In episode four of our Visionary Remakes season, we cross-examine two versions of Cape Fear, the original starring a creepy and enigmatic Robert Mitchum, and the 1991 remake from Martin Scorsese starring a crazed and manic Robert De Niro.
Special Guest: Amanda Jane Stern - writer, producer and star of the award-winning psychosexual thriller Perfectly Good Moment. Streaming now on Tubi! Co-host of the podcast Don't Be Crazy.
Both versions of Cape Fear are anchored by dazzling performances of the antagonist, Max Cady. Robert Mitchum reduces the overtly violent nature of Cady in order to play up his cleverness, obsessiveness , and wiliness. De Niro goes over the top in his version of Cady, playing him as zany, an almost comical but brutal cartoon villain. This difference underlines the drastically opposed tones, vibes, and outcomes of each version of Cape Fear.
The 1962 original focused on the limits of justice. It clearly asks and attempts to answer where the line between enforced law and moral justice lives, albeit wrapped in a juicy and sensational B-movie plot. Scorsese's 1991 remake does not ask those questions, but it does drench us in pulpy genre stimuli: graphic violence, improprietous sexuality, and domestic disputes. The debate we have in this episode is whether either film is successful in its intended mission. Is the original too flat for a genre flick and perhaps too lofty to escape pretension? Do Marty and De Niro swing away and strike out, can a trashy thriller be too much even if it attempts to do nothing more than shock?
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