Fighting to Tell the Truth: Why every Film about War is an Anti-War Film

After almost two decades in limbo, Michael Pack’s once-rejected Iraq War film finds its moment — a reminder that even the most supposedly “patriotic” war stories reveal the tragic cost of battle.

Seventeen years after PBS rejected his Iraq War documentary The Last 600 Meters as “too pro-military,” conservative filmmaker Michael Pack is finally seeing it air — fittingly, on Veterans Day weekend. Pack reflects on why he believes documentaries are the “second draft of history,” why every war film is, at its core, an anti-war film, and how America’s shifting attitudes toward the military say as much about our politics as our wars.

1. History’s second draft.Pack sees documentaries as the “second draft of history,” a way to capture the ground truth before time erases memory — not to debate the causes or meanings of war, but to record what it actually felt like to fight.

2. Too pro-military for 2008, perfect for 2025.PBS first rejected The Last 600 Meters as “too pro-military.” Seventeen years later, the network is airing it before Veterans Day — proof, Pack says, that America’s cultural attitudes toward the military have shifted.

3. A non-woke filmmaker’s battle.Pack, long identified with the right, argues that the documentary world is dominated by the left. His new company, Palladium Pictures, trains “non-woke” filmmakers to tell stories that aren’t polemical but still reflect a wider range of perspectives.

4. Every war film is an anti-war film.For Pack, heroism and horror are inseparable. His Marines cross kill zones under fire, rescue the wounded, and witness the smell and trauma of war — “heroic and tragic,” he says, in the Kubrickian sense.

5. America’s unfinished war with itself.Pack’s Iraq film and his upcoming documentary on the Afghan withdrawal reflect what he calls “the failure of American elites.” From Vietnam to Afghanistan, he argues, the question remains: can America still fight and win wars?

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