DLUTI 207 - CRT Anomalies

Mike and Jason do an analogomous horrorus while Matt and Doug are away doing...something secret. Don't ask questions. We will return to our regularly scheduled programming next week.

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Episode Transcript

Speaker 1 (00:17):
Don't look under the internet.

Speaker 3 (00:30):
Do this?

Speaker 2 (00:31):
episode on treadmill deludy on a treadmill.
Oh that was awful.

Speaker 3 (00:33):
No, don't ever well, let's, let's get it going.
Uh, hello, hello everyone.
Welcome to.
I have a portillo's cup.
The podcast welcome to.
Don't Look Under the Internet,an internet horror comedy
podcast featuring yours trulyJason.
He's drinking.

(00:53):
There we go.
He's dying.
How did you do that?
Let it all out, buddy.
Let it all out.
I am here.
He made it.
Let it all out.
I am here.
He made it.
He survived.
Okay.
So we have Jason, and then wehave me, and then there's Doug
which is he there?

(01:14):
Actually, I think he's there.
And then there's Matt.
They're all gone.

Speaker 2 (01:23):
It's their lives.

Speaker 3 (01:24):
Yeah, they're off having lives, no.
So you guys probably listenedto the previous episodes that
came out.
Jason, you weren't there, itwas just me, but I recorded two
episodes by myself and one oftwo things is happening.
Either both of those are comingout Actually, one of three
things is happening.
Either both of those are comingout Actually, one of three

(01:44):
things is happening.
Either both of those are comingout, one of those are coming
out or none of those are comingout.
But this is coming out because,let me tell you, I don't know
how fucking dudes likeMarkiplier or someone does it
Solo.
I don't know how they do itsolo, if I'm being honest with
you, because just talking bymyself is very difficult.
My throat hurt afterwards andthere's no one to like

(02:08):
communicate or like rift off ofor like just have a good time
with it, I'm just in a I'm justin a dank concrete block of a
basement by myself.

Speaker 2 (02:17):
Yeah.

Speaker 3 (02:18):
It was just not as fun as with another person here
Um some very when I did.

Speaker 2 (02:24):
Do you remember when I did the uh at the mountains of
madness, where I just likereread the whole fucking story
and broke down the like, the,the plot for you guys?
Yeah, I at least had likefeedback and like on an audio
level that people were listeningto me.
I don't know how people justjust zero, like no.
It People just zero, like no,it's just the void in your

(02:44):
thoughts and you're talking andyou're hoping it lands and I
don't get it Nah.
I can't do it.
I couldn't do that.

Speaker 3 (02:49):
And I like to hear myself talk and I can't do that.

Speaker 2 (02:52):
I know.

Speaker 3 (02:52):
I can't do it, but today, I'm sure it's fine.
I mean they're going to beshorter, but this is coming out.
They're getting like three.
They're getting an extraepisode this month on the main
channel, so you're welcomepeople at home.
You got to sat through twoepisodes of me to get to this.
What a pleasure for you, um.

(03:13):
But jason and I decided we'regonna do a, a shorty and one
that I have many words for.

Speaker 2 (03:28):
I have many words for this thing later, so I feel
like we should I'm curious tosee what those are actually,
because that's they could go oneor two, one of two ways.
I'm biting my tongue right now.

Speaker 1 (03:37):
Yes, we're going to wait till we get to the end.

Speaker 3 (03:40):
So Jason and I are talking about a little analog
horror known as CRT anomalies.
Um, it's very short.
It's six videos.
So sure it's six videos.
The longest one is seven and ahalf minutes.
And here's a big old spoilerfor you you can watch all of
this at like times, five speedand you won't miss a goddamn

(04:00):
thing.

Speaker 2 (04:01):
Yeah, it's very brief .
I mean just pause for the text,because that is important.
Uh, okay, there is one videothat you actually have to pause
if you want the full like storyfor it, but we'll get into that
once you get to it, because Idon't think I'm covering that
one I mean, I figured we wouldjust go.

Speaker 3 (04:18):
We would, yeah, go back and forth and go from there
.
Yeah um so this is the channelfor those of you at home that
are watching.
It's called uh, that was weird,it's crt anomalies, and it's
got the six videos here.
Um, and we're just gonna, we'rejust gonna go at it, broski.
Um, so it starts off in a way,a very interesting way.

(04:42):
Um, if I'm doing the big oneand by the big one I'm assuming
you're talking about video threeyeah, okay, do you want me to
start this whole shebang offthen and you can take the next
one?

Speaker 2 (04:55):
yeah, if you want to take the first, I'll take, I can
go.
You just want to switch off, ordo you want to do?
You want to do the first three?
I do the last three.
I really don't care.
I watched all of them.

Speaker 3 (05:03):
I guess we could do.
I'll do the first three, you dolast three.
That works um, yeah, I forgot,we could just do that.
It's so damn short, who cares?

Speaker 2 (05:10):
yeah, we're gonna be talking.
We're gonna be talking to eachother about it, because I'm sure
if, if you had the sameconfusion about a few things,
well, I would like that I didwhile I was watching it.
I I'm sure we're going tobounce some ideas off each other
.

Speaker 3 (05:25):
Confusion is not the word I would say I would use.
I think I would use the wordwhat.
I don't even have a word forhow I would describe this.
I just like.

Speaker 2 (05:38):
I will preface this and I will say this this took
some critical thinking to put afew of the the pieces for it
together and it's, it's, veryit's.
This is a vague series.

Speaker 3 (05:52):
I will say that yes, okay, I was gonna say I hope you
can shed some light on thatcritical thinking.

Speaker 2 (05:56):
Oh yeah, yes I'm very good when it comes to pointing
out like insignificant detailsthat maybe somehow might matter
later.

Speaker 3 (06:03):
I hope so because a lot of this must've went right
over my head then.
But we'll see.
We'll see Maybe.
Maybe upon a conversation Iwill discover the stuff, like
what usually happens when wedon't do these things.

Speaker 2 (06:16):
It's just a light bulb moment, yeah, so let's kind
of get into it a little bit.

Speaker 3 (06:21):
So what I'm going to do is I'm going to throw the
video up on screen.
So first and foremost it's thefirst video is video one, 1986
dot move, which is fun.
This this whole thing startedfive years ago has almost a mil
views.
It's got 772,000 views now.

Speaker 2 (06:40):
Oh, I know it's.
It's kind of ridiculous howmany views this has.

Speaker 3 (06:45):
I'm not trying to knock this guy how the no, you
know what.
I'll get into it later.
We'll get into it later.
Let's just, let's jump right inthis battle.
We gotta save it.

Speaker 2 (06:53):
Yeah, let's, let's talk about it.
Let's let some of the peoplelistening decide if they want to
seek this out exactly or not soit starts off with it's kind of
your classic vhse, um likestaticky stuff.

Speaker 3 (07:07):
It's this home video system and um essentially you
get what that's uh, well, thatis so different, mike.

Speaker 2 (07:15):
We are starting off on a uh, on a system that we've
never seen before in analoghorror you're right, it's the
ultrasonic video home system.

Speaker 3 (07:24):
I should have prefaced your preference.
You're right, um, it's soimportant.
It's so important, I'm such afool.
You're right, um.
So we start off on there andyou get these three segments
which correlate with theup-and-coming videos that we're
about to go over.
But in this, this first video,uh, we can.

(07:44):
We got a dove commercial, um,talk about how we all have to
come together and, oh,everything's so soft and smooth
and whatnot.
You know, advertising for dove,uh, which I always assumed dove
the soap and dove the chocolatewere from the same company, and
I don't think they are.
Why not?

Speaker 2 (08:08):
I have the same company and I don't think they
are.
Why not?
I'm sure the process is well.
Think about it.
I.
I think if you put theingredients for chocolate and
the ingredients for soap in thesame machine, I feel like the
same, like it would just makesoap or make chocolate.
I feel like the process is verysimilar.
We're on to something here youwould do.
We need onto something here.

Speaker 3 (08:26):
You would need to leave soap.

Speaker 2 (08:27):
You would make a fantastic willy wonka I don't
know if anybody would want thefucking product coming out of
that factory taste this bar ofsoap children.

Speaker 3 (08:38):
It tastes like chocolate and gasoline.
Yeah, gasoline.
This soda pop is now oilflavored like I don't know but,
why?
Why not?
You would be the type of williewonka like throughout the movie
.
You know how the kids keep likegoing, getting into conundrums.
But it's never inherentlywillie wonka's fault, it's the

(08:59):
fault of, like, the kids.
They're just in that situationand they're just doesn't lift a
finger to help them exactly.
Yeah, I feel like you wouldactively put those children in
those positions, like, forexample, the kid that fell into
the child.
He fell into the chocolateriver because he's gluttonous
and he ate all the chocolate.

Speaker 2 (09:17):
I feel like you would actively kick him into the
river if I saw that fat fucktrying to eat my chocolate or
drink my chocolate like that.
This isn't yours.
Yeah, get in the fucking river.

Speaker 3 (09:28):
You live in my river now yeah, you are a swamp thing
in this chocolate swampychocolate person that lives at
the bottom of my fucking lake mychocolate lake, you're mine.

Speaker 2 (09:41):
Um, let's get back into this a smidge so let's be
honest, though the only thingcoming out of that factory is
tootsie rolls yeah, yeah.

Speaker 3 (09:49):
Well, we invented them in the year right, 2020,
2030, um, bc, bc, yeah.
So we get this like dovecommercial and this is a real
commercial um, and then we arebrought up to, I'm assuming,
channel 62 news.
Channel 62 news you can trust,um, and it gives us like this,

(10:13):
like 60 minutes, like timer, andit's like here's today's
highlights, like it's one ofthose slideshows things.
It's local 58, they're local58ing you as is all these it
wouldn't be deluity if we didn'tcover a fucking local 58 clone.
This is my favorite part aboutthis whole thing, though already
it's.
Oh, we're gonna give youtoday's highlights and community

(10:35):
watch and the sign off.
Okay, today's highlights?
Alright, nothing, no, it's thebest.
Today's highlights there arenone.
Please check tomorrow.
Don't check again later.
Check again later.
There is a news flash thatcomes Nothing, no, it's the best
.
Today's highlight there arenone.
Please check tomorrow.
Don't Check again later.
Check again later.
There is a newsflash that comesup talking about like strong
winds in the Web Mountain area.
So you got to be careful.
Web Mountain when is that WebMountain?

(10:57):
It doesn't really say where WebMountain is, yet I believe it's
Idaho or something like it is.

Speaker 2 (11:05):
I think it's idaho falls, okay, yeah, yeah, um, I'm
almost, I'm almost positive.
I could be wrong, but I'mpretty sure that this uh warning
is from idaho falls, yeah, andthat I that is, honestly that
might be one of the mostcritical pieces of information
in this whole fucking series.
Idaho falls for you.

(11:27):
Yeah, I I wish I could tell youwhy, but I can't.

Speaker 3 (11:32):
We'll get there it's not gonna take us that long.
Um no, it won't.
We come up to the communitywatch which they get this sick
ass logo of where cbs is gonnasue you dog.
Y'all gotta watch out, yeah,y'all gotta watch out.
But here's our community watch.
We're, we're ready and we'rewilling.
Uh, community watch, as itturns out, is just uh cctv

(11:53):
camera footage.
What a what?
a community watch yeah what acommunity watch.
It's three cameras aroundpatriot park, um uh uh, some
like center street or somethinglike that, and another one.
I'm showing them on screen.

Speaker 2 (12:09):
Where's Patriot?

Speaker 3 (12:09):
Park, I don't know.
It doesn't say we don't figurethese things out.
Yet we have Circle Drive,patriot Park and fucking Weir's
Valley gas station and it isjust CRT or CCTV footage.
Nothing's happening on these,except you see a couple cars
driving by in the backgrounduntil we get back to Patriot

(12:32):
Park and you're like who's thatlittle guy in the background?
There's a little silhouette ofa man.
There's a little man back there.

Speaker 2 (12:40):
Apparently, this is in Huntley Illinois.

Speaker 3 (12:43):
But that's not really all that close to here, it's
not.

Speaker 2 (12:48):
It's in the same state.
It's in the same eight hourlong state as me.
Yeah, so it could happen to us.
Oh shit, there's alsoapparently a Patriot Park near
the DeKalb Oasis.

Speaker 3 (13:01):
Oh shit, dude, You're in trouble.

Speaker 2 (13:04):
I gotta look out.
Not that you live.
There's you just around thevicinity.
I do, I know.
I live under the fucking oasis,the dekalb oasis, are you this
shadow person?
Not this one, oh anyway.

Speaker 3 (13:16):
So for you audio listeners that have no idea what
we're showing on screen, it'sjust cctv footage of these three
areas and in one of them, thispatriot park, there is this like
silhouette of a man who, everytime the camera pans back to the
park, they're getting closerand closer to the screen.
Um, it's to the point where theend we actually get like some

(13:38):
glitching out from the screenand then you get this like
close-up of the face and it'sthis like.
And then you get this close-upof the face and it's this
skeleton kind of face.
I don't know how to call it.
I want to say it's like askeleton, it's like a mask kind
of thing, but it's just allwhite with these deep eye
sockets and it's just pitchblack eye sockets.
You can't see it in the eyes,so it's kind of spoopy.

(14:02):
It's a little spoopy, butthat's it.

Speaker 2 (14:11):
It reminded me very much of the concrete statue SCP.
I don't think I can say thenumber, so I won't 173 or
something like that.
You're close.

Speaker 3 (14:19):
Yeah, I'm sure I'm somewhere.

Speaker 2 (14:21):
Well, the last person who said the number in a
monetized space got sued intooblivion.

Speaker 3 (14:27):
So I won't be doing it.
Damn you Russia.

Speaker 2 (14:32):
Yep pretty much.

Speaker 3 (14:33):
Well, let's go on to video two, and here's something
that we're going to piecetogether later.
You're probably noticing thefirst one was called video one,
1986.
This one's video two, 2000.
I wonder if those are dates.
That's weird.
So we open up on the second one.
Welcome back to ultrasonicvideo home system.
We know them, we love them.

(14:53):
It's now, instead of segmentone flashing, segment two is
gonna be flashing.
That's fucking crazy dude.
Who would have thought we're onthe second video.
And segment two is flashing.
It's insane.
We're introduced to matengaairways, which this seems like
some sort of like what'd you say?

Speaker 2 (15:14):
I'm sorry I forgot.
I completely forgot about thisone.
I actually really enjoyed thisvideo a lot I don't okay teach
their own um.

Speaker 3 (15:23):
No, it's okay, this is.

Speaker 2 (15:24):
This is where I'm, I think I'm also going to help you
tie together some some things.
Yeah, well, I'm gonna, I'mgonna lay the groundwork, is
what I'm gonna do.
Perfect, um, you go over it.
I will add where I need okay.

Speaker 3 (15:36):
so this seems like it's kind of like a um, like a
live, um, like ticker for likethings that are happening on
this one specific flight,because it gives us the things
like the flight time, it givesus like the speed of the flight,
it gives you like the cabintemperature, the temperature
outside the cabin, um, we getall this information, uh, the
yeah, like I said altitude.

(15:56):
Um, we also get a destination,which this one I am aware of.
The destination is to chuklagoon, chuk, the chuk
international airport.
That does come into play later.
We'll get there, um, but again,we just get like cabin
temperatures, things like that,um, but then a little bit later

(16:19):
on we get flight data, uh, foryou see that audio?

Speaker 2 (16:22):
you see that that waveform spike in the audio
right.

Speaker 3 (16:27):
So we get, uh, we get flight data.
So we find out this is abombardier dash 8q400 e5 double
ac.
I'm assuming that's the type ofplane don't know how much that
matters but, um, oh my god, ohmy god, shit's happening.
Everything just starts likebeeping it.
You hear people like crying andlike screaming.

(16:47):
You get this like like flash onscreen.
It just says flight emergencybrace for impact.
It's like one of those stickfigures in like the warning
position that shit's about to godown.
Um, and you just get peoplescreaming and crying and then it
just you hear a crash and uhthings, and then it just you
hear a crash and things gosilent.

Speaker 2 (17:08):
Can you real quick go back to where it displayed the
altitude?
Just real quick?
Just humor me please.
It's, it's, it's.
These are the little thingsthat I that I noticed, that I
think are very important, andyou wouldn't know it unless you
recognize the numbers 81, 28.
Awesome, 8,128 meters.

(17:28):
Give or take, right yeah.

Speaker 3 (17:31):
Okay.
Just remember that number, baby, you know, I won't.

Speaker 2 (17:38):
I know, okay, just remember that number, baby.

Speaker 3 (17:39):
you know, I won't I know, that's why I'm here.
I think, okay, um something,something of interest that I
want to poke out.
I don't know if it's correlatedor not.
In the first video I forgot tobring this up.
In the first video we see likea car driving by and in the sky
right behind it you see a flash.
I wonder if that lightningflash is what causes this plane
to crash, because you do hear.

Speaker 2 (18:00):
These two took, Didn't that video?
And this video take place likea long.
Oh yeah, I guess you're right.

Speaker 3 (18:08):
Way different years.
Yeah, the first one was 86.
This is 2000.
So I guess you're right.
So don't Just ignore me.
But yeah, hey, man, guessyou're right, um, so don't just
ignore me, but yeah, you'retalking shit out yeah, you, you
just hear, uh, you hear a bunchof people you know crying and
you know go silent.

Speaker 2 (18:24):
You hear crash and that's that for that video um, I
love that video because, again,it was literally just like it.
Just it displays differentinformation you might see in the
airplane, but the audio itselfis horrendous.
It's just, it's the interiorcabin of a plane while it's
crashing.

Speaker 3 (18:43):
I hope you're able, I hope all those numbers and
everything do have a meaning andyou're able to shed some light
on some of it.
Or there's just stuff that I'mmissing, but I will say a lot of
that didn't seem too pertinentto me.
Stuff that I'm missing, but I Iwill say a lot of that didn't
seem too pertinent to me, but.
But I do like the concept ofsome sort of unfiction or analog
horror or something like thatthat takes place in like an

(19:05):
airplane or in like a singleroom or something, and you get
like the data of what like isgoing on in that room, like the
temperature, you get like thehumidity or things like that you
know, and how, how.
Yeah, the freaky thing that'shappening is affecting, like,
the climate or the atmospherearound them.
I think that's a fun idea.

Speaker 2 (19:24):
So if that's something they're doing, that's
cool well so the biggest thingsthat I've noticed is pay
attention to, like the thingsthat I've said so far, like
idaho falls is really important.
8128 meters is somehow veryimportant.
It's the reason I say they'reimportant is you're gonna see
those, anything that I basicallymentioned, saying like I think

(19:45):
this is important.
Just keep this in mind.
You're gonna see later andthat's gonna be.
That's gonna be a way for youto cross reference, like, okay,
this number is this and thisnumber is this.
Like, what does that meantogether?
It to be a way for you to crossreference, like, okay, this
number is this and this numberis this.
Like, what does that meantogether?
It's just a way to like, tiesome breadcrumbs together.
Again, this is a very vaguestory and I think that's why
that's I so far in the series.

(20:06):
I, like I've enjoyed what I'veseen, aside from the local 58
clone-ness of it yeah, okay.

Speaker 3 (20:13):
Well, I'm glad you're enjoying it because we're gonna
go on to the third episode.
This is a lot.
This is called video 3.
Uh, 1964.move, and look at thatultrasonic video home system.
They're never leaving.
And once you know it, segmentthree is going to start flashing

(20:34):
this time around.
Now.
This one is interesting becauseit is like a 1960s like
slideshow type of thing from thecia um and 60s and cia.
I wonder what happened there.

Speaker 2 (20:50):
I wonder what happened in the 60s, yeah, so it
gives you the general likegeneric things, where it's like
this is top secret.

Speaker 3 (20:55):
So wonder what happened in the 60s regarding
the CIA.
Yeah, so it gives you thegeneral, like generic things
where it's like this is topsecret, sharing, it is against
the law, blah-de-blah-de-blah,and then you get a thing that
says introduction of chemicalsand you get things like LSD.

Speaker 2 (21:08):
Hmm, If you don't know what's going on here yet,
you've never looked intoconspiracy theories before.

Speaker 3 (21:14):
Yeah, you get Tamazepam Tamazepam.
How do you say that?
Do you know Tamazepam Tamazepam?
It gives you a little bit ofinformation here as well.
It does.
Yeah, so some of theinformation.

Speaker 2 (21:39):
With the LSD one, there's not a huge amount going,
you tell the difference betweendreaming and awake.

Speaker 3 (21:41):
Yeah, um, and that's basically what they they say
here.
There's some paragraphs that gowith the names of the chemicals
, and lsds is pretty much justthat.
It's just like this is lsd,it's who's who's logistic.
Um, we can use it for mindcontrol and things like that.
The next one is for temazepamand it's pretty similar.
It mentions how temazepam isused under their sister projects

(22:03):
of MK-Often and MK-Search.
But they're just like yeah,it's another hallucinogenic drug
with unknown properties.
It's similar to LSD and we'revery, you know, we're very we
have high hopes about this drugin the future.
They even say that we hope toachieve total psychological

(22:26):
control over the subjects thatare using temazepam.
So that makes sense.
Why the CIA is getting involvedin this shit.
Um, next up, we have, uh, silos.

Speaker 2 (22:42):
Silos have been silo, sivan, silo side.
That's the active, that's theactive ingredient in magic
mushrooms.
Oh hell yeah that also is ahallucinogen that breaks down
the barrier between, like thedream state and real world, not
nearly as much as lsd, but itbasically it warps your view of
reality, more or lessinteresting, very interesting

(23:06):
anyway.

Speaker 3 (23:07):
Um.
So apparently with this one um,it is a, like jason said, it's
in shrooms, it is a naturaloccurring hallucinogenic.
They said that they basicallyunderstand everything there is
to know about this drug.
However, if used under theright circumstances, their lab

(23:34):
found significant psychologicaldamage is possible to users,
especially if you combine itwith LSD.
Now they say that subjectingsubjects to traumatic
experiences such as loud noises,pain or quote-unquote psychic
driving revitalizes Dr Ewan anda lot of this.
You can't even really see thisdoctor's concept of what this

(23:56):
drug can do.
And then they mention how thisdrug is sure to hold many
exciting psychological effectsUseful under Project MKUltra.
They finally said it, the bigword MKUltra.
They finally said it.
They finally said it.

Speaker 2 (24:13):
The next one is this is literally a declassified
document from the mk ultratrials yeah, uh.

Speaker 3 (24:20):
This next one is uh, scopolamine, uh, and they made
oh shit yeah, and they said thatthis is a, uh, hallucinogenic
drug within the nightshadefloral family.
Um, they have a lot ofknowledge on this drug, um, and
they're, like it's known locallyin colombia as a devil's breath
, and this is basically a drugthat causes, like, temporary

(24:43):
amnesia in people, and you canbasically have them do whatever
you want.
It's freaky, yep, very freaky.
It's not a good, not a greatone.
No, it's like fucking, what'sthat?
Crocodile, or whatever it'scalled?
crocodile or the zombie dustzombie dust, yeah, that's the
one, um.
And then it goes into sayinglike it's got some, some other
slides that come up that mentionthings like um you know, all

(25:07):
this is, uh, top secret andconfidential.
No one can know about anythingon this.
If anything's leaked, then thatperson is um, you know, will
blackmail the fuck out of theperson who tries to leak
anything or, um you know, evenkill you, essentially, like
they're.
They're keeping this shit underfucking wraps oh yeah, oh they.

Speaker 2 (25:28):
They literally say like if, if they, if you can't
control the person, just fuckingget rid of them oh, that's, I'm
coming up on that, yeah.
Like it's insane.

Speaker 3 (25:39):
They talk about some of the experiments on here, and
one of the experiments they dois they put like these goggles
on people and it's like a visualstimulant thing.
They pretty much justoverstimulate them visually and
that allows them.
Basically, once someone isoverstimulated visually, it

(26:06):
allows them to kind of them tosneak into their psyche and
persuade them to do things oranswer questions without them
even knowing what they're doing.
They call this theMcCurklin-May method.
That's that's.
That's some like clockworkorange shit.
You know what I mean?

Speaker 2 (26:20):
we're just like.
That's exactly what I thoughtof.
Yeah, when, when you startedtalking about like this is
clockwork orange, this is, thisis what the movie was modeled
after.

Speaker 3 (26:28):
Was this method from fucking mk ultra trials 100 um,
yeah, it goes on to say that, um, it could take 40 minutes for
someone to get into this stateof um like effect being affected
, where you can basically justhave them give out any type of
personal information.
Um, or, or it can, it couldtake.

(26:51):
It could take 40 minutes, it'lllast for up to two hours.
So you got this motherfucker inthe palm of your hands for like
two hours by justoverstimulating the fuck out of
them while they're on LSD.

Speaker 2 (27:02):
Yeah, literally, you make them incredibly happy and
then you make it so they have noidea if they're awake or
dreaming, yep, and let them seewhatever their brain wants to
show them.
And then you ask them questions.

Speaker 3 (27:13):
What color is your underwear and you?

Speaker 2 (27:13):
don't remember.
Four, write that their brainwants to show them and then you
ask them questions and you don'tremember.
Four, write that down.
This trial has failed.
But no, like they won'tremember any of it, they look
like you, literally.
This is the thing with theMKUltra.
Thing is, yes, theydeclassified some, but the drugs
they were using like thescopolamine that is, it's an
amnesiac, which means you don'tremember shit, which means they

(27:37):
could have abducted people fromtheir homes, brought them to an
mk ultra testing facility,drugged them up with lsd,
psilocybin, um and whatever thefuck else.
They're pumping people full of,asked them questions, made them
do whatever the hell theywanted and then brought them
back to their bed, put, put themback in their bed and that
person would have no idea thatthey were taken.

Speaker 3 (27:58):
That's like the ultimate version of gaslighting,
you know.

Speaker 2 (28:03):
That's gaslighting's final boss.
Is drugs, Is drugs.

Speaker 3 (28:10):
It's the fucking Dark Souls.
Like the health bar comes upand it's just drugs, drugs.
No man, you just make someonehyper-suggestible.
It's the fucking dark souls.

Speaker 2 (28:15):
Like the health bar comes up and it's just drugs,
drugs, no man.
You just make someone hypersuggestible and you just suggest
things like that's, that's thewhole process.

Speaker 3 (28:23):
Yup, it's, it's freaky and it's freaky, it was
real, and we did that to people.
Uh, next up.
So we have a slide that says,like if subjects resist or use
excessive force, um, you know,try to calm them down, but if
they don't calm down, useprotocol G, six, eight, five,

(28:45):
four.
And you're like what, what,what's that?
I want to know more about thatIs it kill them?

Speaker 2 (28:52):
Is it kill them?
It's killed them.

Speaker 3 (28:58):
The next protocol man like yeah, the next, the next
slide.
It's a little bloodied, youcan't really read all of it, but
it's real hard to read, you canassume what it says.
By being bloodied it's, it'sbasically kill them yeah, it's a
little.

Speaker 2 (29:12):
They, they go over the method, they, if they it's
two, two methods in tandem, moreor less, that they use together
to not only kill them but like,come up with some kind of cover
story for the death.

Speaker 3 (29:27):
Like it's, it's very, it's cold, cold-hearted
bureaucracy is what it is, andthey don't even really have to
come up with much of a coverstory because, uh, in an earlier
slide they mentioned how theythey usually take in people that
um don't have anyone don'treally have anyone.
Yeah, they're just not gonna bemissed by society.
Um, the last slide that we'regonna end on here that matters

(29:51):
at all is a slide that shows umlocations where the program took
place, and you get places likeSan Francisco, new York city,
montreal, canada, um, fuckingWinnipeg, and then if you go
down a little bit more and youget pigeon forge, idaho falls,

(30:12):
chuck lagoon, and yeah, you've,I don't think, falls on that
list.

Speaker 2 (30:14):
Mike, Idaho falls is on that list.
Idaho Falls, Chuck Lagoon andYap Idaho Falls.

Speaker 3 (30:17):
Idaho Falls is on that list.
Mike Idaho Falls is on thatlist, isn't it?
Your shit is on that list.
I'm looking right at it, isn'tthat wild, cool man?
That's amazing and so is ChuckLagoon.
Two places that we've seen Two.

Speaker 2 (30:33):
Man, this is a giant game of connect the dots,
Literally just.

Speaker 3 (30:39):
And I got the marker.
Jason, do you want to?

Speaker 2 (30:43):
tell us I'm dick kickin', I'm gonna chew ass.
You want to tell us about thenext one, then yeah, so we're
gonna go ahead and go to videofour.
It's just called 1979 and againwe go right back into the
ultrasonic home video homesystem menu.

(31:04):
It's it's it's new and improved, it's got a slash through it
and shit now yeah it's great, um, so it's gonna go through its
normal thing.
It it's going to select the newsegment, which is segment one.
We're going to hit play andit's going to tell us that this
was captured on June 24th 1979,near Kelly Mountain.

Speaker 3 (31:24):
Kelly Mountain.

Speaker 2 (31:25):
And this is, this is really Idaho.

Speaker 3 (31:31):
So what was that?
Apparently, wasn't there a showcalled like weird idaho or
something?

Speaker 2 (31:37):
oh, I think you're right.
Do you know what I'm talkingabout?
I think you are, I do.
I think eerie eerie idaho,where it's eerie.
Look it up, yeah indiana.

Speaker 3 (31:48):
That's what.
Eerie idaho, eerie indiana.
Hey, you get the eyes rightyeah, I was right there.
Hey, we're close, though we'reclose um so rear reary, idaho.

Speaker 2 (32:00):
Apparently the following tape has led to a lot
of trouble near idaho falls.
Would you?

Speaker 3 (32:06):
look at that.
I I read this in like a trumpvoice the following tape led to
a lot of trouble.

Speaker 2 (32:13):
A lot of trouble.
Oh, the next line is evenbetter in a Trump voice people's
eyes closed people's eyesclosed.
Yeah, it just says people'seyes closed.
Apparently a friend of theauthor gave me this tape and she
said that the person on thetape feared for their life.

(32:34):
Um, and apparently she has notheard from him since.
God bless his soul now that'shis soul.
This is like the first twominutes right first, about two
minutes.
The last, the last almost twominutes, is well, no, like

(32:54):
exactly it does it?
Well, no, like it's, it doesit's.
There's no text, it's just agray screen with some flickering
in it.
However, it's the audio and youhear some footsteps.
The entire time All this texthas been playing.
You hear footsteps, um, likebreathing.
You hear just like somebodywho's very clearly like walking
and like making their waythrough some terrain.
That's not exactly normal.

(33:17):
So, as it goes, we hear like avery distant it almost kind of
sounds like a wolf howl, but notquite so.
Right after that happens, thefootsteps start to get like a
little bit more like alright,there's a wolf behind, like I
should probably not be in thesame area as a wolf that's
yelling to all its friends thatI am here.
So the footsteps kind of pickup, the breathing is a little

(33:39):
heavier, and then we hear likethis fucking ridiculous screech,
scream thing.
That happens, I'm assuming, nottoo far away, because directly
after that the footsteps turn toa dead fucking sprint.
The footsteps turn to a deadfucking sprint and as we're
listening to these sprintingfootsteps, we hear another set
of footsteps, kind of like that,are faster, get louder, louder,

(34:01):
louder, and we get like a thudright at the very end and that's
pretty much the end of videofour.
Uh, now again Idaho falls right.

Speaker 3 (34:12):
Uh, no, this one was not.
You know, Idaho falls, was it?

Speaker 2 (34:16):
Kelly Mountain.
Yeah, kelly Mountain is nearIdaho Falls Reary, idaho, near
Idaho, near Idaho Falls.
Oh Now, so I'm gonna looksomething up real quick.
Kelly Mountain.
Kelly Mountain is all based onreal altitude.
Kelly Mountain altitude Well,it's about 8,800 meters, sorry,

(34:42):
8,800 feet, yeah.
And so the flight that you weretalking about earlier yeah,
where was the destination?
Was leaving from somewhere, butI'm pretty sure it was heading
to near, right.
However, idaho falls was onthat list, right?

Speaker 3 (35:02):
uh no, the.
The flight was heading to chuckuh.
Chuck what chuck uh.
Lagoon um idaho falls was onthe MK ultra slideshow.

Speaker 2 (35:16):
Okay, so, uh, chuck lagoon is it's what central
Pacific?
It's not mentioned.
So, and it was the either way.
So I, I'm pretty sure, if youlook at this, and this is where,
like the, the, the deep diverin me comes up, because I'm
pretty sure, if you look at thedeparture location and the
destination, um, idaho, idaho,kelly Mountain lies like

(35:38):
directly in between.
And when they were starting totalk about the plane and where
they like where they were, itshould be right near Kelly
Mountain, I'm pretty sure I howmuch time was left?
How much time was left on thedestination Chuck Lagoon
International Airport?

Speaker 3 (35:55):
But it doesn't say where it was going to know.
The destination will be ChuckLagoon, but doesn't say where it
took off.
It just is flight time.
I mean it was an hour and ahalf.
So I guess it'll be wherever anhour and a half is.

Speaker 2 (36:08):
I'm almost positive that, the altitude of Kelly
mountain being a little bithigher than the altitude shown
on wherever this fucking planewas going, out of all the videos
we've seen so far, this one'sout of place right, not this one
, the airline one.

Speaker 3 (36:22):
I would argue all of them are out of place,
personally, but we'll get to it.

Speaker 2 (36:26):
At least some of them have ties together, like Idaho
Falls or location.
You know what I mean.
The only one that doesn't isthe airline one.

Speaker 3 (36:34):
I don't think the only one that doesn't is the
airline one.
I don't think this tiestogether, though, with the
height of Kelly mountain, though, cause you said Kelly mountain
was 8,800 feet.
This is 8,100 meters, so that'svastly.
They're vastly higher up.

Speaker 2 (36:47):
That's fair.
Hmm, maybe I sort of read thatwrong.

Speaker 3 (36:50):
That's 24,000 feet compared to you.
Know what I mean.

Speaker 2 (36:53):
Well, see, then, if that's not the case, then I
don't know why this, that videois even a part of it, you know
what I mean we'll get to thatokay.
So again we hear this thud thisis near Kelly Mountain and the
very.
The video ends with.
Video for 1979 ends with a thudand we move directly into the

(37:17):
next one, which takes placefucking like what 1992.

Speaker 3 (37:21):
12 years later.

Speaker 2 (37:23):
Yeah, puppet, this was video five 1992.
So this is this is.
This is an excerpt from aChristian conservative TV
channel.
Boy, is it Guess Guess where,guess where Guess where this is
based?
Open Palms.

Speaker 3 (37:40):
Idaho Falls.
Idaho Falls.

Speaker 2 (37:43):
Yep.
Also, if you look in the aboutfor this video, there is a link
where you can donate to anonprofit organization fighting
quote-un unquote conversiontherapy, which is still legal in
30 us States.
Yeah, that should be a freak ofof.
That should be enough of atrigger warning for what is

(38:05):
about to be talked about on this.
So we do get into a screen thatwe had, the normal selection
screen, and then we hit the playand then all of a sudden we get
the open palms logo and afterthis we basically jump directly
into a segment called Open Pals,which is a sock puppet segment,
and we get this sock puppetgirl talking to a pastor just

(38:33):
asking, like different questionsabout this, that and the other,
about love who can love who andthey start reading different
Bible verses.
One of the first ones they talkabout is God created this and
God created everyone, and Godcreated him and God created her
and they're separate and they'rein his image.

Speaker 3 (38:53):
They straight up go.
It's Adam and Eve, not Adam andSteve.

Speaker 2 (39:03):
Dude, seriously, this is a a.
This is a very anti-lgbtq plusmessage.
Um, even with, like, the nextmessage they get to, which is
like what corinthians, something?
Um, there's, every man ischrist, the head of the uh, the
head and the wife helps thehusband.
Like it's, it's all.
It's all just diminishing women.

Speaker 3 (39:23):
And you heard it here , lady listeners.

Speaker 2 (39:25):
You shall not lie with a male as with a woman.
It's an abomination.

Speaker 3 (39:28):
You heard it here.

Speaker 2 (39:28):
It's in all the fucking plays of the book Deluty
approved.

Speaker 3 (39:32):
Get in the fucking kitchen, nope.

Speaker 2 (39:41):
Nope, I know it and I'm just saying that's what
these puppets want, and that'swhat these puppets want.
It is what the puppets want.
Well, the puppets can go fuckthemselves.
They've got at least onedick-sized hole in them they do
um.

Speaker 3 (39:51):
So you're saying that we don't agree with what these
puppets are saying?

Speaker 2 (39:54):
I fucking don't.
You can do whatever you want,but I'm here to tell you that
I'm pretty sure none of this iscorrect.

Speaker 3 (40:00):
I'm pretty sure Doug agrees.
I mean, he's not here to defendhimself.
So I think Doug's a big oldsexist, like he does live in
Florida, so that tracks.
Yeah, doug is kind of a sexistthat thinks all women belong in
the kitchen.
So next time Doug's on, I needeveryone to just heckle him and
let him realize he's wrong.

Speaker 2 (40:17):
I also heard that Matt doesn't think women exist.

Speaker 3 (40:21):
Yeah, he doesn't.
He thinks it's a myth, likebirds.

Speaker 2 (40:24):
Yeah.

Speaker 3 (40:26):
He doesn't think women are real Women, women,
women and birds are part of thesame thing.
Women and birds are the samething and they don't exist.
And to matt so next timethey're both on, I need you guys
just let them know that they'rewrong in their, their attitudes
, and jason and I, we're rightand we're progressive all right,
it was ignorant fucks yeah,fuck them, yeah, um anyway.

Speaker 2 (40:50):
So puppets back to sock puppet god time.
Um, so these sock puppets areasking questions, talking about
stuff and all and the.
The gist is, men and women weredesigned to be with each other
and fuck you.
You can't love who you want,you have to love who we tell you
.
That's the message you know,the same message as the

(41:13):
christian religion and thecatholic church in most regards.
Uh, it's just a giantpropaganda video for that.
And then the very it's like thelast, third or fourth of the
video, we see a, a change up tolike it's it's several different
of the sock puppets.
Uh, I don't know, I'm sorry,there's, uh, the blonde sock

(41:33):
puppet that we saw talking tothe pastor.
They started opening theirmouths and shit, and it's weird.
And all of a sudden, yeah,clyde, I'm sorry, clyde and
Clyde asks like hey, have youseen weird men in suits show up
to your door?
And she's like no, like, oh,well, ok, I, we saw them and
this happened.

(41:53):
And all of a sudden anothersock puppet shows up and goes
holy fuck, did you see the weirdfucking men in suits?
And like, you didn't let themin, did you?
And Clyde goes well, yeah, andthis other fucking sock puppet
just starts freaking the fuckout saying it's the wrong thing
to do.
You should not let them in andso they they say like holy shit,

(42:16):
okay, we'll tell our parents,we'll make sure, we'll make sure
that everybody knows.
Um, you know what?
We should go talk to fatherdonovan about this.
You know the other sock puppetthat we talked to earlier.

Speaker 3 (42:26):
They mentioned that they look weird too, like
they're men in suits.
But they, I think they say theylook like they don't look.
They specify it's good.
No, they just they just don'tlook normal.
I think it's good.
No, they just they just don'tlook normal.
I think they.

Speaker 2 (42:36):
They say something like that they look off yeah, um
, and father Donovan.
So they go see father Donovan,ask him and they say he's like
are they like from the church?
And they're like no, no, no, no.
And father Donovan starts sideof town where there's a giant uh

(42:58):
, like the rumors, are theyexperiment on people and stuff
like that.
And he says everybody shouldstay away from there.
You know it's governmentproperty.
Like just they show up, comply,but like just leave them alone
and they'll leave you alone,type thing.
Um, yeah, and then you know itjust goes right right to the end
of the program and the videoends my favorite part is um.
My favorite part of part is theyall stare at the camera.

Speaker 3 (43:18):
Yeah, they all stare at the camera, but my favorite
part is when Horrifying, they'relike oh men and Father Donovan,
or whatever his name is.
They're like oh men came to thehouse and we were told not to
let them in.
And the pastor's just like ohmen from the church.

Speaker 2 (43:36):
And they're like no men from the church and they're
like no from the government.

Speaker 3 (43:37):
He's like oh, never let them.
Never let big government intoyour house.
Like they go full likeconservative, like libertarian,
just like 100.
I'm from the government, I'mhere to help fuck you type thing
like and uh, they're like.
Uh, they're like, oh.
He's like oh yeah, there's thatexperimental, there's that
government facility, they'redoing experiments out there, so
never go there.
They're like yeah, we'll nevergo there, instead we'll go to

(43:58):
church.
And he's like you're damn right,it ends with this moment where
they're just like like yeah, itends with like that classic like
sitcom, where it's like kind oflike freeze frame, look at the
camera, kind of deal.
Oh yeah, it's just goofy as allhell it is.

Speaker 2 (44:16):
It's goofy and like it's.
And again this is again, againtied to Idaho falls, assumedly
this is like a local, likestation that was talking about
this and just for some reasonsock puppets decided to tell the
community and strike the fearof no pun intended, the fear of
God, to them about thisgovernment laboratory that

(44:36):
exists just outside of town.

Speaker 3 (44:39):
And also just make kids a bunch of meanies.

Speaker 2 (44:43):
How are you going to be?

Speaker 3 (44:43):
like you can't love even VeggieTales.
Never did that, as far as I'maware.

Speaker 2 (44:48):
What are you talking?

Speaker 3 (44:49):
about the bunny episode.
I don't know.
I've never watched VeggieTales.

Speaker 2 (44:53):
How about the one where they pushed capitalism
onto us?

Speaker 3 (44:57):
no, I mean, I don't remember veggie tales being like
you can't.
You can't love them like that.

Speaker 2 (45:03):
You can only love oh, I'm sure there was an.
I'm sure there was an.
Anti-gay veggie tales I wouldhave, I'm sure I'd have to go
back and find it.

Speaker 3 (45:11):
I don't.
I've only seen a handful ofepisodes and I don't recall, but
we were innocent like it's.

Speaker 2 (45:15):
When we watched it for real, it was like it's they.
We weren't looking for hiddenmeaning.
That's very fair talking tomato.
Look at, it's a tomato thattalks like that's.
That's all that was going oncucumber.
Lost his hair brush yeah, andnow he's wearing suction cups,
yeah, um, what a fucking fuck.

(45:37):
Uh, that was a wild choice fora show for christian tv, no less
.
Either way.
Okay, that off topic.
Let's get back on track.
I know we just talked aboutchristian shows.
Better than bible man?
Bible man can go fuck himself.

Speaker 3 (45:51):
What a what a weird one.

Speaker 2 (45:53):
My buddy had those dvds of bible man and I'm like
fuck, this is weird I rememberseeing a couple of those and
like I instantly clocked it,like this is just religious
propaganda, like this name notgetting away, that's.
But I was fucking like eightyears old man, I was real, real
proud of that uh criticalthought oh, it's christian, I

(46:15):
don't need this weird okay.
Okay last, okay, this is we got.
We can do this.
We can do this, mike.
It is the last video let's goand it's the.
It is the most intriguinglynamed video in the entire series
.
It is named governmentunderscore horror underscore
show dot MOV.
You gotta know there's somesecrets on there, right.

Speaker 3 (46:38):
Gotta yeah.

Speaker 2 (46:41):
Yeah, so it's about.
It's about four minutes longand this one it comes with
little to no context.
It's got your normal ultrasonicvideo home system intro and all
it says is these were retrievedphotographs from a government
horror show.
No, no, telling us what thatmeans, and it's literally just

(47:05):
four minutes of like.
It looks like footage ofsomebody revealing photographs
that were hidden behind, likesome kind of like redaction or
something.

Speaker 3 (47:13):
It's like laser scanning fucking photos off.
It's like laser.

Speaker 2 (47:19):
I feel like it's removing black ink from
photographs to decide what it is.
You know what I mean.
Oh yeah, the first one's prettynormal.
It's just a fucking hallway,great.
The second one comes out andyou see just a bunch of.
They look like a bunch ofpeople standing around.
Look at a hub or a station.

(47:41):
It's a cubicle with like somedesks with several entrances and
stuff.
And then after that things startgetting real fucking weird.
You get a weird creepy dudejust kind of standing in the
hallway holding some kind ofunknown object, not really sure
what it is, away holding somekind of unknown object, not
really sure what it is, um, andafter you see this, things start
to kind of go unexplainablelovecraft just all over this

(48:05):
bitch.
Um, it's these like weird, likeshadowy shapes with like smoke
coming off of them.
It looks like they're likefloating versus walking, um, and
it gets worse and worse.
And I will say the very lastone is is the most unsettling
and it only reveals like half ofit, but it's like this yellow,

(48:28):
jaundiced face and you do end upseeing that it's got some
pretty fucking sunken eyes andthat should be reminiscent of
the first video.

Speaker 3 (48:42):
Yeah, that's what I thought, that too.

Speaker 2 (48:44):
Like it's this one, and it threw me off at first,
because the first time we seethis face it's in black and
white.
And so even the second to lastone, it looks like there's some
kind of like.
There's a bunch of people withthese changes going on, but the
very last one, like it'ssolidified, like this is the
thing.
That's the thing, that's ityeah and then it just cuts ends

(49:07):
and we are fucking done.

Speaker 3 (49:11):
That's the whole series up till now and I think
that's the end of the series,and I always say that because
the last upload was three yearsago.

Speaker 2 (49:18):
Yeah, I wouldn't doubt it.
And like it is a cohesive storyif you look at all of the
little, if you look at thefinite details, or even look at
the Look at how it's, look atthe fucking dates.
That's how you put it in order.

Speaker 3 (49:35):
You Tell me the story , then please.

Speaker 2 (49:40):
Okay, in 1964, the government started experimenting
on people using psychotropicand hallucinogenic drugs under
the codename of MKUltra.
After discovering that thesethings had mind control
applications but it also hadunexpected side effects on
certain individuals, they cameup with a different kind of

(50:01):
protocol to put these peopledown.
After that, one of theseMKUltra laboratories that was
experimenting with all thesedrugs that we saw started
experimenting more heavily andcertain changes started
happening to some of the testsubjects.
To that, something fucking gotout and chased down a random

(50:25):
hiker in 1979.
Who happened to get it on audiorecording and sent it to
somebody that they knew Heardreally, really, really strange
noises in the forest.
And again, this is around idahofalls.
Um, we, just we talked about the, the laboratory that's outside
of town that was doingexperiments on people.

(50:46):
So after this thing got out andattacked a random civilian in 79
, let's move ahead to 86, whichis the first video we see, which
is the first time we see thiscreature in a residential like
area it decided to expand itshunting grounds, um, and which
is why we see all of these, theglitches, the, the weird shit on
the CRT TVs of this community,um, and, and then it kind of

(51:11):
goes dark.
After that we moved on to thesock puppet video, and most of
it's really really really notpertinent at fucking all but the
part about the humanexperimentation in the
laboratory in Idaho Falls, whichapparently is a confirmed
MKUltra site, as are most ofthese sites that we see in those

(51:34):
lists of different cities wherethese laboratories exist.
The rumors started circulatingthat people have been
experimented on there witheither drug surgery or a
combination of the two and thatpossibly something had gotten
out.
Something had gotten out andfinally we go to 2000.

(51:54):
And that's the airplane crashat Idaho At whatever the fuck.
Whatever this thing, whatevergot out, made it to Kelly
Mountain, got up to KellyMountain and, because its main
property is electromagneticdistortion, it fucked with the

(52:15):
airplane's instruments becauseit was up on top of the mountain
and caused the whole thing tocrash.

Speaker 3 (52:21):
What do you mean?
Its main thing iselectromagnetic distortion.
The first video man.

Speaker 2 (52:25):
It got close enough to the camera you couldn't tell
what the fuck was going on.
It started glitching the hellout.

Speaker 3 (52:29):
I guess, if it was strong, enough to take down a
plane, wouldn't it be able totake down a camera?

Speaker 2 (52:34):
The difference is 1986 to 2000.
That's 14 years.
It might have honed its powersor whatever, but again, this is
a hyper vague analog horror, theonly reason I was able to piece
that together is because Ipicked up on the tiny details,
and that might not even be right.
That's just what my braincreated.

(52:55):
You know what I mean that'sfair.

Speaker 3 (52:56):
That's fair.
I, I didn't perceive that onebit only because, like you're,
you're giving off giving it thislike grandeur, like it, like
the only thing we have here isthat there are drug experiments
from like mk ultra with uh,hallucinogenic drugs, but it
never once says anything aboutthose drugs.

(53:19):
Like given things ability orthings.

Speaker 2 (53:24):
But it gives you a list of test sites and as soon
as you follow that breadcrumb toidaho falls, you can take idaho
falls and put together the factthat, okay, cool, this cool,
this is near Kelly mountain.
That'd be weird If somethinghappened high up the mountain,
which is, you know, might behigh enough to cause a plane
crash.
Fuck with the instruments.
No one says any of thisexplicitly.

(53:44):
This is my brain suggesting allof this.

Speaker 3 (53:47):
That's why that doesn't make sense.

Speaker 2 (53:48):
I think everybody well, your explanation for the
story might be different thanmine.
I don't have an explanation.
That's what I'm saying.
Like somebody else might have adifferent one as well, but it's
like it was vague details to me, but it was vague breadcrumbs
that forced my brain to tietogether things that may or may
not be correlated to create myown story in my head.

(54:10):
Okay, okay.

Speaker 3 (54:11):
Does that make sense?
No, yeah, 100%.
I don't agree with it, butthat's fine.
I like that.
But but I'm I'm fine with itbecause at least you were able
to come up with something that'sgoing on here, like, like here
here.
Listen to this.
Let me ask you this, on a scaleof one to ten where would you
place this?

Speaker 2 (54:32):
okay, is this in relation to stories?

Speaker 3 (54:36):
or all analog horror, just in general, like in a
general, two categories generalentertainment, toward to you,
and quality.
Where would you put this?

Speaker 2 (54:46):
okay, uh, I'd put it a solid five and a half to six
outside okay this is like ashirt.
It was sweet yeah, but why is?

Speaker 3 (54:58):
that like it's a one, because and and I'm not
knocking this creator at all, Iam I'm stupid and I'm probably
missing something.
Like you said, you came up witha lot of shit that does make
more sense on on.
You know that now that we'retalking about it, um, I don't
necessarily agree with that.
That's the path that thecreator might have been going
towards, but I'm often wrong,I'm often very wrong, and you're

(55:21):
probably right and that's fine.
I it probably just went rightover my head, so this is coming
from an idiot's point of viewthat's the thing, though, man, I
think I don't think there is aright answer.

Speaker 2 (55:32):
Yeah, is is kind of what I'm saying.
It toes the line between asolid, plot-filled story and an
interpretive story.

Speaker 3 (55:44):
It's got to be me to a certain point too, but I think
others came to the same mindsetI have as well, Because look at
this, First and foremost.
Look at this Starts off bussing.
It starts off the first episodewith 772,000 views.
The next one Give a fuck aboutthe numbers man.
Well, no, no this is what I'msaying.
This is what I'm saying.

(56:04):
The next one 141,000.
That's a drop, that's huge.
That's a huge drop.
The third one, 689,000.
Went back up the next one,after that 143,000.
After that 34,000.
After that 20,000.
So I think a lot of people hadthe same mindset of me, where
none of this makes any fuckingsense and people just lost

(56:26):
interest.
And here's why that's fine.
You can take all these videosand cut them literally a 15
second chunk and you're gettingthe exact same amount of
information.
That one video oh yeah, videofour is three minutes of
literally a black screen andjust audio of someone walking,

(56:46):
with the occasional ah in thebackground.
And it happens like once ithappens.
Yeah, once, twice, okay Twice inlike a three minute span.
That's the whole video, that'sthe whole video.
The next video is the one beforethat, the airlines one, the all
that airline information.
You try to piece it together.

(57:06):
I don't think it worked, butI'm glad that you at least tried
, because, again, I'm oftenwrong.
Maybe that information ispertinent, but the only
information that matters is thatlast bit where the airplane is
falling out of the sky.
And even then does that reallymatter?
Because it's never brought upagain.
And the first one, the firstone.
Does anything in the firstvideo even matter in the

(57:27):
beginning?
Because all you need is thatlittle bit of CRT or CCTV
footage at the end of just aperson getting closer and closer
and closer to a camera.
None of the rest of theinformation is really pertinent.
I don't think any of it matchesup.
I think this person had the idea, the first video, of making
like a creepy thing and he waslike, oh, that's fun.
And then didn't know what to dowith it and just started making

(57:51):
shit, like on the fly, justlike.
What can I make my next videoabout?
Uh, airplane crash and fuck it,let's go.
What should I make the otherone about?
Oh, I just watched a wholeseries on mk ultra.
That was fun, let's introducemk ultra into the mix.
I don't think there's acohesive plot here.

Speaker 2 (58:05):
Well, I think they, I think they started with.
I want to do something mk ultrabased and, honestly, out of the
six videos that were here, theone that I think could have been
redone is video two, the flight.
Look like the flight logs.
Here's the the plane crash buthere's where I that's the,
that's the very like.
The latest thing that happened,which means it's not the like,

(58:27):
the.
That's technically the pinnacleof where we're at.
Yeah, which means whatever.
Whatever happened in theseexperiments ended with a plane
crash.
You know what I mean.

Speaker 3 (58:37):
Yeah, um, and and and .
Another thing is driving mewild, like abs, like it's
racking my brain cause I'moverthinking.
And again, I'm not trying to toto diss this guy too much
because I can't make shit, butI'm just, I don't I Because I
can't make shit, but I'm just, Idon't understand.
I don't understand how this gotso many views.

(58:57):
I don't understand how peoplelike this it's not clicking for
me.
And here's something else.
I know I'm in the wrong,because if you go to the
airplane episode, if you go tothe comments section, I'm
putting it on the screen rightnow.
I'm going to read some for theaudio people, but listen to this
Listen to this, listen to this,listen to this.
I really liked this one.
Was it just a conventionalplane crash caused by some
catastrophe?
Engine failure, a nuke goingoff nearby, the rise of an

(59:21):
eldritch being?
I love how much is just left toyour own imagination.
Another one this video is likethe opposite of what is wrong
with bad analog horror.
It's low-key believable.
This comment specifically, it'slow-key, believable.
It's actually developed enoughto play with an expectation of
supernatural instead ofmistakenly relying on an
audience expectation.

(59:41):
It goes on like that.
There's another one.
This is an analog horror donein ways I've never seen before.
Hats off to you, my friend.
And it just goes on like that.
Am I crazy?
Am I just fucking crazy?
I mean dude, and it just goeson like that.

Speaker 2 (59:55):
Am I crazy?
Am I listen?
I mean, dude you, it's the data.
If you take all it's, oh my god, it's every piece of data.
It's the air speed, it's theinside, outside cabin
temperature all that's alludingto things that have that have.
Apparently things have beengoing wrong with this airline
for a hot minute now, but noneof that is given to us.

(01:00:17):
They don't tell you that.
They don't ever tell youanything.

Speaker 3 (01:00:21):
This is really good.
Most stuff like this goes ooh,spooky times route instead of
realistic terror.
Mind you, there's a question ofwhy you can hear screams and
water but nobody's speaking.
Earlier I guess everyone wasasleep.
Good stuff.
What is that?
Am I going crazy here, dude?
I don't, it's not scary, it'snot, there's no plot.

Speaker 2 (01:00:43):
You shouldn't?
I don't understand it.
This seems to match with theAlaska 261 flight.
It started to crash at 8128meters, aka 26,000 feet, just
like this said okay, crash intothe Pacific.
It mentions at the beginningthat it was flying over the
Pacific.
So we have a match.
I'll look into it more, yeah.

Speaker 3 (01:01:05):
Okay, now we're talking.

Speaker 2 (01:01:06):
So I think the, I think the connecting dot is all
of these incidents were real offreal things.

Speaker 3 (01:01:12):
Okay, that'd be fun.

Speaker 2 (01:01:16):
That's fun if that's.
This is like, which reminds meof monument mythos.

Speaker 3 (01:01:18):
Yeah, and again it's probably me being stupid, but
this just didn't hit for me andthat's fine, and that's fine,
that's fine.
I'm like racking my brainbecause, like now, I, now I
genuinely I need to know, I needto know what's happening, I
need the creator of CRTAnomalies to just info dump on

(01:01:38):
me Like this is what it means,this was the plot.
Because obviously I'm notgetting it and I very much want
to, because I'm looking at thecomments and everyone in the
comments is like this is great,this is awesome, this is
something I've never seen beforeand I'm just not getting that.

Speaker 2 (01:01:55):
And I remember everybody commenting are people
who have been fed this video byalgorithm or have been other
videos or are searching orsearching out.
Searching for analog horror forfun yeah, that's very valid.

Speaker 3 (01:02:10):
I will say the last part, that last part, yeah, it's
probably telling.
Yeah, I also will say the lastpart.
The last part is probablytelling.
Yeah.
I also will say the last videowas very fun.

Speaker 2 (01:02:20):
I'll give them that I enjoyed.
I liked it, cause I mean to meit tied together like the terror
, like why and cause, especiallythe very, very small
description that says they'reafter me.
Help, that's it.

Speaker 3 (01:02:31):
Yeah, and well, not only that, but like the pictures
are creepy.
I like to think too I mean,this is my own canon.
At this point I'm trying tomake sense of it.
But like what if?
Hang on, oh, OK, Sorry, I hadto click a button Like what if
this was the how you said?
There was like a breakout thathappened and things escaped this

(01:02:52):
government horror show.
These are all the patientsthat's the escapees yeah, they
all escaped, and one of them islike what you find from video
one.
Another escapee is video two.
Another escapee is video four.
You know what I mean.
Another escapee will be the theman in the suit from video five
or not escapee.
The man in suit is video five.

(01:03:13):
He's trying to figure out whereall these escapees went, so
absolutely and that could be ityeah, but I, I genuinely and
they don't tell.

Speaker 2 (01:03:23):
But that's that's why and I think that that's
crossover with my like, my lovefor lovecraft and like the fear
of the unknown, the fear of likeyou don't know what the fuck is
going on, type of thing, like I, like this is beyond your
control and this, this simulatesthat for me, because you're
you're not given enoughinformation for a clear picture,

(01:03:43):
yeah, which means you're likeit's like 90 percent there,
which means that last 10 percent, everybody whoever watches this
, and if you, if you enjoy thisfor whatever reason you don't
have it doesn't have to makesense If you just find enjoyment
in this, your brain will fillin that last 10% for you and it
will create the rest of thestory.

(01:04:03):
And I think that's why I amimpressed by this one, because
it just it just hits on like apsychological level.

Speaker 3 (01:04:11):
That's fine.
I mean all hats off to this guybecause I can never make
anything this cool looking.
I will say a lot of the vibesare fun like that.
Last video was fun, the firstone was pretty fun.

Speaker 2 (01:04:21):
Like I digged a lot of the uh, a lot of the vibes
were pretty perfect hey man ifyou don't enjoy it, you don't
enjoy it, and that's fine yeah,but still, yeah, um, there was.

Speaker 3 (01:04:31):
I can't find the comment anymore and that that
really upsets me.
There's one comment in the um,um, the, the one I think that
show like the MK ultra stuff.
Oh, I wish I could find itagain, but I'm not seeing it.
Oh, someone said uh, a VHSplayer that has a DVD main menu,
a slide projectors, letterboxand the sound of a film

(01:04:52):
projector spooling.
Very interesting stuff.
I know, okay, some of thepeople definitely was just like
sound effects, sound effects,sound effects, sound effects,
sound effects.
But I thought that was goodthough.

Speaker 2 (01:05:06):
Like it was immersive and like there were several
moments where I was fooled that,like this, I was actually
listening to the thing, that itwas telling me that I was
listening to.
You know what I mean?
Yeah, and I think that initself is a is a feat, because
it's it's very easy to break.
Yeah, to break that fourth wall.
Yeah, it's not hard.

Speaker 3 (01:05:24):
Yeah, all in all, you know what I?
I was too harsh on it.
I said before it was a one, I'mnot gonna give it a one.
That's that's way too harsh.
We've we've covered other shitthat pisses me off, but it's
fine if you do man.
No, I'm gonna give.
That just means it wasn't madefor you.

Speaker 2 (01:05:37):
I'm gonna give this.

Speaker 3 (01:05:39):
I'm gonna give it a three because I see, I see the
aesthetic.
You know, I see the aesthetic,I see the vision a little.
It's just not cohesive to me.
But, uh, I'll give you a three.
It's still low on my scale, butwe've come across some ones on

(01:05:59):
here and this by no means is aone to me.

Speaker 2 (01:06:02):
Um, so I'll bump it up to three, three and a half um
that's fair, that's fine man,but yeah I'm gonna keep it at my
five and a half, six, maybeeven six and a half, who knows
no, I'm gonna give it a four anda half.

Speaker 3 (01:06:14):
And you know why you don't know?
No, you're now, you're beingweak.
No, no, I'm giving a four and ahalf for this reason.
I'm giving a four and a halfbecause if it was an actually
shitty analog horror, I wouldn'thave as much to say about it as
I do right now.
We've covered a lot where I'mjust like this fucking sucked.
At least here I'm just like Ididn't understand it.
I don't understand.

(01:06:34):
People in the comments areenjoying it.
Maybe I'm wrong.
It has me questioning if I'mstupid.
So you know what.
You're getting a four because Ilegit don't know.

Speaker 2 (01:06:42):
That by itself is impressive.

Speaker 3 (01:06:44):
Yeah, because I don't know if I'm stupid because of
this.
I don't know if this may bestupid because I'm not
understanding it, or because Iam and no one else is so you're
getting a four for me toquestion my own mental state.
I think you're thinking aboutit too hard.

Speaker 2 (01:07:00):
Exactly, that's fair.
That's fair.
I think it's literally justlike this is not your cup of tea
, and I think that's the end ofthe explanation, probably.
But the fact that you're like Idon't know, I don't know, I

(01:07:20):
don't know, I don't know, Idon't know, that's right, yeah,
I agree.

Speaker 3 (01:07:22):
Yeah, I'm solidly between between five and a half
and six and a half, depending onmy mood.

Speaker 2 (01:07:25):
Yeah, there you go um .

Speaker 3 (01:07:25):
I enjoyed it I like showing details I did very much
enjoy talking about this withyou, though, I'm not gonna lie,
as much as it wasn't my favorite, I thoroughly enjoyed talking
about it, oh this dude.

Speaker 2 (01:07:34):
This was like a solid deep dive with opposing
opinions yeah great yeah, andhere's the other thing.

Speaker 3 (01:07:39):
I can hate it all.
I want this.
It was a breeze.
It was like half an hour.
You know what I mean.

Speaker 2 (01:07:44):
So you know 35 minutes like five, I'm sticking
man, if we keep, if we keeptalking, it's gonna be a nine by
the end of the night.
No, I'm I'm sticking at four.

Speaker 3 (01:07:54):
Yeah, it's the fact that it's just.
It's my favorite type of analoghorror.
I hate an analog horror that'slike season four and every
episode is 45 minutes long.
No, no.

Speaker 2 (01:08:05):
The local 58 is the like the fact that 40 to 50 to
60 percent of the episodes justdidn't have useful information
in it.
That's why it's not like aseven, eight or nine but it was
still short.

Speaker 3 (01:08:19):
That's why I'm still short.

Speaker 2 (01:08:22):
It wasted so little of my time Exactly.
I'm out of half hour.

Speaker 3 (01:08:27):
I'm out of half hour compared to like um, uh, uh, uh,
fuck Uh.
What did we just?
Fuck it, marble Horn.
Uh uh, uh, fuck uh.
What did we just?
Fuck it, marble hornets,whereas like this video is 70
minutes long and 10 of it isjust guys walking.
So I love you, marble hornets.

Speaker 2 (01:08:39):
Cut your videos down, though, marble hornets was a
lot of fun, but it's, it's alltis who yeah?
But, you can get the same storyout of three hours as nine,
exactly.

Speaker 3 (01:08:50):
Um, so yeah, I it, I'm, I can again.
I can say I didn't like it asmuch as I want, but it was still
a breeze.
It was very short and I lovethat it was short.
This is ideal to me.

Speaker 2 (01:08:59):
An analog horror that's like a short story, 10
episodes, max, chef's kiss Ilove that keep it short, to the
point make it a, tie it invaguely to like a, a weird
symptom of a random governmentproject, like, just like a
one-off thing yeah that tooklike five years total to get
through and like four peopletotal saw it.

(01:09:19):
So you have six audio clipslike that, yeah.

Speaker 3 (01:09:23):
Perfect.
I am curious if any of theseother videos are based on, like
real life events, like thatplane one you said was based off
of.
Based on that.

Speaker 2 (01:09:30):
Yeah, oh dude.

Speaker 3 (01:09:35):
If I wonder if the puppet show was based off a real
tv show.
That was like don't go nearthem, yeah veggie tales, no,
yeah, but I mean like somethingthat might have like an eeriness
to it, like like in the show,they're just like you.

Speaker 2 (01:09:43):
Never go into the mountains alone, kids or
something, yeah, or like video,like nobody outside that
locality would know what thefuck you're talking about
exactly or like video four waslike that audio of him, like
walking through the woods.

Speaker 3 (01:09:55):
I wonder if that's like like lost, like missing
person like a hiker.
They got like mauled by afucking bear or some shit.

Speaker 2 (01:10:03):
Yeah, if, if, if that's a thing that would be
very cool if that's, if that'swhat they're doing here, that's
cool I wish I hadn't thought ofthat like angle, if that's the
angle.
Holy, holy shit, you have madeyourself an eight.

Speaker 3 (01:10:17):
If that's the angle, you bumped up to an eight for me
as well.
So you better make that theangle.
If it ain't already, you betterdo it.

Speaker 2 (01:10:26):
And if you have more plans, which I don't think you
do you should make that moreapparent.

Speaker 3 (01:10:31):
Yeah, yeah, hit me on the head a little bit, just a
little bit with it, just a tinybit just smack me, so I know
you're here.
Yeah, that's all I'm saying manum, that's all I got.
We've been talking a lot aboutthat we, we fucking pulled like
what now and a half out of thisshit.
Somehow we got.
Somehow we got over an hour outof this stupid ass hey, you

(01:10:55):
told me half an hour.

Speaker 2 (01:10:56):
I believed you.

Speaker 3 (01:10:57):
I know right.
That was fun, though I enjoyedthat Me too.
I had a good time with this.
I hope the listeners had a goodtime, and that's really all I
got.
You know all the good stuff, asusual.
Social medias find them.
I just have my Coke.
Social medias find them.
I just have them on socialmedias.
You know where to find themGmail, dillypotgmailcom.

(01:11:21):
Send us your hometown horrors.
Yada, yada yada.
That's all I got Hometownhorrors for sure.
Jason, do you have anything youwant to say to people?

Speaker 2 (01:11:30):
I mean my usual thing that I think I've never skipped
one time.
Oh, I skipped one time Otherthan that, stay the fuck
paranoid.
I love these little one-offtreasures that we find sometimes
, but stay paranoid because oneof these little haunted nuggets
could find you in your hometownand, if it does, send it to us

(01:11:54):
the nugget and the story and thecryptid.

Speaker 3 (01:11:57):
Mail it to us, the nugget and the story both and
the cryptid Mail it.

Speaker 2 (01:11:59):
Yeah, it's threefer, but either way, cheers to
everybody, cheers to you, cheers.

Speaker 3 (01:12:05):
Bye everybody.
Have a blessed night.
May government MKUltra Christbe with you.
Bye, mk, often.
Ha ha ha.
Don't look under the internet.