February 24, 2025 • 49 mins
Ever wondered how a freak accident could keep someone forever young? Join us as we unravel the peculiar charm of "The Age of Adaline," where Blake Lively's character is stuck at the age of 29 thanks to a bizarre lightning strike. Our wives put together a poll for the best Valentine's Day films, and this one made the cut—an irresistible choice for some lighthearted banter and a few laughs about the elusive secret to eternal youth. We dive into the film’s intriguing mix of magic and pseudo-science, all while poking fun at its audacious plot twists and the not-so-subtle FBI hunt that follows Adaline.
Our conversation doesn’t shy away from the odd romance budding amidst eternal youth and life’s fleeting moments. Picture a New Year's Eve party where the sparks fly awkwardly, featuring a suitor who pulls out all the stops—even risking bodily harm in an elevator just to chat! From awkward elevator encounters to grand romantic gestures, we share our thoughts on Adaline's reluctance to let love in and the poignant moment when her beloved dog passes, leaving her teetering on the edge of vulnerability. Expect a humorous take on love, loss, and the audacity of never aging.
Finally, it wouldn’t be our show without some whimsical banter about ridiculous movie plot points and the absurdity of life’s little quirks. Imagine a comedy plot spun from a hit-and-run accident leading to chaos, or the hilarity of a Jeep Cherokee chase that defies logic. We wrap up the episode with a playful nod to the idea of koozie-handcuff combos and "ET" themed handcuffs, sprinkled with our honest ratings of the film. With gratitude for our listeners and a promise of more laughter, Tom, Hayden, and Mitch are ready to take you on this whimsical ride through romance, eternal life, and more.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Record time.
Speaker 2 (00:01):
Record time.
Speaker 1 (00:04):
I wasn't ready, Get ready.
You are now Mitch.
Speaker 2 (00:07):
Nobody expects to entertain this podcast, not even
us Wasting daylight.
Hey Hi, welcome to Entertainthis.
(00:27):
It's a podcast about movies, tvshows and Video games.
Thank you for the enthusiasm,hayden.
Speaker 1 (00:33):
Books.
Speaker 2 (00:34):
Yes, books, books.
Back in my day, podcasts wasbooks.
I'm Tom.
Speaker 1 (00:42):
With me.
I have hey dude, Is thatenthusiastic enough for you?
Yes, hey dad, Drink more Red.
Speaker 2 (00:47):
Bull.
All right, have a pulse.
I forgot, we changed it and wehave Mitch.
Speaker 4 (00:51):
Hey, how you doing, how you doing.
Speaker 2 (00:52):
And on today's episode we are doing our dive
into, I guess, a Valentine's Daytheme, as this episode comes
out way past Valentine's Day.
But we're reviewing the age ofAdeline.
But before we get into talkingabout it, social media Mitchell.
Speaker 4 (01:08):
Well, you can go to entertainthispodcastcom, which
will take you to our Facebookgroup and page.
You also can go to X andInstagram at entertainthis
underscore.
Speaker 1 (01:17):
You could be the first person in history to be
injured on social media.
Speaker 4 (01:21):
No, no, another group of people I listen to have done
that.
He jumped and fell.
He's like I hurt my knee.
He's like all you did was shiftin your chair.
He goes yeah, I know oh okay,well, I understand that.
Speaker 1 (01:31):
We're not that bad on this show we could be.
Speaker 2 (01:35):
I mean, I'm not going to lie, my neck hurts from
sleeping.
Speaker 1 (01:37):
I have sneezed really hard and you thought you blew a
butt muscle.
Speaker 2 (01:41):
I did.
Speaker 1 (01:46):
I didn't sit on my side.
Speaker 2 (01:48):
Just wrecked a glute.
Speaker 4 (01:49):
We're at the age where we get our injured
sleeping sound.
Speaker 2 (01:52):
Yes, we're all in our 30s now on this show.
Speaking of age, we're talkingabout the Age of Adaline.
Speaker 1 (01:58):
This is my favorite movie.
Speaker 2 (01:59):
No, it's not.
You didn't even freaking watchit.
I'm not doing it with them.
Speaker 4 (02:05):
No, hang on 20 minutes earlier.
Speaker 2 (02:07):
We need to curse on this show no.
Speaker 4 (02:09):
But we're not.
I took it seriously.
Speaker 1 (02:11):
I'm a trendsetter.
It's still the golden rule,Dude weaseled out of it.
Speaker 2 (02:13):
What'd you do with it ?
Get the hot sauce.
What'd you do with it?
No, get the hot sauce.
Speaker 1 (02:26):
Did out of.
I paid for that.
I saw it right here.
Where are you hiding it?
I didn't hide it.
Speaker 2 (02:29):
Here I'll find it.
Speaker 4 (02:29):
Keep talking about my favorite movie that you didn't
watch.
Well, look, look, look, look.
I planned a whole intro to readout here.
Says welcome to the age ofAdeline, where time stands still
and aging is just an annoyingsuggestion.
Meet Adeline Bowman, the womanwho's managed to dodge age like
it's a tax collector.
Thanks to a freak accident,she's stuck at the ripe old age
of 29 forever.
(02:50):
Because who wouldn't want torelive their late 20s forever?
Speaker 2 (02:53):
And ever, and ever.
Speaker 4 (02:55):
Forever.
Forget about wisdom andmaturity.
She's all about the endlesscycle of questionable fashion
choices and dating guys who arestill figuring out their
post-college lives.
And let's not overlook the joyof keeping secrets, because
nothing screams normal likelying through your teeth about
your age while trying to explainwhy your favorite music is
still from the 1920s.
Adeline's Life is one bigcomedy of errors, where the
(03:16):
biggest challenge isn't findinglove, it's convincing your date
that you're not just a timetraveler with a very elaborate
backstory.
So buckle up for a hilariouslyabsurd ride through romance and
the eternal quest for a decentanti-aging cream.
Speaker 2 (03:28):
Hayden, I wish I could tell you.
I don't know.
You threw it away.
Speaker 4 (03:32):
I didn't throw it away.
I don't know where it went.
Speaker 2 (03:34):
I don't touch it.
It's not in the pile of StarWars action figures.
Speaker 4 (03:39):
This is Tom's elaborate ruse to get out of it.
Speaker 2 (03:43):
Snort this?
I'm not snorting crushed redpepper flakes.
No, get away from me.
Ow Alright, the age of Adeline.
Thank you for that interruption.
Hayden, 55 on the tomato meter,but the popcorn meter gives it
a 67%.
Do the critics actually know?
Does anybody Hayden just stilllooking around like it's going
(04:03):
to appear?
I'm not drinking hand sanitizer, you maniac.
Just a little alcohol, all right, just give me real alcohol.
The AJL is a 2015 Americanromantic fantasy film directed
by Lee Tolan Krieger, written byJ Mills Goodloe and Salvador
Paskowitz, starring Blake Livelyas the title character.
(04:26):
Adeline Mike uh.
Mikiel Huseman.
Speaker 4 (04:31):
Yeah, pronounce that name.
Pronounce the name.
Speaker 2 (04:33):
Huseman.
Speaker 4 (04:35):
I don't know, I can't see it.
Speaker 2 (04:36):
I know you can't see it because you don't know how to
read.
Oh, I thirst to breathe.
Dario Naharis from Game ofThrones the second one, not the
other guy that was in it for oneepisode and then got recast and
just nobody addressed it.
Speaker 1 (04:47):
That's the dude's name that you can't pronounce,
yeah.
Speaker 2 (04:49):
Harrison Ford, kathy Baker, amanda Crew and Ellen
Burstyn, narrated by Hugh Ross,not Hugh Mann.
Hugh Mann, that's a name I cantrust.
Speaker 1 (04:59):
Let's see $25 million budget, box office, $65.7
million.
It's pretty successful.
Speaker 2 (05:10):
I guess Received two nominations at the 42nd Saturn
Awards, one for Best FantasyFilm and one for Blake Lively
for Best Actress.
Did not win.
Speaker 1 (05:21):
Oh, she didn't win the Saturn Award.
Speaker 2 (05:23):
Nope, couldn't win a Saturn, Couldn't win a Sati Did
she get a Neptune Award.
Nope, couldn't win a Saturn,Couldn't win a Sati.
Did she get a Neptune Award?
No, but she did get the UranusAward.
So this movie the reason we hadto watch it is we came up with
the idea of doing a poll of like.
We asked our wives to pick aValentine's Day movie.
Speaker 3 (05:40):
Yeah.
Speaker 2 (05:41):
And Mitch put it on social media this was Rachel's,
my wife's, uh contribution.
She goes you should watch ageadeline.
She goes, I like it.
And I was like okay, and Itexted mitch and then it was on
the poll and it won.
I don't know how many peopleactually voted in this poll your
watch.
Speaker 1 (05:54):
Your wife didn't watch it, right?
No, my wife didn't watch iteither.
You didn't watch it either.
Well, I didn't watch it either,but I was just thinking like,
do you think it's because one ofthe wives won and the other two
were like I'm not going towatch it now, or do you think it
was like no, my wife justdidn't have time.
She liked the movie.
Speaker 4 (06:09):
Oh, she did.
Yeah, she just doesn't havetime, so she has seen it before.
That's what she tells me.
Yeah, she's seen it before.
Speaker 1 (06:12):
She didn't watch it this time, I think my wife just
genuinely I'm excited aboutwatching it.
Speaker 2 (06:22):
She didn't watch it at all.
Speaker 1 (06:25):
She didn't watch it.
Speaker 2 (06:26):
Your kids, Did your dog, did your cat watch it?
Anybody?
Did anybody in the Brandonhousehold?
Speaker 1 (06:30):
I just put it to you being on by the window, whoever,
was walking by.
Bucky the squirrel Livesoutside by the well With a
comment box.
Speaker 4 (06:40):
So we all got this Valentine's movie and none of us
watched it with our wives.
Speaker 1 (06:44):
Yeah.
Speaker 4 (06:44):
Happy Valentine's.
Yeah, that's us.
Speaker 1 (06:46):
Look, been married for 16 years.
We're lucky to be in the samehouse on Valentine's Day.
Speaker 4 (06:51):
I've only been married for 12.
How long have you been married,Tom?
Speaker 2 (06:54):
Was it February 28th?
I've been married.
It was February 23rd todayPunching his Casio my calculator
.
Speaker 3 (07:03):
Watch Such a dork.
You're a dork Screw, you Isthat bad, getting even tighter
with your stick wrists.
Speaker 2 (07:12):
I don't like it moving around.
Speaker 4 (07:13):
Would you hurry up and tell us how many days?
Speaker 2 (07:15):
We've been married since January 18th so however
many days.
That is from now Close enough.
Speaker 1 (07:19):
I've slept longer than that.
I'm crap bigger than you.
Speaker 2 (07:25):
Shut up, Anyway the movie.
Speaker 4 (07:29):
Well, first we got a couple of reviews.
Speaker 2 (07:30):
Oh right.
Speaker 4 (07:33):
This one is by Roshannon81205.
Two out of ten.
It's visually pretty,emotionally vapid and
intellectually void.
She says I was curious aboutthis film because of its premise
A woman, Adeline, who seems tobe immortal.
I shall state the good partsfirst.
Most of the visual direction isquite pretty and the soundtrack
is rather lovely in places.
The cast are very good too,given the material they had to
(07:56):
work with.
However, the script and storyfall flat on their faces with
astounding force.
Adeline initially is put acrossas a bright but not exceptional
woman leading a happy life.
The rest of the film swingsbetween portraying her as being
a genius, then to being ausually irrational, doe-eyed
fool.
Speaker 1 (08:13):
Doe-eyed.
Speaker 4 (08:15):
Oh, let's see.
Speaker 2 (08:16):
I guess there's worse things to be called, but it's
like it falls flat on his facehard.
It's like immediately tripping,and then all of a sudden
gravity intensifies by five.
He just goes he bounced.
Speaker 4 (08:25):
Then we get a PhD.
Underscore travel, a 10 out of10.
Romantic fantasy at its best.
Speaker 2 (08:31):
Does he have a PhD and travel?
Speaker 4 (08:34):
Every generation needs a romantic love story that
has an elemental of magicalfantasy and beautiful lead.
In the 80s there was Somewherein Time, and now there is Age of
Adaline, about a lovely womanin San Francisco who, after an
accident, stops aging at 29.
The story is well written,enjoyable, logical and a
complete and clear, withoutbeing confusing.
It's hard to read.
(08:55):
They have commas well, they havea PhD mention you don't it's
much better to see Blake Livelycast in the role of a romantic
lead instead of the druggy orcriminal role that has been in
on the big screen from the Townand Savages.
Speaker 1 (09:10):
Oh yeah.
Speaker 4 (09:13):
This movie makes use of her special quality and
loveliness that sets her apartfrom other actresses to full
effect.
Her love interest, usman, whilenot the most good-looking actor
out there he has a kind faceBam.
They look right together.
Harrison Ford is well-cast asan older professor and father of
(09:34):
the boyfriend.
This is a role to which he issuited and doesn't look too old
to handle like in some of hisrecent movies.
Speaker 1 (09:40):
You belong in a museum.
Agent Vanilline.
Speaker 4 (09:43):
Let's see Along with me.
Speaker 2 (09:45):
I want my family back .
Speaker 4 (09:46):
We got one more.
Speaker 2 (09:47):
Get off my plane.
Speaker 4 (09:49):
One out of ten, Lacking Any Sense by Vlad P6.
Speaker 2 (09:54):
Vlad.
Speaker 4 (09:56):
No, it's well, I guess Vlad P6, then yeah, Vlad.
Speaker 1 (10:01):
You idiot.
I too can R-E-D, it's all oneword.
Speaker 2 (10:03):
What do you mean?
Because that's a name there'snot going to be a space, vlad P6
.
Speaker 4 (10:09):
Six is not part of his name.
Yeah, m-itch, yeah.
Yeah, m-itch Look you weremessed up reading somebody's
name too.
Shut up.
Speaker 1 (10:23):
At least mine was an actual name.
Speaker 4 (10:25):
It's not just something mixed and you may feel
sometimes with the characterswatching it and the acting is
good, but what really made medisliking this movie is an
unbelievable behavior in theending of the story which lacks
any sense.
This is a strongly spoiler, soyou may stop reading here if you
want to watch the whole movie,but I really cannot comprehend
how the father and the son canagree to share the bed with the
(10:47):
same girl.
It really disturbed me.
Oh, I was looking forward tothat part, mitch, the whole
situation in the script.
Imagine you suddenly know thatyour father slept with your girl
, loved her and wanted to marryher, but she escaped from him.
And now you shared the bed withher escaped you're getting.
Speaker 2 (11:01):
You're getting your dad's like sloppy seconds,
whilst the father still has verystrong feelings for her.
Speaker 4 (11:05):
Disgusting, it's simply damaging.
Speaker 1 (11:08):
What's Bicentennial man when Robin Williams' robot
character sleeps with everygeneration of the same woman?
I know that.
Speaker 4 (11:18):
Yeah.
Speaker 1 (11:19):
I mean, it's essentially the same thing.
It's just gross because it's agirl.
Speaker 4 (11:22):
now, there was one very Karen response.
Speaker 1 (11:28):
How many do you got Mitch, Just the last one.
Speaker 4 (11:31):
Dragone 001.
Is it?
Speaker 2 (11:34):
dragon.
Speaker 4 (11:35):
D-R-O-G-O-N 001.
Very uncomfortable to watch.
My husband adores the movie.
I, on the other hand, was socreeped out by Ellis' overly
persistent behavior regardingAdeline when he tries to get to
know her in the beginning that Icouldn't watch any longer.
His borderline stalker behavioris anything but romantic.
(11:56):
It's creepy and disturbing andso off-putting that it made me
extremely uncomfortable.
I really love romance flicks,but this is not a romance.
It made my skin crawl.
It's the glorification of anobsessed stalker and a man who
can't take no for an answer.
Adeline's behavior regardingher persistent suitor is
completely unrealistic.
This movie is definitely a hardpass for me.
Speaker 1 (12:16):
This lady's husband is like all right, you get older
, but she stays the same.
Speaker 2 (12:22):
He's the same age.
This is a win-win.
Speaker 1 (12:27):
I can hear the chest slaps.
You know the wife like pow yeah.
Speaker 4 (12:31):
Ouch Dang.
Anyways, go Now continue.
Speaker 2 (12:36):
All right, scene one.
The movie opens in 1908, sanFrancisco, where the narrator
tells us about Adeline Bowman isborn on New Year's Eve or New
Year's Day, don't miss it, youmight know.
12.01 pm or am.
She gets married in 1929 to anengineer working on the Golden
Gate Bridge, having a daughterin 1932.
(12:56):
Her husband is killed in 1937in an accident.
10 months later she's in a caraccident and now no longer ages.
Speaker 1 (13:12):
So let me pick up from here, because what I
remember is where she comes outof the car accident and
discovers that she has superspeed after being struck by the
speed force and she goes allaround the world at high rates
of speeds, sometimes doing thatthing where you can move so fast
you can turn back time andphase through walls and defeats
a guy named dark side I thinkthe movie he watched was
probably better probably that'swhere I fell asleep.
(13:35):
Things kind of went off therails, yeah it was like a fever
dream.
Speaker 2 (13:39):
So, yes you, the narration I liked and then hated
, like the justification thatthey give you, is like they try
to impose actual science likethis is why she doesn't age the
immersion in the frigid watercaused adeline's body to go into
(14:01):
an anoxic reflex, instantlystopping her breathing and
slowing her heartbeat.
Speaker 3 (14:11):
Within two minutes, adeline Bowman's core
temperature had dropped to 87degrees.
Her heart stopped beating.
At 8.55, a bolt of lightningstruck the vehicle, discharging
(14:39):
half a billion volts ofelectricity and producing 60,000
amperes of current Its.
Effect was threefold.
60,000 amperes of current Its.
Effect was threefold.
First, the charge defibrillatedAdeline Bowman's heart.
Second, she was jolted out ofher anoxic state, causing her to
(14:59):
draw her first breath in twominutes.
Third, based on von Lehmann'sprinciple of electron
(15:22):
compression in deoxyribonucleicacid, which will be discovered
in the year 2035.
Adeline Bowman will henceforthbe immune to the ravages of time
.
She will never age another day.
Speaker 2 (15:41):
Like this can really happen.
Speaker 1 (15:43):
So something about like her heart rate slowed
Because, like she was in thewater, her like core temperature
dropped to like this can reallyhappen.
So something about like herheart rate slowed.
Speaker 2 (15:45):
Because, like she was in the water, her like core
temperature dropped to like thisamount, exactly 82 degrees.
She was dead for like twominutes, yeah.
And then the car got struck bylightning but because it's like
wet outside but it had to be itwas like three times the amount
of amps.
Speaker 1 (15:59):
It had to be, yeah, yeah, it had to be 500,000 volts
of lightning at 600,000ampoules, or something like that
and you're like, wouldn't shejust explode?
Speaker 4 (16:10):
It's just like bop.
What kills me, though, is, tobegin with, they try to make it
out like it'd be magical, andthen they try to throw all the
science in, because they're likeoh, it snowed for the first
time in the foothills of themountains, sonora County, or
whatever they said it was, so itcan be magical.
And they're like no, here'syour unproven science that's
going to describe science.
Speaker 1 (16:30):
You know why Benjamin Button worked?
Because they didn't explain it.
Speaker 2 (16:34):
Yeah, they're just like he was born old and he got.
Speaker 1 (16:38):
That's his goofiness that works, just go with it.
Speaker 4 (16:40):
For some reason tracking and almost dying.
She's alive.
Speaker 1 (16:43):
If you try and sell me on your weird little
scientific plot hole, I'd ratheryou just like she was born that
way.
She just can't die, she's animmortal, just go with it.
Speaker 4 (16:54):
Well, we're still doing this podcast in 2035.
We need to review this and gohey that was still not
discovered, liar.
Speaker 1 (17:01):
What is that like?
10 more years, 10 more years,we'll be around 10 more years
Following that she can no longerage.
Speaker 2 (17:09):
she is hunted down by the Catholic Church because
they think she's a witch.
Speaker 1 (17:12):
Oh wait, that's a different movie.
I was like, wow, hayden's likeall right, they're like kick
your eye here and there.
Speaker 2 (17:16):
Like man, we should have watched that.
I mean it's just a quickbeginning.
The narration, I think, justkind of ruins it off the bat for
me.
Speaker 4 (17:25):
Because it went on too long.
It was too descriptive ofwhat's going on.
Speaker 2 (17:30):
The sciences were ruined.
Yeah, Because now I'm like well, that's not, there's no way
that would actually happen.
It's like you took me out.
Speaker 1 (17:41):
I suspended disbelief for this and then you ruined it
and brought me back and I'mlike all right, yeah, no, the
guy even sounds like he'snarrating a documentary the
circle of life continues.
Speaker 2 (17:48):
Yeah, like we all understand, you know, but
anyways, In 1953, she's pulledover and the cops are dubious
about her age Because she'dtechnically be 45 years old,
even though she looks like she's29.
And the cop confiscates herlicense.
Later that day the FBI tried toabduct her.
(18:10):
She escapes and goes on the run.
Speaker 1 (18:12):
How does she escape?
Speaker 2 (18:14):
She somehow, like these two FBI guys, just show up
and like, man, we're with theFBI, we need to ask you some
questions.
Like we're going to run sometests.
Like they're just telling herher, we're going to test you and
you're probably going to dieand we're going to dissect you.
Speaker 4 (18:24):
They didn't say all that it's implied.
Speaker 1 (18:28):
They are the federal body inspectors.
Speaker 2 (18:32):
Federal boob inspectors for guys in college.
They pull up to an airport andthere's a plane.
The FBI agents get out of thecar.
They're talking to them.
They leave her completelyunattended in the vehicle.
She's not handcuffed, thoughshe's not handcuffed, nothing
Back in the 20s.
Speaker 4 (18:45):
you just dressed in Christmas the inside car.
Speaker 2 (18:47):
Like the door, it doesn't have inside handles.
Why she didn't just jump overinto the front seat and go up
one of the passenger doors,don't know True.
So she like, pulls down theback seat and manages to get in
the trunk and pop the trunk.
Speaker 1 (19:07):
It's a really elaborate way, yeah, like
knocking down a wall right nextto a door and locked.
Speaker 4 (19:13):
But it was less conspicuous, though they might
have seen the door open At thetrunk they couldn't see it.
Well then, get in the car anddrive off, did they?
Speaker 1 (19:19):
leave the keys in there.
I don't know the lights were on.
Speaker 2 (19:23):
Yeah, the lights were on Because they were showing
them standing in front with thelight on.
Speaker 1 (19:28):
She's just been Look at that.
Speaker 4 (19:30):
Look, we're trying to make logic out of a movie about
this girl that lives hundredsof years.
Speaker 2 (19:34):
Here lives like 100-something years.
I think she's like 109 by thetime of the story, I still think
she was struck by the speedforce.
Speaker 1 (19:39):
I don't think she found her, oh definitely struck
by the speed force.
It would make more sense.
Speaker 2 (19:43):
But it's like she's with her daughter, who's like
now, like they look like they'relike sisters with like the age
difference.
And then she, they're likewalking to like a hotel and they
see somebody who knew her when,like back in the day, and she's
like you haven't aged like atall, and she's like, yeah, it's
this new cream from paris, it'sjust like, and she's like
pressuring her like I'd be likelady, like f off, yeah, like I
(20:06):
said hi she's like goodbye, likeseriously, you look the exact
same.
Speaker 4 (20:09):
They're like yeah, okay, bye, okay bye.
Speaker 2 (20:11):
As they walk out the door have you ever read Lord of
the Rings?
It's the same concept, Bilbo.
You have an age today.
Bilbo Baggins the Bilbo button.
Speaker 1 (20:24):
That's my favorite button.
Speaker 2 (20:26):
So after this, I don't remember what the other
one was too.
Don't do it.
After this, adeline goes homeand she, like, packs all of her
bags, and now she's on the runand like in hiding, changing her
identity.
So we opened in 2015 afterdecades of her being on the run
and changing her identity.
Every 10 years she meets EllisJones.
Speaker 4 (20:47):
But you got to think back.
Then it wouldn't be that hardto change your ID.
Speaker 2 (20:50):
No, it was just paper documents Up until modern days.
It wasn't until like the late70s, like driver's licenses in
New York, didn't have your photoon it.
Speaker 4 (20:58):
Yeah.
Speaker 2 (20:58):
Really.
Speaker 1 (20:59):
Yeah, what were the people just going off of
Goodwill?
Yeah, Pretty much.
Speaker 4 (21:04):
You got like crayon-scrawled cardboard that
says your name on it, there wasless people that would be
mischievous and connivingtowards you back then.
Speaker 1 (21:12):
Yeah, but wasn't there a lot of serial killings
and murders and stuff?
Speaker 4 (21:15):
That's besides the point.
Speaker 1 (21:16):
We're not getting undocumented.
Speaker 2 (21:18):
Yes, and probably still do.
Speaker 1 (21:20):
Not as bad, but yeah.
Speaker 2 (21:23):
It was so bad.
My dad, he was a sidebar.
When my dad was a cop in NewYork City he issued an arrest
warrant for a guy.
But he issued an arrest warrantfor a guy but he issued like 30
of them because it was alldifferent names that the guy had
used all the times he'd beenarrested and the dude's
attorney's like Detective.
So I was like you really.
He's like yeah, he's like yourclient gave us those names.
He's like starting in like 1971to now.
It's just like all these fakenames and it's like a recurring
(21:47):
gag on Hill Street street bluesthis one dude they keep
arresting like what's your name?
And he's like, uh, jonesquentin glass.
And he's like all right, andthen, like the next episode,
he's like walter.
it's just different every time,like he ends up getting like
killed in the show and like heactually tells the cop his real
name and then dies it was billsmith anyway in 2015, after
(22:11):
decades on the run and changingher identity every 10 years,
adeline meets ellis jones andthis and discovers his father is
a lover from the past youskipped a whole bunch of movie
there, from meeting him to getinto the uh well, not much
happens well, they go on a date.
Speaker 4 (22:28):
He meets her at the party.
Well, that's why I?
Speaker 2 (22:30):
this is just like a exposition of like they meet.
We can talk about those scenesat length, and then we move on
to the rest.
Speaker 4 (22:37):
That's like 30, 40 minutes of the movie.
Speaker 2 (22:38):
So, yeah, there's plenty to talk about.
She meets him at a New Year'sEve party and he's leaving.
Or she's leaving and theelevator door is about to close
and he risks losing his hand.
To stop it, because it was likenot enough room for the lasers
to be like oh, movement, uh-huhand he's like ah, and what?
Speaker 4 (22:56):
uh, what time period was this supposed to be in?
Speaker 2 (22:58):
this is in the present, this is in 2015.
Okay, the for them and when themovie came out.
Speaker 4 (23:03):
Yeah, okay, I couldn't remember if it was like
90s or if it was present thatwas the, the 2015s, the 20 teens
gotcha so they meet in theelevator.
Speaker 2 (23:12):
He's trying to chat her up and they have no
chemistry.
Speaker 4 (23:15):
Because she's like shooting down everything he does
.
Yeah.
Speaker 2 (23:19):
Yeah, like relentlessly, and like she
leaves and goes home after shewas like hanging out with her
blind friend who we see whoplays the piano.
Speaker 4 (23:27):
Well, the blind friend can't judge her on her
age, the way she looks.
Yeah, because yeah, oh it'ssuch a curse to stay young
forever the horror Well likethey're sitting there and the
blind lady's obviously older but, they're sitting there and
she's like I don't know how.
Speaker 3 (23:40):
They always hit on you, even the young ones.
Speaker 4 (23:43):
She's like I don't know.
Speaker 1 (23:46):
She can't see her.
It's like she, she's in a roomwith a blind person because
she's concerned about how youngshe looks.
Speaker 2 (23:52):
Wild Stupid Wild.
Speaker 4 (23:54):
Woman must have wrote this movie.
Speaker 2 (23:57):
Yeah, probably.
So she stands up, this Aliceguy gets in her cab and he like
grabs the cab and like asks hersomething.
And I'm just like all right,bro, you are putting on like I'm
going to like take advantage ofyou.
Speaker 4 (24:09):
No, he let her in the cab.
He putting on like I'm going tolike take advantage of you
vibes.
No, he didn't like jump inthere, I'm for one of them.
I'm like you know.
He went to Lynx to find out whoher name was and where she
worked so he could try and meether again.
He's a rich guy that donated abunch of books.
He didn't make her go out.
Speaker 1 (24:24):
Did he cyber stalk her?
Speaker 3 (24:27):
No.
Speaker 4 (24:28):
Maybe he recognized her and went because she's like
she works at a library.
Of course she does.
She likes old books.
Speaker 2 (24:37):
He's on the board of commissioners for, or trustees
or something.
Speaker 4 (24:38):
Something like that For the library he donates like
50,000 books or something to him.
He's some rich guy.
Speaker 2 (24:43):
But he basically uses his leverage to get a date out
of her.
Speaker 4 (24:46):
Yeah, he said he won't donate the books unless he
goes on the date and donate thebooks specifically to her.
Yeah.
Speaker 2 (24:53):
And she's like no, and he goes all right, cool,
he's like no books.
Speaker 4 (25:00):
And she's like fine, fine, I'll go out with this
roughly handsome, extremely richman God.
Speaker 2 (25:06):
The inconvenience of it all, the inconvenience.
Speaker 1 (25:10):
Well, that's her problem.
She just doesn't want to loveagain, or?
Speaker 4 (25:12):
something Exactly, yeah, and then you find out
later, yeah.
Speaker 2 (25:15):
So they go out or she meets him at his apartment.
He makes dinner and it's allfancy, he's got a cool apartment
.
Speaker 4 (25:23):
Yeah, he looks like a freaking professional chef.
Speaker 2 (25:25):
Yeah, he's going there's jazz playing.
He's got the wine, coolapartment with the wood and the
brick and the lights, and thenhe's like, are you ready?
And he's like this is a specialdish and he pulls off and it's
like chili dogs.
Speaker 4 (25:38):
Which was not what he was cooking.
He was chopping up peppers andall sorts of stuff.
Speaker 2 (25:43):
Yeah, whatever it is.
So they obviously have a greatfirst date because they wake up
in bed together.
Yeah, the next morning.
Speaker 1 (25:51):
She's just playing hard to get for about 15 minutes
.
Speaker 4 (25:54):
They're laying down on this couch watching out the
window at these other rooms Ican't remember if they were
doing aerobics or if they weredoing dancing.
Speaker 2 (26:00):
They were doing dancing stuff.
Speaker 4 (26:02):
They're just watching them through the window.
Speaker 2 (26:03):
Then they start making out and they wake up in
bed the next morning.
It's like they should have didthe side cut where all the
people who were dancing werewatching them fool around.
And then at the end like one ofthem just goes yeah, so after
(26:26):
that he runs into her again andhe has flowers for her, and then
because he shows up where shelives or tries to, because her
dog dies and she yeah, and theytold him so she comes home her
dog is sick.
She takes the dog to the vet.
The vet's like alright, youknow, gotta put the dog down why
didn't she strike it withlightning?
Speaker 4 (26:47):
she just tied it to a pole and opened out the window.
It'll work, I promise.
Speaker 2 (26:54):
Just fur, just goes everywhere, like in Time Bandits
, where he blows up the dog he'slike.
That's pretty much what happensin Time Bandits.
He's like Benson Blasts him, soshe's obviously distraught
about the death of the dog.
He's calling a lot and it'slike he didn't do like the wait
two days or something, or waitthree days and call or whatever
(27:16):
the Before we leave the dog,though they act like this is
like a thing that only she wouldexperience because she's so old
.
Speaker 4 (27:22):
We've all had a dog that's died.
Speaker 1 (27:24):
It's sad yes, but she only allowed herself to love
the one thing in our world, andit was the dog.
Speaker 4 (27:31):
Oh well.
Speaker 1 (27:32):
It's a hundred years of love.
That's a you problem.
Look, I get it.
Mitch, did you see it?
I don't have to see it, thismovie pretty much fills in its
own blanks.
I like my interpretation of itbetter.
Speaker 2 (27:51):
My dream so Ellis stalks her, finds her on the
street in Chinatown in SanFrancisco and he's got flowers.
Yeah, and she's like why areyou here?
And he's like do you know whereI live?
God?
Speaker 4 (28:05):
forbid you bring me flowers.
Speaker 2 (28:07):
I know right, and it's just like you know he's
checking on you and she's like Ijust got it from the library,
it wasn't hard, so she's upset,runs off not returning his calls
.
Her daughter talks her intolike going for it.
Speaker 4 (28:24):
Yeah, giving him a chance.
Speaker 2 (28:26):
Because her daughter's like 80.
Yeah.
Speaker 4 (28:29):
Her daughter's played by somebody famous.
Speaker 2 (28:31):
I can't remember what her name is though we can look
it up after this.
Speaker 1 (28:34):
I'll look it up while you're talking, yeah go for it.
Speaker 2 (28:38):
So she ends up going back to him and the doorman guy
wouldn't let her up, yeah, andhe's like, oh, tell her
so-and-so.
But then she keeps interruptinghim as he's talking to the guy
to tell him what he's saying Ithink he was on the construction
side or something like that ohyeah, there he was redoing like
the entire apartment, because heowned the whole thing, because
he's, you know, rich, yeah, andshe's like going on and on and
(28:59):
on and he's like uh-huh, uh-huh,he's like okay yeah, ellen
bernstein yes, yeah and burston
Speaker 4 (29:05):
burston, you illiterate, shut up look, look,
I do all the work.
Y'all figure out how to say it.
Speaker 2 (29:10):
I do words good.
Speaker 4 (29:15):
We would be here if it's not for me.
Speaker 2 (29:16):
Shut up.
It's like three minutes of hergoing on and on as the guy's
trying to tell the her futureboyfriend what she's saying, and
every time he's about to talkshe interrupts and keeps going
like oh well, tell him, I'mreally sorry about this.
And he just goes like all right, hey, it's this.
Oh, you heard everything.
Oh, thank God, so he doesn'thave to try to repeat it all.
(29:39):
So they resume their affairwith each other.
An affair.
Their lover's tryst.
Speaker 1 (29:47):
An affair that transcends time.
Speaker 2 (29:49):
And she still says she's leaving to move to Oregon
and redo the identity thingbecause it's been like, I guess,
10 years for her since the lastone.
But she agrees to go with himto meet his parents for their
parents' 40th weddinganniversary and arrives and we
meet Harrison Ford.
Speaker 4 (30:08):
Now For this timely interruption.
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bit different.
It's time for a change,Introducing something that could
redefine your experience.
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It's about feeling good,looking good and embracing.
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You don't have to wonder anylonger.
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(30:28):
It will help live life betterand give you that extra energy
when you need it.
Don't believe us.
Just ask Hayden.
He's been using Aaronics foryears and couldn't be happier.
Aaronics, the boost that getsyou going in the evening.
Or meth.
Speaker 1 (30:41):
Woo, what did I just sign up for?
Don't worry about it, just keepgoing.
Speaker 2 (30:45):
Anyway, am I getting money for that?
No, we are, but not you.
They meet Ellis' parents andHarrison Ford is like I don't
know why you belong in a museumand he immediately recognizes
her as a lover from the past andwe learned through flashbacks
(31:07):
that the two of them had atorrid love affair meeting in
Europe and she comes with himback to the US.
Speaker 1 (31:13):
Did she do quick math about her new boyfriend's age
and when she met Harrison Ford?
Speaker 2 (31:19):
Yeah, you could see her coming up with a lie on the
spot and she's like, oh, thatwas my mom, yeah.
And he's like like, how is she?
And like even like his wife islooking at him, like you said,
like you knew her, like that wasa good friend of yours.
I never heard of her.
Then he's like says somethinglike twice, and then she's like,
and indignantly just storms outof the room like who was this
(31:43):
hoe?
Speaker 1 (31:44):
But like did somebody address it?
Like was she boinking her son?
Speaker 2 (31:48):
No, they never.
Speaker 1 (31:50):
I'd get a quick DNA test.
Speaker 4 (31:53):
Well, at the end of the movie she tells Ellis the
whole thing.
Speaker 2 (31:59):
Yeah, wait, wait, wait, wait.
She doesn't really cue in likethe hey.
I was banging your dad in the60s.
Speaker 4 (32:05):
Yeah, she doesn't.
Put cue in like the hey I wasbanging your dad in the 60s.
Speaker 2 (32:07):
Yeah, she doesn't put it that way, or in the 70s,
whenever it was, you know,around that time.
Speaker 1 (32:12):
Okay, weird.
Speaker 2 (32:14):
Eventually he figures it out, but they went in.
Speaker 4 (32:20):
He's like obsessed over trying to figure this out
because he keeps seeing herEvery time he sees her before
they quote, unquote, unquote,figure it out.
He's just like mesmerized, like, oh, like trying to hand her a
cup of coffee or something likethat.
Speaker 3 (32:33):
Yeah it's kind of weird it's like it made me think
of that.
Speaker 4 (32:41):
What's the horror movie that he's in, where, like,
he killed his wife?
No, what Lies Beneath itreminds me of that, just a less
aggressive version.
Speaker 1 (32:52):
Yeah, that was a weird movie the fact that he
just elaborately tries to killMichelle Pfeiffer by drowning
her in a bathtub, by paralyzingher, instead of just shooting
her in the face.
Speaker 4 (33:05):
There might have left evidence that way it's like a
cooking video where they doInstead of just like shooting
her in the face, like what theremight have left evidence that
way.
Speaker 2 (33:09):
I don't know.
It's like a cooking video where, like they do, like the basic,
it's like all right, we're goingto fry an egg.
And then it's like, all right,now we're going to do it like
the obnoxiously difficult way,like everything's from scratch.
It's like now we're going to goforge iron ore so we can make a
cast iron pan.
After you've done that, we'regoing to buy a house and we're
going to build it so we can cookit.
Speaker 4 (33:29):
I saw on TikTok this person.
They were going through thisintricate way.
They were basically making ascrewdriver but they cut up a
screwdriver to put all theseother pieces in it, just to do
the same thing.
Speaker 1 (33:38):
We heard you like screwdrivers.
We put screwdrivers in yourscrewdriver.
Speaker 4 (33:42):
Because there's this person like it's a split video,
like the duet things, where oneperson is describing and talking
about something and then thisis this picture on the other
side.
So, basically, this personturned a tool into the same tool
just a very complicated process, nice yeah.
Speaker 2 (33:56):
It's like that Mel Gibson thing where he pulls out
the gun and family guy shootslike the safe and opens it and
picks up the same gun and he'sjust like all right, all right.
Speaker 1 (34:10):
This tangent was brought to you by whatever penis
pill Mitch was using.
Speaker 2 (34:18):
It was brought to you by Megalode, so you do know
what it's for.
Speaker 1 (34:21):
It was pretty obvious .
Yeah, did a little ad there.
Speaker 4 (34:24):
Yeah, I was trying to be a little vague.
Speaker 1 (34:27):
Anyway, back to the chick flick we're talking about
our nice female obvious.
Yeah, getting a little ad there.
Yeah, I was trying to be alittle vague.
Anyway, back to the chick flick.
We're talking about our nicefemale audience.
Yeah, thanks for beinglisteners.
We do care After.
Speaker 2 (34:34):
Adeline, or Jenny as she's called, beats the crap out
of Harrison Ford in a game oftrivial pursuit due to her
knowledge of having lived theseevents firsthand.
Speaker 1 (34:45):
I was there.
Speaker 2 (34:46):
The board game's wrong.
I was there 3,000 years ago.
His suspicions only grow untilfinally he confronts her.
Speaker 4 (34:54):
He like, freaks out, runs to this shed that he has in
the back, gets all these boxesout and starts finding letters.
Speaker 2 (35:00):
The scar is like what does it?
And there's a flashback wherethe two of them are like
frolicking through the woods andshe like slides a little bit
and cuts her hand on a branch.
She rips her hand open on abranch, yeah so he like a stub,
like hanging off, like the off atree.
Speaker 1 (35:14):
Well, maybe that's like her weakness is wood.
Speaker 2 (35:17):
Yeah Is physical injury.
Speaker 1 (35:20):
Wow, she's got the super power to live forever, but
a strong gust of wind.
Speaker 2 (35:25):
But you think, would she heal without her cells aging
?
Speaker 1 (35:30):
I actually have a lot of questions, I do.
I'm going to save it for theend, though, okay.
Speaker 2 (35:34):
So he ends up stitching it and has a unique
scar which he immediatelyrecognized.
He runs to his shed knockingstuff over and pulls out the box
from 1966 and finds photos andlooks at Adeline then and
realizes it's the same personand takes off after her.
Speaker 4 (35:50):
Like chasing her down by vehicle as she's running.
Yeah, harrison Ford does yeah.
Speaker 1 (35:55):
It was like freaking, you know, like Well, no, no.
Speaker 2 (35:59):
She runs through the woods to another road he gets
into like a 2012 Jeep Cherokee.
Speaker 4 (36:05):
Chases her down.
Speaker 1 (36:07):
Was he monologuing about Jeep Cherokees while he
was doing it?
Speaker 2 (36:09):
No, when you've got to chase down a woman who won't
age, choose Jeep, jeep, cherokee.
So after being discovered byWilliam Harrison Ford, she begs
to keep her secret.
Fearful, she runs away.
Speaker 4 (36:24):
While driving, she's in another accident and after
being in a hit and run, she'srescued by ellis, who is, you
know, brought up to speed abouther condition, and then, a year
later, same kind of because itstarts to snow she wrecks,
lightning hits.
That's her weakness, yeah,lightning that hit, she gets
like all right, so she getsdefibrillated sexist okay,
(36:44):
saying women can't is sexist.
Speaker 1 (36:44):
Okay, saying women can't drive.
Speaker 2 (36:46):
So she's in the Saab, she gets hit, she gets ejected
from the vehicle out of amulti-role crash.
Speaker 4 (36:52):
Yeah, instraplug.
Speaker 1 (37:07):
Blonde hair just goes everywhere.
An oil tanker falls out of thesky.
Speaker 4 (37:11):
This would be a great comedy movie the guy that hits
him does drive off and justleaves.
Yeah, just wrecks out.
Speaker 2 (37:23):
He like kind of looks and like looks out and goes, it
just keeps going, just leaves,just wrecks out.
He kind of looks down and goes,just keeps going, leaves the
scene.
Speaker 4 (37:33):
I'm not dead yet.
The EMT show up and do theelectric bottle.
That's where she gets theelectricity this time, but
before this happens.
Speaker 1 (37:42):
Alice comes home 600,000 ampules.
Don't worry, it was.
No, it wasn't.
Speaker 2 (37:45):
Just don't worry, it was.
No, it wasn't.
There's no way it was.
But anyway, before all thishappens, ellis comes home from
his run.
He's like showering, she packsup all her stuff, she leaves and
he's like questioning his dadLike where's the keys, like what
happened?
What did you do?
Like what did you say?
And his dad's like do you loveher?
He's like do you love?
Speaker 1 (38:04):
her.
Did he do the fingers?
Yes, yeah, he did you belong inthe museum?
And he's like yeah.
Speaker 2 (38:12):
And he's like go.
And he tosses him the keys likego, get her kid.
He's like my time was over.
He's like I blinked her in the60s.
Speaker 4 (38:21):
It was awesome.
Speaker 1 (38:27):
It.
It was awesome, it was fresh.
Take it now.
Yeah, go get some of that.
I bequeath her to you.
Speaker 2 (38:30):
So he drives off after finds her, calls the
ambulance.
I'm wondering how much time shewas there clinically dead.
At least two minutes.
Yeah, at least two minutes.
I got you for two minutes.
So they rip her clothes off butthey don't show, which is kind
(38:51):
of lame.
They defibrillate her andthere's no way.
It's the same amount of amps.
Speaker 4 (38:59):
It would be funny if it was Sure is.
Speaker 1 (39:02):
She just explodes.
Speaker 4 (39:02):
It's hooked up to the ambulance like battery.
They look at the paddles likeoh, Clear Bah, you should see
birds fall out of the tree nextto it.
Speaker 2 (39:14):
No, it just cuts to the scene from T2 with the nuke
going up.
Speaker 1 (39:17):
So I take it like they take away her ability to
live forever with that right.
Speaker 2 (39:21):
Yeah, the narrator tells it.
Now here's my question.
Speaker 1 (39:23):
Well, you don't know for sure.
Speaker 2 (39:25):
Well, yeah Well, the narrator tells you.
But it'd be cool if it was likethe Last Crusade, where she
just like instantaneously is.
She starts catching up.
That'd be wild Anyway.
So she meets in the hospital.
Her daughter comes, she meetsAlice and now she's very happy
because Alice knows what's goingon with Adeline and they all
(39:47):
meet as a family.
So now the daughter has like a30-year-old stepdad and she's
like 82, which is wild.
And then a year later they'releaving to go to some New Year's
Eve party and she walks by themirror and then comes back and
pulls out a gray hair.
Speaker 4 (40:01):
And smiles.
Speaker 1 (40:02):
And smiles.
Speaker 4 (40:03):
She's so right End film we all know that's fake.
Speaker 1 (40:06):
She'd be in that car, driving, looking for snow,
challenging the gods.
Speaker 4 (40:12):
One more time Be drifting corners just trying
something.
Speaker 1 (40:15):
Hit me.
Hit me, I want you to hit meCome on.
Speaker 2 (40:22):
I give this movie a three out of ten.
Speaker 1 (40:25):
Wow, I have some questions.
So a she only has the one kidthe whole, the whole age of
Adeline.
Speaker 2 (40:33):
Yeah, she has a daughter named Fleming.
Speaker 1 (40:35):
Okay, which is a great name, um, all right.
Well then that that there's noway to answer any of my other
questions, like is she stillcapable of having kids?
Speaker 2 (40:47):
Well, if she got knocked up while she still had a
not aging power, would thechild age, or would it just be
permanently an infant?
Speaker 1 (40:56):
That's a good question.
That's a pro-life movie.
Speaker 2 (41:00):
Could she actually get sick?
Speaker 4 (41:03):
Yeah, I wonder if it would transfer.
Speaker 2 (41:04):
Is this a superhero movie?
At the end of the movie you seea guy, a bald guy, in a
wheelchair wheel up and it'slike heavily implied it's
Charles Xavier.
Speaker 1 (41:16):
Nick Fury's like we need you for the Avengers
initiative.
Speaker 4 (41:20):
No, he knocks on the door as she's pulling the gray
hair out.
He's like ah, never mind, Rollsaway, we already got one of
them.
Speaker 1 (41:28):
But Old.
If it is a superhero movie,whatever she's supposed to be
fighting, she sucked at.
I don't know what is shesupposed to be fighting herself.
Speaker 2 (41:39):
The FBI, I don't know .
Yeah, yeah, yeah, because, liketowards the end, her mom, her
mom's like telling her, likeshe's like you can stop running,
she's like nobody's chasing you.
Speaker 1 (41:48):
Do you know how complicated that relationship
would be if, like you, werehooking up with a 108-year-old
woman and like you know you'retalking about, like you want to
Uber Eats you know some dinnertonight and she's like your
fandangled technology Back in myday.
Uber and she was like yourfandangled technology Back in my
(42:12):
day.
Speaker 4 (42:12):
Uber was a bad word from the Nazis Uber, uber.
Yeah, I give the movie five outof ten Because it is good if
you don't try to look too muchinto it.
Speaker 1 (42:22):
I give it a ten out of ten if you go off of my plot.
Speaker 2 (42:24):
All right, mitch, you're giving it a five out of
ten.
Hayden, what's your Well?
You didn't even into it.
I give it a 10 out of 10 if yougo off my plot.
All right, mitch, you're givingit a 5 out of 10.
Hayden, what's your Well?
You?
Speaker 1 (42:28):
didn't even watch it.
I didn't watch it, Just putlike DNF Did not finish.
I checked out of a race, Ipulled a hamstring and couldn't
do it, so combined this movie.
Speaker 2 (42:49):
I'd entertain this score of a four out of 10.
Yeah, put it on our stuff later.
Speaker 1 (42:51):
Yeah, put on our website.
We'll just start listing themovies and what we gave it.
Speaker 2 (42:54):
Yeah, yeah, there you go like a link to the episode.
It's like, if you want tolisten to us, go on side
tangents about nonsense while wetry to review this film
speaking of harrison ford.
Speaker 4 (43:03):
I saw this video and they're like it was a tick tock
and somebody was like I guessthey haven't seen.
Uh, one of the Indian.
What's the?
What's the one where he shootsthe guy?
Speaker 1 (43:11):
The first one yeah.
Speaker 2 (43:15):
This is a lost star.
Speaker 4 (43:16):
They're like I guess he hasn't seen Indiana Jones,
cause there's this guy in a gymand he's doing like these karate
poses and stuff in front of acop and the cop goes, when you
shoot him with a taster, likethe cop's not standing like in a
fight, stand or nothing, he'sjust standing there and he just
goes pow.
Speaker 2 (43:29):
He's like I don't have time for that he just takes
his.
Speaker 4 (43:32):
Yeah, it's funny.
Ride the light.
Speaker 1 (43:35):
Well, female audience , we care obviously Listening to
our riveting review this moviethat you have picked and we're
so grateful and we want you toknow that this was our
respectful, tasteful means ofOnly two of us watched it, we
just ripped the movie apart thewhole time.
Speaker 2 (43:56):
You're destroying a film you never saw.
Speaker 4 (44:01):
I have to say I did check our metrics and a majority
of our people that listen orwhatever it's like men from 25
to 45 and like basically men 25to 45 yeah, and four women, and
one of them is my wife yeah,yeah.
Speaker 1 (44:21):
Well, you know that's a majority of our audience what
can you do?
Yeah, I mean maybe like, uh,maybe somebody, some, some lady
out there is like you know.
That's the majority of ouraudience.
What can you do?
I mean, maybe, like, maybesomebody, some lady out there is
, like you know, trying to pushher husband to watch this movie
and he listens to our podcast.
He's like no way.
Maybe he'll like get all thejokes and stuff.
He's like nah, watch it now.
You giggle at all the wrongplaces.
(44:42):
You're welcome.
That could be our new shtickfor the podcast.
Like, hey, this is what youneed to think about when you're
watching this chick flick withyour wife.
Speaker 2 (44:53):
Buddy Buddy, not your buddy pal, pal friend, not your
friend guy, thank you, thankyou all for participating in
that.
Speaker 1 (45:02):
Yeah, all right.
What do we do now?
Is there trivia for Age ofAniline?
No, is that how it fails?
Yeah.
Speaker 2 (45:09):
Yeah, you would, even though we told you like
verbatim what almost happens inthis movie.
Speaker 1 (45:15):
I misread the text and I started reading the wrong
you know movie.
Speaker 4 (45:19):
You started reading the wrong movie.
Speaker 2 (45:20):
I started reading the wrong.
Hayden doesn't watch, he readsfilm that's right.
I am that sophisticated he haslike the film actually sent to
him and he just like goes by.
Speaker 1 (45:28):
He takes an outlook to the light he's like oh yes,
that's right back in my day,movies were books television was
books well, that was fun, thatwas fun do we have anything else
we need to do this episodeMitch?
Speaker 4 (45:45):
I mean it would be nice if people would comment
like subscribe.
Speaker 2 (45:48):
Ring the bell.
Speaker 1 (45:49):
Yeah, give us another movie that we will tastefully
review.
Speaker 4 (45:53):
Oh, I did have one other thing.
Speaker 2 (45:54):
Hayden might even watch it.
Speaker 1 (45:55):
I might even watch it .
Speaker 2 (45:57):
I will watch it If you could be bothered.
Speaker 4 (45:59):
I will watch it God.
I did have one other thing, Ithing.
I wanted to introduce avoicemail where people could
call in and we could, you know,record the voicemail, play it
back if you have movies, youwant us to watch movies that you
watched along with us and wantto give your opinion real
quickly.
Um, the number is 404-578,sorry, six, 770-608-9958.
(46:21):
I was like leave a voicem.
Speaker 1 (46:22):
Were you about to give out your phone number?
Speaker 2 (46:24):
No, my phone number.
Speaker 4 (46:29):
I was like I was waiting to watch his face.
Speaker 2 (46:33):
Once he said five Saturday, I was like you can
call.
Speaker 4 (46:36):
you can call mine.
Speaker 2 (46:37):
I don't answer anyway , so I was about to like stab
you in the hand with my pen.
Speaker 4 (46:41):
Yeah, if you, if you want to leave a voicemail
770-608-9958.
Is that really your phonenumber?
Yeah, yeah, they can call andleave a voicemail Once again,
that number was 555-555.
Look, if you don't want to talk, just tell me.
Speaker 1 (46:57):
Yeah, I don't answer the phone anyways, unless it's
somebody that already has itnamed, programmed in.
Mitch is going to answer thephone one of these days, the
person is going to be like Iwasn't expecting to talk to you.
Speaker 2 (47:06):
He wheezed at me.
Speaker 4 (47:07):
It'll be my kids watching and they'll answer it.
Speaker 1 (47:10):
It's like hello, it's a very professional podcast.
You guys got there.
Speaker 2 (47:14):
We're going to have a hotline.
Speaker 4 (47:16):
It'd be fun to hear from some of our listeners.
Anybody has the guts to call in, not scared.
Speaker 2 (47:25):
Bet, you won't you sissies.
Speaker 1 (47:28):
All right, but we will like play there.
Speaker 4 (47:30):
Yeah, I'll get it recorded and I'll play it on
there.
Speaker 1 (47:33):
What if they like you like, wake up and there's like
30 voicemails from the samenumber and then you listen to
like the last one.
It's like listen all right thatnever will get blocked.
I screwed up on the first one.
You know how you call somebodyand you're like, oh crap, you
try to delete the voice.
Hang on, I'll call you rightback.
Speaker 4 (47:50):
You get two tries After two.
I'm deleting it all.
Speaker 1 (47:54):
Make sure you call at 3 o'clock in the morning.
Speaker 3 (47:56):
I don't care, it's on silent.
Speaker 1 (47:58):
Yeah, all right, just don't call during the podcast.
Speaker 4 (48:02):
If I get too many calls, I'll just start
forwarding to some other people.
Speaker 2 (48:06):
Yeah, forward it to Abe.
Speaker 1 (48:07):
Well, that was fun.
This might be a short episode,but we actually have a lot
scheduled to come out this week.
Speaker 2 (48:12):
Well, not this week.
Speaker 1 (48:14):
These next few weeks.
Speaker 2 (48:15):
Weeks.
Speaker 1 (48:18):
But yeah, thanks for listening and if you have any
other movie recommendations, hitus up and we will legitimately
review anything that you guyssend us.
We've reviewed, if you lookthrough our history, some pretty
bad movies, Not saying thatthis is the greatest movie, but
it's definitely not the worstthat we've seen We've made it
(48:38):
kind of a thing for ourselves.
Speaker 4 (48:39):
Also, we're going to try and make some merch that you
can find some shirts orsomething like that soon, if you
have any ideas of stuff thatyou would like to find some
shirts or something like thatsoon.
So if you have any ideas ofstuff that you would like to see
, like cups or mugs or anythinglike that, let us know kind of
what you're looking for.
Speaker 1 (48:50):
A koozie Fuzzy handcuffs.
Speaker 4 (48:52):
It could be done?
What?
Speaker 3 (48:54):
Who said fuzzy handcuffs?
Speaker 1 (48:57):
Get your entertainment.
Fuzzy handcuffs.
Speaker 4 (48:58):
Personally ingrained with ET Exclamation point Okay,
every cuff All right, okaysurprise you every cuff
Speaker 1 (49:07):
alright.
Well, I think that's goodenough for now.
I think that's enough.
Speaker 2 (49:10):
Enough of this nonsense, appreciate it.
We thank you for listening andwe hope you check out more of
our other episodes.
And I'm Tom.
I'm Hayden, I'm Itch and we'llcatch you on the next one hey,
you turned off my end.
Speaker 4 (49:21):
You turned mine off.
I can't hear myself.
Good, but I'd like to hear me.
Speaker 2 (49:28):
I love the sound of my own voice Hayden Brandon 2025
.
Speaker 4 (49:36):
Yeah, I'm wondering if I started reading your phone
number off of you and recognizedit right away.
Record time.
Speaker 2 (00:01):
Record time.
Speaker 1 (00:04):
I wasn't ready, Get ready.
You are now Mitch.
Speaker 2 (00:07):
Nobody expects to entertain this podcast, not even
us Wasting daylight.
Hey Hi, welcome to Entertainthis.
(00:27):
It's a podcast about movies, tvshows and Video games.
Thank you for the enthusiasm,hayden.
Speaker 1 (00:33):
Books.
Speaker 2 (00:34):
Yes, books, books.
Back in my day, podcasts wasbooks.
I'm Tom.
Speaker 1 (00:42):
With me.
I have hey dude, Is thatenthusiastic enough for you?
Yes, hey dad, Drink more Red.
Speaker 2 (00:47):
Bull.
All right, have a pulse.
I forgot, we changed it and wehave Mitch.
Speaker 4 (00:51):
Hey, how you doing, how you doing.
Speaker 2 (00:52):
And on today's episode we are doing our dive
into, I guess, a Valentine's Daytheme, as this episode comes
out way past Valentine's Day.
But we're reviewing the age ofAdeline.
But before we get into talkingabout it, social media Mitchell.
Speaker 4 (01:08):
Well, you can go to entertainthispodcastcom, which
will take you to our Facebookgroup and page.
You also can go to X andInstagram at entertainthis
underscore.
Speaker 1 (01:17):
You could be the first person in history to be
injured on social media.
Speaker 4 (01:21):
No, no, another group of people I listen to have done
that.
He jumped and fell.
He's like I hurt my knee.
He's like all you did was shiftin your chair.
He goes yeah, I know oh okay,well, I understand that.
Speaker 1 (01:31):
We're not that bad on this show we could be.
Speaker 2 (01:35):
I mean, I'm not going to lie, my neck hurts from
sleeping.
Speaker 1 (01:37):
I have sneezed really hard and you thought you blew a
butt muscle.
Speaker 2 (01:41):
I did.
Speaker 1 (01:46):
I didn't sit on my side.
Speaker 2 (01:48):
Just wrecked a glute.
Speaker 4 (01:49):
We're at the age where we get our injured
sleeping sound.
Speaker 2 (01:52):
Yes, we're all in our 30s now on this show.
Speaking of age, we're talkingabout the Age of Adaline.
Speaker 1 (01:58):
This is my favorite movie.
Speaker 2 (01:59):
No, it's not.
You didn't even freaking watchit.
I'm not doing it with them.
Speaker 4 (02:05):
No, hang on 20 minutes earlier.
Speaker 2 (02:07):
We need to curse on this show no.
Speaker 4 (02:09):
But we're not.
I took it seriously.
Speaker 1 (02:11):
I'm a trendsetter.
It's still the golden rule,Dude weaseled out of it.
Speaker 2 (02:13):
What'd you do with it ?
Get the hot sauce.
What'd you do with it?
No, get the hot sauce.
Speaker 1 (02:26):
Did out of.
I paid for that.
I saw it right here.
Where are you hiding it?
I didn't hide it.
Speaker 2 (02:29):
Here I'll find it.
Speaker 4 (02:29):
Keep talking about my favorite movie that you didn't
watch.
Well, look, look, look, look.
I planned a whole intro to readout here.
Says welcome to the age ofAdeline, where time stands still
and aging is just an annoyingsuggestion.
Meet Adeline Bowman, the womanwho's managed to dodge age like
it's a tax collector.
Thanks to a freak accident,she's stuck at the ripe old age
of 29 forever.
(02:50):
Because who wouldn't want torelive their late 20s forever?
Speaker 2 (02:53):
And ever, and ever.
Speaker 4 (02:55):
Forever.
Forget about wisdom andmaturity.
She's all about the endlesscycle of questionable fashion
choices and dating guys who arestill figuring out their
post-college lives.
And let's not overlook the joyof keeping secrets, because
nothing screams normal likelying through your teeth about
your age while trying to explainwhy your favorite music is
still from the 1920s.
Adeline's Life is one bigcomedy of errors, where the
(03:16):
biggest challenge isn't findinglove, it's convincing your date
that you're not just a timetraveler with a very elaborate
backstory.
So buckle up for a hilariouslyabsurd ride through romance and
the eternal quest for a decentanti-aging cream.
Speaker 2 (03:28):
Hayden, I wish I could tell you.
I don't know.
You threw it away.
Speaker 4 (03:32):
I didn't throw it away.
I don't know where it went.
Speaker 2 (03:34):
I don't touch it.
It's not in the pile of StarWars action figures.
Speaker 4 (03:39):
This is Tom's elaborate ruse to get out of it.
Speaker 2 (03:43):
Snort this?
I'm not snorting crushed redpepper flakes.
No, get away from me.
Ow Alright, the age of Adeline.
Thank you for that interruption.
Hayden, 55 on the tomato meter,but the popcorn meter gives it
a 67%.
Do the critics actually know?
Does anybody Hayden just stilllooking around like it's going
(04:03):
to appear?
I'm not drinking hand sanitizer, you maniac.
Just a little alcohol, all right, just give me real alcohol.
The AJL is a 2015 Americanromantic fantasy film directed
by Lee Tolan Krieger, written byJ Mills Goodloe and Salvador
Paskowitz, starring Blake Livelyas the title character.
(04:26):
Adeline Mike uh.
Mikiel Huseman.
Speaker 4 (04:31):
Yeah, pronounce that name.
Pronounce the name.
Speaker 2 (04:33):
Huseman.
Speaker 4 (04:35):
I don't know, I can't see it.
Speaker 2 (04:36):
I know you can't see it because you don't know how to
read.
Oh, I thirst to breathe.
Dario Naharis from Game ofThrones the second one, not the
other guy that was in it for oneepisode and then got recast and
just nobody addressed it.
Speaker 1 (04:47):
That's the dude's name that you can't pronounce,
yeah.
Speaker 2 (04:49):
Harrison Ford, kathy Baker, amanda Crew and Ellen
Burstyn, narrated by Hugh Ross,not Hugh Mann.
Hugh Mann, that's a name I cantrust.
Speaker 1 (04:59):
Let's see $25 million budget, box office, $65.7
million.
It's pretty successful.
Speaker 2 (05:10):
I guess Received two nominations at the 42nd Saturn
Awards, one for Best FantasyFilm and one for Blake Lively
for Best Actress.
Did not win.
Speaker 1 (05:21):
Oh, she didn't win the Saturn Award.
Speaker 2 (05:23):
Nope, couldn't win a Saturn, Couldn't win a Sati Did
she get a Neptune Award.
Nope, couldn't win a Saturn,Couldn't win a Sati.
Did she get a Neptune Award?
No, but she did get the UranusAward.
So this movie the reason we hadto watch it is we came up with
the idea of doing a poll of like.
We asked our wives to pick aValentine's Day movie.
Speaker 3 (05:40):
Yeah.
Speaker 2 (05:41):
And Mitch put it on social media this was Rachel's,
my wife's, uh contribution.
She goes you should watch ageadeline.
She goes, I like it.
And I was like okay, and Itexted mitch and then it was on
the poll and it won.
I don't know how many peopleactually voted in this poll your
watch.
Speaker 1 (05:54):
Your wife didn't watch it, right?
No, my wife didn't watch iteither.
You didn't watch it either.
Well, I didn't watch it either,but I was just thinking like,
do you think it's because one ofthe wives won and the other two
were like I'm not going towatch it now, or do you think it
was like no, my wife justdidn't have time.
She liked the movie.
Speaker 4 (06:09):
Oh, she did.
Yeah, she just doesn't havetime, so she has seen it before.
That's what she tells me.
Yeah, she's seen it before.
Speaker 1 (06:12):
She didn't watch it this time, I think my wife just
genuinely I'm excited aboutwatching it.
Speaker 2 (06:22):
She didn't watch it at all.
Speaker 1 (06:25):
She didn't watch it.
Speaker 2 (06:26):
Your kids, Did your dog, did your cat watch it?
Anybody?
Did anybody in the Brandonhousehold?
Speaker 1 (06:30):
I just put it to you being on by the window, whoever,
was walking by.
Bucky the squirrel Livesoutside by the well With a
comment box.
Speaker 4 (06:40):
So we all got this Valentine's movie and none of us
watched it with our wives.
Speaker 1 (06:44):
Yeah.
Speaker 4 (06:44):
Happy Valentine's.
Yeah, that's us.
Speaker 1 (06:46):
Look, been married for 16 years.
We're lucky to be in the samehouse on Valentine's Day.
Speaker 4 (06:51):
I've only been married for 12.
How long have you been married,Tom?
Speaker 2 (06:54):
Was it February 28th?
I've been married.
It was February 23rd todayPunching his Casio my calculator
.
Speaker 3 (07:03):
Watch Such a dork.
You're a dork Screw, you Isthat bad, getting even tighter
with your stick wrists.
Speaker 2 (07:12):
I don't like it moving around.
Speaker 4 (07:13):
Would you hurry up and tell us how many days?
Speaker 2 (07:15):
We've been married since January 18th so however
many days.
That is from now Close enough.
Speaker 1 (07:19):
I've slept longer than that.
I'm crap bigger than you.
Speaker 2 (07:25):
Shut up, Anyway the movie.
Speaker 4 (07:29):
Well, first we got a couple of reviews.
Speaker 2 (07:30):
Oh right.
Speaker 4 (07:33):
This one is by Roshannon81205.
Two out of ten.
It's visually pretty,emotionally vapid and
intellectually void.
She says I was curious aboutthis film because of its premise
A woman, Adeline, who seems tobe immortal.
I shall state the good partsfirst.
Most of the visual direction isquite pretty and the soundtrack
is rather lovely in places.
The cast are very good too,given the material they had to
(07:56):
work with.
However, the script and storyfall flat on their faces with
astounding force.
Adeline initially is put acrossas a bright but not exceptional
woman leading a happy life.
The rest of the film swingsbetween portraying her as being
a genius, then to being ausually irrational, doe-eyed
fool.
Speaker 1 (08:13):
Doe-eyed.
Speaker 4 (08:15):
Oh, let's see.
Speaker 2 (08:16):
I guess there's worse things to be called, but it's
like it falls flat on his facehard.
It's like immediately tripping,and then all of a sudden
gravity intensifies by five.
He just goes he bounced.
Speaker 4 (08:25):
Then we get a PhD.
Underscore travel, a 10 out of10.
Romantic fantasy at its best.
Speaker 2 (08:31):
Does he have a PhD and travel?
Speaker 4 (08:34):
Every generation needs a romantic love story that
has an elemental of magicalfantasy and beautiful lead.
In the 80s there was Somewherein Time, and now there is Age of
Adaline, about a lovely womanin San Francisco who, after an
accident, stops aging at 29.
The story is well written,enjoyable, logical and a
complete and clear, withoutbeing confusing.
It's hard to read.
(08:55):
They have commas well, they havea PhD mention you don't it's
much better to see Blake Livelycast in the role of a romantic
lead instead of the druggy orcriminal role that has been in
on the big screen from the Townand Savages.
Speaker 1 (09:10):
Oh yeah.
Speaker 4 (09:13):
This movie makes use of her special quality and
loveliness that sets her apartfrom other actresses to full
effect.
Her love interest, usman, whilenot the most good-looking actor
out there he has a kind faceBam.
They look right together.
Harrison Ford is well-cast asan older professor and father of
(09:34):
the boyfriend.
This is a role to which he issuited and doesn't look too old
to handle like in some of hisrecent movies.
Speaker 1 (09:40):
You belong in a museum.
Agent Vanilline.
Speaker 4 (09:43):
Let's see Along with me.
Speaker 2 (09:45):
I want my family back .
Speaker 4 (09:46):
We got one more.
Speaker 2 (09:47):
Get off my plane.
Speaker 4 (09:49):
One out of ten, Lacking Any Sense by Vlad P6.
Speaker 2 (09:54):
Vlad.
Speaker 4 (09:56):
No, it's well, I guess Vlad P6, then yeah, Vlad.
Speaker 1 (10:01):
You idiot.
I too can R-E-D, it's all oneword.
Speaker 2 (10:03):
What do you mean?
Because that's a name there'snot going to be a space, vlad P6
.
Speaker 4 (10:09):
Six is not part of his name.
Yeah, m-itch, yeah.
Yeah, m-itch Look you weremessed up reading somebody's
name too.
Shut up.
Speaker 1 (10:23):
At least mine was an actual name.
Speaker 4 (10:25):
It's not just something mixed and you may feel
sometimes with the characterswatching it and the acting is
good, but what really made medisliking this movie is an
unbelievable behavior in theending of the story which lacks
any sense.
This is a strongly spoiler, soyou may stop reading here if you
want to watch the whole movie,but I really cannot comprehend
how the father and the son canagree to share the bed with the
(10:47):
same girl.
It really disturbed me.
Oh, I was looking forward tothat part, mitch, the whole
situation in the script.
Imagine you suddenly know thatyour father slept with your girl
, loved her and wanted to marryher, but she escaped from him.
And now you shared the bed withher escaped you're getting.
Speaker 2 (11:01):
You're getting your dad's like sloppy seconds,
whilst the father still has verystrong feelings for her.
Speaker 4 (11:05):
Disgusting, it's simply damaging.
Speaker 1 (11:08):
What's Bicentennial man when Robin Williams' robot
character sleeps with everygeneration of the same woman?
I know that.
Speaker 4 (11:18):
Yeah.
Speaker 1 (11:19):
I mean, it's essentially the same thing.
It's just gross because it's agirl.
Speaker 4 (11:22):
now, there was one very Karen response.
Speaker 1 (11:28):
How many do you got Mitch, Just the last one.
Speaker 4 (11:31):
Dragone 001.
Is it?
Speaker 2 (11:34):
dragon.
Speaker 4 (11:35):
D-R-O-G-O-N 001.
Very uncomfortable to watch.
My husband adores the movie.
I, on the other hand, was socreeped out by Ellis' overly
persistent behavior regardingAdeline when he tries to get to
know her in the beginning that Icouldn't watch any longer.
His borderline stalker behavioris anything but romantic.
(11:56):
It's creepy and disturbing andso off-putting that it made me
extremely uncomfortable.
I really love romance flicks,but this is not a romance.
It made my skin crawl.
It's the glorification of anobsessed stalker and a man who
can't take no for an answer.
Adeline's behavior regardingher persistent suitor is
completely unrealistic.
This movie is definitely a hardpass for me.
Speaker 1 (12:16):
This lady's husband is like all right, you get older
, but she stays the same.
Speaker 2 (12:22):
He's the same age.
This is a win-win.
Speaker 1 (12:27):
I can hear the chest slaps.
You know the wife like pow yeah.
Speaker 4 (12:31):
Ouch Dang.
Anyways, go Now continue.
Speaker 2 (12:36):
All right, scene one.
The movie opens in 1908, sanFrancisco, where the narrator
tells us about Adeline Bowman isborn on New Year's Eve or New
Year's Day, don't miss it, youmight know.
12.01 pm or am.
She gets married in 1929 to anengineer working on the Golden
Gate Bridge, having a daughterin 1932.
(12:56):
Her husband is killed in 1937in an accident.
10 months later she's in a caraccident and now no longer ages.
Speaker 1 (13:12):
So let me pick up from here, because what I
remember is where she comes outof the car accident and
discovers that she has superspeed after being struck by the
speed force and she goes allaround the world at high rates
of speeds, sometimes doing thatthing where you can move so fast
you can turn back time andphase through walls and defeats
a guy named dark side I thinkthe movie he watched was
probably better probably that'swhere I fell asleep.
(13:35):
Things kind of went off therails, yeah it was like a fever
dream.
Speaker 2 (13:39):
So, yes you, the narration I liked and then hated
, like the justification thatthey give you, is like they try
to impose actual science likethis is why she doesn't age the
immersion in the frigid watercaused adeline's body to go into
(14:01):
an anoxic reflex, instantlystopping her breathing and
slowing her heartbeat.
Speaker 3 (14:11):
Within two minutes, adeline Bowman's core
temperature had dropped to 87degrees.
Her heart stopped beating.
At 8.55, a bolt of lightningstruck the vehicle, discharging
(14:39):
half a billion volts ofelectricity and producing 60,000
amperes of current Its.
Effect was threefold.
60,000 amperes of current Its.
Effect was threefold.
First, the charge defibrillatedAdeline Bowman's heart.
Second, she was jolted out ofher anoxic state, causing her to
(14:59):
draw her first breath in twominutes.
Third, based on von Lehmann'sprinciple of electron
(15:22):
compression in deoxyribonucleicacid, which will be discovered
in the year 2035.
Adeline Bowman will henceforthbe immune to the ravages of time
.
She will never age another day.
Speaker 2 (15:41):
Like this can really happen.
Speaker 1 (15:43):
So something about like her heart rate slowed
Because, like she was in thewater, her like core temperature
dropped to like this can reallyhappen.
So something about like herheart rate slowed.
Speaker 2 (15:45):
Because, like she was in the water, her like core
temperature dropped to like thisamount, exactly 82 degrees.
She was dead for like twominutes, yeah.
And then the car got struck bylightning but because it's like
wet outside but it had to be itwas like three times the amount
of amps.
Speaker 1 (15:59):
It had to be, yeah, yeah, it had to be 500,000 volts
of lightning at 600,000ampoules, or something like that
and you're like, wouldn't shejust explode?
Speaker 4 (16:10):
It's just like bop.
What kills me, though, is, tobegin with, they try to make it
out like it'd be magical, andthen they try to throw all the
science in, because they're likeoh, it snowed for the first
time in the foothills of themountains, sonora County, or
whatever they said it was, so itcan be magical.
And they're like no, here'syour unproven science that's
going to describe science.
Speaker 1 (16:30):
You know why Benjamin Button worked?
Because they didn't explain it.
Speaker 2 (16:34):
Yeah, they're just like he was born old and he got.
Speaker 1 (16:38):
That's his goofiness that works, just go with it.
Speaker 4 (16:40):
For some reason tracking and almost dying.
She's alive.
Speaker 1 (16:43):
If you try and sell me on your weird little
scientific plot hole, I'd ratheryou just like she was born that
way.
She just can't die, she's animmortal, just go with it.
Speaker 4 (16:54):
Well, we're still doing this podcast in 2035.
We need to review this and gohey that was still not
discovered, liar.
Speaker 1 (17:01):
What is that like?
10 more years, 10 more years,we'll be around 10 more years
Following that she can no longerage.
Speaker 2 (17:09):
she is hunted down by the Catholic Church because
they think she's a witch.
Speaker 1 (17:12):
Oh wait, that's a different movie.
I was like, wow, hayden's likeall right, they're like kick
your eye here and there.
Speaker 2 (17:16):
Like man, we should have watched that.
I mean it's just a quickbeginning.
The narration, I think, justkind of ruins it off the bat for
me.
Speaker 4 (17:25):
Because it went on too long.
It was too descriptive ofwhat's going on.
Speaker 2 (17:30):
The sciences were ruined.
Yeah, Because now I'm like well, that's not, there's no way
that would actually happen.
It's like you took me out.
Speaker 1 (17:41):
I suspended disbelief for this and then you ruined it
and brought me back and I'mlike all right, yeah, no, the
guy even sounds like he'snarrating a documentary the
circle of life continues.
Speaker 2 (17:48):
Yeah, like we all understand, you know, but
anyways, In 1953, she's pulledover and the cops are dubious
about her age Because she'dtechnically be 45 years old,
even though she looks like she's29.
And the cop confiscates herlicense.
Later that day the FBI tried toabduct her.
(18:10):
She escapes and goes on the run.
Speaker 1 (18:12):
How does she escape?
Speaker 2 (18:14):
She somehow, like these two FBI guys, just show up
and like, man, we're with theFBI, we need to ask you some
questions.
Like we're going to run sometests.
Like they're just telling herher, we're going to test you and
you're probably going to dieand we're going to dissect you.
Speaker 4 (18:24):
They didn't say all that it's implied.
Speaker 1 (18:28):
They are the federal body inspectors.
Speaker 2 (18:32):
Federal boob inspectors for guys in college.
They pull up to an airport andthere's a plane.
The FBI agents get out of thecar.
They're talking to them.
They leave her completelyunattended in the vehicle.
She's not handcuffed, thoughshe's not handcuffed, nothing
Back in the 20s.
Speaker 4 (18:45):
you just dressed in Christmas the inside car.
Speaker 2 (18:47):
Like the door, it doesn't have inside handles.
Why she didn't just jump overinto the front seat and go up
one of the passenger doors,don't know True.
So she like, pulls down theback seat and manages to get in
the trunk and pop the trunk.
Speaker 1 (19:07):
It's a really elaborate way, yeah, like
knocking down a wall right nextto a door and locked.
Speaker 4 (19:13):
But it was less conspicuous, though they might
have seen the door open At thetrunk they couldn't see it.
Well then, get in the car anddrive off, did they?
Speaker 1 (19:19):
leave the keys in there.
I don't know the lights were on.
Speaker 2 (19:23):
Yeah, the lights were on Because they were showing
them standing in front with thelight on.
Speaker 1 (19:28):
She's just been Look at that.
Speaker 4 (19:30):
Look, we're trying to make logic out of a movie about
this girl that lives hundredsof years.
Speaker 2 (19:34):
Here lives like 100-something years.
I think she's like 109 by thetime of the story, I still think
she was struck by the speedforce.
Speaker 1 (19:39):
I don't think she found her, oh definitely struck
by the speed force.
It would make more sense.
Speaker 2 (19:43):
But it's like she's with her daughter, who's like
now, like they look like they'relike sisters with like the age
difference.
And then she, they're likewalking to like a hotel and they
see somebody who knew her when,like back in the day, and she's
like you haven't aged like atall, and she's like, yeah, it's
this new cream from paris, it'sjust like, and she's like
pressuring her like I'd be likelady, like f off, yeah, like I
(20:06):
said hi she's like goodbye, likeseriously, you look the exact
same.
Speaker 4 (20:09):
They're like yeah, okay, bye, okay bye.
Speaker 2 (20:11):
As they walk out the door have you ever read Lord of
the Rings?
It's the same concept, Bilbo.
You have an age today.
Bilbo Baggins the Bilbo button.
Speaker 1 (20:24):
That's my favorite button.
Speaker 2 (20:26):
So after this, I don't remember what the other
one was too.
Don't do it.
After this, adeline goes homeand she, like, packs all of her
bags, and now she's on the runand like in hiding, changing her
identity.
So we opened in 2015 afterdecades of her being on the run
and changing her identity.
Every 10 years she meets EllisJones.
Speaker 4 (20:47):
But you got to think back.
Then it wouldn't be that hardto change your ID.
Speaker 2 (20:50):
No, it was just paper documents Up until modern days.
It wasn't until like the late70s, like driver's licenses in
New York, didn't have your photoon it.
Speaker 4 (20:58):
Yeah.
Speaker 2 (20:58):
Really.
Speaker 1 (20:59):
Yeah, what were the people just going off of
Goodwill?
Yeah, Pretty much.
Speaker 4 (21:04):
You got like crayon-scrawled cardboard that
says your name on it, there wasless people that would be
mischievous and connivingtowards you back then.
Speaker 1 (21:12):
Yeah, but wasn't there a lot of serial killings
and murders and stuff?
Speaker 4 (21:15):
That's besides the point.
Speaker 1 (21:16):
We're not getting undocumented.
Speaker 2 (21:18):
Yes, and probably still do.
Speaker 1 (21:20):
Not as bad, but yeah.
Speaker 2 (21:23):
It was so bad.
My dad, he was a sidebar.
When my dad was a cop in NewYork City he issued an arrest
warrant for a guy.
But he issued an arrest warrantfor a guy but he issued like 30
of them because it was alldifferent names that the guy had
used all the times he'd beenarrested and the dude's
attorney's like Detective.
So I was like you really.
He's like yeah, he's like yourclient gave us those names.
He's like starting in like 1971to now.
It's just like all these fakenames and it's like a recurring
(21:47):
gag on Hill Street street bluesthis one dude they keep
arresting like what's your name?
And he's like, uh, jonesquentin glass.
And he's like all right, andthen, like the next episode,
he's like walter.
it's just different every time,like he ends up getting like
killed in the show and like heactually tells the cop his real
name and then dies it was billsmith anyway in 2015, after
(22:11):
decades on the run and changingher identity every 10 years,
adeline meets ellis jones andthis and discovers his father is
a lover from the past youskipped a whole bunch of movie
there, from meeting him to getinto the uh well, not much
happens well, they go on a date.
Speaker 4 (22:28):
He meets her at the party.
Well, that's why I?
Speaker 2 (22:30):
this is just like a exposition of like they meet.
We can talk about those scenesat length, and then we move on
to the rest.
Speaker 4 (22:37):
That's like 30, 40 minutes of the movie.
Speaker 2 (22:38):
So, yeah, there's plenty to talk about.
She meets him at a New Year'sEve party and he's leaving.
Or she's leaving and theelevator door is about to close
and he risks losing his hand.
To stop it, because it was likenot enough room for the lasers
to be like oh, movement, uh-huhand he's like ah, and what?
Speaker 4 (22:56):
uh, what time period was this supposed to be in?
Speaker 2 (22:58):
this is in the present, this is in 2015.
Okay, the for them and when themovie came out.
Speaker 4 (23:03):
Yeah, okay, I couldn't remember if it was like
90s or if it was present thatwas the, the 2015s, the 20 teens
gotcha so they meet in theelevator.
Speaker 2 (23:12):
He's trying to chat her up and they have no
chemistry.
Speaker 4 (23:15):
Because she's like shooting down everything he does
.
Yeah.
Speaker 2 (23:19):
Yeah, like relentlessly, and like she
leaves and goes home after shewas like hanging out with her
blind friend who we see whoplays the piano.
Speaker 4 (23:27):
Well, the blind friend can't judge her on her
age, the way she looks.
Yeah, because yeah, oh it'ssuch a curse to stay young
forever the horror Well likethey're sitting there and the
blind lady's obviously older but, they're sitting there and
she's like I don't know how.
Speaker 3 (23:40):
They always hit on you, even the young ones.
Speaker 4 (23:43):
She's like I don't know.
Speaker 1 (23:46):
She can't see her.
It's like she, she's in a roomwith a blind person because
she's concerned about how youngshe looks.
Speaker 2 (23:52):
Wild Stupid Wild.
Speaker 4 (23:54):
Woman must have wrote this movie.
Speaker 2 (23:57):
Yeah, probably.
So she stands up, this Aliceguy gets in her cab and he like
grabs the cab and like asks hersomething.
And I'm just like all right,bro, you are putting on like I'm
going to like take advantage ofyou.
Speaker 4 (24:09):
No, he let her in the cab.
He putting on like I'm going tolike take advantage of you
vibes.
No, he didn't like jump inthere, I'm for one of them.
I'm like you know.
He went to Lynx to find out whoher name was and where she
worked so he could try and meether again.
He's a rich guy that donated abunch of books.
He didn't make her go out.
Speaker 1 (24:24):
Did he cyber stalk her?
Speaker 3 (24:27):
No.
Speaker 4 (24:28):
Maybe he recognized her and went because she's like
she works at a library.
Of course she does.
She likes old books.
Speaker 2 (24:37):
He's on the board of commissioners for, or trustees
or something.
Speaker 4 (24:38):
Something like that For the library he donates like
50,000 books or something to him.
He's some rich guy.
Speaker 2 (24:43):
But he basically uses his leverage to get a date out
of her.
Speaker 4 (24:46):
Yeah, he said he won't donate the books unless he
goes on the date and donate thebooks specifically to her.
Yeah.
Speaker 2 (24:53):
And she's like no, and he goes all right, cool,
he's like no books.
Speaker 4 (25:00):
And she's like fine, fine, I'll go out with this
roughly handsome, extremely richman God.
Speaker 2 (25:06):
The inconvenience of it all, the inconvenience.
Speaker 1 (25:10):
Well, that's her problem.
She just doesn't want to loveagain, or?
Speaker 4 (25:12):
something Exactly, yeah, and then you find out
later, yeah.
Speaker 2 (25:15):
So they go out or she meets him at his apartment.
He makes dinner and it's allfancy, he's got a cool apartment
.
Speaker 4 (25:23):
Yeah, he looks like a freaking professional chef.
Speaker 2 (25:25):
Yeah, he's going there's jazz playing.
He's got the wine, coolapartment with the wood and the
brick and the lights, and thenhe's like, are you ready?
And he's like this is a specialdish and he pulls off and it's
like chili dogs.
Speaker 4 (25:38):
Which was not what he was cooking.
He was chopping up peppers andall sorts of stuff.
Speaker 2 (25:43):
Yeah, whatever it is.
So they obviously have a greatfirst date because they wake up
in bed together.
Yeah, the next morning.
Speaker 1 (25:51):
She's just playing hard to get for about 15 minutes
.
Speaker 4 (25:54):
They're laying down on this couch watching out the
window at these other rooms Ican't remember if they were
doing aerobics or if they weredoing dancing.
Speaker 2 (26:00):
They were doing dancing stuff.
Speaker 4 (26:02):
They're just watching them through the window.
Speaker 2 (26:03):
Then they start making out and they wake up in
bed the next morning.
It's like they should have didthe side cut where all the
people who were dancing werewatching them fool around.
And then at the end like one ofthem just goes yeah, so after
(26:26):
that he runs into her again andhe has flowers for her, and then
because he shows up where shelives or tries to, because her
dog dies and she yeah, and theytold him so she comes home her
dog is sick.
She takes the dog to the vet.
The vet's like alright, youknow, gotta put the dog down why
didn't she strike it withlightning?
Speaker 4 (26:47):
she just tied it to a pole and opened out the window.
It'll work, I promise.
Speaker 2 (26:54):
Just fur, just goes everywhere, like in Time Bandits
, where he blows up the dog he'slike.
That's pretty much what happensin Time Bandits.
He's like Benson Blasts him, soshe's obviously distraught
about the death of the dog.
He's calling a lot and it'slike he didn't do like the wait
two days or something, or waitthree days and call or whatever
(27:16):
the Before we leave the dog,though they act like this is
like a thing that only she wouldexperience because she's so old
.
Speaker 4 (27:22):
We've all had a dog that's died.
Speaker 1 (27:24):
It's sad yes, but she only allowed herself to love
the one thing in our world, andit was the dog.
Speaker 4 (27:31):
Oh well.
Speaker 1 (27:32):
It's a hundred years of love.
That's a you problem.
Look, I get it.
Mitch, did you see it?
I don't have to see it, thismovie pretty much fills in its
own blanks.
I like my interpretation of itbetter.
Speaker 2 (27:51):
My dream so Ellis stalks her, finds her on the
street in Chinatown in SanFrancisco and he's got flowers.
Yeah, and she's like why areyou here?
And he's like do you know whereI live?
God?
Speaker 4 (28:05):
forbid you bring me flowers.
Speaker 2 (28:07):
I know right, and it's just like you know he's
checking on you and she's like Ijust got it from the library,
it wasn't hard, so she's upset,runs off not returning his calls
.
Her daughter talks her intolike going for it.
Speaker 4 (28:24):
Yeah, giving him a chance.
Speaker 2 (28:26):
Because her daughter's like 80.
Yeah.
Speaker 4 (28:29):
Her daughter's played by somebody famous.
Speaker 2 (28:31):
I can't remember what her name is though we can look
it up after this.
Speaker 1 (28:34):
I'll look it up while you're talking, yeah go for it.
Speaker 2 (28:38):
So she ends up going back to him and the doorman guy
wouldn't let her up, yeah, andhe's like, oh, tell her
so-and-so.
But then she keeps interruptinghim as he's talking to the guy
to tell him what he's saying Ithink he was on the construction
side or something like that ohyeah, there he was redoing like
the entire apartment, because heowned the whole thing, because
he's, you know, rich, yeah, andshe's like going on and on and
(28:59):
on and he's like uh-huh, uh-huh,he's like okay yeah, ellen
bernstein yes, yeah and burston
Speaker 4 (29:05):
burston, you illiterate, shut up look, look,
I do all the work.
Y'all figure out how to say it.
Speaker 2 (29:10):
I do words good.
Speaker 4 (29:15):
We would be here if it's not for me.
Speaker 2 (29:16):
Shut up.
It's like three minutes of hergoing on and on as the guy's
trying to tell the her futureboyfriend what she's saying, and
every time he's about to talkshe interrupts and keeps going
like oh well, tell him, I'mreally sorry about this.
And he just goes like all right, hey, it's this.
Oh, you heard everything.
Oh, thank God, so he doesn'thave to try to repeat it all.
(29:39):
So they resume their affairwith each other.
An affair.
Their lover's tryst.
Speaker 1 (29:47):
An affair that transcends time.
Speaker 2 (29:49):
And she still says she's leaving to move to Oregon
and redo the identity thingbecause it's been like, I guess,
10 years for her since the lastone.
But she agrees to go with himto meet his parents for their
parents' 40th weddinganniversary and arrives and we
meet Harrison Ford.
Speaker 4 (30:08):
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(30:28):
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Don't believe us.
Just ask Hayden.
He's been using Aaronics foryears and couldn't be happier.
Aaronics, the boost that getsyou going in the evening.
Or meth.
Speaker 1 (30:41):
Woo, what did I just sign up for?
Don't worry about it, just keepgoing.
Speaker 2 (30:45):
Anyway, am I getting money for that?
No, we are, but not you.
They meet Ellis' parents andHarrison Ford is like I don't
know why you belong in a museumand he immediately recognizes
her as a lover from the past andwe learned through flashbacks
(31:07):
that the two of them had atorrid love affair meeting in
Europe and she comes with himback to the US.
Speaker 1 (31:13):
Did she do quick math about her new boyfriend's age
and when she met Harrison Ford?
Speaker 2 (31:19):
Yeah, you could see her coming up with a lie on the
spot and she's like, oh, thatwas my mom, yeah.
And he's like like, how is she?
And like even like his wife islooking at him, like you said,
like you knew her, like that wasa good friend of yours.
I never heard of her.
Then he's like says somethinglike twice, and then she's like,
and indignantly just storms outof the room like who was this
(31:43):
hoe?
Speaker 1 (31:44):
But like did somebody address it?
Like was she boinking her son?
Speaker 2 (31:48):
No, they never.
Speaker 1 (31:50):
I'd get a quick DNA test.
Speaker 4 (31:53):
Well, at the end of the movie she tells Ellis the
whole thing.
Speaker 2 (31:59):
Yeah, wait, wait, wait, wait.
She doesn't really cue in likethe hey.
I was banging your dad in the60s.
Speaker 4 (32:05):
Yeah, she doesn't.
Put cue in like the hey I wasbanging your dad in the 60s.
Speaker 2 (32:07):
Yeah, she doesn't put it that way, or in the 70s,
whenever it was, you know,around that time.
Speaker 1 (32:12):
Okay, weird.
Speaker 2 (32:14):
Eventually he figures it out, but they went in.
Speaker 4 (32:20):
He's like obsessed over trying to figure this out
because he keeps seeing herEvery time he sees her before
they quote, unquote, unquote,figure it out.
He's just like mesmerized, like, oh, like trying to hand her a
cup of coffee or something likethat.
Speaker 3 (32:33):
Yeah it's kind of weird it's like it made me think
of that.
Speaker 4 (32:41):
What's the horror movie that he's in, where, like,
he killed his wife?
No, what Lies Beneath itreminds me of that, just a less
aggressive version.
Speaker 1 (32:52):
Yeah, that was a weird movie the fact that he
just elaborately tries to killMichelle Pfeiffer by drowning
her in a bathtub, by paralyzingher, instead of just shooting
her in the face.
Speaker 4 (33:05):
There might have left evidence that way it's like a
cooking video where they doInstead of just like shooting
her in the face, like what theremight have left evidence that
way.
Speaker 2 (33:09):
I don't know.
It's like a cooking video where, like they do, like the basic,
it's like all right, we're goingto fry an egg.
And then it's like, all right,now we're going to do it like
the obnoxiously difficult way,like everything's from scratch.
It's like now we're going to goforge iron ore so we can make a
cast iron pan.
After you've done that, we'regoing to buy a house and we're
going to build it so we can cookit.
Speaker 4 (33:29):
I saw on TikTok this person.
They were going through thisintricate way.
They were basically making ascrewdriver but they cut up a
screwdriver to put all theseother pieces in it, just to do
the same thing.
Speaker 1 (33:38):
We heard you like screwdrivers.
We put screwdrivers in yourscrewdriver.
Speaker 4 (33:42):
Because there's this person like it's a split video,
like the duet things, where oneperson is describing and talking
about something and then thisis this picture on the other
side.
So, basically, this personturned a tool into the same tool
just a very complicated process, nice yeah.
Speaker 2 (33:56):
It's like that Mel Gibson thing where he pulls out
the gun and family guy shootslike the safe and opens it and
picks up the same gun and he'sjust like all right, all right.
Speaker 1 (34:10):
This tangent was brought to you by whatever penis
pill Mitch was using.
Speaker 2 (34:18):
It was brought to you by Megalode, so you do know
what it's for.
Speaker 1 (34:21):
It was pretty obvious .
Yeah, did a little ad there.
Speaker 4 (34:24):
Yeah, I was trying to be a little vague.
Speaker 1 (34:27):
Anyway, back to the chick flick we're talking about
our nice female obvious.
Yeah, getting a little ad there.
Yeah, I was trying to be alittle vague.
Anyway, back to the chick flick.
We're talking about our nicefemale audience.
Yeah, thanks for beinglisteners.
We do care After.
Speaker 2 (34:34):
Adeline, or Jenny as she's called, beats the crap out
of Harrison Ford in a game oftrivial pursuit due to her
knowledge of having lived theseevents firsthand.
Speaker 1 (34:45):
I was there.
Speaker 2 (34:46):
The board game's wrong.
I was there 3,000 years ago.
His suspicions only grow untilfinally he confronts her.
Speaker 4 (34:54):
He like, freaks out, runs to this shed that he has in
the back, gets all these boxesout and starts finding letters.
Speaker 2 (35:00):
The scar is like what does it?
And there's a flashback wherethe two of them are like
frolicking through the woods andshe like slides a little bit
and cuts her hand on a branch.
She rips her hand open on abranch, yeah so he like a stub,
like hanging off, like the off atree.
Speaker 1 (35:14):
Well, maybe that's like her weakness is wood.
Speaker 2 (35:17):
Yeah Is physical injury.
Speaker 1 (35:20):
Wow, she's got the super power to live forever, but
a strong gust of wind.
Speaker 2 (35:25):
But you think, would she heal without her cells aging
?
Speaker 1 (35:30):
I actually have a lot of questions, I do.
I'm going to save it for theend, though, okay.
Speaker 2 (35:34):
So he ends up stitching it and has a unique
scar which he immediatelyrecognized.
He runs to his shed knockingstuff over and pulls out the box
from 1966 and finds photos andlooks at Adeline then and
realizes it's the same personand takes off after her.
Speaker 4 (35:50):
Like chasing her down by vehicle as she's running.
Yeah, harrison Ford does yeah.
Speaker 1 (35:55):
It was like freaking, you know, like Well, no, no.
Speaker 2 (35:59):
She runs through the woods to another road he gets
into like a 2012 Jeep Cherokee.
Speaker 4 (36:05):
Chases her down.
Speaker 1 (36:07):
Was he monologuing about Jeep Cherokees while he
was doing it?
Speaker 2 (36:09):
No, when you've got to chase down a woman who won't
age, choose Jeep, jeep, cherokee.
So after being discovered byWilliam Harrison Ford, she begs
to keep her secret.
Fearful, she runs away.
Speaker 4 (36:24):
While driving, she's in another accident and after
being in a hit and run, she'srescued by ellis, who is, you
know, brought up to speed abouther condition, and then, a year
later, same kind of because itstarts to snow she wrecks,
lightning hits.
That's her weakness, yeah,lightning that hit, she gets
like all right, so she getsdefibrillated sexist okay,
(36:44):
saying women can't is sexist.
Speaker 1 (36:44):
Okay, saying women can't drive.
Speaker 2 (36:46):
So she's in the Saab, she gets hit, she gets ejected
from the vehicle out of amulti-role crash.
Speaker 4 (36:52):
Yeah, instraplug.
Speaker 1 (37:07):
Blonde hair just goes everywhere.
An oil tanker falls out of thesky.
Speaker 4 (37:11):
This would be a great comedy movie the guy that hits
him does drive off and justleaves.
Yeah, just wrecks out.
Speaker 2 (37:23):
He like kind of looks and like looks out and goes, it
just keeps going, just leaves,just wrecks out.
He kind of looks down and goes,just keeps going, leaves the
scene.
Speaker 4 (37:33):
I'm not dead yet.
The EMT show up and do theelectric bottle.
That's where she gets theelectricity this time, but
before this happens.
Speaker 1 (37:42):
Alice comes home 600,000 ampules.
Don't worry, it was.
No, it wasn't.
Speaker 2 (37:45):
Just don't worry, it was.
No, it wasn't.
There's no way it was.
But anyway, before all thishappens, ellis comes home from
his run.
He's like showering, she packsup all her stuff, she leaves and
he's like questioning his dadLike where's the keys, like what
happened?
What did you do?
Like what did you say?
And his dad's like do you loveher?
He's like do you love?
Speaker 1 (38:04):
her.
Did he do the fingers?
Yes, yeah, he did you belong inthe museum?
And he's like yeah.
Speaker 2 (38:12):
And he's like go.
And he tosses him the keys likego, get her kid.
He's like my time was over.
He's like I blinked her in the60s.
Speaker 4 (38:21):
It was awesome.
Speaker 1 (38:27):
It.
It was awesome, it was fresh.
Take it now.
Yeah, go get some of that.
I bequeath her to you.
Speaker 2 (38:30):
So he drives off after finds her, calls the
ambulance.
I'm wondering how much time shewas there clinically dead.
At least two minutes.
Yeah, at least two minutes.
I got you for two minutes.
So they rip her clothes off butthey don't show, which is kind
(38:51):
of lame.
They defibrillate her andthere's no way.
It's the same amount of amps.
Speaker 4 (38:59):
It would be funny if it was Sure is.
Speaker 1 (39:02):
She just explodes.
Speaker 4 (39:02):
It's hooked up to the ambulance like battery.
They look at the paddles likeoh, Clear Bah, you should see
birds fall out of the tree nextto it.
Speaker 2 (39:14):
No, it just cuts to the scene from T2 with the nuke
going up.
Speaker 1 (39:17):
So I take it like they take away her ability to
live forever with that right.
Speaker 2 (39:21):
Yeah, the narrator tells it.
Now here's my question.
Speaker 1 (39:23):
Well, you don't know for sure.
Speaker 2 (39:25):
Well, yeah Well, the narrator tells you.
But it'd be cool if it was likethe Last Crusade, where she
just like instantaneously is.
She starts catching up.
That'd be wild Anyway.
So she meets in the hospital.
Her daughter comes, she meetsAlice and now she's very happy
because Alice knows what's goingon with Adeline and they all
(39:47):
meet as a family.
So now the daughter has like a30-year-old stepdad and she's
like 82, which is wild.
And then a year later they'releaving to go to some New Year's
Eve party and she walks by themirror and then comes back and
pulls out a gray hair.
Speaker 4 (40:01):
And smiles.
Speaker 1 (40:02):
And smiles.
Speaker 4 (40:03):
She's so right End film we all know that's fake.
Speaker 1 (40:06):
She'd be in that car, driving, looking for snow,
challenging the gods.
Speaker 4 (40:12):
One more time Be drifting corners just trying
something.
Speaker 1 (40:15):
Hit me.
Hit me, I want you to hit meCome on.
Speaker 2 (40:22):
I give this movie a three out of ten.
Speaker 1 (40:25):
Wow, I have some questions.
So a she only has the one kidthe whole, the whole age of
Adeline.
Speaker 2 (40:33):
Yeah, she has a daughter named Fleming.
Speaker 1 (40:35):
Okay, which is a great name, um, all right.
Well then that that there's noway to answer any of my other
questions, like is she stillcapable of having kids?
Speaker 2 (40:47):
Well, if she got knocked up while she still had a
not aging power, would thechild age, or would it just be
permanently an infant?
Speaker 1 (40:56):
That's a good question.
That's a pro-life movie.
Speaker 2 (41:00):
Could she actually get sick?
Speaker 4 (41:03):
Yeah, I wonder if it would transfer.
Speaker 2 (41:04):
Is this a superhero movie?
At the end of the movie you seea guy, a bald guy, in a
wheelchair wheel up and it'slike heavily implied it's
Charles Xavier.
Speaker 1 (41:16):
Nick Fury's like we need you for the Avengers
initiative.
Speaker 4 (41:20):
No, he knocks on the door as she's pulling the gray
hair out.
He's like ah, never mind, Rollsaway, we already got one of
them.
Speaker 1 (41:28):
But Old.
If it is a superhero movie,whatever she's supposed to be
fighting, she sucked at.
I don't know what is shesupposed to be fighting herself.
Speaker 2 (41:39):
The FBI, I don't know .
Yeah, yeah, yeah, because, liketowards the end, her mom, her
mom's like telling her, likeshe's like you can stop running,
she's like nobody's chasing you.
Speaker 1 (41:48):
Do you know how complicated that relationship
would be if, like you, werehooking up with a 108-year-old
woman and like you know you'retalking about, like you want to
Uber Eats you know some dinnertonight and she's like your
fandangled technology Back in myday.
Uber and she was like yourfandangled technology Back in my
(42:12):
day.
Speaker 4 (42:12):
Uber was a bad word from the Nazis Uber, uber.
Yeah, I give the movie five outof ten Because it is good if
you don't try to look too muchinto it.
Speaker 1 (42:22):
I give it a ten out of ten if you go off of my plot.
Speaker 2 (42:24):
All right, mitch, you're giving it a five out of
ten.
Hayden, what's your Well?
You didn't even into it.
I give it a 10 out of 10 if yougo off my plot.
All right, mitch, you're givingit a 5 out of 10.
Hayden, what's your Well?
You?
Speaker 1 (42:28):
didn't even watch it.
I didn't watch it, Just putlike DNF Did not finish.
I checked out of a race, Ipulled a hamstring and couldn't
do it, so combined this movie.
Speaker 2 (42:49):
I'd entertain this score of a four out of 10.
Yeah, put it on our stuff later.
Speaker 1 (42:51):
Yeah, put on our website.
We'll just start listing themovies and what we gave it.
Speaker 2 (42:54):
Yeah, yeah, there you go like a link to the episode.
It's like, if you want tolisten to us, go on side
tangents about nonsense while wetry to review this film
speaking of harrison ford.
Speaker 4 (43:03):
I saw this video and they're like it was a tick tock
and somebody was like I guessthey haven't seen.
Uh, one of the Indian.
What's the?
What's the one where he shootsthe guy?
Speaker 1 (43:11):
The first one yeah.
Speaker 2 (43:15):
This is a lost star.
Speaker 4 (43:16):
They're like I guess he hasn't seen Indiana Jones,
cause there's this guy in a gymand he's doing like these karate
poses and stuff in front of acop and the cop goes, when you
shoot him with a taster, likethe cop's not standing like in a
fight, stand or nothing, he'sjust standing there and he just
goes pow.
Speaker 2 (43:29):
He's like I don't have time for that he just takes
his.
Speaker 4 (43:32):
Yeah, it's funny.
Ride the light.
Speaker 1 (43:35):
Well, female audience , we care obviously Listening to
our riveting review this moviethat you have picked and we're
so grateful and we want you toknow that this was our
respectful, tasteful means ofOnly two of us watched it, we
just ripped the movie apart thewhole time.
Speaker 2 (43:56):
You're destroying a film you never saw.
Speaker 4 (44:01):
I have to say I did check our metrics and a majority
of our people that listen orwhatever it's like men from 25
to 45 and like basically men 25to 45 yeah, and four women, and
one of them is my wife yeah,yeah.
Speaker 1 (44:21):
Well, you know that's a majority of our audience what
can you do?
Yeah, I mean maybe like, uh,maybe somebody, some, some lady
out there is like you know.
That's the majority of ouraudience.
What can you do?
I mean, maybe, like, maybesomebody, some lady out there is
, like you know, trying to pushher husband to watch this movie
and he listens to our podcast.
He's like no way.
Maybe he'll like get all thejokes and stuff.
He's like nah, watch it now.
You giggle at all the wrongplaces.
(44:42):
You're welcome.
That could be our new shtickfor the podcast.
Like, hey, this is what youneed to think about when you're
watching this chick flick withyour wife.
Speaker 2 (44:53):
Buddy Buddy, not your buddy pal, pal friend, not your
friend guy, thank you, thankyou all for participating in
that.
Speaker 1 (45:02):
Yeah, all right.
What do we do now?
Is there trivia for Age ofAniline?
No, is that how it fails?
Yeah.
Speaker 2 (45:09):
Yeah, you would, even though we told you like
verbatim what almost happens inthis movie.
Speaker 1 (45:15):
I misread the text and I started reading the wrong
you know movie.
Speaker 4 (45:19):
You started reading the wrong movie.
Speaker 2 (45:20):
I started reading the wrong.
Hayden doesn't watch, he readsfilm that's right.
I am that sophisticated he haslike the film actually sent to
him and he just like goes by.
Speaker 1 (45:28):
He takes an outlook to the light he's like oh yes,
that's right back in my day,movies were books television was
books well, that was fun, thatwas fun do we have anything else
we need to do this episodeMitch?
Speaker 4 (45:45):
I mean it would be nice if people would comment
like subscribe.
Speaker 2 (45:48):
Ring the bell.
Speaker 1 (45:49):
Yeah, give us another movie that we will tastefully
review.
Speaker 4 (45:53):
Oh, I did have one other thing.
Speaker 2 (45:54):
Hayden might even watch it.
Speaker 1 (45:55):
I might even watch it .
Speaker 2 (45:57):
I will watch it If you could be bothered.
Speaker 4 (45:59):
I will watch it God.
I did have one other thing, Ithing.
I wanted to introduce avoicemail where people could
call in and we could, you know,record the voicemail, play it
back if you have movies, youwant us to watch movies that you
watched along with us and wantto give your opinion real
quickly.
Um, the number is 404-578,sorry, six, 770-608-9958.
(46:21):
I was like leave a voicem.
Speaker 1 (46:22):
Were you about to give out your phone number?
Speaker 2 (46:24):
No, my phone number.
Speaker 4 (46:29):
I was like I was waiting to watch his face.
Speaker 2 (46:33):
Once he said five Saturday, I was like you can
call.
Speaker 4 (46:36):
you can call mine.
Speaker 2 (46:37):
I don't answer anyway , so I was about to like stab
you in the hand with my pen.
Speaker 4 (46:41):
Yeah, if you, if you want to leave a voicemail
770-608-9958.
Is that really your phonenumber?
Yeah, yeah, they can call andleave a voicemail Once again,
that number was 555-555.
Look, if you don't want to talk, just tell me.
Speaker 1 (46:57):
Yeah, I don't answer the phone anyways, unless it's
somebody that already has itnamed, programmed in.
Mitch is going to answer thephone one of these days, the
person is going to be like Iwasn't expecting to talk to you.
Speaker 2 (47:06):
He wheezed at me.
Speaker 4 (47:07):
It'll be my kids watching and they'll answer it.
Speaker 1 (47:10):
It's like hello, it's a very professional podcast.
You guys got there.
Speaker 2 (47:14):
We're going to have a hotline.
Speaker 4 (47:16):
It'd be fun to hear from some of our listeners.
Anybody has the guts to call in, not scared.
Speaker 2 (47:25):
Bet, you won't you sissies.
Speaker 1 (47:28):
All right, but we will like play there.
Speaker 4 (47:30):
Yeah, I'll get it recorded and I'll play it on
there.
Speaker 1 (47:33):
What if they like you like, wake up and there's like
30 voicemails from the samenumber and then you listen to
like the last one.
It's like listen all right thatnever will get blocked.
I screwed up on the first one.
You know how you call somebodyand you're like, oh crap, you
try to delete the voice.
Hang on, I'll call you rightback.
Speaker 4 (47:50):
You get two tries After two.
I'm deleting it all.
Speaker 1 (47:54):
Make sure you call at 3 o'clock in the morning.
Speaker 3 (47:56):
I don't care, it's on silent.
Speaker 1 (47:58):
Yeah, all right, just don't call during the podcast.
Speaker 4 (48:02):
If I get too many calls, I'll just start
forwarding to some other people.
Speaker 2 (48:06):
Yeah, forward it to Abe.
Speaker 1 (48:07):
Well, that was fun.
This might be a short episode,but we actually have a lot
scheduled to come out this week.
Speaker 2 (48:12):
Well, not this week.
Speaker 1 (48:14):
These next few weeks.
Speaker 2 (48:15):
Weeks.
Speaker 1 (48:18):
But yeah, thanks for listening and if you have any
other movie recommendations, hitus up and we will legitimately
review anything that you guyssend us.
We've reviewed, if you lookthrough our history, some pretty
bad movies, Not saying thatthis is the greatest movie, but
it's definitely not the worstthat we've seen We've made it
(48:38):
kind of a thing for ourselves.
Speaker 4 (48:39):
Also, we're going to try and make some merch that you
can find some shirts orsomething like that soon, if you
have any ideas of stuff thatyou would like to find some
shirts or something like thatsoon.
So if you have any ideas ofstuff that you would like to see
, like cups or mugs or anythinglike that, let us know kind of
what you're looking for.
Speaker 1 (48:50):
A koozie Fuzzy handcuffs.
Speaker 4 (48:52):
It could be done?
What?
Speaker 3 (48:54):
Who said fuzzy handcuffs?
Speaker 1 (48:57):
Get your entertainment.
Fuzzy handcuffs.
Speaker 4 (48:58):
Personally ingrained with ET Exclamation point Okay,
every cuff All right, okaysurprise you every cuff
Speaker 1 (49:07):
alright.
Well, I think that's goodenough for now.
I think that's enough.
Speaker 2 (49:10):
Enough of this nonsense, appreciate it.
We thank you for listening andwe hope you check out more of
our other episodes.
And I'm Tom.
I'm Hayden, I'm Itch and we'llcatch you on the next one hey,
you turned off my end.
Speaker 4 (49:21):
You turned mine off.
I can't hear myself.
Good, but I'd like to hear me.
Speaker 2 (49:28):
I love the sound of my own voice Hayden Brandon 2025
.
Speaker 4 (49:36):
Yeah, I'm wondering if I started reading your phone
number off of you and recognizedit right away.
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