EPISODE 24: Monsters of the Moors PART 1

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, jesse.

Speaker 2 (00:01):
Hello, hey Lindsay.

Speaker 1 (00:03):
How are?

Speaker 2 (00:03):
you, I'm okay.
I'm okay, you sure, I think I'mokay.
What you drinking.
I made me a little hooch overhere.

Speaker 1 (00:12):
Yeah, well, what's in the hooch?

Speaker 2 (00:14):
I got vodka.

Speaker 1 (00:17):
Where'd you get vodka ?

Speaker 2 (00:17):
I thought we used it this morning, the Skull Vodka,
oh okay, and then, um, I tookone of those, the galaxy thing
thing that we have.

Speaker 3 (00:25):
Oh, yeah, celsius.

Speaker 2 (00:26):
Celsius, the Galaxy Celsius energy drink If you're
still drinking Red Bull.

Speaker 3 (00:30):
You're boring.

Speaker 2 (00:32):
Get on Celsius.
I like it.
Yes, it's good, it's good.
What are you drinking?

Speaker 3 (00:37):
I have a Black Cherry , white Claw Black Cherry.
I've got a Black Berry for abackup.

Speaker 2 (00:44):
So you're Black Cherry and Blackberry Bamboos,
bamboos, oh man.

Speaker 3 (00:55):
Oh, sir, are you okay ?

Speaker 2 (00:57):
Yeah, I mean yeah.
I'm just saying you know, it'sstill in my head, I can't get it
out.

Speaker 3 (01:04):
Go ahead and sing it, oh God.
It's going's still in my head,I can't get it out.
Go ahead and sing it, oh God.

Speaker 2 (01:07):
It's going to be in my head forever.
I will bestow upon ourlisteners a song that we just
created.

Speaker 3 (01:13):
We just made up because you know, we're in awe
of how good Dolly Parton andCher still look in their late
70s.

Speaker 2 (01:23):
That looks so damn good.

Speaker 1 (01:26):
And so we made a little song about it Without
further ado, its first debut.

Speaker 2 (01:35):
I'm going to do the uh uh, uh and you do the stuff.
Okay, do it?
Are you ready?
Mm-hmm, all right, hold on toyour fucking seats here, guys,
because this is fire dude.
This is going to be the hitsong of the summer.
Yes, yeah, Coming to you by GenZ.
Here it is.

Speaker 4 (01:54):
Mm-mm-mm-mm, mm-mm-mm-mm, mm-mm-mm-mm-mm,
mm-mm-mm-mm-mm.

Speaker 1 (02:03):
Cher and Dolly, they got it going on.
Cher and Dolly, they got itgoing on.

Speaker 4 (02:14):
Mm-mm-mm-mm-mm-mm, mm-mm-mm-mm-mm-mm-mm,
mm-mm-mm-mm-mm-mm-mm,mm-mm-mm-mm-mm-mm.

Speaker 1 (02:24):
I'm in my 40s and they look better than me.
They are in their 70s and theylook better than me Because Cher
and Dolly they got it going on.
Cher and Dolly, they got itgoing on.

Speaker 4 (02:43):
Yeah, now Dolly fucking partying.
She's looking so damn good.
Dolly fucking Parton never knewshe could.
Dolly fucking Parton, her placein Tennessee looking so damn
good to me.
Gotta go today.

Speaker 2 (03:05):
I fucked it up.

Speaker 4 (03:07):
No, it was Dolly fucking Parton Looking so damn
good.
Maybe that's why Dolly Partongot a place in.

Speaker 1 (03:13):
Hollywood In Dollywood, dollywood In.

Speaker 3 (03:16):
Dollywood.
Okay, we'll revamp.

Speaker 2 (03:18):
I gotta work it out.
We'll revisit.
I had a thing and it was cooland I fucked it up.
Lindsay, I can't go off thedome.
Dude, why you got me trying togo off the dome?

Speaker 1 (03:26):
I did it.

Speaker 2 (03:27):
We both just did.
Oh well yeah, but you havebetter dome-age than me.

Speaker 3 (03:32):
Some days.
Yeah, I mean, you've wrotesongs way more than I have.
I just came up with that.

Speaker 2 (03:39):
Oh, quickly, I got the hook.
Yes, you got the hook.
You got the beat.

Speaker 3 (03:42):
Holler, if you hear me, so are you going to ask me
what we're drinking about today?

Speaker 2 (03:47):
I thought we were just drinking about Dolly.

Speaker 3 (03:49):
Parton and fucking Cher.
That's enough.
Raise a glass.

Speaker 2 (03:53):
Yes, raise a glass, we raise a glass, we raise a
glass.

Speaker 1 (03:56):
Welcome to my life, and I was singing that too.

Speaker 2 (04:02):
That was on my parts, but earlier, before we did this
and our sound checkage, it wasfucking phenomenal.

Speaker 1 (04:08):
I swear to God, you guys missed it.

Speaker 2 (04:10):
So it's like a Tenacious D kind of comment
right here.
This is not the greatest Dollyand Cher song.

Speaker 1 (04:17):
This is a tribute, this is a tribute yeah.
Just a tribute.

Speaker 2 (04:22):
What are we drinking about Lindsay?

Speaker 3 (04:24):
So we're going back.
Everybody gather around.
We're going to get in our timemachine.
We're going to go back to the60s and across the pond to the
UK.

Speaker 2 (04:37):
Is that the fucking reason why I'm dressed all
hippie today?

Speaker 3 (04:40):
Oh yeah, Well, I have my hippie pants on.
You got on your hippie shirt,yeah we're doing the hippie
shake.

Speaker 1 (04:45):
We're doing the hippie, hippie shake.

Speaker 2 (04:46):
Yeah, I love it.
Yeah, I kind of really likethis Hulk garb here.

Speaker 3 (04:51):
Yeah.
I need more garbage like thiswe're comfortable and we look
good.

Speaker 2 (04:54):
Yeah.

Speaker 3 (04:55):
Like I could sleep in these pants and wear them with
a cute pair of boots, like I didearlier 50, but I'm over 40 and
I can stretch and kick andstretch yeah I'm not 50, yeah
you look beautiful today thankyou.
You look beautiful, we lookbright, we're good looking
people today are we doing theold thing yet?

Speaker 2 (05:16):
can we do the old thing now?
While it's still on my head, goahead.

Speaker 3 (05:20):
What made you feel old?
That was that was coming up.

Speaker 2 (05:22):
That's not part of the structure, but I'll let you
do it early okay, so usually wetalk about being old, lately,
the last few episodes and stuffyeah, we're gonna keep that
rolling and usually every week,we use this an element, but this
one's not an element what is it?
so what made me feel old islaying in bed and my grandchild

(05:45):
there rubbing my back fat.
Oh, it was so cute and I waslike rub my back fat.
And she's all laying there.
She's just rubbing my back fatand 30 minutes later, like I
took a nap and 30 minutes later,like I kind of woke back up and
she's still rubbing my back fat.

Speaker 3 (05:59):
She was so sweet.

Speaker 2 (06:00):
She climbed in bed with us at like 5 am and I was
like that was the most preciousthing like I clouded up and
everything I'm over there inlike this whole huckle buck of
like oldery and I'm all like oh,this is so cute and you only
get that if you're old.
You got a grandchild and it'sjust like doing something sweet.
So that's what made me feel oldtoday.
Is it made you feel old in agood way on this?

Speaker 3 (06:21):
one, yeah, that's kind of cool huh yep, yeah, I
know it's like we had to getthem all up and get them dressed
like having three grandchildrensleep over for just one night
is a lot yeah, I'm not doing itunless we have like excursions
and shit that we're out doingand they can run amok or
whatever to the beach or parksor something you know that's
fine because but here sitting atthe house, no, no, no.

Speaker 2 (06:44):
I only want just enough time.
Give them a bath, let themwatch a movie and crash out, and
then we bake them breakfast.
Yeah, the next morning they'reoff.

Speaker 3 (06:50):
But today we had to go out and celebrate my mother,
who is also in her 70s, and gotit going on.

Speaker 4 (06:57):
Yeah.

Speaker 3 (07:01):
Gloria, okay, we're wasting time.
We got a lot to go throughtoday.

Speaker 2 (07:07):
What made you fill all, though you didn't say your
part?

Speaker 3 (07:09):
So I have this thing at work.
Okay.
So working in a restaurant yougot to say behind you or in
front, or coming around you knowcorner shit like that.

Speaker 2 (07:19):
I heard corner when we were sitting there.

Speaker 3 (07:21):
So if those words can't come out of my mouth quick
enough and somebody's barrelingtowards me and I've got a tray
full of shit, I'll say don't runme over, but to the tune of
whole song oh, make me over, isit?
Don't make me over, oh, make meover, oh, make me over, oh I'll

(07:41):
say don't run me over.
Yes, and nobody understands.
Yeah, nobody understands myreference whatsoever.
It's in my head.
I'm the only.

Speaker 2 (07:53):
I was being an asshole at your place today.
I am sorry, I was like where'smy food?
Where's my stuff?
Where's?

Speaker 1 (08:01):
my cornbread and you're all like my place of
employment.

Speaker 2 (08:04):
Where's my cornbread?
And you're all like Jessie,she's doing the veggie kitchen,
it's not her fault.
And I'm like I know it's nother fault, but why is there
apples on my plate?
Never asked for it, I was likewhere's my baked potato?
Yeah.
I want my baked potato.

Speaker 3 (08:18):
So that happens a lot more often than you, and then
you would think I'll have thewrong side, will be on there and
you're not really noticing itas you're setting up the food
Like you have all the right shitbut you have extra shit, and
then when you're running out,you're like you know what that's
a bonus, enjoy, because we dojust throw it right away.

Speaker 2 (08:33):
I gave full disclaimer, though she came back
later and I was like you know,hey, it's all good, I'm not
projecting trying.

Speaker 3 (08:40):
But he was just hangry I was making lindsey feel
uncomfortable we did wait forlike an hour to sit down and
then like 45 minutes for food,so everybody was a little cranky
so of course, you know, aftertwo hours I noticed that my
steak wasn't even cooked, right.
No, it wasn't so there's partpart, right, yeah on some of my
assholeness but we, you know, wewent through the same thing at

(09:02):
a restaurant we ate at ingainainesville.

Speaker 1 (09:04):
Our steak was way overcooked.

Speaker 3 (09:06):
We had to get all the sauce to make that shit go down
the hole.

Speaker 1 (09:09):
Go down the hatch.

Speaker 2 (09:11):
Give me like A1.

Speaker 3 (09:13):
No we were eating that sriracha mayo that they had
and it was so good, that wasgood.

Speaker 2 (09:18):
Yeah, it could have been a tire in front of us.

Speaker 3 (09:20):
It was a tire.

Speaker 2 (09:20):
Yeah.

Speaker 3 (09:21):
Yeah, if you ever get your steak cooked wrong at
Bahama Breeze, ask for theirsriracha mayo.
It's good.

Speaker 2 (09:27):
That was very jerk of them.
It was like jerk steak, likejerky.
It was good though.

Speaker 3 (09:36):
But we hope you're having a happy Friday.

Speaker 2 (09:40):
Yes, happy Friday.
Happy Friday.
Oh, this ain't it, it's thisone.
I'm'm gonna hit this one.
I'm gonna hit the right buttonthis time.
There it is dolly part andshare, looking so fucking

(10:10):
fabulous, Fabulous.
You know, it's not like, it'snot like that they're catfishing
in any way.
Those.
I mean they got body suits on.
I believe that.

Speaker 3 (10:22):
Well, yeah, I mean, I still believe at the end of the
night it's like taking offMelisandre's necklace Because
they are in their late 70s Imean, but they still like in all
of that and everything and whothey are.
But I want to be at their level.
I want to still be able to getup and put on my wig and my
makeup and go look fabulous allday every day at 79 yeah,

(10:46):
absolutely yeah.

Speaker 2 (10:47):
Let us know what y'all think about it.
Get tired.
I want to know what our fansthink about that every day.
I mean, what do y'all thinkabout?

Speaker 3 (10:53):
I love it oh yes, they're in their zone.
Still, they're still that bigcurly haired wig that Cher wears
, because that is definitely nother hair, because she changes
it a lot.
It can't be her real hair.
I'm not saying it's impossible,but it's just not her hair.

Speaker 2 (11:08):
They show the fuck up though either way.
Oh yeah, exactly that's whatI'm saying.

Speaker 3 (11:12):
I want to have a whole wall of wigs.

Speaker 2 (11:13):
They need something bigger than an arena, bigger
than a football stadium to fillup.
They need I don't know CentralPark.
I don't know what they need.

Speaker 3 (11:23):
Everybody's going to show up for either one of them.
Everybody, all genres unite,they pull in two million.

Speaker 2 (11:30):
Them three, I think Elton John and Dolly and Cher.
They need to do a comeback tourwith just those three I'm
manifesting.
Remember that morning that wewatched it on.
Disney Plus Put Willie Nelsonin the bitch too, Fuck yeah.

Speaker 1 (11:45):
He ain't done either.

Speaker 3 (11:47):
I mean, elton John is officially retired.
Remember when we watched hislast show on Disney Plus and we
cried through the whole fuckingthing, yeah, and that was like
in the morning we were drinkingBloody Marys in bed watching
Elton John's last show at DodgerStadium.

Speaker 2 (12:04):
Yeah, that's right.
And yeah, he was fucking cutedude.
Look at him, he was done up.
He's all doing his thing.

Speaker 3 (12:10):
I just watched him perform him with a chaperone the
other day singing the Pink PonyClub.
He was out on his pink cowboyhat.

Speaker 2 (12:17):
He was like that was his first big show in Dodger
Stadium.

Speaker 1 (12:20):
Well, he just made like an appearance In his last
show.
Oh, yeah, yeah, yeah, yeah.

Speaker 2 (12:23):
I remember watching that one, yeah, so I don't know
anything about this shit.
Are we going overseas yet?

Speaker 3 (12:28):
All right, so first, if you are new here, this is
episode.
What are we on 24?

Speaker 2 (12:35):
23?
.

Speaker 3 (12:36):
No, last week was 24.

Speaker 2 (12:38):
We're on one of them.
Episodes we're on 24.

Speaker 3 (12:40):
Yeah, and what we do is we have a drink and we talk
about true crime and then weplug a band at the end that
we're digging and that we thinkyou should listen to as well.

Speaker 2 (12:50):
You should listen to every one of them.
I found so many cool ones.
I was playing some last nightfor Lindsay and she's like holy
shit, Fans are cool.
All these people are so cool.
They're just awesome.

Speaker 3 (12:59):
I'm having fun and you know Lori Vallow, her, we
talked about Lori Vallow lastweek, episode 23,.
Go back and listen.
Yeah, the doomsday bells, Umthat was insane.
Her trial is coming up, I thinktomorrow, uh, Monday.
Monday, Monday is the 31stright.

Speaker 1 (13:15):
Yeah, yeah.

Speaker 2 (13:15):
I'm going to go to the calendar make sure I kind of
want one of those TVs that ifwe do an episode like a TV
outside that I can like drinkbeer at and throw it at the TV
when I disagree like adisposable.

Speaker 4 (13:32):
TV you said something else.

Speaker 3 (13:36):
I mean the thing about her is, I mean, I guess
she's definitely lying, but it'slike and she's going to be
representing herself it's goingto be a comedy fest.
They is going to be a shit show.

Speaker 2 (13:44):
It's going to be a comedy fest.
They better not interrupt.

Speaker 3 (13:48):
Like anybody that still watches regular cable TV,
I hope they don't interrupt yourshows for that bullshit.
We've been on streaming forlike a decade now, so we're way
out of the cable world.

Speaker 2 (13:57):
So that'll come out this Monday and then we're going
to have to watch it together.

Speaker 3 (14:01):
I don't know if it's going to be aired.
I gonna have to watch ittogether, like I don't know if
it's gonna be aired, I just knowthat the trial it needs to be
aired it should be yeah, yeah, Ithink if oj and casey anthony
was aired.
Yeah, I don't know.
Like I said, we're out of theloop awareness period is good on
live tv anymore.

Speaker 2 (14:14):
Learn from it.
That's why we're talking aboutshit like this to me you know.

Speaker 3 (14:18):
what I'm really enjoying, though, is how we have
been watching 1923.
We finished, finishedYellowstone, which I thought the
ending was perfect, and I can'tsay that about most shows, the
way they end.
I cannot say it's a perfectending and it was just beautiful
.
That was a perfect ending.
You know what was?

Speaker 2 (14:34):
really cool is.
I could interpret some of theNative American stuff back to
you and I'm like this is whatthey're saying.
This is what this means.
You know, the wash day, thecolor wash day, the stuff you
know and I'm all like this isreally cool to me.
I mean, I even got a tattoofrom Brings Plenty's nephew.

Speaker 1 (14:51):
Oh yeah.

Speaker 2 (14:51):
And I'm listening to them.
They're doing their thing.
They got all the land back.
They're going to have it likethat forever, so it's really
awesome.

Speaker 3 (14:57):
Well, that's what I like, because we're starting now
, at the beginning, before theygot Yellowstone Ranch, and it's
like it came full circle.
And what's crazy to me is, no,it wasn't taken by them, from
the native Americans, but it wasthe land.
That land was taken and but itand then it was kind of like it
was cursed because they wentthrough hell the whole time that

(15:18):
they owned that land.
Yeah, pure hell.
So what they put into it allthey wanted back was exactly
what they put into it, to get itoriginally and then giving it
back, and then everybody wasmanifest destiny, god's will, to
take all this land from allthese people that wanted to keep
it that way forever.

Speaker 2 (15:35):
You know right?
So really cool ending reallycool.

Speaker 3 (15:38):
And now we're, now we're, we're, we're watching the
beginning and the middle, yeah,simultaneously, because, uh,
1923 is like in the middle of aseason right now.

Speaker 2 (15:47):
So, we're watching it .
I like all.
They need to have a differentone later on.
I think so.
Rip and Beth.
Rip and Beth.

Speaker 3 (15:54):
Yes, or even the four sixes spinoff.
I think that that may be in theworks.

Speaker 2 (16:00):
The Texas that would be good.
Where Teeter went also when.

Speaker 3 (16:03):
Jimmy and Teeter went also where.
Jimmy and.
Teeter went.
Yeah, if y'all have no ideawhat we're talking about, watch
Yellowstone 1923 and 1883.
Good shows, all right.
So we need to get started,because this one is heavy.
I just want to let y'all knowthis case will be a three-parter
.
I tried to do it in two.
It's not possible.
It's not possible.
It's too massive.
But today we are talking aboutIan Brady and Myra Henley, who

(16:27):
will go on to be the most hatedman and the most evil woman in
UK's history.
All right, so we are, and thiswill be since last week, since
last one was kind of a coupleskiller.

Speaker 2 (16:43):
You're doing more couples.

Speaker 3 (16:44):
I'm'm gonna do some more.
I'm gonna go through, I'm gonnado this one and then two more
following I'm here for it yes,there's a lot out there, so
we're just gonna do a few andthen we'll go to something else
and we'll revisit some couplekillers later on down the road.
So we're gonna start with thebackground of ian brady.
Ian brady was born in duncanstewart on January 2nd 1938 in

(17:08):
the gorbiest part of Glasgow,scotland.
His mother was Margaret Stewart, but she went by Peggy, not
sure why, and Ian's father isnot really.
He's not really known, butPeggy said that he was a
reporter for the local newspaperwho passed away three months
before Ian was born.
Peggy didn't make a lot ofmoney and she was afraid of not

(17:30):
being able to support her son,but she, I mean she was a little
tea room waitress.

Speaker 2 (17:36):
I mean, I don't know, that sounds so cute doesn't it
to me like do they do tips andstuff over there at that time?

Speaker 3 (17:43):
or I'm not sure, because a lot of Europeans don't
do tips.
Well, I know my friend thatlived over here for a while with
her husband from Germany.
She said that it's not tipculture like it is here.
So a tip over there is a bonus.
You still get paid a livablewage, but a tip over there is a
bonus.

(18:03):
So that means they're tippingyou because you actually have
much more than room and board?

Speaker 2 (18:09):
like type set?
Probably not.
Yeah.

Speaker 3 (18:12):
But I mean it's only one child.
I don't know, I don't know how,I don't know how the living was
.
I should have did a littlebackground on that.
So Peggy put an ad in the paperfor someone to basically adopt
in for a pound a week.
She still wanted to be a partof his life, but the family that
would take him in would be themain caretaker.
A couple named Mary and JohnSloan responded to the ad and

(18:35):
took Ian into their family andhis mother would still see him
almost every night and onweekends.
It's reported that when he wasnine, his family, they all got
together and visited the LochLamond I think that's how you
say it which was his first timebeing in wide open spaces and he

(18:57):
just fell in love with it.
So you know mom's still there,she's in the picture and it's
reported also that she wouldactually like stay with the
family when she would have acouple days off.
So she didn't.
It was basically she just wentto work and was away from Ian
during that time.
She probably had to work longhours and then when she would
have time off, she would be withthis family.

Speaker 2 (19:19):
Ireland's so beautiful too.

Speaker 3 (19:21):
Yeah, well, this is Scotland, oh.

Speaker 1 (19:24):
Scotland.
This is Glasgow, yeah, glasgow,scotland, yeah.

Speaker 3 (19:29):
I was thinking Ireland the whole time.
Because we have land in Ireland, we've got what A square inch.

Speaker 2 (19:33):
Two foot by two foot.
We're lords and ladies.
Okay, lady Stambaugh, lady andLord.

Speaker 3 (19:42):
Stambaugh Lady and Lord Stambaugh.
Okay, when he was still a youngboy, his mother met a man named
Patrick Brady.
They married and Ian does takeon his last name and even though
he says this never bothered himand he liked Patrick, ian does
start to have behavioralproblems.

(20:03):
He becomes a bully and alwayshas a little flick knife with
him everywhere he went.
There was also reports ofanimal abuse, but he does deny
these allegations.
Like they were saying he waslike beheading rabbits and all
kind of shit.

Speaker 2 (20:16):
He was a mean ass.

Speaker 3 (20:18):
But, like I say, he denies that and he admits to a
lot, so I don't know.
I mean, we'll get there later.
He admits to a lot of horribleshit, so why wouldn't he just
admit to that too?
You know, he would hang outwith the wrong crowd, to which
he would become kind of a leaderof the pack and would instigate
fights, and even there's even atale of him trying to light a

(20:39):
kid on fire and Ian denies thisas well, seeing that him and his
friends were just playing wargames.
This was post world war ii, sothat's probably plausible.
Yeah, when he was around 11, hehad a little girlfriend.
I swear, like doing theresearch on this case, young
kids were already like 20 yearsold when they were 11.

(21:01):
You know what I mean is iscrazy.

Speaker 2 (21:04):
They were like well, I mean, our kid is 11 and he has
not picked up on all those lifeskills and no experiences yet
no, I mean he doesn't have agang of misfits, no, and he gets
beat up out there in ourneighborhood.
He's like they mess with me.
I'm like where?
They at yeah, yeah, I'm readyto fight I'll tell him hey, you
know y'all, y'all need to bebetter people.

(21:26):
I guess.

Speaker 3 (21:27):
Well, he had this little girlfriend and at this
young age our son's age hediscovered that he liked to kiss
violently and draw blood.
What, yeah?
11?
, 11.
, 11?
By the time he was 12, he had awhole little gang of misfits
and they would start robbinghouses.
He would date another girl andbecame obsessed with her and

(21:52):
they had a toxic teen on again,off again relationship
throughout all their teen years.
It started at 12.
They ain't even 13 yet, and theysome gangstas and they would
break up, they would date otherpeople and get back together and
then just do the whole cycleover again.
Wow, yeah, I don't know whatthat's like, because I did not

(22:12):
get my first boyfriend until Iwas 17.
And none of my kids really dideither.

Speaker 2 (22:18):
They had to bend around some crazy bullshit to
begin with.

Speaker 3 (22:21):
That's what I'm saying.
They're like already grownupsin baby years.
Yeah y'all kid is still a baby.
They're throwing up gang signsat like five and a half well,
one day, uh, ian and his littlegang of robbers got caught, and
when he found out who the snitchwas, ian waited 10 years to get

(22:43):
his revenge.
So we're going to fast forwardjust a slight bit.
He found this guy's address andwent to go shoot this guy in
the fucking face, but a lady wasout front beating her rug and
that stopped him, saved thatdude's life.
A lady beating her rug Wow.

Speaker 2 (23:03):
You know, because it was like a flat like apartment
type thing.

Speaker 3 (23:04):
They call them flats over there.

Speaker 2 (23:04):
Yeah, just swat and a rug and he's like wait a minute
, I don't need to blow thisguy's head off.

Speaker 3 (23:08):
Yes, well, during his teen years, ian and his friends
would play this game where theywould hop on to vehicles that
were passing by and see how longthey could stay on for.
I don't understand this, but Iwant to say that was probably
the 50s, maybe on, for I don't Idon't understand this, but I
want to say that was probablythe 50s.

Speaker 2 (23:29):
Maybe there wasn't a lot to do.

Speaker 3 (23:30):
That's crazy, I mean, I know how'd they make it to
this age already well, I mean,and sadly, one day one of his
friends would fall off to hisdeath.
I figured it was coming and itwas so horrific and so bloody
and just an absolute tragic mess.
And Ian witnessed it all and ithaunted him forever, yeah,
forever.

Speaker 2 (23:49):
Because we were just doing that five minutes ago.
I don't think we need to dothis, no more.
Right you know Goodnessgracious.

Speaker 3 (23:56):
Well, ian would be in and out of jail for robbery and
be on probation a few times,and then he threatened his
girlfriend, the little toxicgirlfriend he had Well, I'm not
saying she was toxic the toxicrelationship that he had with
this teenage girlfriend.
He would threaten her with aknife after she had just went to
a dance with another boy duringone of their off periods.

(24:18):
And he was placed under thecare of his mother in Manchester
after this, because she hadmoved, like after she had met
Patrick Brady, she moved toManchester and they were still
in and that was in England, andthey were still in Glasgow.
When he got over to Manchester,he worked a couple of jobs and
then he got caught stealingagain.
But and I I actually did alittle more research he didn't

(24:41):
actually steal steal, he wasdoing a favor for a fellow truck
driver who had stolen goods,and this truck driver got caught
and brought ian into it.
Wow.
So that made ian very upset,very upset.
And because he got sent to uh,strange ways, prison for three

(25:01):
months and then he was sentencedto two years at a Borsal, which
is like juvie, because he wasstill underage and but they
found him drunk on alcohol thathe had made, I'm guessing,
through the toilet Cause, thenthat how they do it.

Speaker 2 (25:15):
Yeah, yeah, totally.

Speaker 3 (25:17):
And they sent it.
They sent him to a tougher unit.
This was all before he was 18.

Speaker 2 (25:25):
Bonnie and Clyde shit fitting to go down up in here.
I swear to God, you're fittingto bring me up into some crazy
shit.

Speaker 3 (25:28):
This was all before he was 18, okay so, and then he
was released in 1957.
He worked a few jobs and thenhe decided he didn't like those
jobs they were like laboring andshit like that and then he

(25:50):
decided to get his shit togetherand study to be a bookkeeper
and he was I'm making his familyreally proud they were.

Speaker 2 (25:53):
He was in the library all the time doing the work, so
here's the point where eitherhe can go this way or that way
so he started dressing snazzier,always in three-piece suits,
and he got himself a motorcycleand I've seen pictures of him.

Speaker 3 (26:02):
He looked, he looked.
He was a sharp-dressed man.
In 1959 he got himself amotorcycle and I've seen
pictures of him.
He looked, he looked.
He was a sharp dressed man.
In 1959, he got a clerical jobat Millwards Merchandising where
he would then meet Myra Henley.
Hey, myra Myra Henley was bornin Crumsell, which is a part of
Manchester, manchester, england,on July 23rd 1942 to Nellie and

(26:28):
Bob Hindley and had a littlesister named Maureen.
They were super poor, veryworking class, very just
impoverished, and Bob was araging alcoholic.
He had fought in World War IIand was a very hard man and
wanted his daughters to be tough.

(26:50):
When Myra had been scratched bya boy when she was around eight
years old, her father told herthat if she didn't go whoop his
ass he would give her aleathering.
So he's going to whoop her assif she didn't whip his right so
myra found the kid and did whather father told her to do she

(27:11):
whooped that ass.

Speaker 2 (27:12):
Yeah, this tough, hard-ass people that had been
through a world war, yeah, andwas around all of that.
So I mean I get it.
It was a tough time, it wasvery tough time so the mean, and
then it's.

Speaker 3 (27:26):
I mean, we're coming up on the 60s, so now Vietnam's
about to start too.
You know, it's like war, war,war.
So the girls would mostly beraised by their mother and
grandmother, who she would callGran, and they mostly lived with
Gran because dad had been atwar, come back an alcoholic,
abusive monster, and the housewas very tumultuous.

(27:47):
Everything that Myra learnedfrom her father was pure
violence.
She was always fighting andbecause of this she had more
male friends than female and shewas very much a tomboy.
Myra would also have atraumatic event that would
happen to one of her closestfriends that would affect her
forever, because she was nolonger afraid of sticking up for

(28:10):
herself.
She would also stick up forothers, and when she was around
15, she would stick up for thisboy named Michael Higgins, and
they became very close.
After that she became like youain't gonna bully my friends,
you're not gonna be a bully, youain't going to bully, you're
not going to be a bully, wasn't.

Speaker 2 (28:27):
Higgins on the Jimmy Fallon show.
That's not Michael Higgins, ohokay, I was just making sure he
didn't turn out to be one ofthose cool-ass cats in the Jimmy
Fallon show.
That would be cool, higgins.
No, it wouldn't be cool,because.

Speaker 3 (28:39):
It would be cool, Higgins.
No, it wouldn't be cool,Because one day Michael went to
go swimming at a local reservoirand invited Myra, but she
already had plans and she didn'tend up going with him and sadly
Michael drowned that day.

Speaker 2 (28:55):
Michael didn't make it.

Speaker 3 (28:56):
Michael didn't make it Goodness gracious Higgins.
And Myra would always blameherself because she was a great
swimmer and she believed thatshe could have saved him had she
been there.

Speaker 2 (29:06):
So they both on both sides.
Now they have some traumaticthings that stuck with them,
yeah.

Speaker 3 (29:11):
I wouldn't say that Ian's childhood was shit,
because he had a family and amother that both took.
They took care of him.

Speaker 2 (29:21):
And at this point he's built up to my, on the
other hand going and he could be.
You know, he can excel, youknow.

Speaker 3 (29:28):
And Myra.
On the other hand, she's got alittle shittier end of the stick
when it comes to the family,but her grand was really good to
her, but they both somegangsters.
They gonna be.
So after this, Myra would alsoleave school at 15.
I guess that was the thing backthen, to start her life, and
she learned how to type so shecan become a secretary and wants

(29:51):
to do the whole 50s, 60s thing.
You know, get married, havekids yeah, Do that thing.
But after Michael's death shealso became quite the devoted
Catholic and took it veryseriously, even committing
herself to abstinence untilmarriage.
She would work as a secretarytemp for a car dealership and

(30:15):
they paid out paychecks in cash.
Well, when she got her firstpaycheck she left and then came
back a little while later cryingand said she had lost the
envelope that her cash was in.
Her co-workers felt bad for herand they pulled together her
money to give her anotherpaycheck goodness and then, two

(30:36):
weeks later, she does the samething.
Oh so now they were like okay,girl, you got us the first time,
but we're watching you now.

Speaker 1 (30:46):
That's a little too soon yeah.

Speaker 2 (30:49):
It's a little too quick to pull that one again.

Speaker 3 (30:51):
So in her late teens she tries a new style.
She wants to change her look.
So she bleaches her hair andstarts ratting it, you know,
because that was the thing andshe started doing a little bit
more makeup, but not too, shedidn't go too crazy, she just
wants to look a little, a littlepunk rock?

(31:12):
No, not that at all.
She was modest but wanted toget attention all at the same
time.

Speaker 1 (31:18):
Oh, okay, all right.

Speaker 3 (31:20):
So she was just getting into that late 50s,
early 60s vibe.
That look, the ratting the hair, the thing.
You know what I'm talking aboutthe Jackie Kennedy rat,
whatever.
Do you know what I'm talkingabout?
You want me to show you apicture of her?

Speaker 2 (31:33):
No, I can picture it the whole way, I just wanted to
look at you like with this blankface and see if you would keep
wanting to elaborate thispicture.
I can picture women in this.

Speaker 3 (31:47):
You know 50s, late 50s and 60s yeah, all the hair
think of hairspray.

Speaker 2 (31:49):
You've watched that movie with me a million times
yeah welcome to the 60ssometimes I'll look at lindsey
and I'll be like, on this, likea thousand mile stare, and then
I'll just let her build from ityeah, because I'm like, do you
not understand?
Sometimes I don't get it,though, for real.

Speaker 3 (32:05):
So Myra decides to switch jobs and go work as a
typist at MillwardsMerchandising.
This is where she would meetIan Brady, and for her, for her,
let me stress that for her itwas love at first sight.
But Ian Willie, he wouldn'tnotice her for quite some time.

(32:27):
But Myra becomes obsessed.
She's writing about him dailyin her diary, and if Ian didn't
notice her it was a bad day, andif he did, it was a great day.
She even wrote in one of herentries Ian has a cold and I
would love to mother him.
Aw, tell your children not towalk my way well, she started

(32:49):
stalking him outside of work,showing up to bars near where he
lived, hoping he'd be there.
She would take her littlecousin out for a walk and just
happen to walk by his house.
Sounds like a fatal attractionand she.
She actually got his address byeavesdropping while he was on
the phone at work.
Yeah.

Speaker 2 (33:08):
She's creeping dude, yes.

Speaker 3 (33:11):
She would also make sure that she was reading books
on her lunch break, because heliked to read books on his lunch
break.
Oh, we're reading the same bookand this got the conversation
started, he comes over and talksto her about what she's reading
.
So you know, now he's intrigued, now he's noticed Myra and
she's giddy.

Speaker 2 (33:32):
She's moved up to his intellectual intelligence.

Speaker 3 (33:35):
Yes, she's getting out of the stock zone.
Later on in December at theoffice Christmas party, ian
asked Myra on their first date.
Now, on this first date theywent and had some drinks, saw a
movie, then got another drink,and then Ian walked Myra home.

(33:56):
They exchanged their first kissand Ian bites her lip until he
draws blood.

Speaker 2 (34:03):
He went ham-bone.

Speaker 3 (34:04):
Yeah, Goodness, dude I don't really have it figured
out right, I don't know, and shewill say that later on like he
was a shit kisser, she was likeyou got Jim Carrey beat yeah.
Ian then noticed I guess healready had started filling her
up because he noticed she waswearing a girdle under her
clothes and says he doesn't likegirdles because they accumulate

(34:25):
stale sweat.
And you know what, ian, fuckyou.
You're not wrong, but fuck you.

Speaker 2 (34:30):
You're not wrong, but fuck you.
I've been stank for days.

Speaker 3 (34:33):
And so she never wears a girdle again.
And you know, that doesn't makeany sense to me because, like I
look at her and a lot of womenback in the day, they were very
small, like you know, why werethey wearing girdles?
They're teeny tiny, was it?
Was it the hold in their bones,like I don't know?

Speaker 2 (34:53):
What was socially accepted.
Yeah, I guess that's I meanyeah.

Speaker 3 (34:58):
Cause they had to wear pantyhose, girdles the
whole nine yeah.

Speaker 2 (35:01):
It wasn't a whole corset and two other layers
before that, oh God.
And then you didn't take a bath, but once a month.

Speaker 3 (35:08):
That's all.
What do I say every time wewatch shows?

Speaker 2 (35:11):
Y'all stink.

Speaker 3 (35:12):
Y'all need to brush your teeth, y'all need to take a
bath.
When they're making out ormaking love.

Speaker 2 (35:17):
I'm like you know they stink you smell like a
latrine, you smell like theprivy.
Ugh, I guess you got nose blindto it, though after a while
Everybody just stank.
I guess, so yeah.

Speaker 3 (35:32):
They went out the next day, on Christmas Eve, to a
church service Because,remember, myra is very religious
, but Ian, he was actually anatheist.
Oh, he had been done withreligion for a long time, which
I get it.
We're not atheists, we believein God, but we don't fuck
religion, okay.

Speaker 2 (35:53):
There's an intelligence thing that you can
bring in and still have aconnection, but she seems like
she's about willing to tradewhat she was going to give to
God and the celibacy andeverything, just for his
attention Let me get there.

Speaker 3 (36:09):
Yes, when church was over, ian peed on the side of
the building saying this is whatI think about religion, and I
guess this didn't bother Myra atall, because they went back to
Myra's and she lost hervirginity.

Speaker 2 (36:23):
I was two seconds early on.
That that's great.
Yeah, I already knew it.
I already knew it.
I ain't even reading this, Iknow it.

Speaker 3 (36:30):
So Ian would start coming by from time to time
unannounced, and Myra was soobsessed that she stopped making
plans with other friends justin the hopes that he would be by
.
Like she would just sit on theporch and wait for ian.
After night was oh he gets somuch more unhealthy.
I mean, ian wasn't, he wasn'treally hooked yet, but myra, she

(36:56):
was over the moon.
They did go closer and closerand started hanging out by the
saddleworth moore so it's justlike a beautiful landscape, open
place, mm-hmm, it's beautiful.
Look it up.
If you guys don't know what theMoor looks like, look them up
while I'm telling the story,because it'll paint more of a
picture of what is yet to come.

Speaker 2 (37:18):
More and more of the Moors.
Yes, so the moment that me andyou showed up in Albuquerque,
new Mexico, we drove off intothat big open spot and I just
wanted to run and I startedtaking off my shirt and I felt
like I just wanted to be naked.
It was very cool, it was justthat majestic to be in just
God's country, you know, I guess.

Speaker 3 (37:37):
Well, ian starts to feel more and more comfortable
with Myra and felt he couldshare some of his darker
thoughts with her.
In no time he had her turningher back on religion and pretty
much going along with any ideasthat he had and whatever he
would say or whatever he wantedto do.
Myra was about it, okay.

Speaker 2 (37:59):
Completely infatuated .

Speaker 3 (38:01):
This was just because she was obsessed with him and
in love with him.
Infatuated, yeah, she was.

Speaker 1 (38:08):
Fully enveloped on him, she threw away all of her.
The world is right there.

Speaker 3 (38:12):
Right, she threw away everything that she had set up
for herself, and then she waslike nope, I'm going to do
whatever he did.

Speaker 2 (38:19):
This ain't healthy.

Speaker 3 (38:20):
Ian had also been obsessed with Nazi and Hitler
ideals and he had Myra startreading books on that as well,
Like he would recommend herbooks to read and shit.
They had nicknames for eachother and Ian would be Nettie

(38:40):
from a TV show that they like towatch and Myra was kiddo Also.
Ian and Myra were both bisexualand they declared their
relationship to be open and Ithink this was more on Ian's
side because Myra loved him andI think she just allowed it.
She'd do anything for it To bein his life.

Speaker 2 (38:58):
Right, all he had to do was mention it and she's on
it, not healthy.

Speaker 3 (39:01):
So they would develop a very Bonnie and Clyde type
relationship.
Are you kidding me right now?
Us against the world.
They thought they were betterthan everyone and hated everyone
but themselves.

Speaker 2 (39:14):
My head is so big, I keep calling this one.

Speaker 3 (39:19):
They.
Myra would change her lookagain into what Ian liked, which
was more, a little moreprovocative short skirts and
wearing heels.
And it said that he wanted herto dress like Irma Grace, who
was an evil, evil female guardof a concentration camp in Nazi
Germany.

(39:39):
Like I watched a whole thingabout her just to understand who
she was.
And this is what Ian wantedMyra to be like.
Yeah, and like this woman'snickname was the beautiful beast
or the Hyna of Auschwitz, andMyra would cart her photo around
for inspiration.

(39:59):
Yeah, like I said, now we'regetting a little more obsessive,
we're getting a little moreobsessive, we're getting a
little more weird putting allthe nasty stuff in, tied in with
no one matters but us typerelationship.

Speaker 2 (40:11):
The morals are out the window right.

Speaker 3 (40:14):
One day ian tells myra that everyone has at least
one enemy that they would liketo see dead, and if they they
say that they don't, they'relying.
So he asked Myra, who is yourenemy that you want to see dead?
And Myra says Ronnie Sinclair,this guy she had dated before

(40:36):
she met Ian and he was a littletoo boring for her.
He didn't do anything wrong toher, he was just not what she
wanted in a future husband Likethey had gotten engaged and
everything.

Speaker 2 (40:49):
So he's on hate's side, he's looking for something
Right, and now Myra's like Iwant to see this guy that I
previously dated and was engagedto.

Speaker 3 (40:58):
That didn't do anything wrong to me.
I want to see him dead.

Speaker 2 (41:00):
You got hate in your heart, let it out.

Speaker 3 (41:06):
Yeah, want to see him dead.
You got hate in your heart, letit out.
Yeah, she had broke it off withronnie because of her obsession
with ian and just hopes thatshe would get ian's attention,
because they had been datingbefore.
She started working atmillwards and she fell in love
with ian immediately and iandidn't notice her.
He didn't start talking to herabout these books and shit she
was reading for him to noticeher for a year and she had

(41:28):
broken off with Ronnie just inthe hopes of something to happen
with Ian.
Wow, yeah.

Speaker 2 (41:34):
So unhealthy.

Speaker 3 (41:35):
And now she's saying she wants him dead.

Speaker 2 (41:38):
Yeah, Because of the regret you know, she's like this
is starting to be somethingthat I'm completely against but
I'm all in because of him.

Speaker 3 (41:50):
You know right?
Ian asked for details on howshe would kill this man and ian
says that her response shockedhim.
She said she wanted ronnie,humiliated and terrified as she
watched him die he's ready.

Speaker 2 (41:58):
That's why he's bringing this shit up.

Speaker 3 (41:59):
Oh yeah, this is horrible so they plan this out
and the saddle worth more wouldbe the perfect place to get rid
of the body.
So Ian starts following thisguy around and they plotted this
murder out to the T.
But fortunately for Ronnie itdidn't happen.
But now the discussion ofmurdering together was on the

(42:21):
table.
Ian and Myra's sex life startedgetting more and more rough,
more kinky.
Ian liked candlesticks shovedup his ass and he liked to do
very rough things to Myra andMyra would have to drink to get
into it Like it was very abondage, like dominance type

(42:43):
situation, yeah.
And Ian would start tellingMyra about his fantasies of
abducting, trigger warning,raping and killing a child and
getting away with it.
Oh, myra is on board and theystart strategically planning out

(43:04):
the perfect murder.

Speaker 2 (43:06):
I don't want to be here now, Lindsay.

Speaker 4 (43:09):
Oh, this is going to be, oh, but the candlesticks.

Speaker 2 (43:18):
Oh, Ian, doesn't turn into Peggy.
Oh God, oh man, no but no.

Speaker 3 (43:24):
Don't say that His mother's name was Peggy.
I know Well, oh man, no, but no, don't say that His mother's
name was Peggy.

Speaker 4 (43:25):
I know Well no, but no, but no man.
No, yes, Not cool dude.

Speaker 2 (43:35):
Oh fuck, Dude, this is gonna be rough Now.
I already know it's gonna bebad, bad.

Speaker 3 (43:40):
Oh, this whole case is going to break you.
Ian even had Myra read afictional book about two killers
who do kill a child.
This book is called Compulsionby Maya Levin, and Ian told her
to use it as a manual.
They borrowed a black van froma neighbor and drove around
Manchester taking photos ofdifferent kids.

(44:02):
Ian had taken up photographyand he was.
That was like his little sidegig.
He was doing that all the time.

Speaker 2 (44:10):
He even took pictures .
Just a fucking shot out Naziass, psycho candle holder,
that's what he is.

Speaker 3 (44:17):
Yes, and the only thing.
Okay.
So you always want to know whatmakes a person like this, and
all I can think of was maybe histime in prison, because I think
that that is what, oh, he mighthave yeah.
I think that that might havemade him turn his back on God,
because he literally did get.
I mean, he got in trouble onhis own, but he spent a lot of

(44:40):
time for something he didn't do,because, remember, I told you
that one truck driver wasstealing and he got blamed for
it.
So I don't know, I don't knowwhere this comes from, and it's
also said that when he found outthat he was a bastard, he like
lost his mind.

Speaker 2 (44:55):
But, he'll damn sure turn his back on a candlestick
too.

Speaker 1 (44:59):
I mean whatever.

Speaker 3 (45:00):
We're not kink shaming here, no, but.

Speaker 2 (45:01):
I'm not kink shaming, but he's just a mess dude.
Yes, oh, he was fitting to fuckup the world, isn't he?

Speaker 3 (45:07):
So they would follow kids around and take notes on
them.
Ian, I hate to say this, butIan is very smart, intelligent,
but I want to say it's a type Apersonality where he wants to.
Everything's got to be rigid,planned out just to.
I mean, every detail has got tobe covered.

(45:29):
Okay For him to do something tothis nature.
So the plan was for Myra toLaura a child into the van, and
then Ian would follow closelybehind.
Then they would take the childto the moor, murder them and
bury them there.
They got luggage and rented alocker at a train station to

(45:51):
hide any evidence or any type ofLike.
Ian didn't want trophies to bekept, but if they did, they were
going to hide them in thislocker at the train station.

Speaker 2 (46:02):
And an alibi too.

Speaker 3 (46:03):
They have their shit there and they would take an
extra pair of clothes to changeinto so they could burn the ones
that they were wearing.
They would make sure the childwas not someone that they knew
and it could never be a childfrom glasgow, because that was
ian's homeland and he wouldnever hurt a fellow Scotsman.
That was literally from hismouth, yeah.

Speaker 2 (46:25):
Stomach is upset.

Speaker 3 (46:27):
Oh, it should be.
So.
Ian would wear surgical glovesunderneath his writing gloves,
so no one would be suspicious ofthem.
They would get false plates forthe vehicles and Myra would
practice going completely limpso that Ian would get used to
carrying dead weight.
Yeah, they planned andpracticed.

(46:47):
So an alibi also must beestablished and that would be
able to be remembered for up to14 days.
Then they would start the hunt.
The plan was that Ian wouldride behind Myra and if he
spotted someone he would flashhis lights for her to stop.
So everything is in place and onJuly 12th 1963, ian and Myra go

(47:11):
to work.
They come home and they plan ongoing out hunting that night.
Ian puts a band on his wristand conceals a knife under his
sleeve and another knife in a.
Is it sleeve or sleeve?
Sheaf, sheaf.
Okay, sorry, I yeah.
When I was typing this I waslike I know I'm not spelling

(47:32):
this right, so I will just askJesse.
So he had put a camera andbinoculars in Myra's van a
camera for photos and abinoculars to make sure no one
would be around for miles andsome scented candles.
When they reach the moors.
So at 7.45, this is fucking baddude.

(47:52):
This dude is set up At 7.45 pm.
Ian says to his family is theclock right?
Is it 7.45?
This was the established alibiTimestamp.
So he and Myra set out onGordon Lane and Ian spots a
little girl I think she was likeeight and he flashes his lights

(48:14):
but Myra keeps driving and hemade her pull over and was like
why didn't you stop?
And Myra says well, she's myneighbor, I know her and she's
only eight years old.
But, he was all right with thatshit oh, yeah, he was ready like
it didn't fucking matter to himwhat myra told him was that a
young kid would make more of aspectacle it would be easier

(48:38):
sought out like they're gonnakeep looking yes, gonna be big,
but still, lindsey, are youfixing to flip me this shit
right here?
Oh yeah, I don't want it.
We're getting there.
Give me a second.
What do you think we do?

Speaker 4 (48:50):
here.
I don't want it.

Speaker 3 (48:52):
So they take off and hunt some more.
They go down another street andMyra parks the van just to see
if anybody would walk by Soonenough.
A 16-year-old named PaulineReed would be walking by on her
way to a dance at the RailwayWorkers Social Club.
This was only a 10-minute walkfrom her house.

(49:13):
Paula's mom actually had notwanted her to go because her
friends weren't able to go andthere was alcohol being served
at this social.
But she did end up talking hermom into it because other people
she knew were going to be there.
And on the way she saw thefriend whose mom had said no and
her name was Pat Cummings andshe was going to surprise her

(49:35):
because her mom had actuallysaid yes and she was going to go
like a different way and thencome around while Paula was
walking and surprise her andPaula never showed up.
I don't.
I keep saying Paula, it'sPauline.

Speaker 2 (49:49):
She hit the back streets and then got got done up
.

Speaker 3 (49:52):
Well, pat thought that maybe Pauline just
chickened out because she wasactually not a very extroverted
person, so her going to thisdance by herself was actually a
big deal.
So Pat was just like, okay,maybe she chickened out and just
went back home.
But what actually happened wasMyra offered Pauline a ride and

(50:14):
said before I take you to thedance, can you help me find my
glove at the moor?
It's very, very important to me.
And Myra had already broken onerule she actually knew Pauline.
Pauline was friends with herlittle sister, maureen, and Myra
knew Pauline's mother and Iandid not know this.
So Pauline goes with Myra tothe moor and Ian is close behind

(50:38):
.
Ian's account of the events tofollow were that he got to the
moor and Pauline and Myra werehaving a smoke in the van.
They start looking for theglove.
That didn't exist and ledPauline right where they planned
to take her life.
Ian did this eye signal to Myrathat they called the Groucho

(50:59):
and it was like a, you know, alittle eye raise.

Speaker 2 (51:02):
Yeah, it was a TV show back in the day too.

Speaker 3 (51:05):
Oh was it he smoked a big cigar and he had the big
one eyebrow oh, okay, yeah, thatmakes a lot of sense now,
because I'm like, because I'mthinking of oscar the grouch,
because he had the brows toothat's the same kind of premise
but this was before.
Yeah, this was way before oscaryeah he did the eye signal,
grab pauline from behind and puther in a japanese stranglehold.

(51:27):
I guess this is where you theyuse your own arms to make you
pass out yeah, we used to playthat game as a kid oh, that's
right, I've done it.

Speaker 2 (51:36):
Yeah, that's right put your arms in it and across
and then squeeze you real hardand you would pass out.

Speaker 1 (51:41):
Yep, I've done it, if you kept on squeezing you
wouldn't wake back up, Right.

Speaker 3 (51:47):
So she fell to the ground and then when she came to
she was told not to make anoise and Pauline looked up at
Myra and begged for her help andMyra looked down at her, smiled
and said be quiet.
Pauline said to Myra tell himI'm unwell, meaning she was on

(52:07):
her period and she was sayingthis as hoping it would not get
her raped.

Speaker 2 (52:15):
Yes, god, lindsay.

Speaker 3 (52:17):
And as Ian holds her down, myra undresses her and
they raped her together.
When they were done, they didlet her get dressed again and
she was wearing like this prettylittle dress, like a pink dress
with a powder blue coat andthis necklace that her mother
had given her like a locket.
You know, she was done up for adance.

(52:37):
It was her first little danceshe was going to.
She was going to put thenecklace back on and Myra tried
to take it for herself, sayingyou won't be needing this where
you're going.
Well, at this time Ian reachedout and slapped the shit out of
Myra.
He didn't want Pauline to knowwhat was coming and he did not
want to keep any of the evidence.
So there was a long awkwardsilence after this.

(52:59):
Imagine being Pauline.
You just get raped.
Now the dude is slapping theshit out, the girl it's.
You know, chaos.
Um, I'm stuck over here rightnow, I know after he slaps her,
myra's like, well, that'spauline reed and I do know her.
So then ian's like he's gotmemories coming back and how he

(53:23):
knew this was.
This girl had been seen withMyra's little sister's boyfriend
, david Smith, and Myra had toldIan that she wanted David dead
over that.
Yeah, and Ian was like no,we're not going to kill David
Because he actually eventuallyhe wants David and Maureen to
become.
He wanted them to team up withhim and Myra.

(53:46):
It was like a whole killingquad.

Speaker 2 (53:49):
Yeah.

Speaker 3 (53:51):
And Ian now knows that this was kind of a revenge
on Myra's part.
Yeah, I mean, how else?

Speaker 2 (53:58):
does it look.
That's why she was just likeI'm going to clock into this one
, we're going to do this one.
But damn Lindsay, they are justso meticulously, they're so
planned out.
This is insane.

Speaker 1 (54:09):
I know.

Speaker 2 (54:09):
How all the details are just perfect.

Speaker 3 (54:12):
Well, ian goes to the van and grabs his supplies, and
when he returns, myra is on topof Pauline and has tried to
stab her with a kitchen knife,but it was too dull and the

(54:35):
blade actually bent, and thenMyra just started beating there
it is.
So they put the weapons away,they sat, they stared at
Pauline's dead body for a while,had a smoke yeah.

Speaker 2 (54:47):
Embrace the horrible addiction that's coming, huh
Right.

Speaker 3 (54:51):
They dug a shallow grave, counted their steps back
to the van so they rememberexactly where she was, so they
could come back and takepictures.

Speaker 2 (55:01):
But they didn't want trophies.
But now they're wanting to comeback for the trophies.

Speaker 3 (55:05):
Oh they just want to take pictures of the gravesite.
Yes, oh yeah, all that, yeah,we'll get there.
So they burn their clothes,even the handle of the knife,
and then they clean the van forany evidence.
But Myra still had thatnecklace and she had also took
Pauline's money.
So Ian's pissed about both ofthese things.
He's like now we got to gofucking spend this money and he

(55:27):
takes the necklace and buries itsomewhere else.
They went to the movies, hadrelations and drank some wine
and just went to sleep.
Myra later claims that shehated the whole experience and
Ian said that if she backed outhe would kill her and put her
right in the same grave withPauline.
Ian says this is not true andMyra says that she sat in the

(55:52):
car the whole time until Ianneeded help moving the body.
She damn sure kept that nakedMyra tries to take herself out
of every situation.
And you'll see that more andmore because I'm going to give
what Ian says about the storyand then what Myra says about
the story.

Speaker 2 (56:10):
Now is your out, then Right now is your out.

Speaker 3 (56:12):
Right now is your out , bitch.
Right now is your out, yeah.

Speaker 2 (56:15):
The holy shit.

Speaker 3 (56:16):
I'm running to him telling all of it and then I sat
in the car that at that timethat was your out now yeah, if
you go to the police, take themexactly where the fucking body
is, and they they can't denythat and they lock ian up.
How's he gonna hurt you?

Speaker 2 (56:30):
right.

Speaker 3 (56:31):
You know one credible witness right, but she enjoyed
this shit well yeah, yeah, yeah.
I mean she had wanted to killher ex who had done nothing to
her done nothing, not a damnthing to her period.
I mean it's on record he, thisman, that guy hadn't done
anything to her.
Now panic of pauline'sdisappearance is spread fast.

(56:52):
Door-to-door searches werehappening and I mean there was
rumors of her running away,which you'll notice with more
and more cases that we do wheresomebody disappears.
That's always the thing thatthe police want to say at first,
before they actually go and dothe work yeah, but this woman,
she wasn't even extroverted, shejust wanted to stay she just
wanted to go to the dance thiswas a big reach out for her to

(57:13):
go dancing Mm-hmm yeah.
And I mean canals were drained,everything Like they did the
work.

Speaker 2 (57:20):
When I said that, though, it clicked in my head, I
just wanted to say I want todance with somebody.

Speaker 3 (57:26):
Oh God, but no one suspected Ian and Myra and no
one looked in the moor.

Speaker 4 (57:32):
I want to feel the heat with somebody.

Speaker 3 (57:35):
It's reported that Myra had even went to comfort
Joan, who is Pauline's mother.

Speaker 4 (57:42):
With somebody oh.

Speaker 3 (57:46):
God, now Joan.
She would search for Paulinerentlessly.

Speaker 2 (57:57):
She even became an Avon representative, hoping that
she would find Pauline that wayway going door to door.

Speaker 3 (57:59):
She was going door to door and plugging that, yes,
and she ended up spending sometime in a mental hospital for
having a breakdown that was hugein the 60s, you know but I know
, but I'm just saying like I'mright now, I'm focusing on joan,
her mother and just your, yourchild is gone you have no idea
where she is and then using thatto beat the streets, you know.

Speaker 2 (58:20):
She's going door to door and she's just plugging.
Hey, have you seen her too?
Have you?
You know God?
That is really rough.
This is rough.

Speaker 3 (58:28):
So, Ian, he actually got some blood on his coat
collar and so he went and had itdry cleaned and he used he
didn't put it under his name, heused the name Kennedy because
he was president during thattime.
Oh yeah, so as a post-killinggift, Ian gave Myra a record of
the theme song from a moviecalled the Legion's Last Patrol.

(58:50):
They would hum this song toeach other to remember their
first perfect murder.

Speaker 2 (58:58):
Wow.

Speaker 3 (58:59):
During the they would just look at each other and
just be like inside Starthumming yes, this song like at
work, yeah, wherever they wentaround family, yeah, they were
gross.
During the cooling off period,ian actually starts hanging out
at gay bars and he would hook upwith men frequently.
Then Myra started dating andsleeping with a police officer

(59:25):
named Norman Sutton who wasmarried.
Yeah, they rough Like I saidthey had an open relationship,
but it was more on Ian's's side.
So ian's over here, he'shooking up with dudes, and now
myra's like well, motherfucker,I'm gonna hook up with a police
officer and I could spill allthe beans I got you back.

Speaker 2 (59:44):
Yeah, well, he was threatening her, you know.
But now he's, now she's gotwell, that's according to myra
but they both have the upperhand.
Like it's, it's the, the fieldis level.

Speaker 3 (59:55):
Yeah, Anytime you get in a relationship and you kill
somebody together it's toxic,you know?
I mean there's gonna be somebullshit.

Speaker 2 (01:00:03):
I would never, I couldn't imagine I mean, I don't
even understand Like theconception of this whole thing
would have been over with afterthe first kiss when he bit her.

Speaker 3 (01:00:14):
You bought me, no, a couple later on You're like you
want a little nib, you want alittle bite, you want to go get
a candlestick.
So Ian got pissed off.
Obviously he told Norman thathe needed to back off.
And Myra does end up endingthings with Norman and it said
this whole relationship withNorman was a manipulation tactic

(01:00:37):
because she felt that Ian wasslipping away from her and this
got his attention.
And I believe that 100%.
Sorry, what you go on to say,myra, I don't want to reveal too
much.
So Ian now wants Myra to getsome guns because he's got a
record and he couldn't do so.
So she got a .45 revolver and aSmith and Wesson rifle and they

(01:01:00):
would take these to the moorand do target practice and often
, according to Myra, ian wouldstart getting abusive and would
often scare her with these gunsand said that he would point
them at her and threaten her andshit.
And then one day she pointedone at him and was like how's it
feel, motherfucker?
But I don't know Cause.

(01:01:20):
I think, honestly, I know theend and I think that, ian,
they're both pieces of shitRight, but I think Ian is more
truthful.

Speaker 2 (01:01:28):
So a lot of this commentary is stuff that
happened after the fact.
All the bullshit's over withthis is what he's saying.
This is what she's saying.
Right, but I think she'stelling a lot of bullshit.
She's just trying to clearherself.
Like you were saying, she wasstill in the vehicle.
She didn't have anything to dowith it, but the necklace was
kept, hey.

Speaker 3 (01:01:48):
Well, in part two I will talk about something that
really just she can't deny herpart in it anymore.

Speaker 1 (01:01:55):
But we'll get there.

Speaker 3 (01:01:56):
So yeah.
So now Ian was ready to killagain and Myra was prepared.
Myra rented a car and lined itin plastic Dexter Morgan style
for easy cleanup.
She went and got a rope, ashovel, a serrated knife and a
wig to cover her bleach blondehair.

Speaker 2 (01:02:14):
But who wants a serrated knife while you're
doing this?
Listen, I don't know.

Speaker 4 (01:02:17):
I just don't.
I don't know.

Speaker 2 (01:02:20):
Oh, that just gave me more chills, lindsay, I know,
oh, I'm gritting my teethbecause I'm just, oh goodness
gracious.

Speaker 3 (01:02:27):
On November 23rd 1963 , they went out and saw a 007
movie to establish the alibi.
They went out and saw a 007movie to establish the alibi.
They went home for a littlewhile and then they went out
hunting at a market that theyknew well in the Ashton
Underline area.
Ian spotted his victim, a 12year old boy named John Kilbride

(01:02:50):
.
John was at the market that daylooking for small shopkeeping
jobs.
Ian signaled Myra that John wasthe one.
Myra asked John to help hercarry some boxes to her car and
then offered him a ride home.
John got in the passenger seatand Ian was in the back seat and

(01:03:11):
they took off to SaddleworthMoor.
They used the same line.
Will you help me find my glove?
It's so important to me Now.
According to Myra, ian took offwith the boy and half an hour
later Ian returned then showedMyra his body.
He had raped him and tried toslit his throat with the

(01:03:33):
serrated knife, but that didn'twork, so he strangled him.
Ian says that Myra actuallyheld John down while Ian raped
him and then holds John's legsas he strangled him.
Ian, after all this is over,shakes his fist at the sky and
said take that you bastard Like.

(01:03:54):
So I tried to kill him with aknife and that didn't work.
But then I choked him and itdid.
Yeah, so they buried littleJohn and then drank wine and
whiskey in celebration.
They would return to the moorto visit the graves often and
would take pictures ofthemselves by the graves.
Remember that In one photo Myrais holding her dog Puppet.

(01:04:18):
It was like a little terrier, alittle mini dog.
The record that Ian got Myrathis time was called 24 Hours
from Tulsa by Gene Pitney, andthis is what they would hum to
remember John Kilbride.

Speaker 2 (01:04:34):
So they had two different songs.
It becomes a pattern.

Speaker 3 (01:04:37):
Yeah, whoa, that's so sick, I know I know, Is there
movies?

Speaker 2 (01:04:41):
about this Is there shit we're going to watch later
on.

Speaker 3 (01:04:44):
I can't watch it until we're done with all three
parts.

Speaker 1 (01:04:45):
Yeah, we can't watch it until we're done.

Speaker 2 (01:04:47):
We're going to fight Lindsay.
We're going to fight over this.
I, I started God.
This is so horrible.

Speaker 1 (01:04:52):
It's horrible.

Speaker 2 (01:04:54):
And then they have songs that they hum.

Speaker 3 (01:04:56):
Yeah.

Speaker 2 (01:04:57):
Oh, this is disgusting.

Speaker 3 (01:04:59):
So Sheila and Patrick Kilbride were John's parents,
and he had siblings I'm not surehow many, but I know that he
had two brothers, one namedDanny and one named Terry.
John went to school at StDamien's, and this made me think
of Damien Echol, because that'swhere he chose his name.
The St Damien's, and this mademe think of Damien Echol because
that's where he chose his namethe St Damien yeah, st Damien
and at service.
Every week after John wentmissing they would say a prayer

(01:05:21):
for him.
John had played football whichis soccer over there, yeah, and
he loved movies and he was anamazing kid.
Like I said, he had been in,been at the market that day with
other friends also named Johnthere was like three of them and
, like I said, they were lookingfor little shopkeeper type jobs
where they would either earnsome money or just do work in

(01:05:43):
exchange for candy soda,whatever.
When John went missing, he waswearing a white shirt, black
shoes, gray pants, his father'svest and a jacket with little
football-shaped buttons.

Speaker 2 (01:05:57):
He was done up to be a little entrepreneur, wasn't he
Just trying?

Speaker 3 (01:06:00):
to make it Wait till you see the picture of this
little boy.

Speaker 2 (01:06:02):
Oh God Little cuteness, oh, trying to do his
thing.
He looks like he could havebeen a cast.
Oh, it's so fucking bad thatall the oh he looked like he
could have been on the cast ofLittle Rascals, like 100% Taken
out by a Nazi fuckingcandlestick holder.

Speaker 3 (01:06:20):
Yeah, when John didn't arrive, of course the
family panicked and Danny littleDanny, his little brother went
door to door asking if anyonehad seen John.
Around 930, they called thepolice and a massive search
started.
They got over 700 statementsfrom people, 700 in the market

(01:06:41):
area that day and the story wasall over the newspapers.
John's mother continued to makedinner for him and set his spot
at the table for him everysingle night and hopes that he
would show up.

Speaker 2 (01:06:55):
Stop, lindsay, you fucking puddling me, dude, I'm
so puddled right now.

Speaker 3 (01:07:02):
Terry later says that his mother used to always sing
while she would cook or clean,and after John disappeared, it
just stopped.
Yeah.

Speaker 2 (01:07:13):
I'm so puddled just stopped.

Speaker 3 (01:07:14):
Yeah, I'm so puddled.
So now, the more had startedbecome a place, or the mores.
I'm so sorry y'all.
I'm so sorry to my UK listeners.
If I'm getting that wrong, sendme an email and I'll correct it
.
For part two and three, themore started to become a place
of interest to look and over2000 volunteers came to help
search.
A 100-pound reward was offeredfor any information.

(01:07:37):
They brought in a psychic andthe psychic's vision pretty much
described the Moor like yeah toa T.
That that's where John was.
Ian and Myra would sit on astreet near John's home and
would just sit and watch andimagine the turmoil that this
family was going through withdelight.

(01:07:58):
Can you imagine your childgoing missing and later finding
out that his killers were justwatching your home having a
smoke, having a drink, laughing,smiling, planning the next one?

Speaker 4 (01:08:10):
Yeah, Going to the candle shop.

Speaker 3 (01:08:11):
Laughing, smiling, planning the next one.
Yeah, going to the candle shop.
And on New Year's Eve Ian andMyra went to the moor and raised
a toast and said to John andthat's where we're going to
leave off Lansy For this week,Lansy.

Speaker 4 (01:08:30):
Lansy.

Speaker 3 (01:08:31):
I know.

Speaker 1 (01:08:33):
Are you broken?

Speaker 2 (01:08:39):
I'm fucking puddled.
I really am, I am, I really am.
You got more of this shit.

Speaker 3 (01:08:41):
They ain't even started yet.
Yeah, there's no, they're onlytwo, we're only two in, and
there there's five this is toughand I gotta do this more yeah
at the Moors, mm-hmm.

Speaker 2 (01:08:53):
Lindsay.

Speaker 4 (01:08:56):
Man.

Speaker 2 (01:08:58):
Okay, all right, I'm completely broken right now.
I am completely puddled rightnow.
I know, just not ready for it,just not ready for the next two
parts that you're going to dowith this.
This one's rough.
Well, thank you guys.
So much for uh listening.

Speaker 3 (01:09:20):
so the nazi candlestick holder we have two
more parts of this.
What I'm going to try to do isum, put so this part will come
out, and then on a friday, thenI'm going to try to have part
two ready for wednesday, andthen part three will be that
same week and on Friday.

Speaker 2 (01:09:37):
Yeah, We'll get it worked in.

Speaker 3 (01:09:38):
Yes.

Speaker 2 (01:09:39):
So I can play music now, right?

Speaker 3 (01:09:42):
Yes, what band are you going to plug today?

Speaker 2 (01:09:44):
Yosemite in Black.

Speaker 3 (01:09:47):
Awesome.
I love them so much.

Speaker 2 (01:09:51):
Tell us about your first experience with Yosemite
in Black.
Tell me.

Speaker 3 (01:09:55):
Well, we were at.

Speaker 2 (01:09:58):
Archetype right.

Speaker 3 (01:09:59):
Archetype.
I was trying to think of thename.

Speaker 2 (01:10:01):
In Jacksonville.

Speaker 3 (01:10:02):
Yes, very cool building, very like.

Speaker 1 (01:10:05):
It's like blackout but with like Glow-in-the-dark
paintings all over the walls,cool little back porch area.

Speaker 2 (01:10:13):
But the paintings are all horror film.
Yes, slashers, freddy Kruegerstuff, mm-hmm.
Love the artwork and the facade.
Remember, with the mushroomytrippy stuff on the outside it
had a curvy-looking building.
The last time I went there, Ibelieve you went with me and me
and Silas we were inJacksonville doing some stuff,
and and me and Silas we were inJacksonville doing some stuff

(01:10:33):
and I was like Silas, let's goto this show, it's all ages and
we'll check out these bands.
And they were like heavy as fuck, really big, heavy, and this
place was packed More than I'veever seen it.

Speaker 1 (01:10:46):
Had an archetype yeah .

Speaker 2 (01:10:47):
We had played there with like Motograder and cool
bands like that and all, but itwas so super packed and I was
packed when we went.

Speaker 3 (01:10:56):
We had left your show yeah, it was from um eclipse.
Yeah, we trekked over toarchetype so we could see actus
rius because nadira was going tosing with them.
Yeah and yosemite and black wasplaying before them.
So we got there in time forthat and we were rocking the
fuck out.
And what is their bass player'sname?

(01:11:18):
Because he's awesome.
He is the one of the coolestlittle persons I've ever seen in
my life.

Speaker 2 (01:11:24):
So we're rocking out with this guy and I'm like dude,
this dude's awesome, like he'srocking out so hard.
And then he gets on stage andplays bass and he's fucking
killing it yosemite and blackand the singer's like native
with his two braids and I'm likeI know this guy from powwow
somewhere and I was just likedude.

Speaker 3 (01:11:40):
I love this band, I love this absolutely like it's,
it's, it's right up my alley.
I love both them and actus rius, which we have also featured on
this pod I can't remember whichepisode, but they're there
check.

Speaker 2 (01:11:54):
Check them out too.
So if you do like Yosemite inBlack, after we play it, check
out Actus Rios and all thesebands on the tour.
They're on tour right now.
They're traveling around theUnited States.
They started in March inAtlanta and it started March 6th
, so where they're at now.

Speaker 3 (01:12:14):
They're touring.

Speaker 2 (01:12:15):
Goodness, yeah, yeah, they're touring everywhere
that's amazing.
Yeah, I love it they're allover the place.
It was like 20 shows so, and Ithink it's coming up to the end
of the tour anyhow, but stillthey did like 20 shows.
It's big.
These guys should be big.

Speaker 3 (01:12:30):
They're, they're phenomenal these are bands that
are putting in the work.
Y'all Listen to them, followthem, especially if it's your
genre that you like to listen to.
If it's not give them a chanceanyway?

Speaker 2 (01:12:42):
And I have a lot of cooler stuff.
I have country music coming, Igot rap, I got trap music, I got
trap metal.

Speaker 3 (01:12:48):
Well, I'm just saying we were both born in the 80s,
raised in the 90s.
I was raised in a conservativeChristian home and I would have
never.
If you had told me when I was11 years old that I would get
into grunge, that would leadinto nu metal, that would lead
into deathcore, I wouldn't havebelieved you.
But give everything a shot.

Speaker 2 (01:13:10):
Yeah, Everything she was like Metallica was like her
heaviest thing when I first mether and now it's like she knew
about corn stuff like that well,I want to say system system of
a down flip not, I listen to allof that, yeah, well new metal
metallica which I love fluent inmetallica.

Speaker 3 (01:13:27):
I'm just right, because my boys took a liking to
them so we listened to them alot, especially, oh god, the snm
album.
Yeah, the the san franciscoorchestra with metallica that
was so beautiful yeah, I mean,there's a lot of old school
metallica fans that really juststarted hating them as their

(01:13:49):
music progressed into adifferent sound.
But you should not.
If you're a true fan of a band,go with the flow.
Even if you're not a fan, don'thate them because you don't
like their new sound.

Speaker 2 (01:14:01):
We're not really digging Beartooth's newer sound
but we don't hate them, I don'thate it.

Speaker 1 (01:14:09):
We've seen them in their prime.

Speaker 2 (01:14:11):
We've watched them build.
I understand his struggles.

Speaker 3 (01:14:14):
They have three albums that I love and I can
re-listen to them all the time.

Speaker 2 (01:14:17):
Yeah.

Speaker 3 (01:14:20):
There's four albums of Baratooth that we love.

Speaker 2 (01:14:22):
Yosemite's got some newer stuff out.
I want to play Warmer Weatherby them.
I don't know this one.

Speaker 3 (01:14:28):
I know some of their older weather right.

Speaker 2 (01:14:31):
Does that just make sense to me?

Speaker 3 (01:14:32):
yes, we're getting into warmer weather.

Speaker 2 (01:14:34):
Spring has sprung yeah, I talked to their singer
and he's like you can playwhatever you want, dude.
Y'all are awesome too, likebecause we shared bands.
I think we played with them onetime somewhere and it's just
like this is the community thatI really want to represent and
and push up in any way if I canuse this platform to help them
out a little bit, so it's a goodthing.

Speaker 4 (01:14:55):
It's all good, good, good, good, good good yes and at
the end of this, at the end ofthis whole segment love when we
do our third episode of thiscluster fuck of fuckery that
we're doing here.

Speaker 2 (01:15:06):
Uh, I have a band that's uh from, I think, russia
yeah, I see that in your note,yeah, so that's cool, so I'm
reaching out.
We're going overseas for us too, so it's really cool, and I'm
finding bands in Australia, allover the place, all over the
place.
I'm enjoying this.

Speaker 1 (01:15:22):
It's so exciting.

Speaker 2 (01:15:23):
yes, you know, and our second biggest city is in LA
, so I've got like five more LAbands coming, so I'm going to
support L.
That's our second biggestfollowing.

Speaker 1 (01:15:32):
LA.

Speaker 2 (01:15:33):
LA, I love you.

Speaker 1 (01:15:34):
LA.

Speaker 2 (01:15:35):
So drinkaboutsomethingsite.
Check us out, follow us.
We're on YouTube, we're oneverything.

Speaker 3 (01:15:39):
I heard the tacos are the best In LA.

Speaker 2 (01:15:43):
Tell us about the tacos in LA.
I want some Trejo tacos.

Speaker 3 (01:15:47):
Oh yeah.

Speaker 2 (01:15:48):
So bad.

Speaker 3 (01:15:48):
We love you, danny.

Speaker 2 (01:15:49):
We've seen him last and we're going to Spookala,
which is a horror con, nextweekend.
So Danny was last and we'regoing to spook alla, which is a
horror con next weekend.
So danny was there last yearand we seen him.
We watched his panel.
It was just really really cool.
But anyhow, back to yosemiteand black.
So check these guys out,support them, man, and this song
is called warmer weatherweather by yosemite and black

(01:16:10):
and I'm excited.

Speaker 3 (01:16:11):
Me too.

Speaker 1 (01:16:18):
I just wish they'd met, taking back what we already
knew, and I'd like you to startyour own mind.

(01:16:39):
But second time needs arecognition.
But it seems that I am too, toofull.
Nothing hurts.
So just Wow, I'm full, I don'tcare that I've been lost so long

(01:17:00):
, it's alright.
Break down these walls.
I am so very happy, so sick ofthe past, which I Really love me
.
I can't forget which was hard.
I think my back Made me walkthe dead way, so much that I I
can't forget what's been done.
I've been making my own.
No time for selfishness.
I get to show what they lovefor my stupidity.

(01:17:20):
I'm done being cool, it'sunderground.
Make myself my own, it'sunderground.
Make my mind my own, I'm out.
I can't forget what was allthat she faced then it's time to

(01:17:43):
fight the powers that beMotherfucker.

Speaker 2 (01:18:28):
That was them, that was it.

Speaker 3 (01:18:30):
That was amazing that was amazing.
It was short, and sweet, I loveit Fucking sweet, I love it.

Speaker 2 (01:18:35):
Fucking sweet, I love it.

Speaker 3 (01:18:36):
Yes.

Speaker 2 (01:18:37):
I'm over here trying to make another drink in the
middle of this rocking out, I'mlike pouring shit.

Speaker 3 (01:18:42):
And I'm just headbanging.

Speaker 2 (01:18:44):
Yosemite and Black, you are fucking fire dude.

Speaker 3 (01:18:47):
So fire.

Speaker 2 (01:18:48):
Yeah, y'all keep on doing that.
I hope the tour went well.
I hope everything was amazingand you're inspired and you're
wanting to hit the road again assoon as possible.
And you were successful.
You had to be dude, would itsound like that?
You put it out there this timeGood, good, good, good, good,
good, good, good, good, good.
Yes, we will see you soon too.
Come to Florida.

Speaker 1 (01:19:07):
Come to Florida puppy .

Speaker 2 (01:19:09):
We're going to get you in Lake City.

Speaker 1 (01:19:10):
Hangar 7.
Oh God, you believe that Blowit down.
I'm going to hit them up.

Speaker 2 (01:19:15):
Yes, hit them up, so we can blow it down, hit them up
, hit them up.
This was an adventure, lindsay,and we got more adventures to
come.

Speaker 3 (01:19:22):
Yes, so we have two more parts, so stay tuned for
those.
Follow us ondrinkaboutsomethingsite on
Instagram, YouTube.
That's pretty much it right now.

Speaker 1 (01:19:34):
That's all we need.

Speaker 3 (01:19:36):
Yeah, that's all we need.

Speaker 2 (01:19:37):
We're good.

Speaker 3 (01:19:38):
Yes, we're having fun .
Yes.

Speaker 2 (01:19:40):
Tell your friends.
If you like it, tell it.

Speaker 3 (01:19:43):
Yes, yeah, share us.

Speaker 2 (01:19:45):
Yeah, we're building.

Speaker 3 (01:19:46):
Absolutely and if you could, if you like us, give us
a review on Spotify or whateverplatform that you listen.
That Give us a review onSpotify or whatever platform
that you listen.
That helps us get more into thealgorithm and it really helps
us out.
We would greatly appreciate it.
Love it, yes.

Speaker 4 (01:20:04):
Love it.

Speaker 3 (01:20:05):
Love it, love it.

Speaker 2 (01:20:07):
Very good, we'll see you guys next Friday, though no,
we'll see you guys Wednesday.

Speaker 3 (01:20:11):
Wednesday.

Speaker 4 (01:20:12):
Wednesday yes, we'll see you guys.

Speaker 3 (01:20:13):
Wednesday, wednesday for part two.

Speaker 2 (01:20:16):
Yeah, part two of Puddled by Lindsay.

Speaker 3 (01:20:21):
Of Ian Brady and Myra Henley, the most hated man in
Europe and the most evil woman.

Speaker 2 (01:20:27):
Yes, part two of the Nazi candlestick holder Damn.

Speaker 3 (01:20:33):
And the woman who wants to act innocent, but she
is not.

Speaker 2 (01:20:36):
Definitely not, but it's a sad tragedy.

Speaker 3 (01:20:40):
We'll see you guys.

Speaker 2 (01:20:41):
We'll see you guys then.

Speaker 3 (01:20:42):
All right, bye.

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