DLUTI 216 - Obelisk

This week we analog our horrors nostalgically or something.

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Episode Transcript

SPEAKER_01 (00:16):
Don't look under the internet.

SPEAKER_00 (00:25):
Yeah.
Not necessarily that exactly,but yeah, is there anybody out
there on porn making content?

SPEAKER_03 (00:32):
Like can we start a particular side of theater 3000
or porn?
Can there be a corridor crewchannel and they do VFX for porn
exactly?

SPEAKER_00 (00:42):
This is what I'm talking about.
And if not, I think we've founda wide open up a niche.

SPEAKER_03 (00:47):
Oh yeah, I agree.

SPEAKER_00 (00:49):
Should we just start re-uploading the podcast to
Pornhub?

SPEAKER_04 (00:52):
To Pornhub?
Honestly.
Honestly.
I mean, I mean, could we likethat'd be really funny to see
like if we just started moneyall of a sudden, right?

SPEAKER_05 (01:00):
What if we made I we I would I would honestly think
that we'd make more money justuploading our shit to Pornhub?
Yeah.
I mean, I think advertising hasmore money in porn anyway.

SPEAKER_03 (01:12):
Yeah, and also I'm tired of at least we won't be
fucked by YouTube, it'll beappropriate.
Be appropriate.

SPEAKER_04 (01:19):
I need my three to five cents an episode.

SPEAKER_00 (01:21):
I'll re-upload the podcast with the audio
unchanged, but like in Mike'svideo square, it'll just be a
pair of titties, and Jason'sjust be a big old dick.

SPEAKER_04 (01:32):
Just jiggling.
Yeah.
Just a big jiggly cock.
Just four four videos going.
Yeah.
Like uh like it's a sports bar,but for porn.
A couple of wild wings ofbackdoor sport nine up in the
top left corner.
And yeah.
Alright, cool.

(01:54):
Hello, everyone.

SPEAKER_03 (01:55):
Welcome to Don't Look Under the Internet.
The next big thing on Pornhub.
Just keep watching.
We're gonna be on there.
That's uh that's uh that's Mattover there.

SPEAKER_00 (02:08):
Craig.

SPEAKER_03 (02:11):
That's Doug.
It is.
I am here, yeah.
That's Jason.
No, it's not.
And I'm Mike.
We're all gonna be on Pornhubsoon, but not for reasons you
think.
Other reasons.

SPEAKER_00 (02:25):
For weirder reasons.
Not for all the reasons youthink.
Maybe some of them.
Maybe maybe some of them.

SPEAKER_03 (02:31):
Join us on our Patreon where we review all
types of pornos together.
We watch them.
All of us sit fully bricked inthe same room and we don't talk
about it.

SPEAKER_05 (02:41):
Here's what we're gonna do.
We're gonna put on a gay porno,and we're all gonna take some
Viagra, and the first one to geta boner loses.

SPEAKER_03 (02:48):
I don't need the Viagra, son.

SPEAKER_05 (02:52):
I'm a man.
Mike, Mike is uh is uh an eroticempath.
You know what?
Let me tell you this.

SPEAKER_03 (03:00):
Let me tell you this.
First and foremost, we don'thave any housekeeping,
unfortunately.
But let me tell you that's whywe've talked about you ever seen
those like sissy sissy hypnovideos.

SPEAKER_00 (03:09):
We should just review those.
Okay.
Maybe it says something moreabout me than it does anything
else.

SPEAKER_03 (03:16):
I think so.
Let me tell you, boys.
I won't even be I won't even beas hard as a brick.
I'll be as hard as an obelisk,dog.
Straight up.

SPEAKER_05 (03:27):
Whoa.
The fucking bird scooter.
It might have square wheels andit might not be good to look at,
but it has brought us here.

SPEAKER_00 (03:36):
It doesn't matter.
If it looks an erect handlebar.

SPEAKER_03 (03:40):
I'm I'm going off the tried and true.
If it looks stupid but works,it's not stupid.
It ain't stupid.

SPEAKER_00 (03:46):
I look stupid when I work sometimes.
Does that make me not stupid?

SPEAKER_03 (03:50):
Partially.
By Mike's logic, I guess.
We're talking about today aYouTube channel, not Porno.
We're talking about a YouTubechannel called uh Obelisk, or I
guess it's called Lizard MenInc.
But we're talking about theseries called Obelisk.
Now know what you're thinking.
Boys, aren't you a little lategiven the fact that this comes
out a week after recording andNightmind already put out a

(04:11):
video?
Yes, we're aware.
Because yesterday, yesterday,when Doug and I were looking for
a topic, Doug's like, look atthis really cool thing.
And I'm like, that does lookreally cool.
And then two minutes later, Ijust hear Doug go, You gotta be
fucking kidding me.
I'm like, what, buddy?
It's like Nightmind just posteda video and you'll never guess
on what.

(04:32):
I'm not even I'm not evenkidding.

SPEAKER_00 (04:33):
Like, Nightmind's stealing our content so hard,
he's just listening.

SPEAKER_04 (04:37):
He bugged uncanny.
I was like, literally, me andMike were talking, and I was
like, Let's do this.
And he's like, Oh, that's good.
And I was like, Okay, here's theoutline, blah blah blah.
And like literally an hourlater, I'm like, Well, Nightmine
just uploaded a video aboutthis.
Yep.

SPEAKER_03 (04:51):
So here's the thing I'm like Matt said, I am fully
under the impression nightmindhas bugged my room.
This is not the first time thishas happened, and it's not gonna
be the last.
I'm still upset about fuckingBosco Park.
I talked about that shit.
It got no one gave it a rat'sass.
And then here his ass isuploaded, and everyone's like,
this is the coolest fuckingthing ever.

(05:12):
I know I talked about it, Iknow.
But no, no, no, no, no.
It's only cool if he does it.
It's only cool if he does it.
That's okay, Nightmine.
You're cool, I guess.
Hit us up, dog.
Hit us up, dog.
I actually love you as well.

SPEAKER_00 (05:27):
Can we review my Nightmine's furry porn on the
porn hub channel?

SPEAKER_05 (05:32):
Yeah, yeah.
Dang.
Hell yeah.
That's the we're gonna we'regonna Mystery Science Theater
3000, Nightmind's Furry Porn.
Hell yeah, dude.

SPEAKER_00 (05:41):
Next question.
Has anybody broken into theanalog pornography genre yet?

SPEAKER_03 (05:46):
Ooh, analog horror.
Analog horror.

SPEAKER_00 (05:50):
There you go.

SPEAKER_04 (05:52):
It was right there.
I mean, I did title our ouroutline obelisk anal horror.
Yeah.
I think that was.
We're on to so many ideas.

SPEAKER_03 (06:03):
God, we we got this down.
I swear to god, if next weekwhen this comes out, it'll be on
video.
I swear next week this comes outand I see fucking a nightmind
Pornhub channel, I'm gonna losemy fucking shit.

SPEAKER_05 (06:19):
Why are you saying that next week we're gonna have
a Diluty Pornhub channel?
Maybe you don't know what I'mgonna do.
I have a week.

SPEAKER_04 (06:25):
Um let's email comment or Gmail that just says
thanks for signing up toPornhub.

SPEAKER_03 (06:30):
Oh guys, I need uh someone give me that six-digit
code, please.

SPEAKER_04 (06:35):
Verify your identity.

SPEAKER_03 (06:36):
Yeah, you can't even access those things in Porta.

SPEAKER_04 (06:39):
So uh it's all up to you guys.

SPEAKER_03 (06:42):
Up that's that's that now.
Well, you can now, thanks for asponsor.
Uh fuck VPN.
There you go.
Fuck VPN.

SPEAKER_05 (06:49):
Um prank your hog and the privacy of your own
home.
Yeah.

SPEAKER_03 (06:54):
Anyway, let's get into uh the channel that is
Lizard Men Inc.
The story of Obelisk.
Where do we start?
But not but the beginning.

SPEAKER_00 (07:03):
Well, let's start before the beginning, actually.
So yeah, like Mike said, this isa channel called Lizard Men Inc.
And the first, if you just go tothe YouTube channel, the first
thing you're actually gonna seeis a skibbity toilet analog
horror animation.
Really putting the date on this.
It is from two years ago, andit's it basically exactly what

(07:24):
you would expect it to be.
It's just somebody walkingthrough a house, and then
there's a their creepy thing inthe toilet that comes out and
attacks them.
Um, but this does kind of setthe tone of what the rest of
this channel is like.
This person describes themselvesas a visual effects artist, and
most of the videos are like a 3Dblender bound footage, handheld

(07:45):
camera style thing, like you'veprobably seen before in like
backrooms videos and things likethat.
Yeah.
Um but the first one that'sactually in this series of
videos is called Obelisk, My NewFriend.
And um we start the video withsome text on the screen that
says the person that's recordingthis has found a new friend and

(08:09):
asks the viewer if they want tomeet them.
And then we get a shot of theircloset, and it's like an
old-timey closet with like thelittle slats in the middle.
Um, it's like an ant uh handheldVHS filter again.
We're told that their friend isin the closet, and so they go
and get closer to the closet andthey check it out, and it turns

(08:29):
out friend is not in the closet,and they're like, Well, where'd
he go?
So they go wandering around thehouse, um, and then we cut to
the living room and they'rewatching TV, and we find out
that sometimes friend visits andwatches TV with them, and now
he's here.
So he picks up the camera, youcan hear some clunking going
around in the house in thebackground, and he walks around

(08:53):
a bit and then sticks the cameraup the stairs and says, He's
here, can you see him?
And then it suddenly jump cutsto the bedroom again, and Friend
is in the closet now.
And I don't know how to describethis thing other than a gigantic
bird with a humanoid facewearing a black hoodie.

SPEAKER_05 (09:18):
And that's yeah, that's that's pretty fucking
accurate.

SPEAKER_00 (09:22):
That's kind of it.
It is that's friend.
He's in the closet.
Um the next video on thechannel, in which I'm not
actually sure that this is partof the um series, is just called
Preventing Home Invasions.
It's a VHS public serviceannouncement thing that just
tells you what to do during derring.

(09:44):
A home invasion.
Yeah.
A home invasion.
Um so we are told that homeinvasions are rare, but they
keep uh they're more likely tohappen uh to those who are
unprepared.
And then it just kind of goesthrough some things, some tips
to keep in mind about uhavoiding home invasions,

(10:05):
securing all your entrances,pretty obvious.
Um if you see or hear a homeintruder, evacuate immediately
if possible.
It is impossible to know if anintruder's an intruder's
intentions or if they're armedor not.
Um and then yeah, I thinkthere's like five of these tips.
It's pretty straightforward.
And that's kind of just whatthat is.

(10:27):
But the next one, we dive backinto the world of the obelisk.

unknown (10:33):
Woo!

SPEAKER_00 (10:34):
Also, duh, I can hear myself through the phone.

SPEAKER_04 (10:38):
No, I'm I'm not sure what the fuck is going on.
I was just messaging about it,trying to turn my headphones
down.

SPEAKER_05 (10:44):
Um Mike's being professional about it.
Yeah, usually he's not as fuck.

SPEAKER_04 (10:51):
He's like, hey dickhead, your fucking shit is
fucked.
I turned my mic and myheadphones down, so I'm not sure
if it'll happen anymore, butI'll monitor my little box.
Maybe you should just shut thefuck up, huh?

SPEAKER_00 (11:05):
Well, I was done anyway, so you ever thought
about not talking to him?

SPEAKER_04 (11:08):
Yeah, you ever just thought about maybe not doing
your part?
I'll stop.

SPEAKER_03 (11:13):
Are you done by?
Are you fucking done talking?
He just leaves and just shutsdown the whole recording.
All right, fine.

SPEAKER_05 (11:20):
I guess I'll go.
Um, so after we get that weirdlittle intermission almost, um
we go to a video called You'reAlmost Gone.
Um, it's a quick littleone-minute video, and it just
shows like the ground level of ahallway, and there's a door, and
it kind of starts opening alittle bit.

(11:41):
Um on the other side, you seesomething kind of like step
through or kind of appearthrough.
Um at one point it blocks it,like censors the face of
whatever's coming through.
You can tell that its arms arereally fucking long because they
almost touch the floor.
Um, and then it cuts to anothershot, and we get a a door that

(12:03):
looks like it leads into thehouse, but the door looks like
it's standing like uh fuck uhmonsters ink, like the yeah, a
random door that they just putin a thing, and you open it up
and it leads into this fuckinghouse.
Um we get another shot of justlike this weird, like like it's
like no skin, muscly legs thatare just standing on a forest

(12:23):
floor.

SPEAKER_03 (12:24):
It looks a little bit like a siren head.
Uh got that vibe from it.
Yeah, without the fire.

SPEAKER_05 (12:30):
I actually said that in the comments.

SPEAKER_03 (12:31):
It looked like head.

SPEAKER_05 (12:33):
So someone someone said that in the comments, and
they go, someone asked me ifthis looks like siren head, and
I'm wondering if it's okay tojust kill them now, or should I
just let the life take care ofthat later?
Damn.
So you're like siren head.
They didn't like that comment.
I don't think they like sirenhead.
Um, but I was like, I think thisvideo is just kind of supposed

(12:55):
to illustrate that this at leastthis door in this house is
something that leads to otherplaces.
Like it might this house mightnot be everything that it seems,
and it it kind of gave me like ahouse of leaves vibe if it if
house of leaves were made intolike uh an analog horror, I

(13:16):
guess.
Um, just because like it seemslike the inside of this house is
a little bit bigger.
You got portals to other likeplaces, just that are doors,
it's fucking weird.
And also, there's all theseterrifying entities that inhabit
whatever this other space mightbe.
Uh very backrooms.
Oh, very incredibly backrooms.
Yeah, it's um I love backrooms.

SPEAKER_03 (13:36):
It's like the epitome, it's got like sh
upside-down tables and shit likethat.
Like it's it's verybackrooms-esque.

SPEAKER_05 (13:43):
Um, so after that one, that's the end of that one.
Uh, the next one we get iscalled uh in your home.
Now, this one, it starts, andyou just see like a shot of
again inside the same house thatwe were just looking at.
We see a chair that's likepropped against the door, light
flicks on, uh, and there's textthat comes up that says check on

(14:05):
Abby.
And so this is kind of almostlike a this reminds me of a
point-and-click game where likeyou have to click away things,
open doors, because it's alllike you click it and it's like
instantaneously gone.
And so whoever's doing this uhtakes the chair away from the
door, walks out of whatever doorit's propped against, and walks
down the hall, which is a reallyweird hallway that it's just

(14:27):
like two really long hallwayswith two doors, one at either
end.

SPEAKER_03 (14:30):
I also enjoyed that the previous videos went from
like that, like what's the wordI'm looking for?
Um like unreal uh unrealengine-esque looking, like
backrooms, like uh game vibe.
This looks it went from likefound footage to like like early
90s computer games, yeah.

SPEAKER_05 (14:51):
Riven, miss, drowned gods.
Yeah, like it's it's it it lookslike some old ass puzzle point
and click game.
I love it.
Um whoever is behind the camerauh walks down this hallway in
this like stop motion old 90spoint and click puzzle game
fashion.
Um, and by the way, while thisis all happening, you can hear

(15:14):
like uh you can't tell exactlywhat it is at first, um, but you
cut you figure it out soonenough once you approach the
door at the end of the hall.
It's like this whining, it'slike this high-pitched, just
weird noise.
It sounds like it's either ababy fussing, a woman, a
high-pitched woman orgasming, orsomebody getting milk delivered.

(15:35):
I can't tell which one it is.
Um, but the next child doesclear that up just a bit.
All those things sound the sameto you, huh?
Yeah, someone getting milk.
Take a walk in my shoes, Mike.
Um, so we get to the end of thishallway and we open the door and
we go inside and we see a crib.
Now, when I first saw this, Igo, Cool.

(15:56):
Abby is probably the child.

SPEAKER_00 (15:59):
Welcome to my crib.

SPEAKER_05 (16:01):
It's haunted.
Bad guy.
Um I think Abby's a baby.
Now, if you'll remember, one ofthe first things this individual
had to do was take thebarricaded, like the take down
the barricade from their doorand then go to where the baby
is.
That's diaphragm, bro.
That is a wild thing for anyparent to do that as a child.

(16:25):
That's giving Mike energy.

SPEAKER_03 (16:26):
I'd say, as the resident parent, I've done
worse.

SPEAKER_05 (16:33):
Have you ever heard of an iron coffin?

SPEAKER_03 (16:35):
Um sometimes, sometimes you put the chair
against her door so I can'tenter the room.
You know, this is how it is.

SPEAKER_05 (16:42):
Sometimes um, so we get to this room with a crib,
and we look into the crib, andthe crib is empty.
However, we still hear theselike baby noises.
And obviously confirmed at thispoint, the noises you're hearing
down the hall is the babyfussing or whatever.
Um, we see this this crib that'sempty, and you go, Oh shit, the
baby's gone.
Pans back out to the uh like thefull shot of the room, and we

(17:07):
see this door who we assumeleads to a closet.
And in it, we see this thisreally like uh this face looks
like they just spent the lastweek making the most delicious
meal or the most delicious cakeof their life, and their face
looks like someone just in frontof them threw the cake on the
ground, just very upsetting, butit does have a jester's hat,

(17:31):
which is good.

SPEAKER_04 (17:32):
This face is different from the original face
that we saw too.

SPEAKER_05 (17:35):
Oh, yes, that is that is yes, this is a very,
very different face.
Whereas the first one, it lookedit had almost like a really wide
black, like sunken eyes.

SPEAKER_04 (17:46):
So if anybody has if anybody's familiar with the
cover of Court of Owls, theBatman novel, or like graphic
novel, that's what the facelooks like from the original
guy.

SPEAKER_03 (17:56):
I was gonna say, I was gonna say it looked like um
what's that creepy pasta I wasgoing around of like the the
lady that like she kind oflooked at the ring, but her face
is all fucked up, and it waslike, oh, if you say her name a
couple times, she'll come andget you or whatever.
No, I'm talking about it waslike three years, four years
ago.
No, okay.

(18:17):
Hopefully someone in the chatknows what I'm talking about.
It was like you scroll acrossher.
No, it was like you scrollacross her on your phone or
whatever, and you're cursed orsome shit, and Momo! That's the
one.
It's Momo.
Oh, Momo, holy fuck.
Kind of looked like Momo to me alittle bit.
Or it looked like when uh Sasukefights Orochimaru and Naruto

(18:37):
Shapudin, and Orochimaru goesinto his white snake form.
He's got his white snake face,he's big, made up of a bunch of
different white snakes, and thenSasuke's like, I'm gonna use
Megenjutsu on you, but he's notgonna use his Mengekiu Shanghai
because I have that at thispoint.
But then uh Orochimaru's like,Oh, I'm gonna die here, aren't
I?
Kind of like that.

(18:58):
You don't say very good, verygood, Mike.
That was in the beginning ofShaputin.
That was a before Naruto wasable to find him when they were
stolen Rochimaru's hideout, whenbefore Rochimaru got his arms
fixed.
Those third Hokage, Hirozen, hehe's sealed away his ability to
use jutsu, so he could use hisarms.

SPEAKER_05 (19:17):
Matt, can you ask for this part when you edit the
real 1.5 to 2?
Yeah.
Just so after we see this babyget stealing, get stealing, get
stolen by a very sad lookingjob.

SPEAKER_00 (19:30):
Get stealed loser.

SPEAKER_05 (19:34):
Get the stealing.
We get a it's almost like asecurity cam footage, black and
white.
It looks it's a different angle.
Um, and it says all it says intext on the bottom, typed out,
says the doors were locked.
That's assuming that thisindividual has no fucking idea
how this jester-headed, sadfaced piece of shit got into

(19:55):
their house.
Um, going back to the last videoI talked about, I think we kind
of know how this thing got inthe house.
As long as you have yourcritical thinking skills tuned
and turned on.
I don't.
They walked up.
That's how we that's how we likeyou.
Yeah, they just walked on.
We turned the knob and cameinside.

(20:16):
And and came.
Um turned the that is the end ofthe in your home video.
And it introduces us to the factthat there are multiple things
that might have access to thisindividual's house.
There's a bay baby named Abby,and now the baby named Abby is
gone.

SPEAKER_04 (20:35):
Yeah, so I guess right now we have three
different creatures per se.
Oh, yes.
Um, but we have no idea theirnames.
Who are you?
What they are.
There's monkey dude, there'spale grimace, and there's sad
gesture.
Yeah, yeah.
Uh, so that leads us to videofive, which is the house with no

(20:57):
windows.
Um, so the video starts, and wesee this big yellow house.
Um, and they they mention therethat they've recently found a
house that looks abandoned, anduh there are no other houses
built around it, and it'sseemingly in the middle of
nowhere.
Um, there's no windows, nodoors.
It's big, tall, weird shaped,and yellow.

(21:19):
Um, and it looks like there's noway inside at all.
Um, as this uh person isinspecting the house, they do
notice a small hole that'scovered up by like a board that
looks to be an entrance into thecrawl space.
Um so whoever is filming rightnow or narrator, whatever you
want to call them, um, they veryclearly want to go inside of the

(21:41):
house, and we end up seeing themcrawl in, and then we get the
following.
So they're kind of like crawlingthrough the crawl space, and
it's uh very nicely rendered, Iwill say, for the the visual
graphics that they have.
Um but they're just like lookingat the ground essentially and
crawling towards the back ofthis crawl space.
Um, but they see a way insidethe home.

(22:04):
Um, there's like a little squareuh up on the on the boards, and
they end up going inside of it.
Um they mention that after umthey get into the home um that
it smells like burnt matchesinside of that.
Um the walls are all yellow,just like the outside of the
building.

(22:24):
Um, and you see them walk downthis hallway and they come into
uh what is I would assume is ayou know dining area, but
there's a kitchen table on theceiling of the of the room, and
we see three chairs.
And if you look really closelyduring this little part, um
you'll actually see a door um onthe wall.

(22:48):
It's super fucking faint, butyou can see it kind of you come,
it comes like in and out of likeview almost, like it's like
painted on per possibly.
I'm not really sure.
Um, but there's like they don'treally you know acknowledge it
or anything like that.
But it does um the three chairsthing, I think is interesting
because it means that there'sthree people in the house, uh

(23:10):
assumedly, um, which we can talkabout what that means later.

SPEAKER_00 (23:15):
I have six chairs in my tables.
Does that mean there's fiveother people in my house I don't
know about?

SPEAKER_04 (23:20):
I mean, don't you I mean, yeah, you're
schizophrenic, right?

SPEAKER_03 (23:24):
That's you, me, Dupree, the skibbity toilet
monster, Marley, Marley, Marley,um, so yeah, uh anyways, so uh
there's a lot of slow walkingdown hallways um in this video.

SPEAKER_04 (23:45):
Um, and they come down to another door, uh, and
the door is like weirdly fuckingtall.
And they actually mention it,they're like, this door is so
tall.
Um, but yeah, it's like thisweird long ass door, um, good
for fitting long boys in.
And uh yeah, they go through thedoor and there's some like

(24:06):
lights on inside this hallway,and which is kind of strange
because like uh I don't know.
The the the house that they'rein is giving very like back
rooms vibes.
Actually, if you guys have seenskin emarink, it's giving big
skinnemarink vibes.
Yeah, yeah, um, very weirdliminal house vibes.

(24:26):
Um but yeah, so uh tall door,they go inside.
Um, it's uh again just kind ofrandom hallways leading to God
knows where.
And uh they're kind of lookingaround, and all of a sudden you
see this fucking head uh kind ofcome out from one of the
hallways, and the head is veryfamiliar.

(24:47):
It looks just like the face fromthe first video.
Um, but this time it doesn'tseem to have a body, it looks
like kind of just a floatinghead version of itself.
Um, so they kind of don'tacknowledge it at all, and they
end up walking down the hallwaya bit more, and they come across
a room with some like random artin it, some chairs, a desk
inside.
And um, once they enter theroom, uh they see this sign on

(25:11):
the wall, and it's sort of outof focus right off the bat, but
they they end up getting closerto it, and the sign says, Be
still and know that I am God.
And for those of you who areBible bumpers, um uh Psalms 46
10 is what that is.
Um, it's a saying in the Bible.
I think wasn't that in creepy,though.

SPEAKER_03 (25:32):
Wasn't that in uh the boiled one as well when the
guy was laying in the bed?
Well, wasn't that like the signabove his bed or some shit?

SPEAKER_04 (25:41):
Okay, I don't know.
You're making me you're makingme think a lot harder than I I
have to right now, but uh umit's possible that that was a
boiled peanut.
So um, yeah, so they startexploring the hallways more of
the house.
Um, we see the narrator's shadowconfirming that this is a normal
human being.
Um, and as they are walking,they end up leading, uh they end

(26:03):
up going up to the staircase.
The staircase leads to like whatlooks like pitch black, but it
you can kind of tell that it'sjust uh stairs to a ceiling,
which was giving really, really,really heavy uh Winchester
Mansion vibes.
Um he then finds uh another dooruh leading down the hallway, and
it's kind of like halfway up thewall, so like you could walk up

(26:26):
to it, but the door the door isall the way up, and you can't
you can't access it.
So um, yeah.
So after we see that door, itcuts again to like a slow-mo
version of that floating head.
Um, and uh we see the words Iknow your face and what are you
um are put on the screen.

(26:46):
And uh that's kind of where thethe video ends.
We we get that we get kind of aclearer face.
Um, and one thing I wanted topoint out too is that the the
words uh that are on screentypically from the narrator seem
to be white, but now we havethis red text on the screen.
So we're not we can't, I'm notsure like right now we can infer

(27:07):
what that means, um, but we'llbe able to later on in some of
the other videos.
So that's video five.
Um video six is called Why DoYou Keep Us Here?
And this honestly goes reallyhand in hand with uh Jason's
video, uh video four.
Um, but uh it's I don't know,it's a strange video, as all of

(27:29):
these are.
But basically, it opens up withuh a cemetery, and as we're
looking at the cemetery, uh weget some text on the screen that
says, She is here somewhere.
Uh the camera looks around andit's very point-and-click style.
Like I love yeah, it's like verylike click here and look over
there, click here, I walk overhere, like exactly that, what

(27:53):
you think it is.
Uh doors open, you're inside thecemetery, and they slowly make
their way over to the back ofthe cemetery, and uh they walk
up to what looks like a crib,and this crib has a big ass
fucking caterpillar inside ofit.
Um something you expect.

(28:14):
Yeah, it's not not quite what Iwas expecting when I first
watched it, but um, it's prettyclear here that um whoever's
whoever's eyes we're lookingthrough isn't the person from
the last video.
Um we see a shadow uh come overthe crib of the caterpillar that
looks like the head of thejester man thing that we saw in

(28:37):
the fourth video.
And we see that it says, uh, youare not how I remember you,
Abby.
We get even this guy's like yourcaterpillar now, Abby.
Yeah, so we cut to back insideof the house, uh, where that
original video takes place wherewe see the pony head guy jump
scaring us, and um, we canassume now that this is Abby's

(29:00):
room or whatever.
Um, we see a bit of blood on thefloor, which I don't really have
any idea why that's there.
Um, I don't there's reallynothing that concretely tells me
what that is.
I can infer what I think mighthave happened.
Um I have a hypothesis.
I think in when I was watchingit, I assumed that that blood is

(29:21):
there because we have to assumethat maybe the baby got the axe,
you know what I'm saying?
Um, and uh I'm Mike, you mightwant to close your ears for
that.
Uh, I should have said thatbefore.
Trigger warning, baby something.

SPEAKER_00 (29:35):
Um you honestly scared the shit out of me
because I moved to the nextsection of the video where the
face is sticking out of thedoorway, and you scream at
exactly the same time.

SPEAKER_04 (29:52):
Um that's uh obviously that's that's great.
That's good stuff.
Um so yeah, we see Abby's roomwith some blood.
Um and then on the screen we itsays, Why do you keep me here?
I can't stay here.
Um, and then we cut to a fewrandom shots of some different
rooms, um, kind of like the pathleading from where the person
unbarricaded themselves.

(30:12):
Um, and then we see a room withthe pointy head guy again.
Uh I did want to note that theinside of this place looks a lot
like the yellow house from thelast video.
Um, so it's kind of strange thatwe're this David or this guy's
house.
I just totally spoiled the guy'sname.
You dumb bitch.

(30:33):
Uh you can bleep that in post.
Uh, this guy, his house uhlooked an awful lot like the
yellow house that we saw in thelast video.
Um whoops to think about whatyou did here today.
Who knows too much?
I don't know anything.
Um okay, so yeah, we we hear uhwe hear it's a small world

(30:58):
playing, uh, but like if it'sfrom like a music box and uh
some crying begins to be going,uh there's like a bunch of
crying going on in thebackground.
Um, and I want to say that it'sthe weird jester guy for some
reason.
Like I feel like the noises areso like unnerving that like it's
not it doesn't sound like just ababy crying, but that's just me.
Um says, please forgive me.

(31:20):
Um that flashes on the screen,and then the video ends.
Um, I think it's safe to sayhere that we can kind of infer
that the narrator has left Abbyalone.
Uh, they thought everything waslocked, they clearly knew there
was something watching thehouse.
Um the entity saw the house, gotin through magic door or

(31:44):
whatever you want to call it.
Um the entity also saw Abby as acaterpillar.
I don't know if this has like ifthis is like a uh something to
do with like the death of Abbyor something like that, but um,
I guess that's up forinterpretation as well.
But yeah, there's there's a lotthat I think we can kind of put
together now that uh I thinkthese things have access to

(32:07):
houses via doors wherever theywant.

SPEAKER_03 (32:09):
Um I think that's most people.
Most people have access tohouses via door.

SPEAKER_04 (32:13):
Yeah, but not magic door.
They don't have magic door.

SPEAKER_03 (32:17):
We don't have magic door, you're right.

SPEAKER_04 (32:18):
I wish I had magic door.
Then I have Narnia.
We have goon door, but not magicdoor.

SPEAKER_03 (32:26):
Is it my turn now?

SPEAKER_05 (32:28):
But uh huh.
Are you done talking so I canactually start doing and paying
attention things?
Yeah, yeah.
Yeah, I'm done.

SPEAKER_03 (32:37):
I'm done.
Oh yeah.
We're gonna take this bitch overto fucking Muppet Town real
quick.
So we're gonna talk about thenext video called You've Come.
Yeah, it's called You've ComeBack.

SPEAKER_05 (32:47):
Takes a bit of a different scared vibes.

SPEAKER_03 (32:50):
Yeah, a bit of a different approach here.
It's these two birds that looklike big bird, and I'm not
exaggerating much at all.
They look like there's a blueone, there's like a brown one,
and they look like a biggerbird.
Blue one's sitting on the couch,and there's an empty fish bowl,
and they're looking a littledown in the dumps.
And the brown one's like, hey,what's up?

(33:11):
And the blue one's just like,you know, I've had Goldie, my
goldfish, for so long, and I hadto bury him today.
Kind of sad about it.
Uh, where do you think he is?
And the brown one's like, Idon't know, man.
There's a lot of uh religionsand what and people that think
that when something dies, alittle part of them comes back,
you know, and and and it's stillwith you all this time.
And then there's knock at thedoor, and for some reason it

(33:34):
lets you know how many timesthey're knocked.
I don't know if this is uhsupposed to mean something, but
it's like one, two, three, four,five, and like the the numbers
show up on the door, and then itdoes it again up to ten.
I don't know if that's supposedto be like a play on how like
Sesame Street they do that wherethey're like one and two, three,
and like the numbers show orsomething.

SPEAKER_04 (33:52):
Yeah, also but uh the fucking the clock on the
wall is like the opposite colorsof the clock from Don't Hug Me,
I'm scared.
I wonder if that's a smallnumber.

SPEAKER_05 (34:02):
It's probably a reference, I would imagine.
I'm almost positive this is anod to don't hug me, I'm scared.

SPEAKER_03 (34:08):
And one thing I want to want to tout real quick He's
even got the pigeon.
Yeah, uh yeah.
Um yeah, so uh so they hear theknock at the door, the the brown
one goes to open the door, andthey're like, Who's out there?
He's looking outside, there's noone there, and then a butterfly,
a big old butterfly, just startsflapping its wings and it just

(34:29):
goes into the the room, and it'slike, oh, it's a butterfly, and
just ends.

SPEAKER_05 (34:34):
We're gonna hear about love now.

SPEAKER_03 (34:35):
Yeah, it just ends.
But a couple things I want topoint out.
First and foremost, I know thisis still done in like Blender or
whatever, but it does give offthat really good vibe of like
this is like a sort ofclaymation, like sesame street,
like they they they nailed itreally well, like the aesthetic.
Like there's little subtlethings, like when they have like

(34:56):
the the the focus shot of thefishbowl, it looks like it looks
identical to like a littlefishbowl that I bought for like
Amelia's Barbies dolls orsomething like that.
Like it looks like a littleplastic thing.
So I I think they kind of nailedit aesthetic-wise.
Um, secondly, I I think they'rekind of nailing it on the head a
little bit with the symbolism.

(35:16):
Well, with the butterfly, and wejust saw this Abby figure being
a caterpillar.
Butterflies come fromcaterpillars, whoa.
So this is I'm assuming supposedto be maybe news to me, maybe
Abby's parents, and that is Abbykind of coming back into their
life in some way, shape, and orform.
It's not overly explained whatit means, but it the the themes

(35:38):
are there, you know.
It pieces are kind of put intoplace a little bit.
Um the next video is our longestyet.
So happy I got it, but it's okaybecause most of it's just
running simulator.
Um so the last video here iscalled The Man in the Tower.
And basically, we start off withum our I don't know, pro tag, if

(36:02):
you will.
Um and it they kind of just wakeup in their bedroom, and the
first thing they see is thattheir door is open, and they're
like, I closed my bedroom doorlast night.
Why is it open?
They go and they look downstairsand they're like, no one's home.
And they also make a referenceto what Doug said before.
They're like, it smells likeburnt matches up in here.
So that's a theme, I guess, thatkind of keeps happening.

(36:25):
Um so this video is really long,but there's not a lot of
substance up until you get tothe the end of the video.
Um so they as they're lookingdown the stairs, they're like,
you know, no one's home, it'sjust me.
Um, as they make their way backdown the stairs, there's text
that comes up and they say, Thisis no longer my home.

(36:47):
And they're wandering throughthe house and they see like this
real small, thin doorway.
They're kind of hesitant, itseems like to go in it.
They're checking like a bunch ofother doorways before they go
there.
They even go back upstairs wherewe see that like the closet is
like tied off so like nothingcould get in it.
I'm assuming because you know,in like the first episode, it's

(37:08):
like, want to meet my friend?
He lives in the closet.
His name's not R.
Kelly, though.
Um and and so he's got it tiedoff so nothing can get him
through the closet.
They had the chair up usuallyagainst the door.
Um, so at this point, they'relike, fuck it, YOLO, let's go.
So they start exploring, they gothrough the the thin door, they
start exploring around thehouse.

(37:29):
Um, we get to uh they're they'regoing through a bunch of places,
places that don't look familiar.
As time goes on, they do startto look familiar.
Um, like there's a portion whenhe walks by um a room and he's
like, I know this room.
Um, and it's just like a redchair, um, just like against a
window.
Um, he's walked by this roombefore, but it's not until they

(37:52):
enter the room where they'relike, This looks familiar.
Um I believe there's a callbackto in Doug's video where they go
into the house without windows,where um Doug mentioned that
there's the table and chairs upon the ceiling and there's that
drawn-in door.
Now the door is actuallyphysically there.
And the like I don't know whatdo you want to call it, crawl

(38:13):
space uh vent or whatever thatthey originally entered in
through in that that housewithout doors, that's there too.
So they go into that door thatisn't supposed to be there, and
they're just kind of exploringthis area.
They're going about a little bitmore, more frantic.
You kind of get that sense thatthey feel a little lost in this

(38:34):
house too, which I think harkensback to them saying, This isn't
my house anymore.
They they they don't feel likethey're comfortable here.
Um they then start to hearclutterings about.
Um, they turn around after goingup a couple hallways, they turn
around, they see like lightslike switching on and off, and
then they just start fuckingbooking it.

(38:54):
And then we have I would sayroughly like 15 minutes of just
running around.
There's not a whole lot thathappens up until at this point,
up until like the 12-13 minuteum mark, I would say.
Um, where you do get um whilethey're running, you do see

(39:17):
what's chasing them a littlebit.
You see this like one tallfigure that's chasing them.
It's kind of obscured in thedarkness.
You get the another figure,they're being chased by two
figures, it seems.
At least that's what it seemedto me.
I don't know how accurate thatis, but it I you're right.

SPEAKER_04 (39:31):
It's the it's like the floating head and then the
tall thing.

SPEAKER_03 (39:35):
Yeah, you get the floating head, yeah, and then
tall muscle muscly man, andthey're chasing him around.
As he's going through, he'ssaying our our protagonist is
saying things like, Oh, um thethe wall's changing.
Um, the wall or the walls arechanging, you know, this wasn't
here before.
He walks into another room andhe's like, I've seen this room
before.
And this it's it's weird thingswhere like as he's running

(39:57):
around thinking he's gettinglost, he's ending up kind of
back in the same place he was.
Like, for example, he runs pastthis room that has a balcony to
another room which shouldn't bethere.
And like five minutes later, ofhim running through this whole
maze, he takes a corner and he'sin that balcony room.
And he's like, I've been, I Iknow where I'm at, I've been

(40:18):
here before.
And he looks down, and that'swhere he was just running away
from.
So he's kind of going around incircles a little bit, uh
unintentionally, and uhobviously it's a bit jarring to
our uh our protagonist here.
Um it ends on a weird note.

(40:39):
It ends.
It ends.
Uh no, so uh they're beingchased by the um like the
floating head guy.
Around like the 15-minute markis when the like you see that
there was actually two thingschasing him.
That's when you see the giantmuscly man just kind of walk
into frame.
It's creepy as shit, but you'reyou don't understand that he's

(41:00):
being chased by two figuresuntil like this moment.
That's when you're just like, ohfuck.
Now what do we do?
So we we draw a bit closer tothe end here.
Um they our protagonist runs upthis flight of stairs.
And as they get up this flightof stairs, they're looking
around like they're like, uh uh,where the fuck do I go?

(41:20):
Where the fuck do I hide?
And they turn to go to this oneroom, and you see like this bed
frame and you see this opencloset door, and it's really
subtle.
It's really subtle, but in thatcloset door you see a noose hang
in there.
And you see like a ball on theground, things like that.
It pans over to this like umlike the the door frame, and on

(41:45):
the door frame, you see likeheight markings, like what you
do if you're a kid when you wantto measure how tall they're
getting over the years, and itsays David, and it has like
dates next to it.
This all takes place apparently,potentially in the 80s.
It starts at like 82 orsomething like that, it goes up
to like 80.

SPEAKER_00 (42:00):
Potentially, yeah.
Potentially, it's right there,it starts in the dates that are.

SPEAKER_03 (42:05):
Well, I just mean like I just mean like well, you
you don't know how much time.

SPEAKER_04 (42:10):
It's it's probably a little past that.
That's what I'm saying.

SPEAKER_00 (42:13):
You don't know how much the 11th, probably from 80,
yeah, like early 80s up through80s.
Early 80s to late eight.
The last one says 88.

SPEAKER_03 (42:24):
Yeah, but we don't know how much time has passed
for this because he's he's it'skind of like he's reminiscing
about his childhood.
In fact, he turns around, hegoes into a bedroom, and he's
like, Oh, it's my bedroom.
And he's he's kind of taken aback by it.
He's like, Oh, he's like goingaround, he's like, Oh, nothing's
changed.
This is great.
Um, he got a little stuffedanimal there, it's his bed.

(42:45):
Um, so for all I know, thisperson's an adult now, and
they're just back in theirchildhood home.
So that's what I'm saying.
Who knows when this takes place?
For all we know, this shitthat's happening right now took
place now.
I don't know.

SPEAKER_05 (42:59):
But anyway, we don't know when the the timeline lines
up when the footage happensbecause we don't have this like
date marker to come back in inall of these videos.
Yeah, yeah, yeah.

SPEAKER_03 (43:09):
Yeah, so our protagonist starts hearing some
something uh wandering aroundoutside, like it's coming closer
to him.
And it sounds creepy as allfuck.
It's making this like low gurglytype of uh uh voice.
You can't really understand whatit's saying.
Um, but obviously David ain'thaving any of it.
I'm calling David now becauseobviously it's David.

(43:31):
We see his measurements andshit.
Um so he hears this thingcoming, he immediately closes
the door to his room, and hehits the lights, and he runs and
he hides in the closet.
And it's all dark, and that'swhen we kind of hear this thing
like dredging its way closer andcloser.

(43:52):
And that's when even you you getprompted, unfortunately, with
what's being said, but um, asDavid's sitting in this closet,
you hear David, David, like inthis weird like uh undertone,
it's very creepy, and even popsup um I believe on as this uh on

(44:12):
the subtitles of the video, Ibelieve.
Um if it doesn't at this point,it gets pretty obvious as what
this is.

SPEAKER_04 (44:17):
They do because it's red.

SPEAKER_03 (44:18):
Yeah.
Um and then the lights turn onand David looks up with the
camera, and the creepy thingfrom the the first video that we
seen that was hiding in thecloset is just staring him down,
and it goes, David, and that'swhere all this ends.
Now a couple things I want topoint out, first and foremost,

(44:39):
real quick, something I thoughtwas odd was when he goes to hide
into the closet, there's like amakeshift bed in there already.
Like there's blankets, there's apillow on the ground, there's
like a I think like a lantern orsomething there.
So it's like David's done thisbefore, or something's done this
before.
Secondly, um something I forgotto bring up in my last video,

(45:00):
but those like Muppet big birdthings that we've seen in that
video.
This creature thing that is likehaunting him a little bit, that
just said his name and walked inon him into the closet, and also
we see in the first video kindof look similar to the bird
things in the You've Come Backvideo, like it's got the same

(45:21):
type of legs, it's just likeit's a more demented, fucked up
version of that big birdcreature.
Um, so I'm assuming something'srelated there, but that's where
this ends now is just this thishorror just opens up the closet
and just says David.
We don't know what happens toDavid.

(45:42):
We're gonna have to find out.
We don't know yet.

SPEAKER_04 (45:44):
I think it's pretty clear here, too, that uh the
series probably isn't done yet.
They're probably gonna have morevideos.
Um, their uploads are supersporadic, like months and months
in between uploads.
Um it was this last video, Ithink, was uploaded.

(46:04):
Right.
Oh, I absolutely, yeah.
I mean, if it's just one dude,which I'm pretty sure it is, um
I mean the graphics are reallygood, it's all 3D, you know,
modeled.
It's not like I don't know.
I can see it taking a while forone person to do all this.
It makes sense.
Um, the voice acting is good,the the graphics are great, the

(46:25):
story is interesting enough tolike keep you going, even though
the the videos are like at most,you know, one to two minutes
long.
Um, but then you get a 20-minutevideo like this, and you
understand why there's like aseventh-month gap in between
videos or whatever.
Um, so obviously, there'sprobably a lot more to come out,
there's a lot more to beanswered, there's a lot more

(46:47):
questions than there are answersat the moment.
Um, I think I think uh all inall, I think it's a a lot of fun
to be.

SPEAKER_03 (46:53):
It's definitely the story so far, I think,
definitely does what I think alot of either unfiction or
analog horrors do, where it'sjust like, let's talk about
childhood trauma, ladies andgentlemen, and they just go with
it.
A lot of childhood trauma.
I mean, the fact that I'm I'mpretty confident that the house
without windows and whatnot ishis child at home.

(47:15):
Um the house without windows, Ithink, is just a reference to
probably the parents boarding upthe doors and windows from
whatever was trying to break in.
Uh I think you so you saidbefore you didn't know what the
blood meant.
I got a theory real quick.
If we want to dive into theoriesreal fast, I mean if you got

(47:36):
something to say.
First off, I think that was likewhoever that person in the point
of view that we are watching,it's either it's either the mom
or the dad point of view.
And I think they got killed.
I think that was them woundedand they're bleeding out in
this.
I think that's what that wassupposed to be.
Interesting.

SPEAKER_05 (47:56):
Yeah.
I I also think the later likethird of the series is from the
perspective of a grown-up Abbey.

SPEAKER_03 (48:07):
No, because he he looks at the David Waller and he
says, I used to be so short.

SPEAKER_00 (48:10):
Yeah, the monster also calls him.

SPEAKER_03 (48:13):
Yeah.
Oh, it's a maybe, unless,unless, maybe it's a
transitioning thing.
They transition from being anAbbey to a David, Caterpillar to
Butterfly.
It could be a metaphor fortransitioning.

SPEAKER_05 (48:27):
Oh, damn.

SPEAKER_04 (48:30):
That's actually really insightful.
That's fair.
That is that is something thatcould be.

SPEAKER_03 (48:43):
The only thing would be like the notches dudes still
say David, but it is.
It would be David turning intoAbby.

SPEAKER_00 (48:48):
It wouldn't, it would have to be.
Right.

SPEAKER_03 (48:50):
Yeah.

SPEAKER_04 (48:50):
I don't think the only thing that uh I think the
only thing that disproves thatis because yes, there's a lot of
like there's a lot of like uhsymbolism going on, but I think
it's pretty pretty clear thatDavid at some point is looking
for Abby.
I think it's kind of wellestablished in some of the like

(49:11):
the earlier stuff.
Yeah I don't know for surethough.

SPEAKER_00 (49:15):
It also seems like an unnecessary detail.

SPEAKER_04 (49:18):
Yeah.
Um we also don't know if there'suh like a mom involved.
Like, so if we can assume thatDavid is the father of Abby, we
don't have a mom figure yet, Iguess, right?
Technically, I assumed David waslike brother.

SPEAKER_00 (49:35):
Yeah, I that's how I interpreted it.
I thought David was Abby's olderbrother and the two monsters,
both the two different monstersand the birds that we see in the
I just don't understand how thatwould be possible.

SPEAKER_04 (49:50):
The only problem with that is that it's pretty
well established that the daddied when he was younger.
So there's no way that well, Iguess unless there's a new dad
for David somewhere along thelines, and he has now a sister
and whatever.
That's the only thing.
There's a lot of there's a lotof questions here.
There's a lot of who's it'svague.

SPEAKER_03 (50:12):
Well, what would that have to do with it being
the mom and dad, though?

SPEAKER_04 (50:16):
Well, I was saying I was saying that if if David is
the dad of Abby, we don't knowwho the mom is.
But if Matt Matt was saying,like if they're brother and
sister, I feel like that wouldbe confusing because it's been
established that their dadpassed away and they moved out
of that house when thathappened.

(50:37):
But if that's the case, then ifwe're taking it for what it is,
then it would be like a yearafter or something like that.

SPEAKER_03 (50:45):
I mean, because yeah, that's a baby, right?
There could also be a gapbecause, like, I mean, we see
David's notches of him growing.
There's like six years worth ofgrowth there.

SPEAKER_00 (50:54):
David could be an adult as he's experiencing this
childhood trauma thing.

SPEAKER_05 (50:58):
Yeah.
That's see, that's that is theone thing I do think is the
later parts are it's like yearsand years have have happened
between uh like the the firstfew videos or the first four of
them.
Well, three if you don't countthe the VHS thing.
Um these things that like liveand it's about experiencing them

(51:19):
the for the first time, and allof a sudden we get a video
saying, like, hey, I found thisfucking house.

SPEAKER_00 (51:24):
Yeah you know, something I thought like Mike
was saying the the bed in thecloset kind of implies that
somebody has been here before,but it's possible that it's
already been that it's David whohas been here before, and he's
just stuck in this loop ofchildhood trauma, and so he is
an adult, but he can't let thisgo.

(51:44):
So it's like he'sre-experiencing it as if he's a
child because he's nevermentally moved on.

SPEAKER_03 (51:51):
I also think that that's very fair, actually.
I also think the stuff in thecloset, because like earlier on
in some of the videos, you hearlike I don't know, Jason said it
was like a mailman milking youor whatever he said.
You hear these weird sounds.
I think those weird sounds mighthave been like the mom and dad
having a domestic, and the bedin the closet was David's safe

(52:12):
place where he went to hide tofeel more safe.
That was the that's what I gotfrom it.

SPEAKER_00 (52:17):
It's quite possible.

SPEAKER_04 (52:18):
The monsters could be his imaginary friends or
something, you know.

SPEAKER_00 (52:21):
Yeah, I think everybody's dead, so it's quite
possible that like because wesee the noose and everything,
like it's quite possible the dadsnapped, killed his mom and
Abby, and then hung himself.
Oh, Crispin Wad.
And he was hiding in the closet.
Like, yeah, maybe.

SPEAKER_03 (52:39):
I also had the thought too where like I think
um in that in that video whereit's like you uh you see the you
see the crib, and that's whereyou first see like Star Head Man
or Jester Man, whatever you wantto call him.
I think that was from the pointof view of the mom, and she goes
out to see what's going on.
Jester man's the dad.

(52:59):
I think you're kind of ontosomething.
Family Annihilator, dude killedthe mom and kidnapped the baby,
and that's why you get later onwhen he's in the graveyard with
the baby, it's dead, and he'slike, I don't recognize you
anymore because he's been gonefor so long.

SPEAKER_00 (53:12):
No, I think she's dead.
That's he's going to thegraveyard to visit her grave.
Like, yeah.

SPEAKER_02 (53:18):
That's kind of a good thing.
I think everyone but David isdead.
Yeah.
Yeah.
That would make I could seethat.

SPEAKER_05 (53:27):
Well, I can't wait for a new video to come out to
just confuse us even further.
Oh, yeah.
It's a new one's gonna come outand just be like, Yeah, all of
you are just 100% wrong.

SPEAKER_03 (53:37):
It's actually about the power of friendship.

SPEAKER_00 (53:43):
Dead.
Who's dead?
The rope in the closet is justto pull down the attic door.
What the fuck?
Somebody spilled grape juice.
Jesus Christ.

SPEAKER_03 (53:57):
The rope stands for the bond of loving family.
What is wrong?

SPEAKER_04 (54:02):
This is all just a big misunderstanding.
Yeah, got it.
Can I just say one thing aboutthat like puppet episode?
The the visual effects on that,and like just the like the 3D
modeling they did and theanimation itself is so good.

SPEAKER_03 (54:20):
That's what I was saying.
It looks like real it looks likereal life like toys.
It's very weird.

SPEAKER_04 (54:26):
If you go to the comments of that video, man,
people are hard debating inthere, like with some guy that
was like doesn't know thedifference between AI and like
3D modeling.
Um, it's pretty funny.

SPEAKER_03 (54:39):
I also think I think the reason that video looks the
way it does is because it iscentered around Abby, who is a
small child, so it's themedaround like a child's oh yeah, a
child's uh uh TV show, like aMuppets or Sesame Street or
something.
And that's because that's whatthat's what yeah, that's what
Abby knows.
So she comes back into thisworld as like a butterfly in

(55:01):
this make-believe land that isyou know bright and shinier to
her than everybody else.

SPEAKER_04 (55:07):
So our take is for sure that she's dead though,
like got murdered.
Faux.
Okay.
Because like if we're takingthings at face value, right?
Like if we're not trying to belike, all right, what's what's
like we're taking a look at thepicture and we're like, all
right, this is what this means.
We have to assume that pointyjester hat man kidnapped Abby

(55:28):
and killed her.

SPEAKER_03 (55:29):
I don't even know if he I don't even know if she died
by murder or it was like anaccidental thing.

SPEAKER_04 (55:35):
Well, that's I don't think there's specify.
Yeah, I don't there's no realspecification.
I'm just kind of kind of justassuming because it seems like
David was afraid of this guy andknew that it was watching them
because there's one point whereit you see a point of view from
it outside of the house.

SPEAKER_03 (55:51):
I don't, and that's what makes me think I don't
think it's David in that pointof view, because every time we
get David, he's through like theVHS lens, but the those other
ones are that weird like 90s uhpoint of click game perspective.
So I think that I mean, I'm nottrying to bite off nightmind
because I did watch his video,but I had that thought too,
where the fact that it changesup how it's done and themed is

(56:13):
for because it's from someoneelse's point of view.
I don't know who's thinking box.

SPEAKER_04 (56:16):
I agree with that.
I yeah, I wish I knew exactlywhat the jester guy represented.
But that being said, I again, ifwe're taking it at face value, I
think we have to assume thatDavid was a piece of shit,
locked himself in a room when heknew something was watching the
house, and he's like, Fuck thatbaby.
Fuck that maybe there's a littlemaybe there's a bit of guilt

(56:38):
happening because the maybe thatexplains the bed in the that the
bed in the closet that was ahiding place.

SPEAKER_05 (56:44):
Who knows?
This are now that we put it inthis light.
This reminds me so fucking hardof uh fuck uh Buff Air or Boys
Vert.
Boys, yeah.
Yeah, like the fucking the thethe the super abstract trauma
healing series, like yeah, thisis this this reminds me of that
heavily.
Now that you put it like that,the only thing difference is

(57:05):
there's no like giant grintoothed monsters, which I will
say is something I do findrefreshing in this series.
It's not like the stereotypicalanalog horror faces that you
see.
One of them just looks like hedropped his ice cream cone.

SPEAKER_03 (57:20):
Like, whoa, it's this is the direction that I
think a lot more YouTube horrorin general needs to go.
This this in in the aspect oflike a Vita Carnas or something,
where we're at that point withlike Blender where you can tell
a story and make it look realenough to where it's believable,
you know what I mean, and itdoesn't look janky as all fuck.

(57:42):
I think I think this is the wayto go.

SPEAKER_00 (57:46):
I think the uh medium is very cool.
I want to see somebody else do Iwant to see somebody do
something really creative withit.
I yeah, I think these are superneat.
I think the visuals here aresuper good.
This this stretches the format abit, which is great, but I'm
really tired tired of seeingbackrooms stuff in this style,

(58:11):
and I would like to I wouldreally like to see something
like Vita Carnas like stretchout into sci-fi or something
like that.

SPEAKER_04 (58:19):
Yes, I was actually gonna do something different,
kind of when when you weresaying you want to see more of
this, I I don't want to see moreof this, I want to see more like
original things, but yeah, inthis style, which is what Matt
said.
So yeah, that's what I mean.

SPEAKER_00 (58:35):
I think this backrooms kind of thing is which
this person started doing thisstuff like two years ago, so you
we can't, you know, it's hard tosay stop doing this, but like I
I don't want to see a whole lotmore of this kind of stuff
personally.

SPEAKER_05 (58:48):
Well, just it it sucks that there's such a like
uh especially for analog horrorand this style of horror, and
like I think Doug and I agree onthis.
We don't I don't think this isactually an analog horror, it's
more of an unfiction thananything, because it's not like
a I think it's a story, it's uhit's it's not a series of
disjointed pieces of informationthat once you're done with it

(59:09):
come together and form a story.
Like it's literally just thelike this happened then, this
happened next, this then yearshave passed, and now this
happened, this happened, thishappened.
It's just telling of a story.
Yeah, the only analog thingabout this is the filter.

SPEAKER_04 (59:23):
Yeah, that's it.
That's 100% it.

SPEAKER_00 (59:25):
And like the it's like the 80s setting that I
think is yeah, yeah, nostalgia.

SPEAKER_04 (59:31):
I think there's a big, big push for liminal things
being really scary right now.
Um, and like just over the pastcouple years, actually, I think
people are I think the liminalspace thing kind of hits like a
nostalgic factor for people, ithits a fear factor for people,
and it hits like a comfortfactor for you know people like

(59:53):
us who do this all the time andjust watch it like this.
Um, because you know, like, oh,you're like, oh, that's That's a
liminal space.
Something's about to be fuckingcreepy, you know.
And like we we take comfort inknowing that, like, okay, this
is the kind of thing we want tosee.
But I I also agree that, youknow, maybe we need something
new, a new scary that isn't justliminal spaces.

SPEAKER_00 (01:00:15):
Also, the thing that's dragging it out is like
this sort of aesthetic and stuffis super popular on TikTok now.
And it's like the late 90s andearly 2000s are like the 80s
from when we were younger, wherelike nobody nobody we grew up
with remembers the 80s.
But like when I was when I wasin high school, the 80s was

(01:00:37):
cool, you know, and so likepeople had like this nostalgia
for this time period that theydon't even remember, and it's
the same sort of thing now wherelike older Gen Alpha kids and
Gen Z kids are like nostalgicfor this time period that they
know nothing about, but it'seven it's even harder for it's
it's even like more so with themthough, because they like they

(01:01:00):
didn't experience it, so theyhave this like uber romanticized
version of it in their head.
So they're like they'renostalgic for this world that
didn't even exist.
Like we've they've cherry-pickedall of these like good things
from the late 90s and 2000s andlike made this fantastical world
out of it.

SPEAKER_03 (01:01:20):
They weren't there for the Crimea, they weren't
there what they weren't therewith the with with the USSR got
dismantled.

SPEAKER_04 (01:01:29):
Why were you have you been waiting for this?
Where are you?
I feel like this is like a weirdletter to the hill.

SPEAKER_03 (01:01:36):
Einfeld aired on television.
Were you there for the fourtoros?
No.

SPEAKER_05 (01:01:44):
I won.
I need I need a good solid 10 to15 minute mic rant.

SPEAKER_03 (01:01:49):
We haven't had everybody loves Raymond's pilot
episode.
You cannot talk, Jeremy.
Um I remember when Robert was onthe giant.

SPEAKER_04 (01:02:02):
Yeah, come back to us, uh guy who used to play
games with us.
Come back.

SPEAKER_03 (01:02:07):
One thing I do want to note uh if you're still out
there.
We're sorry.

SPEAKER_05 (01:02:13):
Everybody loves you, please.
Yeah, the apology video soon.
Don't worry.
Damn it.

SPEAKER_03 (01:02:19):
One thing I do want to say though.
Um, I know you were saying howlike the whole like uh backrooms
thing is kind of getting old.
You want something new from thistype of genre besides that?
I agree, but I think the premiseof it works here because the
whole point is like this houseis no longer familiar to this
person, and it's kind of themdiving into like trauma,

(01:02:40):
everything's literally turnedupside down on them.
Um, I think that works.
It doesn't get too over the top,like a lot of backroom stuff
does, where it's like you open adoor and all of a sudden there's
a giant cityscape, and you're inan office room, and it's like,
no, what I was just in Madden.
It's it kind of stays beaten upin McDonald's.
It's backrooms light for sure.

(01:03:01):
There's some portions where likein one of Jasons you see a
doorway that just comes from thewoods, but that's like one off
it's in the middle of the woods,and again, it looks like the
monsters ink door, it's just afucking door frame.

SPEAKER_04 (01:03:11):
Yeah, but that's like that reminded me of 2H32,
right?
What was it called?
Was that what it looked like?
Yeah, door in the forest.

SPEAKER_03 (01:03:18):
Yeah, but that's like that was like a one-off,
that was a one-off thing.
Other than that, besides thingsbeing like upside down or like
doors where they don't belong,or like you know, like balconies
where they shouldn't be, youknow, weird things like that.
It it's not like it went tooover the top, like your typical
backrooms thing does nowadays.
So at least they're a littleting with it.

SPEAKER_05 (01:03:37):
But again, more house of leaves than it was
backrooms, I think.

SPEAKER_03 (01:03:41):
Yeah, but I do agree.
Give me Mike.

SPEAKER_04 (01:03:43):
Did you just lotion in the middle of that rant?

SPEAKER_03 (01:03:46):
It's hand sandy.
Um, but I do I do agree.
I would like to see this style,but in not backrooms.
Give me more handheld horror inBlender, but just don't make it.
It doesn't have magic something.

SPEAKER_05 (01:04:02):
School bus animation horror.

SPEAKER_03 (01:04:04):
That's the one, baby! That's the one.
Give me the horror where theyshrink into my body and the
white blood cells attack them,and then Jimmy gets devoured by
a white blood cell, and theyhave to unleash it.

SPEAKER_05 (01:04:14):
Give me that one drizzle inside of me.
I mean, who doesn't, Doug?
You know that bitch has a giantpurple strap on.

SPEAKER_03 (01:04:24):
Like you, just like yours.
Like mine! Hey boys, boys.
That's like what?

SPEAKER_00 (01:04:31):
No, I'm looking at this uh video of the birds in
the house and trying to makesense of the way the fur moves
in my head.

SPEAKER_03 (01:04:45):
Oh, dude, the the fur is kind of creepy, but I'm
not I'm trying to hand on thedoor.

SPEAKER_00 (01:04:51):
I'm trying to figure out it's gotta be like some sort
of physics simulation, I guess,in like Blender or something.
But like I can see the argumentthat people are making that it's
possible that it's AI.
I'm not gonna accuse him ofthat.
But like, it's obviously notentirely AI, there's no way you
could do that.

SPEAKER_03 (01:05:07):
But like the You can buy um, it's I think it's kind
of expensive, but like five orsix years ago, there was that
company that let out all thoselike super popular videos of
like people dancing, but there'slike one that's like a dude made
of like confetti, and like theother one's like a sludge
monster man.
They're all dancing, and likeit's doing really good motion

(01:05:28):
and like liquid sims and thingslike that.
You can just buy that, thosekind of simulations.
You could buy that shit.
It's probably expensive, butthis guy is like in his own bio,
he calls himself a 20-year-oldVFX uh designer, so like he
might just have all that shitbecause this is his passion.
You know, it's it's I'm it's notabove him, I don't think.

(01:05:48):
When you're 20 and you got ahobby and you got no bills, you
ain't got no rent, you can justsink all the money you want into
that hobby.
So you're not wrong.
I think that's what happenedthere because I also got like
it's the way it's the way thebrown bird opens the doorknob
that gets me.

SPEAKER_00 (01:06:04):
That's what I've watched twists.
That's the way that's what I'vewatched repeatedly over and over
again.

SPEAKER_03 (01:06:08):
Yeah, it's the way it twists.
I've watched that feathers gowith it.

SPEAKER_00 (01:06:11):
The feathers disappear into the door
slightly.

SPEAKER_05 (01:06:14):
I have in the I have watched this in the reflection
of Matt's glasses like twicenow.

unknown (01:06:20):
Okay.

SPEAKER_03 (01:06:22):
It's for me, it's that shot of the fishbowl in his
right eye, but it's shot of thefishbowl.

SPEAKER_00 (01:06:27):
But also in the shot of the fishbowl, if you look in
the background, in the doorway,there's like it's supposed to be
implying that the father iswalking further into the room,
but what's actually happening islike what it what visually is
happening doesn't make anysense, and I it's maybe just
like draping like the physicsare just kind of draping the fur

(01:06:50):
in, but it like it doesn't, it'svery strange.
I still think I've been visuallythat's what I've been doing this
entire time.
You guys have been talking aboutjust been visually inspecting
the fur physics.

SPEAKER_03 (01:07:00):
I've got an algorithm.
You've been myth busting theVFX.
Well, everybody, specificallythe fur.
Yeah, that's been the first partof Obelisk, or not first part,
but the bits that are here now.
It is no first part of Obelisk.
Yeah.
So far.
Tune in next week when we do twoobelisk, two ma fobelisk.

SPEAKER_05 (01:07:23):
We're not gonna do that, but uh I need you to stop
promising things to peoplebecause we never follow through.

SPEAKER_03 (01:07:28):
Tune in next week when we do our booby review on
Pornhub.
Um, Jasons are the best.

SPEAKER_04 (01:07:33):
Check out we we review the fattest the fattest
nipples we could find.
They're Jason's or longest, yourchoice.
They're also Jason's.
I qualify the pool.
So you want fattest or longestnipples on Pornhub?
You tell us.

SPEAKER_03 (01:07:50):
Uh I want to go ahead and say um thank you for
joining us, everybody.
And if uh if you see a dad outin the wild, go on, just give
him the big old how you doingthere, bud.
Really get in there and shakehis hand, and then give him the
old how you doing there, bud.
Really shake his dangle, justright in there.
And uh that's all I got for you.

(01:08:11):
Jason, what do you got?

SPEAKER_05 (01:08:12):
And okay, I'll obviously stay paranoid,
especially for this.
Can we make the new handshakewhere you just go up and you
just just shake someone's dick?
Like, just fucking give it alittle immediately to the doc.
Fucking jiggle it like thechange in their pockets.
Well, no, just like just whole,just whole like open palm the
entire thing, just the wholepackage, balls, shaft,

(01:08:34):
everything, and just give it anice big jostle.
And I want you to make that thenew hello.

SPEAKER_03 (01:08:40):
Well, Cindy go to the palm from now on.
Try again later.

SPEAKER_05 (01:08:47):
Holy shit.
I wonder if there's somebody whohasn't has gotten a magic eight
ball like dick implant.

SPEAKER_03 (01:08:54):
Maybe we'll call that the tally ha the
Tallahassee hello.
When you just go in there, gripon the shake.

SPEAKER_05 (01:09:00):
Just grab that grundle and yank it around.

SPEAKER_03 (01:09:02):
Everyone, hashtag Tallahassee Hello, go get that
trending, go do it.
Film it and then stay paranoidfor that.com.
Um, Doug, what do you got?

SPEAKER_04 (01:09:14):
Um obviously slap your pins and beans together,
but could I want to do I kind ofwant us to like do a new thing?
Uh and I this came to me theother day where I was watching
MXC.
Hell yeah, and they're like,Hell yeah, eliminated.
Uh, and instead of that, we go,don't look under the internet.

SPEAKER_05 (01:09:34):
Oh, can we as long as long as we can superimpose
fucking Vic Romano and KennyBlankenship or Captain Teneal,
one of the three.
Absolutely.

SPEAKER_03 (01:09:47):
No, just no, it can be us.
Just I'm I'm sorry, Moot, morework for you.
At the end of every episode,just have the credits for what
is it?

SPEAKER_05 (01:09:54):
It's not gonna do it.

SPEAKER_03 (01:09:55):
What is it?
Takuna's castle or whatever thatuh Takashi's Castle.
Takeshi's castle, just have theend credits for Takeshi's Castle
on the end of the case.

SPEAKER_05 (01:10:04):
If you have not seen the new season of that, I would
actually recommend it's reallyfucking good.
And I kind of want to go backand watch the original show now,
now that I know what it's about,because I never knew.
I just saw MXC.
But it's actually a reallyfucking good show.

SPEAKER_04 (01:10:20):
Oh, yeah.
No, it's it's most it's a lot offun.

SPEAKER_03 (01:10:23):
Mood, what do you got?

SPEAKER_00 (01:10:24):
I really want to watch this video that's Harry
Potter in Vietnam.
Like an AI name Harry Potter.

SPEAKER_05 (01:10:35):
Harry Potter goes to war in the 60s.

SPEAKER_03 (01:10:38):
Harry Potter and the Red Runner, or whatever they're
called on YouTube.

SPEAKER_05 (01:10:44):
Harry Potter and the Napal incursion.

SPEAKER_04 (01:10:49):
Harry Potter and the Sorcerer's Mustard Gas.

SPEAKER_03 (01:10:52):
Yeah.
You heard it here, folks.
That's what Matt wants you allto do.
Go watch Harry Potter inVietnam.

SPEAKER_04 (01:10:57):
Harry Potter in Vietnam.

SPEAKER_03 (01:10:57):
Harry Potter gets trapped in a pungy pit.
Yeah.
Bye, everybody.
Bye.
Have a day.
Is this fe is this poop?