Cx1DJs We Do Things Different Podcast "Untold Stories of Nore" hosted by DJButterrock

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
SPEAKER_19 (00:02):
One of them goddamn days.
Shout out to chapter iHeartMedia.
He said, Butter up, where areyou?
That nigga text me while I wasin the bathroom taking a piss.
He said, Nigga, we all herewaiting.
Where are you?
I'm saying, I'm coming.
Shit.

SPEAKER_18 (00:19):
You know, I'm at the warehouse and I'm working, I'm
at the studio slashing.
I say, where are you?
Some around.
Tupac, I get her.
Step up, step up.

SPEAKER_08 (00:36):
Step, step up.
I get her.

SPEAKER_18 (00:42):
Step, step up, step, step, step on some Tupac shit.

SPEAKER_19 (00:45):
I get around.
Step up.
Step step step up.
Step step step up.
I get around.
Shout out to Julia Simmonschecking in I see you, baby.
Shout out to T Cap.
Shout out to DJ for real 800.
Who else in this motherfucker?
I can't see where shit.
Shout out to Chad from R HeartMedia.

(01:07):
Shout out to Julia Simmons.
I don't see I don't see nobodyelse in the shit.
I want to say thank you foreverybody that's taking their
time out of their busy scheduleto come here at the CX1 DJ's We
Do Things Different Podcasts.

(01:27):
Shout out to DJ Money, presidentof CX1 DJ.
Shout out to DJ for real 800.
Shout out to TCAP.
Shout out to Simmons and shoutout to Chad from our Hard Media,
our producer and moderatortoday.
Yeah, yeah.
I don't see Lawanda in here yet.
Shout out Lawania, whatevershe's doing.
We don't see her on the boardyet.
I guess she'd be a little latehand on business, like she

(01:50):
should.
With the Jones graphics shit anduh CX1 DJ shit.
Hope everybody's having a goodday.
T Cap and Mr.
Carl I was in the studio.
I know you saw me on the radio.
Truo! Shout out to T Cap.
I missed this call earlier.
Nigga in the studio working onthem hits.
Trying to get a mill.

(02:12):
We out here chasing a milliondollars, y'all.
Working on my I actually Ifinished my album.
So let me just put this mic out.
Toot this motherfucker up.
So I finished my album.
Now we own we're working onPunkfoot album right now.
And um we we we we uh we verybusy.

(02:34):
Got the music conference weworking on.
Um we got that.
We got a couple of big thingswe're not gonna talk about.
We we're gonna talk about it,but not tonight.
And um, I want everybody to uhto take one minute of a year.
Nah, you don't gotta do itbecause if you didn't do it
already, I'm not gonna asksomebody to do it.
That's on here.

(02:54):
We're not doing that shit.
I ain't doing that tomorrow.
If you ain't already do it, Iain't gonna be begging nobody to
do shit.
That's the kind of mood I amgoing forward.
I ain't uh I mentioned it.
Only I'm gonna keep promoting isthe damn uh uh Patreon, but
that's for everybody thatlistens to us around away.
The people that's a part of thisorganization, I'm not gonna keep
telling y'all to do shit.
I ain't you don't gotta do it.

(03:17):
But understand this we in achampionship, and you have to
have your team players to playto win, right?
So if I'm the only I'm I'm theonly fucking Jordan slash
LeBron, then I don't gotta saynothing else.
But we are in the championship.

(03:37):
I want y'all to know that.
CX1DG's unstole stories, untoldstories of Noriega.
Nori.
I know him asked Noriega.
And I met Nori a couple of timesin New York back in the 90s.
We're gonna get into the story.
Now Nori was a gangster.
Nori's still a gangster, he justgot older.
But see, Nori ain't that old.
He's only 48.
I'm older than Nori.

(03:58):
But Nori, Nori was outside, wentoutside.
Him and Capone.
They was outside, went outside,was niggas ain't know the name
of outside.
They used to call Noriga the uhuh uh uh a knucklehead.
Butterock, what party are yougoing to?

(04:21):
I'm going to the tunnel.
Them knuckleheads is at thetunnel.
I'm going to see Noriega andCapone CNN nigga.
They said, nigga, themknuckleheads is at the tunnel,
they'll rob you, take youforever on your shit, and New
York niggas do not like Jerseyniggas.
And that's a lie.
When niggas keep saying New Yorkniggas don't like Jersey niggas,

(04:42):
that's that's a fucking myth.
That's not the truth.
I just think some New Yorkniggas don't like Jersey niggas.
And some Jersey niggas don'tlike New York niggas.
So I want everybody to stopthat.
New York and Jersey don't getalong.
We get along.
It's just some niggas is fake.

(05:02):
Some niggas is shit.
Some down south niggas don'tlike down south niggas.
We ain't just gonna pick that onmy fucking city.
So I'm gonna be approaching alot of shit different on here.
And I'm not gonna be speakingabout certain shit, but I will

(05:24):
call a nigga out.
Now that shit I ain't stopping.
Actually, that's the shit Iwasn't doing.
I'm doing that now.
I'll call it a DJ out, a member,a fucking whoever nigga.
That's some shit I wasn't doing.
I'm doing that shit now.
I I told my team, I said, listenhere, I'm gonna have nobody
shitting on me in.
You know, I don't give a fuck ifthey're on this motherfucker or
not.
I'ma still I'm gonna call anigga out.

(05:47):
I'm gonna be DJ Butter Rock.
Because if I I'm not gonnafucking the whole person that I
was in this industry and stillis, is me.
And I'm not gonna change me touh whitewash any goddamn thing.
We're not doing I'm gonna beButter Rock.
Because if you start being onsome clon shit, niggas think
they could get over on someshit.

(06:08):
We're not gonna be on that kindof shit.
We ain't gonna be on no clonshit.
That's why people watch me andlisten to me around the world.
Um as y'all see, we're not juston YouTube, YouTube is just a
place we stream on.
I'm gonna colin constantly saythat because people think, oh,
oh, you got this YouTube.
Oh no, nigga.
We on 900 plus platforms.
We're not just YouTube, YouTubeis what we do our live stream

(06:29):
on.
And now we got uh now.
We now we have um Patreon andKik Twitch is it's just for
streaming.
But actually, you could do alive, you you could do a live
everything I'm doing on YouTube,I could do on Kik, Twitch,
Facebook, uh, definitelyPatreon.
Patreon is you gotta pay somemoney.

(06:50):
All other shit's free.
But we live on kick and twitchright now as we speak.
So let's talk about Norie guys.
So I met Norie in '98 at thetunnel.
And them niggas was wildin'.
CNN was the shit.
Um, that's right around the timethey was shooting.
I don't want to get into niggas'law cases and shit.
The shit happened at hot 97, andthat was some gangster shit.

(07:18):
Norry's a gangster that thatthat actually got older.
The shit happened at 99.
But the people that didn't know.
Just well public size.
I'm not gonna, you know.
Shit happened at hot 97.
It was a shootout with JuniorMafia, CNN, Nori people, Fat Joe

(07:38):
people.
It was all it was crazy.
It was a okay corral down thereat Hot 97 back in the 90s.
And uh some people got shot at,smoked, robbed.
And uh Little Kim know she wasthere.
She like, I ain't see shit.

(07:58):
They gave Lil Kim two years.
So yeah, and she pleaded out thetwo and she did one, but they
they gave little Kim some time.
Fed time.
That's me.
When you get in, and you know,if you get in a shootout at the
radio station, that's all fed,baby.
They ain't state church.
She went to the feds, nigga.
Couple other niggas went tojail, Capone went to jail.

(08:19):
Capone, L.
A lot of people went to jailafter that shit.
It was if they can't get you onone thing, they try to get you
on another.
So Capone went to jail for someother shit.
Because none none of them, noneof them seeing it niggas was
ratting.
Lil' Kim wasn't ratting.
And you gotta understand theywas they was beefing.
I know really, really whathappened, but I'm not gonna say
all that shit tonight, givenNoah flowers.

(08:40):
We ain't talking about that pastshit.
Niggas went to jail, niggasdidn't snitch back then.
That was the cold, nigga.
Even was that even was your ops,you did not tell on your ops.
Now these niggas telling onevery goddamn body.
Then was the good old days whenyou know you could do some
street shit, and and if you'regonna be uh retaliation, it's

(09:02):
like you catch a nigga out thereslipping, you don't have to
worry about the other sideratting on your ass.
Now everybody's a goddamnsnitch, even the gangster
gangster niggas a snitch.
But you gotta understand some ofhow you want to look at it.
You know, if a nigga try to, ah,I'm gonna tell you what I saw
today, and everybody said, I sawtwo.
No, nigga, I got the video, thewhole video of the Pooh Shysti.

(09:25):
And uh now we edited it and wedo it on our on our stories, but
I have the actual video of whatwas with Gucci Man's face is not
blurred out with him and PoohShysti.
You might say, What the fuckthat got to do with Noriego?
I'm gonna tell you, that samekind of shit wouldn't happen.
What happened?
That can't same kind of shit,different, different

(09:46):
circumstances happened at Hot97.
With you and your mafia at CNNand Fat Joe and and uh a couple
other niggas.
It was crazy.
But no one snitched on eachother, everybody, everybody kept
their head up.
And I guess Pooh Shazi thoughtthat Gucci was gonna like, all
right, nigga, you had thecontract and it would be some

(10:07):
street shit.
Gucci said, hell no, nigga, Igot millions of dollars.
I got a wife, I got kids, I gota career.
I already went to jail twice.
I ain't trying to go back to thewhen you I'm gonna tell you
something.
When you really go do some timein jail, you ain't you're not
trying to go back to jail.
I don't give a fuck if you did30 days for traffic.

(10:28):
Who the fuck wanna go back tojail, nigga?
Not me.
Jail ain't I don't give a fuckif you in there for fucking
spitting on the floor, nigga.
One day is one day of your lifeis gone.
So back in them days, niggaslike fuck jail.
We'll do we'll go do we'll sitdown, B.

(10:49):
But I rather understand the oldcode to niggas will actually go
to jail and do the time insteadof having a name that you'll
snitch.
Right now they call him.
I just spilled some shit on myshirt.
Fuck it.
I don't give a fuck.
They call him uh Gucci Man awhole snitch, and this is a
nigga that killed the niggarunning up, you know, running
trying to kill him.
So they calling him a wholesnitch out here in these

(11:09):
streets, Gucci.
I said, goddamn, let me turn myother phone off.
They calling, I think it'salready off.
They calling Gucci a wholesnitch out this motherfucker,
but you gotta look at thecircumstances.
Once you change your shit, butone thing you ain't gonna say

(11:29):
about Nori Aeg, you're not gonnacall Nori no snitch.
Nori ain't snitch on nobody.
Nori that they they did listenhere.
I got the footage to that shittoo.
I'm not gonna play that either.
When it was they had to shoot updowntown Manhattan at Hot 97.
Um it was some gangster, it wasnigga, it was some movie shit.

(11:51):
These niggas was shootingoutside daylight, nigga, like
bow.
CNN and goddamn Julian, but themmotherfuckers out there on some
real okay corral shit at Hot 97,outside of hot 97.
We can't not talk about Noriegerwithout bringing that shit up.
We're gonna wait what you mightsay, but why are you bringing up

(12:13):
that that pass shit?
Nigga, I'm trying to tell youhow gangster Nori was.
And Nori's still gangster, hejust got older.
He's 40, he's 48 now.
But anybody think they're gonnatry to play Noriga?
She could go down, she could goleft.
But see, I tell her like I likeI told my little brother because
he got us got into some shit acouple of days ago on Sunday.

(12:35):
He will he got some gangstershit, Shawnee B.
And he went to jail for murder.
So I had to tell my littlebrother, hey bro, it ain't worth
it, nigga.
You got kids now.
You did all that time in jailfor murder, nigga.
You don't get you can't go backto that shit, nigga.
We oh, nigga, you I'm 52, you50, nigga.
We ain't nobody, ain't nobodywant to sit in jail in their
50s.
So you gotta, and that's thesame thing with Gucci.

(12:56):
Ooh, I love Gucci, man.
And I think at this time in mylife, if a nigga did that to me,
one of the and you gottaunderstand something.
Pooh Shice was like his littlebrother.
He called Pooh Shitey his littlebrother.
He looked at Pooh, he looked outfor Pooh Shysti to my to my
investigation, the best he can.
Now, the contract was somebullshit, I know it was, but I

(13:18):
think if you you call somebodyyour big brother or your or your
mentor, it's a way you gottadeal with that shit.
Now, Pooh Shitey is the youngnigga, 26, wasn't thinking about
do I think Pooh Shitey's gonnanigga.
I got the whole video.
He ain't never come home.
You ever saw that shit?
Um that Pooh Shitey's done.
He's cooked like a goddamncooked chicken.
It's over.
I ain't talking about the videoy'all see.

(13:39):
You know, I get all theexclusive shit.
I got that video, the wholeshit.
You know, that you know, you getyou could you could subpoena
that, you know, when it's onceit's out there as evidence, you
could get all that shit.
And we journalists.
And I saw that video.
Of course we can't release thatshit nowhere.
Now I might put that shit on.
Oh, you know what?
I'm gonna put it on goddamnPatreon.
Go pay that$20 to see the wholeshit.
Not the shit blurred out thatyou see on that everybody got.

(14:00):
I got the full B-roll footage.
I got the A roll and B-rollnigga.
When them niggas pulled out themfucking Drago's on that nigga.
Like, nigga.
And Gucci said, Yo, man, youadded a contract.
Y'all, everybody's if y'allain't see it, it's on it's on
social media somewhere.
But I got the full on-edit,unblurry, uncurrent face

(14:20):
version.
And I would never play thatbecause I love Gucci.
But one thing Gucci did, he madesure everybody that he brung to
that meeting in the studio inTexas went home.
Now, Noriega, when they got intothat shootout in hot '97,
everybody, some people wenthome, some people got shot, some

(14:41):
people was hurt, and uh shithappens.
But one thing, one thing I willgive both parties, no one
snitched on each other.
So that's when we're gonna talkabout Norrie.
Now that's a little differentfrom Gucci.
Most people thought Gucci.
Now, I'm not trying to compareNoriega from CNN to Gucci.
Or Noriega from drink drinktramps.

(15:02):
Drink drink tramps, all the fuckyou know from.
All I'm trying to say is it's adifference on that gangstonism.
Now I don't think say if I wasone of my somebody from CX1 or
somebody affiliate, say, nigga,you owe me money, pull out a
burner on me.
Would I call the cops?

(15:24):
No.
If I get me, no, nigga.
You gotta stand.
Say somebody you know did thatshit the same shit Pooh She did
a Gucci and they let you go,nigga, we ain't calling the
cops.
It's war.
And that's what they do.
Gucci was gonna do it.
You think I know for a fact noRaygo wouldn't call no cops.

(15:46):
It would have been war, nigga.
It's like war, war, war, war,one, two, three, and four,
nigga.
If you do some shit and you leta motherfucker go, I'm not
taking about a five-o.
That they thought Gucci wasgonna go that route.
Even that nigga said in thevideo, yo, man, you never did no

(16:06):
snitching shit, nigga.
We know you a hood, nigga.
That's what Pooh Shite wassaying to Gucci, why they had
the guns on.
So he knew they were gonna doblood in and blood out kind of
shit.
But they went cop in cops out.
Noriega would have never donethat.
It would have been a war.
I know for a fact I ain'tcalling the cops on a nigga,
nigga.

(16:26):
If you let me go, nigga, we no,nigga.
We ain't calling no cops.
I'm from the old school likeNoriega.
Matter of fact, I'm older thanNoriega.
I'm 52 years old.
We're not calling no cops on.
Only how the cops can call onthis, and we doing a like how
what happened in hot 97.
It was a full-bledged okaycorral shootout.

(16:49):
So, you know, I always when I domy untold stories, I always
gotta put myself if I gotta putmyself in a situation like
happened.
This should happen to me, what Iwould have did.
I saw this shit that happenedwith Gucci and Pooh Shik Steve.
I saw this shit that happenedwith uh Junior Mafia and CNN,
and it was a bunch of people.
It wasn't just Noriega and CNN,it was a bunch of niggas on one

(17:09):
side, it was Brooklyn and Queensbeefing nigga.
Let's make it clear that's whatwas happening at High 97.
You hacked Brooklyn and Queensbeefing at the radio station.
Let's make that shit clear.
That's what happened.
It wasn't, it was not nothingbut that.

(17:30):
Yes.
Hey Lawandia, you finally camein.
So, let me uh before we get deepinto the No Yega shit, because
we got I got a lot to talkabout, and I'm on my shit.
Let's get it to a song fromPunkerfoot.
Yeah, let's go.
CX1 DJs.

SPEAKER_20 (17:50):
DJ, DJ, DJ, DJ Buddy What the What the What is low
for them, baby's gonna do yourthing.

SPEAKER_19 (21:49):
Yo, see that's one DJ's.
We do these different podcasts.
Back to uh untold stories ofNobiega.
All right, now listen here.
People say, Why are you notdoing Nobiega in?
Capone.
Alright, well we could have shotout Capone.
Capone is in some of thepictures.
Noriega and Capone.
Capone went to jail for a while.

(22:10):
You niggas didn't know that.
I'm talking to the people onhere.
I'm talking to the other people.
Shout out to T Cap.
Uh with the Lady's night.
That was punking for the pantygirl Lady's night.
So let's let's get into uhCapone uh Noriega was born.
Nori was born September 6, 1977.
He's his age is 48.

(22:32):
I thought Nori was older thanthat, but his his PR summoned
shit, so I know it's gotta betrue.
So all the record labels.
Nori been in the game since, I'mgonna be honest with you.
Nori been rapping since 1993.
He got on a scene with his firstfirst record deal with um Tommy

(22:53):
Boy Records was 1995.
When he did he started doingshit with CNN, that was in 95,
y'all.
But Nori made sure he stayed onall big pun music records, all
uh terror squad shit.
So a lot of people thought hewas a part of terror, which he
is a part of terror squad.
But Nori had his own thing.
Because Fat Joe was out first.

(23:13):
So people when they say, so howthe hell we're we're we're let
me let me back up real quickbecause I gotta give y'all some
untold shit.
Most of you niggas ain't fromNew York.
So, or New Jersey.
So let me give you some shitthat I know you motherfuckers
don't know.
All right.
Not calling you motherfuckers,but anyway.

(23:35):
Nori from Queens.
Queensbridge.
He lives all over Queens,alright?
He he support he he representsQueensbridge, but he's not from
Queensbridge, but he representsQueensbridge.
He's from Queens.
Let's leave it like that.
I ain't gonna give it to allthis shit because I got every
fucking thing.
When I do untold stories, I gotyour fucking where you went to

(23:57):
school at, who's your mama,who's your daddy, I know every
fucking thing.
RP to his daddy too.
I have every fucking thing.
I'm a I'm I'm this is my job.
I'm a journalist.
I'm a hood nigga journalist now.
So I have what socks you worewhen you were six, what milk you
was drinking at ten, I haveeverything.
All right, so we I'm just gonnamake that abundantly clear.

(24:18):
And we don't Wikipedia, we don'tGoogle shit.
We get the shit from the rightsauce.
And you know, I I know a lot ofpeople that know Nori.
That's my pre-po.
So let's get this get a clearunderstanding.
CX1DG's untold stories ofNoriega Nori.
How he got in the musicindustry, he was pretty much in
and out of jail, all right?
Ragas Island, the tombs, anyfucking hardcore jail in New

(24:43):
York, you can imagine Nori wasthere at a young age.
Shout to Nori.
CX1DG's untold story to Nori.
As he was in prison, he had todo three years, two years.
This nigga was in jail waybefore the fame, niggas.
When you niggas was out thereplaying in the playground, Nori
was in jail.
Youth house.

(25:03):
Goddamn youth house, the countyjail.
Then he graduated to go toprisons and all that shit.
So in 95 when he came home, camehome in 94, 94, 93, something
like that.
Um he was rapping when he was injail.
He was rapping with RoccasIsland, and he met a couple of
people, you know.
He always knew Fat Joe from theBronx, but he met more people

(25:26):
that knew Fat Joe, and then hemet his other partner that knew
Big Pun.
So he started rapping and doingshit out in the streets, you
know, you know, doing thatstreet shit.
We ain't gonna get into all theshit and you know, hustling.
You know, that's what Nori,everybody did that back then,
including myself.
As he hung out with Big Pun, BigPun pretty much co-signed Nori.

(25:49):
It wasn't everybody said it wasit was uh fat Joe.
No, it was it was uh Big Punthat uh Pit Nori had gone.
Capone pretty much was cool coolwith Molly Maul, legend DJ Molly
Maul from the Juice Crew.
So Capone knew Molly Maul.
So that's how that connectioncame, far as in them being the
group.

(26:09):
You know, Molly Maul introducedum Nori to Capone, CX1 DJ's
untold stories of Noriega.
Never heard, never told nowhere.
Getting the shit first from DJButterock.
Everybody knows Molly Maul'sfrom Queens.
I didn't know that.
No, he's not from the Bronx,he's from Queens, New York.
So Molly Maul hooked them twoniggas up.

(26:31):
And you know, at the time, Norididn't fucking know Molly Maul.
He met Molly Maul throughCapone.
That's Capone in the pictureright there.
And they got together, they didCNN, and the C and N was the
shit.
Everybody you back in the day,you had to see in the mixtapes,
you had to see in them albums.
Uh Tommy Boy uh pretty much, youknow, put that together.
Now you might want to know howthe hell they got with Tommy

(26:52):
Boy.
I'm gonna give you, I'm gonnagive you the onto the story
right now.
As they doing their shit inQueens, you know, one friend.
Actually, I'm not even gonnalie, I don't know how they got
with Tommy Boy, but they gotwith Tommy Boy out there
grinding.
Back in back in them days, youcould actually get a record deal
out here grinding.
There's no social media.
You just had to be fuck socialmedia back then.

(27:14):
It was more you had to be outthere.
You it's that's the still, it'sstill the same way now.
You gotta be out here movingaround uh to to meet people.
People ain't gonna come to you,niggas.
Ain't nobody gonna knock on yourdoor.
Hey, you gotta, you know, yousocial media is a little better
because you could you couldsocial media is more more like
your press kit, but um backthen, shit, you you just have to

(27:35):
be at the right place at theright time.
They got they got the deal, theygot the deal with um Tommy Boy.
Nori didn't like that shit, youknow, at the time.
They shit him out of money, butthat they put him on the map
though.
Nori didn't really like theTommy Boy thing, but he didn't
he never liked it theindependent route though.
Even now on his podcast, DrinkChamps, he talked about

(27:58):
independent and being withMajor.
And he goes for Major.
He says fuck independent, eventhough the major label fucked
him and when his first shit,they fucked him on a couple
albums that I know about.
I'm an independent recordpromoter, so I know all this
shit.
I was out there promoting CNN, Iwas promoting Nori shit.
I was promoting them when he gotwith Pharrell, when he just got

(28:18):
signed with Def Jam.
Oh, excuse, I jumped the horse.
When he got signed with Capital,and then he went to EMI, just
all these labels went to TommyBoy Records, EMI.
No, Tommy Boy Records, Capitol,then EMI, Rockefeller, then
straight Def Jam.
So that that's that's that's thelayout on the labels he was

(28:40):
signed to.
Without me reading anything,that's the shit I know if I used
to promote the shit.
Yeah, so um E1 is EMI.
Pretty much E1, EMI, same shit.
Then you got Koch records thatturn.
Let me break something down toyou niggas that don't know the

(29:00):
record company shit.
Cause none of you niggas reallydon't know it.
Y'all don't know it.
So let me break it down becausethat's all I've been doing my
whole fucking life.
E1 was sold to Koch.
So E1, Koch, EMI, same shit, allthe same shit.
A lot of people a lot of peopleknow when people got signed to

(29:22):
EMI, that EMI was sold to Koch.
Koch turned into E1 once a lotof people start suing Koch
records.
Like you got Jim Jones, you gotCameron, everybody starts suing
Koch, and then it turned to E1.
Period.
It's E1 is still out there, it'soverseas now.
So uh then uh he uh he left thathe got got with Chris Lighty,

(29:45):
man violated managers managementstarted managing uh Nori.
Then he got the deal throughthrough Chris Lighty, he got to
deal with Rockefeller, and thenfrom that, when Dame faded away
with the shit with Rockefeller,he got signed straight with Def
Jam.
So before Nori Um, you know, hiswhole his CNN shit was with um

(30:08):
Tommy Boyd, all his major shitwas with Rockefeller management,
which violator management, andthen it went to uh Def
Rockefeller then went to DefJam.
When he stopped doing albums, hewas on Def Jam.
Let's make that abundantlyclear.
So I want to I want to educateall you people that's watching,
and people's gonna watch lateron.
When uh when he uh pretty muchwent solo dolo, it was

(30:32):
Rockefeller, Def Jam.
Period.
So Nori always had a major dealthis whole time.
So grinding and grinding in the90s and coming into the 2000s,
he always had a major back.
That's why he against he's uhagainst the independent route.
But why he was dealing with themajor shit, he got fucked along

(30:57):
the way, some music, some money,a lot of shit happened.
And it still emerged Noriega togo back in the streets to still
sling rocks.
His story, not mine.
So when you look at it, and wedoing this and doing that, how
the hell are we back out of herestill slinging rocks?

(31:18):
And most people that know Norithat spoke to us, like, hey,
Nori was getting money, but hewanted more money.
It was not about he wasn'tgetting money, he was getting
money, but you know, that thatNew York mentality of New York,
New York state of mind, getmoney meant, you know, that get
money mentality.
You don't want to depend on thelabels to take care of you or
your family.

(31:38):
So Nori did that, didn't get inno trouble.
Then uh with the grace of God,he did a tour with Rock Nation,
rock not right now, Rockefeller,excuse me, damn trepid.
And uh he went on tour with RockRockefeller, they went out went
out of the country, and thatpretty much, I'm gonna say that
saved Nori.

(31:59):
Going out, shout out, shout outto everybody checking in.
Going out of the country,touring, and then you had
everybody from overseas knowknow the hell who CNN and Nori
again.
One thing I would give aboutNori, once Capone went to jail,
he always represented, alwayskept Capone's name in his shit
live.
Because Capone was locked up 10years, he was he was gone.

(32:21):
But he kept Capone's name outthere all the way until he just
came home.
And he still showed love toCapone.
But uh, you know, you know, I II like that uh that uh loyalty.
He never let his man's name die,even though he was gone for a
long time.
Nori had to keep the torchburning and he did.

(32:42):
He made sure Capone's name wasstill mentioned, he made sure he
hold down the fort, he made surehe pit in and got what he was
pitting in.
He got out what he was pittingin.
Now it wasn't easy.
Niggas got some niggas gotstabbed, some niggas got shot,
some niggas got you know off theearth.
Shit happened.
It's that comes with the hip-hopterritory.

(33:04):
When you come in from the 90searly into the 2000s, the game
was way different.
It's dangerous now, but it wasdangerous then.
It was a it was a bit like this.
When you do some shit now,you're gonna get caught.
Back then, you wasn't gettingcaught unless some nigga really
snitched.
And even when they snitched,they gotta have um, even when
they snitched back then, theystill have to have what's that

(33:24):
word?
They have they gotta have umevidence to put you behind bars.
Now technology is is crazy.
So Norieger, dope artist, heinspired me.
He inspired a lot of youngpeople from New Jersey, a lot of
them people from down south todo to listen to that CNN music.

(33:45):
I went when I went to college,everybody knew who Norieger was
down in North Carolina,everybody knew who Norieger was
in South Carolina, everybodyknows who Noriega and CNN was.
Anywhere I went, the marketingthat Chris Lighty from Violated
Management did, his managementcompany, the the the the amount
of promotion they did with thisthe I call it grimy street

(34:05):
music, they actually put theright marketing into it.
Nori went on tour with DMX.
That was a dude, that was a goodass tour.
He did a lot of uh uh ciphers,that was good.
So he kept himself relevant withall the pioneers in New York.
But one thing Nori did that alot of people be missing out
when you try to get in thismusic industry, you got to keep

(34:26):
your face stuck with the youngyouth.
And even what Nori doing nowwith drink drink chramps, drink
champs, excuse me, a lot ofpeople don't know that Nori is
uh gangster rapper.
Nori was outside, like I saidearlier in his program before
outside was even introduced toanybody.
So I when a lot of these youngtrap rappers and a lot of young

(34:48):
gangster rappers and uh niggasthat I had here battle rap, and
Nori been doing that, and um Idon't want to miss out nothing.
I'm trying to I'm gonna I gottaget my words right.
A lot of shit that a lot ofthese young people was doing,
Nori Jaeger already did it.
From going viral, nobody wentmore viral than Noriega and Lil'

(35:09):
Kim when they had to shootoutout there in hot ninety seven.
You get you can't go no moreviral than that.
That shit was on the SourceMagazine's front page.
It was on 1010 wins in New York.
Every record label and every PD,every program director banned it
Lil' Kim, banned it Noriega,banded a lot of people.

(35:29):
I ain't gonna say names rightnow because they I'm not doing a
program on them, banned themfrom going to any radio station
in New York.
Shit, any radio station aroundthe world after that shootout
happened.
They changed the rules on howyou could come to radio
stations.
That happened actually afterthat shooting at Hot 97.

(35:50):
Now you just can't walk it.
Back then you could just walkinto the radio station.
Shit, back then you could walkinto a record label.
You can't do that shit now.
Well, there's hardly no more onlabel, so you definitely can't
walk into no damn record label,not without an appointment.
But I'm gonna just let you knowhow how loose it was back in the
90s.
Back in like 90s, which back inthe 90s.

(36:11):
But I will say this, Noriega isa hard-working artist.
He put down music, sold millionsof records, got classic videos.
He was doing shit as a he calledhimself a hood, Nick.
As a as a hood, you know, youknow, he did the ghetto, you
know, the he did all the shitthat he did.

(36:33):
It was not mainstream, but itwent mainstream.
So we gotta give our props andflowers to Noriega.
And I know some shit I miss isbecause I gotta it's some shit I
can't say, I gotta say it, but Ican't say it.
I will say it later on.
But um, I don't want to say ittoo early in the program.
So we're here for a minute.
I'm gonna be, yeah, wedefinitely definitely went on.

(36:56):
There's some shit I want to say,but I can't say it all.
Out of respect for Noriega, Iain't gonna I ain't gonna say
everything.
CX1D just we gotta take a songbreak.
Let's go.

SPEAKER_20 (37:05):
DJ, DJ, DJ, DJ, but the rock, but of rock, but DJ
Butter Rock, Butter Rock, ButterRock, DJ.

SPEAKER_18 (37:19):
Ripping the ones and twos with the highest new joke.
DJ Butter Rock, butter rock.

SPEAKER_06 (38:02):
It's open up the eggs.
Yo, you ain't got no streets.
I get one thing.

SPEAKER_20 (39:50):
DJ Butter Rock, butter rock.

SPEAKER_19 (39:55):
CX one DJs.
This hot mic, this is a hot assmic.
CX one DJs untold stories areNoriga, Noriega.
Yeah, so I don't wanna like likeI don't want to miss out none of
the kunos and none of the uhaccolades that Nori Agar Nori
did, you know what I'm saying?
Coming from the hood in Queensand coming from me being a trap

(40:16):
star, coming from the streets,coming from stabbing, shootings,
all kind of crazy shit Nori beenthrough, his first album peaked
number three on the BillboardTop 100s.
No, Billboy Top 200s.
Number three.
The first album that came out in1998.

(40:36):
That is a compliment.
That is, and that was underRockefeller.
That is a compliment, and thatis something that everybody, no
matter where you came from, youand he had many uh platinum
albums.
He had a bunch of we're justgonna talk about the first one
coming from the streets, comingfrom the shootouts, coming from
the all the arts and the cardsstacked against you.

(41:00):
He still had all that shit, hestill had his album, first album
ever.
I ain't talking about mixtapes.
I'm talking about albums whenyou gotta prove yourself to the
record label.
Your first album when yousigned, this when this nigga got
signed.
I ain't talking aboutindependent mixtape shit he did
with Big Pun, Fat Joe, Jadakiss,Jay-Z.

(41:20):
We talk uh DMX or um 50 Cent.
We talk about by himself, no,not not CNN, not Capone, Capone
was in jail.
We talking about the first albumhe did, pretty much number three
on the top 200s of Billboard.
That's awesome.
So um we gonna play a couple ofvideos because I got a couple of

(41:44):
emails I gotta I gotta checkreal quick from uh Julia
Simmons.
So we're gonna get into thevideo part of this, and then uh
we are gonna to definitely getback to the story because
there's more of this story thatI need to tell y'all.
So uh all you people that'sliving in the hood thinking that
you cannot make it out, and it'sit's you went too far in the

(42:07):
street shit, and you you loseyou losing family members, and
you don't think that this shitcould happen for you, it could
happen for you.
You just you gotta believe init.
It don't matter how bad shit is,you gotta believe in it.
But one thing about it, you gotyou sometimes you out here by
yourself.
When you out here by yourself,it'd be people saying they with
you, the motherfuckers ain'twith you.

(42:27):
It could be bitches lying,saying they want to marry you,
and they they they they notholding in in the bargain.
It could be niggas sayingthey're your homeboys, they'll
hold that they don't hold in inthe bargain.
You got a whole bunch of shit.
You got niggas out theresnitching on you, or niggas
don't want to don't want tohold, don't want to be your
friend, and then you have toworry about all that, and then
you still be number one.
Norbi went through a whole lotof shit, just like myself.

(42:49):
I'm always gonna pair-capare mysituation with other niggas.
I'm like, god damn, that niggawould throw out.
I feel what he's gonna do.
He went through, because nigga,I'm going to the same goddamn
thing.
Shout out to Norbi.
Let's get into this.
We're gonna we're gonna play TCap um shake yo.
What's the what's the T Cap umGo Hard?
Let's go.

SPEAKER_13 (44:32):
Now I got any in my cup.
I'll mix it with you, not thecurrent pool.
If you mix me a dude, no stop.
Yeah, I'ma be a mut so bug.

(44:53):
No that it's too big.
No we gon' feel it.
We keep on gon', yeah.
When you drop it, stop doing it.
Out of win, I got kicked in myteeth, it went up, we go.

SPEAKER_06 (45:35):
So we go, go, so we go, go, go, go, get this.

(46:16):
So we made it so I make the topbecause we spot and go I'm gonna
take the baby in the spot, goI'm gonna make a be in the spot,
go paper me in my squad, say wego so hard.

unknown (46:40):
I said we go, go, so hard.

SPEAKER_13 (46:44):
Yeah, me and my squad said we goso hard.

SPEAKER_19 (46:54):
That's my shit.
That's my shit.
Shout out to Chad from our manyof sponsoring that record.
And that is sponsored by DJButter Rock and Chad, CX1 DJ's
College and LLC.
That was T Cap featuring Punkand Put Go Hard Carolina
Everything LLC.
Shout out to T Cap for being amember of CX1 DJs and always
posting our shit and supportingthe brand.

(47:15):
Yeah, so we're gonna get intothis over here.
What the hell we got going on inhere?
Let's get into this, man.
CX1 DJs.
DJ Money and Punk and Put.
Let's go, sweetheart, let's go.

SPEAKER_11 (47:30):
DJ money, money, money, money, money, money,
money.

SPEAKER_05 (47:41):
I know, I know.
That's why I'm so in love withyou this.

SPEAKER_22 (47:45):
Come on, come on.

SPEAKER_05 (47:46):
You be the sweetest thing that I have ever seen.
I know, I know and I will do thesame.
That's what we're doing.
Babies too, you could come to bepart.
Here we are.
Hoping that we never part.

(48:08):
So stay with me.
No one that could be my sweetheart.
We can tell a story how I lovethis.

SPEAKER_00 (48:23):
We can tell a story how I love that.

SPEAKER_05 (48:41):
Whatever you want to do.
It's way more than baby too.

(49:03):
You can come to you.

SPEAKER_08 (49:16):
That's right.

SPEAKER_05 (49:16):
We can tell a story about our love.
We can tell a story about ourlove.

SPEAKER_01 (49:28):
I like this.

SPEAKER_05 (49:35):
Tell a story about our love.

SPEAKER_26 (49:40):
Go ahead.
Yo, we can tell a story.

SPEAKER_21 (49:44):
Bring in the base, yo yo, yo, stop playing around.
Bring in the base.
Bring in the base.

SPEAKER_19 (50:09):
See how this one DJs we do things different podcasts,
untold stories of Nori Jaeger,Nori.
But you know I gotta play theindependent music to the people
that we support.
That was Punk and Put the PantyGirl.
She brought on DJ Money.
And the DJ Money did his littleone-two to that.
Uh yeah.
So we're gonna get into one moresong and then we're gonna get
back to Noriega.
We're gonna play Punk and Put,Shake Your Body.

(50:29):
Just check out this video.
It's a dope video.
Shout out by OG Hoover, you'regonna room.
Let's go.

SPEAKER_07 (50:37):
Slow down, no.
I will slow down, don't care,can't slow down, no, I will slow
down, the car can't slow down,no.
I won't slow down, the kidscan't slow down, no, I won't
slow down, the pair can slowdown, your body, your body so

(51:12):
crazy to your body, so my beatup my body.

SPEAKER_06 (51:25):
I got you as my parts my booty shake, it's got
the two parties, we have a funnow.

(52:12):
Like it went on up and drop itdown.
And I'm gonna work it, baby.
Works good, I'm making you wanta baby.
So you better make a move whilewe in the group.
See how this puppet shopping,and we are feeling right.
How the DJ fixes what I like.

(52:34):
I like how you walk with thepassion, it's unlock with music,
and the keyboard beat me, let mesee.

SPEAKER_02 (52:57):
Take your body, take your body, take your body to the
beat, let me see you move yourbeat, take your body to the

(53:18):
beat, let me see you move yourbeat.

SPEAKER_06 (53:20):
Now I'ma give you a seat up front, back it up, body
tell you what I'm rolling, spinit, then make it low.
Start it up fast and then takeit slow.
Right then on the floor, thengive us some action.
Oh, this friction makes call forsatisfaction.
I see you like my body, you wishyou had a picture.
I see you watching me, I think Iget the picture.

(53:44):
So let's kill and be a beat withmy girl and all your feet.
So you might just get a free.

SPEAKER_02 (54:27):
Shake your body to the feet.
Russia do let the beat, shakeyour body to the feet.
Russia do let the feet.
Let me see the letter.
Russia do lulathy.
Russia to do letter me.
Let me see the move your feet.

SPEAKER_19 (54:48):
Shake your body.
I like that part.
Russia do Lulat! CX1D just we dothings different podcasts.
You know, we gotta take a pauseto play some independent music.
And answer your question, Kappy.
Yo, we all gotta shoot the videoto Sweetheart.
That's Punkin' for a new single.
Sweetheart.
We can tell a story about thatgrow, man.

(55:10):
Hey, you know what, man?
I gotta play that song again.
Everybody likes sweetheart.
That is the most requestedwrecking from punk and put.
So we gotta we gotta we gotta wegotta plan it.
We gotta plan it again.
Shout out to DJ Money.
Wherever you at.

SPEAKER_11 (55:24):
Where you at, DJ Money?
DJ Money, money, money, money,money, money, money.
Hunger with the penny girl DJMoney, sweetheart.

SPEAKER_05 (55:34):
To your customer, baby, you love good.
I know, I know.
That's why I'm so in love withyou.

SPEAKER_22 (55:41):
Come on, come on.

SPEAKER_05 (55:42):
You be the sweetest thing that I have ever seen.
I know, I know and I will do thesame.
It's like a little bit more.
You could talk to my hoping thatwe never part.

(56:04):
So stay with me.
No one that should be my sweetheart.
We can tell a story about ourlovers.

SPEAKER_00 (56:20):
We can tell a story about our skin.

SPEAKER_05 (56:29):
Tell a story about our head.
Whatever you want to do.
And I won't do what I want todo.

(56:55):
It's waiting in the sunlight.
You could come to be here.
Hoping that we never pause.

(57:22):

SPEAKER_01 (57:25):
I like this.

SPEAKER_05 (57:31):
Tell a story about our love.

SPEAKER_26 (57:37):
Go ahead.
Yo, we can tell a story.

SPEAKER_21 (57:41):
Bringing the base, yo yo, yo, stop playing around.
Bringing the base.

SPEAKER_19 (57:55):
We're gonna shoot a video of that.
We're gonna shoot a video today.
We're gonna shoot a video today.
Some elegant shit.

(58:16):
We're gonna do it.

(59:13):
It is wrecked.
This is my favorite.
The name is Wrecking and Wall.

(59:34):
I'm not ready.
Number one.
This is on a lot of this is onactually the Chocolate Princess
album that you can go buy.
If you like it, go buy thechocolate princess album.

(59:54):
I wanna make sure I play this.
Oh no, you know, you don't needto be a good one.
But I'm gonna play this righthere.
Check it out.
The question is your boy, didyou put a rock?
Call it twenty.

SPEAKER_17 (01:00:15):
Yeah.
I wanna hear that new pocketfoot.
Freak style.
I wanna hear that shit right nowon the quick line.
I wanna hear that shit on thehotel.
Okay, I want the new pocket footand fifty-fifth war.
That freestyle shit.
DJ but I put that shit on.
I'm gonna get the bottom on thequick line.
I wanna hear that shit now.
I want to hear now.

(01:00:36):
I'm gonna be a wall right now.
The new pocket foot andfifty-fifth freak down.
Put that shit on DJ butter, I'mputting the cowboy bomb for
motherfucking Houston.
I bought that shit on ourcaptain.

SPEAKER_06 (01:00:49):
Niggas on some rah-rah shit, punkin' footback
on some gangster shit.
If niggas ain't feelin' meshankum, I'm the bitch in the
mirror, can't get no clever.
Got diamonds in my ear, I'mselling my dear.
You broke motherfuckers, can'trock over here.
Don't front, don't stunt.
I'll be you what you want.
My booty's kinda bet you wannalick it to the front.

SPEAKER_14 (01:01:09):
Smoke weed, come on, feel make me piss in the cup.
Nigga, go eat this with me, I'llfuck you up.
I ain't talking about a fist,fight I cut you up.
You don't want to be your grill,motherfucker.
As a young buck, niggas alwaysknew I fuck.
See me go to school on a smallbuck.
I'm getting all this paper.

(01:01:32):
So they thought I was dumb.
Why the so-called smoke piece ofpoppin' guns, I think about
poppin' the gun to get thenumber some grandpa on a roll
about a bottle.
You make rope bitch.
You the one that told me wewould be in black about beat the
rope on the walls to fall andfall on my frame.

(01:01:59):
Let's go.
Let's blow nigga.
What is it good?
Absolutely nothing.
Fucking nigga live like asoldier, die like a soldier.
What is it?
Whoa.
Absolutely nothing.
But niggas keep front.

(01:02:20):
Fucking nigga live like asoldier, die like a soldier.

SPEAKER_06 (01:02:23):
Boys acting like that they the best is in the
game.
Little do they know that I'm theone that bring them pain.
Don't talk shit if you can'tback it up.
My cooper swillin' rate andready.
Clack it up and guess I'm withmy crew.
But still I keep the haters insight.
Eyes open like I'm so date allnight.
I don't get my hands dirty.
This shit is lovely.
Got niggas that are blasthaters, cause they wanna fuck

(01:02:44):
me.
I never flip the powder, but youknow I handle the green.
My money makers hit a soak upthe cream.
And I got money, but I wantmore.
So shut up, you don't wanna loseyours.
And we run through cause, youdon't put no fear in us.
But we blend in looking andcuts.
If you us, you better listen,cause you've been born.
Or get your armor ready if youwanna make fun.

SPEAKER_14 (01:03:07):
What is it good for?
Absolutely nothing, but niggaskeep front.
Fucking nigga live like asoldier, die like a soldier,
boy.
What is it good for?
Absolutely nothing, but niggaskeep front.
Fucking nigga live like asoldier, die like a soldier,
boy.

(01:03:28):
State emergency nigga.
See me pop off, nigga.

SPEAKER_19 (01:03:32):
CX1DJs, we do things different podcasts.
That was Punk and Put the PennyGramard.
You know, we're gonna be doingPunkin Put got an album coming
out.
Chocolate.
What is it?
Uh what the hell's the name ofthat album?
It's um uh I forgot the name ofthe album.
Anyway, I we'll promote thatlater.
We got a new project coming out.
And um we're gonna be promotingall punk and put it on.

(01:03:58):
Get the fuck off the podcast.
We're gonna we gonna make itmaking sure.
Hey we're gonna be able to doit.
So we're gonna go over thebuttons.
We're gonna go to the city.

(01:05:19):
We all should like the producer.
We will go in the editor,everybody.
We edit out everyone.
We don't we are not gonna beable to do it.
I don't want people to look atYouTube haters.

(01:05:45):
I'm on the look at anybody Youare anybody listening to me.
I'm talking about it.
I'm talking about DJ, I don'twant to talk about DJ money
anyway.
That's a whole Anybody that's apart of CX1 DJs.
These artists, managers, andrecord companies really do watch

(01:06:06):
our shit.
They don't gotta watch it theday we do it.
They watch our shit.
Why you they got tag?
And some of you other niggas,I'm gonna tell you what I did.
I did, I told, I told Chad todo.
I said, Chad, I ain't gonna saywhat I told him to do.
I ain't gonna get into thattoday.
But anyway, he did some shit,and and when people don't read
and check their shit, then theyanyway, he did what I told him

(01:06:29):
to do, and he did it.
And I saw that people don't bepaying attention.
But anyway, I'm always gonna betesting the people around me
because I it's millions ofdollars on the table right now
for you niggas.
Nah, nigga, this no nigga, Iain't just talking, nigga.
That's why I'm when this whenyou know the shit is about to
get real.
When I get when I get quiet, Iain't doing too much talking,
which I'm not.

(01:06:50):
Um this one y'all know shit isgetting real over here.
I ain't doing too much talking,I'm straight to the business.
We're done with the talkingshit.
We we we get into the businessover here.
I ain't gonna be arrogant, butI'm gonna be honest.
It's gonna be, and if I do talkto a motherfucker, it's gonna be
quick as fuck.
Boom, boom, boom.
Wham bam, thank you, nigga.
That's it.
We get into the bag now.
We get into the business.

(01:07:11):
We get into what I mean by thebag, you gotta get to the
business to get to the money.
And you you can't be everybody'sfriend, you can't be on the
phone for 30 hours, you can't begoing places that you really
ain't wanting and niggas want toget you.
You can't do none of that shit.
You gotta be low, low, lowprofile, like the tires, nigga.

(01:07:31):
You gotta be low profile herewhen you get into the bag.
But you don't be bougie.
Like I ain't no bougie, nigga.
And one thing about me, I willacknowledge everybody that email
me, call me, uh sky page me, uh,whatever the fuck, mail me some
shit.
I'm never gonna act like Ididn't see it, because that's
some goofy shit.
That's goofy at his best.

(01:07:52):
And one thing about DJ ButterRock, I'm a lot of things, but
I'm not fucking goofy.
And I'm not as I'm gonna tellyou, I'm gonna tell you the
couple things I'm not.
I'm not a fucking liar.
I'm not, I'm not a deep, I don'tsteal shit from nobody.
I don't give a fuck what nobodysays, nigga.
And I don't, I don't, I don't, Idon't play games.
I'm shooting I'm to the point,but I will blackball a

(01:08:13):
motherfucker, I won't fuck it,nigga.
When I mean by fucking nigga, Imean I mean like fuck you, and
not fuck you, like takesomething from you.
Cause I don't steal.
I don't do that.
I'd rather give you some shit totake from you.
I'd rather you get blessed and Ireally like because this is what
I tell a person.
When you're doing shit out ofspike, God don't bless you.
Say if I go trying to dosomething to fuck with black

(01:08:34):
ball mean my but my kind ofthat's why I'm gonna explain
this before I get back intoNoriega.
My kind of black ball is notfucking with you.
Not telling people not to fuckwith you.
When you see a nigga say, hey,don't fuck with that nigga.
Now it depends on who it is.
I ain't gonna talk bad.
I'm like, hey, I had this kindof experience with that
motherfucker.
Your m your experience might bedifferent, but I'll, you know, I

(01:08:57):
used to tell people not to fuckwith certain DJs and I then I
thought about it.
They might have a differentexperience than I had.
But I'm gonna tell you what'sI'm gonna tell everybody this
right now, and all my team, mynew team is looking at it.
If I don't fuck with a nigga andyou following them on social
media, that is the red flag.
It's no essential thing.
If we really rocking, no oneshould be following my ops.

(01:09:20):
You can't tell me what to do.
You might, but it looks goofy.
Anybody the opposition, youain't never gonna see me
following them.
They ain't gonna be on myInstagram, my Facebook, my
Twitter.
If you my opposition, you a DJnigga, I don't fuck with, you a
DJ crew nigga I don't fuck with.
I'm not following you, nigga.
And if niggas say they fuck withme, they shouldn't be following
their niggas in.

(01:09:40):
Man, they just don't, nah,nigga, nah.
It just looks goofy because Iwhat I do when I when I deal
with my investors and I dealwith my partners, like Julia
Simmons, Troy.
Everybody know who I don't fuckwith.
What crew, what person, DJ nameby the everybody knows who I
don't fuck with.
And people's like, well, damn,he's following them.
Well, I don't know.
I guess he's fucking with him.
I guess she fuck, she fucking.
I don't know.
I don't it matters when we getinto the bag.

(01:10:03):
And in most most instances, mostsituations, it really might
don't matter.
But when you get into the money,it fucking matters.
When you get to status of whatorganization you are part of, or
you're a member of, or you uhyou know you are you associated
with, it matters who would withButter Rock and my organization,

(01:10:25):
my faculty, we look ateverything.
So I'm letting everybody knowright now we are in full fledge
of blowing the fuck up mode.
The CX1 DJs, we do the CX1 DJsLLC, CX1 DJs coalition, LLC.
Uh adjacent with the CX1 DJs, wedo things different podcasts.

(01:10:47):
It's on a whole nother level.
You niggas don't even know.
This shit moving faster than Ido it would move.
And I we don't need no bullshitfaking inflated numbers that
make us stand out.
Like a lot of these otherniggas' YouTube pages inflated.
This shit is not real.
This shit is YouTube changed howthey operate.
This shit ain't real when I beseeing certain shit.

(01:11:09):
We could go, I could have Chadfrom our Hard Media get ahead
and get have my numbers lookinflated every time I come on,
like some of these other niggas.
I'm not doing that.
Only people I see numbers iscrazy is shows that's not live.
They promote it, they don't theyair it like a month later.
I was talking to one one of theproducers from um from um Fat

(01:11:31):
Joe show.
Joe and JD show.
They be having shows that theydid month six months and then
they air it.
They have shows they did inJanuary and they air it, they
just air they recorded it inJanuary, they're airing it now.
So they're the right promotionand marketing behind it so
people could actually look atit.
So we you gotta understand howwe do it.

(01:11:53):
We do watch it live.
This ain't nothing that shitthat's pre-recorded, it's
straight live niggas.
So that you know, that you know,that that could take away from
something marketing, but no,we're gonna go back and promote,
you know, we're gonna chop thevideos up and go back and do it.
So we got a lot of shit we'redoing.
All I want to do now is floodthe market.
What we are doing now isflooding the market with these
untold stories and what we gotgoing on.
And while we flooding it withthe untold stories, we are

(01:12:15):
promoting the artists that wesupport.
So every artist, um, you have ajob to do.
I need you to fucking promotethe hell out of your the
podcast.
Promote the hell out of yourpodcast.
I'm telling you, every artist,I'm talking to everybody I
played music tonight and peopleI'm gonna be playing in the
future next week.
Starting Monday, we're gonna beplaying independent music.

(01:12:36):
And actually, starting Monday,we go into two hours.
We whoops! We already two hoursnow.
We go into two hours startingMonday.
So it's gonna be eight to ten.
That's the that you'll see thenew flyers for next week.
It'll be eight to ten p.m.
And I'm quite sure we're gonnago to 10 p.m.
today.
We this was a practice run, butit's gonna be official next
week.
It's gonna be eight to ten.
Two-hour show starting Monday.

(01:12:57):
It's gonna be forever.
Eight, eight p.m.
to ten p.m.
If anybody claim they can't be,if you're an artist and you tell
me you can't be in on here 8 to10, I will never play your shit
ever.
Everybody that's a member in uha part of this show is it's it's
is is uh what's that word?
It's mandatory you be on thispodcast, especially if we're
gonna be playing your music.

(01:13:17):
Now, I'm gonna I'm gonna uh likeI said yesterday, any any songs
you want me to play that wedon't pick out is$250.
I have I have I only have twoartists that I'm supporting, me
and Chad is supporting, andthat's T Cap and Punker Foot.
And but but you two artists, I'mlooking at the camera one.
I don't give a fuck who you are,Punkerfoot or T Cap.

(01:13:37):
If y'all want us to play anothersong besides what we're playing,
it's$250.
And no, we do not playPunkerfoot music for free.
We put out the we put out thesongs that we sponsoring.
So we are sponsoring T to someof the songs that we like of T
Caps, and we sponsoring thesongs we like of Punkerfoot.
Then the only two artists thatwe're gonna show love to because

(01:13:58):
they've been showing love to usfrom day one.
And I'm not I'm never gonna stoppromoting T Cap, and I'm never
gonna stop promoting Punkerfoot.
But it's a catch 22 with that.
We're gonna play the songs wewant to play.
If you have a particular songyou want us to play, it's$250

(01:14:18):
with no discount.
There you go.
Or y'all can just let us playthe shit we want to play.
And this is coming from me andChad and Bill Watson and
everybody at the CX1 DJsCoalition LLC thing.
I want to, I'm gonna be breakingPunk and Foot and T Cap.
But it's gonna be the songs Ilike.
Period.

(01:14:40):
Point blank.
Be on the lookout for that uhremix of um Go Hard with T Cap
and Punk and Foot.
We're gonna we remix it.
We got a whole nother producer.
We're gonna be remix it.
We're gonna shoot another videoto that.
That's something me andCarolina, everything, CX1 DJs
and Carolina, everything LLCgonna get together and do um
with the video part, um, like wedid with the first one.

(01:15:02):
Me and T Cap got together and weuh organized that video.
That's a dope ass video.
So we're gonna remix.
We got we already have aproducer in New York City, he's
gonna be redoing Go Hard.
I already sent him the stems, TCap.
He's uh building the beat overthat.
He already heard the one thatwhy he did.
I told him the situation withthat.
He said, Don't worry, my nigga,we got you, New York.

(01:15:26):
That's the nigga said to me.
All right, so we're gonna makesure that do good.
It's gonna be produced by uh theCX1 DJ producer.
We got a bunch of producers inNew York, so so T Cap that go
hard remix done by CX1 DJs willbe done, and that would be done
by CX1 DJ's producer.
So uh, yeah, that that's uhyeah.
And I like I like Wa Heat beat.
I love the whole, I mean this isgood, that's why I was gonna say

(01:15:46):
remix.
You still got the regularversion with Wah Heat, and we're
still gonna be playing thatvideo.
Um, we still gonna promote thatversion, but we gonna, you know,
when you have a dope ass record,you gotta have a remix.
And so we gotta uh we definitelygonna do that.
Now, before I get in thissomething I didn't play in this
motherfucker, what I didn'tplay.
Let me see.
I think I played everything.
Let me see.
I played all I played all money.

(01:16:08):
DJ Money, I played your shit ahundred times.
Yeah, I don't know if you wasyou probably was working.
I don't know what you weredoing, but um we're gonna play
one more one more punk forrecords, and we're gonna get to
this.
Get back to uh Noriega.
DJ Money, money, money.

SPEAKER_11 (01:16:21):
DJ money, money.

SPEAKER_06 (01:16:22):
You know what, you know what, you know what?

SPEAKER_19 (01:17:02):
This is crazy, nigga.
This is goddamn crazy, DJ Money.

SPEAKER_11 (01:17:10):
DJ money, money, DJ money, money.

SPEAKER_19 (01:17:18):
For for the people that's joining, this is the name
of this song is Omnishit.
The artist name is Punkin' Foot,the Panty Girl, Punkin' Foot,
P-U-N, K-I-N-F-O-O-T.
The DJ name is DJ Money.
Uh we don't want to get intothis though.
DJ Money.
Money, money, DJ Money.

(01:19:27):
Just Google the name,motherfuckers.
Shit.
And that's that real hip-hopshit.
Shout out to DJ Money forblazing that mixtape.
The Deryl Bret Nixtape.
That's DJ Money and Punkin' Footthe Panty Girl.

unknown (01:19:43):
Shit.

SPEAKER_19 (01:19:44):
We're gonna promote our new album that's coming out.
But we're gonna get back intothe Noriega stuff.
Noriega people like, nigga, whathappened to my nigga?
We had a Nori.
You know we got, you know, youdo drink champs with all the
independent motherfuckers.
We gotta do, we gotta give, no,and major niggas.
I gotta I gotta relax.
I got that for Nori.
You gotta relax.

(01:20:06):
So um we have to show love tothe independent artist that's
out here grinding.
Punker put the panty girl outhere grinding.
DJ Money out here grinding, TCap out here grinding, DJ
Butterot, nigga.
You know I'm grinding.
Grinding on some no Neptuneshit.
Clips.
Shout out the clips.
We got an untold story approvedfor them.

(01:20:27):
I don't know what the hell we'regonna do that though.
I'm waiting on the clips to sendus the shit.
Let's get back to Nori.
We not done.
So Nori had a Aliwood, uh, uhAli to him.
Ali yo do to him.
He said, Who the fuck was who dothat nigga the Alio?
You ain't gonna know who I'mgonna tell you who do it to him.

(01:20:49):
We back to it.
That's why this is gonna be twohours.
I can't wait.
We already had two hours.
We're gonna be two hours.
Going forward.
Start now, nigga.
Shit.
We said two hours Monday, butnigga, the shows I got lined up
for tomorrow and Sunday, nigga,we might need 18 hours.
Nigga, I ain't gonna be on here.
I'm gonna just gonna be twohours, two hour show, two hours.
Y'all what I was doing, gettingeverybody ready for the two

(01:21:12):
hours shit.
Getting everybody ready forbeing on here for two hours.
Because it takes two hours topromote underground artists, to
to to to do my statements, totalk about what's going on.
One hour ain't a fucking enough,man.
I can't do all that shit in onehour.
At first I said, man, I wanna dothat.

(01:21:33):
Then I thought about it.
It takes a long time to get to,and then I gotta talk out and
curse motherfuckers out.
I gotta express my opinion.
I gotta goddamn drink my shit,eat my chicken, I gotta eat
pussy.
I'm not gonna, I ain't no pussyhere yet to eat.
Not yet.
But anyway.
And wait, wait, wait, we gottawait for that pussy to get her

(01:21:53):
mind right.
Bitch, get your mind right.
How many bullshit?
But anyway.
Now, this is what we need to do.
We need to understand who doNori the Aliu.
Who doing the Aliyu was?
Chris Lighty.
Chris Lighty said, listen here,I'm gonna change your life when

(01:22:16):
we sign on to be in yourmanagement.
Chris Lighty from the LightyBrothers.
Violator management.
When Nori got with Violator,we're gonna play some videos
with him and Violet in a minute.
It changed his life.
He went from Ashy to Classy.
You was not nothing unless youwere signed to Violet
Management.
Violeta had all the streetniggas.

(01:22:37):
Chris Lighty was their voice.
RP to Chris Lighty, Riley.
Mona Scott, her ass came fromthere.
Syria Rome came from there.
If you got Mona Scott, you gotSyria Rome, you can't have
nothing else but the greatness.
Nori Eager, they had over 300.
I'm saying wrong.

(01:22:57):
They had about Valida and Speakhad over 2,000 artists and
companies that was managing.
And guess what?
Nori was one of them.
They said, Nori, you gotta stayyour ass out of trouble.
Nori said, I'm me.
And Chris Lighty said, I'm me.
I be the voice for the hood.
And Chris Lighty brung Nori tothe top.

(01:23:19):
All his number ones, all hisendorsement deals came from
Valley to management.
So we want to pay homage toNoriega and also give respect to
management, Def Jam Records,Rockefeller, Damon Dame Dash.
You gotta give it to Dame Dash,man.
Dame Dash had a lot to do withNori as well.

(01:23:42):
Dame Dash made sure whenwhatever deal they was working
with, the Queen, you know, yeah,let me understand this.
Let me get you out this beforewe get into the videos.
Nori represents Queen, so that'sNas.
That's Braveheart.

SPEAKER_18 (01:23:58):
That's DJ Molly Ma.
But he also represented theBronx.
That's Pat Joe.
That's Big Bun.

SPEAKER_19 (01:24:10):
He's Puerto Rican and black.
His father was black.
RP his father.
His father passed away in the90s.
His mother was Puerto Rican.
So that makes him Puerto Ricanand black.
He embraced it the Hispaniccommunity.
The Hispanic community embracedhim.
He embraced the black side ofhis family.
But you know how to go when yourmother is the is your mother is

(01:24:33):
Puerto Rican.
They classify you as PuertoRican.
He knows how to speak Spanish.
His father was black, but he heloved his father.
Nori loved his father.
So we want to understand this.
If you have a father stillliving, you love your father.
You have a mother still living,love your father.
Because at the end of the day,love your mother.
At the end of the day, when youlose one of them while you're

(01:24:54):
working on your career, it couldtake your soul, it could take
your mind out of whatever you'redoing.
But one thing about Nori, hestayed focused and still dropped
music.
It still went platinum underdistress.
His father passed away right atthe time he was working on his
first album.
CX1 DJs unto it.
And his album came, his fatherpassed away like 95, something

(01:25:17):
like that.
And he dropped the album in 98.
Let's tell y'all something.
It's very hard to work when youlose a parent.
Like when I lost my mother, Iburied myself into the in the
work.
Either you're gonna overwork oryou ain't gonna work.
My case, I overworked.
I'm still doing it now.
So what I'm gonna do, we'regonna pay homage to Noriega.

(01:25:39):
I want everybody to understandthis is not a game.
This is CX1 DJs.
We do things different.
Podcasts, untold stories.
Ain't nobody.
I mean, we just we new to thisshit, but ain't nobody.
Look at camera one.
Camera one.
Ain't nobody fucking with ourprogram.
Shout out to everybody that'sdoing podcasts.
This is a new podcast.

(01:25:59):
We just started this shit in uhthe end of October of 2025.
We already got a hundred showsdone.
Who the fuck you know got?
We already got a hundred showsdone.
We started October 30th afterHalloween.
So imagine when we own doingthis shit for 10 years.
I want to congratulate to Noriand the whole team at Drink

(01:26:23):
Champs for the success on hispodcast.
When they said it would theystarted a podcast, they didn't
think it was gonna be a podcast.
It was just a thing they wasdoing.
And now look at Drink Champs,one of the biggest podcasters
out here in the world.
CX1 DJs, all I'm doing now.
I used to I was doing theconference calls.
T Cap said, Butter, you need todo a podcast.
I went ahead and listened to mybrother and did a podcast.

(01:26:46):
Because I'm I'm I'm behind thescenes.
I like doing the conferencecalls, the shit like that.
And then I got into this and I'mdoing it.
I'm gonna continue to breakrecords.
I'm gonna continue to do theshit I got wars for, breaking
records, major, major indie, butI'm gonna specialize into
breaking these artists thatnobody knows.
And I'm gonna break them righthere on the CX1 DJs.

(01:27:07):
We do things different podcasts.
But we gotta still have theindustry, niggas, for people to
watch.
Like, all right, I'm trying towatch this.
While you watching your favoriteartists or your favorite old
school, your favorite legend,you can listen to some of this
underground shit we playing.
So all you underground artists,I'm gonna say this again.
Starting Monday.

(01:27:28):
If you want your music on here,I'm gonna give y'all the email
address at the end of thisvideo.
CX1 DJs, we do things differentpodcasts.
Let's get into Noriega uh videopart of this, music part of this
um program.
I want everybody to hold on anduh and uh pay take take heat and

(01:27:48):
and and take notes of this righthere.
Now we're gonna we're gonnawe're gonna we're gonna go back
to the beginning and to the end.
All right.
Let's go.
CX1 DJs.

SPEAKER_16 (01:28:22):
And yet we light a candle.
We're left around the Englishcandle.
We on the run now, you don'teat, don't run now.
And we're out, no, take a scare.
You can thumb down.
Break the door, take a break it.
I don't care, but when you getcaught, remember that I don't
care in the Rust to have theatmosphere.
I mean now we on the right, yourdad is clear.

(01:28:43):
We think it's one split, yo, butthat it's fair.
Yo, we gotta make it.
Let me cast the racist.
They call me animal car.
When I've expected, I used topull phrases, bro dice with no
acids.
Down if the clue and the oldoasis, rust, frust, rust, rust,
rust.
And yet we light a candle.
Run laps around the Englishpanel.

(01:29:03):
That's called the battle talkingspaniel.
We on the run now, you know whatain't no fun now.
And where I go, no, niggascared, keep the sun now.
Break the law, nigga break it.
I don't care, but when you getcaught, remember that I don't
care in the RE stuff throughoutthe atmosphere.
I mean now we on the right, yo,that ain't clear.
We think it's on the split, yo,but that ain't fair.
Yo, we found it fake it.

(01:29:23):
Not these guys who courage it.
I know I'm on the run still ripstages.
They call me animal dog when Imake faces.
I used to prove phrases, roaddice with no aces.
Check my sky till I got foundfaces.

(01:29:58):
Around my next two beats inMiami, and punch to the one to
Grammy.
This year, I bring this shithome to his family.
And keep hating until youreceive mad folks in your chest
plate.
Hard to breathe.
See you a hater like star andbuck.
Nigga, what?
And fuck Tommy boy.
Them niggas just suck.
I'm the ultimate gun on my dick.
Ten niggas jumped the nigga,fan.

(01:30:18):
Ten niggas pounded him out,stomped the shit out of this
nigga, man.
And then this other Panamaniantype of dude.
I don't even know.
He had like ten razors in hisass, man.
He takes it out of his ass.
He give a nigga a bunk fiftyacross his face, man.
Blood everywhere, shit good.
CO's not even coming, letting awhole shit go down, man.
What's up?

(01:30:42):
He goes, man.
You know, people east, man.
Selling coke while he fuckingwith the bitches.
You think he a pretty nigga?
You know, you know that nigga,man.
You know what I mean?
Sell a lot of coke, man.
He sell coke.
Shit, man.
I ain't I don't even know, man.
We're gon' keep that on the low.
Cause I ain't see you, you ain'tsee me.
Ice?
You stay cool like how you becool, I'm doubting water.

(01:31:03):
Yo, my worry spent.
Like a nigga with ways.
Why the animals like a shit belocked in caves.
Slap shit like the old littleA's.
Land of Brave, yo, misbave.
Nigga get trapped like a slave,yo, all on top of you.
Break a brick off, choppin' you.
Prize that.
My K-tone already shocked you.
It buffed two of y'all, reallytook a few of y'all, ran through
y'all.
Let my gas go boo y'all.
I love who are, who you are.

(01:31:24):
Spray your car, creep yourchest.
Leave that ass suspense, leaveincense.
Don't leave no fingerprints.
Yo, bows and apples, swords andlords.
The really, my max Millie.
Spray niggas, slave niggas,you're the cardiac.
Make me feel unbeatable.
You're especially when my assdrunk too much.
I was in the hood, in the hood,smoking as ducks.
Yo, all fucked up.
Bit and can't think.
Why your bows think?
Don't even kid that you sink.

(01:31:45):
You don't pulse it.
Exclusive.
I explosive.
Can't even get with the shit Idealt with.
I'm on some other shit.
A manuscript is crap to foulthis.
Panama finalis.
What?
Yo.
I can't believe I fucked up andmade a half-ass album.
My excuses, apostasy.
And I wanna make music.
Apoxy side.

(01:32:07):
I got the habit just to drive,get a roll.
We like the crab for you.
I might find with the code foryou.
Y'all follow me.
Stop following.
I'm like 25.
And if you blow up.
Oh no.
Take it up.

(01:32:28):
So we do it.
Up the BSP.
It was the rest of the buttons25.

SPEAKER_24 (01:32:37):
Don't we get out of it?
Yo, back to it.
Yo, so we can't.

SPEAKER_15 (01:32:57):
Queen.
Over that shot.
Yellow, yo.
What's that?
Yo, yo.
Sun I'm real on the street, andI am on wax.
So if you see me in the door,you see me making my stats.
If you see me on the alley, yousee me taking a jack.
And I think I'm all lack.
How y'all niggas feel about it?
Be careful.
Rap shit, it'll get to yourhead.
How you screamin'?

(01:33:17):
Fuck the police.
When you scare the fish, is ityou'll love your enemies and
hate your friends.
Your enemies remain the same.
Your friends always change.
I travel, state to stay, stayspot, still wait, Jack Walk.
XK, money machines, challenge.
Ice for five words, kill a manon weight.
Yeah, but yeah, stop a sober,sling it dope for raps, I'm in a
fucking relapse.

(01:33:38):
High two and has some twistin'the cats, I'm getting it.
Push down, I'm slipping.

SPEAKER_16 (01:33:57):
In the hood, one play, one thing, straight.
Nigga, that's that's like you'veall in it, four more, and a

(01:34:50):
four, two y'all.
But I'm in the fast, deep bit,build a fit, yo, the world know.
Lori Ego from our back.
Keep with me serious, keep itreal, lapsack.
Get stabbed in the back.
Man, Alley Cat.
Lou cousin from Jamaica.
Brown skip top, top fly.
Yo, we stuck in the game likeit's a drug.
My boss was a thought, nigga.
What's on the streets, too?
Otherwise, dip it's a state two.

(01:35:12):
Speak on the streets, 1007 gotthrough.
I see you, come see you.
Race, roll, race, roll.
To the rest of the fans.
Locks and hold.
A AT, money come first, fastfirst, game first.
Yo, that's not me.
Honey up first.
Keep blessed, clamorous,diabolic, devilish.
Just getting real.
Reality you think, just sayfive, skip rough, knives get
touched.

(01:35:32):
Pully spots.
Yo, he was rapping.
Yo, I what what?
What what?
Dressed in decent, I'm thecrackin', selling through it,
then brace one.
We don't get the bloody money,dirty gas, live.
Niggas just flow, wave, cars,deep staff.
You won't, you walk, all that'sbad.
Stay quiet.
It's like fuck, it's king touch,zero.
Blind fury, nigga.
I smoke bogey, conspiracytheory.

(01:35:54):
It's like I'm not gone.
With just the X.
These bitches sweet ain't inlove, but it's just the X.
Niggas act like coke game longand stretch.
Like I don't keep two shotgunsunder my test.
I flip, I sleep.
Yeah, I'm the king of thestreets.
It's so more fucking streets isthe streets.
This is industry.
Niggas wanna bring their lawyersto motherfucking battles, man.
Don't bring your lawyer, man.

(01:36:14):
Bring your gad or bring yourclique, man.
Straight up.
So it's a big difference.
You sound like you got like yougot some personal experience
with that.
Personally, I got sued threetimes from bitch ass niggas.
Three times.
They not ghetto celebrities, youtellin'.
Not ghetto celebrity, youtelling.
Straight up.
And then you know who you are,you sued me.
Yo, niggas try to sit on me andmake history.

(01:36:37):
Supposedly, I was the man thatwas supposed to be the head of
the click.
Lips here on no niggas' sticks.
Goma die.
I smoke bogey, swore like sheknow me.
Shoot up your block to make youknow me.
You ain't ready yet.
Slow down and break the leg.
Stay in the car, I'll start forall body set.
Yo, I'm all who act ball, lookpaw, now I'm set.
Act condition, cooler system.

(01:36:58):
Yo, the tech listen, on amission.
Shoot your back opposition, downmissing, two five deep from
prison.
Kid listen, die on the crosslike a Christian.
So fuck you.
Plus your weak religion indisguise.
Nowadays I cut prize.
The invincible, untouchable.
CNN, it's both face, spitting itgonna eight pen.

(01:37:19):
Channel 10, we bring 10.
Win again, kid, you on Pluto.
Homo diapers like Pluto fallsfrom the sun.
Can't feel the shit that I do.
Stand in front of the judgeabout the lie.
Plus a lot to T O and Y.
Need some work.
You need some work, Mr.
Art guy.
Portfolio.
Picture taken, motherfucker wantsome work.

SPEAKER_24 (01:37:44):
I know, I know, I know.

SPEAKER_16 (01:37:45):
You you the type of nigga gonna tell on me.
I give you the motherfucker.
Watch this out, man.
Cause I like you, man.
I like you a little bit, man.
Since you a little dude, youfeel me?
So uh I got a thousand dollarsworth on me, man.
You know what I mean?
And I'ma give you that thousanddollars worth.
You make$500 out of that.
I'm still fucking with your ass.
I'll give you$5,000 worth.
If you do the math out of that,alright?

(01:38:07):
Keep it moving, man.
You ain't get this from me, allright.
Dug that shame it.

(01:38:28):
I'm a hustler, and I even gothustle things.
I got home fool, singin' I lovethem, I'm a sucking dad.
You know I'm a thug, I can tellthem lies, hit them in the head,
and it was brand.
I had my pops, the executiveproducer, which is which is
which is my favorite guestappearance on the album.
You know what I'm saying?
He's he's deceased, and he's ona wall with a lot of great
people from my neighborhood.

(01:38:48):
You got my man, Mr.
Blake, who who did this wall,you got Kenny Anderson and Kenny
Smith, you got Vincent Smith,you know, great coaches from out
here.
You got a lot of great GovernorHitley from out here.
And my pops wasn't no moviestar, he wasn't no star, he was
just a a star in the community.
You understand what I'm saying?
Melvin Flint also starred MissyElliott.
Shout out to Missy Elliott, goodlooking for that.

SPEAKER_25 (01:39:10):
And and Koliqua, mexicano, hey, I can sit down.
Sig in the gravity to them,yeah.

SPEAKER_16 (01:39:43):
Because it's ever been to bigger better being a
dream, your face, because it's ateam.

(01:40:14):
Yo, you know, say the nigga stayreal truck.
I ain't take a flight, nigga.
Just place you what the fuck,all that niggas wanna say what
the what?
Well yeah, halfway, kill upsounding halfway.
What?
If you ain't waiting, what thefuck?
Shut the fuck up.
Niggas just snakes, in otherwords, just like dicks.
Y'all sell raps, you can sellcrap, go crazy.

(01:40:34):
It's like it's got this.
Oh, look for the drop.
Yo, I hate to have to split myniggas all in your spot, like
split star.
You ain't all in your car.
What's the fuck?
Plug the internet for bananas.
Even if they lose our space, westill got cameras to play the
game like the movie.
Smoke blue seed, big gone, butmy favorite song still.

SPEAKER_23 (01:40:55):
Stuff don't even know what's happening.
Before the second thought makeyou feel the wrap of a clapin'
fire flashes, two holes up inyour head matching.
Don't feel in the corner, itchfrom eight scores scratching.
We make the nut a butter.
They creamy shit from thegutter.
Papin on these niggas, flipthem, make their heart beat.

SPEAKER_19 (01:41:12):
CX1 DJ's untold stories.
I know he ain't got.
Yeah, that's that beatPunkerfoot rapped off a Nori.
Punkerfoot killed your damnSimon Dill.
She killed that shit.
We'll play that shit anotherday.
I ain't wanna play it todaybecause I know I was playing
that today.
Nori said, yeah, hey man, you gorap on my beat, you gotta kill
it.
Punk a foot didn't kill thatassignment shit.

(01:41:32):
CX1DJs, we do things indifferent podcasts.
I want to thank everybody fromviolated management.
Definitely thank Sylvia Room.
Uh yeah.
So we're gonna get into thisright here.
Yeah, this is what this is whereI was trying to get to.
CX1 DJ's Punk and Foot the PantyGirl new album.
Young Chocolate and Gifted.
That's that's coming soon.
Young Chocolate and Gifted byPunk and Foot the Panty Girl.

(01:41:54):
That's a new album.
If anybody wants to listen toany of Punk and Foot music, uh
want to stream all the musicshe's been having out since
2008, go to all digitalplatforms and type in Punk and
Foot the Panty Girl.
Punk and Foot the Panty Girl.
P-U-N-K-I-N-F-O-O-T the PantyGirl.
All right.
Y'all go ahead and um look Punkand Put up and make sure you go

(01:42:15):
look up T-Cap as well.
T Cap 100 on all digitalplatforms, listening to all his
music.
He got there as well.
We gonna be fair on both parts.
Go look up T Cat 100 as well.
He got go hard, he got uh he gothe got a lot of shit out there.
T Cap 100 TX1D is we do things adifferent podcast.
Um the pandemic Young Chocolateand Gippet.

(01:42:39):
And um, yeah, that that's thenew project that we're working
on now in the studio now, andthat's gonna be a classic
Hungerfoot E B slash album.
I gotta tell everybody, we'regonna be dropping singles right
around the time we're gonna bedropping this album, so we're
gonna be a lot of singles gonnabe coming out.
My album, and our most won it.
The album is is is we alreadygot all the artists for that.

(01:43:02):
Um, but uh, you know, if you youdidn't get the chance to get on
my new album, this album isgonna be fucking I'm gonna win a
Grammy for this album.
That's all I'm gonna say.
I got none of the hottest, hotunderground artists around the
world on that.
You know, it's gonna be poweredby our Hard Media, so it's gonna
be crazy.
So if you miss your point, youmiss your opportunity to be on
that, don't worry.
In 2027, we got another album.

(01:43:24):
It's gonna be a thousanddollars, a goddamn slot.
CX1 DJ's um podcast, CX1 DJPodcast, Patreon.
I want everybody to scan thatparcode right there.
Go be a member on our Patreon.
It's only$20 a month.
You get all that free shit yousee on the side, all exclusive
videos which you don't see onYouTube, all our exclusive
documentaries, um, uh x-ratedshit over there.
Like, what I mean by x-rated, Imean shit we can't show on

(01:43:45):
YouTube.
Um uh 18.
You must be 18 enough to to jointhat uh Patreon.
And if you don't want to be amember, just go ahead and scare
that shit and send us a gift.
Because you don't gotta be amember to send a gift, all
right?
You could do that anytime.
And uh if you're part of CX1DJs, uh union, you're not uh
either send us a gift or youain't a member or something.
We're gonna have to look at youkind of sideways with with a

(01:44:06):
weekly eye.
We're gonna be looking at yousideways.
All right?
It's only 20 goddamn dollars.
Nigga spend$20 on a day,bullshit.
So I'm gonna need everybody, ifyou're not a member, I need you
to be a member or at least sendus a gift or donation.
Or we're gonna be looking at youfucking crazy, like, what the
fuck are you doing?
What are you doing, nigga?
I mean, really.
Somebody say, hey, I'm I'm I'm Ijust be a member or send a gift.

(01:44:30):
Send your donation.
It gotta be no less than twentydollars, goddamn.
I mean we don't have thedonation.
If you send in a gift, it gottabe twenty dollars or it can't be
no more or no less than twentydollars, man.
Membership is twenty, or you'regonna say, I wanna be a member.
I'm just gonna send you twentydollars and sure I support you.
I gotta support you and twentydollars.
Leave me the fuck alone.
I can understand that.
I you know, I respect that.

(01:44:51):
Please do that.
Scan that code and go be amessage.
Send a send a goddamn donation.
Okay.
CX1 DJ's 2026 music conference.
Atlanta, Georgia would never bethe same.
Everybody got a conferencecoming up.
Let me make this shit bigger.
I can't say I need some context.
God damn it.
All right.
August 12th to the 15th.

(01:45:12):
CX1 DJ's 2026 Music Conferencecoming to Atlanta, Georgia.
All I'm gonna say, go to thewebsite.
You can read the read the flyer.
The website is right there.
But if you can't read, it'sJonesGraphics44.com.
It's JonesGraphics44.com.
All the tickets is there.
Now we have if you you got abunch of people trying to come

(01:45:35):
and make sure you any ticketsare starting at$350, but it come
with it come with 30 passes, allright?
So if you're trying to enter,you're gonna you're gonna have
to pay$350 now.
And it's gonna come with 30passes each day, alright?
So you can either sell yourpasses, you can hand them out.
Most of you niggas don't got fanbases, so you might want to sell
it to make some money.
I tell you the lowest you shouldsell your tickets for is$40.

(01:45:56):
It makes sense.
Most people will buy it for$40.
Don't overdo it and try to sellit for$100.
Niggas gonna look at you stupid,all right?
All right.
Especially when they can comeonline and pay$350 for the
fucking 30 tickets.
So be reasonable.
Sell it for$40, make it makesense, all right?
You can sell it for what youwant to sell, but I don't give a
fuck.
CX1 DJs 2026 music conference,August 12th to the August 12th

(01:46:19):
to the 15th, and hosted by me,DJ Barker, my celebrity friends,
DJ Music by DJ Money, DJPeril800, Houston, Texas, and we
got a lot of other DJs gonna besigning up.
Media, media and any air recordis except if you're not already
on my list and you want to be inattendance, you gotta send your
uh EBK, your bio to JuliaSimmons, our PR.

(01:46:41):
Julia Simmons646gmail.com.
It's Julia Simmons 646igmil.com.
And also, before I get into thepunk of foot um Tony Pan Flyer,
all you underground artists,listen to me.
I want you to hear my voice.
Starting Monday.
Let me get my let me get my damncalendar.
You know, I'm getting old.
It's a person.

(01:47:02):
What the hell is Monday?
Hold on a minute.
Don't laugh at me.
Niggas don't laugh.
Monday, July 6th.
We are starting on all ourshows.
Starting Monday, not Sunday,Monday.
Monday, Monday through Thursday.
We do uh anytime we do untoldstories, we will be promoting
underground artists.
So if you are undergroundartists, want one song played is

(01:47:22):
$250.
We are opening up the platformon all our L L L.
All of our untold stories toplay one song.
We'll shout your name out, we uhshout your Instagram out, and
we'll play your one song.
And uh it could be a video, itcould be MB.
Do not send me yourmotherfucking YouTube, no,
excuse me.

(01:47:43):
Slow down, you gotta relax.
Do not send me yourmotherfucking goddamn YouTube
links, don't send me no i iTuneslinks, no Spotify motherfucker,
send an MP3, do not send no waveeither.
If you got a music video, we canplay your music video.
So you can get sexy with it.
It's the same price.
Music video is uh it don't iseverything is 250.

(01:48:04):
Music video or MP3 only.
If you hear this, this is fromaround the world.
I don't care what kind of genreof music, it can be country, it
can be rock and roll, it can beChristian.
Just let me know what kind ofgenre of music you are doing so
we know not to curse at thatsegment, all right?
It's over to all ages, allright?
I don't give a damn.
If you're a teenager and youain't curse and you need to

(01:48:25):
learn how to fucking curse.
You you under the age of 13, Iwon't curse if you're on here.
We keep it PG for you for that20 minutes, alright?
Whate whatever the fuck it takesfor you to get your shit ass on
and off, alright?
Email it to my PR, JuliusM at646 at gmail.com.
If you're trying to be on here,the Cash App is Money Signed,
CX1 DJ's College in LLC, and wewill be rolling out a flyer for

(01:48:47):
that for you guys if you want tobe on the CX1 DJ uh podcast,
alright?
Uh it is this is gonna be Sundayto Thursday, Sunday to Thursday.
No shows on Friday, no shows onSaturday.
It is only Sunday throughThursday, alright?
CX1 DJs, we do things differentpodcasts.
CX1 DJ podcasts for all youindependent artists.

(01:49:10):
We are opening up the plot theplatform for you.
We are opening up the platformstarting Monday, July 6th, 2026,
for all independent artists.
Um I repeat it, we are gonnaopen up the platform for all
independent artists.
We have not been doing thatsince uh we went over to the
start our uh Untold Storyseries, but we are gonna open up

(01:49:32):
our platform as an independentartist, but you're gonna pay.
You gotta pay for your slot andfree.
It's$250, alright?
Alright?
And we'll play your video oryour song.
We can play your video.
I'm gonna say this again.
I'm gonna say all the peopleplat all the platforms be trying
to charge you for certain shit,but we promoting a major artist

(01:49:52):
on top of promoting your shit.
So be a sponsor.
So you're gonna come on as asponsor.
This ain't no music review.
We're not gonna say, yes.
Is corny, your shit is good.
No, nigga.
We just it's not a music review.
We're not servicing your fuckingrecords.
You're buying advertisementstime, all right?
So I'm gonna let I'm making itclear.
Okay, we're on it, we're on itright now.

(01:50:13):
I'm sorry, I'm sorry.
That shit came on.
Let me let me let me let me turnit off.
I gotta I gotta let me click outof that.
I can make I can make mistakestoo.
The video start playing over.
We're not having that tonight.
All right, so just what we'redoing.
Look at me, artists.
You're trying to get on the CX1DJs podcast Sunday.

(01:50:35):
I'm gonna give you the days.
Sunday through Thursday.
I sure was gonna be starting 8p.m.
into 10 p.m.
Sunday through Thursday only.
You buy an appetizement uh time,we'll play one song or one
video.
Because some of youmotherfuckers don't be lit
paying attention.
This is not a song review.

(01:50:56):
Hey, you want you got the hotrecord in the city, send it to
me, I'll play it.
$25.
No, nigga.
We don't give a fuck if it'scorny.
If you believe in it and you got$250, we're gonna play that
shit.
Spend that shit.
Spend that shit.
Spend your money, nigga.
Don't steal nothing like youngin Miami telling y'all niggas
do.
Don't boost or nothing.
Just come and go to work and getyour$250 and spin it with CX1D.

(01:51:17):
But you are buying, let me makeit clear to you niggas.
Let me move this up.
Is you're buying advertisingtime.
And the time you could get for$250 is one song or one video.
And uh yeah, that's it.
If you're trying to get on, theemail address is Julia
Simmons646 at gmail.com.
Or you could text the hotlinenumber.

(01:51:38):
Text only, do not fucking call,because you will get the
voicemail.
Text at four text, I want to be,I want to pay for my
advertisement slot on the CX1 DJpodcast.
You text this number.
Do not fucking call.
I promise you.
We sending niggas thevoicemails.
We're not asking no fuckingcalls if you're not spending no

(01:51:58):
goddamn money.
It's 44-552-8731.
It's all about the it's allabout the advertisement.
We don't give a fuck if yourshit is corny.
We don't give a fuck if yourecorded in the bathroom.
I don't give two fucks.
We don't care.
Now, of course, if it's good,it's a banger, we might jump
behind it for a fee.
What the fuck?
But if it's corny, I'm not.

(01:52:19):
Don't be, I don't, when y'allpay your little 250 and we play
play your shit, don't be blowingup my PR, my yo, what you do,
nigga.
Advertise again.
We ain't servicing shit.
When you pay for when McDonald'spaid the radio station to play
their commercial, you think theycall the radio and say, hey, uh,
did anybody eat any of themburgers?

(01:52:39):
Motherfucker, no, nigga.
I just want to understand, wanta clear understanding of you
rappers and RB singers andmanagers.
When you pay, you're paying foradvertisement slot.
Like that time that I'm gonnaput your song there, that's the
time that you paid for.
Either video, I prefer you guyssend videos so we could see the,
we could, we could, we could, wecould do it.

(01:53:01):
But it could be audio, becauseiHeart and other platforms don't
play, you can't see the video.
So it's still the same price,$250.
And like I said, any of theother sponsor artists, if you
want a special song that youwant us to play, besides the
ones we playing, it's$250 foreverybody.

(01:53:21):
Good night, and we see youtomorrow.
We got a big show tomorrow.
When y'all see the flyer, and Iwant to I'm gonna thank TCAP.
I want to thank um DJ Money, Iwant to thank everybody that's
here, Lawania Wilson.
I want to thank everybody thatsupports me.
Um, it's uh just like I said, weneed to do, see, it's 10
o'clock.
That's why I need we need twohours.
We done, and it's two hours, 10o'clock.

(01:53:43):
Thank you, and uh damn, I'mturning the mic up.
I'm still talking.
Motherfucker, slow down, bitch.
I'm calling myself a bitch inthis motherfucker.
All right, I'm out of here.
And Loinia, I'm about to callyour ass.
Loania Wilson.
You're about to get a call fromDJ Butter.
Matter of fact, you call me,shit.
Don't call me, I'll call you.
No nigga.
Shout out to Lawania Wilson, CX1DJs, Lawania Wilson, Jones

(01:54:07):
Graphics one and Wilson.
And she already knows I'm aboutto call her motherfucker.
I ain't got no text, I ain'tgetting none of that nigga.
All right now.
All Rose Lizo, Lawania Wilsonass.
Lawania, you woke or you went tosleep.
That nigga said, fuck thatnigga.
I'm gonna go sleep.

(01:54:28):
I'm gonna leave.
But anyway, shout out to T Cap,shout out to uh DJ Bunny, shout
out to everybody.
I don't even feel like gettingon.
You know what?
I don't even feel like leavingtoday.
Any other time I'm ready to getoff this motherfucker.
I'm who the fuck say I supposein the show.
Let me see what the hell I canplay in this motherfucker.
I don't even feel like leaving,y'all.
It's crazy.
The show is over, but I don'tfeel like leaving.

(01:54:48):
I don't feel like I feel likestaying on this motherfucker.
I don't know.
Let's see what else.
What else I could play?
But I gotta go.
Good night, man.
God bless you.
See y'all tomorrow.
Peace.

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