rea real nigga, whoever send me
their music on Thursday, even ifyou was one of the people that
hated, I'm still gonna play onevideo on Tuesday.

(41:58):
I'm gonna pay whatever I like.
Because uh like six people sendme their videos.
Because I don't think it's fairif they had nothing to do with
the hating to not play theirshit.
So I'm gonna go ahead and stillplay those six videos.
Only on this Tuesday that'scoming up.
After that is$50 every Tuesday.
It won't never be played unlessyou pay$50.
But I'm gonna go ahead and playthe one video that I like.

(42:20):
I don't because niggas besending me like five videos.
The one I like, I'm gonna playit for free.
Because really it costs$50.
So all that free shit is fuckingfree.
Free is too free is too damnexpensive.
I don't think niggas appreciatefree anyway.
Niggas appreciate when they paymoney though.
Stop saying that.
I will.
People appreciate when they paymoney.

(42:41):
They do.
When it's free, they don't giveup.
They don't got no kind ofelegant or no kind of respect
when shit is free.
Why?
It's free.
And then people might think thatyou need them.
Uh, he need my content.
No, no, I don't nigga.
That's why I stoppedinterviewing fucking independent

(43:01):
artists, because number one,independent artists don't bring
no fucking body.
They don't got a fan base.
And if they do got a fan base,they don't want to turn it over
to another place because theythink we're gonna blow up the
man, nigga.
Negro please.
Like they said on white whitechicks, Negro please.
Well, I ain't gonna do, I ain'tgonna bring all that over there.
It's gonna blow him up.

(43:22):
Reality it'll blow everybody upand pray right.
I don't give a fuck.
Keep your niggas over there.
Cause a lot of these niggas,niggas is far project anyway.
Niggas haters.
I'm gonna be honest.
Let's talk about T.
T.I.
is one of the real.
I met T.I.
at Grand House's Studios acouple times.
He's a real one.
T.I.

(43:42):
one of them.
TI is one of the brothers.
He's one.
I'm gonna call him a king,because he is a king.
And I might see him thisweekend.
TI's one of the brothers.
He's a real dude.
You can't just come up and starttaking pictures on some paparice
shit.
He's gonna say, motherfucker,turn, put the damn camera down,
nigga.
He's a real one.
Tip is a real one.

(44:03):
You just can't walk up him andyou'll be all fanboy to a fan
bitch out and start while he'swith his wife and kids, or he's
out handling business.
You just break out a camera,nigga.
Like, nigga, come on.
He's a real one.
He like, man, let's talk, let'sjust conversate, and we go from
there.
You know, let's get to know eachother.
I don't even fucking know you.

(44:24):
You got a camera in my goddamnface.
And he'll tell you quickly, pitthat motherfucking camera down.
You know, be respectful.
Shout to T.I.
I like T.I.
T.I.
is one of the artists from theSouth that's on my top five.
I'm gonna say, I'm gonna tellyou why.
He got in the game way before,and I love Shorty Lowe.

(44:48):
I don't got nothing to say,nothing bad, but I know Shorty
Lowe's whole family.
But when he got in the game,people like Shorty Lowe and
other artists was actuallyrespecting T.I.
They respect his music, theyrespect his hustle.
Because T.I.
was in the game before peopleheard who T.
You know, and people say, well,Tiny put up the money.
It don't matter who the fuck putup the money.

(45:09):
When T.I.
started Grand Hustle and hestarted his other labels on top
of Grand Hustle, um, it itpretty much co-signed for a lot
of people.
TI pit on DJ drama.
He pit on a lot of DJs.
One, let's talk about what T.I.
did.
T.I.
untold stories, CX1 DJs, untoldstory of TIs.

(45:31):
He pit on Canon.
All the gangster grills camefrom people that know that.
Who the fuck you think pit onT.I.?
I mean, excuse me.
Who you fuck you did?
Not T.I.
Who the fuck you did pit DJdrama?
DJ drama was co-signed by T.I.
And by T.I.
co-signing DJ drama, drama brungon canon.

(45:56):
That whole grand hustle shit wasT.I., DJ drama, Canon.
That was Grand Hustle, nigga.
CX1 DJ is untold story of T.I.
You know I got the T, nigga.
Well, I got the real story.
I don't like saying T.
That's what the female say.

(46:16):
See, people don't respect TI wasa T.I.
always was in the streets.
People thinking that the crimestopping commercial, this, that,
they say he said snitch.
That nigga ain't no snitch.
When you got probation, becauseI had probation before, it's
shit in your probation that yougotta do because it's probation
or parole.

(46:38):
Some of you niggas never hadparole or privation, so you
don't know.
When they they tell you yougotta do XYZ or you be in
violation.
So a lot of shit T.I.
did with the crime stoppercommercial, that's in his, that
was in his parole.
And it's probation.
You think that nigga wanted tomake a crime stop?
Would you rather do?
Make a crime stopper commercialor stay in jail another fucking

(47:01):
10 or 15 years?
Nigga, give me all the goddamncrime stopper commercials.
I'ma do it, nigga.
And I stand by T.I.
on that one.
Ain't no goddamn stitch becausehe doing crime, he's telling
niggas to stop.
Do you think a lot of theseyoung hip-hop brothers like T.I.
got in the game because got inthe dope game because they
wanted to be in a dope game?

(47:23):
A lot of people understand.
They didn't get into this shitbecause they wanted to do it.
It was a way of surviving inAtlanta.
Coming from the west side ofAtlanta, and yes, he's from the
west side.
And no matter what side he'sfrom, coming from being a black
young man in Atlanta back in the90s and the 80s and the 2000s
was not very good.

(47:46):
You had a hustle.
If you wasn't a hustler, you waspretty much losing in Atlanta.
You wasn't gonna, you was notgonna make it if you was not a
hustler in Atlanta.
That's that's pretty like that.
You you was not gonna make it.
You was not gonna make it.
T.I.
born September 25th, 1980.
That makes him 45.

(48:07):
It's kind of young, T.I.
You know, you know you're myman.
You know you're my man.
I I you know T.I.
got in the business in 19.
Actually, it says 19, his PR,somebody this 1999.
It wasn't really TI got in thisshit at like 97.
I heard T, I heard some of T.I.
tapes back in like 97, 98.

(48:29):
Way before I heard this shitwhen I was in North Carolina.
I was in Wintersalem and theywas playing me some TI shit.
Just straight up wrapping off offucking outcast beats and shit.
Until CX1 DJs, until story orT.I., one thing about T.I., he I
never knew until he saidAtlanta.

(48:51):
He was from Atlanta.
I thought he was from the WestCoast or the East Coast.
I never, because his lyricalgame is there.
No one could never say that T.I.
is not lyrical.
He is a lyrical rapper.
He's a storyteller.
Let's get into that.
He's a storyteller, he's asongwriter, he's a record

(49:12):
company owner.
He is an all-on, uh, all allaround artist.
Now, I ain't gonna get into allthis shit to you guys do now
because there won't be untoldstories.
I see his PR, send me a wholebunch of shit to you niggas
know, and I'm not gonna fuckingget into that.
So Platinum hits movies.

(49:32):
ATL was my best shit.
You know what I'm saying?
I mean, who don't like ATL?
Uh, you know, his acting was sooriginal.
It's like you when you when yousee T.I.
a movie, it looks like youwatching real life shit.
You know, you ever watch someactors, they look, you could
tell they acting.
When TI acted, you could tellwhatever role he's playing, he

(49:54):
made sure he got cast for therole to look just like him.
Or he made sure whatever thedirector did, whatever line he
got, he made sure he made surehe had the right, he was cast
for the right shit.
A lot of people don't know.
You you you you you got toaccept the right role that looks

(50:15):
and fits your character.
Because when you get the rightrole, you could actually produce
the scene and it looked likeit's you in real life.
All the shit I saw from T.I., Icould never tell that he was
acting.
Never.
So we're gonna slew on that.

(50:36):
Now, let's talk about all thepeople that he pit on and all
the people that left.
He lost a lot of people in thisgame.
Get into the music game withT.I., you know, said out of his
own words.
CX1D just untold story of T.I.
Pennyways, get in the musicgame.
He lost, he's he he it the shitwas just like the dope game.
Okay, you know, get into thismusic industry, you gotta, you
know, understand your publicfigure now, figure down.

(50:58):
Back at the dope game, you youcould actually um stay under the
radar to a certain extent untilyou get to be a big, a big level
dope drug dealer.
Which he said it publicly,that's what he used to do.
And which, you know, he nevershied away from the trap life.
That's why he got the trapmuseum, he got all the shit he

(51:18):
got going on in Atlanta.
He has um the you know, with himin two chains, and you know, he
still got Grand Hustle Studio,that's still popping.
Every time I went to GrandHustle, I was treated with
respect.
Um, and uh, you know, he youknow got the top-notch security
there.
And Grant Hustle is still GrantHustle.
A lot of people think GrantHustle fell off.

(51:38):
Grant Hustle is still GrantHustle.
Shout out to Young Drew.
He's a de Young Drew, and and umYoung Drew and T.I.
definitely was, you know, themtwo guys musically is there,
lyrically is there.
I enjoyed listening toeverything I heard on Grant
Hustle.
I'm I was never neverdisappointed on any of the
projects that T.I.

(51:59):
anybody from Grant Hustle whenthey released the project, it it
was made, it was always plus.
And we're gonna have to salutethe Atlanta Records because
definitely when T.I.
got into business, he had toprove himself as an artist.
It was not easy for T.I.
in the beginning.
I don't know if people think youwould just jump in this game in
the early 2000s and think thatit's gonna work for you.

(52:23):
T.I.
had to had to bust his ass toget his name out there.
So as he started recording inthe 90s, he did a lot of
mixtapes, um, you know, youknow, you know, worked with a
couple other rappers writing forpeople and shit like that.
And and in the street, in thestreet life, doing it doing what

(52:43):
he was doing in the street andbuilding his name as a rapper.
So T.I.
definitely was known in a lot ofcircles, like Legia, Doom,
Outcast, anybody was in theindustry knew who T.I.
was.
T.I.
wasn't a home, he wasn't a uh,you know, uh a home name yet.

(53:03):
Like he wasn't worldwide yet,but the city of Atlanta, if you
was from the West Side, or youfrom anything, any place in
Atlanta, you knew who T.I.
was in the 90s.
As he got, he grow to fame inthe early 2000s, he had the
rubber band man that you knowthat that came out, and Atlanta
Records was taking a chance.

(53:24):
At first, they wasn't, theydidn't, they didn't, you know,
you had a lot of other groupsout there that was, you know, at
that time.
You had franchise boys, you hada couple, you had a lot of
people was fighting for thatslot that T.I.
had.
When you get signed to a majoror get major distribution, or
have you want to have he wassigned?

(53:44):
It was Grand Hustle, but it wasAtlantic, Atlantic was the
powerhouse.
So when you get first getsigned, I'm gonna tell you
artists this, you know, I telleverybody, stop hating for a
minute and get some fuckingeducation.
When you first get signed, Idon't give a fuck, it was back
in the early 90s, 2000s, or now,you still have to prove
yourself.
Back then, it was really nosocial media when T.I.

(54:07):
came out.
I believe it was just Facebook,just starting.
But back then, your first weekalbum sales, it really set you
up on what kind of artist you'regonna be.
So when you have, say, you have,and at that time when T.I.
came out, 50 Cent was out there.
So they will match you with the50 Cents, the Beyonce's, the uh,

(54:32):
the the whoa, Neo was out atthat time.
Um, you had a lot of people, itdon't matter if it's Army or Hip
Hop, you have to sell thiseither more or you have to be on
the same level of the otherartists that's being released
back in them days.
Because if they look at if yougo under goal, then they look at

(54:52):
it as a flop.
So T.I.
had to make an example on who hewas.
The rubber band man came out,people wasn't fucking with it,
but they were the the mainstreammedia and mainstream mainstream,
excuse me, wasn't fucking withit until CXY DJs, until stories

(55:13):
of TI.
But the streets was fucking withit.
See, sometimes you don't needthe mainstream to make it.
Long as you got the streets,that's what I'm trying to tell
everybody.
Long as you got the streets, youdon't really need mainstream.
He what the T.I.
had, he had the streets, andthey they was fucking with them.
So I'm telling every artist, ifyou're trying to be a TI, trying

(55:36):
to be like a TI, you got to takethe good and the bad.
You're not gonna sell a millioncopies off the gate.
You're not gonna do nothing.
He didn't sell a million copieswhen he did he dropped rubber
band, man.
But he he made a blueprint andhe made a staple on, all right,
this is my introduction to theindustry.
So once you make yourintroduction, you have to follow

(55:59):
up on other records.
Unfortunately, he has some shitwith what he was doing with
Shorty Lowe.
Now, a lot of people think thatum I gotta I gotta do I gotta do
my um my uh drop, CX1 DJ'sUntold Stories of T.I.
So this I'm gonna give you, I'mgonna give you some untold shit.
T.I.
and Shorty Lowe didn't have beefin the beginning.

(56:21):
Shorty Lowe wanted to do somemusic with T.I.
Some of that shit wasmisunderstood, and then it's
turned into niggas makingrecords back and forth.
Reality, the genius of that, ithelped out both of them.
Shorty Lowe was known in thestreets, just like T.I.
was known in the streets, butT.I.

(56:42):
was actually uh gradually tryingto move out of the street kind
of thing and go more mainstream,which T.I.
was actually going mainstream atthe time he started beefing, or
whatever you want to call it,because when him and ShorterLo

(57:03):
got into it, T.I.
was already at the mainstreampoint.
Some people from Atlantic, Iknow a couple of people that I
know personally that told methis story I'm about to say, was
telling T.I.
to ignore Shortaloe.
Just make records, do music,ignore him.
But when you from the West sideand you got Short Elo saying you
ain't from the West Side, andand you got your record company

(57:24):
saying, man, ignore him, thisbig music.
See, back then they wasn'tfocused on beef records.
The record labels wasn't focusedon that shit.
You know, we just coming off thetwo-pocket biggie.
Some of the major labels don'tgot time.
That wasn't really back thenselling fucking records.
The records that T.I.

(57:44):
did with Manny Fresh and JazzyFaye, that was selling records.
The beef records didn't sellrecords.
But the way T.I., when he didYou Don't Know Me, he made it
commercial.
So you could turn one thingabout an artist, you could turn
a hip-hop beef record into acommercial record.
It only depends on how good anartist you are.

(58:08):
Because if you're not a goodartist, your fucking beef record
will sound like you beefing andit's bad for fucking business.
But you don't know me was so uhuh one of the dopest records I
heard.
The beat was dope, the video wasdope, the whole concept of that
record was dope, and it brungT.I.
to a whole nother level.
And the people didn't know thathe was talking about Shorty Low

(58:30):
in there until later on.
Like if you from the I'm fromI'm from the East Coast, when I
heard it, I didn't give a fuckabout a Shorty Low and uh uh
T.I.
beef.
I didn't give a fuck about that.
I give a fuck about that music.
And I'm a DJ, so we like, yo,that beat is crazy.
And let later down the line, I'mgonna be honest with you,
because I'm not the only fuckingDJ.
We from the East Coast, we onlylisten to because he's signed,

(58:50):
he was signed to Atlanta, GrandHustle.
So his music was pushed wayfurther than Shorty Lowe's.
And I love Shorty Lowe.
I met him a bunch of times andI'm in some of his music videos.
I have nothing but respect forShorty Lowe and RP to one of the
Kings.
Both of these brothers arekings, uh, a bankhead, a kings
of Atlanta, whatever you want tocall it.

(59:12):
I'm from New Jersey, so I'm justgonna tell you I like both
people.
I've met both people, and um,but I was actually in Shorty
Lowe video, and Shorty Lowe cameon my podcast, he came on my
conference call.
So, you know, you know, shoutout to T.I.
But I mean, and we're gonna talkabout personally.
I know Shorty Lowe personally,so that you know that makes this
even better for me that whatI've got coming out of my mouth.

(59:33):
Is Shorty Lowe is and was R.P.
to him, a positive brother andR.I.P.
to Shorty Lowe.
So, but Atlanta Records wastelling T.I., nah, man, you
shouldn't be, you know, do thebeef records.
You know, this, just ignore him,because uh what they said
something that made sense.

(59:53):
You are gonna help him with hiscareer by going back and forth
with him.
I think they both helped eachother.
Because he made you don't knowme, and then should he made they
know.
And they know made him win BETAwards, it brings Show de Lowe

(01:00:14):
to the MT MTV Awards, it madeAtlantic Records won two fuck
with Shodolo.
Now, this this is the deal thaty'all need to understand.
Untold story of T.I.
CX1 DJ's untold story.
Who the fuck you think Shodelowgot got his record deal with?
After he was beefing with T.I.,he got signed to Atlantic.

(01:00:36):
Why wouldn't Atlantic Recordssign Shotelow?
Both of these niggas are signedto Atlantic.
Atlantic Records owned themaster of Shorty Lowe.
But he would never got therecord deal with Atlantic if he
wasn't beefing with T.I.
CX1D just untold stories of T.I.
Yeah, so T.I.

(01:00:56):
actually helped Shorty Lowe geta record deal.
And I think, you know, you know,outdo TI career out of town,
homies getting killed,shootouts, you know, he lost a
lot of people in his musicindustry.
When people don't want to giveT.I.
his flowers or or when the beefwith 50 cent, whatever the hell

(01:01:17):
you want to call that 50 centbullshit.
I don't know what the fuck thatwas.
But I, you know, on for me beingfrom the East Coast, you know,
50 B trolling.
We did an uns untold story on50-50.
But uh TI, you could tell he'spassionate.
And he, when when when whensomebody took a shot at his
family, he was not playing that.
And I and I respect T.I.
kids.

(01:01:37):
And one thing I was told to stayout of people's business.
And uh, you know, you know, myopinion on that, I think TI
handled it well.
He was just doing it for theculture, and doing it for the
culture actually it ran intothat shit right there with him
and 50, which which I believeT.I.
handled it well.
People from the East Coast like,oh man.

(01:01:59):
But one thing we did get out ofT.I.
from him beefing with 50.
We got some music, which Ididn't know that T.I., to my
knowledge, and my story, and myPR, my uh journalist, T.I.
wasn't working on music.
He was doing this, you know, youknow, the you know, documentary
shit and you know, working onhis son's stuff.
But by him going into the shitwith 50, made him do what he do

(01:02:24):
best.
And that's making good music.
Just like the shit with ShodyLowe, it made T.I.
make good.
He always was making good music,but he made more better music.
You know, when you're you youyou got the pressure on you, not
really pressure, but that, youknow, I'm not gonna allow you to
disrespect my kids.
I'm not gonna allow you todisrespect disrespect my wife.
We're gonna take it to the boot.
And one thing, one thing thatT.I.

(01:02:45):
did, he did that and did itwell.
None of the records that 50 Centcame out with after trying to
take shots at T.I., it nevereither came close to the records
that T.I.
made.
And I like 50.
But we talking musically, um,T.I., I hate to say it, T.I.
definitely came with it with themusic.

(01:03:07):
And he kept it peace.
He just brought it to thestudio.
He had every radio stationplaying and shit.
You go up north, they playingT.I.
music, the new music.
Um, so he actually executedthat, whatever you want to call
that with him and 50, heexecuted that.
Let's talk about the thedownside of this music industry.
Then we're gonna get into themusic part of this.

(01:03:29):
The downside of this musicindustry is you never know how
much shit you gotta sacrifice.
No one's your friend in thismusic industry.
Let me let me back up.
No one's your friend in thismusic industry.
If you're looking for friends,you're not gonna find it here.
T.I.
is a passionate artist.
I met him a couple of times.

(01:03:50):
Very, very serious.
When it comes to business, hisimage, his music, his brand, he
stands behind that.
So we are CX1 DJs.
We do things different podcasts.
Untold stories of T.I.
The untold story I want to leteverybody know they didn't know
that T.I.
is definitely, if you didn'tknow, the king of this hip-hop

(01:04:14):
shit.
Not just Atlanta.
He's the king of this hip-hopshit because he mastered a lot
of shit that a lot of theseother hip-hop rappers from
around the world did not master.
But what did he master?
He mastered class.
If you're doing this shit, yougotta have class with this shit.

(01:04:36):
T.I.
mastered how to be classy.
Coming from Bankhead, comingfrom the hood, coming from the
hard grind that he had to getinto this, he mastered class.
A lot of you motherfuckers don'tgot class.
So let's give it to T.I.
for that, for having class.
And that makes him the king ofthis whole hip hop, hip-hop

(01:04:58):
shit.
And some of you could, youcould, you, you, you could deny
it, and uh uh you coulddisagree.
TI, he mastered class.
As long as you got class, nobodycan never take that from you.
Because a lot of people that'sin this music industry that got
good records and think they solda whole lot of records don't
have no damn class.
Don't have no class.

(01:05:19):
CX1 DJs, we do the Dippin'podcast.
Let's get into this music videopart of this.
Let's go.
Let's go, y'all.

SPEAKER_17 (01:06:11):
I'ma tell y'all suck at niggas on the low You might
have seen me in the street niggayou know When you holler when
you speak I'm remember you knowWe save all the hating then the
poppin' nigga you know We weretelling niggas you I poppin'
nigga you know We don't be agroup with you nigga you know
Hey I ain't trippin' Pippa isreally you know Yeah you know

(01:06:32):
they call me TI but you know Yoube hatin' and I see why I think
it's time I made us off a niggasoon No I graduated at the
streets, I'm a real OG.
I've been trapping shooting Putthe source good.
So while you niggas actin' bad,you gon' have the show gon' make
me bring it, shape it to a realslow three.
My niggas hangin' at the windowmouth full of gold teeth.

(01:06:55):
When the guns start, I've beenwondering when it's gon' copa,
hit you with the side and createa slow.
We can end the speculationbecause the day the best out of

(01:07:21):
the square I'm with it, SouthCarolina, Alabama, Mississippi,
I'm gonna North Carolina,Philadelphia, Virginia.
Oh, the military store the waystore in the wanna tell it,
hence, Mr.
T.
I like the dead next town, stopside cover, and that's the man I
dallin.
Better that's bad, yeah, man, Icall it with my eyes open belly,
going that's spinning, goingdown in it, drop six four three

(01:07:43):
we'll get switched.
Read light stop, make it dropfor the bitch.
I'll win it.
Speaking of bricks, I said I didit.

SPEAKER_04 (01:07:55):
We can we take it we take it we take it.

SPEAKER_01 (01:08:27):
Yeah, it's one of the doors.
I guess when the AKA does thatI'ma keep it in the streets,
contrary to your beliefs.

SPEAKER_17 (01:08:36):
I'm a feeling you can please So keep your
thoughts, say you're feelingshouting you No You might see me
in the street or shout at you NoWhen you holler when you speak,
remember you No You save all thehating in the poppin' piping you
No tellin' people you my partnerListen You know We don't be a
groupy See me you see the cityfree to know I'm shinin' down
Alright with a couple lamb brasNow shining doll you know how we

(01:09:00):
ball Fright in the shiny girlWalking the signal But every day
you saw You know I'm about medawk Don't talk about me though
And if you doubt me though Youbetter out me dawg I'm told I'm
split it bruh I don't want tofight me bruh I'm fast as
lightning bruh You better getyour backy bruh You know you
don't like me cub your bitchdon't like me ducking dub I'm

(01:09:24):
every blood I be up your motherGive everyone Nigga don't show
me no three when I turn down theturn With that When I hold it
out of work yeah But you know aback day But you know a back
then you know a back day I knowall about that What did you say

(01:09:51):
But you know about that But youknow a back day But you know
about the damn I know all aboutthat ain't about the money Nah I
can't hear what you say I ain'tfinna do shit It ain't about the
money Bitch you can miss me withit Bitch nigga miss me with it I
packin' 11 I pack an eleven Ifool I'm running the gator My

(01:10:15):
shoes are deception I slide likethe Reverend I shoot at the
Reverend Fans I did goes youstill they stuff with ladies
broke in rock and clothes that'sall wrong my body now we might
burn in trouble my butt no we goin rock and clothes out my butt

(01:10:44):
now we might burn in troubleshare it with the truth why
don't my mind is looking at meto see if my eyes closed Cause
I've been drinking and I've beensmoking down two eighty five but
I'm gonna go and say I race bothwhite other speeches fresh as

(01:11:08):
out I say I'm doing out but thetracks number eight on kid for
your age straight out for yourpart and sitting on two songs
and dope boys and the broad starshoes in the car's red bar for
the free on the key.
Two steps let you show the showfirst I let my wheel spin, then

(01:11:34):
I let my screen fall, then I letmy trunk beat green by moe.

SPEAKER_12 (01:11:39):
Then I pimp a hole, take a bitch to Berlin.
We fold that girlfriend.
My girl got a girlfriend.
She ever blue like whirlwind.
Niggas is drought on that boy,so I got that girl in her win,
cockin' hammer, on my helmet,proper gamma.
Bitch you think I'm pimping andlailin'.
You can look me in my eyes, seeI'm ready for whatever.

SPEAKER_17 (01:11:59):
Anything don't kill me, make me proud I ain't dead.

unknown (01:12:03):
You can take the fame in the chatter, in the game, in
the deal.

SPEAKER_17 (01:12:06):
I'm still a go deal.
Take my freedom for the moment,but it ain't full.
I'm got the spirit of a heart,heart of it.
I'ma keep seeing hanging withsome cold killers.
I ain't never backed down aramp, no.

unknown (01:12:20):
I ain't sat down yet.
Stand the goal, even if I'm allalone, I'm standing full.
Tell a junk, tipping it ongetting no real fine now with
the soul of a six-fold.
Separated the fakes, paralyzed.

SPEAKER_17 (01:12:38):
I get it, I need to take a watch.

SPEAKER_14 (01:13:27):
But I'm serious, so I got sick Grand Grand Hustle,
got the mind and the muscle.

unknown (01:13:38):
Send the crown just to shine on you, so I steal.
Fallin' for the haters and thebuffer.
Probably for try to play around.

SPEAKER_17 (01:13:50):
Quick feel, full of height, fresh out the box, till
pop feeling, drop six, made aquarter meal in the pen, can't
stop till haters wanna stop tillmad cause they not till follow
every side.

SPEAKER_10 (01:14:02):
It's eight billion people in the world.
Everybody ain't got to like me.
Everybody, I ain't everybody cupof tea.
I mean, you know, I'm too strongfor some.
I might not be strong enough forit's fine.
I'm cool with that.
You ain't got to even fuck withme at all.
Nigga, you don't give respect tome, man.
I'm real being gonna treat meother people the way I wanna be

(01:14:25):
treated.
And I'm also real being gonnatreat motherfuckers the way they
decide they gon' treat me.

SPEAKER_00 (01:14:32):
Atlanta's a hustler city, you know what I'm saying?
This is like a like it's a it'sa real hustler, it's a hustler's
market down here, whether it'sfor a long time it's been that
way, whether it was numberrunning, camping, crack, heron,
you know what I'm saying?
Whatever it was, real estate,landscaping.
Atlanta's a hustler, like itbecame like a hustler's market,

(01:14:53):
especially when music startedpicking up.

SPEAKER_17 (01:15:06):
I like your beat, low, down low, down low, low,
low, hey, I think, hey, hey,what's up, you're like, what is

(01:15:30):
it?

unknown (01:15:46):
This is the free and all the jumbo, how it hell Handy
toes in the jumbo will all thesame food free, watch the jelly,
tell me I'm never slipping, gotdouble burning, spray it a
bubble, spray the kick thefootball, spray it, so we focus
celebrity stole it, all of youwith the book for the police is

(01:16:11):
shot and stupid, that's the bootjail, take it to bed, lift, one
of my days, take a fed that youshouldn't see me.
But take it together, yeah.

SPEAKER_17 (01:16:21):
Yeah, hope you guys will be sure, you get this Kill
it be six, drop, still back, butI would work, I like to see me,
put it, feel like you feel thewood, you top if you're real
sick, you wanna get out ofthere, see me ride 40 books, put

(01:16:48):
a shot, feel like you killed thewood, you top it, if you're real
sick, take your window I knowyou heard of mouth, bring them
out.
Coming live from the VIP, heardthe night life, rolls right with
that need.

unknown (01:17:04):
Most of beds in the state, wanna see my knee.
The whole city got spits her.
He got three, that other rap, Igotta hear a shout of him out.
We set the city on fire.
Soon as he got free, the kingback now.
Raw don't even know how to actnow.
Get the club strippers gettingnaked before I sat down.
See a ball, the money stackedout of the shack now.
See her, push a button and letthe roof on the lack down.

(01:17:24):
I'm on the road doing shows frommy back down.
Mississippi to fill it, have acurk with a chat time.
I got the crowd yelling, bringthem out, hang on out.
I'm a hot girl telling.

SPEAKER_17 (01:17:33):
Bring them out, hang on out.
How the dope boy tellin', bringthem out, hang on out, point the
back gate yelling.
Yeah, with other southernrapper.
Hooded in this.
I got rich and I'm still in ahooligin click.
You be rapping by a blow, Idon't move in the brick.
Talk about you now, now we'redoing it trick.
If it hit you in the face, yougon' be suing me quick.
If we catch another case, I knowit truly be missed.

(01:17:53):
So I'ma keep it cool.
Stay out of the news, headlines.
Show these other rappers somebedside.
No, we're telling people you mypartner, listen.
You know, we don't be a cool, wekeep it moving, shoutin'.
You know, hey, I ain't trippin'till the truth is really you
know.
Yeah, you know they call me G.I.
But you know, you be hatin' andI'm so high.
Cause you know, I think it'stime I made us up for people who

(01:18:15):
know.
I graduated at the streets, I'ma real OG.
I've been trappin'.
So I slew it.
Oh, these are all you rappersacting bad.
You gon' have the show.
I really hate his ass.
I don't like a weaver.
We do a song together, make itin a weak and beat us.
Somehow we must be stopped.
Something must be good.

(01:18:37):
Knock it off, try when you getout with time.
Yeah, it be really good.
Yeah, and we really would.
Get it more ideas.
I'm suggesting it works.
I would stay up all night.
Hey, here we go again, boy.

(01:19:01):
I'm gonna show you how to dothis.

SPEAKER_16 (01:19:04):
Hey, beach she fight little shit, stop it.
Hey, beach shit, little shit,stop it, hey, beach shit, fine
little shit, stop it, hey Bowlme to be down.
Do it, do it, I don't do it,what you weigh for, yeah.
I'm gonna do it, what youweighted, do it.
What you wear for gotta do, yougotta do it.

(01:19:26):
Now let me hear you say bigshit, baby, why little shit,
stop it, hey big shit, pop it,little shit, stop it.

SPEAKER_17 (01:19:32):
Hey, big shit, baby, why little shit, stop it?
Hey, my hole on me, nigga, be aready to now do it till the
maximum.
Tell you why you asking them, nolisten till I'm sucker when they
say you too irrational.

unknown (01:19:44):
I said I would king and them lane started laughing.
Saying sucker now I want theking on the track.
I compose several classicus.
You know, like Tabad, oh boy,bring 'em back.
What you know about that.

SPEAKER_17 (01:19:55):
Now they ask high top, what you know about that.
Dominated O sea, now I'm goingright back.
See me right here, let us knowthat like that.

unknown (01:20:03):
Either the sale, say damn, I ain't knowing like that.
Nigga, yeah.
Still bake it, trunk and tail.
Hate nun chain, put the name onthe mill.
I still kickin' door with themthings in the air.

SPEAKER_17 (01:20:15):
I've been here, honor, see me slaying in the
jail.
We are slank, ain't no suchthing as a jail.
Say you need a lot of squares.
I'ma tell y'all sucking niggas,I'm really following.
You might have seen me in thestreet, but nigga, you know.

(01:20:36):
When you holler, when you speak,remember you know.
Save all the hating in thefight, the nigga, you know.
We wanna tell the nigga youmight nigga, you know.
We don't be a group with you,nigga, you know.
Hey, I ain't trippin' you.
It's really you know.
Yeah, you know they call me TI,but you know, you be hatin' and
I'll see why.
I think it's time I made asuffer nigga soon.

(01:20:59):
No.
I graduated at the streets, I'ma real OG.
I be trapping shoot, buffer sostood.
Oh So all you niggas actin' bad,you gon' have the show.
Gon' make me bring it, shape itto a real slow three.
My niggas hangin' at the window,mouth full of gold teeth.
When the gun starts, I've beenwondering when it's gon' see.

(01:21:19):
We can in the speculation, putthe day w Run until the checker
flare, run it through the reallight.
Twin gave me gun, it won't pullover till I'm dead right.
Right until the sunrise, can't Iknow bed, time?
Ain't gon' get no bitch, right?
We been in the head by better.
No west I level with the besttime.

unknown (01:21:36):
All the way to Chris Shaw.
I don't mind, nigga, better nobig shit, poppin' in no little
sheet, droppin' bags, it's a lotto you to me a look.

SPEAKER_17 (01:21:44):
Let them try shit before the cow em a loud.
Uh-huh.
Real dope boys in the trail.
Uh-huh.
Big yet, callin' like a bigshot.
Niggas on my dead, baby rule foryour be gotta let 'em know.
I don't turn around little box.
Uh-huh.
Solitaires, all I do is be rock.
I came from Dilly Rock, all theway to Hitch.

(01:22:04):
On the throne, bitch ain't oneof my own.
Don't she can kick.

SPEAKER_08 (01:22:07):
See X1 DJ's untold stories are TI.
And I appreciate the GrandHustle and Atlanta Records.
And uh chat from R Media, butdefinitely clearing all the uh
pictures and videos.
And uh shout out to everybodythat supports DJ Butter Rock.
And um, I want to say I'm gonnabe the one I appreciate

(01:22:30):
everybody that supports DJButter Rock.